Score

James M. Stephenson
Vignettes
for Trumpet and Percussion

Music for Brass
www.stephensonmusic.com
Vignettes
Composed by James M. Stephenson
Commissioned by Eric Berlin
I composed these eight Vignettes (7 +Encore) for Eric Berlin and Eduardo Leandro for
performance at the ITG (International Trumpet Guild) Conference held in Bangkok, Thailand in
2005. The only requests I was given before writing these was to be aware of Mr. Leandros
traveling needs (in other words: aside from the marimba and vibes, which would already be in
Thailand, I shouldnt include too many percussion instruments that would need to be carried all
the way there), and to use several different trumpets, including Mr. Berlins flumpet.
Eric and I were at the New England Conservatory together, and, in fact, it was our living quarters
that inspired the main ingredient of these Vignettes. I remember very often hearing the sound of
Eric practicing below me in the dormitory, and thus I decided to use the musical form of a
lower neighbor as my driving force for most of the eight short pieces in this set.
The pieces are arranged only by the order in which they were composed; I leave the decision up
to the performer to arrange them according to their preference. I also would imagine that several
mini-suites could be derived from this set, depending again on the performers wishes.
The Encore is, in fact, tongue-and-cheek, and might be used by the performer depending on
the performance situation. It is certainly not meant to take away from the rest of the seven
Vignettes which are definitely not silly by any means. The Encore is my first and will be my
last bit of abstract music. White on White is a reference to the famous modern painting of
the same name, and also describes the white noise of a loud trumpet (not Erics) and a loud
cymbal crash sounding simultaneously. Like the rest of the pieces, it could be put anywhere in
the order, and doesnt necessarily have to be reserved as an encore.
J im Stephenson
March, 2005
Addendum:
The Trumpet Ensemble version (5 trumpets +Optional Percussion) is a suite of movements 2-4,
and was commissioned by Richard Stoelzel for Drum and Brass. The premiere was given at the
Grand Valley State Trumpet Seminar on J uly 23, 2009. Dan Patrylak conducted.
For Eric Berlin
Vignettes for Trumpet and Percussion
by J ames M. Stephenson
Eight Vignettes
#1: Running with Lionel: Cup Mute and Vibes
#2: Chasing Igor: Trumpet with Snare Drum
#3: Chucks March: Flugel and Percussion
#4: Dinner with Andre: Piccolo Trumpet and Tambourine
#5: Waltz in Berlin: Trumpet and Percussion
#6: Leandro Perpetuo: Solo Marimba
#7: MAX: Flumpet and Marimba
#8: ENCORE: White on White (ENCORE): Trumpet and Cymbals
Trumpets needed
C Trumpet
C Trpt. With Cup Mute
B-flat Piccolo Trumpet
Flugelhorn
Flumpet
Percussion instruments needed
Vibes
Marimba
Wood Block (low)
Tambourine (handheld and mounted)
Triangle
Snare Drum
a2 Cymbals (for encore only)
&
&
8
6
8
6
Trumpet in C
Vibraphone
*
*
*
qk Allegro giusto
b
Cup Mute
f
intense
(sempre)
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C Tpt.
Vib.
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2005 All Rights Reserved. Duplication of any kind strictly prohibited.
Vignettes
James M. Stephenson, III
#1: Running with Lionel
Commissioned by Eric Berlin
&
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C Tpt.
Vib.
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C Tpt.
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more relaxed than before,

but in tempo
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C Tpt.
Vib.
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&
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C Tpt.
Vib.
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C Tpt.
Vib.
45







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&
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C Tpt.
Vib.

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Vignette #1: Running With Lionel
2
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C Tpt.
Vib.
*
*
55

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55
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J
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sempre

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P dolce
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&
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C Tpt.
Vib.
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C Tpt.
Vib.
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C Tpt.
Vib.
* * *
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&
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C Tpt.
Vib.
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C Tpt.
Vib.
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Vignette #1: Running With Lionel
3
&
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C Tpt.
Vib.
82
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&
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C Tpt.
Vib.
86

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&
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C Tpt.
Vib.
*
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F
90

90
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&
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C Tpt.
Vib.
*
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94
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Vignette #1: Running With Lionel

4
&

4
2
4
2
Trumpet in C
(Open)
Snare Drum
(q) Molto Vivace
b
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C Tpt.
S.Dr.
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C Tpt.
S.Dr.
11
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16
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C Tpt.
S.Dr.
16
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C Tpt.
S.Dr.
21
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Vignettes
#2: Chasing Igor
5
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4
2
4
2
C Tpt.
S.Dr.
26
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4
3
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C Tpt.
S.Dr.
31


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4
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C Tpt.
S.Dr.
36
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C Tpt.
S.Dr.
41
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S.D.

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C Tpt.
S.Dr.
45
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p
on Rim
3

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C Tpt.
S.Dr.
50
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Vignette#2: Chasing Igor
6
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C Tpt.
S.Dr.
55

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F
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C Tpt.
S.Dr.
59
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C Tpt.
S.Dr.
64
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>

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C Tpt.
S.Dr.
69

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S.D.

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C Tpt.
S.Dr.
74

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Vignette#2: Chasing Igor
7
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C Tpt.
S.Dr.
79
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6
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C Tpt.
S.Dr.
84

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16
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C Tpt.
S.Dr.
89

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16
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C Tpt.
S.Dr.
94
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Vignette#2: Chasing Igor
8
&

&
#
#
c
c
c
B
b
Flugel
Various
Marimba
Percussion
Adagio, Steady (q)

p

with soft mallets

S.D. (snares off)
sempre

poco

b
poco

n
b
N

&

&
#
#
Flgl.
Mar.
Mrb.
Perc.
6
w
p
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P

poco

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b

n
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poco

&

&
#
#
Flgl.
Mar.
Perc.
A
11
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n
11

w
w
w
b
b

p
start roll slowly,
quicken with cresc., slow with dim.
.

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sim.
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Flgl.
Mar.
Perc.
16

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S.D. (snares off)

9
Vignettes
#3: Chuck's March
&

?
#
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Flgl.
Mar.
Perc.
21

21

p



Low Wood Block

Triangle
6

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6

R
b
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start rapidly, then slowing

3

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Flgl.
Mar.
Perc.
24

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Flgl.
Mar.
Perc.
C
27
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Flgl.
Mar.
Perc.
32

F sub.
3

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Vignette #3: Chuck's March

10
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Flgl.
Mar.
Perc.
D
36
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Vignette #3: Chuck's March

11
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8
6
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2
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c
c
Picc. Tpt. in B
b
Tambourine
Allegro (qk or q)

f

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c
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8
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Picc.
Tamb.
6

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B
b
Picc.
Tamb.
11

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B
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Picc.
Tamb.
16

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B
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Picc.
Tamb.
21

f

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12
Vignettes
#4: Dinner with Andre
&

4
2
4
2
8
3
8
3
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B
b
Picc.
Tamb.
26

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&

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c
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B
b
Picc.
Tamb.
31

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f
to Suspended Tamb.

F
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&

4
2
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2
B
b
Picc.
Tamb.
36

C
J

&

B
b
Picc.
Tamb.
41

f molto lyrico

&

B
b
Picc.
Tamb.
46

#

&

B
b
Picc.
Tamb.
51

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>

Vignette #4 - Dinner with Andre

13
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B
b
Picc.
Tamb.
56

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B
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Picc.
Tamb.
E
61

>

(Use knee)

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P
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&

4
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c
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Picc.
Tamb.
66

b
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8
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B
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Picc.
Tamb.
71

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8
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c
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8
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8
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c
c
B
b
Picc.
Tamb.
75

f
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8
3
8
3
c
c
B
b
Picc.
Tamb.
79

>





J

>

>

n

f
J

>
(Optional - but preferred)

>

Vignette #4 - Dinner with Andre
14
&

&
c
c
c
4
3
4
3
4
3
C Trumpet
Various
Vibes
Percussion
*
*
* *
Allegretto (q)

. .
r
K

.

b

.


J

.
F
#
j

W.B. (low)
P
3

use mallets
on mounted Tamb.


Triangle
F

. .
r
K

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b

.

b
J

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F
n
j
b

P
3


F

b
b

n
F

.
R

#
#

J
b
p

b

&

&
c
c
c
C Tpt.
Vibes
Perc.
* *
5
.
b
F
5

p

n
n
.
N

#
#

n
n

#
A

. .
r
K

.

b

.


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.
F
#
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3


F

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b

.


J

.
F
n
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b

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3


F

b

&

&
4
3
4
3
4
3
C Tpt.
Vibes
Perc.
*
* *
9

#
p
n



b

9

3


3

J

.
.

.
.

n
#

n
3


f

#
#


b
Waltz (eq or hk)
B
.

b
b

b
b

n
n

. #
&

&
C Tpt.
Vibes
Perc.
*
* *
14

14

#
n

. #
#
P

#

n

# n

#

. #
simile
#

#


#

. #
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15
Vignettes
#5: Waltz in Berlin
&

&
C Tpt.
Vibes
Mrb.
Perc.
20
#

n
20

#


n

F
b
#

b
#

.
b

n
b

.
&

&
C Tpt.
Vibes
Perc.
26
#
#


n
26

#
n

.
n

sub. F
b
#

b
#

.
b
J

.
j
#

.
#
C
#
P

&

&
C Tpt.
Vibes
Perc.
32
#

n
32

.
j
#

b

b
n

.
#
j
n

#

n
#

.
n
n
F

. #
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. n
&

&
C Tpt.
Vibes
Perc.
38
j
#


38

.
b

f
b
#

#
#

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f

b
#

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#

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#
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F

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#
n

. #
P
Vignette #5: Waltz in Berlin
16
&

&
c
c
c
4
3
4
3
4
3
C Tpt.
Vibes
Perc.
*
*
44
#

44

.
#

. #
Adagio (hk q )
#
p

n #

J

W.B. (low)
P

#
#

. .
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K

F
n
.

b

.


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p
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D
.

.
f

&

&
C Tpt.
Vibes
Perc.
*
*
*
50
.

50

#
#

#
#

n
n

3
#
#

n
#

#

&

&
C Tpt.
Vibes
Perc.
~~~~~~~~
* *
*
56

56

3
#
#

n
#

#




E

.
leggiero
P
#
.

. J

#
#

#
&

&
C Tpt.
Vibes
Perc.
~~~~~~~~
*
*
62
J

.

#
j

62

n

#
j
#

#
j

#

#

3
n
.
#
.

. J

#
#

#
J

n

#

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Vignette #5: Waltz in Berlin
17
&

&
C Tpt.
Vibes
Perc.
*
F
68


P

.

68

P
n
#

.



.

j
#
F

n
#
.
j

#




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P
#
#

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j
n
F

#
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&

&
C Tpt.
Vibes
Perc.
*
*
*
74
.
j
#
74

F
n
#
#

#

#

#
sub. f

#


#

#
G
#
f

&

&
C Tpt.
Vibes
Perc.
*
80
#

n
80

. #

. #
simile

#
n

.
#
sub.p

p sub.
#

n

. #

. #
&

&
C Tpt.
Vibes
Perc.
86

86

#
n

.
H

F
N
#

.
N
F
.

N
#

.
#
.

.
N
.

.
p
Vignette #5: Waltz in Berlin
18
&

&
c
c
c
C Tpt.
Vibes
Perc.
*
*
92
. N
. #
92

.
#
.

.
n
.

Allegretto II (slower) (q)

. .
r
K

P

.

b

.


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.
f

F
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3

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#
f
L.V.
Vignette #5: Waltz in Berlin
19
&
c
Marimba
q

f
#

n
b n

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b






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&
3

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20
Vignettes
#6: Leandro Perpetuo
Solo Marimba
&
13
b
b n
#
n
n
b n


b


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b n

b
b n
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17
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19
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21
b
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23
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Vignette #6: Leandro Perpetuo
21
&
27
n

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29
b

b




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31
b


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35

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Vignette #6: Leandro Perpetuo
22
&
41



#



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n

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43
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45

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Vignette #6: Leandro Perpetuo
23
&
&
?
#
b
b
8
5
8
5
8
5
16
11
16
11
16
11
8
5
8
5
8
5
Flumpet in B
b
Marimba
(4 soft mallets)
e

rit.

n

#




&
&
?
#
b
b
8
5
8
5
8
5
Flpt.
Mar.
a tempo
A
5

-

-

-
"Where do the wild things go?"

P



b
In a yacht of full

b

.
b


.
&
&
?
#
b
b
8
6
8
6
8
6
Flpt.
Mar.
9

b
sail,
9

b
b


.

b



N

J
n
F


To a

.


port of Mo na co,

f


-
P

-
O cean

b
b

J
n b
J
b



- - -
&
&
?
#
b
b
8
5
8
5
8
5
Flpt.
Mar.
13

-

-

n

bot tom strewn with
13

n
P

b
J

N
b
J

b

.
p
shale.
.
.

n

#
n

n

p

.
F sub.
B

n
f

.


F


Tra ve lers

- - -
24
Vignettes
#7: MAX based on a poem by Matthew Neall
&
&
?
#
b
b
Flpt.
Mar.
17

P
dolce
J

fol low
17

n
#
b
n

P
dolce
#

n
j

ing

n
#
b
n

#

n

ti dal

n
#
b
n

#

n
- - -
&
&
?
#
b
b
8
6
8
6
8
6
Flpt.
Mar.
20
.

flow
20

n
#
b
n

#

n

#
n
j
#
Sea salt air

n
#



j

fresh to in hale

#

.

b
-
&
&
?
#
b
b
8
4
8
4
8
4
Flpt.
Mar.
23
.

23






n


#
#

.

#
n
b


b

b
n

#
#

#
#

#
#

.

b
n

#
#



#
#

#
#

.

&
&
?
#
b
b
8
4
8
4
8
4
8
6
8
6
8
6
Flpt.
Mar.
27

U
27

n



!

U
J

U
a tempo C

f
J

Pil lars of

b
n

#
#

#
#

#
#

.

. .

wind weave

b
n

#
#



#
#

#
#

.

-
Vignette #7: "MAX"
25
&
&
?
#
b
b
8
5
8
5
8
5
Flpt.
Mar.
30
. #
J

through the
30

n

#


n

#
#

N

n

#
.
#
blow

b
n

#
#

#
#

#
#

.

.

b
n

#
#

#
#

#
#

.

&
&
?
#
b
b
8
5
8
5
8
5
8
9
8
9
8
9
8
6
8
6
8
6
Flpt.
Mar.
33

33
n

#

n



#
P



j

Beau ty as such I'd ne ver

#



.
.

.
.

b

.
.

.
.

b
b

&
.

.
seen

b


n
#

A

b


?
- -
&
&
?
#
b
b
8
5
8
5
8
5
8
6
8
6
8
6
Flpt.
Mar.
36

36
.

#

b
b
.

b
b
n

.

b



N
D

J
n
f

Shin ing

f







-
&
&
?
#
b
b
8
6
8
6
8
6
8
5
8
5
8
5
Flpt.
Mar.
39

.


bright with gol den
39

-

-
glow. as the

b
b

J
n b
J
b

-

-

-

n

shore re cedes I

b

b
b
J
b
n
J
n
#
- -
Vignette #7: "MAX"
26
&
&
?
#
b
b
8
5
8
5
8
5
16
11
16
11
16
11
8
5
8
5
8
5
Flpt.
Mar.
42
.
P

know,
42

rit.

.
.

P
That

n

#




&
&
?
#
b
b
8
5
8
5
8
5
Flpt.
Mar.
a tempo E
46

F
J

this is where the
46

wild things go.

this is where the

wild things go.

&
&
?
#
b
b
Flpt.
Mar.
50

.

this is where the
50

wild things go.

P
J

this is where the

P







&
&
?
#
b
b
Flpt.
Mar.
53

wild things go.
53

>

>

>

>

J
b
b
?
&

&
Vignette #7: "MAX"
27
&
&
&
#
b
b
8
6
8
6
8
6
Flpt.
Mar.
F
56

56

n
b

p
N

n
b

.

j

.
&
?

&
&
?
#
b
b
Flpt.
Mar.
60

60
.

.

a picare

.
.

&

simile

.
?

U
11

dramatic flourish
p

U
&
Vignette #7: "MAX"
28
&

c
c
C Trumpet
a2 Cymbals
a niente possibile
Largo Extraordinaire
w
U
>

U
>
L.V.
29
Vignettes
#8 ENCORE: White on White
* Trumpet should hold note, if possible,
until the sound of the cymbals has completely died away.
*