BOLD STROKES

Watch Marilyn Wells sweep black soot ink over a handmade sheet of mulberry paper and you’ll undoubtedly be struck, and the picture is completed,” says the Denver-based artist, who happens to be the mother of beauty-industy mogul Margot Elena. But Wells’ work in (the Japanese art of monochromatic ink painting) is deceptively simple. Those spontaneous strokes are released after a period of quiet meditation, often over a few lines of poetry (works by Rumi and Mary Oliver are favorites), and informed by a lifetime of art-making. “People will ask, ‘How long did that piece take you?’ and my response is always, ‘About five minutes and 50 years,’ because it took that long to bring myself to do something as esoteric as this,” says Wells, who shifted her focus from figurative oil paintings to in the last decade. The method of ink-wash painting, which traditionally features shades of black or gray and a focus on a subject’s spirit, isn’t widely practiced in the States. As a result, says Wells, who often can’t resist adding a splash of vibrant color, “there is no style; no right or wrong way to do it, but it needs to come from heart and soul.”