e EXPLANATION OF MUSICAL NOTATION F 2» Cma9—a A Chord symbol aT B Fret number c © Finger number D Chord construction (intervals) E Chord notation F Number next to chord form indicates the corresponding example progression. F a Coad Co Dm G? nt saan 2 7 Eo Ea at oe EXPLANATION OF MUSICAL SYMBOLS « CHORD NAME SYMBOL Ma s major m= minor Maz = major 7 dim = diminished augmented == flatted (6) CHORD CONSTRUCTION (INTERVALS) SYMBOLS R= root b7 = dominant seventh 7 = major seventh + FINGERING SYMBOLS ——~ = barre the string+ Keyboard Analysis: Oya Gma « Have a friend play the root note in the bassin order to hear the complete {Ie chord, — CHORD FORMS 4 G 8) HR © 4) Hee oy \¢ep $e@ BASIC MAJOR EXAMPLES ‘* © Have a friend play the root note in the bass in order to hear the complete chord. RoRS SWOT SRR = aires RSPR R573» G Em? 7 4 7 i RasR REPS Raed E358 Rees aa35 RISER ah40) SSR 935073 35R3 35RS SRS ReRES Am RISSTS Em? Am? 5 He RESIS0) G Gma? Go Gmar BRS? E> Dsus D? 3507bm7 Go? Ress 7 RIS BSP7 22CMA9 Cc 3eMAJOR 7 + Keyboard Analysis: Cuyq Guar = CHORD FORMS 0 CMa?» Cmar? 2) Cua) Coma 3 5a 5) Cm? Gua? 7) Gaa?—8) Gar 2 307 9 Gua? 0 Gna?) Ga? a) Gna? oy 5 5 4 a RST SS SS ee Gms? a) Gua?) Gaia? 6) Ga 30 3 2 2 z 7a5 373551) Gma? 1) GMAT) GMA? 20) Gna? ? 7 7a 3783 3373 20 CMa? — 22) CMa? 2) CMa? 2) Coma a 25) Gma? 26) Gana? ? 3 7K as 3? >oe MAJOR 7 EXAMPLES ‘¢ © Have a friend play the root note in the ‘bass in order to hear the complete chord. Om? » Coma? ts SRS? b& Dm? HEDm? G7 373 Levey 9 Gmw7 Go Am9 D4 RIGORAm? 10) Gua? 5 SOS 1) Gana? Ge Am? Or > a a 50a 5 ag $f =i Ba Cay HA se is 12) Ga? Gano Am? o” 13) GMa? G 3 1) Ga? Ge Amu D7 3 3935 RFE15) Gua? 207 46) 1) Gma? Bm? SSR RITER 19) Goa? 7358 Ama Ds oss a20) Gama? 3 2) CMa? SA SIRS Sees 22) Cma? Dm9 BREC 24) Cma? Co 4 373520 Gma? Ge 3oe MAJOR 6 « Keyboard Analysis: Cc 6 G 6 ‘¢ © See Ma7 and Ma9 for examples. The Aumbers for the Ma6 chords do not correspond to the example numbers. CHORD FORMS a Go » Co 2 Go 266 » Ge ? sonyMAJOR 9 * Keyboard Analysis: Cig Gma9 CHORDFORMS » Cag a9 Cua) Cmag 5) Cnn) Cad ? PA 3 3 Te 2 oe & = = 1) Gmad 7 ay rs im) om 1) Cmad ine MAJOR 9 EXAMPLES ‘* © Have a friend play the root note in the bass in order to hear the complete chord. 0 Cmag Co Ge # Cmag Co Dm9 G?5) Cmad Co Dm G? 0 Cmaa Co Dm9 aA Ra7e G70) 8) Gmag Ge Am? 4Ama 10) GMA9 1H 7959 C35 vress4 1) Gad E09 Am? D7 one 6 5 37 Cary ‘Bos R5b7R 12) Gmad Ge Am9 scorn = oes TE Gor Am? 0749 4 1) mad Ge Am9 2 scat FE HH thea Sas S552 SS}8) Guna Ge Am4 D9 yes R5GR 59 1a CMA9 Co Dmu 6? sor 7 ret 335 SeRe ase eae wo Cmad Co G7 3e MAJOR 6/9 “Heromstownis: Cunsly Grin i CHORD FORMS ' Gel9 2 Cola » 66/9 4) G6/9 5) G6l9 t 2 ? 2 5 C15? 56 & = g #= © Gola » Cel a Go/9 » Cela 4 2 opp 5 CCC 70heMAJOR 6/9 EXAMPLES ‘¢ © Have a friend play the root note in the ‘bass in order to hear the complete Boosa D) Gor Desa ~ oh 2 5 GOs Ctse 2 Cola Col Bola 5 Fo Cola seas CT5R ese aos crse 3 Am? Gdim Gola Gdim soe Re “GE” . za a BPseSR Case nee 09 Nola Gols +H 3a 25) GMAd Gol Ama Dis 5 5 Q 7 3574 3569 TBF F318 3) Gol D7t+9) 8) Ge/a Cola Gola Cela A 2 - - GTsR 9) Omit G9 1 7h ras aut“3 Gola Grola Gels 2 G45R GSR CIR Gtefq — Aol Mora Bosa a(t 5 rz 6 GTEReMAJOR 755 + Keyboard Analysis: Cuan’ Cmar ‘¢ © Used mostoftenas an ending > chord and in chorded solos. CHORD FORMS d Cor — nn Cour gy Coane a 2 oA ?e@MAJOR 7)5 EXAMPLES © * Have a friend play the root note in the bass in order to hear the complete chord. Eb7 Omit Dima? = Coane) oat 4 300 $14 H Oe ca = 2 Dm Ge Cmare 3m 3 OTT Praise 3 Dm? REPT O08) Goan? ? Ss ‘bans? Res HSS I]Coad Ebma? Abna7 Dhar? = Coma 8) RETS ea57eMAJOR 7+ 5 + Keyboard Analysis: Cyyyo(t5) Gar? © © Usedmostofteninadeceptive ‘cadence or as an ending chord. 2 i CHORD FORMS 2 CmA749) — 2 Gma7 49) 7 97 [it ‘ eteMAJOR 7 + 5 EXAMPLES ‘¢ © Have a friend play the root note in the bass in order to hear the complete chord. > Cmad Coa t9) cma? Ar(%) a 7 5 Om9 Dm God 9 eab7 7S 7359 Rares SS 558566} 2 Gmad Gears? Gma? Eis) 9 1 77g 8 Ras Gy Am? Am9 Oot» scum 4 aa 5 RSS W759 Ra SS)@ MAJOR 9)5 + Keyboard Analysis: Cnag? Cm? ¢ © Used most often as an ending ; chord. CHORD FORMS DCmaae) — 2) Cage? ? MAJOR 955 EXAMPLES © © Have a friend play the root note in the bass in order to hear the complete chord Dm Gt Congo) 7 se aareal FI Hf ‘HE 2) Oma 3 PSP7eH 90 355R TeasePASSING MAJOR CHORDS (Ascending) Major chords are typically passed from the ninth, root or the fifth of the chord. An ascending passing major chord will be passed from the fifth of the chord up. ‘A descending passing major chord will be passed from the ninth or root of the chord down. Use the passing chord sequences to substitute for a single chord. ‘¢ © Have a friend play’the root note in the bass in order to hear the complete chord. 1») Gna? Ge Goa 2 R357 RIG 2) Gma? Ge RECR Gmad Ge 9 eart4) Gua Ge Gmag Ge R357 RGR R374 RSeeapap ae BR. sees a G — BES BIS RS 13) GMa? G poaersaise Bok Bask 0 G G+ Go Gt 36 3e5R 18) CMa? c Cmag 41) GMa? Te 20CMAI Cc Cmaa c 4 2) Ga? Ge Guar Go 3| aa CMa? Ce Co aRa6 2» G er Goa? aRas R36 7 FRSCsa) Goa? G Gma9 G 3e PASSING MAJOR CHORDS (Descending) ‘* © Have a friend play the root note in the bass in order to hear the complete chord. Gma? Em Em? “ae 5 I RSER 735R : ce 5 3) Gund Ge Goa? Ge 9H 8 7 oD gees He HHH& Gms9 3 1) Coad Cc Cma? Ce a Cmad Coassne10) Coma Crassine 8 8 aw Cmaa Crassing 1) Gma9 G qeBASIC MINOR + Keyboard Analysis: 1), Am ‘© © Have a friend play the root note in the bass in order to hear the complete chord. CHORD FORMS > Dm oa Am 5 Dm o Dm 5 Amo Am 6 sora Pee q oa ¢ = = g wo Dm» Am Dm 2 7H ie ee S 8 wo Dm m Dm BREeBASIC MINOR EXAMPLES '* © Have a friend play the root note in the bass in order to hear the complete chord. 4) Gme Om ors5R ras 4) Fag Om Gm? C7 srt 3 T r Rata P35 RS ‘BDFRss RERS SRS S735 WISER BORE » Am soup ® Am D1 5 853 5 R30? Tornagouno: ICY I Or oo) Dm 5 BREE RSD BSERBISRS RE RB BOER FRIR RERS 1) Am Dm E? TRE ‘SPR6) Dm SRS 5a3 735R « Dm Gm va5R S5R car} 7) Am: Om ras ORE:eMINOR 6 + Keyboard Analysis: ry Am6 CHORD FORMS De » Dmb » Dmb 5) Amé 1) Amo Ameo soa roo a 88S 1 Dmob im Dme w Amo 1 Dmoe MINOR 6 EXAMPLES ‘© Have a friend play the root note in the bass in order to hear the complete chord. » Emre? A? Dme 3 PSP a Em A? Dme 2 os RED?e357 CRE a Dmo E i) he say ; 7 + va ebas Ff ; 90 Dm Ar F 2) Dm? Dmno Boa? One 5 w Am Am? Ame Ams) scat RISPPR ER45) Ame Bo(48) Eme/9 7 ” 5 Re Gr 695 1 Dm? Dme 3 3 enae 4 (69) oy Emre? At Dme stay soo soo BETS was cae: 1 Am? 5 if o) Dmo E9/25) Am9 6 6 5 RIG ‘Bhs aso 6 See EEe@MINOR 7 « Keyboard Analysis: CHORD FORMS » Dm? a Dm? a» Dm? @ Dm? » Dm? FJavar a0 3 5 ve cai & S z == © Dm? 6 or 5 RE €23 = ae 0 Am? aT WORSE ~ c= 20) Dm? 3 RWS Serer BRS = = = == =See= sssucslgess =oOm? 2 Dm? 28) 28) 3 moe ans fe = = » Am? 2) 5 2) Dm? a) Am? 3a) Dm? ah Dm a) Am? 3) Am? a» Am?eMINOR 7 EXAMPLES ‘© © Have a friend play the root note in the bass in order to hear the complete chord. » G? Cmaa Cc 3c sot cinerea FA ete Fs Bs z 2) Dm? G9 7 Beas 2» Dm? G? babmS rab 4» Dm? G7 po5) Dm? G Om? G 5 5 TEES Ra5R 350s RIER Wane) yc 3 Dm Dm? BY me by SRS Ras cas Am? D Am? Dd 3 137s ING R5RS Tab TeSE 9 Am? D7 5 5 aot 2 Bt rH cit z bbs, RSS sRAm? oo Gma7 Ge t Poaby PIERS ses? w Am? Dea Gua 4 5 BREW? BPTaR 2 Am? D9 Gmaa Gar 8 qT 9 40 (ZIT Hl He re WesER7 Gar SSS ee S53 Am? Da = maa15) Am? Gma7 TEER 1) Am? sca RSPR Bas 3593 BeRB oo Am? Gmar 7 Rav Ba 3m R573 6) Am? D? 5 Am? a 63 50703Coma? 2 Dm? G9 ora wares W359 593? 5e3? 2) Dm? Dm? 3 FaP7035 Rsk 3075 RERS Inc 2) Dm? scout 5003 2) Dm? one BRP?2s) Am? Do Bm? E97 3 son RI5507 B35 ‘RbS507 BTS, 2 Am? 0773) Bm? £9/-3) 5 7 9 9 RPSHIIB ‘BPaRSP? SPIES abies 2037 ae Au T= PaasRESSIONS 27) Dm? G7 28) 3 F307 735 30) Am? Oo RDS Be73emMINUNny «+ Keyboard Analysis: Om 9 Am 9 CHORD FORMS Dm9 2 Ama) m9) Dd 5) D9 Bitty 5 2 3 Wass S07 BESBTF SSS 1 Ama) D9 a) Dm9 Om on Dm 8 2 ar 59S ares ee es > 1 Ama o) Amo 9 7 eeeMINOR 9 EXAMPLES ‘+ * Have a friend play the root note in the bass in order to hear the complete chord. dD Oma G3) Coad Ce ° m 7 re) q RPS5s) Dm9 Ans si eo va5074 Oa3i3 as Dmol9 Dmg #4? — 3 ReeF Dm Emre? A? ey ? W545 PIS RS BPSD == BEwo) Dm9 G4 13545 wa54 3745 SORE 0 Oma G75) Grlts) Coma 3 2 PIAS 3745 Amo Am? Eino 5 5 Esa BIER rao7a en) Dis Amd Dis 7431 B5B0T9 WasTs 1 Amo Amé Am) Am Bs a tise waER Tsk Waist SPSER15) Amo Gma9 Am9 Gmag ROaH79 aad Rbss9 asad io Ama Gag Amo Gmag RSS Raed i) Amo Oe 9 was 75139 1) Am4 Eo0 Am ) Bess59e@MINUN 11 + Keyboard Analysis: Omit Amit © ¢Dm11 can usually be called G11 or G7sus. 1 4 Amit can usually be called D1 or D7sus. $——— FE} - Tre exceotions here are Chords 2 14°20 CHORD FORMS Amt 2 Dnt 5 Amt 9 Dm 5 Amt Dmit oH areres “Ae Sor cee CHER _ 2 SS = Dm) Amst = Dma FE 5 aT ? cal ee Ss Omi Dnt Amt Dm Dm Amth Ta 5 5 7a URED RuemS a =e Amit 20 Dnt 2) Dita) Ami 2) Dm 20 Dmit 2 3 3 q 5 at 3 HH RIM 590 WISH Bre Ee 8 ——"= $ —=e MINOR 11 EXAMPLES ‘¢ © Have a friend play the root note in the bass in order to hear the complete chord. » Amst Do) Doe Gmag Gmad Ge 7583 3 — za sea Was 4a Drow G? 5 Ros Be 3b3 Amit D7 Dm? D? 3 UPS H RSVR RESP 23 fe o Dmu Dm? G13 G? Cmar 5 ™ = 5 3 pa sPou RB bIs RoE Dm? ow am 3 Ami Do Dm? D? a Dmit G? Coad Co ? TRH Prase BTaSto) Amit Amit 5 ra Am wo Dmwt 1) Dmit G74) mad Ars) 3a 3 2 5 Cmad Co 4) Dm 2 Taek H1) Amit D7 Gmad Gers 3 ORTH R Bb7RS 7359 os54 « Dmit Se Ge) WP RSS e3rr4 Wess RFP Me) In Om mo Doma G7 5 W RPE? 1) Amit Ami a RUT2 Dot G7 Coad 2 pa5aM WER S745 36 eS 2) Droit G? 3 WTS RB7Re MINOR 6/9 * Keyboard Analysis: Doig Amo/9 2) = Sie CHORD FORMS » Dmeo =» Amo Doon) Amal 3 3 4 » Dm69 4 Amos >» Amo a Dmoss sia 5 ” f bre ¥e os 2 £:e MINOR 6/9 EXAMPLES ‘* © Have a friend play the root note in the bass in order to hear the complete chord. > Emi? AY Dme/a 2 2 3 2 Bm7? E749 Ams/a “sm PSP Pb D7BtS a Eman? Ema Ar(3) Ar(?8) Dmo/9 10 40 ARH de ? ” 4 Bm? 7 5 BbSPT# Em? A? 5 tT 5m es ‘Real ee Dmo/s R564 ” Amofa 2 Bse4 En, 6 Am9 ReaeMINOR 755 * Keyboard Analysis: Bm Fag ‘* © Many Minor 7 5 forms are also used as Dom Sths or Minor éths. 3 os CHORDFORMS a Bm? Bm) Faqr5) Fa) 5) B® Bots 7 et 2 som 5 6 5 4 te 1 Es D070 TER? sir Ta wien oe oo S =s SS 1) Boe) a) FAy7 Bm) oy Bm ay Bm) 10) B75? eq 9 4 2 oa 4 ar ai t 1 1507 BERSVET ‘STIS ra RIS 68 === «sy Pye) ? 7 ¢ 1 Fv Fm) soy Bm) my Fyn) a) FATE? 4 8 5 5 ” = = + e —— 1 Bm? 2) Fh oy) Fh a4) Bn 20) Bm) 24) Bos? ‘5 9e MINOR 7)5 EXAMPLES ‘* © Have a friend play the root note in the bass in order to hear the complete o Bm7ts) E> it9) E69) Am ? eee 6 6 soe a Bm) Eo Am ? 8 TERY Moen a FRc? Baan) Eman 5 oo emam oD ¢ ta Crea a Feat # Br 5c 4 FS BaeSbSbT rR S6 a» Bm7# E769) Ames Drew Gmar A Rvp 7 oot 3 Bm? 5 E79) Er“) Am a a Fires) (Teamnaw a Bm2#? eine ses] 8 Br Cma? Est) Am? 5: T WSPSbOS ora abe R75encore wy Bm"? + te] ROIS R Bm ama wa Bmore Enits) —7 5 5 BO RES BPRS (error 1 Fay 4 Bo (34) Bo(48) Ema ? 2 7 5 wy Fay) Bea) Ema 3 - BSS 551 Fam’) Ba 5 8509 ERS Bm7ts) 5 wn Fas) Br Em 4 RDSDIBS FES RIS wo) PRy Ths) Br Em ? 0 Bm? 6s) Eo Am 2 bos RSPI3 3a55R Ge FE LLL20) Fy 969) Bot Em 5 4 4 BRET Ey a FRy9b8) 9 ag 29, Bm) Eq¢9) E+ Am 1 6 2) Bot? E> 5 4 PRS WERMINOR (MAJOR 7) Keyboard Analysis: Dm“ 2) Am (mA) ‘* © See Chromatic Passing Minor- Descending for examples. Note alternate callings in example. $ CHORD FORMS 0 Am*” a Amma?) 2 Dm”? 4 Am” 5) Amn“? 5 5 ? 4 9 o e = a : DO} Am"? ” Am"? 8) Dm”) ) Dm"? 40) Ammar 8 oe FH 2 : 4) Dna? 12) Dmi™) 43) Am 44) Dm”) 45) Amita” 6 9 6 i we ag —=le rr) Dn? 4?) Am” 5 5 5MINOR 9 (MAJOR 7) « Keyboard Analysis: Dna?) Ama’? '* © See Chromatic Passing Minor 9 Descending for examples. —— ——— Fle [ aAmo%? 4) Ama —y AmalA? — Dyyg/n?? 5 9 ? 5 TR AH A es B i oFe@ PASSING MINOR CHORDS (Ascending) ‘Minor chords are typically passed from the ninth, root or fifth of the chord. ‘An ascending passing minor chord will be passed from the fifth of the chord up. A descending passing minor chord will be passed from the ninth or root of the chord down. A chromatic, descending passing minor will be passed from the root of the chord down. Refer to examples. ‘* © Have a friend play the root note in the bass in order to hear the complete chord. >» Am? Amé Am9 Am6 2) Am? Am9 Ame 5 ROH REFER wTE9 RPGR3» Am? Amé Am9 Amé 8 40 40 Jo R357 ROR ROP7A RGR a Am? Ame Amo 3 — RPSSY? BER RIT aBER 3 Am F 9Ame Am? Am6 Ress RISE Ris? RIG y Ame Am? Ame Ress we o Dm Dmo Dm? Dme De HW) WES WS SaaS RS 2) Am F Ams 8 8 755 RB YG RS Seasi) Am? Am Am9 DS507S bas Ros 35 903 35 wD ”) Dmne Wee BRS m Am Ame Am? Ame va5R vaoe BaBTR Peak1 Dm? Dr base WER 1) Am? Am9 53507 PEER 354 2) Am? Ame Am? Amé som sqm bet [4] Dns Dm? Ome 6 BREE Bev? BRESGAm? Ame BROS crys S RvaPF BRIG Ame F @ RES Dme Dm? @RPS 7 RS2 Dm? Dm 5 Bors 3 Rb oars 0) Am? Am Am9 ‘9035 30 Dm? Om Om DmeCHROMATIC PASSING MINOR CHORDS (Descending) ‘* * Have a friend play the root note in the bass in order to hear the complete chord. > Am Am?) Am? Ame 9 q ‘oA RISER 0358 vis R ors (0 2a Am Ami?) Am? Ame 5 5 5 (daay 4 ROESR Ts" PSR ee 2 e 09) > Dm Omit? Dm? G7 5 5 sat 4 v: 5988 SRST 4) Rsv3) Am Am‘""A7? Am? 5 4 RESR R357 RSPTS Am? RIS SPP 2 Am Amn Am? Ame soo i ® Dm Dm"? Dn? Ome 6 6 4 : SRP W35740) Ana Ras as At Dm? G9 aw) 35 7s s 39 Amina?) Am? Ame 5 5 ROES Te35 WES bss bse va5h7 743© Am Am? Fo5R 793 wo Dm Dm”? Dm? G? BRR SRS? BRIS? ‘3b73 Dm? Shas R357e CHROMATIC PASSING MINOR 9 (Descending) ©» » Have a friend play the root note in the bass in order to hear the complete chord. » Amo Amaia? Am9 Dis 5 ral 5 5 4( “RISES 7354 reas 2 Amd Ama? Ama T RBS 4 54 Sa Ans? Ama Dis 7 4 Dm9 Ona?) Dm9 Gis 5 Tq] 5 qi 4 ea Hf E ose DIATONIC PASSING MINOR (Descending) © © Have a friend play the root note in the bass in order to hear the complete chord. » Am9 Am Am? Ams 4 W55 RS bss 2» Dmd qe35 ROSS Brebs aa5) Dmd Dm? De 59 PER 335071 Am? Ams Amé PIRES ROS BRP ROSPASSING MAJOR & MINOR COMBINED (Ascending) ‘* © Have a friend play the root note in the bbass in order to hear the complete chord. » Gma? Ge Gmas Ge 7 oo 8 ” soy Fay H + t oe ‘RS5F?a) Gma? Go aaa? Rae 2c 3g Ee Ft Hl :RoHSC+ Co c+ sy sce soy SHS wists a aks Om WES RUS13) Gma? G Goad A —~ a a573 35R3 BSRPEER20 Gwar Geo Gma? Ge 3 {TT 4 Rs SRST Am? Amé Am? Ame 5 Aaa) S(t DeGuar Ge FRI? Am Ame Am? Ce oTDm Be Dme BP BRIS 35 Babs a5Gma?ePASSING MAJOR & MINOR COMBINED (Descending) © © Have a friend play the root note in the bbass in order to hear the complete chord. Din? G9 40e@ DOMINANT 7 + Keyboard Analysis: G Do '* © Have a friend play the root note in the bass in order to hear the ‘complete chord. eS SFE » 0? 2 D7 » G? | Te DOMINANT 7 EXAMPLES ‘* © Have a friend play the root note in the bass in order to hear the complete chord. a» Dm? G7 Gm? Car Fma? 3 {7 3 T 20 UN (cycre) 4 Dm? Ate 5 R BPS BRIG (TURNAROUND5) Oma G7 Gm? 3 3 “te TR TTR ccyered ee SF oe 0 Dm? G 8 x 8 = PEt Dm? G? soma 5 H H ersAm D7 * Bm 5 ? cor SRS ROSH BREF? OK Acreennre Fmseens w Am? D? Dm? Ga") =~ mag 8 GO 8 R35P7 2 Am? DO? Bm? Eni) S— «Dm? Gm? 5073 Rob15) 07 Gmaq Ge PIR S 7354 635K « Amo Ga? Ge 5 RSP m Dmg G7 Emo Ar 3 1) Ami FTES2 Dm? G? 7 RBS asha) Am? D7 Gna 2) Dit G? Pm nOm 2? Dm? G? _— 20) Amat Oo 3eDOMINANT 9 + Keyboard Analysis: G9 D 9 5 —— f= —— 3 CHORD FORMS a D4 » 69 a D9 ”e DOMINANT 9 EXAMPLES ‘© © Have a friend play the root note in the bass in order to hear the complete chord. ») Am? D9 Bm? E9 Rvs 2 Amo 09 Bm? E749) 09 Bm? RSIS5) 5 2 Dm? sca PTR (cree) Am DRIER D9 G4 byae ares FER«Am? D9 Bm? E> ons Brr4 TSHeDOMINANT 11 + Keyboard Analysis: Cu Du «Algo called Dom 7sus. 4 . B11 can be called Amt1. . " a G11 can be called Dmt1. os Minor 11 chord forms 2, 14nd 20 . are not Dom 11. See Minor 11 for CHORD FORMS betas DDH 2 nom = 9 DI 9 GH 5 DA » GH 3h 3 3 5 oe Hee 2 S&S = == # = » Guo. On 1 GH » DW w Gh w OM 5 5 3 8 s i of a oF i = -o = ss oO = x 1) GH 14) no don 15) OM w GH i GH ) DH 3 fot 3 somos 21 75 Pres = = == = — can 68 z 3S S s m DH 20) noomn =a) GH an) DH oy GH . 3 3 7 5 Liat Thee 2 | gE = 2 =eDOMINANT 13 « Keyboard Analysis: Gia Dis =° 28 Ss CHORD FORMS » GB » Gs » Dis a» Gis 8 40 4 oo 8 eee y ee os ea a a Dus wo Gia w Gis 2) Dis 2 it 3e DOMINANT 13 EXAMPLES © © Have a friend play the root note in the bass in order to hear the complete chord. Em? Age) Ais a) e3 Ama O13 0949) 9 9 14) MASS # fame Oprionas Fma9 0733Gus Got) Cag a Fmad 1) Dm 3 G7) CMa Waawo) Dis Dow) G79 G9 "ae “(Bal 4 q Bs8 ras ear Cis C39 Fo i+) Foot Bima? 9 He 7 7 ¥ Fy raeDOMINANT 7>5 + Keyboard Analysis: (4 9/5) Dots Se CHORD FORMS a DFP 4 Dy » D7) 9 Gat 3 5 » 677 9 G7? oy DIC 5 Dot 2e DOMINANT 7)>5 EXAMPLES © © Have a friend play the root note in the bass in order to hear the complete chord. » DP Gog Ents) Am? oo oA al ee Sey8) Dmd G7 G9 Coad a Crus Got) Coma? Ane 5 5 5 eat Raa ®) Fm? &7 Ebon Dr) Dinars) 8 yy . (Te ‘ ty a e RSIS© DOMINANT 7+5 » Keyboard Analysis: Gy) Dos) t CHORD FORMS » 6) 4 Go? Gase DOMINANT 7+5 EXAMPLES ‘* © Have a friend play the root note in the bass in order to hear the complete chord. » Dm Gots) Em? Ae 3 ott 3 FaPTTH vrais 4 Ama On Dist) Da(%) ee “ie HGR)“ a7 By stat P73 Be8 YESS TSRER =eDOMINANT 759 + Keyboard Analysis: Doo Dot) 2 e Got eh sp CHORD FORMS a Dota 5 3 Dots a Dot) 8 » Dot 4 is 2 2 se = ie ” o Dot?) a DI yy Dold) 3 4 FARA 4 7A see i ah HF, = — = =3-— Re = ts Gr ay GM) GM sy) GED gy GEM 4 4 an 3 6 ah oT 3 bs- ben = | — — a=© DOMINANT 7b9 EXAMPLES © © Have a friend play the root note in the bass in order to hear the complete chord. Dp Am Dt) Bm? Eat 9) 4 4 oa 6 e RPS Di Gung Ext? 2 2nap nn 3 Am? Dae Gma? Ge 5 soy HH oe hhh a aST a Am Or) = Gmag E96”) ROSS58) Ama Dod Gmag Gdim? 2 BR554 2 Am Doe Gma? Eo a Am? Or) = Guar 66 5 3wo Am? 164) Bm? Enea) 8 5507 pa T aD wo Dm? Gat) Gm C904) Fma? 5 4 3 ae 30 3 4 2) Dm? Gre) Em? 59367 BOIS 13) Dma Gt49) Gt) 3 4 op ret 4) Dm? Gre sam FAH OIP7RS Pra SP S556) Dm? G7e4) 6 San? 5 Cma7 sea? Ane) 7a 58e@ MAJOR (59) * Keyboard Analysis: z Gna Doma? «THis chord futons the — 7 Rane a's Bam 79 chore # CHORD FORMS o or a De » pe » DO “Hay Of "Ha a HEH 7 ere@ MAJOR (09) EAAMPLES © © Have a friend play the root note in the bass in order to hear the complete chord. a Am? po Bm? £449) 5 6 rf PTT DISS Rvs RS2 Ami pe” Gna? Eni) 7 aT “REITH SOR ws 73 5) Amit o”) Bot 3 R PIsI li 5 a Dm Go 35k 2 Om? yaks 3&® Dm? Om? Ge) G79) 6 SRI? DISRS a Anl§)— Arse9) ‘5 3e DOMINANT 7+9 t « Keyboard Analysis: G49) D709 == CHORD FORMS » D749) » D7) 5 D749) 4 Dols a Dat4) 4 4 3 T Ss 4 Hf ote . ee # = Ee a 674) — 4 Go) a) G7) G79) 4g 6 2 3 8 Hes RSP ‘Sr 3® DOMINANT 7+9 EXAMPLES * © Have a friend play the root note in the bass in order to hear the complete chord. Am? 074) D069) Bm? Eq) E79) 4 + 2 6 “aay evs ¥ or a c D749) Dot-9) E49) E94) 4 4 2089 EZ —— Se =i a Amo Dr) Gmad En (+9) 3 AA 3 2 to. 5 7 Wrap: FF 4) Am? Doers) oe” Gma? Ge 2 2 8 3303 Ras7 Wee8) Am? Dow) Doe Gmaq a 5 4 40gp 3 PosK e555 o Dm G74) = Gat) CMa 3 4 som a5 RS 2 paves Gl49) Cm? Fol) Bima? A sone 4 4 » Gr) = Gol) Gist) = G9) c 2 5 HAA 8 Hay a Faase@ DOMINANT 7559 + Keyboard Analysis: G9/$) Do(3) == CHORD FORMS » Gr) 9 D8)» Gol) 9 Go k8) 2 at Py Gol) a 0768) n GU) Grlc§) T¢ DOMINANT 755)9 EXAMPLES * © Have a friend play the root note in the bass in order to hear the complete chord. 67-8) Cma? 5 3 2 Dmi ‘ os5b7Hé Ga¢4) ? Cola T reese 8) Oma Loee@ DOMINANT 755+9 * Keyboard Analysis: (57(#4) Drit5) CHORD FORMS : 4 0715) 2a D7ls4) q 4 —— DOMINANT 7} 5+9 EXAMPLES ‘* » Have a friend play the root note in the bass in order to hear the complete chord. D Am9 (48) Gmaa Eoin) 4 fa a“ ook er) a Amd 0745) Gmad Ea(tw) 5e DOMINANT 7+5)9 + Keyboard Analysis: G(*4) D7(25) A y= i i CHORD FORMS n G8)» Gr(t) 4 3 2 G7(4) a 61(8) 40h sop cm 7 » Dats) a Dal) 3 n Gr(3§ )© DOMINANT 7+5)9 EXAMPLES ‘¢ © Have a friend play the root note in the bass in order to hear the complete » Dm9 G7(4) Gr) Cmad 4 4(Te 2 | 14] 3 a» Dmif Gr(% 3 Water ) Emit 5 oT RA Ar(%) i » Dm9 G7(4) Em? Ago) sc 40a 3 4 He 2 Dn Grit) 10 9 CEs] SP7h8is Em 8 BRI? Ace) 5 RS2» Amo Do/: 8) Gna? 20 a 7 & wees Or 385 = a Am? Da(4) 7 » Dm? G7(3) Coma? e 5 5 RO?e DOMINANT 7+5+9 + Keyboard Analysis: G7 %$) Dr ts eA de CHORD FORMS o Dt) 2 D(H) » Dat) » 67(8) 9 6 6 ae 4 » Gilt) 4 Grlt)—-» Gr(88) 3 8 407 ¥ —— Raste DOMINANT 7+5+9 EXAMPLES ‘¢ © Have a friend play the root note in the bbass in order to hear the complete » Am? D7(4) Gna? E2(%) 9 tha] 9 AH 40 (ITT a oe Shia oe iH a Am? Do(#) Gua? Et 5 4 5 6 BETS Do($5) 67(%8 Coa? 6» Dm9 3 Bab7 aS Gr(4) 3 3745 a Dm9 G(33) Cma? 8 lear: 90 OE 2 Dm? sc 4 Golds) a 386H8 3 G(%) Coma?e@ DOMINANT 9+11(55) + Keyboard Analysis: Gq (+) Daw 4 ‘ ‘+ © May be considered Domab 5 i 3 t CHORD FORMS a D9 4 Dae — 4 Goan 4 4 2 z ee 2 DID 5 Gat 4g Gate@ DOMINANT 9+11(>5) EXAMPLES ‘+ © Have a friend play the root note in the ’ bass in order to hear the complete chord. > Bm9 Ean) Am9 Dot 6 5 4 a Bm? Eq Am? Do) 5 3 Gm 5 ‘So7aaH ROSS ‘eer aen a Em? Ag) Om? (0) say | aha iar vr ta Cao « Am9 Gud Gna? 4 so 2h v9 54 He Hee2 Dm? Gait) Coad 734 3eRs o Dm? Got) Em? Ag) Sth oH 4 ton Oma Ge) Ce ty 7930"e DOMINANT 9+5 « Keyboard Analysis: Got? Dos) CHORD FORMS » Gat)» Galt Gales 3 2A 8 cs a4 F asd io ——_—————— oe@ DOMINANT 9+5 EXAMPLES © © Have a friend play the root note in the bass in order to hear the complete chord. » Dm Gos) Coma? 30th 3 5 44) «® Dm? Gat) Coma? 40 410 WS SRe@ DOMINANT 1159 + Keyboard Analysis: 44(-9) Dut? CHORD FORMS » DA — a» Gue® Due? a > ER ce H Pe FERN ¢=——-g- -—_ 2 a GHEY 5 Gue® 9 Gued 3 6 3 ie DOMINANT 11>)9 EXAMPLES ‘* © Have a friend play the root note in the bass in order to hear the complete chord. > Am? Dolt§) — Do(t8) Due Du) = Gua? 7 10 10} q a 5 ash (of) RSS a Cm? Fur? Dm? Gute) ti Gued Em? Dr)2 Dm? Gu? — Cela An(%8) 6 é ? 6 SRY? rasRU Case RaasS a Dm 3 Gul) Cala 2 3 WS PW sa Beas© DOMINANT 13+41(55) * Keyboard Analysis: G 3) D. 34") ‘ — =e CHORD FORMS » De®) 4 Gist 5 TH 2 7 Fra DOMINANT 13+11 EXAMPLES (55) © © Have a friend play the root note in the bass in order to hear the complete chord. Enea) Dis? Goad a >» Ama 2 2 a Dm9 Gus) Em? 5 oe 54 5 a H (a Prva mT FaseeDOMINANT 1359 + Keyboard Analysis: Gy9(-4) Ont) ee Fi—< CHORD FORMS > Dae) — y Da = Dis) Til o Da — 4 Gish 4g Gist? q 3 vests waa woe ST 2e@ DOMINANT 13)9 EXAMPLES ‘¢ © Have a friend play the root note in the bass in order to hear the complete chord. > Amo Dis Gma? 3 PH 3 20 TH ‘WS ¥ rie a Ama Dis) Gmar 5 wma 59 BPN a7 a Amo Dis“ Gms 9 a Ama Dis Gma? 7 7 ii a ¥35099 S13 35732» Dm9 Gis) 3 rao 2 Dma Gist) Coade DOMINANT 13+9 + Keyboard Analysis: (3,5(+9) Dis) ® . f?. — c= = CHORD FORMS o Di? — 2 Dis) — Gis) ay Gy) 3e DOMINANT 13+9 EXAMPLES ‘¢ © Have a friend play the root note in the bass in order to hear the complete chord. » Ama Dis) Gma? 3 sHBH 4 4 ares oP 2 Ama Dis) Gma? 5 oa 54 3» Dm9 3 4 Dma Gis) Coma? S54 Spas asCVUMINANE 1OvUTIT « Keyboard Analysis: G f oi Dis i. CHORD FORMS » Galea) Dist) 5 ? Hae rates —e e DOMINANT 13)9+11 EXAMPLES © Have a friend play the root note in the bass in order to hear the complete. chord. q 0 Dma Gis (74) Coad 44) 5 Ey Gaby 2 Ama Dis(3h) Guat a cans ma 2 bs 5074 3573 —_eDOMINANT 13+5+9 + Keyboard Analysis: Gi3(#8) Dis (38) ew : an CHORD FORMS » Ds (38) a» G13(48) 9 10e DOMINANT 13+5+9 EXAMPLES ‘+ » Have a friend play the root note in the ‘bass in order to hear the complete chord. Di) Dis 38) Dis) «= Dusit) Da 8) 4 9 4 a 40 ‘rash BHvaSR ik Gma? Dna Gr) Gis($6) Ga? Ge) Go) ‘ay son 2 Fay 8 4 4 30 “ees v8 ° Cma? R573eDIMINISHED « Keyboard Analysis: Cdiny Gdim ‘¢ « Any note in these diminished chords 7% ‘can be considered the root. Dimin- ished forms can also be used as a y= Dom7 b9 chord, ie. E bdim = 0759 = F7 bo= Ab7bo=B7b9 CHORD FORMS » Cain 2 Adm 3) Ghdim a Ebadi 2 2 2 [4]oe DIMINISHED EXAMPLES ‘* © Have a friend play the root note in the bass in order to hear the complete chord. ” Gna? Gdn Amn? Atdim 4 6 rh RPG (E269) (642-9) Bm? E709) Doe) Gad 4 2 He Fae o75. hy ¥; 7 2 Coma? Bam 2 RIS? ps RBS (G79) Em? Ar¢3) Dnt Ga) Coad 7 BSBA BTR3 Cma? Dm? Didi 2 Em? And Dma 5 Dm? Baim Bam a (G29) + (G76) Got) G7) Cady “Haeeo AUGMENTED + Keyboard Analysis: C+ E+ * © See Chromatic Passing Minor- Descending and Basic Major QS CHORD FORMS o Or oy EF o Ct 4 4 C+ a GH eae ips) (aver wo Ct 8) Ctr » GY » Et wo Ge om Ee a Ct 5 1 « (Ab#) es: ig # (Ab+)0 m Coma? Om? Em? Bm) — = Fun? Gm? Am? Ems) SS == Bima? Cm? Dm? Ame) == = Ebel Fmt? Gna Dmt#) = 4 Atma? 8hn? Gna? Dima? Eb? Ghma? Arm? Guar Am? i