Little Red Riding Hood - And Other Girls Who Got Lost in the Woods (Origins of Fairy Tales from Around the World): Origins of Fairy Tales from Around the World: Origins of Fairy Tales from Around the World
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About this ebook
Discover the origin of the beloved fairy tale Little Red Riding Hood and explore its different cultural contexts in this anthology of tales from around the world.
Uncover seven versions of the Little Red Riding Hood story as this wonderful collection explores the different tales of the big bad wolf from around the world. Featuring an in-depth introduction to the fairy tale genre, this volume is not only a lovely anthology for bedtime reading, but also gives insight to the folkloric provenance of the Little Red Riding Hood tale.
This volume is part of the Origins of Fairy Tales from Around the World series. Showcasing the amazing breadth and diversity of classic fairy tales, this series answers the question, ‘What is a fairy tale?’ Featuring gorgeous artwork from the Golden Age of Illustration, this collection is a delightful volume for readers of all ages.
Read more from Amelia Carruthers
Origins of Fairy Tales from Around the World Series
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Little Red Riding Hood - And Other Girls Who Got Lost in the Woods (Origins of Fairy Tales from Around the World) - Amelia Carruthers
An Introduction to
the Fairy Tale
Fairy Tales are told in almost every society, all over the globe. They have the ability to inspire generations of young and old alike, yet fail to fit neatly into any one mode of storytelling. Today, most people know these narratives through literary works or even film versions, but this is a far cry from the genre’s early development. Most of the stories began, and are still propagated through oral traditions, which are still very much alive in certain cultures. Especially in rural, poorer regions, the telling of tales – from village to village, or from elder to younger, preserves culture and custom, whilst still enabling the teller to vary, embellish or adapt the tale as they see fit.
To provide a brief attempt at definition, a fairy tale is a type of short story that typically features ‘fantasy’ characters, such as dwarves, elves, fairies, giants, gnomes, goblins, mermaids, trolls or witches, and usually magic or enchantments to boot! Fairy tales may be distinguished from other folk narratives such as legends (which generally involve belief in the veracity of the events described) and explicitly moral tales, including fables or those of a religious nature. In cultures where demons and witches are perceived as real, fairy tales may merge into legends, where the narrative is perceived both by teller and hearers as being grounded in historical truth. However unlike legends and epics, they usually do not contain more than superficial references to religion and actual places, people, and events; they take place ‘once upon a time’ rather than in reality.
The history of the fairy tale is particularly difficult to trace, as most often, it is only the literary forms that are available to the scholar. Still, written evidence indicates that fairy tales have existed for thousands of years, although not perhaps recognized as a genre. Many of today’s fairy narratives have evolved from centuries-old stories that have appeared, with variations, in multiple cultures around the world. Two theories of origins have attempted to explain the common elements in fairy tales across continents. One is that a single point of origin generated any given tale, which then spread over the centuries. The other is that such fairy tales stem from common human experience and therefore can appear separately in many different origins. Debates still rage over which interpretation is correct, but as ever, it is likely that a combination of both aspects are involved in the advancements of these folkloric chronicles.
Some folklorists prefer to use the German term Märchen or ‘wonder tale’ to refer to the genre over fairy tale, a practice given weight by the definition of Thompson in his 1977 edition of The Folktale. He described it as ‘a tale of some length involving a succession of motifs or episodes. It moves in an unreal world without definite locality or definite creatures and is filled with the marvellous. In this never-never land, humble heroes kill adversaries, succeed to kingdoms and marry princesses.’ The genre was first marked out by writers of the Renaissance, such as Giovanni Francesco Straparola and Giambattista Basile, and stabilized through the works of later collectors such as Charles Perrault and the Brothers Grimm. The oral tradition of the fairy tale came long before the written page however.
Tales were told or enacted dramatically, rather than written down, and handed from generation