EPIOIKO YOOY APXITEKTONN

IMATOYXN ANTATN XON

ANEHNIA ENH APXITEKTONN
B 15 & K, 105 55 A
.: 210 3215 146/fax: 210 3215 147
e-mail: sadas-pea@tee.gr www.sadas-pea.gr

AA-EA | 53 B | / 2005

ARCHITEKTONES
JOURNAL OF THE ASSOCIATION OF GREEK ARCHITECTS
Issue 53, Cycle , September/October 2005
Vrysakiou 15 & Kladou, 105 55 Athens
tel.: +30 210 3215 146/fax: +30 210 3215 147
IOIKHTIKO YMBOYIO
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34

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 : Metropolis (1927) F. Lang

: L Inhumaine (1924) R. MalletStevens [ Film Architecture]
: Dogville (2003) L. Von Trier

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Le Corbusier, Michelangelo Antonioni,
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53

: Playtime (1967) J. Tati

: Abelardo Morell, Camera Obscura Image
of Chrysler Building in Hotel Room (1999)
[ EXIT, . 6, 2002]

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Manovich Lev, The Language of New Media, Cambridge/Massachu-

. (Tschumi Bernard, Cinegram Folie - Le Park de la

setts, London/England: The MIT Press, 2001, . 219.

Villette, Princeton Architectural Press, 1987, . VI).

6. Marsha Kinder, Designing a Database Cinema Jeffrey

Shaw and Peter Weibel (ed.), Future Cinema The Cinematic

Imaginary After Film, ZKM Center for Art and Media Karlsruhe.
Cambridge/Massachusetts, London/England: The MIT Press, 2003,

. 227.
7. L. Moholy-Nagy,
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Abel Gance Napoleon (1927)

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3. . Koolhaas R., Bruce M., S,M,L,XL, . 175.

: R. Koolhaas, K Dall' Ava,

1991

,

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4. B. Tschumi, Event Architecture, in Architecture in transition, P.

Noever ed. 1991.
5. -, ALTER EGO
Greenaway, (A walk Through),
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57




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.

1. H. Lefebvre, Rhythmanalysis. Space, Time and Everyday Life,

(. S. Elden G. Moore), London: Continuum, 2004.
2. S. Eisenstein, A Dialectic Apprach to Film Form
Film Theory and Criticism, (. G. Mast M. Cohen),
N.York: Oxford University Press, 1979, . 108.
3. G. Agamben, Means Without End, (. V. Binetti C.
Casarino), Minneapolis: University of Minnesota Press,
2000, . 56.
4. M. Gausa .., The Metapolis Dictionary of Advanced
Architecture, Barcelona: Actar, 2003, . 546-7.
5. W. Benjamin,
, ,
(. . ), : , . 32.

61

.
, . , , ,
(Animation),
,

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, C.
Balmond ( Geometry, Algorithm,
Pattern)1 :
(N. Leach,
D. Turnbull, Ch. Williams, 2004: 129).
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St. Kwinter ( Whos Afraid Of
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DArcy Thompson4 :
...
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Goethe
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: W. Kandinsky, Design for a

Point Line Plan, 1926
: E.J. Marey, Stereoscopic trajectory of a point, 1882
: Le Corbusier, Drawing, 1930
[Buisson, F., Cortella, J., Diez, M., eds., Nonstandard Architectures, Catalogue of the
exhibition, Tours: APS Chromostyle, 2003]

: La Notte (1960) Michelangelo

Antonioni
[ M. Lamster, Architecture
and Film]

63

 : Lartigue, J.H., Bichonnade in

Flight, 1905
: Marey, E.J., The Dangerous Leap
: Muybridge, Nude Descending Stairs, 1887

). Goethe

. . (St. Kwinter,
2003: 98)


CAD,

walkthrough. walkthrough



,
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animation, animated
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. Greg Lynn

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64

animation
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NORTH, NOX Objectile). : animation.

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animation
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Lynn
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Serpentine Pavilion Toyo Ito).

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Randomness,8 :
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101)
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.

1. Williams, Ch., Design by Algorithm, Digital Tectonics, (2004), 81.

: K. Shea, Dome designs generated with
eifForm program and Academie van Bauwkunst, Amsterdam
[Shea, K., Directed Randomness, Digital
Tectonics, 2004, 42-45]
: G. Lynn, Alessi Companys Tea and
Coffee Piazza Design Competition (2003)
[Leach N., Turnbull D., Williams Ch. eds., Digital Tectonics, West Sussex: Wiley-Academy,
2004]
: BMWs DynaForm, ABB Architekten,
B. Franken, 2001
[Architectural Design, Versioning: Evolutionary Techniques in Architecture, 72, 5,
London: Wiley-Academy, 2002]

2. . , ,
, , 2001, . 212.
3. Kwinter, Sanford, Whos afraid of formalism?, Phylogenesis
foas ark, (2003), 98.
4. Thompson, D'Arcy, On Growth and Form (Cambridge: Cambridge
University Press, 1966).
5. Lynn, Greg, folds, bodies & blobs: collected essays in Michele
Lachowski and Joel Benzakin, eds., Books - by-Architects (Brussels: la
letter vole, 1998).
6. Rocker, Ingeborg Versioning: Nothing as Persistent as Change,
Architectural Design Versioning: Evolutionary Techniques in Architecture,
72, 5, (2002), 10-1.
7. . The Emergence and Design Group.
8. Shea, Kristina, Directed Randomness, Digital Tectonics, (2004), 10.1.

65

,
. (Metropolis, 1926)
,
(Just Imagine, 1930)

. ,

, .

.

- [Blade Runner (1982), Robocop (1987),
Back to the Future II (1989), Total Recall (1990), Twelve
Monkeys (1995)]. ,


.
[Batman (1989), Fifth element (1997), Minority Report (2002)].

2 , , ,
[Forbidden Planet (1956),
Soylent Green (1973), Logans Run (1976)].

,
.
.
20.
, ,
[Tron (1982), Brainstorm (1983), The Last
Starfighter (1984), Explorers (1985), The Lawnmower Man
(1992), Johnny Mnemonic (1997), The Matrix (1999), Inferno
(2001)]. ,
. ,

.

.
.
,
, , -, . -

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20
,
, ,

(Alvin
Toffler).
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, Baudrillard
,1 . ,
Ballard,
.
.
.
.
,
.2
,

,

.

70 .

.
. [Escape from New York (1981),
1984 (1984), Brazil (1985)].

.

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20

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.3

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. Le
voyage dans la lune (1903) Mlis Tony Garnier.
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66

67



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(, , ).
.
.

. Burroughs .
, , . .
, , ,

. , .


.

1. . Jean Baudrillard, Two Essays, Science Fiction Studies

18.3 (November 1991): 309-320.
2. J. G. Ballard, Introduction to Crash, Re-Search 8-9
(1984): 96-98.
3. , ,
,
,
,
,
. . Christophe Canto,
Odile Faliu, The History of the Future, Image of the 21st
Century, Flammarion, Paris (1993).
4. Michel Foucault, , ,
(1998): 24.
5. . Philippe Mikriammos, William S. Burroughs, Jucar,
Madrid (1981).

. ,
.

:3

: Anmic Cinema
(1926)

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 :
Rythmus 23, 5, 35,
1923,
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1929,

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:
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1920,

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, (1970).

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.




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, ..).

.


.

. 24
(Reasons for knocking at an empty house, 1982).

. Chott El-Djerid, a
portrait in light and heat (1979)


. 1964
8 .

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(1924), (1924),
Anemic Cinema .



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(, , ).


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( ).

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19 .

1. Vertov D., Articles, Journaux, Projets, Les Cahiers du Cinema

10/18, 1972.
2. .
D.Bordwell, k.
Thompson, 2004.
3. Rohmer E., Organisation de lespace dans le Faust de Murnau,

30
(,
).

. .
.6

Ramsay, 1991.
4.
(1929),
(1927), (1923),
.
5. , ,
1990. . : Le Grice Malcom,

: Capitale-paysage, 1983, M. Nedjar

: , , 65, 1927,

1960-70
-

, , , 1982.
6. 2001, (1968).

71

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Spoto Donald: The art of Alfred Hitchcock, 1992, Anchor Books.
Krohn Bill: Hitchcock at work, 2000, Phaidon Press.
Arcitecture and film, 1994, Arcitectural Design profile No 112.

75

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D.(), Michel Foucault: Aesthetics Method and Epistemology,
Penguin Books, London, 1998, . 175-185.
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Exploding, 9, 2002.
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