Agus Rud Eile De: And Another Thing
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About this ebook
(An Irish-language title) This collection is a collaboration between two different artists working in two different mediums. Kathleen Furey’s images of loss and separation provide a counterpoint to Louis de Paor’s poems which struggle constantly towards light and redemption. The man who speaks to us in the poems is on the brink of middle age. Behind him stand those who have gone before, ushering him on his way and shortening the road ahead. When he looks at those who are still young and innocent he finds it strange that they do not see the shadows that gather around them. Yet, the hope that creeps through the cracks in his heart cannot be stifled.
Louis de Paor
Born in Cork in 1961`, Louis de Paor has been involved with the contemporary renaissance of poetry in Irish since 1980 when he was first published in the poetry journal, INNTI, which he subsequently edited. A four-time winner of the Seán Ó Ríordáin Oireachtas Award, the premier award for a new collection of poems in Ireland, he lived in Australia from 1987 to 1996. He was also granted a Writer's Fellowship by the Australia Council in 1995. His first bilingual edition, Aimsir Bhreicneach / Freckled Weather, was shortlisted for the Victorian Premier's Award for Literary Translation. He is Director of the Centre for Irish Studies at the National University of Ireland, Galway.
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Agus Rud Eile De - Louis de Paor
Blackberries
She plucks blood from the briars,
shadowed eyes as bright
as time to come
that has not yet darkened her days.
If I remember rightly, she says,
a year after our return,
the blackberries aren’t nearly as sweet
as last year’s snow.
The white tide
is high as the sun
surging in her pulse,
and a thorn in her talk,
unbeknownst to her,
skins my fingers.
She wants me to taste
the black sweetness,
bitter as truth
on the tip of my tongue.
If I could take this day
and all the little days
of my life, now gone,
I would; catch time by the throat,
and choke it until it stopped
so she could taste time and again
the leaving light of this day
silent as last year’s snow
that never fell (nor will fall)
upon this earth.
Sméara Dubha
Priocann sí braonta fola den sceach,
súile daite chomh glé
leis an am le teacht
nár dhoirchigh a hóige go fóill.
Más buan mo chuimhne, adeir sí,
bliain tar éis filleadh ón iasacht,
níl na sméara chomh blasta in aon chor
le sneachta na bliana seo caite.
Tá gile na taoide
chomh hard leis an ngrian
a líonann gach cuas dá cuisle,
is dealg sa chaint i ngan fhios di
a réabann craiceann mo mhéar.
Ba mhaith léi go mblaisfinn
den mhilseacht dhubh
atá chomh searbh
leis an bhfírinne ghlan
ar bharr mo theanga.
Ó thabharfainn an lá seo
is na laethanta gearra go léir
a tháinig roimhe dem shaol
ach greim scrogaill
a bhreith ar an uain
is é a thachtadh,
go mblaisfeadh sí arís is arís eile
de sholas an lae seo ag dul as
chomh ciúin le sneachta na bliana seo caite
nár bhuail (is nach mbuailfidh)
urlár an tsaoil seo go deo.
Cycle
There I was
half sitt-
ing, half stand-
ng, sideways,
in the saddle, sort of,
backside to the wind,
to the whole childworld
I wished behind me,
clumsy
as Ó Ríordáin’s duck,
and you running,
breathless beside me
so I wouldn’t fall
headfirst.
(If you ask me now,
I don’t think you kept
even a fingertip on the saddle
as you crossed your heart to do;
the only thing that kept me from falling
was my complete faith in you.)
When I finally got the hang
of that awkward contraption
between my legs, I kept on
pedalling the air,
as far away from you
as I could get.
Now and again I hear
in the farthest corner of my memory
your laboured shout after me
sending me off on life’s knotted road:
‘Keep going, boy, keep going,
and for the love of God,
don’t look back.
Don’t look back.’
And I didn’t.
The last time,
I believe, I was tricked
into believing anything.
Rothar Mór an tSaoil
Bhíos-sa im shuí-
sheasamh,
sceabhach,
sa diallait ar éigin,
tóin le gaoth,