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The Unnaturalists
The Unnaturalists
The Unnaturalists
Ebook324 pages5 hours

The Unnaturalists

Rating: 3.5 out of 5 stars

3.5/5

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In an alternate London where magical creatures are preserved in a museum, two people find themselves caught in a web of intrigue, deception, and danger.

Vespa Nyx wants nothing more than to spend the rest of her life cataloging Unnatural creatures in her father’s museum, but the requirement to become a lady and find a husband is looming large. Syrus Reed’s Tinker family has always served and revered the Unnaturals from afar, but when his family is captured to be refinery slaves, he finds that his fate may be bound up with Vespa’s—and with the Unnaturals.

As the danger grows, Vespa and Syrus find themselves in a tightening web of deception and intrigue. At stake may be the fate of New London—and the world.
LanguageEnglish
Release dateAug 14, 2012
ISBN9781442422087
The Unnaturalists
Author

Tiffany Trent

Tiffany Trent is the author of The Tinker King and The Unnaturalists, which won a Green Earth Book Honor. She is also the author of the Hallowmere series and the recipient of a Society of Children’s Book Writers and Illustrators Work-in-Progress Grant. Her short stories have appeared in Magic in the Mirrorstone, Corsets and Clockwork, Willful Impropriety, and Subterranean magazine. She lives with her family in the Blue Ridge Mountains of Virginia. Visit her at TiffanyTrent.com.

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Rating: 3.5714286337662338 out of 5 stars
3.5/5

77 ratings13 reviews

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  • Rating: 3 out of 5 stars
    3/5
    Slow to start. Vespa Nyx is kinda hard to like at first. Would like to know more of Syrus Reed and the Tinkers, thougn,
  • Rating: 1 out of 5 stars
    1/5
    Such high hopes for this book but everything fell flat. I rarely DNF books but I was sorely tempted...*insert gif of banging my head against a desk* here This book was so frustrating!@ But I persevered and finished it. Nothing in this book rang true. The story felt random and unsure of itself. The world building was all over the place. The characters were uninteresting and lacked emotion. I could not get into this book.
  • Rating: 4 out of 5 stars
    4/5
    This story takes place in an alternate London that was somehow swept into another world complete with and run by elementals and other magical creatures. The main characters are these: Vespa Nyx who is the daughter of a man who runs a museum filled with these magical creatures. Vespa is content with her life cataloging the unnatural creatures and creating displays;Syrus Reed who is a Tinker whose family lives on the edge of society and take care of the magical creatures who live in the woods. He also has the unique ability to communicate with the unnaturals; the third main character is Pedant Hal Lumin, otherwise known as Bayne Grimgorn, who is an Architect. Architects study magic and try to free captive elementals.The main villain of the story is Charles Waddingly who has been taken over by a Grue and who wants to reopen the portal that would take him back to our Earth. And he is willing to kill huge numbers of elementals to accomplish his goal.The setting of this story is an interesting combination of Victorian and Bourbon French and takes its social cues from both cultures. New that Vespa is growing up, she is being taken away from her life at the museum to prepare to find a suitable husband. Then she meets Lady Virulen from the highest level of society and is invited to be her companion. Lady Virulen has seen her doing magic and wants Vespa to do magic on her behalf. She blackmails her into doing a spell to help her catch a rich and titled husband. Unfortunately, the rich and titled man she wants is the same Bayne Grimgorn that Vespa has a crush on. This was an interesting and engaging story. The best audience for this one would be readers who like fantasy and magic.
  • Rating: 4 out of 5 stars
    4/5
    If you like this, then try Rebel Mechanics.
  • Rating: 4 out of 5 stars
    4/5
    It was a fun mixture of steampunk and fantasy. It was very refreshing after so many of the cookie-cutter dystopian YA's I've read lately. It's a bit formulaic and predictable but still a very enjoyable adventure and I was glad that the romance elements did not take center stage.
  • Rating: 3 out of 5 stars
    3/5
    This book is going to be difficult to review. There was so much going on in the story that frankly, I got confused. Many characters (3 main ones), multiple plot lines, characters with additional lives... all together - a lot going on. The story is about a girl who is really a witch (even though one exist), a boy who is also magical (but exiled) and the unnatural creatures in their world. I'm reading the second book so I can hopefully figure out everything that is going on... All told, I would recommend this book to upper teens.
  • Rating: 4 out of 5 stars
    4/5
    A solid steampunk novel. Better than most of the other YA Steampunk I've read. There are a few plot points in which I wish Trent had slowed down, but the pacing is quick in a good way through most of the book. Excellent female lead character who remains strong throughout. Recommended (especially for SF-minded middle schoolers).
  • Rating: 4 out of 5 stars
    4/5
    A steampunk-ish novel set in the alternate world of New London, where science is a religion, and magic shunned. You have the daughter of the head of the museum, who works cataloging 'unnaturals', or magical beings, but who is pressured to give it up and make a good marriage. You have a young boy from the Tinker clans who live outside the city, and revere magic, who seeks to avenge and rescue his people. A mysterious magic user who allies with them both. A truly evil foe. Even the benevolent magical beings are frightening and awe inspiring. The story switches viewpoints back and forth. At times, there's almost too much detail, but still, a fascinating alternate world, where nothing is what it appears to be. The main characters have their faults-I find myself wanting to shake some sense into the heroine, and tell the mage to quit being so secretive with his allies! But, a decent read.
  • Rating: 3 out of 5 stars
    3/5
    Plot: 4 stars
    Characters: 3 1/2 stars
    Style: 2 1/2 stars
    Pace: 2 1/2 stars

    This was an odd book. At once steampunk and fey, but it balances the two VERY well. My only real gripe is that there were parts that bored me to tears, and the style was distancing. I found it hard to really care about any of the characters, but the concept was interesting enough to keep me reading.
  • Rating: 4 out of 5 stars
    4/5
    An almost steampunk plus fantasy mashup that ended up being rather enjoyable. Vespa wants nothing more to work in the museum with her father, but there's something about her that's not quite right -- it turns out she has magic. And while she lives in a world that thrives on magic, her father and the people in her city don't want to have anything to do with magic. Which means that Vespa finds herself in the middle of a battle she didn't even know she was meant to be fighting. There are other characters, Syrus (who has magic of his own), who tries to convince Vespa of who she is (and fails, of course!) and Hal (not his real name) who plays the love interest (and that is truly a great subplot) but also someone who helps Vespa discover who she is. I don't know if we'll have more books in this world, because Trent did a great job of wrapping things up, but I hope we do, but the world is great and has lots of potential.
  • Rating: 4 out of 5 stars
    4/5
    A dystopian world set in a Steampunk environment. Vespa wants to bury herself in her work at the museum but after trippng a field and freeing the Sphinx this may not be possible. Enter a young man with strange secrets who wants to involve Vespa in a dangerous rebellion.
  • Rating: 3 out of 5 stars
    3/5
    Review courtesy of All Things Urban FantasyThe worldbuilding in THE UNNATURALISTS is top notch. Fantastical creatures, mysterious magic, deadly consequences for those who misuse it, and an origin story that is so good it deserves it’s own book. An entire society sprang up after Tesla–yes the Tesla–broke through to another world and took half of London with him. There is no way back, so New London has progressed from this point in several alternate ways from ours. The Victorian era never ended, and Steampunk/magic progressed. Science and Logic are the religion of the day with references to St. Darwin and St. Bacon. All these little details unfold beautifully and naturally throughout the book without ever resorting to dreaded info dumps.Of the two protagonists in THE UNNATURALISTS, I only ended up connecting with Vespa, the curious and ambitious daughter of The Museum of Unnatural History curator. She had a contagious excitement about the creatures she studied and a reckless streak that got her into just enough trouble to be interesting without being foolhardy. Syrus fell a bit flat for me. He was written in 3rd person and is much younger. His life as an outcast Tinker just didn’t grab me even as numerous tragedies befell him.There is a small romance in THE UNNATURALISTS, though not between Vespa and Syrus. It didn’t quite come together for me as I never fully bought into Vespa’s attraction for this guy. She fell pretty quickly and repeatedly threw herself at him. I would have preferred it if Vespa had kept her hormones in check and let the potential relationship simmer. I didn’t end up feeling her anxiety when various obstacles sprang up between them.Splitting chapters between two protagonists slowed things down as ultimately only one had a compelling story. The romance also failed to entice. The real saving grace is the worldbuilding. The amazing New London and even more amazing history in THE UNNATURALISTS make it a good read for Steampunk fans. No word on a sequel, but the ending certainly leaves room for a potential series.Sexual Content:Kissing
  • Rating: 3 out of 5 stars
    3/5
    Review courtesy of Dark Faerie TalesQuick and Dirty: Two teens fight to save the world from destruction. Opening Sentence: The sphinx stared at me from her plinth. The Review: Vespa doesn’t want to conform to the usual role of a lady. Syrus has a power that has to be kept secret. Both want to change the current world they live in. Together their fates are cleverly intertwined. The story is told from both Vespa and Syrus’s points of views. For those looking for romance, The Unnaturalists is not where you find it. The Unnaturalists is a steampunk/dystopian/fantasy/mythology filled book that follows Vespa and Syrus in their mission to save the world. This book has great world-building, and it’s not piled all at the beginning. Throughout the book snippets of details and such are exposed and builds on the setting. This world has a religion based on all of the old scientists like Darwin and Telsa and such. This little tidbit was a turn-off for me because of what I believe and because it was such a major part of the world, but for others it may be of no consequence. Mythological creatures are a main factor in the story. Vespa and Syrus are trying to save them from captivity, but the actual animals aren’t explained fully, making some parts a bit confusing. But some of this could be because it is an ARC (it’s just tiny mishaps and whatnot — nothing big). Trent’s writing was great, beautiful and deep descriptive words and an elegant prose that comes with the Victorian era. Action-packed and full to the brim with intrigue, this book was alright. The plot was great. The writing was nice. But the book had so many things going on, it overwhelmed me. It’s like Lia Habel’s Gone With Respiration Series in a way. There are so many character arcs that it gets overwhelming (not necessarily confusing). The ending was satisfying (no huge cliffhangers or big questions up in the air), but there are small strings that need to be answered, leading us to the next book in the series. Notable Scene: “Maybe the Beast ate him,” Syrus said. He wished it were so, despite what the sprites had said about the Law of their kind. “We can only hope,” Bayne said, trying to hobble faster. When they finally cleared the temple mouth, Bayne removed his arm from Syrus’s shoulders and draped himself inelegantly over a boulder. Syrus waited for only a moment, looking back toward the dark entrance. He shifted from foot to foot before he finally opened his mouth. Bayne held up his hand. “Take my sleeve.” Syrus grasped his magic-stained lace cuff. And then everything–heart, breath, blood, thought–was ripped apart.FTC Advisory: Simon & Schuster provided me with a copy of The Unnaturalists. No goody bags, sponsorships, “material connections,” or bribes were exchanged for my review.

Book preview

The Unnaturalists - Tiffany Trent

CHAPTER 1

The Sphinx stares at me from her plinth. I edge closer, daring her to open her mouth and enspell me with her riddles. She crouches, eyes a-glitter, teeth gleaming through parted lips.

But she never moves.

She can’t, trapped as she is by the paralytic field that holds her suspended. Once, the Museum of Unnatural History stuffed specimens of the Greater Unnaturals instead of presenting them like this. There are a few of them still in odd corners of the Museum, but they never fare well. Most have crumbled into dust. Decades ago, the paralytic field was developed by a Pedant working for the Raven Guard, and we use it to hold the larger specimens we otherwise couldn’t. Only the Lesser Unnaturals—sylphids and the like—are stuffed and mounted now, and I do most of that work.

Which means, basically, that the Sphinx crouching just beyond the pulsing blue light is alive, even if she can’t move. I’m certain she would eat me if she could.

I like leaning in toward the field, tempting her, tempting Fate. (Though the saints know a devotee of the Church of Science and Technology should not even think of temptations or Fate). I like the way the etheric energy buzzes and tingles just at the edge of my skin.

A patron—some dowdy woman with a whimpering babe in a perambulator—makes disapproving noises. I lean closer to the field, so close the energy leaks into my nose and the corners of my eyes. I look over at the woman and grin while my hair crackles.

We used to do this with the little kobold on display at Miss Marmalade’s Seminary for Young Ladies of Quality. None of the other girls thought anything of it, until I told Effie Lindler how to trip the field.

I didn’t think she’d do it, of course! But when she did, it was quite possibly the best day of all my sixteen years.

The kobold wreaked havoc, cursing Miss Marmalade with the Malodorous Slime and turning Effie into a cow. For some reason, he left me unharmed, even giving me a slight nod as he leaped from the dance hall window. I don’t know if the kobold was ever caught, but the upshot was that Father and some junior Pedants were called in to clean up the mess, I was expelled, and I’ve been here in the Museum working for Father ever since.

That was almost a year ago. I’m very nearly seventeen now, and those days of fun are over. Besides, this field is much stronger than that at Miss Marmalade’s. One would have to be as powerful as a witch or warlock to trip it, much less survive trying. Since all magic (except that sanctioned by the Empress) is heresy, there’s nothing to worry about there.

But I can’t resist teasing this woman just a bit more. I spread my arms as if hugging the wall of energy to me. She gasps. The needling oddness hovers at my fingertips.

Then, the unthinkable happens.

Someone pushes me hard in the back and I pitch forward.

The woman’s scream follows me through the pulsing curtain. The etheric energy zips across my eyelids, my wrists, slithering down my stockings into my boots. I am suspended in the crackling field for several seconds before my palms and knees hit the floor.

I breathe slowly, afraid I’m nothing more than a cinder. But cinders don’t breathe. Nor do they think. It’s impossible, though, that I’m still alive. I should be burned to a crisp.

The field is down. Somehow, I’ve tripped it, though that, too, should be impossible.

The Sphinx’s claws splay before me, five perfectly curved scimitars. One lifts and ticks against the marble plinth as the beast stretches her toes.

I may not be alive for long. Lucky for the screaming woman that she’s managed to faint dead away.

I probably should recite Saint Darwin’s Litany of Evolution now, but the words of my patron saint escape me. Something about all of us being tiny twigs on one small branch on the Tree of Life, et cetera, et cetera. I can’t remember. Terror dissolves whatever words lurk on my tongue.

I hear a sound, as of a thousand buzzing bees. The sound might almost make words, except that I know Unnaturals cannot truly talk. Oh, there are stories, of course—the Riddle of the Sphinx, for example—but it’s been definitively proven by our Scientists and Pedants that Unnaturals are dumb, irrational creatures. Like dogs or horses, only perhaps a bit more cunning and certainly more deadly. Because they have magic.

Be still! someone shouts through the sudden silence.

I’m trying to place the owner of the voice—someone male and educated. And youthful.

And do not look into her eyes, he says, coming closer.

I search my memory as to why I shouldn’t look into the face of the Sphinx—isn’t it the Basilisk one is supposed to avoid?—but that information is as inaccessible as the Litany. So I don’t look up. I look aside at the owner of the voice instead. He wears the teaching robes of a Pedant, though he isn’t wearing a wig. He’s so young that I check to make sure he isn’t wearing Scholar robes. But no. He has the braid on the collar and the long, colorful tassels, even if his garment looks a bit ragged.

He isn’t particularly handsome. Something about his face looks wrong, but I can’t tell if that’s because I’ve been nearly blinded by falling through the field or . . . It’s as though he’s blurred at the edges. I blink, trying to place his shifting features as he signals to two Scholars to remove the petrified woman and her babe. I know every Pedant here, but I have no idea who he is.

He crouches at the burn line that used to be the edge of the field. He holds out a hand, his easy smile betrayed by the concern in his eyes. For one second, I think I see his face clearly, like sun breaking through cloud, but then he speaks.

Come to me slowly.

I focus on his eyes, blue beyond all Logic. I am terribly annoyed that I’ve even noticed the color of his eyes. I turn from him, trying to stand on my own. The Sphinx’s gaze catches mine. And then I’m frozen, unable to feel my cramped toes in my too-small boots anymore.

The buzzing grows louder, almost intolerable. The Sphinx is so close I can smell her breath—metallic and dry as an iron desert.

The Pedant whispers something I can’t hear, pulling me by the wrist and thrusting me behind him. He steps between me and the Sphinx, breaking her hold. The buzzing seems to migrate from my ears into my limbs.

The Sphinx turns, intent on this Pedant who has placed himself literally in the jaws of Death to save me.

I take two more trembling steps backward, but I can’t look away from the Sphinx and the new Pedant. A strange glow, like the faintest of fields, dances across the man’s fingertips. All sound drains away. It’s as though we three are indelibly etched on the air of the hall—girl, man, and monster—and everything around us has faded into ghosts and shadows. The Pedant retreats slowly so that the burn line is between his scuffed boots and the Sphinx’s claws.

Raise the field! someone cries. The silence shatters and there’s movement in the alcove where the rusty field box hangs. The switch is thrown and the blue wall rises between the Pedant and the Sphinx, trapping the Unnatural again just before she can leap.

The young Pedant approaches me, and I try to stop gaping, to breathe through my nose again. The crowd surges closer, except for the woman I teased who pushes her baby out of the Grand Hall as quickly as possible. I’m acutely aware that I’m not wearing gloves, that my laboratory apron is stained, and that my hair is probably a sizzling halo around my head from contact with the paralytic field.

My apologies, miss, for my rough treatment, the Pedant says. There’s a glint of humor in his eyes that I mislike. Do you require further assistance?

I draw myself up and look him fully in the face. I thank you, sir, for aiding me—I cannot bear to use the word rescuebut I require nothing further at present.

There are gasps from the crowd. I suppose I’ve insulted him, but there’s something about his manner that’s far too familiar for my liking. Much as Aunt Minta and Father might want me to think differently, I prefer the life of a Scientist, working here at the Museum with Father. It is my most cherished, most secret dream to be the first female Pedant—well, the first in several generations—and no man will overshadow that.

He has the nerve to smile, an infuriatingly charming smile. Very well, then. Until we meet again, I advise you to be more careful where you step, Miss . . . ?

Nyx, I say. His eyes widen as he realizes whose daughter I must be. I will not give him leave to be even more familiar, and I do not ask his name in return.

Miss Nyx. He bows just as Father arrives, pushing through the crowd.

Vespa!

Father takes my hands in his gloved ones. He’s wearing his traveling coat and has replaced his teaching wig with a traveling wig and tricorn. I would ask him where he’s going, but my teeth are suddenly chattering so much that I can’t form words.

I am grateful to you, Pedant Lumin. Father says. His gaze is filled with concern, but his flat tone surprises me. He dislikes this new Pedant even more than I do. Why?

Etheric energy from the field courses through me, unbalancing my humors, jarring my nerves. I grip Father’s hands tighter to stop my fingers from trembling. I try to assess the new Pedant covertly while he and Father make small talk. The glow I saw has faded from him; I’m not sure it was ever there. Perhaps it was a trick of the dim light that sometimes filters in through the skylights. I shake my head. My wits must be addled by the power of the field and the dangerous magic of the Sphinx.

I’m afraid we must be off, Father says, nodding so sharply that his tricorn almost slides off. He releases my hand to right the hat before it can do so. The pressure of his fingers tells me we will speak of this incident later.

Pedant Lumin’s gaze lingers on me. I meet it with raised chin, clamping my lips shut to hide my teeth chattering, as he says, And I, as well; it would be impolitic, I think, to be late for my first lecture.

Indeed, Father says. His storm cloud brows descend. I am reminded that, doddering as he may sometimes seem to me, Father is still the Head of this Museum. Pedant Lumin is very aware of this as well, for he bows and hurries off, his considering glance flitting across me one more time as he passes.

I look up and see Father’s odious assistant Charles moving toward us through the crowd. He’s carrying a giant, iron-sealed trunk. I have no idea how he lifts it with his spidery arms and legs. Utter loathing for Charles replaces my irritation at Pedant Lumin’s familiar manner. His dull eyes meet mine—his regard is akin to having a chamber pot poured over one’s head.

Are you well? Father says. His fingers relax somewhat.

I nod at him.

Vee, I thought we came to an understanding after the incident at the Seminary.

Father . . . I do not wish to discuss this in front of Charles.

I use every bit of Logic and Rationality I possess. I must remain calm. He will never believe me otherwise, even though this time I’m telling the truth. "Father, I promise I didn’t trip the field intentionally. I was pushed."

Father frowns. By whom?

I don’t know. I didn’t see. But somebody had to have done it. I couldn’t have just fallen on my own.

Mm-hm, Father says. He releases my hand.

What’s this, Miss Nyx? Charles asks, obviously trying to pretend the strongbox isn’t nearly tearing his arms from his sockets. His last name—Waddingly—suits him very well. He has a waddish soul, like a lump of something one can’t shake off one’s boot. I secretly call him The Wad.

The trunk emits waves of dark energy. It’s not just nulled to mask the magic of whatever is inside; it’s nevered. A nevered object has such negative power that it has the potential to burn souls, so Aunt Minta says. I don’t know how Charles is holding it without pain, except that I’m fairly certain he has no soul anyway. I can’t bear to get near it. Not that I’d want to be near The Wad anyway.

Did you not hear the commotion as you came in, Charles? Father says. Vee very nearly set the Sphinx free in the Great Hall. She says that someone pushed her through the field. Charles looks around, as if both relishing the mayhem that might have ensued and regretting that he missed it.

You could have died, Miss Nyx. I can’t tell whether he’s disappointed or incredulous that I didn’t. To Father, he says, Everything is in readiness, sir. The carriage awaits.

Father nods, but his dark eyes are trained on me. I’m afraid you’ll have to come with us, Vee. I’m worried about leaving you alone after such an encounter. Thank Saint Newton you survived it!

But, Father . . . I begin. The trembling starts anew. I’m not sure I can manage the delicate work required to mount the new sylphs in their cases in my present condition, anyway. I allow him to escort me from the Museum by the elbow while Charles leads the way with his infernal trunk.

My fancies must be getting the better of me, for I’d almost swear the trapped Sphinx’s grin widens as I pass her.

CHAPTER 2

Syrus Reed sat by the wheel of his clan’s rusting train car, cleaning an old music box he’d found in the City refuse pile. It was an antique, something that worked under its own power, rather than the mysterious myth-power of the Refineries. If he cleaned and replaced the missing parts, he was sure he could get the music box working again. Chickenfeet stew bubbled above the nearby cookfire, setting his mouth to watering. He hoped it would be time to eat sooner rather than later, but he didn’t dare steal a stewed foot for himself for fear of a sharp rap from Granny’s cooking spoon. Somehow, Granny always knew what he’d done no matter how he tried to hide it.

Inside the decaying passenger car, Granny tended to the fussy new baby just brought in from the roadside. The New Londoners abandoned any child who resembled a Tinker or had been born under odd circumstances—children whose laughter moved toys through the air or whose cries caused little rain clouds to form inside the City-dwellers’ lush townhouses before their talents could be squelched by nullwards. Anything that stank of illegal magic was left outside the City gates. Syrus wasn’t sure who would ultimately take the baby—he knew his Uncle Gen and Aunt Jaya had asked for another child whenever one became available.

Syrus sang a charm-song in the sacred language of their people. It was low and soft and sad, but it carried the sound of another world that Syrus could just barely envision through the train car’s open windows. High mountains, tall forests in which strange animals moved through the mists, and glacial plains where flowers bright as stars nodded. A world lost to his people now, but so rich in memory and song.

The baby quieted at last.

Syrus half-smiled. Of all the clan members in Tinkerville, he still had the strongest touch of the old ways. When he sang, even the shyest of Elementals drew near. He could speak to and understand them better than anyone, and he alone was bonded to one of them—the hob Truffler—as all Tinkers had once been bonded to Elementals of old. Such understanding was a dangerous talent that was best kept hidden, especially from the brooding New Londoners who sometimes took it into their heads to Cull the trainyard for new workers for their Refineries. In the last Cull twelve years ago, they’d taken Syrus’s parents. He had been barely two, and their faces were a distant memory to him, kept alive only by Granny’s tales. They had been victims, like every Tinker, of the Cityfolks’ fear and greed.

If the New Londoners discovered one thimbleful of talent among any of the clans, they stamped it out as quickly as you’d behead a poisonous snake. Even though the talents weren’t exactly the same as the magic they so dreaded and feared, even though they most often faded once the Tinkers reached adulthood, the Cityfolk were terrified of the Tinkers who were gifted with them. Granny said that the reason Tinker talents never developed anymore into full-blown magic was because of the disease in the land. Until that was healed, the talents would continue to flicker like candles about to go out. Still, the Tinkers refused to give up teaching their children the sacred language or the old ways, even if they never spoke it aloud where a New Londoner could hear.

Syrus often wished his talent was more useful for something besides speaking to Elementals. If he had real magic, what he would do with it! He imagined tearing down the Refinery and freeing the parents he’d barely known, if they were still alive. Tearing down the walls of the City, even. He imagined the white fires of magic burning through the Refinery smog and the Empress’s Tower opening like a dark flower to the light. . . .

A small, hairy hand pinched his arm. Truffler glared at him. Such bad thoughts, he said.

C’mon, Syrus said, don’t tell me you wouldn’t bring the City down if your people could!

Truffler shook his head. He was hairy all over except for his startlingly bald crown. He came only to about Syrus’s chest, so it was always hard for the boy not to think of him as an odd little child, even though he knew Truffler was older than anything he could imagine. Like most of the Lesser Elementals—trolls, kobolds, hobs—Truffler found mortal speech difficult and spoke in halting phrases.

Not our way, Truffler said. Peace.

But the City doesn’t even belong there! Syrus said. It’s only there because of one Scientist’s big mistake!

Truffler looked at him down his big nose. Peace, he said stubbornly.

Syrus knew it was disrespectful to argue, so he just shook his head and turned back to the music box. He reached for another tool, but Truffler anticipated his thoughts and handed him the tool kit and a bottle of turpentine.

Granny emerged from the passenger car then, her worn shoes and faded skirts almost noiseless on the iron stairs. I didn’t just hear ye arguing with Truffler, did I, boy? Granny asked.

Syrus kept his eyes lowered on his work as she bent near him, inspecting the stew.

No, Granny, he said.

Because it’ll be lessoning time, if that’s the case.

Syrus glanced up at her. Her dark eyes twinkled above weathered apple cheeks. She pushed aside one of her gray braids to reach into her patched coat and draw out her pipe.

"You know that isn’t really much of a threat, Nainai?" He said her title low in the old language.

She tried to look threatening, but a grin split her face after only a few seconds. Syrus loved her stories more than anything; it wasn’t a chore for him to listen as it was for some of the other children.

Granny lit her bowl with a taper, and her whiskered chin puckered as she sucked at the long-stemmed pipe.

Did I ever tell ye about the man whose arrogance cost him his entire life? Granny asked.

No, Syrus said.

Granny chewed on her pipe stem a bit. And then she began. "In a green country far from here, a man of the Feather clan found a box washed up on the riverbank. When he cleared the mud and reeds away, he read these words carved in the old language on its lid: Only the one who is strong enough can bear the weapon inside of me.

"There was no lock and no seal on the box, just that warning. Now this man was the pride of his clan—he was their war leader, because it was back in the days of fighting, and he had forced the rival clan’s daughter to be his bride. He had killed a fierce creature called a bear and wore its teeth around his neck. There was nothing he believed he couldn’t do or withstand. And he had big dreams for the clans. At the time, in that far country, our people lived under the boot heels of warlords who came into the mountains to steal our sheep and our women. This man hoped to rise up against them and throw them out of our land. He was ready to fight, and as he bore the scars of the bear on his chest, he was sure that he could stand up to anything.

He didn’t even wait to get the chest home. He opened it right then and there, sure that the weapon inside would help him on his quest.

Granny paused, drawing deeply on the pipe before exhaling a cloud of smoke.

Syrus remembered the bits of the music box that had somehow drifted out of his fingers and into his lap. Truffler grunted at him. The smell of turpentine from the opened bottle was almost as strong as Granny’s pipe smoke.

And then? Syrus finally said. Because he knew she would expect him to.

The weapon for which he was so eager was no more than a tarnished mirror. He very nearly threw it into the mud in disgust, but then couldn’t resist looking at his own proud, handsome face. Do you know what he saw?

Syrus shook his head, though he had his guesses.

He saw the truth. He saw that his plans for battle would destroy our people. He saw that his wife was sleeping with another man. He saw that everyone thought him a blowhard, a bully, a person of ugliness. But he also saw the man he might become.

And do ye know what he did? Granny asked.

Syrus waited.

"He repacked the chest carefully and took it home. He gave away the bear claw necklace to someone in need of its power. He told his wife she was free to go to her lover. And he sent the chest to his enemies with a note that said: Let there be peace. He went on to become a great leader, and when we needed shelter, the Elementals heard his pleas and granted it to him. He was the first to enter here, and he saved our lives by the way he changed his own."

Syrus snorted.

What? Granny asked. You were expecting something else?

Something more interesting. More dramatic. Like he killed himself there on the river and his blood turned into something horrible. Or—

Granny clucked at him like an aggravated hen. That wouldn’t serve the lesson.

Syrus looked at the bits of music box as Truffler spread its pieces on a little cloth on the ground between them.

The lesson is this, Granny said. Arrogance destroys the future and masks the truth. Let go of your pride and learn who ye truly are.

Syrus nodded, feeling chastened. It was as though Granny had again read his mind and found the thoughts there just as disturbing as Truffler had. And yet it was difficult to unthink them. Even though he hated the City, he was always the first to volunteer to help on Market Day. Something about it fascinated even as it repulsed him. He could have said it was because of many easy marks he found to pickpocket, but it was more than that. There was a mystery buried at the heart of the City that he longed to open wide.

Granny blew smoke into his face to get his attention. She laughed when he coughed and squinted at her through watering eyes.

And learn the lesson within the lesson, she said. There’s more than one way to defeat an enemy. Sometimes the best attack is no attack at all.

From within the train car, a thin wail rose. Granny frowned. That didn’t take long, she said. She rose, still surprisingly spry for however old she might be. Syrus wasn’t sure of her true age, but she had been old for as long as he could remember.

A disturbance at the far side of the clearing drew their attention. A runner came through, pushing past metalworkers and women at their cookfires, nearly tripping over a group of children playing tiles in the dirt.

Headwoman Reed! he

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