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Copper Woman: And Other Poems
Copper Woman: And Other Poems
Copper Woman: And Other Poems
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Copper Woman: And Other Poems

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Copper Woman and Other Poems is a collection of poems that announces a humanistic vision, dealing with such themes as rebirth (physical and symbolic), mythology, memory, bondage, blood, family, identities in flux, migration, politics and flights of fancy. The contents move back and forth between the past and the present, and project into the future, envisioning a new world/a new creation. The message that we are our brothers and our sisters keepers and that the earth is our home – a home that we must protect and keep safe if we are to survive – resonates throughout.

Copper Woman is a call to arms against apathy and all forms of tyranny. It is liberatory dub poetics that say equality and equity are possible and within reach. It invites its readers to cast off their chains and shackles and proclaim their freedom. It invites us all to grasp a greater vision of our world.

Jamaican-born Dr. Afua Cooper has achieved considerable success as a dub poet and as the author of a children’s book, a collection of poetry and as co-author of The Underground Railroad: Next Stop, Toronto! Dr. Cooper is a recent recipient of the Harry Jerome Award for Professional Excellence.

LanguageEnglish
PublisherDundurn
Release dateJan 26, 2007
ISBN9781770706354
Copper Woman: And Other Poems
Author

Afua Cooper

AFUA COOPER holds a Ph.D. in African Canadian history, with specialties in slavery and abolition. She is the co-author of ‘We’re Rooted Here and They Can’t Pull Us Up’: Essays in African Canadian Women’s History, which won the prestigious Joseph Brant Award for History. She is also one of Canada’s most versatile poets and has published five volumes of poetry, including the acclaimed Copper Woman. Dr. Cooper has taught history at the University of Toronto.

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    Book preview

    Copper Woman - Afua Cooper

    COPPER

    WOMAN

    And Other Poems

    Jamaica Kincaid writes, My mother died at the moment I was born, and so…there was nothing standing between myself and eternity. If place of origin sources story – and connection to origin has almost been destroyed – a writer has nothing standing between herself and eternity. It is from here that Afua Cooper calls forth remnants of story that still recognize their names: her family and ancestors in Jamaica; African, Islamic, Greek, Voudou, Egyptian, and Indigenous Caribbean divinities; historical Black Canadian voices of Richard Pierpont and Marie Joseph Angelique; and Africa wailin/as Toronto get hot/an Black people dance/communally. Eloquent and visionary, Cooper's poems are like the fruits and flowers her mother sells in the market: she does not solicit customers/they come of their own volition.

    Betsy Warland, poet and professor of creative writing, Simon

    Fraser University, British Columbia

    COPPER

    WOMAN

    And Other Poems

    AFUA COOPER

    NATURAL HERITAGE BOOKS

    TORONTO

    Copyright © 2006 Afua P. Cooper

    Second Printing January 2007

    All rights reserved. No portion of this book, with the exception of brief extracts for the purpose of literary or scholarly review, may be reproduced in any form without the permission of the publisher.

    Published by Natural Heritage / Natural History Inc.

    P.O. Box 95, Station O, Toronto, Ontario M4A 2M8

    www.naturalheritagebooks.com

    Library and Archives Canada Cataloguing in Publication

    Cooper, Afua

    Copper woman : and other poems / Afua Cooper.

    ISBN 1-897045-09-3

    I. Title.

    PS8555.O584C66 2006           C811'.54           C2006-901177-X

    Front cover: Honolulu Academy of Arts, Gift of Mr. and Mrs. Philip E. Spalding, 1932 (49.1). Diego RIVERA (1886-1957), Mexico, Flower Seller, 1926;

    oil on canvas, 36 x 43-3/4 in. (91.4 x 111.1 cm).

    Back cover: The author, photograph by Edward Gajdel © 2006.

    Cover and text design by Sari Naworynski

    Edited by fane Gibson

    Printed and bound in Canada by Hignell Book Printing of Winnipeg

    Natural Heritage / Natural History Inc. acknowledges the financial support of the Canada Council for the Arts and the Ontario Arts Council for our publishing program. We acknowledge the support of the Government of Ontario through the Ontario Media Development Corporation's Ontario Book Initiative. We also acknowledge the financial support of the Government of Canada through the Book Publishing Industry Development Program (BPIDP) and the Association for the Export of Canadian Books.

    It is with profound love and affection that I dedicate

    this book to my mother, Ruth Campbell Cooper,

    the original Copper Woman.

    TABLE OF CONTENTS

    FOREWORD BY NEIL ARMSRONG

    ACKNOWLEDGEMENTS

    PART I: BIRD OF PARADISE

    Bird of Paradise

    At the Centre

    Dub for Lisa

    Night Ease

    Horus of My Heart

    For Nur

    Negro Cemeteries

    The Child is Alive

    PART II: COPPER WOMAN

    Copper Woman (La Mujer de Cobre)

    Red Eyes

    Maroon Man

    Nomad's Blood

    Atabeyra (Mater Dolorosa)

    My Name is Phillis Wheatley

    Fire Woman

    Fire Woman II

    PART III: BIOGRAPHY

    Biography

    Eid al Adha, 1995

    So Many Words Unsaid

    Childbirth

    Motherhood

    Di Apple of Har Y'eye

    Even Warrior Women

    Richard Pierpont, Revolutionary Soldier

    Daily Bread

    PART IV: AFRICA WAILIN

    Africa Wailin

    True Revolution

    Confessions of a Woman Who Burnt Down a Town

    Diamond is a Girl's Best Friend

    Ah Caan Tink About It

    The Stones Are Speaking

    Congo Wi Come From

    Killed by Friendly American Fire in Afghanistan

    Children Gone to War

    Woman a Wail

    Palestine 1993

    PART V: BLACK MADONNA

    Black Madonna

    Lovetalk

    Man of Fire

    Seaspray

    Beneath a Fervent Moon

    Hibiscus

    My Illusion

    Sugar

    Red Sea Woman

    Making Love in Lotus Pose

    ABOUT THE AUTHOR

    FOREWORD

    Poet Lights a Natch of Flaming Words

    Poet Afua Cooper draws from her wide knowledge of history – personal and monumental – to evoke the ancestors, vistas of her childhood,

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