1.

MODES: Authentic Modes

No

Names of MODES

Starting Note

Note Interval

IONIAN

DO

2-2-1-2-2-2-1

II

DORIAN

RE

2-1-2-2-2-1-2

III

PHRYGIAN

MI

1-2-2-2-1-2-2

IV

LYDIAN

FA

2-2-2-1-2-2-1

MIXOLYDIAN

SOL

2-2-1-2-2-1-2

VI

AEOLIAN

LA

2-1-2-2-1-2-2

VII

LOCRIAN

SI

1-2-2-1-2-2-2

Names of SCALES

Note Interval

2. 92 SCALES
No
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17

Aeolian - M7
Aeolian Major
Algerian
Altered
Altered - bb7
Altered Dominant
Arabian
Aughmented
Balinese
Bebop Diminished
Bebop Dominant
Bebop Minor
Blues 1
Blues 2
Blues 3
Blues 4
Byzantine

2-1-2-2-1-3-1
2-2-1-2-1-2-2
2-1-3-1-1-3-1
1-2-1-2-2-1-3
1-2-1-2-2-1-3
1-2-1-2-2-2-2
2-2-1-1-2-2-2
3-1-3-1-3-1
1-2-4-1-4
1-2-2-1-1-1-3-1
2-2-1-2-2-1-1-1
2-1-1-1-2-2-1-2
3-2-1-1-3-2
3-2-1-1-3-1-1
3-1-1-1-1-3-1-1
3-1-1-1-1-2-1-1-1
1-3-1-2-1-3-1

18
19
20
21
22
23

Chinese 1
Chinese 2
Chromatic
Diminished
Diminished (H W)
Diminished (W H)

2-3-2-2-3
4-2-1-4-1
1-1-1-1-1-1-1-1
2-1-2-1-2-1-2-1
1-2-1-2-1-2-1-2
2-1-2-1-2-1-2-1

Descriptions
(P-Nets)
= 35 (vi / VI7)
= 38 (VI IV)
= 42 (vi-IV-III) / (VI7)
= 5 (I V#)/(vi-IV-III)
=4
= 81
= 53 = 61

= 37

= 32 = 33

= 23
= 24
= 21

24
25
26

Diminished Dominant
Dorian - #4
Dorian - b2

1-2-1-2-1-2-1-2
2-1-3-1-2-1-2
1-2-2-2-2-1-2

27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71

Egyptian
Enigmatic
Ethiopian
Flamenco
Gipsy 1
Gipsy 2
Harmonic Double
Harmonic Major
Harmonic Minor
Hawaiian
Hexatonic
Hindu
Hirajoshi
Hungarian Gipsy
Hungarian Major
Hungarian Minor
Ichikosucho
Ionian Augmented
Iwato
Japanese
Javanese
Jewish
Kumoi
Leading Whole Tone
Locrian - 2
Locrian - 6
Locrian Major
Lydian - #9
Lydian Augmented
Lydian - b7
Lydian Minor
Major
Melodic Minor
Minor
Muhammedan
Mongolian
Neapolitan Major
Neapolitan Minor
Oriental
Over Tone
Pelog
Pentatonic Dominant
Pentatonic Major
Pentatonic Minor
Persian

2-3-2-3-2
1-3-2-2-2-1-1
2-1-2-2-1-2-2
1-2-1-1-2-1-2-2
1-3-1-2-1-2-2
1-3-1-2-1-3-1
1-3-1-2-1-3-1
2-2-1-2-1-3-1
2-1-2-2-1-3-1
2-1-2-2-2-2-1
2-1-1-1-2-2-1-2
2-2-1-2-1-2-2
4-1-4-2-1
2-1-3-1-1-2-2
3-1-2-1-2-1-2
2-1-3-1-1-3-1
2-2-1-1-1-2-2-1
2-2-1-3-1-2-1
4-1-4-2-1
1-4-2-1-4
1-2-2-2-3-2
2-2-1-3-1-2-1
4-1-4-2-1
2-2-2-2-1-1-2
2-1-2-1-2-2-2
1-2-2-1-3-1-2
2-2-1-1-2-2-2
3-1-2-1-2-2-1
2-2-2-2-1-2-1
2-2-2-1-2-1-2
2-2-2-1-1-2-2
2-2-1-2-2-2-1
2-1-2-2-2-2-1
2-1-2-2-1-2-2
2-2-1-1-2-2-2
2-2-3-2-3
1-2-2-2-2-2-1
1-2-2-2-1-3-1
1-3-1-1-3-1-2
2-2-2-1-2-1-2
1-2-4-3-2
2-2-3-3-2
2-2-3-2-3
3-2-2-3-2
1-2-2-1-2-3-1

= 22
= 76

= 60

= 33 = 17
= 32 = 17
=1
= 12
=2
= 45 = 49

=3

= 39 = 49

= 39 = 45

= 7 = 61

= 66

= 29
= 7 = 53
= 68

= 56

= 62

72
73
74
75
76
77
78
79
80
81
82
83
84
85

Phrygian Major
Prometheus
Prometheus Neopolitan
Purvi Theta
Romanian Minor
Single Tone
Six Tone Symmetrical
Spanish
Spanish 8 Tones
Super Locrian
Symmetric
Todi Theta
Tone Per Tone
Whole Tone

1-3-1-2-1-2-2
2-2-2-3-1-2
1-3-2-3-1-2
1-3-2-1-1-3-1
2-1-3-1-2-1-2
11 (1 i)
1-3-1-3-1-3
1-3-1-2-1-2-2
1-2-1-1-1-2-2-2
1-2-1-2-2-2-2
1-2-1-2-1-2-1-2
1-2-3-1-1-3-1
2-2-2-2-2-2
2-2-2-2-2-2

= 25
One Octave (Octaver)

= 85
= 84

AMA TAGAS NOTE

1

DORIAN
a. i IV
b. i IV VII b

1 . 2 . b3 . 4 . 5 . 6 . b7
: I Dorian
: I Dorian

HARMONIC MINOR
a. V7 i
: I Harmonic Minor
b. VIIdim IIdim
IVdim VI b i : I Harmonic Minor
c. V I
: Harmonic Minor
Phrygian Dominant
d. II7 V:
: V Harmonic Minor
II Phrygian Dominant

1 . 2 . b3 . 4 . 5 . b6 . 7

ACOLIAN (AEOLIAN)
a. i VI b VII b
: I Acolian
b. I VI b VII b
: I Acolian
c. vi IV V
: vi Acolian
d. VI IV V
: VI Acolian

1 . 2 . b3 . 4 . 5 . b6 . b7

Melodic Minor
a. V i

1 . 2 . b3 . 4 . 5 . 6 . 7
: I Melodic Minor

HINDU / AEOLIAN DOMINANT MODE

a. I iv
: I Hindu
b. VI ii
: VI Hindu

1 . 2 . 3 . 4 . 5 . b6 . b7

MIXOLYDIAN
a. I IV VII b
b. II V I

1 . 2 . 3 . 4 . 5 . 6 . b7
: I Mixolydian
: II Mixolydian

GIPSY PHRYGIAN DOMINANT

a. V I
: V Phrygian Dominant
b. II V
: II Phrygian Dominant

1 . b2 . 3 . 4 . 5 . b6 . b7

LOCRIAN

1 . b2 . b3 . 4 . b5 . b6 . b7

ONNY TOELLES NOTE

No

Starting Note

MODES

Description

1
2
3
4
5
6
7

Do
Re
Mi
Fa
Sol
La
Si

IONIAN
DORIAN
PHRYGIAN
LYDIAN
MIXOLYDIAN
AEOLIAN
LOCRIAN

Major Scale

No
1

SCALE & ITS NOTE

Natural Minor Scale

Kinds of Music

Blues Scale:
1 . b3 . 4 . #4 . 5 . b7 . i

Blues, Rock, Jazz & Fussion

Minor Pentatonic Scale:

1 . b3 . 4 . 5 . b7 . i

Rock, Blues, Heavy Metal, Fussion & Jazz

Major Pentatonic Scale:

1.2.3.5.6.i

Country, Blues, Fussion, Jazz & Rock

Whole Tone Scale:

1 . 2 . 3 . #4 . #5 . 6 . 7 . i

Jazz, Fussion & Contemporary Classical

Melodic Minor Scale:

1 . 2 . b3 . 4 . 5 . 6 . 7 . i

Harmonic Minor Scale:

1. 2 . 3 . #4 . 5 . 6 . 7 . i

Diminished Scale:
1. 2 . b3 . 4 . b5 . b6 . #6 . 7 . i

Jazz, Fussion, Heavy Metal & Blues