Adventures in Self-Republishing
By Jeff Hecht
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About this ebook
Adventures in Self-Republishing is a guide for authors who want to revive out of print books by republishing them in print or electronically. It describes options that depend on the format of the book, including whether or not it includes illustrations, how elaborate the type formatting is, and its use of reference citations. It explains the important differences among the major approaches to self-publishing: on paper using print on demand technology, and electronically using either PDF format or e-reader formats used by e-book readers. It explains the advantages and disadvantages of each republishing format for various types of books. The author speaks from experience in having learned the hard way what works and what doesn't. He also describes the types of services available to help authors republish, and the trade-offs involved.
Jeff Hecht
Jeff Hecht has been writing about lasers and optical technology for since the 1970s. He is contributing editor to Laser Focus World, and a correspondent for New Scientist magazine. His other books include Understanding Lasers, Beam: The Race to Make the Laser, City of Light: The Story of Fiber Optics, Understanding Fiber Optics, Optics: Light for a New Age, The Laser Guidebook, and Laser: Supertool of the 1980s. He graduated from Caltech in electrical engineering.
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Adventures in Self-Republishing - Jeff Hecht
Executive Summary/Abstract
Authors can revive their out-of-print books by self-republishing them. The idea is to take advantage of the tools used for self-publishing new books, but the two process differ in important ways. Most crucially, authors typically do not have a full complete digital file as published, so they must produce the digital copies needed for self-publishing. This book describes your options, and walks you through the steps required.
When you start without a complete digital file of the whole book, you must look carefully at formatting options. Producing a fully electronic book requires generating a new word-processing file and doing a new layout of the book. In some cases that may be attractive. However, you can save much time and trouble by recording images of the printed pages and distributing them either as digital PDF files or in print.
The rest of this book will describe the process and the options available, and warn you away from pitfalls I experienced first-hand.
Chapter 1
Introduction: Self-publishing and self-republishing
This book is a guide to self-republishing—do-it-yourself republishing of a book no longer available from the original publisher. It's based on my own adventures—and misadventures—in self-republishing four nonfiction books on science and technology, and on other information I've gathered. Self-republishing is not a way to get rich, but it is a way to keep your books on the market where they can earn you some money and keep your ideas available.
Self-republishing is built on the concept of self-publishing, but it differs in crucial ways. Most self-publishing services are designed for newly written books, so in a sense you have a head start because you don't have to write the book. However, self-publishing services typically require digital files as input, and generally authors do not have a fully formatted digital version of the final printed book.
If you an electronic pack rat and carefully maintain your digital archives, you may have saved PDF page proofs of books published in the last 10 to 15 years. These can be a good starting point, depending on how many changes you made and on whether or not you kept any record of the changes, but that will require extracting a formatted text file and updating it with any post-proof changes, as will be described later.
Otherwise, your best starting point is a clean copy of the original printed book, which you can send to a service that scans the book to produce PDF image files. You can distribute PDF copies, or use the PDF images to copies using a variation of photocopying technology called print-on-demand (POD). The type in POD books is not as sharp and clean as in a conventionally printed book, but unless you're very fussy, you'll barely notice the difference. Many conventional publishers use POD to keep slow-selling books in print. PDF copies are harder to sell, as will be described later. Unfortunately, converting scanned books into the digital formats optimized for display on electronic readers such as Kindle and Nook can be a complex, time-consuming and costly process.
Your self-republishing options depend on the format of your book. By that, I mean the blend of plain text, illustrations, and specially formatted material such as tables and references. Some important types are:
• Text-only: most often novels, with no internal illustrations.
• Text with supplemental illustrations: often nonfiction biographies or histories, with a few photos, often grouped together and printed on glossy paper.
• Text with formatting: A typical example is a nonfiction book with references, with or without photos.
• Heavily formatted and illustrated books: technical books or textbooks with many illustrations and diagrams, often with formulas or other heavily formatted material such as charts and tables.
• Children's picture books, graphic novels, or other books where the art is integral to the book.
In general, the more complex the layout of the original book, the more complex it is to self-republish.
There are three major distribution formats for self-publishing and self-republishing:
POD paper copies, PDF files, and special formats for dedicated electronic readers, such as MOBI for Kindle and EPUB for Nook or iPad. Each has its own advantages and disadvantages.
POD books are paperbacks printed on demand from image files, usually stored as PDFs. Many conventional