de
Peter Bertges
music.edition
Technical details about all Fender basses and guitars
- Foreword by Thomas Blug, Germanys Stratplayer No. 1
Peter Bertges
All rights reserved. No part of the contents of this book may be reproduced, stored
in a retrieval system or transmitted in any form or by any means electronic,
electro-static, mechanical, photocopying, recording or otherwise, without the prior
written permission of the publisher except in the case of brief quotations embodied
in critical articles or reviews.
All company names, brand names and product names are trademarks or registered
trademarks of their respective owners and therefore, as a rule, are protected by
brands, patent or goods legislation.
The author and publisher have made every effort in the preparation of this book to
ensure the accuracy of the information contained therein. However, it is sold without warranty, either express or implied. Neither the author, bomots nor its dealers
or distributors will be held liable for any damages caused or alleged to be caused
either directly or indirectly by this book.
www.bomots.de
Contents
Preface .............................................................................................................. 21
Introduction....................................................................................................... 23
Purpose and Scope of this Book ..................................................................... 23
The Structure of this Book ............................................................................. 23
The Series...................................................................................................... 25
General Features and Changes ....................................................................... 27
Part I Major Models ................................................................................... 31
1
Stratocaster ................................................................................................ 33
1.1
1.2
1.2.1
1.2.2
1.2.3
1.2.4
1.2.5
1.2.6
1.3
1.3.1
1.3.2
The Strat..................................................................................... 46
1.3.3
1.3.4
1.3.5
Elite Stratocaster......................................................................... 48
1.3.6
1.3.7
Contents
1.3.8
1.3.9
HM Strat..................................................................................... 53
1.3.10
1.3.11
1.3.12
1.3.13
1.3.14
HLE Stratocaster......................................................................... 57
1.3.15
1.3.16
1.3.17
HM Strat Ultra............................................................................ 58
1.3.18
Strat Ultra................................................................................... 58
1.3.19
1.3.20
1.3.21
1.3.22
1.3.23
1.3.24
1.3.25
1.3.26
1.3.27
1.3.28
1.3.29
1.3.30
1.3.31
1.3.32
1.3.33
1.3.34
1.3.35
Tex-Mex Strat............................................................................. 67
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5
1.3.36
Roadhouse Strat.......................................................................... 68
1.3.37
1.3.38
alifornia Strat.............................................................................. 69
1.3.39
1.3.40
1.3.41
1.3.42
1.3.43
1.3.44
1.3.45
1.3.46
1.3.47
Sub-Sonic................................................................................... 75
1.3.48
1.3.49
trat-O-Sonic DV I............................................................................ 77
1.3.50
1.3.51
1.3.52
1.3.53
1.3.54
1.3.55
1.3.56
1.3.57
1.3.58
1.3.59
1.3.60
1.3.61
1.3.62
1.3.63
Contents
1.3.64
Koa Stratocaster.......................................................................... 85
1.3.65
1.3.66
1.3.67
VG Stratocaster .......................................................................... 87
1.3.68
1.3.69
1.3.70
1.3.71
1.4
Reissue Models.................................................................................... 90
1.4.1
1.4.2
1.4.3
1.4.4
1.4.5
1.4.6
1.4.7
1.4.8
1.4.9
1.4.10
1.4.11
1.4.12
1.4.13
1.4.14
1.4.15
1.4.16
1.4.17
1.4.18
1.4.19
7
1.5
1.5.1
1.5.2
1.5.3
1.5.4
1.5.5
1.5.6
1.5.7
1.5.8
1.5.9
1.5.10
1.5.11
1.5.12
1.5.13
1.5.14
1.5.15
1.5.16
1.5.17
1.5.18
1.5.19
1.5.20
1.5.21
1.5.22
1.5.23
1.5.24
1.5.25
1.5.26
1.5.27
Contents
1.5.28
1.5.29
1.5.30
1.6
2
2.2
2.2.1
2.2.2
2.2.3
2.2.4
2.2.5
2.2.6
2.3
2.3.1
2.3.2
2.3.3
2.3.4
2.3.5
2.3.6
2.3.7
2.3.8
2.3.9
2.3.10
2.3.11
2.3.12
2.3.13
2.3.14
9
2.3.15
2.3.16
2.3.17
2.3.18
2.3.19
2.3.20
2.3.21
2.3.22
2.3.23
2.3.24
2.3.25
2.3.26
2.3.27
2.3.28
2.3.29
2.3.30
2.3.31
2.3.32
2.3.33
2.3.34
2.3.35
2.3.36
2.3.37
2.3.38
2.3.39
2.3.40
2.3.41
2.3.42
Contents
10
2.3.43
2.3.44
2.3.45
2.3.46
2.3.47
2.3.48
2.3.49
2.3.50
2.3.51
2.3.52
2.3.53
2.3.54
2.4
2.4.1
2.4.2
2.4.3
2.4.4
2.4.5
2.4.6
2.4.7
2.4.8
2.4.9
2.4.10
2.4.11
2.4.12
2.4.13
2.4.14
2.4.15
11
2.4.16
2.4.17
2.4.18
2.4.19
2.4.20
2.4.21
2.5
2.5.1
2.5.2
2.5.3
2.5.4
2.5.5
2.5.6
2.5.7
2.5.8
2.5.9
2.5.10
2.5.11
2.5.12
2.5.13
2.5.14
2.5.15
2.5.16
2.5.17
2.5.18
J5 Telecaster............................................................................. 188
2.5.19
2.5.20
2.5.21
Contents
12
3
3.2
3.2.1
3.2.2
3.2.3
3.2.4
3.3
3.3.1
3.3.2
3.3.3
3.3.4
3.3.5
3.3.6
3.3.7
3.3.8
3.3.9
3.3.10
3.3.11
3.3.12
3.3.13
3.3.14
3.4
3.4.1
3.3.2
3.3.3
3.3.4
3.3.5
13
3.4
3.3.2
3.3.3
3.3.4
3.3.5
3.3.6
3.3.7
3.3.8
3.3.9
3.3.10
3.3.11
4.2
4.2.1
4.2.2
4.2.3
4.2.4
4.3
4.3.1
4.3.2
4.3.3
4.3.4
4.3.5
4.3.6
4.3.7
4.3.8
4.3.9
Contents
14
4.3.10
4.3.11
4.3.12
4.3.13
4.3.14
4.3.15
4.3.16
4.3.17
4.3.18
4.3.19
4.3.20
4.4
4.4.1
4.4.2
4.4.3
4.4.4
4.4.5
4.4.6
4.4.7
4.4.8
4.4.9
4.4.10
4.4.11
4.4.12
4.4.13
5.1.2
15
5.1.3
5.1.4
5.1.5
5.1.6
5.1.7
5.1.8
5.1.9
6.2
6.2.1
6.2.1
6.2.2
6.2.3
6.2.4
6.3
6.3.1
6.2.1
6.2.2
6.3
7
7.2
7.2.1
7.2.2
7.2.3
7.3
7.3.1
Contents
16
7.3.2
8
8.2
8.2.1
8.2.2
8.3
8.3.1
9
9.2
9.2.1
9.2.2
10
Mustang............................................................................................. 283
10.1
10.2
10.2.1
10.2.2
10.2.3
11
11.1
11.2
11.2.1
12
12.1.2
13
14
17
15
16
Part II Models no longer in production (pre-CBS and CBS eras) ............. 303
17
18
18.1
18.2
19
20
21
21.1
21.2
22
Coronado........................................................................................... 321
22.1
23
23.1
24
Bronco............................................................................................... 329
25
26
27
28
29
30
31
32
Bullet................................................................................................. 347
32.1
32.1.1
Contents
18
32.2
32.2.1
32.3
32.3.1
33
33.1
33.1.1
33.2
33.2.1
33.3
33.3.1
34
34.1
34.1.1
34.2
34.2.1
34.2.2
34.2.3
34.2.4
Part III Models no longer in Production (post CBS era) ........................... 363
35
36
37
38
39
HM Bass............................................................................................ 373
40
Prodigy.............................................................................................. 375
41
19
42
43
Jag-Stang........................................................................................... 381
44
44.1
44.2
44.2.1
44.2.2
45
45.1
45.2
45.2.1
45.2.2
45.2.3
45.2.4
45.2.5
46
46.1
46.2
47
46.2.1
46.2.2
Elan................................................................................................... 397
49
RR-58................................................................................................ 399
50
51
Contents
20
52
Index............................................................................................................... 429
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21
Preface
A lot of music has been made with the Strat a great deal actually, varying in a lot
of different styles! The reason for this may lie in the versatility and the multifacetedness of this guitar. Or is it perhaps because each Strat is different from any
other?
We live in the 21st century and somehow a guitar which first saw the light of day in
1954, is still one of the most-played models of all the electric guitars of the present.
As for myself, I have been playing this guitar for more than 20 years, and I still
discover new tone colours and musical hues which I can get out of it.
Similarities between Strats are mostly in appearance. Every Strat has its own special character, which can really be heard if you listen carefully.
The closer you look, the more you'll understand how essential the influence of each
component, which is built into the Strat, is for its sound. I have come to realise that
not only the changing of pick-ups alters the sound even the material of the pickguard, where the pick-ups are mounted, makes a noticeable difference.
Summing up, this fact results in different sound properties which provide each
instrument with its own character. Even small tolerances during the production
process leave their acoustical traces and help form the quality and character of
individual instruments. Which brings us to a particular phenomenon one which
non-musicians cannot grasp and which they would most probably shrug off as just
being nonsense the influence of the instrument on the musician.
Some call it inspiration, others call it the soul of the instrument that speaks to them.
Whatever the case may be, this is a point on which I agree with many of my fellow
guitarists.
Go and ask a violin player who plays a Stradivarius about the huge influence the
violin has on its player and his music this is an incontrovertible fact which is
acknowledged all over the musical world.
What I have experienced time and again, is that the soul of every single Strat I've
ever played completely took me by surprise, as I discovered that every instrument
inevitably shows you its character which you have to come to terms with, otherwise no musical oneness between musician and instrument can be established.
Strats can be stroppy little beasts which you've got to become acquainted with and
understand first... ...but that's exactly what makes them so fascinating to deal with.
The Fender Reference
22
Preface
As a guitar player I can only reiterate what an immense influence the materials
used have on the sound, the response and subsequently on the tone of the instrument.
I have spent half a lifetime collecting these experiences. Today I have a clear conception of which tremolo, which pick-ups and which wood I like best.
And that's exactly where the fun starts for every serious guitarist. Every guitarist
has his own personality and is somehow searching for "his instrument" with which
he has the best rapport and which lets him express himself best.
That's why it makes sense to take a much closer look at the varied aspects of the
Strat including its history. Many accounts that you'll find in this book will either
ring a bell or bring something to light.
Many of the things that you may have merely felt up to now, will start to make
sense in the light of your own experiences.
For me it is still fascinating to hear and see the things, different guitarists can do
with the Strat, especially such diverse personalities as David Gilmour, Richie
Backmore, Jeff Beck, Rory Gallagher, Hank Marvin, Nile Rodgers, Eric Johnson,
Gary Moore, Stevie Ray Vaughan.
This book gives you a complete summary on what changes occurred to the hardware in the course of the years. There are exact references to the materials Fender
used in the various series, and thus the book helps you understand what has
changed, not only in the Strat, but also in all the other guitars and basses Fender
has brought to the music-making world.
Whether you use this information as a collector in order to establish the genuineness of an instrument, or whether the data serve as sources for your own research,
is at your own discretion.
And the story will go on! That's a thing I'm very, very sure of...
Thomas Blug
tblug@t-online.de
www.guitarplayer.de
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23
Introduction
24
Introduction
The Series
25
Next come the upgrades and variants of the Stratocaster in their chronological
order. Here you will find all the models which added something, either some special features or gimmicks to the original model. The general features of these models are identical to those of the standard Stratocaster of the corresponding period,
unless otherwise indicated.
Then we come to the reissue models. Here you can find all the Stratocaster models
that were produced as more or less true replicas of Stratocasters as they were at a
certain point in their history. The tables of this chapter list only those features
which divert from those of the original guitar, i.e. where period-correctness was
not matched.
The final chapter of the Stratocaster part is concerned with artist models. This
chapter contains any model that has the name of an artist attached to it. If the
model is clearly based on another Stratocaster model, the name of this parent
model is given and the subsequent table will list only those features which divert
from those of the parent model.
And so we will proceed through the whole gamut of Fender guitars and basses.
The Series
The idea of combining instruments in series is not very old. When Leo Fender
started his business, he simply produced a couple of different guitar models and
sold these. The necessity to create series does not arise until you start producing
variants of different models, which share some common properties. These may be
deluxe features such as active electronics, or vintage specifications. Then it makes
sense to draw up various series for the instruments, such as in the above example: a
Deluxe and a Vintage series.
This is exactly what Fender did in 1982, when they introduced the Vintage series
and, in the following year, the Elite series.
The Vintage series (which later became the American Vintage series) contains the
US-made reissues. When the craze for pre-CBS instruments gathered momentum
at the beginning of the '80s, Fender finally decided to meet the demand for instruments with vintage specifications. The result was a range of guitars and basses
which have enjoyed unabated popularity until the present day. Starting off in 1982
with the '52 Tele, the '57 and '62 Stratocasters, '57 and '62 Precision Basses and the
'62 Jazz Bass, the series was enhanced in the course of the years by a '75 Jazz Bass,
'62 Jazzmaster and Jaguar guitars, the '62 Custom Telecaster and the '70s Stratocaster. All these instruments are built to the same specifications as their original
counterparts.
The Fender Reference
26
Introduction
When the Elite Series was introduced in May 1983, it was a final attempt to raise
CBS/Fender's reputation in the music world by offering the most advanced instruments that had ever run from their production line. The Elite series consisted of
three Stratocaster models, three Telecaster models and five variants of Precision
Basses, all with active electronics, newly-designed tilt-necks and pick-ups among
other innovations.
In 1986, the year after CBS had sold Fender to a group of committed employees,
the product line started afresh with just the American Standard and the Vintage
series. Yet it soon became apparent that in the modern music business it is necessary to offer a broad range of instruments to reach a wide public with its diverse
tastes and needs. So the number of series rose and soon became very confusing
with 'US Plus/Deluxe', 'Collectable', 'Special/Deluxe' series and what-not, the purposes of and differences between which were mostly indiscernible.
Today there is a total of nineteen series, the most important of which are the following:
The American Series was developed from the American Standard Series. This is
the home of the standard US-produced models.
The Standard Series includes basic models, aimed at customers who prefer plain
instruments without any fancy features. These instruments are usually manufactured in Mexico.
The Highway 1 Series was developed in 2003 for low-budget, yet US-made instruments. So price-wise it can be allocated between the Mexican-made Standard
series and the US-made American series.
The American Deluxe series is one step up from the American series and contains
instruments with special features.
The Deluxe series is to the Standard series, what the American Deluxe series is to
the American Series.
The Classic series is the smaller (cheaper) brother of the Vintage series. After the
success of the Vintage series, Fender Japan started marketing more models from
Fender's past, and in 1992 Fender US came up with the 'Collectables' series to
cover a selection of these instruments for world-wide sale. Later the name of the
series was changed to Classic series, and it now also contains a number of models
made in Mexico.
The Special Edition series is one in a line of special series that had several names
in the course of the years, and in which instruments are collected which don't quite
fit into the other series.
Time Machine Series (Custom Shop)
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27
The 'Relic' idea was developed in the Custom Shop after a customer, on ordering
an instrument, had asked if they could 'beat it up, make it look old'. First they
thought the idea was silly, but then they decided to make a couple of distressed
guitars for the NAMM show. In the end they left the show with hundreds of orders
for Relic guitars. From there on the idea developed, and today the Time Machine
instruments are offered in three different finishes:
NOS meaning "New old stock"; this is usually described as a guitar that was produced in its original year and then brought to the present day as if by time machine.
Closet Classic; this is an instrument that looks as if it were bought shortly after
production in its original year, played for some time, and then stowed away under
the bed or in the attic.
Relic; this is a battered or worn instrument which bears all the marks of long and
heavy use.
The Artist Series started off as the Signature series in 1988 with the Eric Clapton
and Yngwie Malmsteen models. It became the Artist Signature series some time
during the '90s and finally the Artist series in 2000, presumably because it does not
solely consist of signature models but of tribute models as well.
The Custom Artist Series is the Custom Shop's version of the Artist series. More
need not be said.
Neck
Fingerboard
MN (= one-piece MN) or
RW (= rosewood board)
Head
Decal
28
Introduction
The following changes spanned the whole range of Fender instruments at the time
of their occurrence, unless stated otherwise:
Before 1959
One-piece MN
Adjusting rod at body end of the neck
May 1959
July 1962
Curved fingerboard
Mid 1963
Late 1964
Late 1967 mid New black "TV" logo with a circled "R"
'68
1969
Polyester finishes for the body undercoat and neck (headstock, colour, and topcoat remain lacquer)
1972
During '70s
1974
1975
1976
After 1977
1980
1981
End of 1981
June 1983
End of 1984
Production stops
02/'85
29
30
Introduction
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Part I:
Major Models
31
32
Stratocaster
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33
1 Stratocaster
Specifications:
Length
39"
Width
99cm
Scale
25 1/2"
64.8cm
12 3/4"
Depth
32.4cm
1 3/4"
4.45cm
Fretboard radius
1 5/8"
7.27"
4.13cm
17.78cm
Stratocaster
34
1.1
General Features:
Body
Neck
Head
Decal
Pickguard
Finish
Pick-ups
Controls
Circuit
Bridge
Vibrato
Tuners
Serial no.
on neck plate
Serial
no.
on
back
cover
plate
(until
06/'54)
Knobs and PU-covers made of brittle white phenolic plastic (similar to
bakelite) (1954-55).
6 round holes in back plate (one ply white) (until early '55)
Headstock edges slightly more rounded (until '55).
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Late '55
1956
Mid '56
Late '56
02/'57
1957
Late '57
1958
1959
05/'59
07-08/'59
09/'59
1960
35
36
Stratocaster
Spring '62
2,741,146
Curved fingerboard
D-neck
Mid '63
After '63
08/'64
Late '64
2,741,146 2,960,900
02/'65
Mid '65
2,741,146 2,960,900
12/'65
Large headstock
A few bound necks (announced as standard in 66-67 catalogue)
Top contour reduced, back contour shortened
Mid '60s
02/'66
1967
05/'67
After '67
06/'68
1969
04/'70
Opt. one-piece MN
1 pat. no. on headplate: "PAT 2,741,146"
"with synchronized tremolo" wording dropped
Mid '71
Late '71
After '71
Early '72
Mid '72
1974
1975
1976
09/'77
1977 to 1979
After '77
1979
1979/1980
37
Stratocaster
38
'80s
1980
1981
End of '81
06/'82
1982
Approx. 200 bodies made from hackberry wood as a substitute for alder
06/'83
01/'84
Late 1984
39
1.2
November 1986
Series
American Standard
Model no.
Body
Alder
Neck
Fretboard
MN or RW, 22 frets
Fretboard radius 9.5" (241mm)
Nut width 1.6815 " (42.7mm)
Decal
Headstock
Pickguard
Finish
Polyurethane
06, 32, 43, 58, 68, 80
Pick-ups
Controls
Circuit
Bridge
40
Stratocaster
Vibrato
Tuners
Poplar bodies
Early '90s
1994 - 1995
1996
By 1997
6/2000
Renamed American Series Stratocaster 011-7400/2, Hardtail 011-7430/2, LH 011-7420/2 (American series) Relevant
changes:
Ash or alder body
Medium jumbo frets
Staggered tuners
1 roller string retainer
Finishes:
- Alder body: 00, 03 (MN only), 06, 15, 74;
- Ash body: 01, 21
Finishes for Hardtail and LH: 00, 01, 06, 15
2002
2003
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2004
41
th
027-4600/2, Japan
Head
1 string clamp
Locking nut
1989
1992
1996 only
LH version (027-4620)
Basswood body
1-ply white pickguard w. 8 screws
Body
Poplar
Neck
42
Stratocaster
Head
Finish
Pick-Ups
Standard single-coils
Tuners
Bridge
Vintage style
2002
2006
Finishes for Standard Stratocaster, LH, HH, HSS: 06, 25, 32,
75, 80, 87
Minor Variants:
Standard Stratocaster Roland Ready
1998 -
Special features: Additional Roland GK-2A synth driver mounted behind bridge
pick-up, 3 synth control knobs
Finishes: 06, 32, 80
2002
Special
features:
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43
RW only
2002
After 2006
Discontinued
Special
features:
Special
features:
RW only
2 Tex-Mex Fat Strat Humbucking Pickups, 3-way switch
3-ply black pickguard
Stratocaster Junior
1/2004 - 2006
Special
features:
013-3600/2
Head
Pickguard
44
Stratocaster
Finish
06, 58, 80
Generally cheaper components
Minor Variants:
Squier Series Standard Stratocaster LH
1994 1997
Special
features:
Locking vibrato
Pick-Ups
1
Sidewinder
Humbucker
1 Black Cobra Humbucker (Bridge)
Controls
Pickguard
3-ply Black
Finish
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(Neck),
45
Body
Alder or Ash
Pick-Ups
Controls
Pickguard
3-ply Black (91), 3-ply Parchment (00, 06, 25, 47), 1-ply
Black (50)
Finish
1.3
4 screw-fastening
The Fender Reference
46
Stratocaster
Head
Pickguard
3-ply black
Finish
Tuners
Serial no.
06/1980 - 1983
Body
Neck
4 screw-fastening
Adjusting rod at body end
Fingerboard
One-piece MN or RW board
Optional neck shapes: U (very thick), D (classic oval), C (wide
and flat)
Head
Decal
Pickguard
Finish
09, 02
80 added in 06/'81
Matching headstock
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Pick-ups
47
Controls
Bridge
Tuners
Specials
06/1981 - 1983
Body
Neck
4 screw-fastening
Adjusting rod at body end
Fingerboard
Head
Decal
Pickguard
Pick-ups
Controls
Bridge
Tuners
48
Stratocaster
Specials
Serial no.
Neck
4 screw-fastening
Adjusting rod at body end
Head
Decal
Pickguard
Finish
Gold metallic
Specials
Serial no.
49
Fender in the beginning of 1985, the Elite series was only produced for some 20
months.
Special features:
Production
years
Neck
Head
Headstock
Pickguard
3-ply white
Standard
hes
Custom colours
Pick-ups
3 white, plain-top
Active circuit
Edge-mounted jack socket
Controls
Bridge
Tuners
Specials
Minor variants:
Gold Elite Stratocaster
Walnut Elite
Stratocaster
50
Stratocaster
Body
Neck
Head
Black headstock
String clamp
Bridge
Specials
Black hardware
Variants:
1
1 Humbucker, no pickguard
1 Volume knob
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Model no.
010-9900/2
Neck
One-piece MN
Width at nut 1.700" (43 mm)
Pickguard
Pick-Ups
2
Texas
Special
1 Seymour Duncan humbucker
Finish
Bridge
Minor Variants:
US Contemporary Stratocaster Floyd Rose
1995 -
Special
features:
Locking tremolo
1997
Special
features:
single
coil
pick-ups
51
52
Stratocaster
Model no.
010-7500/2
Head
Pickguard
Finish
Pick-Ups
Switching
Tuners
Bridge
Locking vibrato
Finishes: 06, 15, 32, 47, 70, 73, 75, 80, 90, 91
ca. 1995
1994 - 1995
1997
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53
1.3.9 HM Strat
This model was a typical child of the heavy metal era. It was produced in Japan,
and there were several variants of pick-up and pickguard layouts.
Special Features:
Production
years
1988 - 1989
Body
Neck
Head
Black headstock
Single-bar string guide
Decal
Pickguard
Finish
Pick-ups
Controls
Switching
Bridge
Specials
Black hardware
Production was moved to the USA in 1989 and finally discontinued in 1990.
Minor variants:
Model no.: 010-2100/2
Special
features:
No pickguard
2 American Standard single coils pickups, 1 DiMarzio humbucker
1 5-way selector switch, coil tap switch
Two-pivot locking bridge / vibrato unit
54
Stratocaster
Special
features:
1.3.10
No pickguard
2 DiMarzio humbuckers
1 3-way selector switch, coil tap switch
Strat XII
After the unsuccessful Electric XII model of the mid-'60s, Fender consequently
based this 12-string guitar on their flagship model. This step gave it a popularity
boost, and at the same time kept expenses low since many of the parts of both
models were the same. Produced from 1988 to 1996 as part of the Special/Deluxe
series and from 1/2005 onwards in the Special Edition series, the Strat XII is a
standard Stratocaster in all respects, except for the 12-saddle bridge and the unusual elongated headstock which slightly resembles that of the Electric XII, yet
without the 'hockey stick' extension.
Special Features:
Production
years
Model no.
027-8900
Body
Basswood
Neck
Fingerboard
RW, 22 frets
Width at nut = 1 " (44.5mm)
Radius = 7.25"
Head
Elongated
1 bracket string guide
Decal
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