ArtAsiaPacific

Beneath the Surface

1 Farah Al Qasimi

NEW YORK

In Farah Al Qasimi’s photography, what isn’t visible is just as important as what is. The Abu Dhabi-born artist, who graduated from Yale University in 2017 with an MFA in photography, often partially obscures her subjects, highlighting the ways in which our perceptions of identity are reliant on contextual details that, in Al Qasimi’s works, are notably absent.

In her practice, Al Qasimi grapples with notions of Arab masculinity and visibility in the post-9/11 American landscape. For example, in (2017), we see the silhouette of a man standing behind a lectern, the only visible elements of his identity being his beard and turban—details that are frequently codified by the

You’re reading a preview, subscribe to read more.

More from ArtAsiaPacific

ArtAsiaPacific4 min readWorld
Regions for Growth
Singapore’s warm air of optimism comes from the influx of new-moneyed immigrants despite the recessionary winds hitting the region caused by the dwindling growth rate of the Chinese economy. In its second edition at the Expo and Convention Centre at
ArtAsiaPacific3 min read
Hong Kong
Tai Kwun Contemporary Comics, illustrations, graphic novels, and animations are seldom exhibited at art museums, as many of these mediums still rely upon traditional narrative structures of storytelling. Likewise, although their discernable visual id
ArtAsiaPacific3 min read
Milan
Pirelli HangarBicocca Thao Nguyen Phan’s works are at once beautiful and devastating, their harrowing stories poetically revealed like emotional gut punches. And one is struck by the extent of the tragedy and the burning shame at knowing almost none

Related