Vintage Posters

VINTAGE PO ST E RS
13 NOVEMBER 2014 SOUTH KENSINGTON
THE POSTER DEPARTMENT
Nicolette Tomkinson
Sophie Churcher
Irene Orgaz Garca
Ava Carleton-Williams
Head of Department
Director
+44 (0) 20 7752 3301
Specialist
Associate Director
+44 (0) 20 7752 3208
Junior Specialist
+44 (0) 20 7752 3206
Administrator
+44 (0) 20 7752 3279
VINTAGE POSTER AUCTION CALENDAR

AUCTION CALENDAR 2014
To include your property in these sales please consign ten weeks before the sale date. Contact the specialists or representative office for further information.
24 NOVEMBER 3 DECEMBER 2014

THE ART OF THE PIN-UP
ONLINE SALE
22 JANUARY 2015
THE SKI SALE
LONDON, SOUTH KENSINGTON
Subject to change.
29/09/14
GALLERY TALK:
Discovering MacDonald Gill
6.30 pm, 10th November 2014,
Christies South Kensington.
Visit Christies.com/events for
further details.
SPECIALISTS
FOR THIS AUCTION
Sophie Churcher
+44 (0)20 7752 3208
Email: schurcher@christies.com
Nicolette Tomkinson
+44 (0)20 7752 3301
Email: ntomkinson@christies.com
Irene Orgaz Garca
+44 (0)20 7752 3206
Email: iorgazgarcia@christies.com
Ava Carleton-Williams
Administrator
Tel:+44 (0)20 7752 3279
Fax:+44 (0)20 7752 3184
Georgina Lewis
Business Manager
Tel: +44 207 389 2334
VINTAGE P O ST ERS
THURSDAY 13 NOVEMBER 2014
AUCTION
Thursday 13 November 2014

at 1.00 pm. Lots 1-179
85 Old Brompton Road

London SW7 3LD
VIEWING
Saturday
8 November
11.00 am - 5.00 pm
Sunday
9 November
11.00 am - 5.00 pm
Monday
10 November
9.00 am - 7.30 pm
Tuesday
11 November
9.00 am - 5.00 pm
Wednesday
12 November
9.00 am - 5.00 pm
No view on day of sale
AUCTIONEER
Tom Best
EMAIL
First initial followed by last name @christies.

com
(eg. Nicolette Tomkinson = ntomkinson@
christies.com.)
For general enquiries about this auction,
email should be addressed to
Ava Carleton-Williams, acarletonwilliams@
christies.com.
AUCTION CODE AND NUMBER
CONDITIONS OF SALE
In sending absentee bids or making

enquiries, this sale should be referred
to as P O S - 5 6 3 8
PRIVATE SALES
AUCTION RESULTS
This auction is subject to

Important Notices,
Conditions of Sale and
to reserves.
[15]
Christies offers clients the ability to buy

or sell through Private Sales.
For additional information, please
contact the department specialists at
+44 (0)20 7752 3236.
UK: +44 (0)20 7839 9060

US: +1 212 703 8080
Please note all lots are sold

unframed unless otherwise
stated in the lots description.
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Front Cover: Lot 175

Back Cover: Lot 70
View catalogues and leave bids online

at christies.com
CONTENTS
LOTS
1-29
8-11
34-35
37-39
40-44
40, 43, 45-50
45, 47, 51-71
72-90
91-101
102-117
118-161
159, 161-164
162-179
FRENCH POSTERS
CASSANDRE
HENRI DE TOULOUSE-LAUTREC
ALPHONSE MUCHA
JEAN DUPAS
EVENTS
RUSSIAN POSTERS
INTERNATIONAL POSTERS
ACHILLE L. MAUZAN
AUTOMOTIVE
BRITISH POSTERS
POLITICAL & WAR
AMERICAN POSTERS
*2
BERNARD VILLEMOT (1911-1989)
PERCEVAL (ATELIER)
GUY GEORGET (1911-1992)
AIR FRANCE, TOKIO-PARIS
AIR FRANCE, DANS TOUS LES CIELS
AIR FRANCE, FRENCH RIVIERA
ofset lithograph in colours, 1952, printed

by Hubert Baille et Cie, Paris, condition A-;
backed on linen

by Perceval, condition A-; backed on linen
lithograph in colours, c.1960, printed

by Bedos & Cie, Paris, condition A-; not
backed
20 x 12 in. (50 x 32 cm.)
800-1,200
800-1,200
LITERATURE:
Air France, p.59
$1,300-1,900
1,100-1,500
39 x 24 in. (99 x 63 cm.)
$1,300-1,900
1,100-1,500
39 x 24 in. (100 x 62 cm.)
800-1,200
LITERATURE:
Air France, p.84
LITERATURE:
Air France, p.111
$1,300-1,900
1,100-1,500
4
ALBERT SOLON (1897-1973)
LIGNES FARMAN, PARIS
lithograph in colours, 1932, printed by Ch. Egler, Paris, condition
B+; backed on japan
39 x 24 in. (100 x 62 cm.)
1,800-2,200
$2,900-3,500
2,300-2,800
5
ANONYMOUS
AEROPOSTALE, RIO DE JANEIRO
lithograph in colours, printed by Step, Paris, condition A-; backed
on linen
32 x 23 in. (81 x 58 cm.)
1,500-2,000
$2,400-3,200
2,000-2,500
6
ANONYMOUS
AEROPOSTALE, LA COTE BASQUE
lithograph in colours, printed by Step, Paris, condition A-; backed
on linen
31 x 23 in. (78 x 59 cm.)
2,000-3,000
$3,200-4,800
2,600-3,800
n7
11
LUCIEN BOUCHER (1889-1971)
A.M. CASSANDRE (1901-1968)
AIR FRANCE PLANISPHERE
LMS, THE BEST WAY
NORD EXPRESS
lithograph in colours, 1964, printed by

Perceval, Paris, condition A-; on eight
sheets joined to four panels, backed
on linen
lithograph in colours, 1928, signed AMC

and numbered 50/50 in pencil, condition
A-; backed on linen, framed

Hachard & Cie., Paris, condition B; backed
on linen
44 x 29 in. (111 x 74 cm.)
41 x 29 in. (105 x 75 cm.)
two end panels; each 95 x 40 in. (242 x 102 cm.)

two central panels; each 95 x 39 in. (242 x 100 cm.)
3,000-5,000
8,000-10,000
$13,000-16,000
11,000-13,000
$4,800-8,000
3,900-6,400
LITERATURE:
LITERATURE:
Ades, p.162; Art Deco Graphics, p.77; Le Coultre, p.255;

Suntory, p.110; Tourism in Posters, p.29
10
LOISEAU BLEU
DUNKERQUE, FOLKESTONE, LONDRES

L. Danel, Lille, condition A-; not backed
lithograph in colours, printed by L. Danel,

Lille, condition A-; backed on linen, framed
39 x 24 in. (100 x 62 cm.)
39 x 24 in. (98 x 60 cm.)
$4,800-8,000
3,900-6,400
5,000-7,000
LITERATURE:
LITERATURE:
Cassandre, no.34; Mouron, pl.18; Ouvres Graphiques

Modernes, no.29; Suntory, no.56
Cassandre, pl.55; Mouron, no.101
$9,600-13,000
7,700-10,000
Cassandre, pl.25; Mouron, no.58v, pl.19v; Oeuvres

Graphiques Modernes, no.20; Suntory, pl.51; The Art
Deco Poster, p.251; Weill, p.19
3,000-5,000
6,000-8,000
$8,000-11,000
6,400-8,900
10
11
12
15
12
14
BERNARD DE GUINHALD
(1892-1979)
GEORGES FAVRE
HIVER A ANTIBES, JUAN-LES-PINS

13

by A.D.I.A., Nice, condition A-; backed
on linen
30 x 24 in. (100 x 62 cm.)
1,000-1,500
39 x 24 in. (100 x 62 cm.)
1,000-1,500
$1,600-2,400
1,300-1,900
$1,600-2,400
1,300-1,900
15
MUNETSUGU SATOMI (1900-1995)
AFTER PABLO PICASSO (1881-1973)
COTE DAZUR
CTE DAZUR
lithograph in colours, 1934, printed by Le

Novatuer, Paris, condition B+; backed
on linen

Mourlot, Paris, condition A; not backed
39 x 24 in. (99 x 61 cm.)
1,000-1,500
LITERATURE:
lithograph in colours, c.1930, printed by

Gaillard, Paris, condition A; not backed
*13
2,000-3,000
14
DE PARIS A LONDRES
Tourism in Posters, p.71
$3,200-4,800
2,600-3,800
39 x 26 in. (100 x 66 cm.)
$1,600-2,400
1,300-1,900
16
18
17
19
20
16
18
*20
AFTER RAOUL DUFY (1877-1953)
AFTER MARC CHAGALL

(1887-1985)
AFTER MARC CHAGALL

(1887-1985)
PARIS
METROPOLITAN OPERA, CARMEN

Mourlot, Paris, condition A-; not backed
lithograph in colours, 1966, signed and

inscribed in ink For Sonia (...) Marc Chagall,
printed by Mourlot, Paris, condition A-;
not backed
PARIS
Mourlot, Paris, condition A; backed
on linen
25 x 39 in. (63 x 99 cm.)
24 x 39 in. (62 x 99 cm.)
800-1,200
$1,300-1,900
1,100-1,500
800-1,200
$1,300-1,900
1,100-1,500
1,200-1,800
17
19
JEAN COCTEAU (1889-1963)
AFTER MARC CHAGALL

(1887-1985)
VILLEFRANCHE SUR MER, CHAPELLE

ST. PIERRE
Mourlot, Paris, condition A-; not backed,
framed
29 x 20 in. (75 x 52 cm.)
800-1,200
NICE SOLEIL FLEURS

Mourlot, Paris, condition A; not backed
$2,000-2,900
1,600-2,300
PROVENANCE:
Sonia Lowenstein, costume designer for the

Metropolitan Opera.
Private Collection, USA.
Acquired from the above by the present owner
39 x 24 in. (99 x 62 cm.)
1,000-1,500
$1,300-1,900
1,100-1,500
39 x 25 in. (100 x 65 cm.)
$1,600-2,400
1,300-1,900
21
24
21
n 24
REN GRUAU (RENATO DE

ZAVAGLI, 1909-2004)
REN GRUAU (RENATO DE

ZAVAGLI, 1909-2004)
RELAX...
LIDO PRESTIGE
ofset lithograph in colours, c.1950, printed

by Bonsch, condition A-; backed on linen
lithograph in colours, c.1957, condition

B+/A-; on eighteen sheets joined to six
panels, backed on linen
38 x 25 in. (98 x 63 cm.)
800-1,200
$1,300-1,900
1,100-1,500
8,000-10,000
*22
22
two end panels; each 127 x 27 in. (322 x 68 cm.)

four central panels; each 127 x 30 in. (322 x 77 cm.)
JEAN-GABRIEL DOMERGUE
(1889-1962)
LHIVER MONTE-CARLO
(before letters)
lithograph in colours, 1937, condition A-;
backed on linen
39 x 24 in. (100 x 63 cm.)
$13,000-16,000
11,000-13,000
25
RAYMOND SAVIGNAC
(1907-2002)
CINZANO
lithograph in colours, 1951, printed by De
Plas, condition B/B+; backed on linen
46 x 63 in. (117 x 160 cm.)
2,000-3,000
1,200-1,800
$2,000-2,900
1,600-2,300
23
26
VIANO
PAUL COLIN (1892-1986)
BEAULIEU SUR MER
CIGARETTES WEEKEND

Moullot, Marseille, condition A-; backed on
linen

Bedos & Cie, Paris, condition B+; backed
on linen
39 x 24 in. (100 x 62 cm.)
58 x 37 in. (147 x 95 cm.)
800-1,200
23
$3,200-4,800
2,600-3,800
$1,300-1,900
1,100-1,500
1,500-2,000
$2,400-3,200
2,000-2,500
25
26
27
27
28
29
27
28
29
J. STALL (1874-1933)
AFTER JULES ISNARD DRANSY

(1883-1945)
CHAMPAGNE JOSEPH PERRIER

lithograph in colours, printed by B. Sirven,
Paris, condition A-; backed on linen
62 x 47 in. (159 x 120 cm.)
2,000-3,000
$3,200-4,800
2,600-3,800
NICOLAS, NECTAR
Henri Perrier, Paris, condition B+; backed
on linen
58 x 43 in. (147 x 110 cm.)
1,500-2,000
ORANGINA
Gaillard, Paris, condition A-; backed on
linen
62 x 46 in. (158 x 118 cm.)
1,000-1,500
$2,400-3,200
2,000-2,500
$1,600-2,400
1,300-1,900
30
32
31
10
33
34
35
30
*32
34
LEONETTO CAPPIELLO
(1875-1942)
HENRI PRIVAT-LIVEMOT
(1861-1936)
(1864-1901)
POURPRE ANTIQUE, UN PARFUM....DE

LUZY
ABSINTHE ROBETTE
ELLES
lithograph in colours, 1896, printed by J.L.

Gofart, Bruxelles, condition B+; backed on
linen

backed on linen
42 x 32 in. (108 x 81 cm.)
8,000-12,000

Devambez, Paris, condition B+/A-; backed
on linen
59 x 39 in. (149 x 99 cm.)
5,000-7,000
4,000-6,000
$8,000-11,000
6,400-8,900
$6,400-9,600
5,100-7,600
25 x 18 in. (63 x 47 cm.)
$13,000-19,000
11,000-15,000
LITERATURE:
Adriani, 171; Delteil, 179; Wittrock, 155
LITERATURE:
Cappiello, no.338
*33
35
31
LEOPOLDO METLICOVITZ
(1868-1944)
(1864-1901)
CHARLES ROBINSON (1870-1937)
TURANDOT
AU CONCERT
THE STUDIO
lithograph in colours, printed by G.Ricordi

& C., Milano, condition B-/B; backed on
linen

backed on japan, framed
54 x 38 in. (138 x 97 cm.)
18,000-22,000
lithograph in colours, 1900, printed

by McLagan & Cumming, Edinburgh,
condition B+; backed on card
38 x 14 in. (98 x 37 cm.)
800-1,200
3,500-4,500
$1,300-1,900
1,100-1,500
$5,600-7,200
4,500-5,700
19 x 14 in. (48 x 36 cm.)
$29,000-35,000
23,000-28,000
LITERATURE:
Adriani, 196; Delteil, 365; Wittrock, P28
11
36 (part)
36 (part)
36 (part)
36 (part)
36 (part)
36 (part)
36
38
LES MATRES DE LAFFICHE, VOLUMES I-V, ISSUES 1-61
ALPHONSE MUCHA (1860-1939)
240 lithographs, plates 1-240 and all sixteen bonus plates (the
following plates missing: 63, 64, 73, 75, 107, 111, 132, 136, 147, 172, 175,
182, 185, 196, 202, 240), 1895-1900, all volumes with title, preface
by Roger Marx, list of plates and index, printed by Chaix, Paris,
condition A-; loose (as published)
LE FRUIT
26 x 17 in. (66 x 42 cm.)
4,000-6,000
(240)
each plate 15 x 11 in. (40 x 29 cm.)
15,000-20,000
lithograph in colours, c.1897, condition B+; backed on linen
$24,000-32,000
20,000-25,000
$6,400-9,600
5,100-7,600
LITERATURE:
Rennert/Weill, 88
LITERATURE:
Masters of the Poster, no. 1-240, bonus A-P
*39
37
JOB
THE TIMES OF THE DAY / LES HEURES DU JOUR

four lithographs in colours, 1899, condition A; not backed, framed
each 43 x 16 in. (110 x 41 cm.)
30,000-50,000
LITERATURE:
Rennert/Weill, 62
12
(4)
$48,000-80,000
39,000-64,000
lithograph in colours, 1898, printed by F. Champenois, Paris,

condition B+; backed on linen
60 x 40 in. (154 x 101 cm.)
4,000-6,000
LITERATURE:
Rennert/Weill, 51
$6,400-9,600
5,100-7,600
37
38
37
37
37
39
13
14
40
42
41
43
44
*40
42
*44
JEAN DUPAS (1882-1964)
SPRING FASHIONS ARE HERE!
REGATTA-TIMES PLEASANT
THENCE TO HYDE PARK

Tolmer, Paris, condition A-; backed on linen

Johnson, Riddle & Co. Ltd., London,
condition A-; backed on linen
lithograph in colours, 1930, condition B/B+;

backed on linen
40 x 25 in. (102 x 64 cm.)
6,000-8,000
47 x 33 in. (111 x 84 cm.)
5,000-7,000
$8,000-11,000
6,400-8,900
3,000-5,000
$4,800-8,000
3,900-6,400
39 x 49 in. (101 x 126 cm.)
$9,600-13,000
7,700-10,000
LITERATURE:
Underground Art, p.79
n 41
*43
BAL DES TUDIANTS, ALHAMBRA - 8

JANVIER 1927
XVme SALON DES ARTISTES

DECORATEURS

Rousseau Frres, Bordeaux, condition A-;
backed on linen, framed

backed on linen
78 x 50 in. (198 x 129 cm.)
4,000-6,000
12,000-18,000
$20,000-29,000
16,000-23,000
23 x 16 in. (60 x 40 cm.)
$6,400-9,600
5,100-7,600
LITERATURE:
Art Deco, p.112
15
45
47
45
STENBERG BROTHERS (VLADIMIR, 1899-1982;
GEORGI, 1900-1933)
THEATRE KAMERNY DE MOSCOU
lithograph in colours, 1923, condition B+; not backed, framed
28 x 19 in. (72 x 48 cm.)
10,000-15,000
$16,000-24,000
13,000-19,000
LITERATURE:
Ades, p.120; Le Coultre, p.266; Mount, p.40
46
WALTER SCHNACKENBERG (1880-1961)
DIE JAHRMARKTS-ORGEL
lithograph in colours, 1934, condition B+; not backed
47 x 33 in. (119 x 84 cm.)
800-1,200
47
$1,300-1,900
1,100-1,500
NATALIA GONCHAROVA (1881-1962)

GRAND BAL DE NUIT
lithograph in colours, 1926, printed by Joseph-Charles, Paris,
condition A-; not backed, framed
47 x 31 in. (120 x 79 cm.)
46
16
5,000-7,000
$8,000-11,000
6,400-8,900
48
49
48
AFTER PABLO PICASSO (1881-1973)
BAL BANAL
letterpress and lithograph, 1924, printed by
Bernouard, Paris, condition A-; not backed, framed
48 x 33 in. (122 x 84 cm.)
5,000-7,000
$8,000-11,000
6,400-8,900
LITERATURE:
Picasso Plakate, 57
49
AUGUSTE HERBIN (1882-1960)
BAL DE LA GRANDE OURSE
lithograph in colours, 1925, printed by Kaplan,
Paris, condition A-; not backed, framed
47 x 31 in. (119 x 79 cm.)
2,000-3,000
LITERATURE:
Avant-Garde Applied, p.93
$3,200-4,800
2,600-3,800
50
50
ALEXEY BRODOVITCH (1898-1971)
BAL BANAL
lithograph, hand-coloured with watercolour, 1924, condition A-; not backed, framed
22 x 26 in. (55 x 66 cm.)
6,000-8,000
$9,600-13,000
7,700-10,000
17
51
54
52
55
56
51
53
NEBEZHIN-NEMOV
ANONYMOUS
PROLETARIANS
VILLEROY & BOCH
lithograph in colours, 1931, printed by OgizIzogiz, Moscow, condition B+; backed

on japan
lithograph in colours, condition B+;

not backed
28 x 39 in. (71 x 100 cm.)
800-1,200
1,500-2,000
29 x 19 in. (73 x 49 cm.)
$2,400-3,200
2,000-2,500
$1,300-1,900
1,100-1,500
52
54
VLADIMIR MAYAKOVSKY (18931930) & IVAN A. MALYUTIN

(1889-1932)
ELIZAVETA IGNATOVICH
(1903-1983)
TO THE POLISH FRONT, ROSTA

lithograph in colours, 1920, printed by 17th
Typo-Lithography M.G.S.N.H, condition
B+/A-; not backed
25 x 20 in. (63 x 52 cm.)
THE FIGHT FOR THE POLYTECHNIC

SCHOOL IS THE FIGHT FOR THE
5-YEAR PLAN
by Ogiz-Izogiz, Moscow, condition B+/A-;
not backed
20 x 28 in. (62 x 72 cm.)
53
18
2,500-3,500
$4,000-5,600
3,200-4,500
1,200-1,800
$2,000-2,900
1,600-2,300
55
57
V. PSHENICHNIKOV
XV OCTOBER ANNIVERSARY, INTOURIST
lithograph in colours, 1932, condition A; not backed
27 x 20 in. (70 x 51 cm.)
800-1,200
56
$1,300-1,900
1,100-1,500
58
GRIGORI BORISOV (1899-1942) & NIKOLAI

PRUSAKOV (1900-1952)
A WOMAN FROM THE FAIR
ofset lithograph in colours, 1928, condition B+/A-; on two joined
sheets, backed on japan
53 x 42 in. (136 x 107 cm.)
1,500-2,000
$2,400-3,200
2,000-2,500
EXHIBITED:
London, GRAD, Kino/Film: Soviet Posters of the Silent Screen, 2014
57
DMITRI S. MOOR (ORLOV) (1883-1946)
HELP / POMOGI
lithograph, 1921, condition B; not backed
58A
42 x 28 in. (106 x 71 cm.)
3,000-5,000
58
$4,800-8,000
3,900-6,400
*58A
VALENTINA N. KULAGINA-KLUCIS (1902-1987)
A. FINOGENOV
COMRADES MINERS!
SPARTACUS
lithograph in colours, 1933, printed by Ogiz-Izogiz, Moscow,

condition B+, not backed
lithograph in colours, 1926, condition B+; backed on japan
41 x 28 in. (104 x 71 cm.)
2,500-3,500
38 x 53 in. (96 x 134 cm.)
800-1,200
$4,000-5,600
3,200-4,500
$1,300-1,900
1,100-1,500
19
59
61
62
*59
*61
SEMYON SEMYONOV
(1895-1972)
STENBERG BROTHERS
(VLADIMIR, 1899-1982; GEORGI,
1900-1933) AND YAKOV
RUKLEVSKY (1884-1965)
THE THREE MILLIONS TRIAL

lithograph in colours, 1926, condition
B-; on two joined sheets, backed on
linen
55 x 41 in. (140 x 106 cm.)
BY THE LAW
B; backed on linen
42 x 28 in. (108 x 72 cm.)
3,000-5,000
$4,800-8,000
3,900-6,400
3,000-5,000
$4,800-8,000
3,900-6,400
LITERATURE:
Pack, p.222
60
62
YAKOV RUKLEVSKY
(1884 - 1965)
SEMYON SEMYONOV
(1895-1972)
OCTOBER
THE HEIR OF GHENGIS KHAN /

STORM OVER ASIA

B+; on three sheets, backed on japan
Upper sheet; 28 x 40 in (71 x 101 cm.)
Two lower sheets; each 27 x 40 in. (70 x 101
cm.)
15,000-25,000
LITERATURE:
Kino/Film, p.45
60
20
$24,000-40,000
20,000-32,000

by Mospoligraf, Moscow, condition
B+; backed on linen
37 x 28 in. (93 x 73 cm.)
2,000-3,000
$3,200-4,800
2,600-3,800
EXHIBITED:
London, GRAD, Kino/Film: Soviet Posters of the

Silent Screen, 2014
*63
63
GRIGORI BORISOV (1899-1942) & NIKOLAI

PRUSAKOV (1900-1952)
KHAZ-PUSH
ofset lithograph in colours, 1927, printed by Mospoligraf, Moscow,
condition B+; backed on japan
28 x 42 in. (70 x 107 cm.)
25,000-35,000
$40,000-56,000
32,000-45,000
LITERATURE:
Pack, p.48
Amo Bek-Nazarovs 1927 film Khaz-Push explores the exploitation and attempted
revolt of an oppressed Armenian minority working under British control in Iran.
In their accompanying poster, Grigori Borizov & Nikolai Prusakov employ the
Constructivist techniques of bold typography and striking photomontage to
promote the film and reflect its dynamic and restless content.
While the cycling figure, composed of cut and pasted scenes from the film, rides
towards the left edge of the picture plane, the posters headline reads Im Hurrying
to See the Film Khaz-Push. In both composition and content Borizov & Prusakovs
poster creates a sense of urgency around the film and its message, in turn enticing
the contemporary public towards the cinema screen and towards engagement with
the revolutionary ideals laid out by Bek-Nazarov.
*64
STENBERG BROTHERS (VLADIMIR, 1899-1982;
GEORGI, 1900-1933)
THE POUNDED CUTLET
lithograph in colours, 1927, printed by Moskino, Moscow,
condition A-; backed on japan
39 x 27 in. (100 x 70 cm.)
25,000-35,000
LITERATURE:
$40,000-56,000
32,000-45,000
64
Pack, p.227
21
67
65
66
INTOURIST POSTERS
67
70
ANONYMOUS
KONSTANTIN BOR RAMENSKY
MOSCOW
BY AIR TO USSR
lithograph in colours, condition B+/A-; not

backed
lithograph in colours, 1934, condition A;

not backed
Until the early 1990s Intourist was the offcial state

travel agency of the Soviet Union. Founded by
Joseph Stalin in 1929, Intourist was responsible for
portraying the Soviet state as a holiday destination
for the foreign tourist. The agencys advertising
exclusively targeted an external audience and
presented an exotic, cosmopolitan, and capitalistinfuenced image of the Soviet Union that was often
deemed misrepresentative by the internal population.
The Intourist and Russian Travel section of this sale
(Lots 65-71) offers a rare selection of posters designed
by various artists working for the agency in the frst
half of the twentieth century and demonstrates the
scope of the agencys advertising campaign.
65
(3)
40 x 27 in. (102 x 69 cm.)
800-1,200
$1,300-1,900
1,100-1,500
68
MAX LITVAK & ROBERT FEDOR
ANONYMOUS
ODESSA

B+/A-; not backed
29 x 19 in. (75 x 50 cm.)
800-1,200
$1,300-1,900
1,100-1,500
40 x 25 in. (102 x 64 cm.)
1,500-2,000
$2,400-3,200
2,000-2,500
ANONYMOUS
P. MERINOV
SOMMERSPORT IN DER UdSSR
THE TRANSSIBERIAN EXPRESS,

SHORTEST WAY BETWEEN EUROPE
AND FAR EAST
2,500-3,500
$4,000-5,600
3,200-4,500
SERGEY IGUMNOV (1900-1942)

SOVIET ARMENIA
lithograph in colours, c.1936, condition B+;
backed on linen
35 x 25 in. (90 x 63 cm.)
LITERATURE:
Intourist, pl.29

Vneshorgizdat, condition B+; not backed
39 x 27 in. (100 x 69 cm.)
2,000-3,000
LITERATURE:
Intourist, pl.36
LITERATURE:
Intourist, pl.2
22
*71
Intourist, pl.5v
69
40 x 25 in. (101 x 63 cm.)
$4,800-8,000
3,900-6,400
Intourist, pl.19
1,500-2,000
LITERATURE:
*66

B+/A-; backed on linen
3,000-5,000
LITERATURE:
THE NEW TRAVEL LAND, USSR SOVIET

RUSSIA
lithograph in colours, condition A-; not

backed
36 x 24 in. (92 x 60 cm.)
$3,200-4,800
2,600-3,800
$2,400-3,200
2,000-2,500
68
69
70
71
23
72
75
78
73
76
79
74
24
77
80
72
KENNETH DENTON SHOESMITH
(1890-1939)
SOUTH AMERICA BY ROYAL MAIL
lithograph in colours, condition A-; backed
on linen
40 x 25 in. (101 x 64 cm.)
1,000-1,500
$1,600-2,400
1,300-1,900
73
ANONYMOUS
PULLMAN EXPRESS
lithograph in colours, printed by E.
Stockmanns & Co., Anvers, condition A-;
not backed
39 x 25 in. (100 x 65 cm.)
800-1,200
81
$1,300-1,900
1,100-1,500
74
*78
A.W. BAYLIS
ANONYMOUS
SOUTHERN RHODESIA
SPEND YOUR HOLIDAYS IN JAMAICA
lithograph in colours, 1952, condition B/B+;

backed on linen

by Waterlow & Sons, Limited, London,
37 x 25 in. (95 x 64 cm.)
1,000-1,500
$1,600-2,400
1,300-1,900
30 x 20 in. (76 x 51 cm.)
800-1,200
*75
$1,300-1,900
1,100-1,500
JARVIS
SOUTH AMERICA FOR SUNSHINE
silkscreen and lithograph in colours, 1958,
condition A-; not backed
*79
82
ANONYMOUS
40 x 25 in. (101 x 64 cm.)
800-1,200
$1,300-1,900
1,100-1,500
76
GEORGE HEMMING
STRESA-MOTTARONE, LAGO
MAGGIORE
*81
lithograph in colours, printed by Richter &

Co., Napoli, condition B+/A-; backed
on linen
RAFAEL DE OCHOA Y MADRAZO

(1858-1935)
39 x 27 in. (101 x 68 cm.)
AROUND THE WORLD, NYK

lithograph in colours, 1932, condition B+/A-;
not backed, framed
800-1,200
$1,300-1,900
1,100-1,500
30 x 21 in. (75 x 53 cm.)
800-1,200
TRANSSIBRIAN DE MOSCOU PKIN

B+/A-; not backed
30 x 41 in. (77 x 105 cm.)
3,000-5,000
$1,300-1,900
1,100-1,500
77
WALTER MAHRER
$4,800-8,000
3,900-6,400
80
*82
MARIO PUPPO (1905-1977)
JOSEPH DE LA NZIRE
(1873-1944)
FINALE LIGURE
SIMPLON-ORIENT-EXPRESS, ALEP
lithograph in colours, printed by Atar,

Genve, condition A-; not backed

by Barabino & Graeve, Genova, condition
A; not backed
39 x 25 in. (100 x 65 cm.)
39 x 27 in. (100 x 69 cm.)
42 x 30 in. (107 x 78 cm.)
GENEVA
800-1,200
$1,300-1,900
1,100-1,500
800-1,200
$1,300-1,900
1,100-1,500

backed on linen
1,200-1,800
$2,000-2,900
1,600-2,300
25
83
86
84
*83
*85
OTTO VON HANNO (1891-1956)
JANEZ TRPIN (1908-1973)
SUMMER IN NORWAY
VISITEZ LA YOUGOSLAVIE
lithograph in colours, c.1930, condition A-;

not backed

S.C.I.P., Paris, condition B+; backed on
paper
39 x 24 in. (100 x 62 cm.)
800-1,200
$1,300-1,900
1,100-1,500
$1,600-2,400
1,300-1,900
*86
PERCIVAL ALBERT (PERCY)

TROMPF (1902-1964)
MUNETSUGU SATOMI (1900-1995)

JAPAN
lithograph in colours, 1935, condition B;

not backed
together with the small format version of
the poster
40 x 25 in. (102 x 64 cm.)
800-1,200
26
1,000-1,500
*84
AUSTRALIA
85
37 x 25 in. (95 x 63 cm.)
(2)
$1,300-1,900
1,100-1,500

by Seihan Printing Co., Osaka, condition
B+; backed on linen
39 x 25 in. (99 x 64 cm.)
2,000-3,000
$3,200-4,800
2,600-3,800
88
87
87
89
ANONYMOUS
EMMANUEL GAILLARD
VENISE 1933
K.L.M., LUFTLINIEN - HOLLAND

Novissima, Roma, condition A-;
not backed
lithograph in colours, c.1931, printed by L.

van Leer & Co., Amsterdam, condition A-;
not backed
39 x 24 in. (100 x 63 cm.)
39 x 25 in. (100 x 65 cm.)
1,000-1,500
$1,600-2,400
1,300-1,900
800-1,200
89
$1,300-1,900
1,100-1,500
88
90
JORMA SUHONEN (1911-1987)
SCANDINAVIAN AIR EXPRESS,

NACH FINNLAND
TAI, NOUVELLE-CALDONIE
lithograph in colours, printed by

Kirjallisuuden, Helsinki, condition A-;
not backed

Hubert Baille, Paris, condition A; backed
on linen
39 x 24 in. (99 x 62 cm.)
37 x 24 in. (94 x 62 cm.)
800-1,200
1,000-1,500
$1,600-2,400
1,300-1,900
$1,300-1,900
1,100-1,500
90
27
*97
ACHILLE L. MAUZAN (1883-1952)
GENIOL QUITA EL DOLOR
lithograph in colours, 1929, condition B+;
backed on linen
61 x 41 in. (156 x 105 cm.)
1,500-2,000
$2,400-3,200
2,000-2,500
LITERATURE:
Mauzan A371
*98
BIGNOLI LIQUIDACION
lithograph in colours, c.1930, condition B/
B+; backed on linen
61 x 40 in. (155 x 103 cm.)
92
91
800-1,200
$1,300-1,900
1,100-1,500
*91
*94
Mauzan, A314
FITINA
M. ALVAREZ
*99

backed on linen

backed on linen
60 x 43 in. (153 x 110 cm.)
59 x 43 in. (150 x 110 cm.)
800-1,200
$1,300-1,900
1,100-1,500
800-1,200
LITERATURE:
$1,300-1,900
1,100-1,500
CALZADO PLUMA
backed on linen
42 x 29 in. (108 x 74 cm.)
LITERATURE:
LITERATURE:
Mauzan, A367
Mauzan A305
1,500-2,000
*92
*95
Mauzan, A424
*100
HEINLEIN & CIA
RADIO CROSLEY
lithograph in colours, 1929, condition B+/A; backed on linen

backed on linen
MALTA PALERMO
61 x 41 in. (156 x 105 cm.)
60 x 40 in. (153 x 102 cm.)
800-1,200
$1,300-1,900
1,100-1,500
3,000-5,000
LITERATURE:
LITERATURE:
Mauzan A384
Mauzan, A354
$2,400-3,200
2,000-2,500
LITERATURE:
$4,800-8,000
3,900-6,400

backed on linen
43 x 29 in. (109 x 74 cm.)
1,000-1,500
$1,600-2,400
1,300-1,900
LITERATURE:
Mauzan A401
*93
*96
*101
CALZADO OSCARIA
OSCARIA
AGUA COLONIA GRIET

backed on linen
lithograph in colours, 1930, condition A;

backed on linen

backed on linen
43 x 29 in. (110 x 74 cm.)
29 x 21 in. (64 x 55 cm.)
43 x 29 in. (109 x 74 cm.)
800-1,200
$1,300-1,900
1,100-1,500
800-1,200
$1,300-1,900
1,100-1,500
1,500-2,000
LITERATURE:
LITERATURE:
LITERATURE:
Mauzan A414
Mauzan A415
Mauzan, A374
28
$2,400-3,200
2,000-2,500
93
94
95
96
99
97
100
98
101
29
102
105
102
*104
MICHEL BELIGOND (1927-1973)
GEO HAM (1900-1972)
24 H DU MANS, 1959
GD. PRIX DE 24H DE PARIS,

MONTLHRY

Thivillier, condition A-; backed on linen
21 x 16 in. (55 x 40 cm.)
1,500-2,000
$2,400-3,200
2,000-2,500

Thivillier, Paris, condition B/B+; backed on
linen
23 x 14 in. (59 x 37 cm.)
1,500-2,000
103
*103
*105
JEAN PRUNIERE
H.A. VOLODIMER
COURSE DE CTE DE LA BARAQUE
2me GRAND PRIX DENDURANCE DE

24 HEURES
lithograph in colours, printed by MontLouis, Clermont, condition B; backed on

linen
2,000-3,000
30
lithograph in colours, 1924, condition A-/A;

backed on linen
24 x 36 in. (61 x 92 cm.)
48 x 31 in. (123 x 81 cm.)
104
$2,400-3,200
2,000-2,500
$3,200-4,800
2,600-3,800
10,000-15,000
106 No Lot
$16,000-24,000
13,000-19,000
108
107
*107
*109
B. MINNE (1918 -)
GEO HAM (1900-1972)
MONACO, 1952
41eme GD. PRIX DE LA.C.F., REIMS

Mongasque, Monte-Carlo, condition B/B+;
backed on linen

Thivillier, Paris, condition B+/A-; backed on
linen
47 x 31 in. (120 x 80 cm.)
23 x 16 in. (59 x 40 cm.)
6,000-8,000
$9,600-13,000
7,700-10,000
1,800-2,200
109
$2,900-3,500
2,300-2,800
LITERATURE:
Afiches de LAutomobile, pl.130, Crouse, p.41
108
110
MICHAEL TURNER (B.1934)
SANDRO SCARSI
MONACO 1967
VESPA

by J. Ramel, Nice, condition A; not backed

by Giuseppe Lang, Genova, condition A;
backed on linen
23 x 16 in. (60 x 41 cm.)
800-1,200
LITERATURE:
Crouse, p.65
$1,300-1,900
1,100-1,500
38 x 27 in. (98 x 70 cm.)
800-1,200
$1,300-1,900
1,100-1,500
110
31
111
114
112
*111
*113
OTTO MORACH (1887-1973)
ANONYMOUS
A. WELTI-FURRER AG
B.S.A, MOTOR BICYCLES

Wolfsberg, Zrich, condition A-; backed
on linen
lithograph in colours, c.1926, condition B:

backed on linen
50 x 36 in. (128 x 91 cm.)
2,000-3,000
2,500-3,500
32
$4,000-5,600
3,200-4,500
$3,200-4,800
2,600-3,800
*112
*114
FRANK NEWBOULD (1887-1951)
CESARE GOBBO (1899-1981)
SWIFT, WORLDS BEST CYCLES
XV GRAN PREMIO DITALIA

Chorley & Pickersgill Ltd., Leeds, condition
A-; backed on linen

by E.G.A.P., Roma, condition A-; backed on
linen
60 x 39 in. (152 x 99 cm.)
54 x 39 in. (139 x 100 cm.)
1,800-2,200
113
59 x 39 in. (151 x 99 cm.)
$2,900-3,500
2,300-2,800
10,000-15,000
$16,000-24,000
13,000-19,000
115
116
*115
AGUIRRECHE
SN SEBASTIAN
lithograph in colours, printed by Laborde y Labayen, Tolosa,
39 x 28 in. (101 x 72 cm.)
3,000-5,000
$4,800-8,000
3,900-6,400
*116
ANONYMOUS
SET THE PACE! WIN THE RACE!
ofset lithograph in colours, 1925, printed by Mather & Company,
Chicago, condition A-; backed on linen
48 x 36 in. (122 x 92 cm.)
3,500-4,500
$5,600-7,200
4,500-5,700
*117
ANDR BERMOND (1903-1983)
1er GRAND PRIX DE MARSEILLE
lithograph in colours, 1946, printed by Moullot, Marseille, condition
A-; backed on linen
47 x 31 in. (119 x 79 cm.)
2,500-3,500
$4,000-5,600
3,200-4,500
117
33
120
118
119
121
*118
120
EDWARD MCKNIGHT KAUFFER (1890-1954)
ANONYMOUS
AEROSHELL LUBRICATING OIL
B.O.A.C, HERMES SPEEDBIRD
lithograph in colours, 1932, printed by Chorley & Pickersgill Ltd.,

Leeds, condition B+/A-; backed on linen
ofset lithograph in colours, printed by McCorquodale & Co., Ltd.,

London, condition A; backed on linen
30 x 44 in. (76 x 112 cm.)
24 x 39 in. (62 x 99 cm.)
6,000-8,000
$9,600-13,000
7,700-10,000
1,000-1,500
$1,600-2,400
1,300-1,900
LITERATURE:
Le Coultre, p.280-281; Newitt, p.40
*119
121
JOHN GILROY (1898-1985)
ANONYMOUS
HAVE A GUINNESS WHEN YOURE TIRED
KLAUSS CHOCOLATES
lithograph in colours, c.1936, printed by John Waddington Ltd.,

Leeds, condition B+/A-; backed on linen
lithograph in colours, printed by Aug. G. Fiedeler, Chaux de Fonds,

30 x 41 in. (76 x 102 cm.)
800-1,200
800-1,200
LITERATURE:
Davis, p.44; Sibley, p.89
34
$1,300-1,900
1,100-1,500
$1,300-1,900
1,100-1,500
124
122
123
122
n 125
ANONYMOUS
HB
FIRST AVIATION MEETING IN

ENGLAND, DONCASTER
BLACKPOOL LIDO
lithograph in colours, 1909, printed by Alf

Cooke Ltd., London, condition A-; backed
on japan
40 x 24 in. (101 x 62 cm.)
3,000-5,000
lithograph in colours, printed by Ayre &

Senior, Blackpool, condition A-; on ten
joined sheets, backed on linen
116 x 78 in. (296 x 200 cm.)
1,200-1,800
$4,800-8,000
3,900-6,400
$2,000-2,900
1,600-2,300
123
126
ANONYMOUS
HELBERT ALKER TRIPP

(1883-1954)
ISLE OF MAN
lithograph in colours, printed by Waterlow
& Sons Limited, London, condition B+:
backed on linen
39 x 25 in. (101 x 63 cm.)
1,500-2,000
$2,400-3,200
2,000-2,500
124
125
NEWQUAY
Jordison & Co., Ltd., London, condition A;
backed on linen
40 x 25 in. (102 x 64 cm.)
1,000-1,500
$1,600-2,400
1,300-1,900
CLAUDE SHEPPERSON (1867-1921)

TAKE A KODAK WITH YOU
Vincent Brooks, Day & Son Ltd., condition
A; not backed
30 x 20 in. (76 x 51 cm.)
800-1,200
$1,300-1,900
1,100-1,500
126
35
127
129
128
130
*127
129
TOM GILFILLAN
PAUL HENRY (1876-1958)
FINGALS CAVE, STAFFA
COME TO ULSTER FOR A BETTER HOLIDAY
lithograph in colours, 1928, printed by John Horn Limited,

Glasgow, condition B+; backed on linen
lithograph in colours, c.1930, printed by S.C.Allen & Company Ltd.,

Belfast, condition A-; not backed
40 x 50 in. (102 x 127 cm.)
40 x 50 in. (102 x 127 cm.)
800-1,200
$1,300-1,900
1,100-1,500
700-900
$1,200-1,400
900-1,100
128
130
ANONYMOUS
KENNETH DENTON SHOESMITH (1890-1939)
SYLVAN SCENES & SUNNY SHORES
H.M.S. VICTORY, PORTSMOUTH
lithograph in colours, 1924, printed by Waterlow & Sons Ltd.,

London, condition B+/A-; not backed

London, condition B+; not backed
40 x 49 in. (102 x 126 cm.)
40 x 50 in. (102 x 127 cm.)
1,500-2,000
36
$2,400-3,200
2,000-2,500
800-1,200
$1,300-1,900
1,100-1,500
*131
LILI RETHI (1894 -1971)
CREWE WORKS
lithograph in colours, 1937, printed by Jordison, London,
condition B; backed on linen
39 x 48 in. (99 x 123 cm.)
2,000-3,000
$3,200-4,800
2,600-3,800
131
132
CECIL KING (1921-1986)
THE MERSEYSIDE EXPRESS
lithograph in colours, c.1937, printed by W.E. Berry Ltd.,
Bradford, condition B+; backed on japan
40 x 50 in. (102 x 127 cm.)
2,000-3,000
$3,200-4,800
2,600-3,800
132
133
CHARLES MAYO
SPEED TO THE WEST
lithograph in colours, 1939, printed by Jordison & Co., Ltd.,
London, condition B+; backed on linen
40 x 50 in. (102 x 127 cm.)
1,500-2,000
$2,400-3,200
2,000-2,500
LITERATURE:
Speed To The West, p.6; Railway Posters, p.52
133
37
134
136
135
137
134
136
TERENCE CUNEO (1907-1996)
ROYAL ALBERT BRIDGE, SALTASH
AN ENGINE IS WHEELED
lithograph in colours, 1959, printed by Waterlow & Sons Limited,

lithograph in colours, 1949, printed by Waterlow & Sons Limited,

40 x 49 in. (101 x 126 cm.)
40 x 50 in. (102 x 127 cm.)
1,000-1,500
$1,600-2,400
1,300-1,900
1,500-2,000
$2,400-3,200
2,000-2,500
LITERATURE:
LITERATURE:
Cuneo, p.41
Cuneo, p.31
135
*137
STANHOPE ALEXANDER FORBES (1857-1947)
CLEAR ROAD AHEAD, MONMOUTH CASTLE
THE PERMANENT WAY

lithograph in colours, 1924, printed by Jordison & Co. Ltd., London,

condition B+/A-; backed on linen
40 x 50 in. (101 x 127 cm.)
38 x 48 in. (98 x 123 cm.)
1,000-1,500
$1,600-2,400
1,300-1,900
1,500-2,000
LITERATURE:
LITERATURE:
Cuneo, p.33
Art for All p.19; Railway Posters, p.96
38
$2,400-3,200
2,000-2,500
138
139
*138
140
HELEN MADELEINE MCKIE

(1889-1957)
JAMES BATEMAN
WATERLOO STATION, PEACE

lithograph in colours, 1947, printed by The
Baynard Press, London, condition B/B+;
backed on linen
39 x 49 in. (100 x 125 cm.)
ST. PAULS CATHEDRAL, LONDON

Vincent Brooks, Day & Son, Ltd., London,
40 x 25 in. (102 x 63 cm.)
1,000-1,500
3,000-5,000
$4,800-8,000
3,900-6,400
$1,600-2,400
1,300-1,900
140
LITERATURE:
Art for All, p.112; Railway Posters, p.91
*139
*141
HELEN MADELEINE MCKIE

(1889-1957)
TONY SARG (1880-1942)
WATERLOO STATION, WAR

The Baynard Press, London, condition B+;
backed on linen
39 x 49 in. (101 x 125 cm.)
3,000-5,000
LITERATURE:
Railway Posters, p.91
AT THE R.A.
Johnson, Riddle & Co., Ltd., London,
39 x 25 in. (100 x 64 cm.)
1,000-1,500
$4,800-8,000
3,900-6,400s
$1,600-2,400
1,300-1,900
LITERATURE:
London Transport Posters, no.8

141
39
142
144
143
145
*142
143
144
BARNETT FREEDMAN (1901-1958)
EDWARD BAWDEN (1903-1989)
THEATRE, GO BY UNDERGROUND
THE CITY
HARRY BECK (HENRY CHARLES

BECK, 1902-1974)
pair poster; two lithographs in colours,

1936, printed by Curwen Press, condition
A; backed on linen

Curwen Press, London, condition A; not
backed
each 40 x 25 in. (101 x 63 cm.)
1,000-1,500
(2)
$1,600-2,400
1,300-1,900
40 x 25 in. (102 x 64 cm.)
800-1,200
LITERATURE:
LITERATURE:
Modern British Posters, p.109
London Transport Posters, no.65
40
146 (part)
$1,300-1,900
1,100-1,500
LONDON UNDERGROUND MAP

Waterlow & Sons Limited, London,
condition B+/A-; not backed
26 x 34 in. (66 x 86 cm.)
2,000-3,000
$3,200-4,800
2,600-3,800
147
148
145
148
EDWARD BAWDEN (1903-1989)
MACDONALD (MAX) GILL

(1884-1947)
KEW GARDENS
THEATRELAND

Curwen Press, London, condition B;
backed on linen
lithograph in colours, 1915, printed by The

Westminster Press, condition B;
not backed
39 x 25 in. (100 x 63 cm.)
800-1,200
$1,300-1,900
1,100-1,500
146
40 x 50 in. (101 x 127 cm.)
2,500-3,500
$4,000-5,600
3,200-4,500
PROVENANCE:
The artists studio, by descent to the present owner.
DAVID GENTLEMAN (B.1930)
LITERATURE:
VISITORS LONDON
Frank Picks London, p.38; L.U. Maps, p.29
pair poster; two ofset lithographs in

colours, 1956, printed by McCorquodale &
Co., Ltd., London, condition A; not backed
149
(2)
each 40 x 25 in. (102 x 64 cm.)
800-1,200
$1,300-1,900
1,100-1,500
147
MAP OF CENTRAL LONDON, CLASH

OF ARMS
Waterlow & Sons Ltd., London, condition
B+; not backed
40 x 49 in. (102 x 126 cm.)
WHERE OUR TEA COMES FROM

not backed
$4,800-8,000
3,900-6,400
PROVENANCE:
1,500-2,000
$2,400-3,200
2,000-2,500
PROVENANCE:
150
(1884-1947)
MAP OF CEYLON
not backed
30 x 20 in. (76 x 50 cm.)
LITERATURE:
800-1,200
L.U. Maps, p.50
149
40 x 25 in. (102 x 64 cm.)

(1884-1947)
3,000-5,000

(1884-1947)
$1,300-1,900
1,100-1,500
150
41
151
(1884-1947)
PETER PAN MAP OF KENSINGTON
GARDENS
lithograph, artists proof before colours,
1923, printed by Dobson, Molle & Co. Ltd.,
London, condition A; not backed
40 x 50 in. (102 x 128 cm.)
2,000-3,000
$3,200-4,800
2,600-3,800
PROVENANCE:

LITERATURE:
L.U. Maps, p.37 v.

151
152
(1884-1947)
COUNTRY BUS SERVICE
1928, printed by Waterlow & Sons Limited,
London, condition B+/A-; not backed
40 x 50 in. (102 x 128 cm.)
2,000-3,000
$3,200-4,800
2,600-3,800
PROVENANCE:
152
153
(1884-1947)
MAP OF CENTRAL LONDON, CLASH
OF ARMS
1932, condition A-; not backed
40 x 60 in. (102 x 153 cm.)
2,000-3,000
$3,200-4,800
2,600-3,800
PROVENANCE:

153
42
154
156
155
157
154
156
MACDONALD (MAX) GILL (1884-1947)
A MAP OF SCOTLAND
POST OFFICE RADIO-TELEPHONE SERVICES
lithograph in colours, 1929, issued by the Empire Marketing Board,

printed by Eyre & Spottiswoode Ltd., London, condition A-; not
backed
lithograph in colours, 1935, printed by J. Weiner Ltd., London,

40 x 60 in. (102 x 152 cm.)
3,000-5,000
3,000-5,000
$4,800-8,000
3,900-6,400
40 x 50 in. (102 x 127 cm.)
$4,800-8,000
3,900-6,400
PROVENANCE:
PROVENANCE:
157
155
POST OFFICE WIRELESS STATIONS
A MAP OF ENGLAND
lithograph, artists proof, 1928, issued by the Empire Marketing
Board, printed by Eyre & Spottiswoode Ltd., London, condition A-;
not backed
lithograph in colours, 1939, condition A-; not backed

40 x 50 in. (101 x 127 cm.)
3,000-5,000
40 x 60 in. (102 x 153 cm)
$4,800-8,000
3,900-6,400
PROVENANCE:
2,000-3,000
PROVENANCE:
$3,200-4,800
2,600-3,800
Gallery Talk Discovering Max Gill by Andrew and Angela Johnston

and Caroline Walker, Monday, 10th November at 6.30pm at Christies
South Kensington. Visit www.christies.com/events for further details.
158
161 (part)
162
158
161
FOUGASSE (CYRIL KENNETH

BIRD, 1887-1965)
ABRAM GAMES (1914-1996)

JOIN THE ATS
PLEASE DONT SMOKE

not backed
together with A.T.S., 1944 by A. Games

Fosh & Cross Ltd., London, condition A;
backed on linen, framed
1,200-1,800
159 (part)
2,500-3,500
$2,000-2,900
1,600-2,300
159
BIRD, 1887-1965)
CARELESS TALK COSTS LIVES
eight lithographs in colours, c.1943,
$2,400-3,200
2,000-2,500
160
*162

BIRD, 1887-1965)
GUY LIPSCOMBE (1881-1952)

BRITISHERS ENLIST TO-DAY
lithograph in colours, c.1916, condition B;
backed on linen
lithograph in colours, c.1941, condition A;

not backed
together with ten posters by Fougasse.
each 14 x 9 in. (36 x 23 cm.)
1,500-2,000
44
Originally designed to attract women to the Army

Training Service in 1941, this rare poster known as the
Blonde Bombshell was withdrawn from circulation
after a member of parliament complained the image
was too glamorous. Games subsequently produced
two other posters for the ATS, the third and final
version of which was issued in January 1944 and is
included in this lot.
.
THIS IS ONE WAY TO HAIL A BUS...
160 (part)
$4,000-5,600
3,200-4,500
(8)
each 12 x 8 in. (32 x 20 cm.)
1,500-2,000
(2)
each 28 x 19 in. (73 x 49 cm.)
25 x 20 in. (64 x 50 cm.)
41 x 26 in. (104 x 67 cm.)
(11)
$2,400-3,200
2,000-2,500
800-1,200
$1,300-1,900
1,100-1,500
164
163
*163
*165
JAMES MONTGOMERY FLAGG

(1877-1960)
HERNANDO G. VILLA (1881-1952)
I WANT YOU FOR U.S. ARMY

Leslie-Judge Co., N.Y., condition B+/A-;
backed on linen
40 x 30 in. (103 x 76 cm.)
4,000-6,000
CHICAGO WORLDS FAIR

Newman-Monroe Co., Chicago, condition
B/B+; not backed
42 x 28 in. (107 x 72 cm.)
1,500-2,000
$6,400-9,600
5,100-7,600
165
$2,400-3,200
2,000-2,500
LITERATURE:
American Style, p.99 ; War Posters, p.22
164
*166
HOWARD CHANDLER CHRISTY

(1873-1952)
HERNANDO G. VILLA (1881-1952)
I WANT YOU FOR THE NAVY
OLYMPIC GAMES, LOS ANGELES,

CALIFORNIA

by Forbes, Boston, condition B+; backed
on linen

Rand McNally, Chicago, condition A; not
backed
41 x 27 in. (105 x 67 cm.)
27 x 20 in. (68 x 51 cm.)
800-1,200
$1,300-1,900
1,100-1,500
3,000-5,000
$4,800-8,000
3,900-6,400
166
45
167
170
171
*167
170
DAVID KLEIN (1918-2005)
MIAMI, FLY TWA
LAS VEGAS, FLY TWA
ofset lithograph in colours, c.1960,

condition A; backed on linen

40 x 25 in. (101 x 64 cm.)
40 x 25 in. (102 x 64 cm.)
1,000-1,500
$1,600-2,400
1,300-1,900
800-1,200
$1,300-1,900
1,100-1,500
*168
THE WILLMARTHS (KENNETH &
WILLIAM)
168
VISIT THE PACIFIC NORTHWEST

WONDERLAND...
Newman-Monroe Co., Chicago, condition
B+/A-; not backed

40 x 25 in. (102 x 64 cm.)
169
n 172
WILFRED LANGDON KIHN

(1898-1957)
JAMES CUTTER
lithograph in colours, condition A-; backed

on linen
36 x 24 in. (91 x 61 cm.)
1,000-1,500
46
SAN FRANCISCO, FLY TWA
$1,300-1,900
1,100-1,500
CANADIAN PACIFIC, INDIAN DAYS

BANFF
169
800-1,200
41 x 27 in. (104 x 68 cm.)
800-1,200
171
$1,600-2,400
1,300-1,900
$1,300-1,900
1,100-1,500
TWA
silkscreen, 1948, condition B-; on four
joined sheets, backed on linen
69 x 116 in. (176 x 296 cm.)
8,000-12,000
$13,000-20,000
10,000-16,000
172
174
173
*173
*174
MARCEL DUCHAMP (1887-1968)
PAUL RAND (1914-1996)
A POSTER WITHIN A POSTER / WANTED
IBM
ofset lithograph in colours, 1963, condition B+; not backed
lithograph in colours, 1982, condition A; not backed
34 x 27 in. (88 x 69 cm.)
36 x 24 in. (91 x 61 cm.)
1,000-1,500
$1,600-2,400
1,300-1,900
2,000-3,000
$3,200-4,800
2,600-3,800
LITERATURE:
LITERATURE:
Schwarz, no.588
American Image, no.72
This poster reproduces WANTED: $2,000 REWARD, 1923, Duchamps Rectified

Readymade using a spoof on a criminal wanted poster found in a New York
restaurant to which he afixed side and full-front views of himself. The Poster was
designed by Duchamp.
Paul Rand (1914-1966) remains among the most highly regarded and influencial
American graphic designers of all time. In this instantly recognisable work, EyeBee-M (IBM), Rand afirms his belief that in order for a logo to be successful it must be
designed with the utmost simplicity and restraint.
47
*176
NEW YORK, FLY TWA
40 x 25 in. (102 x 64 cm.)
1,800-2,200
$2,900-3,500
2,300-2,800
*177
LESLIE RAGAN (1897-1972)
HIGHLANDS OF THE HUDSON
condition B+; not backed
41 x 27 in. (104 x 69 cm.)
1,800-2,200
$2,900-3,500
2,300-2,800
LITERATURE:
Zega & Gruber, fig.158
*178
NEMBHARD N. CULIN (1908-1990)
NEW YORK WORLDS FAIR, 1939
ofset lithograph in colours, 1937,
30 x 20 in. (76 x 51 cm.)
4,000-6,000
175
$6,400-9,600
5,100-7,600
LITERATURE:
*175
LESTER BEALL (1903-1969)
RURAL ELECTRIFICATION
ADMINISTRATION
silkscreen and ofset lithography, 1939,
40 x 30 in. (102 x 76 cm.)
15,000-20,000
LITERATURE:
48
$24,000-32,000
20,000-25,000
The Rural Electrification Act of 1935 was established

as part of Franklin D. Roosevelts New Deal. The
scheme provided funding to develop electrical power
throughout rural areas of the United States, in the
hope that the advancing infrastructure would raise
living standards and promote higher employment
rates during the Great Depression.
*179
This iconic poster by the great American graphic artist,

Lester Beall (1903-1969), was commissioned by the
Rural Electrification Administration, whose role it was
to communicate change to rural communities afected
by ongoing advancements. Drawing on the dynamism
of the European Avant-Gardes, Beall creates a striking
composition that brings together geometric stripes
in red, white and blue echoing the American Flag,
with photomontage representing content rural
communities as they look towards their future in the
mechanical age.

by Latham Litho Co. Inc., New York,
LESLIE RAGAN (1897-1972)

NEW YORK, THE UPPER BAY FROM
LOWER MANHATTAN
40 x 27 in. (103 x 68 cm.)
4,000-6,000
LITERATURE:
Zega & Gruber, 127
$6,400-9,600
5,100-7,600
176
177
178
179
49
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V. Arwas, A. Mucha, J. Brabcov-Orlikov & A. Dvork, Alphonse
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I.Resnick, The American Image: US Posters from the 19th to the 21st
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P. Frantz Kery, Art Deco Graphics, 1986, London, ISBN 0 500 28353 2
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Teri J. Edelstein, Art for All: British Posters for Transport, 2010, New
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R.Hollis, B.Tonini et al., The Avant-Garde Applied, 1890-1950, 2012,
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BRIDGES
A.Bridges, Alphonse Mucha: The Complete Graphic Works, 1990, New
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BRITISH AVIATION POSTERS
S. Anthony & O. Green, British Aviation Posters, Art, Design and Flight,
2012, Surrey, ISBN 978 19482208 43
CADRINGHER
G. Cadringher, Affiches des Compagnies Maritimes, 2008, Paris, ISBN
978 2850882678
CASSANDRE
A.M. Cassandre, Tokyo-to Teien Bijutsukan, Cassandre: 2 June 14th
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CONSTANTINE
S. Constantine, Buy and Build: The Advertising Posters of the Empire
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CROUSE
W. Crouse, Grand Prix Automobile de Monaco Posters, 2009,
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CUNEO
N.Chakra, Terence Cuneo: Railway Painter of the Century, 1990, London,
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DAVIES
J. Davies, The Book of Guinness Advertising, 1998, London, ISBN
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EARLY RAILWAY POSTERS
B. Cole & R. Durack, Happy as a Sand-Boy; Early Railway Posters,
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FLIGHT
J.C. Suars & D. Owen, Flight: A Poster Book, 1978, London, ISBM
0175377191
FRANK PICKS LONDON
O.Green, Frank Picks London: Art, Design and the Modern City, 2013,
V&A Publishing, ISBN 9781851777570
FURNESS, vol.1
R. Furness, Poster to Poster: Scotland, Vol 1, 2009, London, ISBN, 978
0 9562092 0 7
FURNESS, vol.2
R. Furness, Poster to Poster: Yorkshire & the North East England, Vol. 2,
2009, London, ISBN 978 0 956209214
FURNESS, vol.3
R. Furness, Poster to Poster: The Midlands and Wales, Vol. 3, Yorkshire
& the North East, 2009, London, ISBN 978-0956209245
FURNESS, vol. 4
R. Furness, Poster to Poster: The Eastern Counties, Vol. 4, Yorkshire &
the North East, 2009, London, ISBN 978-0956209238
FURNESS, vol. 5
R. Furness, Poster to Poster: London and the South East, Vol. 5,
Yorkshire & the North East, 2009, London, ISBN 978-0956209252
HAPPY HOLIDAYS
Introduced by M. Palin, Happy Holidays, The Golden Age of Railway
Posters, 1987, London, ISBN 9781851451302
HEALTH
M. Robert-Sterkendries & P. & Julien, Posters of Health, Brussels,
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INTOURIST
Edited by E. Sudakova, See USSR: Intourist Posters and the Marketing of
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ITALIA MANIFESTA
P. Lodola, Italia Manifesta: Il volto dellItalia atraverso i manifesti, 2003,
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M. Haworth-Booth. E.McKnight Kauffer, 2005, V&A Publications,
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KINO/FILM
A. Chiriac & E. Sudakova, KINO/FILM, Soviet Posters if the Silent
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A.Weill, LAffiche dans le Monde, 1984, Paris, ISBN 2 7242 2199 0
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D. Hillion, La Mer s Affiche, 1990, Rennes, ISBN 2 7373 0675 2
LE COULTRE
M. Le Coultre and A. Purvis, A Century of Posters, 2002, Hampshire,
ISBN 0853318638
LONDON TRANSPORT POSTERS
Edited by D. Bownes & O. Green, London Transport Posters: A Century
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C. Dobbin, London Underground Map, 2012, Lund Humphries, ISBN13: 978-1848221048
MANIFESTI ITALIANI
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MASTERS 1900
A.Weill, Masters of the Poster 1900, 2001, New York, ISBN 2 914661
04 5
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ISBN 0 486 26309 6
MAUZAN
M. Carnval-Mauzan, The Posters of Mauzan, 2003, New York, ISBN
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MCKNIGHT KAUFFER
B.Webb & P. Skipwith, E.Mcknight Kauffer: Design, 2007, Antique
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P.Rennie, Modern British Posters, Black Dog Publishing, 2009, ISBN13:
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H. Mouron, Cassandre, 1985, London, ISBN 978-0847806515
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C. Czwiklitzer, Pablo Picasso Plakate 1923-1973, 1981, Mnchen, ISBN
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J.Rennert & A.Weill, Alphonse Mucha, 1984, Paris, ISBN 2 85199 325
9
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86197 061 7
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O.Green, Underground Art, 1990, Studio Vista, ISBN 028980037 4
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M. Timmers, The Power of the Poster, 1998, London, ISBN 185177
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A. Weill, Cassandre, 2005, Paris, ISBN 2 914661 80 0
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51
Index by Artist
A
Aguirreche, 115
Ham, G., 104, 109

HB, 125
Hemming, G., 76
Henry, P., 129
Herbin, A., 49
Sarg, T., 141

Satomi, M., 13, 86
Savignac, R., 25
Scarsi, S., 110
Schnackenberg, W., 46
Semyonov, S., 59, 62
Shepperson, C., 124
Shoesmith, K. D., 72, 130
Solon, A., 4
Stall, J., 26
Stenberg, 45, 64
Stenberg & Ruklevsky, 61
Suhonen, J., 88
B
Bateman, J., 140
Bawden, E., 143, 145
Baylis, A.W., 74
Beall, L, 175
Beck, H., 144
Beligond, M., 102
Bermond, A., 117
Borisov & Prusakov, 56, 63
Boucher, L., 7
Brodovitch, A., 50
C
Cappiello, L., 30
Cassandre, A.M., 8-11
Chagall, M., 18-20
Christy, H.C., 164
Cocteau, J., 17
Colin, P., 27
Culin, N., 178
Cuneo, T., 134-136
Cutter, J., 172
D
de Ochoa, R., 81
Domergue, J., 22
Dransy, J.I., 28
Duchamp, M., 173
Dufy, R., 16
Dupas, J., 40-44
F
Favre, G., 14
Finogenov, A., 58A
Flagg, J.M., 163
Forbes, S.A., 137
Fougasse, 158-160
Freedman, B., 142
52
I
Igmunov, S., 71
Ignatovich, E., 54
J
Jarvis, 75
K
Kihn, W.L., 169
King, C., 132
Klein, D., 167, 170, 171, 176
Kulagina, V., 58
L
Lipscombe, G., 162
Litvak & Fedor, 68
M
Mahrer, W., 77
Mauzan, A., 91-101
Mayakosky & Malyutin, 52
Mayo, C., 133
McKie, H.M., 138, 139
McKnight Kauffer, E., 118
Merinov, P., 69
Metlicovitz, L., 33
Minne, B., 107
Moor, D.S., 57
Morach, O., 111
Mucha, A., 37-39
N
Nebezhin-Nemov, 51
Newbould, F., 112
Nzire, J., 82
Gaillard, E., 89
Games, A., 161
Gentleman, D., 146
Georget, G., 3
Gilfillan, T., 127
Gill, M., 147-157
Gilroy, J., 119
Gobbo, C., 114
Goncharova, N., 47
Gruau, R., 21, 24
Guinhald, B., 12
Perceval, 2
Picasso, P., 15, 48
Privat-Livemot, H., 32
Pruniere, J., 103
Pshenichnikov, V., 55
Puppo, M., 80
R
Ragan, L., 177, 179
Ramensky, K., 70
Rand, P., 174
Rethi, L., 131
Robinson, C., 31
Ruklevsky, Y., 60
T
Toulouse-Lautrec, H., 34, 35
Tripp, H.A., 126
Trompf, P.A., 84
Trpin, J., 85
Turner, M., 108
V
Viano, 23
Villa, H.G., 165, 166
Villemot, B., 1, 29, 90
Volodimer, H.A., 105
von Hanno, O., 83
W
Willmarth, 168
Important Notices and Explanation of

Cataloguing Practice
IMPORTANT NOTICES
CHRISTIES INTEREST IN PROPERTY
CONSIGNED FOR AUCTION
From time to time, Christies may offer a lot which
it owns in whole or in part. Such property is
identified in the catalogue with the symbol next
to its lot number.
On occasion, Christies has a direct financial
interest in lots consigned for sale, which may
include guaranteeing a minimum price or making
an advance to the consignor that is secured solely
by consigned property. Such property is identified
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number. This symbol will be used both in cases
where Christies holds the financial interest on its
own, and in cases where Christies has financed
all or part of such interest through third parties.
When a third party agrees to finance all or part
of Christies interest in a lot, it takes on all or
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Where it does so, and is the successful bidder,
the remuneration may be netted against the final
purchase price. If the lot is not sold, the third
party may incur a loss. Where Christies has an
ownership or financial interest in every lot in the
catalogue, Christies will not designate each lot
with a symbol, but will state its interest at the front
of the catalogue.
In this catalogue, if property has u next to the lot
number, Christies guarantee of a minimum price
has been financed through third parties.
ALL DIMENSIONS ARE APPROXIMATE

CONDITION
Christies catalogues include references to condition
only in descriptions of multiple works (such as
prints, books and wine). For all other property,
only alterations or replacement components are
listed. Please contact the Specialist Department
for a condition report on a particular lot. The
nature of the lots sold in our auctions is such that
they will rarely be in perfect condition, and are
likely, due to their nature and age, to show signs
of wear and tear, damage, other imperfections,
restoration or repair. Any reference to condition
in a catalogue entry will not amount to a full
description of condition. Condition reports are
usually available on request, and will supplement
the catalogue description. In describing lots, our
staff assess the condition in a manner appropriate to
the estimated value of the item and the nature of
the auction in which it is included. Any statement
as to the physical nature or condition of a lot, in a
catalogue, condition report or otherwise, is given
honestly and with appropriate care. However,
Christies staff are not professional restorers or
trained conservators and accordingly any such
statement will not be exhaustive. We therefore
recommend that you always view property
personally, and, particularly in the case of any items
of significant value, that you instruct your own
restorer or other professional adviser to report to
you in advance of bidding.
PROPERTY INCORPORATING MATERIALS

FROM ENDANGERED AND OTHER
PROTECTED SPECIES
Property made of or incorporating (irrespective
of percentage) endangered and other protected
species of wildlife are marked with the symbol ~
in the catalogue. Such material includes, among
other things, ivory, tortoiseshell, crocodile skin,
rhinoceros horn, whale bone and certain species of
coral, together with Brazilian rosewood. Prospective
purchasers are advised that several countries prohibit
altogether the importation of property containing
such materials, and that other countries require a
permit (e.g., a CITES permit) from the relevant
regulatory agencies in the countries of exportation
as well as importation. Accordingly, clients should
familiarise themselves with the relevant customs laws
and regulations prior to bidding on any property
with wildlife material if they intend to import the
property into another country. Please note that it is
the clients responsibility to determine and satisfy the
requirements of any applicable laws or regulations
applying to the export or import of property
containing endangered and other protected wildlife
material. The inability of a client to export or import
property containing endangered and other protected
wildlife material is not a basis for cancellation or
rescission of the sale. Please note also that lots
containing potentially regulated wildlife material are
marked as a convenience to our clients, but Christies
does not accept liability for errors or for failing to
mark lots containing protected or regulated species.
CONDITION RATINGS
A The poster is generally in excellent condition.
Colours are fresh and defects are minor. These
may include slight creases, blemishes, nicks or
folds, but nothing significant.
B The poster is in good condition. There may
be some tears and paper loss along folds and
at edges, when a poster has been linen backed
these may have been restored or repaired.
There may also be some fading.
C The poster has seen better days. There may be
tears and losses in the images, or heavy restoration. Colours may be faded or washed out.
Please note that the condition ratings are subjective.
While Christies will be pleased to provide a condition report on any lot, buyers are reminded that all
property is sold as is and should be viewed personally by you or by your professional adviser before the
sale to assess its condition.
IMPORTANT NOTICE
Please note that Christies South Kensington does
not take responsibility for the conditions of frames.
Any display card used in the protection of posters
remains the property of Christies South Kensington.
RECENT CHANGES TO IMPORTS

OF ELEPHANT IVORY AND OTHER
WILDLIFE MATERIAL INTO THE
USA
The USA has recently changed its policy on the
import of property made of or containing elephant
ivory. Only Asian Elephant ivory may be imported
into the USA, and imports must be accompanied by
DNA analysis and confirmation the object is more
than 100 years old. We have not obtained a DNA
analysis on any lot prior to sale and cannot indicate
whether the elephant ivory in a particular lot is
African or Asian elephant. Buyers purchase these
lots at their own risk and will be responsible for the
costs of obtaining any DNA analysis or other report
required in connection with their proposed import of
such property into the USA.
The USA is also currently requiring all imports of
property made of or containing wildlife material to
be accompanied by a scientific confirmation of species and in some cases an additional confirmation of
age. We have not obtained such confirmations prior
to sale (unless specifically indicated) and buyers will
be responsible for the costs of any such additional
confirmations or opinions required for their proposed import into the USA.
A buyers inability to export or import any lot
containing elephant ivory or other wildlife material
is not a basis for cancelling the purchase.
POST 1950 FURNITURE
All items of post-1950 furniture included in this
sale are items either not originally supplied for use
in a private home or now offered solely as works
of art. These items may not comply with the
provisions of the Furniture and Furnishings (Fire)
(Safety) Regulations 1988 (as amended in 1989 and
1993, the Regulations). Accordingly, these items
should not be used as furniture in your home in
their current condition. If you do intend to use such
items for this purpose, you must first ensure that
they are reupholstered, restuffed and/or recovered
(as appropriate) in order that they comply with the
provisions of the Regulations.
11/04/14
53
Buying at Christies
CONDITIONS OF SALE
Christies Conditions of Sale and Limited Warranty are set out
later in this catalogue. Bidders are strongly encouraged to read
these as they set out the terms on which property is bought
at auction.
ESTIMATES
Estimates are based upon prices recently paid at auction for
comparable property, condition, rarity, quality and provenance.
Estimates are subject to revision. Buyers should not rely upon
estimates as a representation or prediction of actual selling
prices. Estimates do not include the buyers premium or VAT.
Where Estimate on Request appears, please contact the
Specialist Department for further information.
RESERVES
The reserve is the confidential minimum price the consignor
will accept and will not exceed the low pre-sale estimate. Lots
that are not subject to a reserve are identified by the symbol
next to the lot number.
BUYERS PREMIUM
Christies charges a premium to the buyer on the final bid
price of each lot sold at the following rates: 25% of the final
bid price of each lot up to and including 50,000, 20% of
the excess of the hammer price above 50,000 and up to and
including 1,000,000 and 12% of the excess of the hammer
price above 1,000,000. Exceptions: Wine and Cigars: 17.5%
of the final bid price of each lot. VAT is payable on the
premium at the applicable rate.
PRE-AUCTION VIEWING
Pre-auction viewings are open to the public free of charge.
Christies specialists are available to give advice and condition
reports at viewings or by appointment.
BIDDER REGISTRATION
Prospective buyers who have not previously bid or consigned
with Christies should bring:
Individuals: government-issued photo identification (such as
a photo driving licence, national identity card, or passport) and,
if not shown on the ID document, proof of current address, for
example a utility bill or bank statement.
Corporate clients: a certificate of incorporation.
For other business structures such as trusts, offshore
companies or partnerships, please contact Christies Credit
Department at + 44 (0)20 7839 2825 for advice on the
information you should supply.
A financial reference in the form of a recent bank statement
or a reference from your bank in line with your expected
purchase level. Christies can supply a form of wording for the
bank reference if necessary.
Persons registering to bid on behalf of someone who has
not previously bid or consigned with Christies should bring
identification documents not only for themselves but also for
the party on whose behalf they are bidding, together with a
signed letter of authorisation from that party.
To allow sufficient time to process the information, new clients
are encouraged to register at least 48 hours in advance of a sale.
Prospective buyers should register for a numbered bidding
paddle at least 30 minutes before the auction. Clients who have
not made a purchase from any Christies office within the last
one year and those wishing to spend more than on previous
occasions, will be asked to supply a new bank reference.
For assistance with references, please contact Christies Credit
Department at +44 (0)20 7389 2862 (London, King Street)
or at +44 (0)20 7752 3137 (London, South Kensington). We
may at our option ask you for a financial reference or a
deposit as a condition of allowing you to bid.
REGISTERING TO BID ON SOMEONE ELSES BEHALF
Persons bidding on behalf of an existing client should bring
a signed letter from the client authorising the bidder to act
on the clients behalf. Please note that Christies does not
accept payments from third parties. Christies can only accept
payment from the client, and not from the person bidding
on their behalf.
BIDDING
The auctioneer accepts bids from those present in the saleroom, from telephone bidders, or by absentee written bids left
with Christies in advance of the auction. The auctioneer may
also execute bids on behalf of the seller up to the amount of
the reserve. The auctioneer will not specifically identify bids
placed on behalf of the seller. Under no circumstances will the
auctioneer place any bid on behalf of the seller at or above the
reserve. Bid steps are shown on the Absentee Bid Form at the
back of this catalogue.
ABSENTEE BIDS
Absentee bids are written instructions from prospective buyers
directing Christies to bid on their behalf up to a maximum
amount specified for each lot. Christies staff will attempt to
execute an absentee bid at the lowest possible price, taking
into account the reserve price. Absentee bids submitted on no
reserve lots will, in the absence of a higher bid, be executed
at approximately 50% of the low pre sale estimate or at the
amount of the bid if it is less than 50% of the low pre-sale
estimate.The auctioneer may execute absentee bids directly
from the rostrum, clearly identifying these as absentee bids,
book bids, order bids or commission bids. Absentee
Bids Forms are available in this catalogue, at any Christies
location, or online at christies.com.
TELEPHONE BIDS
Telephone bids cannot be accepted for lots estimated below
2,000. Arrangements must be confirmed with the Bid
Department at least 24 hours prior to the auction at +44 (0)20
7389 2658 (London, King Street) or +44 (0)20 7752 3225
(London, South Kensington). Arrangements to bid in languages
other than English must be made well in advance of the sale
date. Telephone bids may be recorded. By bidding on the
telephone, prospective purchasers consent to the recording of
their conversation.
SUCCESSFUL BIDS
While Invoices are sent out by mail after the auction we do not
accept responsibility for notifying you of the result of your bid.
Buyers are requested to contact us by telephone or in person as
soon as possible after the sale to obtain details of the outcome
of their bids to avoid incurring unnecessary storage charges.
Successful bidders will pay the price of the final bid plus
premium plus any applicable VAT.
PAYMENT
Buyers are expected to make payment for purchases
immediately after the auction. To avoid delivery delays,
prospective buyers are encouraged to supply bank or other
suitable references before the auction. Please note that Christies
will not accept payments for purchased Lots from any party
other than the registered buyer.
Lots purchased in London may be paid for in the following
ways: wire transfer, credit card: Visa and MasterCard & American
Express only (up to 25,000), and cash (up to 5,000 (subject
to conditions)), bankers draft (subject to conditions) or cheque
(must be drawn in GBP on a UK bank; clearance will take 5 to
10 business days).
Wire Transfers: Lloyds TSB Bank Plc City Office PO Box 217
72 Lombard Street, London
EC3P 3BT A/C: 00172710 Sort Code: 30-00-02 for
international transfers, SWIFT LOYDGB2LCTY. For banks
asking for an IBAN: GB81 LOYD 3000 0200 1727 10.
Credit Card: Visa and MasterCard & American Express only. A
limit of 25,000 for credit card payments will apply. This limit
is inclusive of the buyers premium and any applicable taxes.
Credit card payments at London sale sites will only be accepted
for London sales. Christies will not accept credit card payments
for purchases made in any other sale site. The fax number to
send completed CNP (Card Member not Present) authorisation
forms to is +44 (0) 20 7389 2821. The number to call to make
a CNP payment over the phone is +44 (0) 20 7752 3388.
Alternatively, clients can mail the authorisation form to the
address below.
Cash is limited to 5,000 (subject to conditions).
Bankers Draft should be made payable to Christies (subject to
conditions).
Cheques should be made payable to Christies (must be
drawn in GBP on a UK bank, clearance will take 5 to 10
business days).
In order to process your payment efficiently, please quote
sale number, invoice number and client number with all
transactions.
All mailed payments should be sent to:
Christies, Cashiers Department,
8 King Street, St Jamess, London, SW1Y 6QT
Please direct all inquiries to King Street
Tel: +44 (0) 20 7389 2996 Fax: +44 (0) 20 7389 2863
VAT
VAT payable at 20% on hammer price and buyers premium

*
These lots have been imported from outside the EU for sale
using a Temporary Import regime. Import VAT is payable (at
5%) on the Hammer price. VAT is also payable (at 20%) on
the buyers Premium on a VAT inclusive basis. This VAT is
not shown separately on the invoice. When a buyer of such a
lot has registered an EU address but wishes to export the lot or
complete the import into another EU country, he must advise
Christies immediately after the auction.
These lots have been imported from outside the EU for sale
using a Temporary Import regime. Import VAT is payable
(at 20%) on the Hammer price. VAT is also payable (at 20%)
on the buyers Premium on a VAT inclusive basis. This VAT
is not shown separately on the invoice. Where applicable
Customs duty will be charged (per rate specified by HMRC
guidance) on the Hammer price and VAT will be payable at
20% on duty. When a buyer of such a lot has registered an EU
address but wishes to export the lot or complete the import
into another EU country, he must advise Christies immediately
after the auction.
BuyersfromwithintheEU:
VAT payable at 20% on just the buyers premium (NOT the
hammer price).
BuyersfromoutsidetheEU:
VAT payable at 20% on hammer price and buyers premium.
If a buyer, having registered under a non-EU address, decides
that the item is not to be exported from the EU, then he
should advise Christies to this effect immediately
q Z
ero rated
No VAT charged.
(no symbol) Auctioneers Margin Scheme
In all other circumstances no VAT will be charged on the
hammer price, but VAT payable at 20% will be added to the
buyers premium which is invoiced on a VAT inclusive basis.
WineAuctions
This wine is in bond. You can choose to take the wine
in bond or duty paid. See the additional conditions of sale
relating to wine for further details.
VATRefunds
Refunds cannot be made where lots have been purchased with
an inside EU address. Christies can only refund Import VAT
(Lots with * or symbol) if lots are exported within 30 days
of collection. Valid export documents must be returned within
the stipulated time frame. No refund will be paid out where
the total amount is less than 100. UK & EU private buyers
cannot reclaim VAT. Christies will charge 35 for each
refund processed. For detailed information please see the leaflets
available, or email info@Christies.com
Where non-EU buyers have failed to export their lots outside
of the EU within the required time, HM Revenue & Customs
will not allow a VAT refund to be made. This is a requirement
of UK legislation and Christies do not have discretion to make
exceptions to the rule. UK and EU private buyers cannot
reclaim any VAT charged.
ARTISTS RESALE RIGHT (DROIT DE SUITE)
If a lot is affected by this right it will be identified with the
symbol next to the lot number. The buyer agrees to pay to
Christies an amount equal to the resale royalty. Resale royalty
applies where the Hammer Price is 1,000 Euro or more and
the amount cannot be more than 12,500 Euro per lot. The
amount is calculated as follows:
Royalty
4.00%
3.00%
1.00%
0.50%
0.25%
For the portion of the Hammer Price (in Euro)

up to 50,000
between 50,000.01 and 200,000
between 200,000.01 and 350,000
between 350,000.01 and 500,000
in excess of 500,000
Invoices will, as usual, be issued in Pounds Sterling. For the

purposes of calculating the resale royalty the Pounds Sterling/
Euro rate of exchange will be the European Central Bank
reference rate on the day of the sale.
SHIPPING
It is the buyers responsibility to pick up purchases or make
all shipping arrangements. After payment has been made in
full, Christies can arrange property packing and shipping at
the buyers request and expense. Buyers should request an
estimate for any large items or property of high value that
require professional packing. A shipping form is enclosed with
each invoice, alternatively buyers can visit www.christies.com/
shipping to request a shipping estimate. For more information
please contact the Shipping Department at + 44 (0)20 7389
2712 or via
ArtTransport_London@christies.com for both London,
King Street and London, South Kensington sales.
EXPORT OF GOODS FROM THE EU
If you are proposing to take purchased items outside the EU the
following applies:
ChristiesArtTransport:
If you use Christies Art Transport you will not be required to
pay the VAT at the time of settlement.
ChristiesVATauthorisedShipper:
If you use a Christies VAT authorised shipper you will not be
required to pay the VAT at the time of settlement.
OwnShipper:
VAT will be charged on the invoice, refundable by the VAT
Department upon receipt of the appropriate official documents
sent to us by your shipper.
Hand-Carried:
VAT will be charged on the invoice.This will be refunded by
the VAT Department upon receipt of the appropriate official
document.
*, or
Starred, Omega or Daggered lots A C88 can be obtained
from Christies Shipping Department .This document must be
stamped by UK Customs on leaving the UK.
(no symbol)
Margin Scheme lots Please obtain GB Tax Free form from
the Cashiers. This document must be stamped by UK Customs
on leaving the UK.
Starred or Omega lots must be exported within 30 days of the
date of collection. All other lots not subject to import VAT
must be exported within three months of collection, and proof
of export provided in the appropriate form.
EXPORT/IMPORT PERMITS
Buyers should always check whether an export licence is required
before exporting. It is the buyers sole responsibility to obtain any
relevant export or import licence. The denial of any licence or
any delay in obtaining licences shall neither justify the rescission of
any sale nor any delay in making full payment for the lot.
Christies can advise buyers on the detailed provisions of the
export licensing regulations and will submit any necessary
export licence applications on request. However, Christies
cannot ensure that a licence will be obtained. Local laws may
prohibit the import of some property and/or may prohibit
the resale of some property in the country of importation.
For more information, please contact Christies Shipping
Department at +44 (0)20 7389 2828 or the Museums, Libraries
and Archives Council: Acquisitions, Export and Loans Unit at
+44 (0)20 7273 8269/8267.
20/11/13
54
Storage and Collection

STORAGE & COLLECTION CHARGES
Specified lots, marked with a filled square ( ) not
cleared from Christies by 5.00 pm on the day of
the sale and all sold and unsold lots not cleared from
Christies by 5.00 pm on the fifth Friday following
the sale will be removed to the warehouse of:
Cadogan Tate Fine Art Logistics Ltd
241 Acton Lane, Park Royal
London NW10 7NP
Telephone: +44 (0)800 988 6100
Email: collections@cadogantate.com
Lots will be available for collection on the frst full
business week after transfer to Cadogan Tate Fine
Art Logistics Ltd and every business weekday from
9.00 am to 5.00 pm.
Property, once paid, can be released to Christies
Fine Art Storage Services (CFASS) in London,
New York or Singapore FreePort at any time for
environmentally controlled long term storage, per
client request. CFASS is a separate subsidiary of
Christies and clients enjoy complete confidentiality.
Visit www.cfass.com, or contact london@cfass.com.
Telephone: +44 (0)20 7622 0609 for details.
TRANSFER, STORAGE & RELATED
CHARGES (PER LOT)
CHARGES
Furniture/
Large Objects
Transfer/Admin
Storage per day
Extended
Liability Charge:
42.00
21.00
5.25
2.65
The lower amount of 0.6% of
Hammer Price or 100% of the
above charges
Pictures/
Small Objects
All charges are subject to VAT. Very large or heavy

items may be subject to a surcharge.
COLLECTION & PAYMENT OF ANY

CHARGES DUE
Lots will be available for collection from
Cadogan Tate at
Cadogan Tate Fine Art Logistics Ltd
241 Acton Lane, Park Royal
London NW10 7NP
Telephone: +44 (0)800 988 6100
on every business day after the day of transfer,
from 9.00 am until 5.00 pm.
Lots may only be released by Cadogan Tate upon
a) production of the Collection Order obtained
from the cashiers office at Christies, 85 Old
Brompton Road, London SW7 or Christies,
8 King Street, London SW1
b) payment of any charges that may be due to
Cadogan Tate
To assist Cadogan Tate to provide a swift release
please telephone on the business day prior to
collection to ensure that Lots are available and to
ascertain any charges due. If sending a carrier please
ensure that they are provided with all necessary
information, your written authority to collect, the
Collection Order and the means to settle any charges.
COLLECTION FROM CADOGAN TATE
Please note that Cadogan Tates opening hours
are Monday to Friday 9.00 am to 5.00 pm, and
purchases transferred to their warehouse are not
available for collection at weekends.
EXTENDED LIABILITY CHARGES

All services provided by Fine Art Logistics Ltd
(Cadogan Tate) will be subject to their standard
Conditions of Business, copies of which are
available at Christies South Kensington. Please
note in particular that Cadogan Tate
does not accept any liability for damage or loss,
due to its negligence or otherwise, exceeding the
Hammer Price of a Lot plus associated Buyers
Premium, or, at its sole option, the cost of repairing
or replacing the damaged or missing Lot and
it reserves a lien over all goods in its possession
for payment of storage and all other charges due
to it and
it automatically arranges on behalf of the Lots
owner and at the owners cost, insurance of the
Lot for the sum of the Hammer price plus Buyers
Premium. The Extended Liability Charge covers
the Lot from the time of collection from the
saleroom until release of the Lot to the owner or
the owners agent. The Extended Liability Charge
payable by the owner of the Lot is 0.6% of the
sum of the Hammer Price and Buyers Premium or
100% of the transfer and storage charges, whichever
is the smaller. This Extended Liability will not be
arranged and no charge will be payable only on
receipt by Cadogan Tate of advance written notice
from the owner of the lot together with formal
waiver of subrogation from the owners insurers.
Christies Fine Art Storage Services (CFASS)
also offers storage solutions for fine art, antiques and
collectibles in New York and Singapore FreePort.
CFASS is a separate subsidiary of Christies and
clients enjoy complete confidentiality.
Visit www.cfass.com for charges and other details.
Please note that there will be no charge to

purchasers who collect their lots within two
weeks of this sale.
Cadogan TaTe Warehouse

241 Acton Lane, Park Royal,
London NW10 7NP
Telephone: +44 (0)800 988 6100
10/06/14
55
Conditions of Sale
These Conditions of Sale and the Important Notices
and Explanation of Cataloguing Practice set out the
terms governing the legal relationship of Christies
and the seller with the buyer. You should read them
carefully before bidding.
3. AT THE SALE
(a) Refusal of admission
Christies has the right, at our complete discretion,
to refuse admission to the premises or participation
in any auction and to reject any bid.
1. CHRISTIES AS AGENT
Except as otherwise stated Christies acts as agent for
the seller. The contract for the sale of the property is
therefore made between the seller and the buyer.
(b) Registration before bidding

Prospective buyers who wish to bid in the saleroom
can register online in advance of the sale, or
can come to the saleroom on the day of the sale
approximately 30 minutes before the start of the
sale to register in person. Prospective buyers must
complete and sign a registration form with his
or her name and permanent address, and provide
identification before bidding. We may require the
production of bank details from which payment will
be made or other financial references.
2.
CATALOGUE DESCRIPTIONS
AND CONDITION
Lots are sold as described and otherwise in the
condition they are in at the time of the sale, on the
following basis.
(a) Condition
The nature of the lots sold in our auctions is such that
they will rarely be in perfect condition, and are likely,
due to their nature and age, to show signs of wear
and tear, damage, other imperfections, restoration or
repair. Any reference to condition in a catalogue entry
will not amount to a full description of condition.
Condition reports are usually available on request,
and will supplement the catalogue description. In
describing lots, our staff assess the condition in a
manner appropriate to the estimated value of the item
and the nature of the auction in which it is included.
Any statement as to the physical nature or condition
of a lot, in a catalogue, condition report or otherwise,
is given honestly and with appropriate care. However,
Christies staff are not professional restorers or trained
conservators and accordingly any such statement will
not be exhaustive. We therefore recommend that you
always view property personally, and, particularly
in the case of any items of significant value, that
you instruct your own restorer or other professional
adviser to report to you in advance of bidding.
(b) Cataloguing Practice
Our cataloguing practice is explained in the
Important Notices and Explanation of Cataloguing
Practice, which appear after the catalogue entries.
(c) Attribution etc
Any statements made by Christies about any lot,
whether orally or in writing, concerning attribution
to, for example, an artist, school, or country of origin,
or history or provenance, or any date or period, are
expressions of our opinion or belief. Our opinions and
beliefs have been formed honestly and in accordance
with the standard of care reasonably to be expected
of an auction house of Christies standing, due regard
having been had to the estimated value of the item
and the nature of the auction in which it is included.
It must be clearly understood, however, that, due to
the nature of the auction process, we are unable to
carry out exhaustive research of the kind undertaken
by professional historians and scholars, and also that, as
research develops and scholarship and expertise evolve,
opinions on these matters may change. We therefore
recommend that, particularly in the case of any item of
significant value, you seek advice on such matters from
your own professional advisers.
(d) Estimates
Estimates of the selling price should not be relied on
as a statement that this is the price at which the item
will sell or its value for any other purpose.
(e) Fitness for Purpose
Lots sold are enormously varied in terms of age, category
and condition, and may be purchased for a variety
of purposes. Unless otherwise specifically agreed, no
promise is made that a lot is fit for any particular purpose.
56
(c) Bidding as principal

When making a bid, a bidder is accepting personal
liability to pay the purchase price, including the
buyers premium and all applicable taxes, plus
all other applicable charges, unless it has been
explicitly agreed in writing with Christies before
the commencement of the sale that the bidder is
acting as agent on behalf of an identified third party
acceptable to Christies, and that Christies will only
look to the principal for payment.
(d) Absentee bids
We will use reasonable efforts to carry out written
bids delivered to us prior to the sale for the
convenience of clients who are not present at the
auction in person, by an agent or by telephone. Bids
must be placed in the currency of the place of the
sale. Please refer to the catalogue for the Absentee
Bids Form. If we receive written bids on a particular
lot for identical amounts, and at the auction these
are the highest bids on the lot, it will be sold to
the person whose written bid was received and
accepted first. Execution of written bids is a free
service undertaken subject to other commitments
at the time of the sale and provided that we have
exercised reasonable care in the handling of written
bids, the volume of goods is such that we cannot
accept liability in any individual instance for failing
to execute a written bid or for errors and omissions
in connection with it arising from circumstances
beyond our reasonable control.
(e) Telephone bids
If a prospective buyer makes arrangements with us
prior to the commencement of the sale we will use
reasonable efforts to contact them to enable them to
participate in the bidding by telephone but we do
not accept liability for failure to do so or for errors
and omissions in connection with telephone bidding
arising from circumstances beyond our reasonable
control.
(f) Currency converter
At some auctions a currency converter may be
operated. Errors may occur in the operation of
the currency converter. Where these arise from
circumstances beyond our reasonable control we
do not accept liability to bidders who follow the
currency converter rather than the actual bidding in
the saleroom.
(g) Video or digital images
At some auctions there may be a video or digital
screen. Errors may occur in its operation and in the
quality of the image. We do not accept liability for
such errors where they arise for reasons beyond our
reasonable control.
(h) Reserves
Unless otherwise indicated, all lots are offered
subject to a reserve, which is the confidential
minimum price below which the lot will not be
sold. The reserve will not exceed the low estimate
printed in the catalogue. If any lots are not subject
to a reserve, they will be identified with the symbol
next to the lot number. The auctioneer may open
the bidding on any lot below the reserve by placing
a bid on behalf of the seller. The auctioneer may
continue to bid on behalf of the seller up to the
amount of the reserve, either by placing consecutive
bids or by placing bids in response to other bidders.
(i) Auctioneers discretion
The auctioneer has the right to exercise reasonable
discretion in refusing any bid, advancing the bidding
in such a manner as he may decide, withdrawing or
dividing any lot, combining any two or more lots
and, in the case of error or dispute, and whether
during or after the sale, determining the successful
bidder, continuing the bidding, cancelling the sale
or reoffering and reselling the item in dispute. If
any dispute arises after the sale, then, in the absence
of any evidence to the contrary the sale record
maintained by the auctioneer will be conclusive.
(j) Successful bid and passing of risk
Subject to the auctioneers reasonable discretion, the
highest bidder accepted by the auctioneer will be
the buyer and the striking of his hammer marks the
acceptance of the highest bid and the conclusion of
a contract for sale between the seller and the buyer.
Risk and responsibility for the lot (including frames
or glass where relevant) passes to the buyer at the
expiration of seven calendar days from the date of
the sale or on collection by the buyer if earlier.
4. AFTER THE SALE
(a) Buyers premium
In addition to the hammer price, the buyer agrees
to pay to us the buyers premium together with any
applicable value added tax. The buyers premium
is 25% of the final bid price of each lot up to and
including 50,000, 20% of the excess of the hammer
price above 50,000 and up to and including
1,000,000 and 12% of the excess of the hammer
price above 1,000,000. Exceptions: Wine and
Cigars: 17.5% of the final bid price of each lot, VAT
is payable at the applicable rate.
(b) Artists Resale Right (Droit de Suite)
If the Artists Resale Right Regulations 2006 apply to
the lot the buyer also agrees to pay to us an amount
equal to the resale royalty provided for in those
Regulations. Lots affected are identified with the
symbol next to the lot number.
(c) Payment and ownership
The buyer must pay the full amount due
(comprising the hammer price, buyers premium
and any applicable taxes or resale royalty)
immediately after the sale. This applies even if
the buyer wishes to export the lot and an export
licence is, or may be, required. The buyer will not
acquire title to the lot until all amounts due to us
from the buyer have been received by us in good
cleared funds even in circumstances where we have
released the lot to the buyer.
09/08/13
(d) Collection of purchases

We shall be entitled to retain items sold until all
amounts due to us, or to Christies International
plc, or to any of its affiliates, subsidiaries or parent
companies worldwide, have been received in full in
good cleared funds or until the buyer has performed
any other outstanding obligations as we, at our sole
discretion, shall require, including, for the avoidance
of doubt, completing any anti-money laundering or
anti-terrorism financing checks we may require to our
satisfaction. In the event a buyer fails to complete any
anti-money laundering or anti-terrorism financing
checks to our satisfaction, Christies shall be entitled
to cancel the sale and to take any other actions that are
required or permitted under applicable law. Subject
to this, the buyer shall collect purchased lots within
two calendar days from the date of the sale unless
otherwise agreed between us and the buyer.
transactions, to apply any amount paid to

discharge any amount owed in respect of any
particular transaction, whether or not the buyer
so directs;
(viii) to reject at any future auction any bids made by
or on behalf of the buyer or to obtain a deposit
from the buyer before accepting any bids;
(ix) to exercise all the rights and remedies of a
person holding security over any property in our
possession owned by the buyer, whether by way
of pledge, security interest or in any other way,
to the fullest extent permitted by the law of the
place where such property is located. The buyer
will be deemed to have granted such security to
us and we may retain such property as collateral
security for such buyers obligations to us;
(x) to take such other action as we deem necessary
or appropriate.
(e) Packing, handling and shipping

Although we shall use reasonable efforts to take care
when handling, packing and shipping a purchased
lot and in selecting third parties for these purposes,
we are not responsible for the acts or omissions of
any such third parties. Similarly, where we suggest
other handlers, packers or carriers if so requested,
our suggestions are made on the basis of our general
experience of such parties in the past and we are not
responsible to any person to whom we have made
a recommendation for the acts or omissions of the
third party concerned.
If we resell the property under paragraph (iv) above,

the defaulting buyer shall be liable for payment of
any deficiency between the total amount originally
due to us and the price obtained upon resale as well
as for all reasonable costs, expenses, damages, legal
fees and commissions and premiums of whatever
kind associated with both sales or otherwise arising
from the default. If we pay any amount to the seller
under paragraph (v) above, the buyer acknowledges
that Christies shall have all of the rights of the seller,
however arising, to pursue the buyer for such amount.
(f) Export licence

Unless otherwise agreed by us in writing, the fact
that the buyer wishes to apply for an export licence
does not affect his or her obligation to make payment
immediately after the sale nor our right to charge
interest or storage charges on late payment. If the
buyer requests us to apply for an export licence on his
or her behalf, we shall be entitled to make a charge for
this service. We shall not be obliged to rescind a sale
nor to refund any interest or other expenses incurred
by the buyer where payment is made by the buyer in
circumstances where an export licence is required.
(g) Remedies for non payment
If the buyer fails to make payment in full in good
cleared funds within 7 days after the sale, we shall
have the right to exercise a number of legal rights
and remedies. These include, but are not limited to,
the following:
(i) to charge interest at an annual rate equal to 5%
above the base rate of Lloyds TSB Bank Plc;
(ii) to hold the defaulting buyer liable for the
total amount due and to commence legal
proceedings for its recovery together with
interest, legal fees and costs to the fullest extent
permitted under applicable law;
(iii) to cancel the sale;
(iv) to resell the property publicly or privately on
such terms as we shall think fit;
(v) to pay the seller an amount up to the net
proceeds payable in respect of the amount bid
by the defaulting buyer;
(vi) to set off against any amounts which we,
or Christies International plc, or any of its
affiliates, subsidiaries or parent companies
worldwide, may owe the buyer in any other
transactions, the outstanding amount remaining
unpaid by the buyer;
(vii) where several amounts are owed by the buyer
to us, or to Christies International plc, or
to any of its affiliates, subsidiaries or parent
companies worldwide, in respect of different
(h) Failure to collect purchases

Where purchases are not collected within two calendar
days from the date of the sale, whether or not payment
has been made, we shall be permitted to remove the
property to a third party warehouse at the buyers
expense, and only release the items after payment in full
has been made of removal, storage, handling, and any
other costs reasonably incurred, together with payment
of all other amounts due to us.
(i) Selling Property at Christies
In addition to expenses such as transport, all
consignors pay a commission according to a fixed
scale of charges based upon the value of the property
sold by the consignor at Christies in a calendar year.
Commissions are charged on a sale by sale basis.
5. LIMITED WARRANTY
In addition to Christies liability to buyers set out in
clause 2 of these Conditions, but subject to the terms
and conditions of this paragraph, Christies warrants for
a period of five years from the date of the sale that any
property described in headings printed in UPPER CASE
TYPE (i.e. headings having all capital-letter type) in
this catalogue (as such description may be amended by
any saleroom notice or announcement) which is stated
without qualification to be the work of a named author
or authorship, is authentic and not a forgery. The term
author or authorship refers to the creator of the
property or to the period, culture, source or origin, as the
case may be, with which the creation of such property
is identified in the UPPER CASE description of the
property in this catalogue. Only UPPER CASE TYPE
headings of lots in this catalogue indicate what is being
warranted by Christies. Christies warranty does not
apply to supplemental material which appears below
the UPPER CASE TYPE headings of each lot and
Christies is not responsible for any errors or omissions
in such material. The terms used in the headings are
further explained in Important Notices and Explanation
of Cataloguing Practice. The warranty does not apply
to any heading which is stated to represent a qualified
opinion. The warranty is subject to the following:
(i)
(ii)
(iii)
(iv)
(v)
(vi)
It does not apply where (a) the catalogue

description or saleroom notice corresponded
to the generally accepted opinion of scholars
or experts at the date of the sale or fairly
indicated that there was a conflict of opinions;
or (b) correct identification of a lot can be
demonstrated only by means of either a
scientific process not generally accepted for
use until after publication of the catalogue or
a process which at the date of publication of
the catalogue was unreasonably expensive or
impractical or likely to have caused damage to
the property.
The benefits of the warranty are not assignable
and shall apply only to the original buyer of the
lot as shown on the invoice originally issued by
Christies when the lot was sold at auction.
The original buyer must have remained the
owner of the lot without disposing of any
interest in it to any third party.
The buyers sole and exclusive remedy against
Christies and the seller, in place of any other
remedy which might be available, is the
cancellation of the sale and the refund of the
original purchase price paid for the lot. Neither
Christies nor the seller will be liable for any
special, incidental or consequential damages
including, without limitation, loss of profits
nor for interest.
The buyer must give written notice of claim
to us within five years from the date of the
auction. It is Christies general policy, and
Christies shall have the right, to require the
buyer to obtain the written opinions of two
recognised experts in the field, mutually
acceptable to Christies and the buyer, before
Christies decides whether or not to cancel the
sale under the warranty.
The buyer must return the lot to the Christies
saleroom at which it was purchased in the same
condition as at the time of the sale.
6. COPYRIGHT
The copyright in all images, illustrations and written
material produced by or for Christies relating to a
lot including the contents of this catalogue, is and
shall remain at all times the property of Christies
and shall not be used by the buyer, nor by anyone
else, without our prior written consent. Christies
and the seller make no representation or warranty
that the buyer of a property will acquire any
copyright or other reproduction rights in it.
7. SEVERABILITY
If any part of these Conditions of Sale is found by
any court to be invalid, illegal or unenforceable,
that part shall be discounted and the rest of the
conditions shall continue to be valid to the fullest
extent permitted by law.
8. LAW AND JURISDICTION
The rights and obligations of the parties with
respect to these Conditions of Sale, the conduct of
the auction and any matters connected with any
of the foregoing shall be governed and interpreted
by the laws of England. By bidding at auction,
whether present in person or by agent, by written
bid, telephone or other means, the buyer shall
be deemed to have submitted, for the benefit of
Christies, to the exclusive jurisdiction of the courts
of the United Kingdom.
05/01/10
57
MATEOS
Origen y dignidad de la caca. Madrid : Francisco Martinez, 1634
12,00018,000
Two Important Sporting Libraries

The Cricket Library of the late Roger Hancock
The Falconry and Hunting Library of the late
Don Dmaso Gutirrez Arrese
London, South Kensington 5 November 2014

Viewing
Contact
1-4 November 2014

85 Old Brompton Road
London SW7 3LD
Rupert Neelands
rneelands@christies.com
+44 (0)20 7389 2674
christies.com
ERNEST-BAPTISTE LEVEILLE (1841-1913)

A VASE, CIRCA 1890
overlaid and etched glass
7 in. (17.8 cm.)
signed ELeveille 1890 n. 353
$40,000-60,000
DAUM
A VASE, CIRCA 1900
marquetrie-sur-verre
5 (13.4 cm)
incised Daum Nancy with Cross of Lorraine
$25,000-35,000
EUGENE MICHEL (1848-1904)

A VASE, CIRCA 1900
cameo glass with applied decoration
11 in. (29.1 cm.) high
Signed E Michel
$50,000-70,000
20/21 Design
New York 9 December 2014
Viewing
Contact
58 December 2014
20 Rockefeller Plaza
New York, NY 10020
Carina Villinger
cvillinger@christies.com
+1 212 636 2240
christies.com
Bespoke Framing Service

The framing of a vintage poster requires
knowledge and sensitivity. Our framing consultants
have collectively been framing old masters and
contemporary work for 120 years, so we have a
wealth of expert advice and experience, not just
in terms of recommending the correct presentation
materials, but also in terms of the design aesthetic.
Whether you require a vintage deco style frame or
a minimal Perspex box, we can help. With our own
collection, delivery and installation service, your work
can be framed and up on the wall within two weeks.
To arrange a visit to our client showrooms
or to speak to one of our consultants directly,
please call us on 020 7281 5439.
John Jones
4 Morris Place London N4 3JG
E sales.assistant@ johnjones.co.uk
www.johnjones.co.uk
Opening hours:
MonFri 9.30am5.30pm,
Sat 10am3pm, or by appointment
For Client Use

Name
Address
Tel
Email
By signing this form you hereby authorise

John Jones to collect the following lots on your
behalf. John Jones will contact you to arrange
a framing consultation before a complimentary
collection of the work is booked. Please return
this form to Christies upon completion.
Signature
Date
For Christies Use

Lot No.
Artwork title
Artist
Medium
Dimensions
Weight
Value
ALPINE ESTATE
ADNET, SALZBURG, AUSTRIA
Ideally located only 25 minutes away from the airport and Mozarts birthplace
in Salzburg, this exceptional villa enjoys magnifcent 360-degree views of the
Salzburg mountains. Constructed in 2007 using the fnest materials, the result
is a stunning contemporary villa that has been carefully integrated into the
topography of the land.
Price upon request
CHRISTIES INTERNATIONAL REAL ESTATE
STILLER & HOHLA
Joachim Wrang-Widn +44 (0)20 7389 2522

jwrang-widen@christies.com
Leo Hohla +43 662 6585 110

leo.hohla@stiller-hohla.at
www.christiesrealestate.com
The Christies
Art Business
Course
Contact Information
To register or receive
further information visit
www.christies.edu or please call:
London + 44 (0) 20 7665 4350
New York +1 212 355 1501
In this course prominent art world leaders and members of the

Christies Education faculty guide participants through lectures
and discussions designed to provide an in-depth understanding
of the practical and theoretical aspects of the global art market.
Flexibly organised, you can take the course in its entirety or
subscribe to individual modules of particular interest.
LONDON
Tuesday evenings
NEW YORK Wednesday evenings
Module 1
The Art Market
4 18 March 2014
Module 1
Art and the Law
September 10 October 8, 2014
Module 2
Art Law
25 March 8 April 2014
Module 2
The Art Market
October 15 November 12, 2014
Module 3
Artistic Creativity & Art Business
15 29 April 2014
Module 4
Valuation & Art Appraisal
6 20 May 2014
Module 5
Collecting & Dealing in Art
27 May 10 June 2014
Module 6
Auction Business
17 June 1 July 2014
Module 7
Museums & the Art Market
822 July 2014
Module 3
Art and Valuation
January 7 February 4, 2015
Module 4
Auction Business
February 11 March 11, 2015
Module 5
The Art World Today
April 8 May 6, 2015
Absentee Bids Form
Vintage Posters
THURSDAY 13 NOVEMBER 2014 AT 1.00 PM
85 Old Brompton Road, London SW7 3LD
Christies South Kensington
CODE NAME: POS

SALE NUMBER: 5638
(Dealers billing name and address must agree with tax

exemption certificate. Invoices cannot be changed after
they have been printed.)
Absentee bids must be received at least 24 hours before the auction begins.
Tel: +44 (0)20 7752 3225 Fax: +44 (0)20 7581 1403 on-line www.christies.com
5638
BID ONLINE FOR THIS SALE AT CHRISTIES.COM

BIDDING INCREMENTS
Client Number (if applicable)
Bidding generally opens below the low estimate

and advances in increments of up to 10%, subject
to the auctioneers discretion. Absentee bids that
do not conform to the increments set below may
be lowered to the next bidding interval.
UK50 to UK1,000
UK1,000 to UK2,000
UK2,000 to UK3,000
UK3,000 to UK5,000
by
by
by
by
UK50s
UK100s
UK200s
UK200, 500, 800
(ie: UK4,200, 4,500, 4,800)

by UK500s
by UK1,000s
by UK2,000s
by UK2,000, 5,000, 8,000
(ie: UK32,000, 35,000,
38,000)
UK50,000 to UK100,000 by UK5,000s
UK100,000 to UK200,000 by UK10,000s
above UK200,000
at auctioneers discretion
UK5,000 to UK10,000
UK10,000 to UK20,000
UK20,000 to UK30,000
UK30,000 to UK50,000
The auctioneer may vary the increments during the

course of the auction at his or her own discretion.
Auction Results: +44 (0)20 7839 9060
Please also refer to the information contained in Buying at
Christies.
I request Christies to bid on the following lots up to the
maximum price I have indicated for each lot. I understand
that if my bid is successful, the purchase price will be the
sum of my final bid plus a buyers premium of 25% of the
final bid price of each lot up to and including 50,000,
20% of the excess of the hammer price above 50,000 and
up to and including 1,000,000 and 12% of the excess of
the hammer price above 1,000,000, together with any
VAT chargeable on the final bid and the buyers premium.
VAT is chargeable on the purchase price of daggered () lots,
and for buyers outside the EU on () lots, at the standard
rate. VAT is chargeable on the purchase price of starred (*)
lots at the reduced rate.
Christies South Kensington is not able to notify successful
bidders by telephone. While Invoices are sent out by mail
after the auction we do not accept responsibility for notifying
you of the result of your bid. Buyers are requested to contact
us by telephone or in person as soon as possible after the
sale to obtain details of the outcome of their bids to avoid
incurring unnecessary storage charges.
I understand that Christies provides the service of executing
absentee bids for the convenience of clients and that Christies
is not responsible for failing to execute bids or for errors
relating to execution of bids. On my behalf, Christies will try
to purchase these lots for the lowest possible price, taking into
account the reserve and other bids. Absentee bids submitted
on no reserve lots will, in the absence of a higher bid, be
executed at approximately 50% of the low pre-sale estimate
or at the amount of the bid if it is less than 50% of the low
pre-sale estimate. If identical absentee bids are received for
the same lot, the written bid received first by Christies will
take precedence. Please contact the Telephone Bid office at
least 24 hours in advance of the sale to make arrangements for
telephone bidding. Tel: +44 (0)20 7752 3225
All bids are subject to the terms of the Conditions of Sale
and Limited Warranty printed in each Christies catalogue.
09/08/13
Sale Number
Billing Name (please print)
Address
Post Code
Daytime Telephone
Evening Telephone
Fax (Important)
Email
Please tick if you prefer not to receive information about our upcoming sales by e-mail
Signature
If you have not previously bid or consigned with Christies, please attach copies of the following documents.
Individuals: government-issued photo identification (such as a photo driving licence, national identity card,
or passport) and, if not shown on the ID document, proof of current address, for example a utility bill or
bank statement. Corporate clients: a certificate of incorporation. Other business structures such as trusts,
offshore companies or partnerships: please contact the Credit Department at + 44 (0)20 7752 3137 for advice
on the information you should supply. If you are registering to bid on behalf of someone who has not
previously bid or consigned with Christies, please attach identification documents for yourself as well as the
party on whose behalf you are bidding, together with a signed letter of authorisation from that party. New
clients, clients who have not made a purchase from any Christies office within the last one year, and those
wishing to spend more than on previous occasions may be asked to supply a bank reference. We may at our
option ask you for a financial reference or a deposit as a condition of allowing you to bid. We also request
that you complete the section below with your bank details:
Name of Bank(s)
Address of Banks(s)
Account Number(s)
Name of Account Officer(s)
Bank Telephone Number
PLEASE PRINT CLEARLY

Lot number
(in numerical order)
Maximum Bid UK
(excluding buyers premium)
Lot number
(in numerical order)
Maximum Bid UK
(excluding buyers premium)
If you are registered within the European Community for VAT/IVA/TVA/BTW/MWST/MOMS

Please quote number below:
63
PHOTOGRAPHS, POSTERS & PRINTS
expert knowledge beautifully presented
Code
L11
N61
N11
P61
K13
K72
Subscription Title
Photographs, Posters & Prints
Old Master, 19th Century,
Modern & Contemporary Prints
Photographs
Prints
Photographs
Old Master, 19th Century,
Modern & Contemporary Prints
Vintage Posters
Vintage works from the 19th and early 20th centuries, modern and
contemporary photographs and photographically illustrated books.
Original works from the great masters of all periods of western
printmaking from Drer through Rembrandt and Goya to ToulouseLautrec, Picasso and Contemporary artists.
Location
Issues
UKPrice
US$Price
EURPrice
King Street
57
91
86
New York
New York
Paris
South Kensington
5
3
2
4
119
71
38
68
190
114
61
114
181
108
57
103
South Kensington
43
71
66
www.christies.com/shop
Photographs, Posters and Prints Impressionist and Modern Art
Jewellery, Watches and Wine Antiquities and Tribal Art
Asian and Islamic Art Russian Art
Furniture, Decorative Arts and Collectables American Art and Furniture
Books, Travel and Science Design, Costume and Memorabilia
Post-War and Contemporary Art
Old Master Paintings and 19th Century Paintings
Christies
CHRISTIES INTERNATIONAL PLC
Patricia Barbizet, Chairman
Steven P. Murphy, Chief Executive Officer
Stephen Brooks, Chief Operating Officer
Loc Brivezac, Gilles Erulin, Gilles Pagniez,
Franois-Henri Pinault
Sophie Carter, Company Secretary

CHRISTIES EXECUTIVE
Steven P. Murphy,
Stephen Brooks, Kerry Chandler, Franois Curiel,
Marc Porter, Jussi Pylkknen, Doug Woodham
Charles Cator, Deputy Chairman,

Christies International
CHRISTIES EUROPE
CHAIRMANS OFFICE
Jussi Pylkknen, President
Orlando Rock, Deputy Chairman
SENIOR DIRECTORS
Mariolina Bassetti, Giovanna Bertazzoni,
Olivier Camu, Philippe Garner, Richard Knight,
Francis Outred, Andreas Rumbler,
Franois de Ricqles
DIRECTORS
Prof. Dr. Dirk Boll, Roland de Lathuy,
Eveline de Proyart, Roni Gilat-Baharaff,
Paul Hewitt, Clarice Pecori Giraldi,
Christiane Rantzau, Jop Ubbens, Juan Varez
CHRISTIES EUROPEAN
ADVISORY BOARD
Pedro Girao, Chairman,
Christopher Balfour, Patricia Barbizet,
Arpad Busson, Loula Chandris,
Kemal Has Cingillioglu, Ginevra Elkann,
I. D. Frstin zu Frstenberg,
H.R.H. Prince Pavlos of Greece, Alicia Koplowitz,
Viscount Linley, Robert Manoukian,
Rosita, Duchess of Marlborough,
Dimitri Mavrommatis,
Countess Daniela Memmo dAmelio, Usha Mittal,
Leopoldo Rods, igdem Simavi
CHRISTIES UK
CHAIRMANS OFFICE
Viscount Linley, Chairman
Nol Annesley, Honorary Chairman;
Richard Roundell, Vice Chairman;
Robert Copley, Deputy Chairman;
The Earl of Halifax, Deputy Chairman;
Francis Russell, Deputy Chairman;
Julia Delves Broughton, James Hervey-Bathurst,
Amin Jaffer, Orlando Rock,
Nicholas White, Mark Wrey
SENIOR DIRECTORS
Dina Amin, Daniel Baade, Philip Belcher,
Jeremy Bentley, Ellen Berkeley, Jill Berry,
Giovanna Bertazzoni, Prof. Dr. Dirk Boll,
Peter Brown, James Bruce-Gardyne,
Olivier Camu, Sophie Carter, Benjamin Clark,
Christopher Clayton-Jones, Karen Cole,
Isabelle de La Bruyere, Leila de Vos,
Nicole Dembinska, Paul Dickinson,
Harriet Drummond, Julie Edelson,
Hugh Edmeades, David Elswood,
David Findlay, Margaret Ford, Daniel Gallen,
Philippe Garner, Jane Griffiths, Karen Harkness,
Philip Harley, James Hastie, Paul Hewitt,
Rachel Hidderley, Mark Hinton, Nick Hough,
Michael Jeha, Hugues Joffre, Donald Johnston,
Erem Kassim-Lakha, William Lorimer,
Catherine Manson, John McDonald,
Nic McElhatton (Chairman, South Kensington),
Alexandra McMorrow, Jeremy Morrison,
Nicholas Orchard, Francis Outred, Clarice PecoriGiraldi, Benjamin Peronnet, Henry Pettifer,
Steve Phipps, Will Porter, Paul Raison,
Tara Rastrick, William Robinson, John Stainton,
Alexis de Tiesenhausen, Lynne Turner, Jay Vincze,
Andrew Ward, David Warren, Andrew Waters,
Harry Williams-Bulkeley, Martin Wilson,
Andr Zlattinger
Sarah Mansfield, Nicolas Martineau, Roger Massey,

Joy McCall, Neil McCutcheon, Daniel McPherson,
Neil Millen, Edward Monagle, Jeremy Morgan,
Leonie Moschner, Giles Mountain,
Chris Munro, Rupert Neelands, Mark Newstead,
Liberte Nuti, Beatriz Ordovs, Rosalind Patient,
Keith Penton, Romain Pingannaud,
Sara Plumbly, Caroline Porter, Michael Prevezer,
Anne Qaimmaqami, Marcus Rdecke,
Pedram Rasti, Amjad Rauf, Sandra Romito,
Tom Rooth, Alice de Roquemaurel,
Francois Rothlisberger, Tim Schmelcher,
Rosemary Scott, Tom Scott, Nigel Shorthouse,
Dominic Simpson, Nick Sims, Katie Siveyer,
Nicola Steel, Robin Stephenson, Kay Sutton,
Rakhi Talwar, Nicolette Tomkinson, Jane Turner,
Thomas Venning, Sophie Wiles, Mark Wilkinson,
Bernard Williams, Georgina Wilsenach,
Toby Woolley, Geoff Young
DIRECTORS
Richard Addington, Zoe Ainscough,
Georgiana Aitken, Marco Almeida, Maddie Amos,
Simon Andrews, Helen Baker, Karl Barry,
Rachel Beattie, Sven Becker, Jane Blood,
Piers Boothman, David Bowes-Lyon,
Anthony Brown, Lucy Brown, Robert Brown,
Grace Campbell, Lucy Campbell, Jason Carey,
Romilly Collins, Ruth Cornett, Sigrun Danielsson,
Armelle de Laubier-Rhally, Adrian Denton,
Sophie DuCret, Anna Evans, Arne Everwijn,
Adele Falconer, Nick Finch, Peter Flory,
Elizabeth Floyd, Christopher Forrest, Giles Forster,
Patricia Frost, Sarah Ghinn, Zita Gibson,
Alexandra Gill, Sebastian Goetz, John Green,
Simon Green, David Gregory, Mathilde Heaton,
Annabel Hesketh, Sydney Hornsby,
Peter Horwood, Simon James, Robert Jenrick,
Sabine Kegel, Hans-Peter Keller, Jeffrey Kerr,
Tjabel Klok, Quincy Kresler, Robert Lagneau,
Nicholas Lambourn, Joanna Langston, Tina Law,
Darren Leak, Adriana Leese, Brandon Lindberg,
Laura Lindsay, David Llewellyn, Murray Macaulay,
ASSOCIATE DIRECTORS
Guy Agazarian, Cristian Albu, Jennie Amos,
Ksenia Apukhtina, Katharine Arnold,
Alexis Ashot, Alexandra Baker, Fiona Baker,
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Elissa Wood, Neal Young
Christie, Manson & Woods Ltd. (2014)
08/08/14
85 Old Brompton Road London SW7 3LD
+44 (0)20 7930 6074 telephone +44 (0)20 7389 2869 facsimile

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VINTAGE PO ST E RS

13 NOVEMBER 2014 SOUTH KENSINGTON

THE POSTER DEPARTMENT

Irene Orgaz Garca

VINTAGE POSTER AUCTION CALENDAR

24 NOVEMBER 3 DECEMBER 2014

Thursday 13 November 2014

85 Old Brompton Road

No view on day of sale

First initial followed by last name @christies.

AUCTION CODE AND NUMBER

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This auction is subject to

Christies offers clients the ability to buy

UK: +44 (0)20 7839 9060

Please note all lots are sold

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Front Cover: Lot 175

View catalogues and leave bids online

BERNARD VILLEMOT (1911-1989)

GUY GEORGET (1911-1992)

AIR FRANCE, TOKIO-PARIS

AIR FRANCE, DANS TOUS LES CIELS

AIR FRANCE, FRENCH RIVIERA

ofset lithograph in colours, 1952, printed

ofset lithograph in colours, 1948, printed

lithograph in colours, c.1960, printed

20 x 12 in. (50 x 32 cm.)

Air France, p.59

39 x 24 in. (99 x 63 cm.)

39 x 24 in. (100 x 62 cm.)

Air France, p.84

Air France, p.111

LUCIEN BOUCHER (1889-1971)

A.M. CASSANDRE (1901-1968)

A.M. CASSANDRE (1901-1968)

AIR FRANCE PLANISPHERE

LMS, THE BEST WAY

lithograph in colours, 1964, printed by

lithograph in colours, 1928, signed AMC

lithograph in colours, 1927, printed by

44 x 29 in. (111 x 74 cm.)

41 x 29 in. (105 x 75 cm.)

two end panels; each 95 x 40 in. (242 x 102 cm.)

Ades, p.162; Art Deco Graphics, p.77; Le Coultre, p.255;

A.M. CASSANDRE (1901-1968)

A.M. CASSANDRE (1901-1968)

DUNKERQUE, FOLKESTONE, LONDRES

lithograph in colours, 1929, printed by

lithograph in colours, printed by L. Danel,

39 x 24 in. (100 x 62 cm.)

39 x 24 in. (98 x 60 cm.)

Cassandre, no.34; Mouron, pl.18; Ouvres Graphiques

Cassandre, pl.55; Mouron, no.101

Cassandre, pl.25; Mouron, no.58v, pl.19v; Oeuvres

HIVER A ANTIBES, JUAN-LES-PINS

ofset lithograph in colours, 1930, printed

39 x 24 in. (100 x 62 cm.)

MUNETSUGU SATOMI (1900-1995)

AFTER PABLO PICASSO (1881-1973)

lithograph in colours, 1934, printed by Le

lithograph in colours, 1962, printed by

39 x 24 in. (99 x 61 cm.)

lithograph in colours, c.1930, printed by