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    Where Even Concrete Is Expensive, Artists Must Get Creative

    by Jess Castellote Feb 12, 2014 3 minutes

    The atmosphere in El Anatsui’s studio is somewhere between a Renaissance artist’s workshop and a recycling plant. The roof is made of thin, uninsulated metal sheets that offer little protection against the hot Nigerian weather. Bags overflowing with bottle tops, bought from local distilleries, are piled all over the floor. Around a dozen young men can be seen cutting, flattening, folding, punching, and tying together pieces of metal into small blocks, which Anatsui tests in different combinations until he is satisfied.

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