Changeable Thunder: Poems
By David Baker
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About this ebook
David Baker
David Baker has published widely in the field of Library and Information Studies, with 19 monographs and over 100 articles to his credit. He has spoken worldwide at numerous conferences and led workshops and seminars. His other key professional interest and expertise has been in the field of human resources, where he has also been active in major national projects. He has held senior positions at several institutions, including as Principal and Chief Executive of Plymouth Marjon University, and Emeritus Professor of Strategic Information Management. He has also been Deputy Chair of the Joint Information Systems Committee (Jisc). Until recently he was a member of the Board of Governors of the Universities of Northampton and South Wales. He is Chair of the Board of the Institute of Contemporary Music Performance. He is a leader in the field of library and information science.
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Changeable Thunder - David Baker
BOOKS BY DAVID BAKER
POETRY
Changeable Thunder (2001)
The Truth about Small Towns (1998)
After the Reunion (1994)
Sweet Home, Saturday Night (1991)
Haunts (1985)
Laws of the Land (1981)
CRITICISM
Heresy and the Ideal: On Contemporary Poetry (2000)
Meter in English: A Critical Engagement (1996)
CHANGEABLE THUNDER
POEMS BY
DAVID BAKER
THE UNIVERSITY OF ARKANSAS PRESS
FAYETTEVILLE
2001
Copyright © 2001 by David Baker
All rights reserved
Manufactured in Canada
22 21 20 19 18 5 4
Designed by Ellen Beeler
The paper used in this publication meets the minimum requirements of the American National Standard for Permanence of Paper for Printed Library Materials Z39.48-1984.
Library of Congress Cataloging-in-Publication Data
Baker, David, 1954–
Changeable thunder : poems / by David Baker.
p. cm.
ISBN 1-55728-715-5 (pbk. : alk. paper)
I. Title.
PS3552.A4116 C48 2001
811'.54—dc21
2001003103
ISBN-13: 978-1-61075-092-9 (electronic)
for Ann and Kate
ACKNOWLEDGMENTS
These poems have appeared in the following magazines, to whose editors I extend my grateful acknowledgment: Arts & Letters, Two Clouds
; The Atlantic Monthly, After Rain
; Chelsea, Début de Siècle
; The Colorado Review, That Moon
; Crazyhorse, To Winter
; Five Points, Mr. Whitman’s Book,
Separation
; The Georgia Review, Midwest: Ode,
Simonides’ Stone
; The Gettysburg Review, Cold Water,
Dejection,
Postmodernism
; The Midwest Quarterly, Humble House
; The Missouri Review, ‘Fade-Out’: A Lover’s Discourse
; The North American Review, Pulp Fiction
; The Paris Review, Forced Bloom
; Ploughshares, Works and Days
; Poetry, Ohio Fields after Rain
; The Progressive, Midwest: Georgics
; Raritan, Preparatory Meditation,
The Puritan Way of Death,
The Rainbow,
Romanticism
; The Southern Review, The City of God,
Trees beside Water
; The Southwest Review, Unconditional Election
; The Yale Review, Benton’s Clouds.
I am very grateful to the John Simon Guggenheim Memorial Foundation, the Ohio Arts Council, and Denison University for their generous support as I worked on this book.
CONTENTS
ONE
Benton’s Clouds
Pulp Fiction
Forced Bloom
Romanticism
Trees beside Water
Preparatory Meditation
The Rainbow
After Rain
Cold Water
TWO
Postmodernism
Début de Siècle
Dejection
Separation
Fade-Out
: A Lover’s Discourse
Simonides’ Stone
To Winter
The City of God
The Puritan Way of Death
THREE
Unconditional Election
Midwest: Ode
That Moon
Midwest: Georgics
Works and Days
Mr. Whitman’s Book
Humble House
Ohio Fields after Rain
Two Clouds
Notes
ONE
In a single moment of time
Many are the winds that blow this way and that.
—Pindar
BENTON’S CLOUDS
The background is clouds and clouds above those
the color of an exhaustion, whether
of field hands stacking sheaves, or the coiling,
columnar exhaust of a coal engine.
It is eighteen seventy in nineteen
twenty-seven in nineteen ninety-eight.
The colors of his clouds express each new
or brooding effluence felt elsewhere as
progress, no matter which foreground story,
no matter the gandy dancer contoured
as corn field, no matter Persephone
naked as herself, as a sinew of
rock ledge or oak root yet pornographic
under the modern elder leering down.
The background is everywhere telling.
In the present moment, in the real air,
what we saw above the lake was an art—
gulls and then no gulls, swirl of vacation
debris twirling in funnels from the pier
though the wind rushed in wilder off the surge,
clouds, then not clouds but a green-gray progress
of violences in the lowing air, waves
like a bad blow under water.