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Landscape Architecture Types and Features

Landscape Architecture Types and Features

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Landscape Architecture Types and Features

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260 pages
2 hours
Penerbit:
Dirilis:
Dec 16, 2018
ISBN:
9780359294565
Format:
Buku

Deskripsi

This book is about Landscape architecture which includes environmental design, planning, watering, parks, landscapes and flowers and herbs. The book is a good source for landscape architecture education and practice.
Penerbit:
Dirilis:
Dec 16, 2018
ISBN:
9780359294565
Format:
Buku

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Landscape Architecture Types and Features - Iman Rezaei

Landscape Architecture Types and Features

Landscape Architecture Types and Features

Iman Rezaei

Copyright

PUBLISHED BY LULU PUBLISHING PLATFORM

Lulu Press, Inc.

Morrisville, North Carolina, United States

Copyright © 2018   Copyright © 2018  Iman Rezaei

All rights reserved. This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements; no part of this book may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law.

Cover design and edition by Day System Research Center Experts;   Tel: 00989171912965

ISBN: 978-0-359-29456-5

Publication Date: 2018

Dedication

To

My Lovely Family

Table of Contents

Contents                                                                   

Chapter 1: Introduction

Definition of Landscape Architecture

Design

The Elements of Natural Design

Landscape design

Elements of Design

Forms in Design

Color

Visual Weight

Chapter 2: Placesand Landscapes

Forms of Interaction between Humans and Places

Sense of Place

Human Interaction with places

Landscapes and landforms

Geomorphology

Ecological environments

Benefits  of Parks and Green Spaces

Chapter 3: Landscapes and Technology Tools

People and activities in urban green spaces

Parks and Soft Landscape

Lighting

Hardscape and Softscape in Landscape Architecture

Digital tools

3D Technologies

Chapter 4: Types of Landscape Design

Tree Placement in Landscape Design

Shading

Noise Abatement with Trees and Shrubs

Site Conditions and Environmental Requirements for Plants

How To Choose Trees

Utility Locations

Information Sources

Trees for Landscape Containers and Planters

Conifers

Herbs In the Landscape

Optimal Use of Ground Cover

Lawn variations

Roses In Landscape

Farm planting

Spatial manipulations

Children and play

Home Landscape Design

Design Factors

Chapter 5: Park Designs and Watering

Open Space / Greenways

Trails and Connections

Watering

Water Aesthetic Aspect

Water-related landscape values

Image and Sound

Materials

Watering

Irrigation System

Chapter 6: Areas

Protected areas

Ecotourism

Forest

Organic Gardening

Types of Gardens

References

Chapter 1: Introduction

Definition of Landscape Architecture

Landscape architecture, an environmental design profession and discipline, encompasses the analysis, planning, design, management, and stewardship of the natural and built environments. The foundation of landscape architecture education and practice is the application of ecological design in the consideration of abiotic, biotic, and cultural features in conservation, development and restoration projects.

It requires a multidisciplinary approach involving environmental science, art, ecology, and much more, leading to extraordinary results: restoring endangered wetlands, reducing hospital stays, securing government and other buildings, removing toxins from rainwater. These aren’t pie in the sky. Topics include site design, historic preservation, planning, grading and drainage, horticulture, subjects like psychology, residential site design; parks and recreation; low impact development, monuments; urban design; streetscapes and public spaces; transportation corridors and facilities; gardens and arboreta; security design; hospitality and resorts; institutional; academic campuses; therapeutic gardens; historic preservation; habitat restoration; green infrastructure, reclamation; conservation planning; landscape art and earth sculpture; interior landscapes; and more.

A landscape architect will also determine the best way to incorporate lighting, hardscape, and plants (softscape) into your outdoor spaces. This person (or firm) should be able to design outdoor structures, know how to deal with site issues and challenges (like drainage or slope problems), and will be able to advise homeowners on locating driveways, parking areas, entries, and locating service lines. This professional is familiar with building and landscape materials and services, and should be able to work within your budget. Members of the profession have a special commitment to improving the quality of life through the best design of places for people and other living things.

Landscape architects typically hold a bachelor’s or master’s degree in landscape architecture, covering a broad spectrum of design, science, and technical know-how.

Design

Whenever you put something together yourself, you are engaged in designing, however, humble the project. Sometimes we take our designing skills for granted, because what we're putting together is so commonplace for us that we are no longer conscious of the designing process. Design principles guide designers in organizing elements for a visually pleasing landscape. A harmonious composition can be achieved through the principles of proportion, order, repetition, and unity. All of the principles are related, and applying one principle helps achieve the others. Physical and psychological comfort are two important concepts in design that are achieved through use of these principles.

People feel more psychologically comfortable in a landscape that has order and repetition. Organized landscapes with predictable patterns (signs of human care) are easier to read and tend to make people feel at ease. Psychological comfort is also affected by the sense of pleasure that a viewer perceives from a unified or harmonious landscape.

Users feel more physically comfortable, function better, and feel more secure in a landscape with proportions compatible to human scale.

The basic elements of landscape design are:

Color, as defined by color theory.

Form.

Line.

Scale.

Texture.  

The Elements of Natural Design

The elements that make a landscape design natural are difficult to define. A landscape with curved bed lines, informal plant arrangements and no pyramidal yews does not always qualify as a natural landscape. And advocates of natural design are not necessarily eager to banish a host of beautiful exotics from the plant palettes of American landscape designers, replacing the plants with a motley crew of straggly natives.

The basic concept behind natural design, however, is fairly simple—to incorporate native plant communities into the designed landscape. But their successful incorporation requires a basic understanding of how native plants operate in nature. Too often, random informality passes for natural, when in reality nature is highly ordered and anything but random. Understanding this order and using it in our designs is the key to making natural design workable and successful. This does not mean, however, that we must design exclusively with native plants, attempt to copy nature exactly, or exclude the influences of other design styles. The goal is to create a framework for the overall designed landscape that has an aesthetic and ecological relationship to our indigenous landscape through the use of native plants in their natural associations.

The basic considerations of natural design can be broken down into three categories: aesthetic, managerial and environmental. The aesthetic aspect of our designs is highly subjective, and individual style varies greatly. Some designers may object to uniformly patterning their work on the native landscape, feeling they are homogenizing their designs or stifling their artistic expression. But, as landscape designers, our medium is the land.

Unlike a painter whose art occupies an isolated canvas, our work visually interacts with the surrounding landscape, both natural and constructed. We therefore have a responsibility to contribute continuity and a sense of place to the larger landscape. To successfully accomplish a marriage of art and nature, we should sometimes put our egos aside and let nature be our guide.

The managerial aspect of natural design is tied to the fact that reducing landscape maintenance is a strong priority for virtually all our clients. Natural design techniques can make a great contribution in this regard.

This does not mean that natural landscapes are maintenance-free and can be completely left to natural processes with no human guidance, however. What natural design does mean is that landscapes that incorporate native plants and natural processes will require less time, money and energy for upkeep than designs in which plants are selected and combined for ornamental effect alone.

A purely ornamental garden is like a beautiful, sleek automobile with no engine. It may be nice to look at, but the only direction it will go without help is downhill. We will be perpetually required to tow these gardens up the hill with fertilizers, watering hoses and weeding forks. The environmental considerations of natural design are equally important. Many detrimental landscape practices can be minimized or eliminated. Such landscape practices include the excessive use of pesticides, herbicides, inorganic fertilizers, fossil fuels burned while mowing large areas of turf grass, and exotic species that have aggressively naturalized in the wild. Natural design aims not only to reduce these negative effects, but to make a positive contribution to the surrounding environment as well. Naturally designed landscapes can also become functioning ecosystems capable of providing food and shelter for animals and insects, while helping to perpetuate many native plants whose habitats are being reduced through development. Now that I’ve covered these main categories, I’d like to discuss 10 elements of natural design and examples of how to apply them to our work.

Appreciation of the Beauty in Nature: Everyone admires the beauty in a majestic mountain range or a towering waterfall, but most of what we can create in our landscapes is more subtle. The contrasting patterns of straight and leaning tree trunks in a woodland grove, a single turk’s cap lily (Lilium superbum) nodding above a bed of meadow grass, or the layered branches of a pagoda dogwood (Cornus alternifolio) in a woodland edge may be an acquired taste.

A native old field in winter is a prime example of how learning to see the landscape anew can open a whole new vista of aesthetic possibilities. The glistening orange of little bluestem (Schizachyrium scoparium) in the sun, punctuated with columnar green patches of eastern red cedar (Juniperus virginiana) is a spectacular American scene, and a much more warming sight on a frigid February morning than a curled up ‘PJM’ rhododendron (Rhododendron ‘PJM’) in a crispy bed of pachysandra (Pachysandra terminalis). Designers who cultivate in their clients an appreciation of the natural world around them will find their work to be more easily accepted. Zhang et al. (2018)  believe that aesthetic factors plays an important role in the beauty perception and judgments for understanding the sense of beauty for landscape architectures.

Minimize Disturbance of Existing Native Growth: Protecting existing native growth, particularly woodlands, is easier and less expensive than trying to restore it after it’s destroyed. Even our best restoration efforts may never achieve the beauty and mystery of an undisturbed woodland. Developers, architects and clients need to be aware of the benefits of considering ecological systems before designing the structures for the site. Early decisions relating to the siting of buildings, topographic changes and excavation disturbance can help minimize destruction of natural growth during construction. Unfortunately, landscape designers and architects often are brought in after construction is complete and have no opportunity to influence the treatment of the existing landscape.

Represent The Native Landscape: The design will be determined by numerous factors including the character of the surrounding landscape, client dictates, architectural style, site characteristics and the scale of the site. A large site may allow for the design of a functioning ecosystem using strictly native species. A smaller residential site can be designed with a perimeter of site-appropriate natives, becoming more cultivated as the landscape nears the house. Native plant cultivars such as ‘Golden fleece’ goldenrod (Solidago sphacelata ‘Golden fleece’), ‘Purple Dome’ aster (Aster novae-anglia ‘Purple Dome’) and native azalea cultivars can be very useful in making a transition from wild areas to more formal ones.

Allocate the location of woodlands, open spaces and transitional areas: Natural landcape patterns found in many areas throughout the country are formed by the interplay of woodlands, open landscapes and the transitional areas where they meet (edges or ecotones). A graceful and functional mix of these features will define the design before any plants are selected. Even small properties can be approached in this manner, often resulting in the illusion of more space. (See sidebar titled, Woodlands, Meadows and Transition Zones).

Base your design on native plant communities found in similar conditions in the surrounding areas: Determine which plant communities would have existed on the site had it not been disturbed, and use these as a design model. Determining native plants is easiest on a site that still contains remnants of indigenous growth.

If this is not the case, you can obtain information by observing nearby natural areas with similar ecological conditions, analyzing the soil and hydrology of the site, obtaining geological maps and studying the natural history of the area. If the post-disturbance soil and water conditions are no longer capable of supporting these plant communities, consider basing your design on a community with similar conditions.

Use and plan for natural processes of change to modify the landscape: The indigenous landscape is a constantly changing system composed of plants, animals, insects, microorganisms and soils. Plants are not isolated entities, but participants in a system constantly in flux. Different types of systems change at different rates. The annual meadow immediately resulting from a disturbance may last for only one year, while the perennial meadow may last for 10 before yielding to pioneer forest species. By contrast, an old oak and hickory forest may last for hundreds of years if left undisturbed. Once these changing systems are understood, the designer can decide which aspects to encourage, discourage or manipulate to fit the requirements of the client and site. Designed landscapes need not be static photographs frozen in time forever, doing battle with the forces of nature.

Occupy all the spaces: A basic law of almost any native ecosystem is that if nothing is currently growing in a given space, something soon will. The more available space is filled, the less opportunity there is for a weed to enter. Plants grow against each other, above each other and below each other. Even a 3-foot-tall meadow has a multi-layered structure designed to seal off the area.

This is also evident below ground, where fibrous rooted plants occupy the soil surface and coexist with deep tap rooted plants holding down the fort down below. There are obvious lessons here for the designer interested in creating landscapes that have the ability to fight off weed invasion without the aid of mulches, fabrics and grub hoes. Mulched beds around isolated groupings of shrubs are an open invitation to neighborhood bullies such as Canadian thistle (Cirsium arvense), knotweed (Polygonum) and nut grass (Cyperus esculentus). A mixed, densely planted herbaceous ground cover layer, composed of plants with complementary aboveground and belowground growth habits, will be far more successful at inhibiting weed invasion than any mulch. If this ground layer is also designed for succession of bloom and contrasting foliage texture, we can create a reduced-maintenance landscape that suggests the diverse tapestry of our native ground covers while achieving an artistic and colorful composition.

Figure 1. Wild nature

Increase ground water recharge by preserving rainwater on-site: Current landscape practice often considers surface water as something to be eliminated. Meanwhile, water shortages are a frequent problem in our communities. Whenever we grade a property to direct surface

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