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William Shakespeare’s "The Merchant of Venice": A Retelling in Prose
William Shakespeare’s "The Merchant of Venice": A Retelling in Prose
William Shakespeare’s "The Merchant of Venice": A Retelling in Prose
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William Shakespeare’s "The Merchant of Venice": A Retelling in Prose

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I would like to see my retellings of classic literature used in schools, so I give permission to the country of Finland (and all other countries) to buy one copy of this eBook and give copies to all students forever. I also give permission to the state of Texas (and all other states) to buy one copy of this eBook and give copies to all students forever. I also give permission to all teachers to buy one copy of this eBook and give copies to all students forever.

Teachers need not actually teach my retellings. Teachers are welcome to give students copies of my eBooks as background material. For example, if they are teaching Homer’s “Iliad” and “Odyssey,” teachers are welcome to give students copies of my “Virgil’s ‘Aeneid’: A Retelling in Prose” and tell students, “Here’s another ancient epic you may want to read in your spare time.”

One theme of the play — told here in novel form — is the harmful effects that prejudice can have on people. It can make someone want to cut a pound of flesh from a living person. It can make someone spit on the clothing and the beard of an old person.

We can sympathize with Shylock because he is the victim of prejudice, but he also is guilty of prejudice. He hates Antonio in part because he is a Christian, although he has some other very good reasons for hating Antonio. We ought not to sympathize with Shylock when he wants Antonio to pay the penalty that is in the contract that Antonio signed.

LanguageEnglish
PublisherDavid Bruce
Release dateOct 16, 2014
ISBN9781311834881
William Shakespeare’s "The Merchant of Venice": A Retelling in Prose
Author

David Bruce

I would like to see my retellings of classic literature used in schools, so I give permission to the country of Finland (and all other countries) to give copies of my eBooks to all students and citizens forever. I also give permission to the state of Texas (and all other states) to give copies of my eBooks to all students forever. I also give permission to all teachers to give copies of my eBooks to all students forever.Teachers need not actually teach my retellings. Teachers are welcome to give students copies of my eBooks as background material. For example, if they are teaching Homer’s “Iliad” and “Odyssey,” teachers are welcome to give students copies of my “Virgil’s ‘Aeneid’: A Retelling in Prose” and tell students, “Here’s another ancient epic you may want to read in your spare time.”Do you know a language other than English? I give you permission to translate any of my retellings of classic literature, copyright your translation in your name, publish or self-publish your translation (but do say it's a translation of something I wrote), and keep all the royalties for yourself.Libraries, download my books free. This is from Smashwords' FAQ section:"Does Smashwords distribute to libraries?"Yes! We have two methods of distributing to libraries: 1. Via library aggregators. Library aggregators, such as OverDrive and Baker & Taylor's Axis360 service, allow libraries to purchase books. Smashwords is working with multiple library aggregators, and is in the process of signing up additional aggregators. 2. On August 7, 2012, Smashwords announced Library Direct. This distribution option allows libraries and library networks to acquire and host Smashwords ebooks on their own servers. This option is only available to libraries who place large "opening collection" orders, typically in the range of $20,000-$50,000, and the libraries must have the ability to host and manage the books, and apply industry-standard DRM to manage one-checkout-at-a-time borrows."David Bruce is a retired anecdote columnist at "The Athens News" in Athens, Ohio. He has also retired from teaching English and philosophy at Ohio University in Athens, Ohio.SOME BOOKS BY DAVID BRUCERetellings of a Classic Work of Literature:Arden of Favorsham: A RetellingBen Jonson’s The Alchemist: A RetellingBen Jonson’s The Arraignment, or Poetaster: A RetellingBen Jonson’s Bartholomew Fair: A RetellingBen Jonson’s The Case is Altered: A RetellingBen Jonson’s Catiline’s Conspiracy: A RetellingBen Jonson’s The Devil is an Ass: A RetellingBen Jonson’s Epicene: A RetellingBen Jonson’s Every Man in His Humor: A RetellingBen Jonson’s Every Man Out of His Humor: A RetellingBen Jonson’s The Fountain of Self-Love, or Cynthia’s Revels: A RetellingBen Jonson’s The Magnetic Lady: A RetellingBen Jonson’s The New Inn: A RetellingBen Jonson’s Sejanus' Fall: A RetellingBen Jonson’s The Staple of News: A RetellingBen Jonson’s A Tale of a Tub: A RetellingBen Jonson’s Volpone, or the Fox: A RetellingChristopher Marlowe’s Complete Plays: RetellingsChristopher Marlowe’s Dido, Queen of Carthage: A RetellingChristopher Marlowe’s Doctor Faustus: Retellings of the 1604 A-Text and of the 1616 B-TextChristopher Marlowe’s Edward II: A RetellingChristopher Marlowe’s The Massacre at Paris: A RetellingChristopher Marlowe’s The Rich Jew of Malta: A RetellingChristopher Marlowe’s Tamburlaine, Parts 1 and 2: RetellingsDante’s Divine Comedy: A Retelling in ProseDante’s Inferno: A Retelling in ProseDante’s Purgatory: A Retelling in ProseDante’s Paradise: A Retelling in ProseThe Famous Victories of Henry V: A RetellingFrom the Iliad to the Odyssey: A Retelling in Prose of Quintus of Smyrna’s PosthomericaGeorge Chapman, Ben Jonson, and John Marston’s Eastward Ho! A RetellingGeorge Peele: Five Plays Retold in Modern EnglishGeorge Peele’s The Arraignment of Paris: A RetellingGeorge Peele’s The Battle of Alcazar: A RetellingGeorge Peele’s David and Bathsheba, and the Tragedy of Absalom: A RetellingGeorge Peele’s Edward I: A RetellingGeorge Peele’s The Old Wives’ Tale: A RetellingGeorge-A-Greene, The Pinner of Wakefield: A RetellingThe History of King Leir: A RetellingHomer’s Iliad: A Retelling in ProseHomer’s Odyssey: A Retelling in ProseJason and the Argonauts: A Retelling in Prose of Apollonius of Rhodes’ ArgonauticaThe Jests of George Peele: A RetellingJohn Ford: Eight Plays Translated into Modern EnglishJohn Ford’s The Broken Heart: A RetellingJohn Ford’s The Fancies, Chaste and Noble: A RetellingJohn Ford’s The Lady’s Trial: A RetellingJohn Ford’s The Lover’s Melancholy: A RetellingJohn Ford’s Love’s Sacrifice: A RetellingJohn Ford’s Perkin Warbeck: A RetellingJohn Ford’s The Queen: A RetellingJohn Ford’s ‘Tis Pity She’s a Whore: A RetellingJohn Lyly's Campaspe: A RetellingJohn Lyly's Endymion, the Man in the Moon: A RetellingJohn Lyly's Gallathea, aka Galathea, aka Galatea: A RetellingJohn Lyly's Love's Metamorphosis: A RetellingJohn Lyly's Midas: A RetellingJohn Lyly's Mother Bombie: A RetellingJohn Lyly's Sappho and Phao: A RetellingJohn Lyly's The Woman in the Moon: A RetellingJohn Webster’s The White Devil: A RetellingJ.W. Gent.'s The Valiant Scot: A RetellingKing Edward III: A RetellingMankind: A Medieval Morality Play (A Retelling)Margaret Cavendish's The Unnatural Tragedy: A RetellingThe Merry Devil of Edmonton: A RetellingRobert Greene’s Friar Bacon and Friar Bungay: A RetellingThe Taming of a Shrew: A RetellingTarlton’s Jests: A RetellingThomas Middleton and Thomas Dekker’s The Roaring Girl: A RetellingThomas Middleton and William Rowley’s The Changeling: A RetellingThomas Middleton's A Chaste Maid in Cheapside: A RetellingThomas Middleton's Women Beware Women: A RetellingThe Trojan War and Its Aftermath: Four Ancient Epic PoemsVirgil’s Aeneid: A Retelling in ProseWilliam Shakespeare’s 5 Late Romances: Retellings in ProseWilliam Shakespeare’s 10 Histories: Retellings in ProseWilliam Shakespeare’s 11 Tragedies: Retellings in ProseWilliam Shakespeare’s 12 Comedies: Retellings in ProseWilliam Shakespeare’s 38 Plays: Retellings in ProseWilliam Shakespeare’s 1 Henry IV, aka Henry IV, Part 1: A Retelling in ProseWilliam Shakespeare’s 2 Henry IV, aka Henry IV, Part 2: A Retelling in ProseWilliam Shakespeare’s 1 Henry VI, aka Henry VI, Part 1: A Retelling in ProseWilliam Shakespeare’s 2 Henry VI, aka Henry VI, Part 2: A Retelling in ProseWilliam Shakespeare’s 3 Henry VI, aka Henry VI, Part 3: A Retelling in ProseWilliam Shakespeare’s All’s Well that Ends Well: A Retelling in ProseWilliam Shakespeare’s Antony and Cleopatra: A Retelling in ProseWilliam Shakespeare’s As You Like It: A Retelling in ProseWilliam Shakespeare’s The Comedy of Errors: A Retelling in ProseWilliam Shakespeare’s Coriolanus: A Retelling in ProseWilliam Shakespeare’s Cymbeline: A Retelling in ProseWilliam Shakespeare’s Hamlet: A Retelling in ProseWilliam Shakespeare’s Henry V: A Retelling in ProseWilliam Shakespeare’s Henry VIII: A Retelling in ProseWilliam Shakespeare’s Julius Caesar: A Retelling in ProseWilliam Shakespeare’s King John: A Retelling in ProseWilliam Shakespeare’s King Lear: A Retelling in ProseWilliam Shakespeare’s Love’s Labor’s Lost: A Retelling in ProseWilliam Shakespeare’s Macbeth: A Retelling in ProseWilliam Shakespeare’s Measure for Measure: A Retelling in ProseWilliam Shakespeare’s The Merchant of Venice: A Retelling in ProseWilliam Shakespeare’s The Merry Wives of Windsor: A Retelling in ProseWilliam Shakespeare’s A Midsummer Night’s Dream: A Retelling in ProseWilliam Shakespeare’s Much Ado About Nothing: A Retelling in ProseWilliam Shakespeare’s Othello: A Retelling in ProseWilliam Shakespeare’s Pericles, Prince of Tyre: A Retelling in ProseWilliam Shakespeare’s Richard II: A Retelling in ProseWilliam Shakespeare’s Richard III: A Retelling in ProseWilliam Shakespeare’s Romeo and Juliet: A Retelling in ProseWilliam Shakespeare’s The Taming of the Shrew: A Retelling in ProseWilliam Shakespeare’s The Tempest: A Retelling in ProseWilliam Shakespeare’s Timon of Athens: A Retelling in ProseWilliam Shakespeare’s Titus Andronicus: A Retelling in ProseWilliam Shakespeare’s Troilus and Cressida: A Retelling in ProseWilliam Shakespeare’s Twelfth Night: A Retelling in ProseWilliam Shakespeare’s The Two Gentlemen of Verona: A Retelling in ProseWilliam Shakespeare’s The Two Noble Kinsmen: A Retelling in ProseWilliam Shakespeare’s The Winter’s Tale: A Retelling in ProseChildren’s Biography:Nadia Comaneci: Perfect TenAnecdote Collections:250 Anecdotes About Music250 Anecdotes About Opera250 Anecdotes About Religion250 Anecdotes About Religion: Volume 2Be a Work of Art: 250 Anecdotes and StoriesThe Coolest People in Art: 250 AnecdotesThe Coolest People in the Arts: 250 AnecdotesThe Coolest People in Books: 250 AnecdotesThe Coolest People in Comedy: 250 AnecdotesCreate, Then Take a Break: 250 AnecdotesDon’t Fear the Reaper: 250 AnecdotesThe Funniest People in Art: 250 AnecdotesThe Funniest People in Books: 250 AnecdotesThe Funniest People in Books, Volume 2: 250 AnecdotesThe Funniest People in Books, Volume 3: 250 AnecdotesThe Funniest People in Comedy: 250 AnecdotesThe Funniest People in Dance: 250 AnecdotesThe Funniest People in Families: 250 AnecdotesThe Funniest People in Families, Volume 2: 250 AnecdotesThe Funniest People in Families, Volume 3: 250 AnecdotesThe Funniest People in Families, Volume 4: 250 AnecdotesThe Funniest People in Families, Volume 5: 250 AnecdotesThe Funniest People in Families, Volume 6: 250 AnecdotesThe Funniest People in Movies: 250 AnecdotesThe Funniest People in Music: 250 AnecdotesThe Funniest People in Music, Volume 2: 250 AnecdotesThe Funniest People in Music, Volume 3: 250 AnecdotesThe Funniest People in Neighborhoods: 250 AnecdotesThe Funniest People in Relationships: 250 AnecdotesThe Funniest People in Sports: 250 AnecdotesThe Funniest People in Sports, Volume 2: 250 AnecdotesThe Funniest People in Television and Radio: 250 AnecdotesThe Funniest People in Theater: 250 AnecdotesThe Funniest People Who Live Life: 250 AnecdotesThe Funniest People Who Live Life, Volume 2: 250 AnecdotesMaximum Cool: 250 AnecdotesThe Most Interesting People in Movies: 250 AnecdotesThe Most Interesting People in Politics and History: 250 AnecdotesThe Most Interesting People in Politics and History, Volume 2: 250 AnecdotesThe Most Interesting People in Politics and History, Volume 3: 250 AnecdotesThe Most Interesting People in Religion: 250 AnecdotesThe Most Interesting People in Sports: 250 AnecdotesThe Most Interesting People Who Live Life: 250 AnecdotesThe Most Interesting People Who Live Life, Volume 2: 250 AnecdotesReality is Fabulous: 250 Anecdotes and StoriesResist Psychic Death: 250 AnecdotesSeize the Day: 250 Anecdotes and StoriesKindest People Series:The Kindest People Who Do Good Deeds: Volume 1The Kindest People Who Do Good Deeds: Volume 2The Kindest People Who Do Good Deeds: Volume 3Discussion Guide Series:Dante’s Inferno: A Discussion GuideDante’s Paradise: A Discussion GuideDante’s Purgatory: A Discussion GuideForrest Carter’s The Education of Little Tree: A Discussion GuideHomer’s Iliad: A Discussion GuideHomer’s Odyssey: A Discussion GuideJane Austen’s Pride and Prejudice: A Discussion GuideJerry Spinelli’s Maniac Magee: A Discussion GuideJerry Spinelli’s Stargirl: A Discussion GuideJonathan Swift’s “A Modest Proposal”: A Discussion GuideLloyd Alexander’s The Black Cauldron: A Discussion GuideLloyd Alexander’s The Book of Three: A Discussion GuideMark Twain’s Adventures of Huckleberry Finn: A Discussion GuideMark Twain’s The Adventures of Tom Sawyer: A Discussion GuideMark Twain’s A Connecticut Yankee in King Arthur’s Court: A Discussion GuideMark Twain’s The Prince and the Pauper: A Discussion GuideNancy Garden’s Annie on My Mind: A Discussion GuideNicholas Sparks’ A Walk to Remember: A Discussion GuideVirgil’s Aeneid: A Discussion GuideVirgil’s “The Fall of Troy”: A Discussion GuideVoltaire’s Candide: A Discussion GuideWilliam Shakespeare’s 1 Henry IV: A Discussion GuideWilliam Shakespeare’s Macbeth: A Discussion GuideWilliam Shakespeare’s A Midsummer Night’s Dream: A Discussion GuideWilliam Shakespeare’s Romeo and Juliet: A Discussion GuideWilliam Sleator’s Oddballs: A Discussion GuideComposition Projects:Composition Project: Writing an Autobiographical EssayComposition Project: Writing a Hero-of-Human-Rights EssayComposition Project: Writing a Problem-Solving LetterTeaching:How to Teach the Autobiographical Essay Composition Project in 9 ClassesAutobiography (of sorts):My Life and Hard Times, or Down and Out in Athens, OhioMiscellaneous:Mark Twain Anecdotes and QuotesProblem-Solving 101: Can You Solve the Problem?Why I Support Same-Sex Civil MarriageBlogs:https://davidbruceblog429065578.wordpress.comhttps://davidbrucebooks.blogspot.comhttps://davidbruceblog4.wordpress.comhttps://bruceb22.wixsite.com/website

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    William Shakespeare’s "The Merchant of Venice" - David Bruce

    William Shakespeare’s

    The Merchant of Venice:

    A Retelling in Prose

    David Bruce

    Copyright 2014 by Bruce D. Bruce

    Cover Illustration

    Illustration from Tales from Shakespeare, 1901.

    SMASHWORDS EDITION

    Educate Yourself

    Read Like A Wolf Eats

    Be Excellent to Each Other

    Books Then, Books Now, Books Forever

    ***

    In this retelling, as in all my retellings, I have tried to make the work of literature accessible to modern readers who may lack some of the knowledge about mythology, religion, and history that the literary work’s contemporary audience had.

    Do you know a language other than English? If you do, I give you permission to translate this book, copyright your translation, publish or self-publish it, and keep all the royalties for yourself. (Do give me credit, of course, for the original retelling.)

    I would like to see my retellings of classic literature used in schools, so I give permission to the country of Finland (and all other countries) to give copies of this book to all students forever. I also give permission to the state of Texas (and all other states) to give copies of this book to all students forever. I also give permission to all teachers to give copies of this book to all students forever.

    Teachers need not actually teach my retellings. Teachers are welcome to give students copies of my eBooks as background material. For example, if they are teaching Homer’s Iliad and Odyssey, teachers are welcome to give students copies of my Virgil’s Aeneid: A Retelling in Prose and tell students, Here’s another ancient epic you may want to read in your spare time.

    Dedicated to My Sister Brenda

    Brenda wrote, During COVID and when visitors were restricted from visiting their loved one in the assisted-living facility I worked at, a patient mentioned to me how much she liked spaghetti during a late-night conversation we had. She was a night owl like me. Her name was Dee. I called her Gerdy. Then she would say, Dirty Gerdy, and we’d laugh. Anyway, on my way to work I bought two spaghetti meals from Olive Garden. I left for work early that night. I went to work, set up outlet dinners in the dining room, went to her room and wheeled her down to the dining room where we had dinner together. At that time, the residents weren’t leaving their room and had their meals alone in their room. It was nighttime and everyone was already in bed, so I didn’t see a problem. She was so grateful and had enough food for three more meals. It was such a simple gesture, but during that time it meant so much to her and for me.

    Brenda once bought a newspaper at a gas station on Thanksgiving and tipped the female employee $5, and the employee cried.

    Brenda wrote, I do remember that. I also remember when George tipped a TeeJays waitress $100, and she cried. Our family does a lot of good deeds all the time: I unload people’s grocery carts when the people are in those electric scooters. If they are alone with a few groceries, I’ll leave cash for the cashier to pay for the groceries. I’ve had a lot of good deeds done to me when I didn’t have a lot of money. It feels good to pay it forward. 

    She added, I just have one more thing to add and then I’m done. I’ve had a lot of people in my life do good deeds for me when I was at a low point on my life. I was at a low point for a very long time. David, you know what you’ve done for me, and I can never thank you enough. Martha paid for antibiotics for me when I had strep throat and didn’t have money. Rosa bought me groceries. Carla has done so much, and she had us over for Easter just after Chad died. When I say US, I mean all of my kids. She was so sick and ended up at the Emergency Room that same night. Frank gave me a car. And George buys my gas for me whenever he’s in Florida. And Mom and Dad were good people. I had a lot of good influences in my life that made me be a good person. At least I hope I’m a good person. I try to be someone Mom and Dad would be proud of.

    ***

    The doing of good deeds is important. As a free person, you can choose to live your life as a good person or as a bad person. To be a good person, do good deeds. To be a bad person, do bad deeds. If you do good deeds, you will become good. If you do bad deeds, you will become bad. To become the person you want to be, act as if you already are that kind of person. Each of us chooses what kind of person we will become. To become a good person, do the things a good person does. To become a bad person, do the things a bad person does. The opportunity to take action to become the kind of person you want to be is yours.

    CAST OF CHARACTERS

    Male Characters

    DUKE OF VENICE.

    PRINCE OF MOROCCO & PRINCE OF ARRAGON, Suitors to Portia.

    ANTONIO, a Merchant of Venice.

    BASSANIO, his Friend.

    GRATIANO, SOLANIO, & SALARINO: Friends to Antonio and Bassanio.

    LORENZO, in love with Jessica, Shylock’s daughter.

    SHYLOCK, a rich Jew.

    TUBAL, a Jew, Shylock’s friend.

    LAUNCELOT GOBBO, a Clown, Servant first to Shylock and then to Bassanio.

    OLD GOBBO, Father to Launcelot.

    LEONARDO, Servant to Bassanio.

    SALERIO, a Messenger from Venice and Gratiano’s friend.

    BALTHAZAR & STEPHANO: Servants to Portia.

    Female Characters

    PORTIA, a rich Heiress.

    NERISSA, her waiting-woman. Nerissa is a gentlewoman; her social status is high enough that she can marry a gentleman.

    JESSICA, Daughter to Shylock.

    Minor Characters

    Magnificoes of Venice, Officers of the Court of Justice, Jailer, Servants to Portia, and other Attendants.

    Scene

    Partly at Venice, Italy, the home of Antonio and Bassanio, and partly at Belmont, Italy, the home of Portia.

    CHAPTER 1

    1.1 —

    On a street in Venice, Antonio and his friends Salarino and Solanio were talking.

    Antonio said, Truly, I do not know why I am melancholy. It wearies me; you say it wearies you. But how I caught it, found it, or came by it, what stuff it is made of, whereof it is born, I do not know. Melancholy makes me such an idiot — such a want-wit — that I have much trouble to know myself.

    Salarino knew that Antonio had many merchant ships currently on the sea, and so he thought that Antonio must be worried about them.

    Salarino said, Your mind is tossing on the ocean. That is where your argosies — your large merchant ships — with their stately sails, as if they were signiors and rich burghers — gentlemen and prosperous freemen — are. They are like great floats in parades — the pageants of the sea. Your ships are so large that they look down on the petty traffickers, small ships that curtsy to them by lowering their flags to show them respect as they fly by with their woven wings.

    Solanio said, Believe me, sir, had I such risky ventures going forth on the seas, the better part of my concerns would be about my hopes abroad. I would always be plucking a blade of grass and dropping it to find out in what direction the wind is blowing. I would always be peering at maps looking for ports and piers and anchorages. Everything that might make me fear that my risky ventures would not be successful would, no doubt, make me melancholy.

    Solanio said, "I would always be imagining harm coming to my ships at sea. Whenever I blew my breath over my soup to cool it, I would go into a fit of trembling because I would think what harm a too-great wind at sea could do to my ships. Whenever I would see the sand in an hourglass fall from the top to the bottom, I would think of shallows and of sandbars and I would see my wealth-bearing ship Andrew docked in sand and not in a safe port. I would see the high top of the main mast of my Andrew fall lower than her ribs — her wooden sides — and kiss her burial-ground. Whenever I went to church and saw the holy edifice of stone, I would immediately think of dangerous rocks, which by touching my noble vessel’s side, would scatter all her cargo of valuable spices on the ocean stream and clothe the roaring waters with my cargo of silk cloth. In short, I would always be thinking that at one moment I would own a valuable cargo, but in the next moment, due to misfortunes at sea, I would own nothing. Would I be able to think about these things and not become melancholy? No, of course not. No one needs to tell me why Antonio is melancholy. He is worried about his ships and their cargos of merchandise."

    Believe me, I am not worried about my business ventures at sea, Antonio said. I thank my fortune — both my wealth and my luck — that I am not worried about such misfortunes as you think I am. I am a good businessman; I am diversified. I am not risking everything in a single ship. I am not risking everything in trading with a single country. Unless exceedingly great misfortunes happen, I will not go bankrupt anytime soon and certainly not this year. Therefore, my business ventures at sea are not making me melancholy.

    Why, then you are in love, Salarino said.

    Hardly, Antonio replied.

    So you are not in love, either? Salarino said. In that case, we may as well say that you are sad because you are not merry. Saying that is as easy as saying that you laugh and leap and are merry because you are not sad. Now, by the god Janus, who has one head but two faces that look in different directions, Nature has created some strange fellows in her time. Some fellows are always happy: They have to peep through their eye-slits because their eyes are always half-closed due to constant laughter; they laugh like happy parrots at a melancholy bagpiper and at others who look as if they have been drinking vinegar and would never laugh and show their teeth during a laugh even if Nestor, the wise and old and serious advisor of the Greek army at Troy, thought that a jest was worth laughing at.

    Bassanio, Lorenzo, and Gratiano now came walking toward them. All three were Antonio’s friends, but Bassanio was Antonio’s best friend.

    Here comes Bassanio, your most noble kinsman, Solanio said. Here also come Gratiano and Lorenzo. Fare you well. We leave you now with better company.

    I would have stayed until I had made you merry, Salarino said, but now worthier friends than I can do that.

    I regard your friendship as very dear and I know that your businesses are important, Antonio said. "I

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