!bach, J S - Transcripciones Guitarra (Sola, Duos, Cuartetos)

CONTENIDO 1. 4 guitar duets (transc Thorlaksson) (due chitarre) 2.
Air from the Orchestal Suite n 3 (transc Yates) (guitar - chitarra) 3. Aria BWV163 (chit1) (transc Hawkes) (two guitars - due chitarre) 4. Aria BWV163 (chit2) (transc Hawkes) (two guitars - due chitarre) 5. Beginning to intermedite pieces 6. Bourr dalla Sonata II (transc Tarrega) (guitar - chitarra) 7. Cello Suite n1 BWV 1007 (Ed Schott, transc Duarte) (guitar - chitarra) 8. Cello suite n3 BWV 1009 (transc for guitar Stanley Yates) 9. Chaconne D Minor (trasc Yepes) (guitar - chitarra) 10. Ciaccona (transc Segovia) (guitar - chitarra) 11. Courante e Gavotte (transc Segovia) (guitar - chitarra) 12. Fuga BWV1001 (transc Tarrega) (guitar - chitarra) 13. Fugue XIII (transc Yates) (two guitars - due chitarre) 14. Gavotte from Cello Suite n6 (transc Segovia) (guitar - chitarra) 15. Gavotte I e II from cello Suite n 6 BWV 1012 (transc Konigs) (guitar - chitarra) 16. Invention in A moll (two guitars - due chitarre) 17. Invention in F dur (two guitars - due chitarre) 18. Invention in G dur (two guitars - due chitarre) 19. Jesu, Joy of Man's Desiring & Sheep May Safely Grace (transc Foster) (guitar - chitarra) 20. Jesu, meine Freude (transc De Gooijer) (guitar - chitarra) 21. Jesus Christus, Unser Heiland (transc Yates) (two guitars - due chitarre) 22. Jesus, Corale dalla cantata n147 (transc Eriksson) (guitar - chitarra) 23. Jesus, joy of man's desiring (guitar - chitarra) 24. Little fugue BWV578 1^CHIT (transc Yates) (two guitars - due chitarre) 25. Little fugue BWV578 2^CHIT (transc Yates) (two guitars - due chitarre) 26. Menuet (two guitars - due chitarre) 27. Opere per liuto (LIUTO) 28. Partita BWV 1004 (guitar - chitarra) 29. Prelude BWV 999 (guitar - chitarra) 30. Prelude, Fugue, Allegro BWV 998 (guitar - chitarra) 31. Preludio n6 (transc Parkening) (guitar - chitarra) 32. Sarabande from Franch suite n1 (transc Yates) (two guitars - due chitarre) 33. Schafe konnen sicher weiden (guitar 1) (two guitars - due chitarre) 34. Schafe konnen sicher weiden (guitar 2) (two guitars - due chitarre) 35. Sleepers Awake (transc Yates) (guitar - chitarra) 36. Sleepers Awake dalla Cantata 140 (guitar - chitarra) 37. Sonata BWV 1001 (guitar - chitarra) 38. Sonata BWV 1002 (guitar - chitarra) 39. Sonata BWV 1003 (guitar - chitarra) 40. Sonata segunda (transc Tarrega) (guitar - chitarra) 41. Suite BWV 997 (guitar - chitarra) 42. Suite BWV 1006a (rev Koonce) (guitar - chitarra) 43. Suite BWV 1006a (guitar - chitarra) 44. BACH (Weiss) - Suite for Harpsichord and Violin A major (BWV 1025) 45. 2 Little Duets for Guitar (chitarra) 46. 2 Little MORE Duets for Guitar (chitarra) 47. Aria Sulla 4 Corda Per 2 Chitarre (two guitars - due chitarre) 48. Bach per la mia chitarra (Trasc Garcia Velasco) (Ed Ricordi) (classic guitar) 49. Complete Two-Part Inventions for two guitars (trasc Anton Stingl, Ed Schott) (due chitarre) 50. Easy Pieces for Classical Guitar Vol 1 - Notation & Tab (Ed Mel Bay) (chitarra) 51. Jesu, Joy of men's desiring (guitar - chitarra) 52. Le Quattro Suite per Liuto [Ed Brben] (guitar - chitarra) 53. Notebook for Anna Magdalena (two guitars - due chitarre) 54. Prelude In D Minor - Fugue in A Minor (Ed Ricordi, transc Teuchert) (guitar - chitarra)
55. Sonata BWV 1003 (Trasc Barrueco) (guitar - chitarra) 56. Bourre from BWV 996 (transc Eriksson) (four guitars - quattro chitarre) 57. Adagio from Cantata n156 (transc Thorlaksson) (two guitars - due chitarre) 58. Aria from Orchestral Suite N3 BWV 1068 (guitar - chitarra) 59. Canon_Super thema regiam (transc Hawkes) (two guitars - due chitarre) 60. Cantata n147 (transc Calatayud) (guitar - chitarra) 61. Cantilena from Sonata BWV 1031 for flute and guitar (Ed Schott, transc Ragossnig) (flauto chitarra) 62. Cello Suite n 3 BWV 1009 (transc Grard Reyne) (guitar - chitarra) 63. Cello Suite n1 BWV 1007 (transc Duarte) (guitar - chitarra) 64. Cello Suite N1 BWV 1007 (transc Thorlaksson) (guitar - chitarra) 65. Cello Suite n3 BWV 1009 (transc Duarte) (guitar - chitarra) 66. Cello Suite N1 BWV 1007 (Ed Schott, transc Duarte) (guitar - chitarra) 67. Chaconne from violin partita BWV 1004 (Ed Schott, transc Segovia) (guitar - chitarra) 68. Complete Lute Music for Guitar (transc Zigante for GuitArt) (chitarra) 69. Gavotte I-II from cello suite BWV 1012 (Ed Schott, transc Segovia) (guitar - chitarra) 70. Gott sei gelobet (score and parts) (transc Orejuela) (four guitars - quattro chitarre) 71. Inventions BWV 787-791 (transc Thorlaksson) (three guitars - tre chitarre) 72. Inventions Bwv 792-796 (transc Thorlaksson) (three guitars - tre chitarre) 73. KontrapunKtus n1 from The art of fugue BWV 1080 (transc Minami) (guitar - chitarra) 74. Largo (arioso) from Harpsichord Concerto BWV 1056 (guitar - chitarra) 75. Lute suite BWV 995 (guitar - chitarra) 76. Lute Suite BWV 997 (MS) (transc Grard Reyne) (guitar - chitarra) 77. Lute Suite BWV 1006a (Ed Suvini Zerboni, transc Ghiglia) (guitar - chitarra) 78. Prelude from Bwv 998 (transc Segovia) (guitar - chitarra) 79. Prelude From Cello Suite N1 BWV 1007 (Ed Eschig, transc Pujol) (guitar - chitarra) 80. Prelude n 1 (guitar - chitarra) 81. Prelude n 1 (transc Parkening) (guitar - chitarra) 82. Prelude n14 BWV 0859 (transc Alink) (two guitars - due chitarre) 83. Prelude XII (Well Tempered Clavier, Book 2) (transc Yates) (guitar - chitarra) 84. Prelude, Fugue & Allegro BWV 998 (guitar - chitarra) 85. Preludium from Cantata N29 (transc Parkening) (guitar - chitarra) 86. Sarabande from BWV 996 (guitar - chitarra) 87. Sarabande from BWV 1002 (transc Segovia) (guitar - chitarra) 88. Sarabande from lute suite BWV 997 (Ed Schott, transc Segovia) (guitar - chitarra) 89. Sarabande from violin partita n2 BWV 1002 (transc Erikson) (guitar - chitarra) 90. Sonata IV BWV 1033 (flute, guitar - flauto, chitarra) 91. Trio BWV 1025 sulla suite in La di Weiss (transc Elisa Alberti) (violin, guitar - violino, chitarra) 92. Violin Partita n1 BWV 1002 (transc Yamashita) (guitar - chitarra) 93. Violin Partita n2 BWV 1004 (transc Yamashita) (guitar - chitarra) 94. Violin Partita n3 BWV 1006 (transc Yamashita) (guitar - chitarra) 95. Violin Sonata BWV 1001 (Ed Schott, transc Barrueco) (guitar - chitarra)
Joh. Seb. Bach
4
GUITAR DUETTS
MINUET B O U RR E G AV O T T E G IG U E T TA
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Gavotte I und II
aus der 6. Suite fr Violoncello solo BWV 1012
fr Gitarre bearbeitet von / arranged for Guitar by Thomas Knigs
www.thomaskoenigs.de
Smtliche Fingerstze und Zeichen sind internationaler Standard. Die Erklrung der folgenden Zeichen mag fr den Spieler von Nutzen sein:
All fingerings and indications confirm with international standards. Explanation of the following signs may be useful:
"Kipp - barr", d. h. der erste Finger geht in barr - Stellung, greift die erste Saite mit dem Fingeransatz, ragt aber in die Luft, so dass fast alle anderen Saiten leer gespielt werden knnen. Sinnvoll ist diese Technik vor allem als barr - Vorbereitung, bzw. kurz danach.
"Hinge - barr", first finger forms the barr pressing the first string leaving the first finger in the air so that most of the open strings can be played. This technique should be used especially in preparation for a barr or immediately after one.
Bindung - erzeugt durch die linke Hand.
LH - hammer on or pull off.
Flageolettne werden mit viereckigen Notenkpfen in der richtigen Tonhhe angezeigt.
Harmonics are shown by a diamond shaped note-head at their true pitch.
(12)
Bundangabe.
Fret indication.
______________________________________________________________________________________
Die originalen Phrasierungs- und Artikulationsbezeichnungen sind weitestgehend beibehalten worden, obwohl sie auf einem anderen Instrument eine neue Bedeutung erhalten knnen. Diese Umsetzung berlasse ich absichtlich dem Gefhl der Interpreten.
Fingersatz und insbesondere linke Hand Legati' sind hufig aus interpretatorischen berlegungen entstanden. Sollte der Spieler alternative Ideen darstellen wollen, so mge er sich frei fhlen die Vorschlge des Bearbeiters zu ndern. Wie bei allen Bearbeitungen sollte der Instrumentalist immer die originale Vorlage einsehen und sich die ursprngliche Fassung anhren. T.K.
Gavotte I und II
aus der 6. Suite fr Violoncello solo BWV 1012 Fr Gitarre bearbeitet von Thomas Knigs (2002) J. S. Bach 1685 - 1750
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www.thomaskoenigs.de
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. .
. # .
J j J
12 . V 8
# .
# # . .
. V. . V V
..
. . .
. . # . . J . . J . # .
. . # J J
j J j
. # J J
. .
. # # J
. . . # # n n . . .
# . .
U . . # . . . # . . . . b # # . J J # # j . . . # j V . n . u . . . . J J J
. . V . J
Jesus bleibet meine Freude

Jesu, Joy of Mans Desiring Chorale from Cantata No. 147
Arranged for Guitar by Jan-Olof Eriksson
Johann Sebastian Bach 1685-1750
# 9 . . l ============================l & 8 _ . l _. _. _ . _ _. _. _. _ _ Q 6 =D # . . . l .. l ============================l & _ _ . . _. _. _ _ _ . _. _ _ _. _ _ _

4
# . .. .. . l . _ _ J ============================l & _ _ l _ _ _ . . _. _ #_ J _ _ _. _. _. _ _
piv. 7
. # . . . . . . . . . . l . . . . . ============================ & { _ l _ l _ _ J J _ _. _ _. _ _. _ _ _. _ _. _. _. _. _ _ _ _
10
3 # . . . . . . . . . _ _ ============================l & _ l_ l _. J J _. _. _ _. _ . _. _ _ _
13
. # . . . . . . l _ . _ l ============================ & _ j l _. _ _. _. _. _ _ Q _
16
JOE 1975-95, rev 2005/6
# . l . _ _ l_ _ .. ============================l & _. _ _. _. _. _. _. _. _ _ _ _ _
19 22
# 1. . . . . . . l _ _ _.. ============================ & _. . l _ . . _ _ { #_ _ _. _. _. _. _ _ # # . . . . . . . . . n n . l l _. n_. # . J ============================ & _ J _ l _. _ _ . _. _. _

2. 25 28
n _ # _ # . . . . . . # . . l n . . . n . ============================l & _. l _. _. _ . # n . # . . . . . l . b... l . _ . n . _ _. _. l _ ============================ & . # . _. _ _ _ _ _. _

31 2 34
3 . n . # n . n . b n . . .. . . . . l _ _ n _ l _ ============================ & _ _ _. l _ _ _. _. _ _. _. _. n_ _ n_ _ _
37
3 # . . . . # l . . .. l . . l . ============================ & _. _ _ _ _ _ J _. J _. _. _
3 . # . . . . l l l _ ============================ & _. J J J J _ _. _ _ _ _. _ _ . _ _ 40
. # . . . . . . . . l . _ _ ============================l & _ j _ x _. l _. . _ .. _. _ _. _ . _. _ _ _
43
x
2 3 n 5 3 # _ _ l_ _ l_ ============================l & _ _. _ _. _ . _ . _. . 5 piv.

BV
46
# . ============================l & _ _ l_ . l _. . _ _. _. _. _. _ Q
49
# . . l . l _ _ _ ============================ & _. l . _. _. _. _. _ _. _ _ _. _ _ _ _
52
# . . . l l _ . . _.. ============================ & . . _ _ #_. _ n_ _. J _... _. _ _

55
Guitar
Jesu, Joy of Man's Desiring

Chorale from Cantata No. 147
/ / / / / / / / / / / / / / / / / / / / // // // / / / / / / / / / // / // / / / / / / / / / / / / / / / / / / / / / / // // // / / / / / / / / / // /
4 3 4 1 4 3 2
4
Johann Sebastian Bach trans. Douglas Rice & James Walley
II-------------4
3 4
2 0 2
3 4
2 3
4 (4)
2 3
10
II------------
(4)
1 4 0 (5)
4 (3) (2)
13
(3) 4
4 (4)
2 3
2 3
16
II---------
4 1
19
2 3
II-------------4
3 4
2 0 2
22
2 3
4 (4)
2 3
25
II------------
(4)
1 4 0 (5)
4 (3) (2)
28
2 2 4 3 3 (4) 1 (C)opyright 1998 by Douglas Rice and James Walley. All rights reserved.
Guitar
// / / / / / / / / / / / / / / / / / / / / / // // / / Q / / / / / Q - Q / - Q / - // /// // // // Q// Q / // Q / / E Q - / - / / / / / / // // / / / / / / / / / - /- - / // / / / / / / / Q / / / / / /

Jesu, Joy of Man's Desiring 31
II---------
4 1
34
II-------------4
3 4
2 0 2
37
3 4
2 3
40
2 1 4
0 41 3
43
3 1
3 2 3 0 1 2
2 1
46
4 2 3
49
a m i p
ma m m p p 2
2 3
52
55
3 1
1 0
4 (4)
2 3
58
II---------
61
1 2
1 4
64
1 4 4 2 3 4 1
Guitar
/ / / / / // // //
Jesu, Joy of Man's Desiring 67
II-------------4
3 4
2 0 2
70
2 3
/ / / Q
1
*XLWDU 2QH
/LWWOH )XJXH LQ * 0LQRU

%:9
. # J Vb c

7UDQV.ULEHG IRU WZR JXLWDUV E\ 5L.KDUG <DWHV
-6 %D.K
n n # . n b # V # # n Vb

# n # J J b V . # J

j # j j # n # J n n w n j # b J J V Vb

j # # n . # Vb J # # Vb .

n b # V n . b Vb

b J Vb J

n . b w b V J

Vb

. b
b # b Vb Vb

j # .
# b V n # # Vb

# # n
n # Vb

. j # # n # # b V J # J # w # # Vb #w

*XLWDU 7ZR
/LWWOH )XJXH LQ * 0LQRU

%:9
7UDQV.ULEHG IRU WZR JXLWDUV E\ 5L.KDUG <DWHV
Vb c Vb Vb Vb Vb

j . n n # n
-6 %D.K
n # # n # n j . # # n # . n . n # n # n J n . # n n # n
Vb . j # n V b . # # j V b . . n b J J V b j j n

V b b . J . Vb j b # Vb b J

b # j b # b V b n w j b # V # # # #

j Vb J # # J b b # # n # n V #

# Vb . J

b j w w V # w

Sarabande - French Suite #1

Transcribed for guitars by Richard Yates
3 V4 3 V4
5
. J
J.S. Bach (1685-1750)
# # n. b J
# V V
b # # j#
.. ..
.. .. # # J
10
b # # b V j # # # b b V # b b # V # #
15
# #
b V
b # # #
# . J #
20
# V # V n. n J
# n # # #
15 Schfe knnen sicher weiden (1)

J.S. Bach (1685-1750)
$ @@ ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) )
1 8
$ ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ), ! ) )2 )) ) ) )( ) ) )( ) ) ) ))!! ))2 ) 7
5 8
$ )( ) ) ( )- ) ) &)) ! ) ) )!) ) ) $)2 )) ) ) )) )) ) ) ) ) )) -) ) ) ) )) ) )) ) )) ) )) ) )

9 8
$ )- ) ) ) )) ) )) ) )) ) )) ) )) ! ) )2 )) )) )) )) )) ! ) )2 () ) ) ) ) ) ) ) ) ) )) )) ) )) )) )
13 8
$ )! ) ) ))2 )! ) ) ) ) ) )) ) )) ) ) ,) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) 17 8
$ ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) $)! )2 ) ) ) ) )
21 8
) ) $) ) ! )2 ) ) ) ) ) ) ) &) $) ) ) ) ) ) () ) ) ) ) ) $
25 8
$ ) &) ) ) ) ) ) ) ) ) ) $) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) $)
29 8
$ ) ) ) ) ) ) ) $) ) ) ) )! )2 ) ) ) ) )) $))) ) )) ) ) $)) ) ) )! ) ) )2 $)) )) $)) )) )) ) )

33 8
$ $)) $) $)) $)) &() ) $) ) ) ) )) ) )) )) ) () ) $) ) ) ) ) )) )) ) () ) ) ) ) ) )

8
$ )) ) )) )) $) () ) $) ) ) ) )) $) )) )) )) ) ) ) ) ) )) ) )) $)) ) ) ) ) ) ) ) ) ) ) ) ) ( $)
37 8
$ ) ) ) ), ! ) )2 )) ) ) )( ) ) )( ) ) ) ))!! ))2 )( ) ) ( ) 7
41 8
$ )- ) ) &)) !) ) )!) ) )$)2 )) ) ) )) )) ) ) ) ) )) -) ) ) ) )) ) )) ) )) ) )) ) -) ) ) ) )) ) )) ) )) ) )) ) )

45 8
$ )) ! ) )2 )) )) )) ))
49 8 53 8
)) ! ) )2 () ) ) ) ) ) ) ) ) ) )) )) ) )) )) ) )! ) ) ))2 -)!) ) ) ) ) )) ) )
$ )) ) ) ,) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) $ ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ((
57 8
15 Schfe knnen sicher weiden (2)

J.S. Bach (1685-1750)
$ @@ ) ) ) ) ) ) &)) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) )) ) ) ) ) ) ) ) ) ) )) ) ) ) ) )) ) ) )) ) ) ) )) ) ) ) )) ) )
1 8
$ ) -) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) )) ) ) ) )) ) )) ) ) ) ) ) )7 ) ) ) ) ) ) ) )) ) )) ) $)) ) )) ))
5 8
$ ) ) ) ) ) ) ) ) ) )2 ) - )) ) ) )) ) ) )) ) ) ) - ) ) ) ) ) ) ) ) ) )))) ))) )) )) ) ) ) ) )) )) ) ) ) )) ) ) ) ) ) )
9 8
$ - ) ) ) ) ) ) ) ) ) )) ) ) ) ) ) ) , ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) )) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) )
13 8
$ )) )) )) )) )) ) ) ) ) ) )
8 8
17
)) ) ) ) ) ) &)) )) ) ) )) ) ) ) ) ) )) ) ) ) )) )) ) ) ) ) )) )) ) ) ) ) )- ) ) ) ) ) ) ) ) ) ) ) ) ) ) )) ) ) ) ) ) 7
21
$ ) ) ) ) ) ) )) ) )) )) ) ) )) ) )) )
8
)) )) ) )) ) )) ) ))
25
$ )) ) $))) ) )) ) $)) )) ) ) ) ) &)) ) $)) ) ) ) ) ) ) ) ) $) ) ) ) $) ) ) ) ) )

8
)) )) ) )) ) ) )) )) )
$ )) ) $)) )) )) ) )) )) ) )) )) )) &)) )) )) $) )) )) ) )) )) )) )) ) ) ) ) ) ) )) ) ))
$ &)) )) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) )) ) )
29 8 33 8
)))))))( &)) ) ) ) ) ) ) ) ))) ) ))) ) $)( ) ) )
&) $ )) ) $) ) )) )) ) )) )) ) )) )) )) )) ) ) ) ) ) ) $)) )) ) ) $) )) ) )) )) ) $) ) )) ) $)) )) ) $)) )) ) $) )) )) ) )) $ $) ) ) ) ) ) ) ) ) ) ) ) $) ) ) ) ) ) $) ) ) $) ) ) ) ) ) ) ) ) ) ) 7-)7-) ) ) ) ) )) )) ) ) ) ) )) ))

37 8
$)) ) ) ) ) )) ))))))))
$ )) ) $)) ) ((
8 8
41
) ) ) () ) ) ) )) ) )) ) () ) ) ) ) ) $) ) ) )) )))) ))))
$ ) ) ( ) ) ) ) ) ) )2 )! )) ) ) )) ) ) )) ) ,) ) - ) ) ) ) ) ) ) )) )) )))))))) )) )) ) ) ) ) )) )) ) ) )) ) ) ) ) ) )
45
$ - ) ) ) ) ) ) ) )) )) )) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) )) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) )
49 8
$) ) ) ) )))))))) ) ) ) ) )) )
8 8
53
)) ) ) ) ) ) &)) )) )) )
)) ) ) )) ) ) ) ) ) )) ) ) ) ) ) ) )) )) ) ) ) )
57
$ ) ) ) ) ) ) )) ) )) )) ) ) ) ) ) ) ) ) ) ) ) ) ) ) )) ) ) ) ) ) ) ) ( ) ) )) ) ) ) )) (
Sleepers, Awake!
Transcribed for guitar by Richard Yates
(Wachet auf, ruft uns die Stimme)

V
J.S. Bach (1685-1750)
c j =D V 6
3
##
4 3 2 1 .. j 2 0 2 3
V II
j ## V
6
j j -4 j j VI4 j # -4 j jII j # 4 ## j 4 # V 1 3 IV4 II4 9 3 1 2 # - # # -4 4 - 3# 4 4 2 4 2 V 2 3# 3 3

II ## 3 2 4 j . j V 3 # . 4 -2 1 3 -3 # -3 1 3
11
II
j 1 1 2 4 0 j ## 4 1 0 1 V 3 2 2 4 4 1 1 3 3 3 3
14
II
II3
II3
II
NOTE: The notes with diamond-shaped noteheads are the chorale melody and must be played strongly to stand out clearly in the counterpoint. They are not harmonics.
II4 j j 4 j j j # -4 j j j ## 1 4 2 2 # . 4 3 3 - 1 0 . 0 V 2 J 3 1 1 # 2 # 1 -1 2
II
17
4 ## j 0 0 1 V 1 4
20
II
II 3
1.
II
j 22 ## .. 4 V 3 1 3 1
2. 25
II
j j j j VI4 j # j j II ## j j # # V # ## # V #
28
IV4
II4
II j II3 j j j 4 4 ## . # . V 1 4 # 3 2 4
30
II
VII j 4 4 4 3 ## 2 V 0 1 3 # -2 2 2 2 1 3 2 1
33
IV
VII II 2 j 2 # ## 4 4 2 4 V 2 1 -1 -1 # n 4 2 2 # # 2 4 3 0 -14# 3
36
j IV 39 j # j j j # -4 j j # # # # 2 -2 j 2 4 j # 0 4 V 1# # 3n # 1 n 2 # 2 4 2 3
VI
## 4 4 1 - # V 1 4 3
44
42
# #
# # 2 2 3 4 # 1 3
V
IV5
j 3 0 -2 V 2 3 2 4 1 ##
II 3 VII j 4 j j 47 ## 4 3 4 j 2 V 1 -3 -3 0 VII 2 j j4 j j 50 j 1 2 4 ## 2 4 1 V 3 3 0 2 0 1 0 3
n -4 -2 4 -1
4
II
II4
3 U 53 1 # # 2 -2 4 3 -2 j . 2 . w V w w 4 w
II
E B G D A E
0 1 3 0 3
0 3
0 0 3
0 1 3 3 1 3 2 3 0 3 0 1 0 1 3
0 3
0 0 3
0 1 3 3 1 3 2 3 0 0 1
3 T A B 0
1 0 3 1 3 1 0 2 0 0 3 1 0 2 0 1 3
0 3
1 0 3 1 3
0 3 0 2 3
!" 1 0 1 2 0 3
2 0
3 2
!" 1 0 1 4 0
#$ T A B
!" 7 5 8 0
3 2 3 4 2
2 0 3 1 0 2 0 0 3 2 0 2 0 1 1 0 1
2 3 5 3 2 0 3 3
3 0 2 3 0 0 0 2 0 0 0 2 3 1 0 2 0 0 0 2 3 4 4 0 5 0 0 0 0 2 3 0
#% T A B 1 3 3
0 3
0 0 3
0 1 3 3 1 3 2 3 0 3 0 1 0 1 3
0 3
0 0 3
0 1 3 3 1 3 2 3 0 0 1
#& T A B
1 0 3 1 3 1 0 2 0 0 2 0 1 3
0 3
1 0 3 1
0 3 0 3 2 1
5 3
!" 6 5 6 0 3
7 0
10
6 5 6 !" 7
3 3 1 0
''T A B
0 3 1 0
2 0 1
5 6 5 3 1 0 3 1 3 2 0 3
3 0 1 2
0 1 3
0 1 3 1 0 2 0 0 3 1
3 0
1 0
0 3 1 0 1 1 0 3 0 0 2 3 1 3
1 2
2 3
0 0 0
1 1 0 2 3
w Lro4
GAYOTTE
de la Suite Anglaise Nq 3
Transcription de
E M I T IO P U J O L
J. S. BACH
Alleg:retto
Ile Guitare
29-Guitare
- l e
-dcm.
@lesz by EDTTIoNS Mx Esc-HIG, Parls Copyright 1957 by EDITIONS MX ESCHIG 48 rue de Rome, Parig (ae I
rous DRolTs o'Ergcultot pus|.t9uE oE rtpRooucnof{ M.8.8920

E O ' A R R A N G E M E i T S T E S E A V S P O U NI O U S P A Y S
!?
to
Z-
y7- 2c
4?
t5t^
"f
^
*f
4t !3
/4
5
1 > ?n-
p
b
f) --Fl I
\t
\J
t' b n
p-----
M .E . 0 2 0
I' crege.
B VII
*1
cresc.
M . E .8 9 2 0
(tttruseme )
tzt 7
21 4
rl 2
ppl hu f{
r
(5)
r
(5)
r r
(5)
r
(s)
r
r
I
r
r
7 t
r
l
l
I r
= l
7
r
t
7
t
D.C.Jusqu' FIN
r
Imprimcric Rollund'prt ct fils - psis
7 t
v f
7 l
M.8.6920
MENUET I
Transcription pour deux Guitares
deEMILI0 PUJOt
B VII
J . S .B A C H
1T.C UITARE G
2 GUITARE 69 Corde e nR E
B VII
j, ru1 LLi
.J ,J ,)
.J
nJ.
3.-1
4-,.2
t;
2
-
Prlude
PourDEUX GUITAREST
5
J. S. BACH
Transcription : F. Fernan dez-Lavie
' t W r h l
J=,..n
Yo'.i
r
m
rn
o. rn
t-
p-----
itnLo-rni,
q'm
rn
mL
TN
il
ma !
i I,rv
t l
L H
I.
r t ,I
t,
rn
L m
L mL
fnL
L fn
m L
M.E. I |56
Bourre
DE LA I.'SUITE ANGLAISE
PouT DELIX GUITARES
J. S. BACH
Transcription I F. Fernandcz-Lavie
M.E. I |56
11 A-
lyr
,1.,
tr
?
L
4e -\_/ 4
(L
'"r
E,ilFimi.
@
M.E. 8156
Rollnd P! .t Elt - Prn T[: ro&76E3
JOH. SEB. BACH
ADAGIO
(Air on a G string)
ALLEMANDE - GIGUE
(From French Suite nr. 3)
G U I TA R D U E T T
A rrange me nt f or two guita r s

by
Eythor Thorlaksson
-2-
ADAGIO
Joh. Seb. Bach
GUITAR DUETT
1
G. 1
&
4 b 4
w w p
w w w
. b
G. 2
L&
4 4
&
.
0
poco riten.
L& b #
11
&
w w
w w w
a tempo
L& b n n
16
&
L&
0 3
21
&
w {
poco rall. e
L& b n
dim.
w w w {
Copyright 2000 by The Guitar School - Iceland www.eythorsson.com.
2005
-3. b
4 1
25
&
{ p a tempo
#
3 5
L&
29
&
b #
w w
p # w w
L&
34
.
0
&
n n 3 1
1 2 4 3
.
3
cresc.
n . j b n
L&
39
&
# f
w p #
L& b #
44
&
b 3 . . 1
j j
j w w
rall.
w w w {
L&
2005
-4-
FRENCH SUITE NR. III

ALLEMANDE
G. 1
&
# #
m c # . c
m . .
# #
Joh. Seb. Bach
G. 2
L&
4
&
# . #
L&
6 . # & L& #
m.
. 8 # # & L& #
# # #
# m n .
# # 10 m # # # . & L& & #

12
# n # # #
0
# # #
m # .
2005
# 1 3 { {
4 2 1 0
4
L&
# #
2j
4 1 2 # 2
-5-
14
&
# #
{ {
# # .
# n
L&
# n &
17
# m.
L&
19
&
# . #
# # # #
L&
21
&
# # . #
n n
L&
# &
23
# m.
L&
#
25
# 3 J
4
# { {
&
# # m. # #
n m. #
2005
4 3 1
3
L&
-6-
GIGUE
G. 1
# 3 & 8 J
1
J j
Joh. Seb. Bach
G. 2
# 3 L& 8
7
&
# #
13 # & L& L& #
m # .
# .
# &
18
# j
L& &
#
24
# # #
# #
# # # # #
# # M { {
L&
# #
30
&
# #
L&
#
2005
-736
&
{ J
# #
# L& {
42
&
# L& # #
47
&
# n
# L& n # n
53
&
# L&
59
&
# #
# L&
65
&
# L& # {
2005
JOHANN SEBASTIAN BACH NOTEBOOK FOR ANNA MAGDALENA (I)
VII
J. S. Bach Air
2 4 2 4
1. 2.
Music engraving by LilyPond 2.10.25www.lilypond.org
IX
J. S. Bach Menuett
3 4 3 4
JOHANN SEBASTIAN BACH NOTEBOOK FOR ANNA MAGDALENA (II)
III
J. S. Bach Menuet
3 4 3 4
IV
J. S. Bach Menuet
3 4 3 4
V
J. S. Bach Menuet
3 4 3 4
VII
J. S. Bach Menuet
3 4 3 4
VIIIa
J. S. Bach Polonaise
3 4 3 4
VIIIb
J. S. Bach
3 4 3 4
IX
J. S. Bach Menuet
3 4 3 4
1. 2.
1.
2.
X
3 4 3 4
XI
J. S. Bach Choral
XII
J. S. Bach
XIIIa
J. S. Bach
XIIIb
J. S. Bach
XIV
J. S. Bach Menuet
3 4 3 4
XV
J. S. Bach Menuet
3 4 3 4
XVI
J. S. Bach Marche
XVII
3 4 3 4
Fine
D.C. al Fine
XVIII
J. S. Bach Marche
XIX
3 4 3 4
XXa
J. S. Bach
3 4 3 4
XXb
J. S. Bach
3 4 3 4
1. 2.
1.
2.
XXI
J. S. Bach Menuet fait par Mons. Bhm
3 4 3 4
1. 2.
1.
2.
XXII
J. S. Bach Musette
2 4 2 4
Fine
Da Capo
XXIII
J. S. Bach Marche
3
3 3
XXIV
J. S. Bach
3 4 3 4
XXV
J. S. Bach
3 4 3 4
Fine
D. S. al Fine
XXVIII
J. S. Bach
3 4 3 4
XXIX
J. S. Bach
XXXII
J. S. Bach
XXXIII
J. S. Bach Aria
XXXIV
J. S. Bach Recitativo
XXXV
J. S. Bach
3 4 3 4
XXXVI
J. S. Bach Menuet
3 4 3 4
1. 2.
1.
2.
XXXVII
J. S. Bach Aria
3 3 3
XXXIXb
J. S. Bach
3 4 3 4
XL
J. S. Bach
3 4 3 4
XLI
J. S. Bach Aria
XLII
J. S. Bach
Score in C
BOURRE
from Suite in E Minor BWV 996 Johann Sebastian Bach (1685-1750)
Arr. for Guitar Ensemble/Orchestra by Jan-Olof Eriksson
Gtr I A1 Gtr II A2 Gtr III P Gtr IV B
CB
6
12
JOE/CGM
Score in C
J S Bach - Bourre, BWV 996
18
24
30
Score in C
36
42
48
Score in C
54
60
66
JOH. SEB. BACH
ADAGIO
(Cantata nr. 156)
G U I TA R D U E T T
A rrange me nt f or two guita r s

by
Eythor Thorlaksson
-2-
ADAGIO
(Cantata nr. 156)
GUITAR DUETT
Adagio
1
#
Joh. Seb. Bach

III
4
1
VII
4 4
3
G. 1
& #
II
4
p cantabile
G. 2
L&
4 4
3
J
2
J
0
3
&
II
#
3
III
# L& .
3 2 1
0 0 0
.
2
J .
n J
# .
3
II 5
& # # # j # L& .
2
V

1
~~ # .
2
J # .
3
2 4
1 2
7
&
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Air
From Orchestral Suite No.3 BWV 1068 J.S.Bach
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Johann-Sebastian BACH
Suite 3
a Violoncello Solo senza Basso (BWV 1009)
Transcription, dition pour guitare
Grard REYNE
Lyon 1997
Frontispice : portrait du pote Giovanni Filoteo Achilini grav par Marcantonio Raimondi (1510)
Suite 3 a Violoncello Solo senza Basso

(BWV 1009)
Prlude
Transcription, dition pour guitare : Grard REYNE Johann-Sebastian BACH (1685-1750)
Guitare
10
13
16
19
Grard REYNE (1963-1997)
22
25
28
31
34
37
40
43
46
49
52
55
58
61
64
67
70
73
76
81
85
Allemande
Guitare
11
12
15
17
19
21
23
Courante
Guitare
13
17
21
25
29
33
37
40
45
49
53
57
62
66
71
75
80
Sarabande
_ _. . n . ### 3 j j =l Guitare ======================= 4 & l l _ _ _ _ _ _ 4 _ _. _ # # ### . _ _ ========================== l & l _ _ l = J _ _ _ _ _ _. _ _ _ _ n_ 7 n _ . ### # j j = J n l . j J ========================== l & # { { _ _ _. _ _. J _ _ 10 . # . _ _ # # ### # J l l #_ # = ========================== l & # _ _ _ _ _ _ _ _ _ _ _ #_ ___ _ __ _ _ _ _ _ _ #_ n _ n # _ #_ 13 _ _ _ j ### j J l J # . ========================== l & # = l _ _ n 16 _. _ _ _ _ _ _ _ _ _ _ . # _ _ ### # _ _ ========================== l & l l _ = _ _ _ _ _ 19 _ # ### j J J l n #=l _ _ _ J ========================== & l _ _ _ _ _ _ _ _ #_ J _ #_ 22 _ _ n ### # j l l _ _ _ { ========================== & _ = j _ _ _ _ _ _ _ _ _ _ _ _ _ _
Bourre 1re
Guitare
13
17
21
25
10
Bourre 2de
Guitare
13
17
21
Bourre 1re
11
Gigue
Guitare
[ ]
12
16
20
24
28
32
12
36
40
44
48
52
56
60
64
68
13
72
76
80
84
88
92
96
100
104
14
JO H . S E B . B A C H
SUITE NR. 1
Guitar solo
(Orig i n a l f o r c e l l o )
Revised and fingered by
Eythor Thorlaksson
T h e G u i tar S chool - I celand

w w w.e ythor sson.c om.
-3-
SVTA NR. 1
PRELDA
6
Joh. Seb. Bach

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B. Sott's Shne,Meinz38279
JOH. SEB. BACH
INVENTION
In three voices nr. 1 - 5
( B WV 787 - 791)
A r r a n g e ment f or thr ee guitar s

by
Eythor Thorlaksson
T h e G u itar S chool - I celand

w ww.e ythor sson.c om
-3-
Invention nr. 1
(Guitar trio)
Joh. Seb. Bach
G. 1
& &
b c b c b c
1 2 1 3
VIII V 3 4 1 2
G. 2
G. 3
L&
& &
b
2
L& b
& &
m.
L& b

3035
Copyright 2003 by The Guitar School - Iceland www.eythorsson.com
-4V VII
& &
b b
L& b
n 1 n 4
2
22 4
n n
VII n m. 1 2 4
& &
1 4
L& b
11
& &
b n b j n
b 4 1 2
b # 2 4 2 4 3 4 3 1 1 1 1 2 4 1 3 j J #
L& b
n
V
b n
13
&
# 2 4 1 4 3
0 2 1 3 0
b & L& b j
4 1 4 3 1 1 4 3 # 2 n b b .
b
3035
-5-
b &
15
4 j
1 2 1
VIII
&b
0 3 1 3 4 3 1 4 3 1 3
3
L & b n b &
17

III
b 2
4 1 4 2 1
V
&
b3
4 3 1 4
2b 1
L & b b n b b &
19
&b L& b
21
4b 3 1 U M w
b & b b U w & U b L& w

3035
-6-
Invention nr. 2
(Guitar trio)
Joh. Seb. Bach
1
VII
# 12 8 4
3
G. 1
& #
. .
#
2

1 4
G. 2
& #
12 8
. . .
G. 3
L&
12 8 .
# #
j n
j # #
&
J
3
# & # L&
VII
6
~~~~~~~~~~~~~~~~~~~~~~~~~~~
1
&
# & # L&
3035
-7VI
8
&
J
1
4 2 1 # 3 1 1
4
#
3
# # # n 2 # . 4 1 4 2 4 2 3 1
# & # L&
. .
# .
10
&
# . # .
1 1
. . .
II
4 2 3
. .
# & # L& . # #
# #
# .
# #
13
&
# #
2
3 1
# & # L&
j # #
j #
15
&
#
1 3 3
j J
3
# & # L&
~~~~~~~~~~~~~~~~~~~~~~~~~~~ . . . # .
3035
-817
&
# .
# & # L&
# J
# # .
IV
19
VII
4
&
n .
3
#
1
III
# & # L& . J J # .
3
n n
1 4 3
1 n 1
n #
21
&
2 2 2 1 .
# & # L&
j J
2
j J
23
&
#
3 4 1
.
2
# & # L&
# #
n # # n
3035
-925
2
&
4 2 1 2 4 3 1 3. # #
2
# & # L&
# # .
27
&
# .
# & # L&
j .
# .
29
II
J
4
&
J
3
~~~~~~~~~~~~~~~~~~~~~~~~~~~ .
1
# & # L& .
31
&
VII
0
4 1
# & # L& # # . . # #
# .
j .
3035
- 10 -
Invention nr. 3
(Guitar trio)
VII
1
G. 1
& #
sigue
n
3
Joh. Seb. Bach

1
G. 2
& #
G. 3
L&
1
j
4
&
# & # L&
2 4
II

2 3
n
1
&
3 #
2 n
# & # L&
7
0
# 4 1 4
2 1
2 1
II
.
2
&

3 3
# & # L&
3035
- 11 9
&
1 4
1 1
V
#
2 3
1 1
# & # L& n
4
11
VII
3
&
# 2
2
3 1
VI
#
3 4 1
# 4 2
2
# & # L& n # #
VII
13
&
# 2 4
1
n
1 2
4 3
#
1
n
3
# & # L& #
# # # n
15
&
#
3
n # 4 3
3
VII
4
2 3
# & # L&
3035
- 12 17
&
# & # L&
19
&
# & # L&
21
&
VII
#
3 3
4
1 3
n 2
1
# & # L&
23
&
n
3

4 1

4 2 1
# & # L&
U # n
3035
- 13 -
Invention nr. 4
(Guitar trio)
Joh. Seb. Bach
1
4
G. 1
&
3 1 # #
VII G. 2
& c
3
sigue
#
2 3
G. 3
L&
n #
& # 2 &
#
2
2 1
2 2 1 #
X
3
# . 2
1
L&

1 4 3
&
3 #
&
L&
3035
- 14 VII
7
4
&
&
L&
X
9
&
VII
& J .
2
sigue
.
4
L&
11
&
3
#
4 2 3
VII
#
1
#
2
# 3 4
1 3
&
L&
# #
13
&
&
L&
3035
- 15 15
&
# J
3 #
VII
2 3 4
&
L&
X
17
&
VII
#
3 2
n
4 2
&
L&
19
&
# # n 1 2 3
1 4 4
&
b #
L&
21
&
V
# n
3
#
2 1
#
3
n
1
&
# #
L&
n b #
3035
- 16 -
Invention nr. 5
(Guitar trio)
Joh Seb. Bach
VII
1
G. 1
& # #
3 4
4 K
sigue
.
1
n .
2
G. 2
& # #
3 4
G. 3
L&
3 4
&
.
3
# & # L&
# #
&
#
3
.
2
K3
VI
# & # L& # # # . . . .
4
3035
- 17 11
&
# & # L&
# .
1
II
K
# # # n
14
&
# 1
.
1
# & # L&
sigue
#
3
# # #
IX
17
&
.
2
sigue
.
.
1
# .
3
# & # L&
n . K
2
# #
20
&
n .
4 3 3
#
3
# & # L&
n .
2
# n #
3035
- 18 23
4
&
# .
3
.
4
# .
# & # L&
n .
2
# # n n
27
&
n
4 3
.
3
.
4 4
.
4
1 .
.
2 2 4
# & # L&
# n
31
&
# & # L&
. n
# #
35
&
# & # L&
# # .
3035
JOH. SEB. BACH
INVENTION
In three voices nr. 6 - 10
( B WV 792 - 796)
Arrangement for three guitars

by
Eythor Thorlaksson
T h e G u itar S chool - I celand

w w w. e y t h o r s s o n . c o m
-1-
Invention nr. 6
(Guitar trio)
Joh. Seb. Bach
1
IX
# # # 9 8
1
sigue
. .
G. 1
& # #
II
9 8
G. 2
sigue
.
# .
n .
& # #
G. 3
L&
9 8 .
&
# & # L&
# . . .
&
# .
2
.
3
1 2
# 2
3
# & # L&
3 1
# .
# . . . . . .
. .
Copyright 2003 by The Guitar School - Iceland www.eythorsson.com
3036
-212
&
. .
# .
1 3
.
4
# & # L&
# J
# .
16
&
# 4 3 1
IX
sigue
. . .
# & # L&
# .
1 4
# . .
. . . . .
20
&
n
1 3 4 4
# & # L&
# . .
# . . . . . # .
24
&
.
4
.
3
# & # L&
# .
3036
-3. . . .
28
&
# & # L&
# # . . .
. .
# .
. .
32
&

4 4 2 4 1
. .
4 3 1 4 2 1 4
# & # L&
. . .
II
# .
. .
. .
. .
36
. # #
4
IX
. .
&
# & # L&
n .
4 3
# # n .
. . . .
39
# #
&
. .
1 4
.
3
U .
# & # L&
#
1
IV
3
j .
U .
# .
1 0
U . .
3036
-4-
Invention nr. 7
(Guitar trio)
Joh. Seb. Bach
IX
1
sigue
G. 1
& #
# 3 4
1 2
# # n
IV G. 2
# 3 4
3 3
#
1
n
2
& #
G. 3
L&
# 3 4 .
&
# & # L&
V
# # n
2
# . # #
&
# #
3 1
.
2
IX
# & # L& #
3
4 2
# .
1
#
3
4 1
.
3
4 2
#
1
3036
-5 #
10
&
# .
# & # L&
# .
1
# .
2 3
# .
3
# .
13
&
# & # L&
IV
#4 #
3 4
16
&
3 4
#
1
1 2 4 3 # 2 3 # # 2
# & # L&
II
#
2
# #
IX
19
&
#
3 1
sigue
# & # L&
2 1 4 2 #
3036
-64
22
&
2 1 # 3
# & # L&
25
&
#
3
# & # L&
28
&
# 2
1 3
# #
# & # L&
# # #
31
&
#
1
#
3
n
4
VII
#
4 2
4 2
# & # L&
# #
j n
3036
-733
&
n #
2
VII 1 4
3
IV
2
1 4 3 4 4
b 4
V
1
n 4 2 2
2 2
# & # L&
# #
j .
# #
IX
36
II
#
1
&
#
2

2 4
1 3
4 2
VII
# & # L& #
1
# #
n .
39
&
# #
3 2
n
2
#
3
1 3
# & # L&
#
1
4 0
3 3
4 2
n
4 1
42
3 1
&
#
2
U.
# & # L&
#
1
U # .
# #
U .
3036
-8-
Invention nr. 8
(Guitar trio)
Joh. Seb. Bach
G. 1
& &
c
V
G. 2
1 1
G. 3
L& c
VII
& &
2 2 4 n
2
# 3
3 2
L&
m 2 0
& &
4
. 1 # 3 4
1 3
3 2
2 1 #
# 1 3 1 3 1 00
L&
3036
-9-
& &
# 1
1 4
4 2 4 2 4 1
2
m J
9
m #
3 1 0 0 n
L&
2 3
& &
# # # 4 3 1
2
n 4
2
# 2 1
1
2
III
# n .
4b 4
L&
11
# n n b J 2
& & b m .
L&
b 4 #
13
VII
& & n
4 4
4
#
3036
n # #
L&
m n
- 10 V
15
& &
4 3 # .
2 4
1 3 3 . j
3 0 1
L&

17

III
& &
m b 1 2 2
2 0 2 1 4 3 1
2 b
L&

19
n 4 4
& &
V m b 2 4 2 4 1 4 1 2

VII
L&
21
& & .
III 3 4 1 1
2 4 4 2
2 3 2
. J
U U J 4
3
L&
m 2 0 0
2

3036
- 11 -
Invention nr. 9
(Guitar trio)
Joh. Seb. Bach
G. 1
& &
## ## ##
c
II
n 3# 4 4 2 2
2
m 4 3 # 1
m 4 3 # n
1 2 #
G. 2
m m c 3 2 1 1 4 3 # c
G. 3
L&
1 3 4
& &
##
3# 4
2
n 4 2 1
IX
VI n # # 1 2 2 3 1
n 3 1 3
4 3
2 1
VII
# # # ##
0 2 3
# J
m n 3 0 1 3 # 4
L&
0 1 3 #
& &
##
1
#
2
1 1 J
# 4J 2
n J4
0 1
2 1
## ##
# # n # #2 . 4 1 m 1 4 3 m 1 4 #
2
m n m 4 n 1 0 0 # j n
L&
3 #
3036
- 12 V n b 14 3 ##4 1 2 1
10
&
# # n 0 . 1 0 1 3 4 m 3# 4 2 n
1
II
IV
## & J L& ## #
n j n
4 3
n j j #
## m &
13
m # n
m n m # #
& L&
## ##

IV
# # n #
1 4
j j n #
3
16
& &
##
m # 4 3 #
1
VII
n m #
## ##
m m 1 4 3 # 4 2 1 # j j #
m 4 1 #
1
1 4 3
L&
j j n
1
# 2J
# 3 2
# n m
3
# n m
19
& &
# # #
2
3 2 J
n J #
4
IV
#
3 1
1
3 4

0 0
1 0
## ##
4 n 0 J 4
1 # # #
n J3
L&
#
6
1 2 4 0

3036
- 13 -
## & J
22
n j n J
# b J
b m 4 3 1 j m
III
b m 4 3
2
## # & L& ## n
1 2 4 m m n
# m n

VII
25
& &
## ## ##
3 4 b
4 2 j J
# n n . n
4 2 3
L&
2 n
#
6
1 2 4
# n
1 34
28
&
##1
# 1
1 3 2 1
1 #
m 4 3 #
m 4 3#
m m 2 1 1 4 3# 0 # n
m # # n m # & L& ## # j n j
4 2 3 2
m #
j j # n J # J
0
II
1 34 # # U w U #w U w
32
& &
## ## ##
n
4 2
# m
1 4 3
#
1
n 4
1
2 1 2 . # . 3 4
n
1 24
j
0 2 4
j #
4 2 1
m # n
3 4 # n 3
L&
n # # 2
#
3036
- 14 -
Invention nr. 10
(Guitar trio)
Joh. Seb. Bach
1
VII
3 4
4
G. 1
> J
&

3 4
2 4 3 1 4 1
0 4
# 2
1
G. 2
&
3 4
> j #
G. 3
L&
3 4
&
#
1
4 2
VII
2 2 4 3
1
&
>
L&
&
>
1
>
4
> & > j
>
III

1 4 2
L&
3036
- 15 10
&
#
4
>
1
&
4 2 # 0 2 n
> L& # # . # .
V
13
&
4 1 0 0 3 2# n 0
2
#
3
> & .
> .
> L& #
2
# #
16
&
3 # # 4 1 2 1 4 3 1
3 2 3
VII
2 2 1
n #
# 1 4 2
4 4
> & # > L&
> #
>
>
19
&
# 1 4 2 # # 4 0 3 1 1
0
II
# 1 4 3
1
#
4 3
> & # #
# #
# # # #
L&
3036
- 16 22
&
1
b
2 1
&
# #
# .
n #
L&
# n
25
&
3
>
4 2
3 1
&
1 4 3
1
L&
&
28 b>
2
1 4
2 2
>
1
n
3
>
3 3
b
2 1
>
3 1
&

4 1
> L&
>
>
31
&
VII
4
U.
&
>
U .
U L& .
3036
Copyright K.MINAMI 2004.10.6.
Kontrapunktus 1.
J.S.Bach
for Solo Guitar
Arr. & Digit. by K.Minami
Die Kunst der Fuge BWV1080

2 3 4 4 4 solo
90 =
2 4 16 5 5
BVII BV
3 ( p p ) 12
BI
7
BI
4 3 2 3 3 4 4 ( ) p 21 6 2 http://coheym.hp.infoseek.co.jp
2 3 5 3 4 5 4 5 26 6 5 5 3 31 2 3 3 5 4 5 3 4 35 4 2 ( ) 3 3 3 4 40 6 3 44 2 1 ( 2 ) 3 4 4 4 4 4 5 3 3 5 5 5 4 5 49 6 6
( ) ( )
BVII
BVII
( )
BII
BV
BVII
BIV
BV
BV
BII
BVII
BVII
http://coheym.hp.infoseek.co.jp
2 2 3 4 3 4 3 5 53 5 6 2 6 58 2 2 2 2 2 3 3 3 3 4 4 4 62 2 2 ) ( 3 3 3 5 4 4 5 66 6 5 6 2 3 3 2 p p 4 2 3 4 m i 4 ( Ar.12 70 ) p p 2 2 2 3 3 2 3 1 4 2 ( ) 3 3 4 4 4 75
( )
BI BV BVII BIII
BV
BV
BVIII
http://coheym.hp.infoseek.co.jp
BIV
BV
Harpsichord Concerto BWV 1056 Largo (Arioso)
Guitar
j # M ## c . &
J.S.Bach
&
###
# # # # # # # . j n # n
3
11
### # &
m 3 j 16 # n # . . j j . j # n . n ## & # n j 20 . ### j . n & n

25
T m # n 3 3 3 3 3 ## &
30
j j m ### . . m & n & ### # . j # . j . # # #
35
39
m # # # . & # . #
opr. Seweryn Bejgrowicz www.sew.prv.pl
Johann Sebastian BACH
Suite BWV 997 (Suite II pour luth)
dition pour guitare Grard REYNE
ms lyon 1980
Prelude XII
Transcribed for guitar by Richard Yates Moderato
Well Tempered Clavier - Book 2
J.S. Bach (1685-1750)
V IV j j -4 # 4 j j 2 1 3 0 2 V 4 1 # 3 4# 2 # 4 1# III j j j j j 1 V # 0 4 3 4# 2 1 # # 4 43 3 2 V3 j V j -3 2 j 1b b 1 4 4 3 1 3 4 4 4 2 2 1 V 2 1# 1 2 3 2 1 4 4 3
6 13
5
19
0 1 2# 4 3 4 b 1 0 4 1 3 n 4 1 V 2
2
V 2 3 4 2 4 b b 4 b b 1 3 b -3 4 # 3 1 j j 1 4 V 1 .. .. 2 3 4 2 3 3
27
23
I3
III
III j II j III 4 b # b b n 3# 2 2 b 2 # 1 2# # III
2b 1 4 13 b# 4 4 b 43 3 1 # 4b 1 0 n 4 # 4 1 2 1 V 3 2 1 3 3 2 # 3 0 4 0 3 1 2 0 1 2
34
2 0
4 -4 3 2# # 4 4 V 2 b -2 4n 3# 0 4 2 -2 -3 1 3 1 1b 1
38
II III
III
-3 4 4 0 4 - 4 b -4 3 1 V 2 2 2 1 1 2 1n b 3# 1 0 2 3 2# 3
42
-3
b # 2 4 # 2# n 1 3 4 4 b V 4 2 # 3 1 J J 3 2# n J J
46
V3
V3
III
j 3 4 -4 n b 4 4 4 # 2 n 1 V # 4n 24 -2 3 3 4# # 4 3 J J 3 J 2 1 J I II j j 2 # V # 1 3 # 2 3# 4 4
II
50 54 58
II
III
j j # n # 0 1
I3
I j 4 3 1 4 2 3 2 # # 2 # 3 V # 3 J
n # 4 # 4 2 # 4 V 1# n 4 3# 4#
3 2
62
II
II3
II
# 1 1# 3 b n 1 # V 3# 2# 4 4 2 3 J 2
66
II
1 3 4
j 4 1 -1# # 4 # 3n J 3 -3 ..
Prlude, Fugue et Allegro

BWV 998
Johann Sebastian Bach

(1675-1750)
Prlude
1 2 2 1 n 3 1 3 4 2 4 2 1 3 1 2 4 3 1 2 2 1 4 3 2 1 1 # # 12 0 # 4 V 8 . . . . . . 0 = R
2 3 6
4 3 4 3
Guitare
##
4 3 4 3 1 2 2 1 1 2 1 4 3 4 4 3 1 4 3 1 # n 3 3 2 # # . . . 2 . . . 1 4 1 4 1 2 0
( ) ( ) (
4 1 0 1 1 0 1 0 # # 4 2 4 1 2 0 1 2 4 2 1 2 0 2 1 0 4 2 n 0 4 2 n # 4 2 V # 1 # . . . . . 2 . 0
5
10
##
4
0 4 1 2 1 1 4 0 2 3 1 4 0 0 2 4 1 n # n # n # 2 1 4 1 2 1 2 1
C.II
C.II
C.III
C.II
3 4 3 1 2 2 4 ## # n #3 4 4 2 3 2 0 4 #3 3 2 # # V 3 1 2 # 1 . . 2 1
13
1 3
3 4
Copyright 2002 by Crying Guitars www.crying-guitars.tk
# 3 V # # . . 1 1
16
C.II
3 2
3 2 1 4 3 3 1 4
2 0
1 3 3 # . 0
3 2 2 0 2 1 3 1 # # 1 # . . 4 . 4 #
4 1 4 1 3 # n 0 #4 3 n 3 4 3 4 1 1 0 ## 4 # #4 2 n 4 2 V . . 2# . . . . 3 3 1
C.II
19
2 4 4
C.II
4 1
C.III
1 n # # 2 1 2 3 1 3 1 4 2 2 1 2 3 V 1 . 2 . . 2n . . .
22
4 1 1 4
3 1 4 0
2
4 3 3 2 2 3
C.V
3 1 1 2 1 # # 4 2 4 3 n2 0 4 n1 0 n4 0 0 2 4 1 3 1 2 1 3 V . . . . . . # 1 3 4
25
3 2
4 2 # # 3 4 2 4 0 3 4 3 2 3 2 4 0 4 1 0 1 2 2 n4 2 1 0 3 2 # V # . . 1 1 . 1 . 3 3 1 0
28
1 0 2 3 3 4
C.II
31
4 1 1 # # 2 2 4 1 4 3 1 2 3 4 3 2 2 3 3 2 1 4 3 4 3 2 3 1 V 4 1 3 1 1 4 . . ( )
C.II
( )
j j j j 2 2 2 2 ## 4 3 1 3 V 3 1 0 1 0 0 1 . 3 n . 1 1 . . . .
34
C.II
C.II
j 34 j j 4 # V # 2 3 n 1 b . 0
37
j .
b2 4 3 4 3 1 3 2 2 2 1 2 n 1 4 3 0 1 b 1 1 1 3 b 4 3 4 3 b J b . . .
5
C.IV
40
U C.II 4 3 4 j 3 n 3 3 #1 2 4 1 4 n2 1 4 2 0 2 2 1 # # 2 .. 4 2 1 4 2 3 0 1 1 V 1 0 . . . . 4 0 . ( ) ( )
(
3 2 2 1 # # 3 2 n 2 1 2 2 1 1 4 V .4 1 . . . . .
43
46
4 n 4 1 2 4 3 4 2 2 1 0 # 1 4 j V # 3 1 n 0 2 1 1 4 # 4 1 3 2 4 J J 2 1 4
U U j 0 0 1 . . 0 . 0 .
# # c 2 1 2 V
Fugue
1 3 1
2 1j 2 2 1 1 3 2 1 # 4 0 4 3 1 1 0
C.II
3 1 # # # 2 V 4 1 n 4 2 1 1
5
3 2 2 4 J 1 4 1 2 0
3 4 1 # 1 32 1 2 J0 3 0 2 4 3 1
2 j 2 n ## 0 V 3 # 1 1 1 3 1 3 4 1 0
8
2 1 n1 0 3 0 1 1 2J 3 0 3 2 1
2 1 1 4 2 4 3 2 4 3n
4j #0 1
3
4
j 4 4 1 3 2 # # 2 0 1 4 21 2 j 2 2 n 1 j V 3 1 J 1 0 1 3 3 4 0 2 2 0
11
1 j 0 j 0 1 0 3 1 J4 1 0 J 2
# # # j n2 1 0 0 V 3 1 # 1 1 1 4 # 3 2
14
j 4 2 2 3 2 2 3 0 2 1 2 3 2 3 1 3 J 4 4 1 4 1 3 1 4 1 31
(
1) 1 j #4j # 1 n j 1 # j #1 2 0 n j 3 1 j ## 1 2 n 0 # 2 J J 3 # 2 J 4 4 nJ V 3 2 4 J 0 1 J 1 1 4n 0 n 1 # 1 4 # 1 3 4 2
17
j # # n 1 1 2 j 2 4 2 3 41 n 3 V 1 J J 1 1 3 3 3 4
20
3 2 0 3 2 1 n 3 1 0 4 n 4 2 J1
4
2 j 1 4 4 4 ## 3 j V 1# 1 2 0 2 J 3 3 1 1
23
21 0 1 2 3 n 3 n 4 4 1 J J 3 1 1 0
2
24 j 1 1 j 4 n 1 2 3 2 2 J 3 4# J 1 3
1
2)
## V
26
0 2
1 2
j J 4
6
2 0
1 4
j J U 2 1 3 u
2
21 0 1
1 4 Fine
j 2 1 J 4
4
0
# 2 1 3 1 V # 1
28 30
C.II
4 2 1 3
(
1 3
)
2 3 1 0
1 3 0 4
##
2 2 3 2 3 3 1 4 1 4 3 R 4R R R R 1 3 0 0
C.II
1 2 # # 1 1 2 1 2 1 1 4 3 2 3 1 1 # V 3 3 4 4 1 3 2 0 ( )
32
C.II
# # 2 1 0 4 0 4 1 2 #4 V R 0 R R 1 R R 3
34
1 4 # 2 2 1 2 # 4 3 1
2 3 4 3 1 4 2 1 1 4 3 0 2 3 ## 1 4 3 4 n3 4 2 3 1 V 2 1 1 1
36
C.VII
2 2 4 3 2 0 4 3 4 3 2 1 3 4 3 1 1 1 4 1 n 1 3 2 # 2 2 V # 0 3 3 1 # 1 1
38
1 0 2
#4 2 1 4 3 2 4 1 3 4 n1 ## V
40
1 4 2 2 3 1 #2 3 2 4 n 0
2 2 # # 4 4 3 # 3 1 4 3 2 3 4 2 3 # V # 1 1 4 4 3 2
42
4
C.IV
4 3 0 3 2 # # 20 2 4 1 1 4 1 # 3 #1 n 3 1 4 4 2 4 V 3 0 3 # 3 2 3 0 4 1 1 # 1 1 2 2 ( )
44
C.II
3 3 3 4 1 2 # 2 1 4 2 #4 0 n2 # # 1 n 1 1 2 # 3 2 1 V # # 3 n 4 2 1 1 0
C.II
46
C.V
C.VII
2 2 2 1 4 4 1 # # 1 #1 # 4 3 2 2 # 4 # # 3 0 3 2 # # 2 3 1 1 3 2 # n # n # 1 V 2 # # 4 1 4 2 1 3
48
C.VI
C.IV
4 3
# # 0 # #4 0 V 0 3 # 1 1
50
IV
3 4
2 4
3 2
1 4 1 4 n3 # 2 4 3 1 3 0 3 2 # 1 2
4
4 3 # # 4 3 0 n1 n3 0 n3 # 2 0 0 2 1 # V 2 1 2
52
C.II
1 4 n 1 2 1 4 2 1 1 3 3 1
2 1 2 1 3 n 2 4 1 0 4 1 0 4 3 0 1
VI I C.II
C.II
C.III
3 2 4 # # 2 2 n4 0 1 #4 1 V 2 1 3 3
54
2 4 # # n1 2 4 2 #1 4 1 #n 4 1 4 1 2 0 4 3 # 3 2 0 3 V 1 4 2 3 # 3 3 2
56
3 2 5
1 3 3 4 1 1 4 # # 4 0 1 4 1 4 0 2 0 1 4 1 4 0 2 n b n 0 4 2 1 4 V # # # # 3 2 2 # 3 2 3
58
III
C.III
C.II
# # b4 n1 2 0 4 2 1 3 b3 4 1 0 n0 1 n4 4 2 1 4 1 3 1 2 V n # 32 0 3 2 0 # 1
60
4
0 1 3
1 2 ## 0 1 0 3 3 1 n 1 # 0 V 3 4 4 1
62
(
64
4
2
##
2
2 3
4
1
2
1
1
3
j 2 3 1 0 j 3 4 J 1 2 0
## V
66 68
4 1
j # 4 4 j 0 1 # 1 2
3 2
j j 4 # 4 ## 2 1 1 2 4 2 V 3 2 # 1 3 J 2 # 1 1 4 3 0 4 0 1 ( ) ## # V 0
70 72
4 1
j #2 4# j 4 2 1 1 1 #
2n 4
(
)
C.II
4 2 n 1 3 2 1 0 1 1 2 1
#
4 4
##
43 1 2 4 1 2 1 4 3 3 4 4 n3 0 2 1 2 # 3 3 1 n # 2 0n 2 3 0 2 1
2 1 4 2 0
j ## V 1
74 76
j 3
2 4 1 3
C.II
.. . 1 0
1 0 1
## 1 0 1 3 n 1 0 V n 3 4 1 4 0 4
(
C.II 4 2 # . 2 J1 # 1 1 1 1 3 1 0 3 1 dal segno % al Fine 2 j 2 1 0 2 2 1 # 1 4 3 0

4 4
Allegro
# # 3 2 V 8 # 2 V # 3 1 3 1 0
5 9
3 4
23 1 J
1 4 1 1 3 0 0 J
5
3 0 1 0 4 4 1
1
C.II
2 1 4 0
(
1 2 J
(
4 3 3 2 2 4
)
1
V 1 # 3 4 J 2
3
(
##
2 # 2 3 4 1 1
2 4 1 J 2 3 n 4
1 3 2
2 3
1
13
##
3 4 1 1 2 #1 1 2
2 3 1
1 4 2 2 0 # 1J
17
4 2 V 1 # 3 3 4 3 # 0 2 0 2 2 1 1 1 # 1
5 4
##
1 # 4 4 2 1
C.II
21
##
2 4
# 2 1 1 1 J
3 3 # 2 3 2 2 0
4 1 4 3 4 1
1 2 0 1 # 2
25
1 # # 4 2 # 4 0 2 V 3 #
2
2 3
1#
2 # 1 0
(
2 # 1 2 4 2 1 .. . 0 .
1 2
C.V
)
2
2 ## 2 # 1 V 1 4 1
29
3 2 1 4
#4 1
4 1
..
## . 3 2 V .
33
2 1 2 4
( )
3 3 1 4 2 1
4
3
(
37
1 R
1 V 4 3 J
##
n 2 4 1 4 4 2 3
1
n 4 1 2 2 3
C.II
41
n ## V
C.VII
n 2 1 3 1 n2 0 3 4 1 # n 0 1 . 0 4 3 4
6
45
##
n1 0 4 0 3J 2 Piano J
0
n1 0 4 2 2 0 n1 4 2 3 1 # . 3 3 n 4 3J 2 3J 3J 0 4 2 J
0
(
1 3 # # 2 4 n4 3 4 1 1 V n 1J J 2J 1 Forte J
49
3 1 2 2n J J 1 1
2 1 4 4# 3 1
#4 2 4 3 1 2
2 4 4 2 ## #4 # 1 V n 1 3 3 3 1
53
## V
57
1 2 # 2 1 # 2 # 1 # 3 1 2# 3 # # 4 1 4 # 1 1 2
( )
62
3 4 1 4 4 # # 4 1 2 1 3 2 4 0 # V # 1 2 2 1 3 2 3 1 1 3
C.IV
4 # # 1 0 2 1 3 1 V 1 1 4 4 2 4 1 0 2 . 4 Piano 4 J 3 J 3 J 1 J J 0 ( ) J
67
2
C.VII
72
##
4 4 3 3 3 2 1 4 n 1 #2 2 3 2 2 1 1 1 0 2 4 J 1J 0 4 3 1J 1 J 4 . 3 J J Forte 0 J J
5 6
4 3 1 3 4 3 4 1 4 3 4 2 3 2 4 1 1 2 1 3 2 4 4 2 2 2 1 ## V 13 1 1 2 1 1 J 2 1 J J J
77
C.II
C.II
# # 2 1 0 1 3 3 4 n2 0 3 1 1 4 3 2 3 0 V 1 2 2 0 1 1 1 1 1 2 # 1
82
3 1
2 4
C.V
# 2 V # 2 1 4 1 4 1 1 3 3 3 4 3
87 92
1 4
1 2 4
4 1 4 3 4 0
##
1 0 n 2 1 0 3 4 2 4 0 1 0 2 4 4 3 4 3 4 1
2 1
. . 0 .
2 3
..
1) Original : (fugue, mes. 18)
##
j
2) Original : (fugue, mes. 26)
j J
j J
Sarabande
from Partita I for Solo Violin, BWV 1002
Arranged for Guitar by Jan-Olof Erikson
Johann Sebastian Bach 1685-1750
BII
BII
1.
BII
2.
BIV
BII
3 4 4 5
CGM/JOE
BII
BII
BII
Data Msica Srie

Edio: Orlando Fraga
J. S. Bach
Sonate IV
BWV1033
para Flauta e Violo
para Flauta (Violino) e Violo (Contnuo)
Sonate IV
J. S. Bach
Realizao: Orlando Fraga
_ _ _ _ c ======================================= & = l l l
Andante
BWV 1033
l . l _ l l l . l c _ l========================== l & l = _ _ _ _
4 3
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Realizao: Orlando Fraga
para Flauta (Violino) e Violo (Contnuo)
Sonate IV
J. S. Bach
BWV 1033
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1997 - Data Msica Rua Jos Kormann,120/16 Curitiba - PR 82200-440 (41) 3254-8097 www.orlandofraga.pop.com.br
Flauta
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!bach, J S - Transcripciones Guitarra (Sola, Duos, Cuartetos)

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CONTENIDO 1. 4 guitar duets (transc Thorlaksson) (due chitarre) 2.

Joh. Seb. Bach

E y t hor T hor laksson

The Guitar School - Iceland

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 +  + + +  + + ++ +++ + + + + + + + + + + + ++++ + + + +++ $ + + + + + + + + + + + + + + + f h         

h + + +++ + + + $ + ++ + + + + +++++++ +++ + $ + g + + + + h ^

+++++++++++++++++++ +++ + ++ ++++++ + + + $ j +  

U g     U g  + + + + + + + + + + + + + + + +  +  + + + + + + + + + + ++ + + + + + + + + + + g ++++ +g ++++ + $

1999 Richard Yates - www.teleport.com/~yateslau - yateslau@teleport.com

Bindung - erzeugt durch die linke Hand.

LH - hammer on or pull off.

Flageolettne werden mit viereckigen Notenkpfen in der richtigen Tonhhe angezeigt.

Harmonics are shown by a diamond shaped note-head at their true pitch.

by Thomas Knigs 2002 - Non-commercial copying welcome

# #kL # kL # & & # j ## #j # & # # # # # # # # # #j & # & # & # # # # b # # & & # # #

# # & & # L # L # # L # & & # # L L L # # L L L # ML L L &# & # j #ML L L

L L # n L L & # LL L L L & M L L L L L & # LL LL L L L L & # L L # j j j & # L L & # UL & L U # L j j j L & L L

Jesu, Meine Freude

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(Naar Cantate 147 BWV 147)

Jesus bleibet meine Freude

Johann Sebastian Bach 1685-1750

# 9 . . l ============================l & 8 _ . l _. _. _ . _ _. _. _. _ _ Q 6 =D # . . . l .. l ============================l & _ _ . . _. _. _ _ _ . _. _ _ _. _ _ _

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Jesu, Joy of Man's Desiring

Johann Sebastian Bach trans. Douglas Rice & James Walley

  // / / / / / / / /   / / / / / /   / / / /  /    / / // // / / Q / / / /  /   Q -  Q / - Q     / - // /// // // // Q// Q /   // Q / / E Q - / - / / / / / /   // // / / / / / /   / / / - /- -   / // / / / / / / /   Q   / / / / / /

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7UDQV.ULEHG IRU WZR JXLWDUV E\ 5L.KDUG <DWHV

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Sarabande - French Suite #1

J.S. Bach (1685-1750)

15 Schfe knnen sicher weiden (1)

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15 Schfe knnen sicher weiden (2)

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(Wachet auf, ruft uns die Stimme)

J.S. Bach (1685-1750)

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Rollnd P! .t Elt - Prn T[: ro&76E3

JOH. SEB. BACH

A rrange me nt f or two guita r s

The Guitar School - Iceland

Copyright 2000 by The Guitar School - Iceland www.eythorsson.com.

FRENCH SUITE NR. III

Joh. Seb. Bach

# # 10 m # # # . & L& & #

Joh. Seb. Bach

13 # & L& L& #

!

## & # & #

+ + + + + + ++ +++ + + + + + + + + + + + ++++ + + + +++ $ + + + + + + + + + + + + + + + f h

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U g U g + + + + + + + + + + + + + + + + + + + + + + + + + + + ++ + + + + + + + + + + g ++++ +g ++++ + $

// / / / / / / / / / / / / / / / / / / / / / // // / / Q / / / / / Q - Q / - Q / - // /// // // // Q// Q / // Q / / E Q - / - / / / / / / // // / / / / / / / / / - /- - / // / / / / / / / Q / / / / / /

-6 %D.K

-6 %D.K

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