1 REMBRANDT

In this three-part series, we will look closely at a few paintings in terms of how they have been composed. I teach a class at The Heatherley School of Fine Art called “Drawing from Paintings in London Collections”, which normally involves a group of us meeting up at a different gallery each week, with camping stools under our arms and heading in to look at, talk about and draw from the paintings.

When the first lockdown hit, I, like a lot of people during that time, found it difficult to continue drawing.