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6 Essential Questions
6 Essential Questions
6 Essential Questions
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6 Essential Questions

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6 Essential Questions tells the story of Renata as she travels to Brazil to reunite with the mother who abandoned her when she was just five years old. In Rio, Renata discovers more than she bargained for in her quest to uncover the truth of who abandoned whom. She is continually tossed about by her undead grandmother and a semi-invisible uncle as they choreograph the ultimate dance of mother and daughter, both of whom must confront their dreams before they can ever attempt to confront each other. Imaginations run wild in this strangely beautiful and funny story loosely based on Uppal’s critically acclaimed memoir, Projection: Encounters with My Runaway Mother, a finalist for both the Hilary Weston Writers’ Trust Prize for Nonfiction and the Governor General’s Literary Award for Non-Fiction.
LanguageEnglish
Release dateOct 1, 2015
ISBN9781770914322
6 Essential Questions
Author

Priscila Uppal

Priscila Uppal was an internationally acclaimed poet, prose writer, and playwright. A York University professor and Fellow of the Royal Society of Canada, she was the author of Ontological Necessities and Cover Before Striking. Her memoir, Projection: Encounters with My Runaway Mother, was shortlisted for the Hilary Weston Prize and a Governor General’s Award.

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    Book preview

    6 Essential Questions - Priscila Uppal

    6

    essential

    questions

    priscila uppal

    playwrights canada press

    toronto

    contents

    introduction

    production history

    characters

    invocation

    customs

    like mother, unlike daughter

    all about mother

    siesta

    teacups and silver spoons

    first course: o passado, the past

    a private tour

    the language of fantasy

    like mother, like daughter

    boys learn to fight, girls learn to dance

    a bedtime story

    the will

    second course: o presente, the present

    every day is mother’s day

    all about daughter

    the language of memory

    essential questions

    third course: o futuro, the future, or bon voyage

    dedication

    acknowledgements

    about the author

    also by Priscila Uppal

    copyright

    Dreams are today’s answers to tomorrow’s questions.

    Edgar Cayce

    introduction

    Since I am a poet, I hope you won’t mind if I begin this introduction with a poem.

    I’m Afraid of Brazilians or Visiting the Ancestral Homeland is Not the Great Ethnic Experience Promised by Other Memoirs

    Against all political correctness,

    I must say it,

    I must admit:

    I’m afraid of Brazilians.

    I don’t like them.

    I don’t like this country.

    I don’t like this language.

    I don’t even like this currency.

    And not in the mystical sense.

    Or the abstract.

    Or the perfectly hypothetical.

    I can’t blame this fear

    on movies, or television programming,

    or the front covers

    of Time magazine.

    No.

    I’m afraid of Brazilians.

    I am visiting Brazil

    (my mother’s country)

    and I’m afraid, truly afraid

    of every Brazilian I meet.

    This is not something you can say

    in a poem, you tell me.

    Please don’t compose this poem

    here: in broad daylight

    where any self-respecting Brazilian

    could feel perfectly justified

    peeking over your shoulder

    to see what you’ve written.

    Please, not so loud, you say.

    You haven’t given them a chance.

    You’re right, I admit.

    (I can certainly admit it.)

    I’ve given them no chance

    to please me. Don’t you

    understand, this is the nature

    of being afraid, and this is

    the nature of the poem

    I am writing, which must

    get written, no matter

    what the climate

    or the reception

    (here, in my mother’s country

    or abroad

    or in my own ears).

    —from Ontological Necessities (Exile Editions, 2006)

    There are so many things we are not supposed to talk about. So many things we don’t want to talk about. So many things no one wants to hear.

    And then there are essential things that must be said. Essential things that must be acknowledged. Essential things you dream one day you will hear.

    I wrote this poem after meeting my mother for the first time in twenty years. She abandoned my brother, me, and our quadriplegic father in Ottawa, leaving me and my brother to basically raise ourselves. I didn’t hear from her or know where she was until I accidentally stumbled upon her personal website. Even though I was in shock, I contacted her and planned a trip to Brazil, the land of her birth, and the place she ran to after running away from us.

    What does it mean to be a mother when you haven’t seen your daughter in twenty years? What does it mean to be a daughter when you know almost nothing about your mother? What does it mean to be Brazilian when you know almost nothing about Brazil? What does it mean to have DNA or memories?

    Most people dream of family reunions as blissful affairs of reconnection and reconciliation. For most people this dream remains a fantasy—a lovely one, but a fantasy nonetheless.

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