Music For Airports

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!"! ls Lo be performed wlLh a grand plano prepared as follows ("rlghL" and "le" correspond Lo hlgh and low, respecuvely):
- 1he damper and una corda pedals are Lo remaln depressed for Lhe durauon of Lhe plece, wheLher Lhls ls done
mechanlcally or wlLh Lhe rsL planlsL's feeL ls up Lo Lhe performers.
- 1he noLes C1, A1, C2, u3, C3 are muLed by placlng secuons of rubber aquarlum alr llne Lublng close Lo Lhe brldge.
noLes uslng only one sLrlng should have Lhe Lublng woven Lhrough surroundlng noLes such LhaL sumclenL
pressure ls placed on Lhe noLe belng muLed. Cn hlgher noLes, shorL secuons of Lhe Lublng should be wedged
beLween Lhe sLrlngs (on noLes wlLh Lhree sLrlngs, Lhe rlghLmosL Lwo sLrlngs should be used as Lhe le sLrlng wlll
noL be sLruck). 1he Lublng should muLe Lhe noLe, creaung an eecL slmllar Lo Lhe Lechnlque descrlbed below.
- Medlum-welghL shlng llne ls Lo be ued Lo Lhe lemosL sLrlng of Lhe noLes l
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3, A3, 83, u4. Any nonsllp knoL, such
as a bowllne, ls approprlaLe. 1he A and u are only used aL Lhe end of Lhe plece and should be ued LogeLher and
pulled Lo Lhe Lo Lhe end of Lhe sLrlngs Lo reduce vlbrauons. 1he l
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and 8 are used LhroughouL Lhe plece, buL can
also be ued LogeLher Lo faclllLaLe bowlng. 1he llne should be long enough Lo hang over Lhe slde of Lhe plano.
- lf posslble, Lhe plano's lld, fallboard, and muslc sLand should all be removed Lo glve Lhe players more space.
1he rsL planlsL performs seaLed aL Lhe keyboard, whlle Lhe second performs lnslde Lhe plano and aL Lhe vlbraphone.
LxLended Lechnlques used by boLh planlsLs lnclude:
- Muung, performed by placlng a nger on Lhe sLrlngs near one end. MuLed noLes (lncludlng Lhose prepared wlLh
rubber Lublng) are lndlcaLed ln Lhe rsL planlsL's parL by Lhe symbol "+" . noLes Lo be manually muLed are marked
by sLemless black noLeheads ln parenLheses and Lhe lnsLrucuon "muLe." When more Lhan one noLe ls belng
muLed, a dashed llne lndlcaung durauon ls glven above Lhe sLa.
- lzzlcaLo, performed by uslng Lhe ngerups Lo pluck Lhe lndlcaLed noLe and marked wlLh Lhe lnsLrucuon "plzz."
ln Lhe rsL planlsL's parL, Lhe nexL noLe Lo be played normally ls marked "(on keys)."
- 2
nd
parual harmonlcs, performed by Louchlng Lhe lndlcaLed noLe aL Lhe cenLer of Lhe sLrlng. 1he noLe belng
Louched ls lndlcaLed wlLh a whlLe dlamond noLehead and Lhe lnsLrucuon "Louch node." 1he rsL planlsL's parL
shows Lhe noLe Lo be played along wlLh Lhe soundlng plLch (an ocLave hlgher) ln parenLheses.
- 8owlng, performed wlLh a roslned vlolln bow on Lhe shlng llne ued Lo Lhe glven noLes. 1he second planlsL wlll
have Lo pracuce Lo nd a comforLable meLhod of playlng LhaL produces Lhe clearesL Lone posslble.
3
- 1he secuons performed by Lhe second planlsL on Lhe vlbraphone are slgnaled wlLh Lhe lnsLrucuon "Move Lo
vlbraphone" and marked "MalleLs" aL Lhe beglnnlng of Lhe secuon lLself. 1he planlsL ls Lo conunue aL Lhe vlbraphone
unul Lhe Lermlnauon of Lhe doued llne above Lhe sLa and Lhe lnsLrucuon "Move Lo plano."
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!"! ls wrluen for a vlbraphone wlLh an exLended bass range Lo accommodaLe Lhe u3 bass noLe. lf such an lnsLrumenL ls noL
avallable, Lhls noLe may be played on a handchlme (a percusslon lnsLrumenL slmllar Lo Lhe handbell). lf Lhe handchlme ls Lo be
used, Lhe vlbraphonlsL and second planlsL should declde wheLher Lo rlng lL, drop Lhe clapper by hand, or use a malleL, lL ls
lmporLanL LhaL lL sounds as much llke a vlbraphone as posslble. 1he chlme should noL be bowed, bowed phrases uslng Lhe u3
should Lhere be played an ocLave hlgher.
1he vlbraphone's moLor ls Lo remaln o, and Lhe pedal should be depressed for Lhe durauon of Lhe plece (as wlLh Lhe plano, Lhls
can be accompllshed mechanlcally).
1he lnsLrucuon "CsclllaLe bowlng" lndlcaLes LhaL Lhe performer should play wlLh shorL, unsynchronlzed bowsLrokes, oLherwlse all
bowlng should be as long and legaLo as posslble.
,+$+(#-
uynamlcs are usually noL provlded, buL should remaln so (noL necessarlly quleL) LhroughouL. 1he second planlsL and vlbraphonlsL
should follow Lhe Lempo provlded by Lhe rsL planlsL, who has some llberLy wlLh Lhe Lempo-generally, long noLes can be made
longer and shorL noLes can be made shorLer. 1he rsL planlsL should be aware of Lhe oLher players' parucular choreographles,
however, and musL noL rush lnLo a secuon wlLh Lhe oLhers unprepared.
8esLs are noL lndlcaLed ln glven ln empLy measures or ln measures where a noLe ls noL belng acuvely played (measures where Lhe
second planlsL ls only muung noLes, for example).
1he durauon of Lhe plece ls around elghLeen mlnuLes.
Many Lhanks Lo 1lmoLhy Pambourger and uavld Llsenband for Lhelr asslsLance ln preparlng and performlng Lhls arrangemenL.
-!onaLhan Wall, 2010
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2
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no. 1
no. 2
8
8
8
243
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2
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no. 1
no. 2
8
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no. 1
no. 2
8
8
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