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45

Comb filter

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Combining amplifier

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Combining network


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46

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47

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48

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49

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51

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52

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54

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Digital Audio Broadcast
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56

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57

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58

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59

Delay
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Demagnetizer

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Diffuser
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61

Dialogue tracks

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62

.
Digital filter

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.

Direct box .
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63

Direct sound
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Directional mic

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super cardioid Stereo hyper cardioid :
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DVD .

64

Discrete cosine transform

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Dither

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Diversity reception

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65

Dolby A
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66

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67

1853)Doppler christion 1842 .

Double system

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68

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DSD Oversampling
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DTS Cinema

Digital Theatersystems DTS
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DTS consumer
DTS LD CD DVD
ZetaDigital DTS .
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Tascam
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Dub-in
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.
Dubbing session

69

.
Dubbing
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Ducker
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Duplex sound track

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.
DVD- Audio
DVD 8
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70

DVD
DVD Digital Video Disc
Digital Disc
versatile . DVD
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DVD .
Dynamic controller

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Dynamic microphone

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71

Dynamic range


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72

Dull
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Decoded tape

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De-esser
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73

( 10 15 .

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74

Direct X

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78

EASI
Enhanced Audio Streaming Interface
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79

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81

Effects bus
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Effects mixer


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bus in .
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82

aux send . effect send

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Electrical Industries Association
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83

Electrostatic field
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Electrostatic interference
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Emberhard effect
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End fire microphone

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84

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Fast forward
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Feed Reel

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89

Feed
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Float
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93

Flux
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Foley

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Foley.
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Focused

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Focused

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95

Forward
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.
Four-Channel Stereophonic Film

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Frame Noise

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Frequency
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.

101

Clere Glassy
edgy . bright

GOBO

GOBO . go-between.
Granulation Noise
quantization
.

Graphic equalizer

.
20 20000
.

Group Delay

.

) (Group Delay
.
Groups

Group fader

102

. group fader
.
Grainy

. )(Inter Modulation
I.M .
grainy
.
Grungy
.I.M
Ground
.
Group velocity

Ground bus

.
Grounding
.
) (grounding

103

.
.
Ground loop
.1 .
.2
) ( .
) (ground loop .
GSIF
. Giga Sampler InterFace
Nemesys windows
) (low latency.
Guard Band

) (Crosstalk
.
Guide Track


.

)(H
Harmonica

Harmonium

Harpsichord
) (
Harmonic series

Harmony

Haas Effect

.

106

:
.1
.
.2

) .
(
.3
.
.4
.
) (Hass Effect
) (Muhichanrel Surround Sound
.
Half-Track

. Half-Track

) . (.
Hamster Switch
.

107

. PanPot
) (Left ) (Right .
Hard disk Recorder
) (digital Audio Workstation) DAW (.
Hard disk

.
Hardware

.
Harmonic Distortion

.



.
.
.
.
(Total Harmonic Distortion)TDH
.

108

Harmonic Series
.
1KHZ 2KHZ
8KHZ 4KHZ 16KHZ 1KHZ
.
Harmonizer


.
Hammond organ

HDCD
) .(High Definition Compatible digital
Pacific Microsonics ) (encoding
) (decoding 88.2KHZ
24bit CD DAT
.
HDTV
) .(High Definition Television
16 9
Pixels
.

109

Headroom extension
) hx (
Helicotrema

Head Set
) (HeadPhone

. Headset

.
Headroom
) (Dynamic Ranse
dB headroom .

.
+4dBu
) (clipping +20dBu (20-4) 16dB headroom
. headroom
.
Headroom (0
) VU TDH = %3
.

110

Helmholtz Resonator

.

) (Resonanse .
Hertz
Hertz .1 (1857-1894) Heinrich Rudolf Hertz
.
.2
.
Hexadecimal
16 0 16
. 9 A F
.
) (binary .
High-Pass Filter

.
.
High-Speed duplication
.
Holophonic

111

) (Holography .
Howlround
.

) .
Acoustic Feedback) Feedback (.
Hybrid Telephone


.


.
Hypercardioid Microphone
12dB
6dB
110
.
Hypercardiodid Response

.

112

Hard
3
.
Harsh
.
2 6 .
Heavy
50 .
 .
Hollow
Honky . .
.
Honky

. 500 700.
Harmonic
.
HD
) Hard-disk drive (.
Head

113

.
Head Gap
) Gap (.
Hearing level

Hearing threshold

Headphones

.
Hiss

.

.
Hot
.1
.
.2 .

114

.3

.
Hum
) 50 (
.
AC .

.
Hi-fi system
)
(.
Hiss

Homogeneity

Horn

Horn loudspeaker

115

Hydrophone

Hypersonics
)
(
Hybrid
) (.
Hypersound

Hysteresis

Hysteresis loss

)(I
)IC (Integrated Circuit
:
... .
) (chip
.
)IEC (International Electrotechnical Commission

.
IEEE (Institute of Electrical and Electronic
)Engineers

.
)IIR filter (Infinite Impulse-Response
.

118

Image
][
.
) (
.
Impedance
.
ac
) (Impedance .
Z

) X C

R + (X
2

=Z

. R XL
XC .
.
Impedance tube

Impulse

Impulse response

IMD (Intermodulation Distortion)IM
.
. : f2 f1

119

f3=f1-f2 f4=f1+f2
-f5=f1-2f2 f6=f1+2f2 .

) (Intermodulation Distortion.
In phase

Inhomogeneous

Incidence

Incident Sounds
...

.
Incus
) (
Indigenous Sound

.
(Direct
) Sound .

120

Indirect Sound

) (...
.
Infrasonic
.
.
Inline console

Input
. .
input
.
Input Module

. ) (Input Module
) (PEL
)(Aux
.
Input Section
) (Input Module
.

121

Insert Jacks
) Access jacks (.
Intensity of Sound
.
I

I
Io

10 Log

dB

. Io
210-4 I .
Intensity stereo
)
(
Inter aural delay

Inter- aural intensity difference

Interference

Interference Tube
)(
.

122

.

.
Interleaving
) (rearranging
.
Inverse Square law
.

.
(Sound SPL 6dB Pressure
) Level Inverse squre law.
Interpolation

)I/O (Input-Output


. I/O
.
)ISO (International Standards Organization
1947

123

90 ISO .

.

)(J
Jack

).(plug
Jitter

.


Jitter .

Just

) (

)(K
Keyboard

Key Sounds

.
Keyboard workstation
)
MIDI (
Kettle drum or tympanum

)KHZ (Kilo Hertz
1000 ) (.
Killo
k .

128

Kick drum
) (

)(L
Lw

W
W0

M2

12

Wo = 10

= 10 log .

P

Pe
5
) ( Pe = 2 10 N 2
M

Lp
20 log .

Lape microphone



.
.

130

)Laser (Light amplification by stimulated of radiation

.
) ( .
CD DVD
) (pick up .
Lasy arm


.
Latency
A/D D/A
.
) .latency .(.
.
Lavalier Microphone

.
Laying Sound

.
Laying Sound .

131

.
Laying Track

.
Leader

.
Leakage

Leakage .
Lay-In
) Fly-in (.
)LCD (Liquid Crystal Display

.
) (Labtop LCD
.
Leslie loudspeaker

132

Least significant bit

)LED (Light Emitting Diode

) (vu
.
Leadering
)( .

LED indicator
.
LEDE
Live-End/Dead-End
.
:
.



.
Level Setting

133

. vu PPM
.
Level
.dB
dB .
Leveler

.
.

)( .
Longitudinal wave
) (.
Loop gain

Loss

Localization

.

134

Location Sound


Live Recording .
Loop

.
Loop
Loop .
Lossy
) digital audio data Compression (.
Loudness Curves
) (Phone .
1KHZ 40SPL ) (Loudness 40
40SPL
. )(Loudness

.
:

.

.

135

.
) . Fletcher-
Munson curves (.
Low-pass filter
DC .
) (Low pass filter
) (cut off
. Anti-aliasing .
)Low-fi- (low fidelity
. .
Loudspeaker
)( )
( .
Lobe
) (
Liquid
.grainy .
.
Live
.1 .
.2

136

Line array

Line spectrum

Line Level

) (Balance (+4dBm) 1/23V
(-10dBV) 0/316V.
Line echo Canceller
) Echo Canceller (.
)Linear PCM (Linear Pulse Pide Modulation

) (Compressing
) (Processing .
Linkwitz-Riley Crossover
Crossover
(4th-Order) 4
24dB/Octave .
Limiter

10 1 . ) (Limiter

137

)(threshold pont
.
+16dBu 20 1
10dB +36dB 1dB
+17dBu .
) (over load
.

.
Lip Sync
.

.
Lip-ribbon Microphone

.
Live Recording

.

.

138

Live Studio
-2



) (mixing
.
Live room

)LSB (Least significant bit
) (Digital Word
.

)(M
M
Mega ) (.
)MADI (Multichannel Audio Digital Interconnect
AES3-1993 MADI

) (Multitrack .
routing
. MADI
AES/EBU .
MDI 56 . 56
.
)( 50 50 .
32 48 .
40 ) (bit rate 125
Mega bit per second.

140

Major tone

Masking level

Master

Magnetic head

Malleus

Maximum operating level

)Mage-Opt (Magnetic-Optical

) (Optical ) (Magnetic
.
.
Magnetic Film
35 16

.

141

.
Magnetic Recording Tape

.
Magnetic Sound
.
Magnetic Stripe Attachment


.
Magnetic Stripe

.
Magnetic Tape
:
PVC
.
.
Magnitude
.

142

Mask


. ) (masking
.
Master Fader


. Master Fader
.
Master Tape

.
Matrix-Mixer
Router ) (processing
. Matrix-Mixer

... .
Matrix-Mixer 32 8 .
)Magneto-optical drive (MO drive
) ( - )(MO
3/5 .

143

)( )(
.
)MD (Mini Disc

MD .
CD 2/5 .
MD ATRAC .
)MDM (Modular Digital Multitrack


.
. Alesis :
ADAT-XT .Tascam DA-88 MDM
) (Multitrack .

Mellow
. . edgy
Mean amplitude

Mega
) (bit )(Hertz

144

... . : =100000 =100000

Mega M Mb = Mega :
bit .MH = Mega Hertz
Megaphone
.

.
Mechanical resistance

Membrane

Mean tone temperament

Measurement

Mean tone

Mechanical reactance

Mel
)

145

(.
)Meridian Lossless Packing (MLP

) 20 20000( 24 96
. DVD-Audio
.
Microphone sensitivity

Mid-range speaker

Minor tone

Missing fundamental

Minor

)MIDI (Musical Instrument Digital Interface

) (bus
1983 .

146

MIDI channel
MIDI
. MIDI 16 .
.
Micro
) .(11000000 :
= 11000000 Micro . )( .
Microprocessor
) Microprocessor (.
Microprocessor

. Microprocessor
.
Midlift
.
Mike man

) (Boom .
Boom man .

147

Mix down

. :
) 16 (Multichannel 24
.
Mix-Minus
Mixer ) (Mixing
. Mix-Minus
. :

. 1 2 8
2 1 3 8 3
12 4 8 .

.
Milli
1
1
)
( 1 : =
1000
1000

Mixer

.

148

) . Audio
Mixer (.
Mic level

2 .
Mic Preamp
) Preamplifier (.
Microphone
) (
.
Microphone techniques

.
MIDI controller
) breath controller (
MIDI .
.
MIDI/Digital audio software
MIDI /
.

149

MIDI in
MIDI )( MIDI
.
MIDI interface
MIDI
MIDI interface .
) (MIDI MIDI .
MIDI out
MIDI MIDI .
MIDI THRU
MIDI MIDI in
MIDI .
)MIDI Time Code (MTC
MIDI
MIDI . MTC SMPTE
.
Mid-side
)(coincident-pair


.

150

.
Milli
m .
Mike
.
Mix
.
) (dry
) (delayed .
Mixing console


.
)MIDI Machine Control (MMC
MIDI
. stop start :
MMC .locate MTC .
Mic
. Microphone

151

)MLP (Meridian Lossles Packing

) (encoding
Meridian Audio MLP . DVD-
Audio .
Perceptual

Lossless .
)MMCD (Multimedia Compact disc
) DVD (.
Modeler

.
Mode
) (
Monitoring
.
Monaural
.
.
Mono monophonic
.1 .

152

.
.2 )
(.
Mono-compatible

. )(mono-compatible


.
Moving-coil microphone

.
. )
( )
..(.
Mother disc

Motional impedance

Modal
) ( . ) ( .
Mode .

153

Mode .
.
Mode
) (
Mode of vibration

)MOR (Magneto-Optical Recording
-
.
Modulation
.
.
.
FM

AM AM FM
.
Modulometer

.

154

Monitor Mixer
) (Mixer
) ( foldback Mixer
.
Monitor

.
Montage
) (Editing .
Moving Coil Microphone

) . Dynamic
Microphone (.
MO Drive
) Magneto-Optical Drive (.
Modulation transfer function

Most significant bit

155

Moving picture experts groups

)MP3 (MPEG level-1 layer-3
. ) MP3(.mp3
.

. MP3 .
MP3 128 ) (kbps
CD ) (.
MP3 pro
MP3 pro . MP3
. 64
MP3 pro
128 MP3 MP3 pro .

flash memory player . MP3 MP3
pro
MP3 pro MP3 pro.
)MPEG (Moving Picture Experts Group
SMPTE

. MPEG1 MPEG4

156

.
)MPGA (Music Producers Guild of the America

.
)MSB (Most Signification bit
.
Muddy
.
I.M .
.
Muffled
.
.
Multimedia

:
.
Multiple Sound Track

16 35 .
.

157

....
Multiplex

. .

.
)Multitrack Sound (Multichanel Sound

)(
. :
.
.
70 6
.

.
MUSICAM (Masking Pattern Adapted Integrated
Universal Subband Intergrated coding and
)multiplexing

CCETT IRT Philips
.

158

M-S Recording
) Mid-Side (.
Multieffects Processor
) Multi Processor (.
Multiple-D microphone

.
) (proximity effect .
Multi processor

.
Multi timbral
) (timbre
.
Multitrack

.
Multitrack recording

159

Multi track
) (
Musical
.
.edgy
Musical acoustics

Musical cent

Musical instruments

Mute


.
Mutes
) (

)(N
)N/M (Newtons Per Square Meter
.
) (dyne ) 10
= 1 ( 210-5
.
)NAB (National Association of Broadcasters

.
Nagra


. Nagra 4.2

.

. Nagra

162

ARES-P SN IS ARES-C
.
nano
.10-9 : =10-9
Narration

.
Narrow band

Narrow-Band Filter
) (5HZ
) (200
1
.
3
Narrow-band filter.

Nasal
.
300 1000.
& NARAS (National Academy of Recording Arts
)Science
) The Recording Academy (.

163

Near Coincident


.
Near field

Near Field Monitoring

.



.
Nerve- firing
) -(
Network
.1 .
.2
Neuron

164

NEUTRAL

.
Node
) (Standing Wave
.
Noise
.1 .
) (non-periodic
.
.
.2
Noise criteria (NC) curves

)( .
Noise Floor
.
) (noise floor
.
noise floor .

165

.
Noise Gate

.
.

) (Thershould Point

.
.
Noise Measurment Filter
) Weighting Filters (.
Noise Reduction System
.


) (S/N
.
Noise Shaping
Oversampling

166

(quantizing
) error .

.
Noise to marking ratio

Noise barrier

Noise criteria

Normalized

Notch Filter

.

.
.
Nominal Level

. :

167

ovu Nominal Level.

Nondissiptive

Nonlinear
.1
) ( . CD
) (MD ) . Random
Access (.
.2 .
Non Destructive Editing
(Digital Audio Workstion) DAW
.
) (Hard disc


.
Nondirectional Microphone

) (Omnidirectional Microphone
.
.

168

Nyquist Frequency

) (Sampling .
. :
) (frequency sampking CD 44/1
Nyquist frequency 22/50 .

)(O
testing Objective

Oboe

Octal
8 0
7 . Octal )(binary
) (bit . : 3 011 7
111 .
Octave
:
.
Octave band

170

Off Axis

.
Off-axis coloration
)(on-axis
.
coloration ) (
) (off-axis
.
Off Microphone



.
Ohm

Ohm .
) George simon ohm (1789-1854
.
Omnidirectional microphone

.

171

Omnidirectional

One bit data Converter

)0 (1 .
One third octave
13
.
.
13
1
2 /3 =1/26

) (one third octave.

On-location recording
)
(.
Onomatopoeia

.
Open Tracks
) (Multitrack
.

172

)OP Amp (Operational Amplifier

: ) (Buffer ...
. op amp .
Optical Sound

35 16 ) (Optical
.

.


.
.
.
ORTF
.(Office de Radio
) . Diffusion Television Francaise
) (near coincident
110 17 )
ORTF (.

173

Oscilloscope

Oscillation

Oscillator

Outboard equipment
.
Output
.1
.2 .
Out Take
.
Out of sync

. :
.
Outboard Device

:
...

174

Overdubbing


.
Overs

.OdBFS

Overs .
Overdub

.
Overhang

ringing .
Overload

.
Oversampling

175

.
aliasing .
Overtones


.
Overblown
) (
Overflow
) (
Overloading

)(P
Papery
400 600
.
Passband

-3dB . -3dB
3 .
-3dB
.
3dB .
Passive Crossover


.
) (Passive :
.

178

Passive equalizer

.
.
) (

.

.
Patch
.1 .
.2
) (timber.
)Patch bay (patch panel

. patch bay
.
Patch cord

. patch bay
Pad
) Attenuator (.

179

Panpot
. Panoramic Potentiometer

. ) (panpot
.
Parametric equalizer
)(
.
Panning

Paramagenetic

Parity
) (
Peak-to-peak voltage

Parabolic microphone

Pattern

180

Periodic

Period

. T
) .(T=1F
.
Periodic Noise


.
Perspective

Sound Perspective .

Perspective
Perspective .
Peak
.
.

181

Peak Amplitude
) Peak Amplitude (.
Peaking equalizer


.
)Peak Program Meter (PPM
)( (peak
) levels .
Personal studio

.
personal studio .
Peak amplitude
:
Pentatonic
: ) (
Perception

182

Percussion
) (
Perfect fifth
) (
Periodic

Perfect fourth
) (
Perforated
) (
PFL
) . Prefader Listen Solo
(.
Phantom Power

DC
. IEC
268-15 +24V +12V +48V Phantom Power
.

) (Electeret .

183

Phase
. 360 .
Phasing
(phase
) shift
.

.
.

Phase shift
.

2FT . F =3/14
T .
Phase interferencePhase Cancelltion

. :

.
)180 (

) (peaks ) (dips

184

) (comb-filter .
Phase Linear

.
Phase Lock Loop

.


.
Phase delay

.
Phaser
flanging


) . Phasing (.
Phone
) (
) (Loudness ) (dB

185

1KHZ .
1 KHZ .
Phonograph

.
Phone plug
) ( .
) (tip ) (sleeve
)(hot
) (ring ) (cold .
Phono plug

. RCA .
Phono

Phone
) (
Phoneme
) (

186

Phase difference

180
.
Pickup


.
Pico
) (10-12 : = 10-12
.
Piezo Elecvric Effect
.
Pinch Roller

Capstan
.
Pink noise

.
Pink noise .

187

) (White noise 3dB

.
.
Pinched
.
. .
Piercing
.
3 10 .
Pickup
.
.
.

.
Ping Ponging
) Bouncing Tracks (.
Pitch
.
.
.

188

Pitch control

) (pitch .
) (pitch control
.
Chipmunk voices
)
( .
Pitch shifter

.
Piccolo
) (
Pinna
. .
Playback
.1
.
.2
.
.3

189

.
.
Playback Equalization


.
Playback Head


. ) (playback head (sync
) head .
Playlist
) Edit Decision List (.
Plug
.
Plug-in
Plug-in
) (load Plug-in .
. plug-in

.

190

Place Theory
) (
Plosive
) (
Polar response Polar diagramPolar Characteristic



.
)
( .
Plate

Plane wave

Place of articulation
) (
Post Recording

Post Recording Post Synchronization.

191

.
Post Synchronization
) Post Recording (.
Power

) : p
V R (.
P=R 12

V2
R

P = V I
Polar pattern

) ( .
. :
) (omnidirectional ) (bedirectional
) .(unidirectional
.
Polarity

.
180 .

192

Polyphonic
.
Pop
.1 .
) (pop

.
.2
.
Pop filter
pop

.
pop .
Portable studio
.
Post-echo

.
Power amplifier

193

.
)Power ground (safety ground
U .
U
.
power ground
.
Power factor

Polar

Polar response

Polarization

)Polarized (to

Porous

194

Potential

Pre-Scoring



.
.
Pre-Mix

.
.


.
.
Pre-emphasis

. ) (de emphasis

.
.

195

Pre-hear
) PFL (.
Preamplifier

) (Line
.
Precedence effect
) Hass effect (.
Presence filter
3 7 -
-

.
Pressure gradient

.
.

.
Print- through

196

.
pre-echo Post-echo
Crosstalk . transfer .
Print
.
Prompt Cut



.
Present Presence
)( presence
.
.
.
5
.
)Preamplifier (preamp

) (mic-level )(line-level
. ) (preamplifier

197

.
Predelay
pre-reverberation delay
. ) 30 150(
. predelay
.
Pre-echo

.
Prefader/postfader switch
) (prefader
) . (post fader

.
Preproduction
.
)
(.
Pressure zone microphone

.

198

Preverb

. ) (preverb

.
Print
.
Production
.1 .
.2
.

) (production
.
Program bus
)(
.
Program mixer

program bus.

199

Protools
.
Protools
plug-in .
Proximity effect


) (proximity effect .
.
Predictive coding

Pressure gradient

Pressure Zone microphone

Propagation delay

Proximity effect or tip-up
) (

200

Pressure response

Pressure response

Processor

Propagation

Psychoacoustics
-
. Audio masking

)(Psychoacoustic
.
Punch in/out

. Punch
in/out .
Pure Tone
) (
.

201

Puffy
500 700.
Punchy
.
5 200.
Pulse Code Modulation
.
) (PCM
. (digital
) word .
) (bit resolution .
Pure waveform
. . (pure
) tone .
Pure tone

Public address

Pythagorean temperament
)(

)(Q
)Q (directivity factor

.
)Q (Quality factor
) (f
) (BW Q .
.
QuadraPhonic

.

.
.
: -
-

204

.
) (Surround Sound .
Quadrature
) ( ) (
Quadrature mirror filtering

Quantization error
.

.
Quantization
.
Quarter-track
.
)
(.
Quantized

Quantizing

205

Quartering
) (

)(R
Rack
19
.
)RCA jact (Radio Corporation of America
.
1930
.
RCA ) (line
.
DAT (Rotary Head Digital Audio Tape R-DAT
)recorder

R-DAT .
DAT.

208

Radio Microphone

.
.
Radio Frequency Interference

.
Radiant

Radiation

Random

Radio industries association of America

Random Noise

.
.

209

Random access

. CD
) (random access.
Random access memory

Range

Rarefaction

.
) (rarefaction ) (compression.
Raspy
. 6
) .
(.
Rattling effect

Ray

210

Real Audio G2
.
real audio G2 ) ( MP3
. real audio
) .ra (rm
.
Real- Time Recording
.1
.
.2 ) (
.
Reactance
) (
Recordist

.


.
Recording Room

211

.
.


. ) (Control Room .
)Re+circulation (regeneration

.
.
Record
.
) (record .
CD-R MO
) (MD RAM .
Record Equalization

.
Recoder-mixer
.
Record head

212

.
Recording/reproduction chain
.
Recognition

noise Red

Reduction

Reed
) (
Reflected sound
.
Frequency Ferencere
: 1 .
Reflection
.
Reflective

213

Reflex port

Refraction
) (
Reflector

Register

Reinforcement

Reissner's membrane
) (
Regeneration
) Recirculation (.
Region

) (region.
Release

214

.
Release time


) (release time.
Relaxation

Relaxation time

Removable Hard Drive

(Digital Audio Worksation) DAW
.
Remix
.
.
Remote Recording
) On-Location Recording (.
Resonance
.

215

Resistance
.

.
Resistor
.
Resonant frequency

Resonator

Resonant

Reset

Residual current breaker

Return

216

Return-to-Zero
) Memory Rewind (.
Reverberation
) (reverberation

.
.

. )
( .
.
.
. )(

.
Reverberation Time

.
:
.
60dB RT60
.

217

Reverberant

)Reverberate (to

Reverberation room

Reverberation plate
) (
Reverberant field

.
Reverse echo

.
) (preverb .
Reverberator

Rewind
.

218

RFI
) Radio Frequency Interference (.
Rhythm tracks
)
(.
Ribbon Microphone

.

.
.



.


.
.
.
Rich
) full (.
) (Even-order Harmonics.

219

)Rich Music Format (RMF

MIDI general MIDI
. beatnik
.
Ride Gain


.
.
Room Modes
) Standing Wave (.
Room constant
.
Root Mean Square (RMS) amplitude

Root mean square

Rotary Equalizer

.
.

220

.
Round
.
Router


.
. Router
n m .
.
RT60
) (. 
 Reverberation Time
Rumble

.

)(S
Sabin
.
)SACD (Super Audio
SACD ) (Dise . High ) HD
(density (Standard density) SD
.
. SACD
.
SACD . SACD 74
SACD . DVD-Audio
SACD .
CD 5/1
Direct Stream Digital .
DSD 2/8224
. DC 100
120 .

222

Safety copy
)( ) (master
.
Safety Ground
) Power Ground (.
Sample
.1
.
.2 .
Sampling
.

.
Saturation
) (overload .

.
Safety Copy
) (Master
.

223

Sample Rate Conversion

. : DAT
48 CD 44/1
.
Sampling (Nyquist) Theorem
) (Nyquist
.

.
Sampling frequency

. : CD
) 44100 (Compact disc 44100
.
Sample hold stage
-
Scale
) (

224

Scene automation

. ) (snapshot
.
) (dynamic automation
MIDI .
Scratch vocal


. scratch vocal .
.
SCSI
Small Computer System Interface

CD-ROM
CD-R SCSI . .
Screen

.
Scrub
.

225

Scala tympani
) (
Scala vestibule
) (
Scaling

Scattering
) (
)SDDS (Sony Dynamic Digital Sound
) (multichannel
Dolbly Digital DTS .

) (Optical
.
)SDIF (Sony Digital Interface Format
)(
44/1 48
. 20
9

226

. 32 .
) 75 (Coaxial
) (bit rate 1/54 .

.
BNC
.
Selectivity factor
) (
Sensation level

Semitone

Sector

Self- clocking Binary code

-
Sends

227

Serial copying management system

Servo- controlled capstens

)Serial Copy Management System (SCMS

) SPDIF( . SCMS

.
Sensitivity
.1
.
.2
.
Sequence
MIDI
.
Sequencer
) MIDI
(
.

228

.
.
Session
.1
.
.2 lead-out lead-in
.CD-R
Sensitivity

.
Separarion

.
)S/H (Sample and Hold

.
Shelving equalizer

.

229

Shield

.
Shelving Equalizer

.
Sharp
) strident tight (.

Short time fourier transform

) (
Shock wave

Siblanty essy

4 7 .
Sibilance
5 10
:
) (Sibilance
.

230

Signaling

.
Sizzly
sibilant .
.
Sibilance
5 10
.
Side-addressed

.
) end-addressed (.
Signal path
.
Signal processor

.
)Signal-to-Noise ratio (S/N
. S/N

231

S/N
.
Sine wave
y=sin x x y
. .
.
Side- band

Signal
.
.

Signal-ended
.1)(
.2 )
dbx (.
Signal-D microphone

. .
Single sound

232

Silencer

Speech synthesis

Sine wave

Slew rate

Slate
:
Slate .
Slate
talkback
.
slapbackSlap
50 200
.
Smeared
. .
.
.

233

Smooth
.
.
.
SMPTE
Society of Motion Picture and Television
) Engineers (
.
SMPTE Time Code
12000
SMPTE . and
Society of Motion Picture Television Engineers

SMPTE . ) HH:MM:SS:FF
(
.
Snake
.
.
Snapshot Automation
) Scene Automation (.

234

Snare

S/N (Signal to Noise Ratio)SNR

SNR SNR . db
. .
+4 dbu +20 dbu
.
.
) (Weighting filter .
Sock Mount


.
Solo

. Solo
.
Solo
. Solo

.

235

Son
log s=0/03
) (p-40 . p s
.
.
son
.
) (ISO
.
Sound


) (sound . 20
20000 .
.
Sound Card


.
.
FM Synthesis : Wavelable
Synthesis .

236

.
) 128( .
) (case
.
.
) (speaker ) (line in ) (lin out
CD.RAM.SPDIF .
Sound Effect


. :
...
Sound Pressure
.
) (Pascal ) (microbar
) (dyne
.
Sound Stage

.
)Sound module (sound generator
) (timbre

237

. MIDI
MIDI
. ).(oscillator
Sound Wave
.
Solid sound

Sound field

Sound reproduction

Sound localization

Sound Power Level

Solo

.
.

238

Sonograph

Sonar

Sonar transducer

Source

Spaciaus
.

.
.

.
Spatial interference

Spaced- pair


.

239

Spatial processor

) ( .
Speaker
) LoudSpeaker (.
Special Effects
) Effects (.
Spectrum

.
SPL
) Sound Pressure Level (.
Splicing Block
) Editing Block (.
Split console
) . In-line
console (.
Spot microphone

240

) (spot microphone.
Spill

Splice

.
splice.
Spotter
)
6 16( .

) (unbalance .
Spotting

) (Balance
.
)S/PDIF /(Sony/ Philips digital interface farmat
) SPDF (/ SPDIF .


) (Coaxial RCA .

241

SPARS (Society of Prfessional Audio Recording

)Services

1979
.
.
Sound Pressure Level
) (RMS ) (db .
20
. SPL db
)

( . SPL

140 db .
Spacious effect

skewing -Spectral

Speaker

Spectral

242

Spectrograph

Spectrum level

Spectral inference

Spectrum

Spectrum analyzer

Speech

Squashed
.
Stand

Stationary WaveStanding Wave

.

243

.
.
.
Straight Orchestra


.
Steely
) 3 6( .
. harsh glassy degy
.
Strained
.
. effortless.
Strident
) harsh edgy (.
Stem
) (submix protools
)
(.

244

Step-time recording

.
stereophonicStereo
)
( .
.
stereo microphone adapterStereo bar

.
Stereo imaging

.
Stereo microphone

.
.
Streaming audio
) .(real time
) (streaming
.

245

.

.

.
Studio
.
Stereophonic illusion

Stereophonic techniques

Stiffness control

Static filter

Stave
) (
)STC (Sound transmission class

.

246

Steady state

Stiffness
)(
String

String instruments

Stylus

Subframe

Subjective test

Subcode
CD
. :
....

247

Subsonic
.
Super Cardioide

) (Cardioide.
Supersonic
.
Submaster
.1 .
.2 .
Submix


. ) (cuemix )(monitor mix
submix.
Submixer
)
( ) (submix
) (.
Supercardioid microphone

248

8/7 11/4
125 .
Supply Reel
) Feed Reel (.
Surround sound

.
) 5/1 (surround sound :
.
Sustain
.

.
Supra- aural headphone
) (
Surround sound laudspeaker system

Superposition

249

Sustain

Supersonic

Sweet
.
. 15 20
.
.
Sweetening

.
Sweepble Equalizer

) .(Q
Q .
Syllable

synchronizationSync

.

250

synchronous recordingSync
.

.
Sync Tone
) Tape Sync (.
Sync track
FSK SMPTE
.
. ) (sync track

.
.
Synthesizer
) (

.

)(T
Tail-out

.
tail-out
.
Take sheet

.
:Take-up reel )(
.
Take up Reel

)(Supply Reel
.

252

Take

.
Talkback

.
Tape
) (Base )(Coting
.
.
.
Tape deck

Tape loop

.
Tape Recorder


.

253

.
Tape sync
FM
tape sync .
) . sync track (.
Tapping machine

Tension

)TDIF (Teac Digital Interface Format

Tascam
) (Teac DA-88
. TDIF )(Unbalance
DB-25 .
Temperament
) (
Third Octave
)( . : 1KHZ
2KHZ 4KHZ
8KHZ.

254

)THD+N (Total Harmonic Distorttion + Noise

. TDH+ N


.

THD = A12 + A22 + A23 + .....
THD+N . THD+N
.
3D Sound
.


.
: 5.1 DTS (3D
sound) 3 dimensional sound
) (Surround sound .
3 Pin Connector
) (Balance 3
. 1 2
. XLR -3 .
2 3 hot Cold .

255

The close- field monitor

The least significant

Theremin

)THX (Tamlison Holmans experiment
Lucas Film

.
Lucas Film
THX .
Thin
.
.
200 1000 .
300
) (thin 40
.
)Three-to-one rule (3:1 rule
.

256

.
.
Threshold

.

.
Threshold of audio ability

Threshold of discomfort

Threshold of pain

Threshold shift

Tie
.

257

Tight
.1
.
.2
.
.3 .
)Tip Ring Sleeve (TRS
) (phone plug connector
.
Timbre
. .
.

) (timbre .
)Time base error correvtion (TBC

Time- domain aliasing cancellation

Time code
1200
) . tape sync

258

sync track SMPTE (.

Time constant

Tinny

.
.
)Total Harmonic Distortion (THD

. THD :

:
THD = A12 + A 22 + A 33 + .....
= A1 =A2

= A3

Tonal balance
.
.
Tonal

Tonality

259

Tone
. )
(
)Tone color (timber

Tone complex

Tone Control

. Tone
Control .
Tonsil Test

.

.
)Toslink (Toshiba link
) (fiber optic
SPDIFAES/EBU
Track
.

260

. )
CD (data stream MIDI
. .
Transaural stereo

Transducer
.

Transducer.
Transient

Transient state

Transient Response
) (
. :

.
Transparent

.

261

. .
Transport

.

.
Transformer

) (couple .
) (
.
Transmission

Transmission Index

Transmission loss

Transversal equalizer


Transversal equalizer .

262

.
Transverse wave

Transient intermodulation distortion

Treble

Trim
.1 (bus trim
).control
.2
.
Trough
) (
Tubby
) bloated (.
.
Tube

263

.
) (Tube
.
Tune

Tuning fork
)(
Turntablist
) (Turntable

.
Tuning peg
) (
Tweeter

.
Twisted-pair


.

264

Tympanic membrane

)(U
UItrasonic
.
20000
.
Ultrasound

Unbalanced Line


. .

.
Underwater acoustics

266

Unidirectional Response


Cardioide Response .
Unidirectional microphone

) ( . )(unidirectional mic.
: .
Unison

)Universal Serial Bus(USB

MIDI USB . )(
SCSI .

Unvoiced

)(V
Valve
) (british ) . tube (.
)Variable Bit Rate (VBR
MP3 .
)VCA (Voltage Controled Amplifier

.
.
.
VCA :
) (Compressors ) (Limiters
) (Expanders ) (gates .
Veloctiy Microphone
(ribbon
) Microphone ) . ribbon

268

Microphone (.
Vector scope

Veiled

.
.
Vibrato
5 8
.
Vibraophone

Vibrating string

Virtual track

. (virtual
) track .

) (random access medium .

269

Virtual controls

.
Vocal tract

)Vocoder (Voice Coder

. Vocoder
Vocoder

. Vocoder

.
Voice
. ) (
Voice- coil

Voiced

270

Voiceless

Voice Over
.1
Voice Over.
.2 Voice Over
Studio .
Volt


.
Volume unit

)VU (Volome Unit meter

20 20000 .
VU meter
db
.
VU .
meter CBS NBC
1939 . 0 VU meter +4dBu

271

1KHZ ) .(odBu=0.775V VU
. 300
.
. ) (Peak
.
Vowel

)(W
Warm

.
.
.
) .
rich (.
)WAV (.Wav

) (PCM
. ) (Bit Resulation
)16 (bit depth 44/1
.
Wave

274

Waveform
. .
.
Wave acoustics

Wave front

Wave filters

Wave number
)(
Wave theory

Wave Length

. = VF
V F )( .
.
Weber
) (flux.

275

Weighted

.
Weighting filters
.

.

.
)(Loudness
.
:
A-Weighting .1 2/5
20dB 100 10dB
20 . 30
Fletcher-Munson.
B-Weighting .2 B
A 30 20dB
A . B
.
C-Weighting .3 C
31/5 8000 -3 dB .
D-Weighting .4 D
A.

276

White Noise

.

.

) 20( .
) . Pink noise
( . )
( .
Whisper

Whistle

Windscreen


. pop screen
.
Windshield
)
(

277

.
.
.
Windows Media
) WMA (.
Windscreen
) Pop Filter (.
)Windows Media Audio (WMA

) (streaming Windows media 8 .
48 ) MP3 pro (CD
64 CD.
Wind instruments

Wireless microphone

Woofer

.
) ( .

278

Wooly Blanketed
.
.
250 600 .
Word


. )16 (word
32 .
Word Clock

.
Word Length
).(Digital Word
Workstation
) . keyboard workstation
digital audio workstation (.
Wow
)(
5.

279

Wow and flutter

Wrap

)(X
XLR
ITT
Cannon .
.
X-Y
) Coincident Pair (.

Xylophone

)(Y
Y
) (admittance
.
Y-adapter

.

)(Z
Z
) (Impedsnce .

Z = Y

Zenith

Zero Level Tone

.
600
0/755 . 1000
.
Zone
) Region (.
Z-transform
Z

286

.
.


.(1375) . . .:
.(1376) . . : .(1379) . . . :
.(1350) . . . : .(1361) . . : .(1368) . . . : .(1384) . .
- Povilin Michel. (2000) Digital Television Fundmental. London:
MC Graw Hill.
)- Profissional Audio Products. (2002
]- Http://www.Rane.com>.[July 2002
- R. Sinclair Ian (2002) Audio & Hifi Handbook: Newsnes
- Tolbot Micheal. (2001) Audio Engineer's Refrence Book.
London: focal press.
- The sience of sound by: Rossing
- www. Wikipedia.com