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  • A2 Film VERTIGO - 2012 - 13 - Lesson 1 Intro To Hitchcock - HOMEWORK Handout

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    candifilmstudies
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    A2 FILM STUDIES - FM3 - SECTION C - CLOSE CRITICAL STUDY - VERTIGO LESSON 1 - INTRO to Hitchcock, THE AUTEUR THEORY and HITCHCOCK'S BODY OF WORK HOMEWORK Pick 2 Hitchcock films from different eras - use the filmography as a guide to help you choose. Watch the two films and make notes on the grid to identify any similarities and signature style across the two films

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    a2 Film VERTIGO_2012_13_lesson 1 Intro to Hitchcock_HOMEWORK Handout

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    A2 FILM STUDIES - FM3 - SECTION C - CLOSE CRITICAL STUDY - VERTIGO LESSON 1 - INTRO to Hitchcock, THE AUTEUR THEORY and HITCHCOCK'S BODY OF WORK HOMEWORK Pick 2 Hitchcock films from different eras - use the filmography as a guide to help you choose. Watch the two films and make notes on the grid to identify any similarities and signature style across the two films

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    Attribution Non-Commercial (BY-NC)
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    399 tayangan1 halaman

    A2 Film VERTIGO - 2012 - 13 - Lesson 1 Intro To Hitchcock - HOMEWORK Handout

    Diunggah oleh

    candifilmstudies
    A2 FILM STUDIES - FM3 - SECTION C - CLOSE CRITICAL STUDY - VERTIGO LESSON 1 - INTRO to Hitchcock, THE AUTEUR THEORY and HITCHCOCK'S BODY OF WORK HOMEWORK Pick 2 Hitchcock films from different eras - use the filmography as a guide to help you choose. Watch the two films and make notes on the grid to identify any similarities and signature style across the two films

    Hak Cipta:

    Attribution Non-Commercial (BY-NC)
    Unduh sebagai DOCX, PDF, TXT atau baca online dari Scribd
    Tandai sebagai konten tidak pantas
    dari 1

    A2 FILM STUDIES FM3 SECTION C CLOSE CRITICAL STUDY VERTIGO LESSON 1 INTRO TO HITCHCOCK, THE AUTEUR THEORY &

    & HITCHCOCKS BODY OF WORK

    HOMEWORK
    Pick 2 Hitchcock films from different eras use the filmography as a guide to help you choose. DO NOT pick Vertigo. Watch the two films and make notes on the grid to identify any similarities and signature style across the two films. Write 500 words analysing the two films and how they support the idea of Hitchcock as a master of cinema.

    Motifs

    Audience

    Suspense

    Themes

    Enigma

    Repetition

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