Paul Gaugin
By Sandra Forty
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Sandra Forty
Sandra Forty is a graduate of London University where she studied medieval and early modern history, including a spell at the Courtauld Institute learning about Renaissance art from Professor Gombrich. Since then she has worked as a journalist in London, then as a book editor and writer. She is the author of a number of books, most on art and architecture. Sandra lives in south Devon with her husband, children and many cats.
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Paul Gaugin - Sandra Forty
Published by TAJ Books International LLC 2013
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Cary, North Carolina, USA
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ISBN 978-1-84406-256-0
Printed in China
1 2 3 4 5 17 16 15 14 13
1848-1903
Gauguin's paintings are redolent of the South Sea islands, full of exotic women, vibrant flora, and brilliant color. In fact, Gauguin was so taken with the Tropics that he spent the last years of his life in French Polynesia, partly for its exoticism–he wanted to paint real savages living an authentic, primitive existence–and partly to escape the taxman and the mundanities of civilized
European life.
Now labeled by art historians as a Post-Impressionist, Gauguin–dead before the term was even coined by the art critic Roger Fry–called himself a Synthesist. His technique was often called Cloisonnisme. It echoed Symbolism in the way that naturalistic representation was abandoned so that a familiar subject was presented as strange and unfamiliar or the unfamiliar was presented as mundane. The intent was to make the observer feel comfortable with the subject but also vaguely uncertain of what was being seen. Gaugin's Vision After the Sermon: Jacob Wrestling with the Angel, painted in 1888, is one of the clearest examples of the genre. This new direction with its anti-mystical subject matter shocked the painter Pissarro, a friend of Gauguin, and when Gauguin offered the painting to a church near Pont-Aven the priest refused