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A Study Guide for Toni Cade Bambara's "Blues Ain't No Mockingbird"
A Study Guide for Toni Cade Bambara's "Blues Ain't No Mockingbird"
A Study Guide for Toni Cade Bambara's "Blues Ain't No Mockingbird"
Ebook30 pages20 minutes

A Study Guide for Toni Cade Bambara's "Blues Ain't No Mockingbird"

By Gale and Cengage

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A Study Guide for Toni Cade Bambara's "Blues Ain't No Mockingbird," excerpted from Gale's acclaimed Short Stories for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Short Stories for Students for all of your research needs.
LanguageEnglish
Release dateJul 6, 2016
ISBN9781535819732
A Study Guide for Toni Cade Bambara's "Blues Ain't No Mockingbird"

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    Book preview

    A Study Guide for Toni Cade Bambara's "Blues Ain't No Mockingbird" - Gale

    1

    Blues Ain’t No Mockin Bird

    Toni Cade Bambara

    1972

    Introduction

    First published in 1971, Blues Ain’t No Mockin Bird was included the following year in Toni Cade Bambara’s highly acclaimed first collection of short stories, Gorilla, My Love. Like most of Bambara’s stories, Blues Ain’t No Mockin Bird features strong African-American female characters and reflects social and political issues of particular concern to the contemporary African-American community. In the story, the young female narrator is playing with her neighbors and cousin at her grandmother’s house. Two white filmmakers, shooting a film about food stamps for the county, lurk near their yard. The narrator’s grandmother asks them to leave: not heeding her request, they simply move farther away. When Granddaddy Cain returns from hunting a chicken hawk, he takes the camera from the men and smashes it. Cathy, the distant cousin of the narrator, displays a precocious ability to interpret other people’s actions and words as well as an interest in storytelling and writing. Her intelligence and ambition echo Bambara’s own accomplishments as well as the larger African-American storytelling

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