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  • Perspectives of New Music: Volume 46, Number 2 (Summer 2008)

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    FDRbard
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    This document is the contents page for Volume 46, Number 2 of the journal Perspectives of New Music from Summer 2008. It lists 10 articles contained in the issue, including pieces on Celan, Ruzicka, and Dittrich's ideas of communication; the use of Fibonacci series in composition; reflections on Deleuze and Guattari's book A Thousand Plateaus; Franco Donatoni's late chamber style; John Lennon's "Revolution 9"; Herbert Brün's use of anticommunication in his music; and composing music based on DNA within a framework of chance. It also includes editorial notes, instructions for contributors, a list of personnel, and acknowledgments.

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    Perspectives of New Music

    Judul Asli

    TOC462

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    This document is the contents page for Volume 46, Number 2 of the journal Perspectives of New Music from Summer 2008. It lists 10 articles contained in the issue, including pieces on Celan, Ruzicka, and Dittrich's ideas of communication; the use of Fibonacci series in composition; reflections on Deleuze and Guattari's book A Thousand Plateaus; Franco Donatoni's late chamber style; John Lennon's "Revolution 9"; Herbert Brün's use of anticommunication in his music; and composing music based on DNA within a framework of chance. It also includes editorial notes, instructions for contributors, a list of personnel, and acknowledgments.

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    Attribution Non-Commercial (BY-NC)
    Unduh sebagai PDF, TXT atau baca online dari Scribd
    Tandai sebagai konten tidak pantas
    19 tayangan2 halaman

    Perspectives of New Music: Volume 46, Number 2 (Summer 2008)

    Diunggah oleh

    FDRbard
    This document is the contents page for Volume 46, Number 2 of the journal Perspectives of New Music from Summer 2008. It lists 10 articles contained in the issue, including pieces on Celan, Ruzicka, and Dittrich's ideas of communication; the use of Fibonacci series in composition; reflections on Deleuze and Guattari's book A Thousand Plateaus; Franco Donatoni's late chamber style; John Lennon's "Revolution 9"; Herbert Brün's use of anticommunication in his music; and composing music based on DNA within a framework of chance. It also includes editorial notes, instructions for contributors, a list of personnel, and acknowledgments.

    Hak Cipta:

    Attribution Non-Commercial (BY-NC)
    Unduh sebagai PDF, TXT atau baca online dari Scribd
    Tandai sebagai konten tidak pantas
    dari 2

    Perspectives of New Music

    Volume 46, Number 2 (Summer 2008)

    CONTENTS

    (Im)possibilities of Communication: Celan, Ruzicka, Dittrich


    AXEL ENGLUND

    33

    Residue Cycles of Fibonacci Series Modulo m as Tools for


    Serial Composition
    JONATHAN HAEK

    59
    81

    93
    130

    A THOUSAND PLATEAUS
    Rainy Day Reflections

    BENJAMIN BORETZ

    Mille Plateaux, You Tarzan: A Musicology of (an


    Anthropology of (an Anthropology of A Thousand
    Plateaus))
    JOHN RAHN
    Is There a Deleuzian Musical Work?
    MICHAEL GALLOPE
    Musical Modernism in the Thought of Mille Plateaux, and
    Its Twofold Politic
    MARTIN SCHERZINGER

    159

    Preserving the Fragment: Franco Donatoni's Late Chamber


    Style
    BRADLEY D. DECKER

    190

    John Lennon's Revolution 9

    238

    Techniques for Thwarting Hegemony: Anticommunication and


    Gesture-Inhibiting Musical Material as Compositional Resource
    in the Music of Herbert Brn
    JEFFREY KOWALKOWSKI

    244

    Composing DNA Music Within the Aesthetics of Chance


    MARC JENSEN

    262

    Editorial Notes

    CARLTON J. WILKINSON

    264
    265
    268

    Instructions for Contributors


    Personae
    Acknowledgments

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