For Peter Pan on her 70th birthday (TCG Edition)
By Sarah Ruhl
4.5/5
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About this ebook
After their father dies, five siblings find themselves around the kitchen table of their childhood, pouring whiskey and sharing memories. The eldest, Ann, reminisces about her days playing Peter Pan at the local children’s theater, and soon the five are transported back to Neverland. For Peter Pan on her 70th birthday is a fantastical exploration of the enduring bonds of family, the resistance to “growing up,” and the inevitability of growing old.
Sarah Ruhl
Sarah Ruhl is a playwright, essayist, and poet. Her fifteen plays include In the Next Room (or the Vibrator Play), The Clean House, and Eurydice. She has been a two-time Pulitzer Prize finalist, a Tony Award nominee, and the recipient of the MacArthur “genius” Fellowship. Her plays have been produced on- and off-Broadway, around the country, internationally, and have been translated into many languages. Her book 100 Essays I Don’t Have Time to Write was a New York Times Notable Book. Her other books include Letters from Max, with Max Ritvo, and 44 Poems for You. She has received the Steinberg Playwright Award, the Samuel French Award, the Feminist Press Under 40 Award, the National Theater Conference Person of the Year Award, the Susan Smith Blackburn Prize, a Whiting Award, a Lily Award, and a PEN/Laura Pels International Foundation for Theater Award for mid-career playwrights. She teaches at the Yale School of Drama, and she lives in Brooklyn with her husband, Tony Charuvastra, who is a child psychiatrist, and their three children. You can read more about her work at SarahRuhlPlaywright.com.
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Book preview
For Peter Pan on her 70th birthday (TCG Edition) - Sarah Ruhl
OTHER BOOKS BY SARAH RUHL AVAILABLE FROM TCG
Chekhov’s Three Sisters and Woolf’s Orlando
(Two Renderings for the Stage)
The Clean House and Other Plays
ALSO INCLUDES:
Eurydice
Late: a cowboy song
Melancholy Play
Dead Man’s Cell Phone
In the Next Room or the vibrator play
Passion Play
Stage Kiss
For Peter Pan on her 70th birthday is copyright © 2018 by Sarah Ruhl
For Peter Pan on her 70th birthday is published by
Theatre Communications Group, Inc., 520 Eighth Avenue, 24th Floor,
New York, NY 10018-4156
All rights reserved. Except for brief passages quoted in newspaper, magazine, radio or television reviews, no part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying or recording, or by an information storage and retrieval system, without permission in writing from the publisher.
Professionals and amateurs are hereby warned that this material, being fully protected under the Copyright Laws of the United States of America and all other countries of the Berne and Universal Copyright Conventions, is subject to a royalty. All rights, including but not limited to, professional, amateur, recording, motion picture, recitation, lecturing, public reading, radio and television broadcasting, and the rights of translation into foreign languages are expressly reserved. Particular emphasis is placed on the question of readings and all uses of this book by educational institutions, permission for which must be secured from the author’s representative: Mark Subias, United Talent Agency, 888 Seventh Avenue, New York, NY 10106, (212) 659-2600.
The publication of For Peter Pan on her 70th birthday by Sarah Ruhl, through TCG’s Book Program, is made possible in part by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.
TCG books are exclusively distributed to the book trade by Consortium Book Sales and Distribution.
ISBN 978-1-55936-879-7 (ebook)
A catalog record for this book is available from the Library of Congress.
Book design and composition by Lisa Govan
Cover design by Monet Cogbill
Cover photo of the author’s mother in Peter Pan, Davenport, Iowa.
Courtesy of Kathleen Kehoe Ruhl.
First Edition, May 2018
For Kathleen Kehoe Ruhl. Happy belated birthday.
With thanks to J. M. Barrie.
With love and great gratitude to the Kehoes.
CONTENTS
Foreword
By John Lahr
Preface
By the Author
FOR PETER PAN ON HER 70TH BIRTHDAY
Production History
Characters
Set
Time
Notes
Prologue
Movement One
Movement Two
Movement Three
Epilogue
Relics and Acknowledgments
About the Author
FOREWORD
Before Sarah Ruhl could write she told stories to her attentive mother, Kathleen, who typed them up. (In those days, in the late seventies, Kathleen, who now has a PhD in Language, Literacy and Rhetoric, was a high-school English teacher, moonlighting as an actress and theater director.) Vivid
is one adjective that Ruhl uses to describe her. Kathleen was known to serve up dinner while delivering the maid’s speech from The Bald Soprano and to organize Pig Night: she inculcated good table manners in her two daughters by allowing them to be horrible at dinner once a week. We were encouraged to play at home, so that art-making didn’t seem like an escape from family or a retreat but very much a part of life,
Ruhl recalled. Ruhl’s play For Peter Pan on her 70th birthday is a droll, elegiac homage to her actress-mother’s spirited playfulness and to the loving Midwestern family from which she emerged. (In 2017, Kathleen appeared in the Shattered Globe Theatre production of the work in Chicago.) It is also a testament to the slyness of Ruhl’s civility and her stagecraft.
Ruhl calls For Peter Pan a Midwestern Noh drama.
The play borrows the three-part Noh structure and also contends with ancestors—in the shape of George, the dying father of the five children we meet at his hospital bedside, whose spirit follows the disputatious clan from death watch to wake. Ruhl’s story is also underpinned by Noh drama’s psychological strategy. The protagonist meets the ghost, then recognizes the ghost, then dances with or embraces the ghost,
Ruhl writes, a clue to the paradoxical game of loss and reparation she is playing. For Peter Pan elegantly navigates its audience through the multiple space-time realities of consciousness: past, present, and time-out-of-time—the mythic realm of play. At once a mourning and a celebration, a ghost story and a love story, a meditation on death and an assertion of the triumph of imagination over time, the play invokes a kind of double haunting, in which Ruhl haunts her