SHIVAJI

BY

PRASAD SATAWALEKAR

FADE IN:

1. EXT. / CITY SCHOOL FIELD / DAY

One CAR comes and stops near the CITY SCHOOL. AABA (age 65, an idealistic
man) comes out of it. There are two people for his welcome. One is a teacher

and another is the HEADMASTER of that school.

HEADMASTER
Ya! Ya! Aabasaheb ya! Tumachich vat baghat hoto.

AABA
Maaf kara.yayla thoda ushir jhala

HEADMASTER
Kahi harkat nahi Aabasaheb, tumhi yeta hech
mothe aahe aamachyasathi. Tumacha aadhar
hich aamachi taqat aahe. Aaj tumachya sahayyatunach
aamhi evadhi mothya shaleche swapna purn karu shakalo

AABA
He baghachangalya kamasathi mi nehami
tumachyasobat aahe.

HEADMASTER
Dhanyavad Aaba! Ya.aat jauya

CUT TO:

2. INT. / CLASSROOM CONTINUOUS

We can see some 10 students are there in a class. The semester exam is
going on. One teacher is overlooking them. Both Headmaster and Aaba enter into
the room. From Aabas point of view, all students are writing their answers. Suddenly

Aaba looks at one man, SHIVAJI (age 28, good man) who is writing his exam paper.
Aaba is little confused about SHIVAJI so he asks to the Headmaster.

AABA
Ithe mothehi shikatat ka?

HEADMASTER
Mothe mhanaje?

Aaba shows his finger in SHIVAJIS direction.

AABA
Te bagha tikadete jara mothe nahi ka vatat aahet?
2

Headmaster looks there and finds SHIVAJI. He moves to Aaba.

HEADMASTER
Aabatumache mhanane agadi barobar aahe pan
toh swatacha paper lihit nahiye.jara tyacha bajula bagha

Aaba walks a step ahead and looks at Shivajis left side. There is one physically
handicapped girl SMITA (age 17). She cannot write so Shivaji is
helping her.

HEADMASTER (contd)
.tyachya bajula asalelya tya apang mulicha
toh paper aahepan ti lihu shakat nahi mhanun

toh tila madat karatoy

AABA
Pan he kase kaay?

HEADMASTER
Mi tumhala sangato ya.

Both Aaba and Headmaster walk out.

CUT TO:

3. INT. / HEADMASTERS OFFICE / DAY

Aaba and Headmaster both are in Headmasters office. Aaba sitting

on a chair sipping tea and Headmaster is talking with him.

HEADMASTER
SHIVAJI BHOSALE! Navapramanech far jabardast
vyaktimatva aahe tya mansache.satat lokanna madat
karanyachi vruttiaaj hyach mulila navhe tar itarahi anek
jananna toh madat karatoy.toh svataha ek shikshak aahe,
ithalyach ek prathmik shalevar shikavatat tehya mulilahi
shikanyachi khup ihchcha aahe pan sharirik apangatvamul
tichyavar kahi maryada padatat.an aaj SHIVAJI asalyamule
tila kasalihi chinta nahiye. Aata tumhi mhanal he chalate kase
tar amhi tila paravanagi dili te tichya samasyekade pahun aani
tyahunahi mukhya tichya shikanyachya jiddikade pahun.

We can see Aabas close look. He is impressed.

AABA
Kharokhar aanadachi gosht aahe ki aajachya kalatahi
ase lok aahetkharach SHIVAJI hya navala sarth asa toh aahe..
3

HEADMASTER
Kharay! Ithehi fakta Smitach navhe tar aamachya
vidnyan shakhet ek mulagi aahe Swati navachi.
ti mulgi andh aahe..tila dolyane disat nahi tarihi
ti dar varshichya prayog parikshanmadhye pratham
yetekase kaay he shyakya aahe? He ashakya sakya
kelay te Shivajinetyane tichi Drushti banun tichya
sarva prayoganmadhye tila madat keli.aaj Shivajimule
tila dole nasalyache dukha nahiye

We can see pleasant smile on Aabas face.

AABA
Sir! Shivajivishayi evadhe aikalyanantar aata
mala tyanna ekada bhetavase vaatatay

HEADMASTER
Ho! Ka nahi? Mi aatta bolavito tyanna
aattaparyant parikshahi sampali asel

CUT TO:

4. INT. / HEADMASTERS OFFICE CONTINUOUS

Shivaji is now in a cabin with Aaba and Headmaster. Aaba and Shivaji
both are talking to each other.

SHIVAJI
Namaskar! Mi SHIVAJI BHOSALE!

AABA
Aikalay.khup aikale tumachyabaddal Sirankadun
sakali tumhala pahatach mala ase vatale ki kadachit
mala jyacha shodh hota ti vyakti tumhich aahat
maajhe naav RANGRAO PATIL. Sarva mala AABA
mhanatat.mi eka ashya khedyatun aaloy jithe shikshanachi
far vaait avastha aahe.tethil mulanna kuthlehi shikshan
nasalyane tyanche bhavishya andharmay disat aahemi
aavashyak te sarva karun pahile pan kahich jhale nahi
gaav shaharapasun dooravikasit asalyane koni shikshak tethe
yevu pahat nahije yetat te kantalun badalichya mage lagatat
varishthanna mahiti asunahi te durlakshya karat aahet
itar kahi aale te daruchya aahari lagale. Hya sarvanmadhye tya
mulanchya shikshankade konich lakshya dile nahi.haluhalu ha
prakar evadha gambhir jhala ki mule kamihya karanakhali
shala band jhali.kahi kaal gavakaryani shikavinyache prayatna
kele pan tehi vyarthach karan mulat ashikshit gavakari tyanna kaay
4

shikvinar? Aaj tumhala tya apanga mulila madat karatana

pahile aani tumachi shikshanavishayichi odh lakshat aali
aani tumhi swataha shikshakhi aahat.tyamule SHIVAJI..
mala tumachya madatichi garaj aahekaaran aaj prathamik
shikshanavar evadha kharch hotanainternet, mahiti
tantradnyanachya yugat prathmik shikshanachya sarvat
shevatacya tharatil hi sakhali kashi aahe, yakade konachehi
lakshya nahiye..

SHIVAJI
Aaba tumachi shikshanavishayi odh pahun bare vaatale
tasech tumhi je sangitalet to vishayahi gambhir aahepan
mi tumhala kashi madat karu shakato?

AABA
SHIVAJI tumhi jar aamachya gaavi shikshak mhanun
aalat tar gavaatil mulanche shikshan parat ekada sudharel

SHIVAJI
Tumache mhanane mala patatay Aaba pan te mi kase
kaay karu shakato?

AABA
Tumhi tyachi kalaji karu nakami ti sarva vyavastha
karenfakta tumhi ho mhanakaran tumachyasarakha shikshak
nakki mulanche uttam bhavishya ghadavel

SHIVAJI
Pan mala vaatate Aaba he kaam eka doghanche
nahiyehyamadhye thethil gavkaryanchihi tevdhich
madat aavashyak aahe.

AABA
Tyasathich mala vaatate ki tumhi yatumhi
tyanna samajava.

SHIVAJI
Baremajhi kahich harakat nahiyemajhyamule jar
tya mulanche kahi changale hot asel tar nakki
mi yeyin.pan mala jenvha tya Smitachi
pariksha asel tenvha yaave lagel
kaaran tilahi majhi garaj aahe

AABA
Nakki nakki SHIVAJI

CUT TO:
5

5. EXT. / SCHOOL FIELD / GROUND / DAY

SHIVAJI, AABA, SMITA and her FATHER all are in a ground; talking
to each other. SHIVAJI is talking with her father.

SHIVAJI

Tumhi kahi kalaji karu nakamajhi jari badali jhali

tari mi tumachya samparkat rahinmala fakta kalava
kadhi pariksha aahe te..

FATHER
Jaane aavashyak aahe ka?

SHIVAJI
Aavashyak tar aahechna! Smitala jashi majhi garaj aahe
tashi itarannahi aahe. Hya babatit aapan svarthi houn
kase chalel? Bare tumhi kasalihi kalaji karu naka
tumhala kadhi garaj lagali tar mala kalava.gavat phone
aselachna, AABA?

AABA
Ho.aahe! Majhyach ghari aahe.

SHIVAJI
Mag jhalach ki!

AABA
(To her father)
Tumhi kahi kalaji karu naka..Smitachya bhavishyachi
chinta tumhi aata sodun dyatichya shikshanachi
jababdari aata majhi aahe

SHIVAJI
(To father)

Arre va! Baghitalat kiti changale manus aahet he

tumhi kalaji sodun dya aani nischint raha.

SHIVAJI moves to AABA.

SHIVAJI (contd)
Aani Aabatumhi mala kalava kase hotay te
mi nakki yeyin.

CUT TO:

6. EXT. / CITY FIELD / ROAD / DAY

Aabas car comes on a road and stops near SHIVAJI who is ready
to go to the village.

CUT TO:

7. INT. / CAR CONTINUOUS

SHIVAJI enters and sits near the drivers seat. He has his one bag
with him.

SHIVAJI

Chala!

CUT TO:

8. EXT. / VARIOUS LOCATIONS / DAY

CREDIT SEQUENCE ACCOMPANIED WITH THE PLEASANT

BACKGROUND MUSIC:

We see the car is running on a road. It is moving towards the village.

CUT TO:

9. EXT. / VILLAGE FIELD / ROAD / DAY

Aabas car is on its way to Aabas home. Suddenly one car from the
village comes toward them and stops near their car. Aabas car also
stops. Both the driver and SHIVAJI are looking at them. SAMPATH
PATIL (age 38, village baddy) is in that car with his driver. SAMPATH
looks at the unknown face of SHIVAJI and asks to the driver of Aabas
car.

SAMPATH
Kaay rekon hayre pavhana? Kadhi baghitale
nahi gavat.

DRIVER
Aabankade aalet.shikshak aahet hegavat parat

ekada shala suru karun mulanna shikavinar aahet

SHIVAJI naav aahe tyanche

SAMPATH
Arre va! Changali goshta aaheNAMASKAR oh!

We see SAMPATH is doing NAMASKARA to SHIVAJI. SHIVAJI also follows that.

SAMPATH (contd)
mi SAMPATH PATILhya gavacha maji SARPANCH.
parat ekada shala shikshanmule
shikanargavacha vikas honar.
changale aahemajhyakadun shubecha tumhala...chala yeto...
jara ghai aahe.

SAMPATH
(To his driver)
Hya Aabanna bare suchate ek ek...chala.

Sampaths car starts and moves away. Aabas car also runs on its way.

CUT TO:

10. EXT. / AABAS HOUSE / DAY

Aabas car comes and stops near Aabas house. Shivaji comes out of it
and for his welcome Aaba is there. With him HARI (Young villager, good man)
is there.

AABA
Ya.ya Shivajiswagat aahe tumache.ithe
aalyabaddal kharokhar dhanyavad.

SHIVAJI
Dhanyavad kasale Aaba? Mi ithe majhyach kamasathi
tar aaloy

AABA
Bare.te thik aahepan pravas kasa jhala?
kahi trass nahina jhala?

SHIVAJI
Che! Che!! Trass kasala? Driverbhaunni evadhi chan gaadi
chalavali ki mala jhop kadhi laagali tech kalale nahi. Mi aatta
hya gavachya rastyala jenvha gaadi udya maru lagali tenvha
jaaga jhalo..

The driver who is standing there, then comes near to Aaba and tells him
about SAMPATH.

DRIVER
Aani tevadhyat Sampathchi gaadi samor aali.
8

mhane changale aahegavacha uddhar kara majhya

shubecha aahet tumhala.

SHIVAJI
Achcha mhanaje vaatet bhetale te ka? Kon
aahet oh te Aaba?

AABA
Tyache naav SAMPATH PATIL. Gaavachya vikasatil toh
.mukhya adathala aahesvatah sodun itar konache changale
vhave ase tyala kadhi vaatat nahi.

SHIVAJI
Pan aamchyashi changala baolala toh

AABA
Tyachi savayach aahe tivarun changale asalyache
dakhavanetumhi navin aahat ajun ithe kalel tumhala.
bare.te jaau detumhi aata tumachya kholivar ja
thoda aaram kara sandhyakali mi gavkaryanna sangitalay..
tenvhach bhetu

AABA makes his finger on HARI.

AABA (contd)
.Ha HARI tumhala tumachi kholi dakhavel.

CUT TO:

11. INT. / SHIVAJIS ROOM / DAY

HARI and SHIVAJI enter into the room. SHIVAJI is looking at that whole room.
Room is totally in bad position; seems like no one stayed there from long time.
Only a ray of sun light is coming from that old glass window. There is so
much dust on that window, on CUPBOARD, on CHAIRS and TABLE. HARI is
talking with SHIVAJI.

HARI
Room tasa changala aahe pan thode kaam karave lagel.

SHIVAJI
Kaay re tumhala mahiti navhate kaay mi yenar aahe te?

HARI
Mahiti hote pan nemake aajach yenar he mahiti navhate
tase mala kalale sakali pan mag mhatale tumhi yetach aahat
9

tar tumhalach sobat gheun kaam karu

SHIVAJI
Hushar aahes! Ja jhadu aan jaaatta mala kalale ka shikshak
ithe rahat nahi te.

HARI is looking for JHADU in a room.

HARI
He tar kahich nahi, magachya veli eka shikshikela
Ithe saap chavala hota.

SHIVAJI
Arre bapare! Mag pudhe?

HARI
Pudhe kaay honar? Meli tiaata swargat geli ka
narkat he vicharu naka

SHIVAJI
Hmhh! Mhanaje jaga dhokadayak aahe tar

HARI
Dhokadayak kaay tyat? Gaav mhatale ki saap asanarach

SHIVAJI
Haan! Te disatay mala..

HARI looks at SHIVAJI.

HARI
Aaan?

SHIVAJI makes his finger on something.

SHIVAJI
Te.dhul disatey mala tithe saaf karun taak

HARI comes near to SHIVAJI.

HARI
Te nantar saaf karupan aata jhadu nahiye tithe

SHIVAJI
Mag mi sagitale hote jhadu tithe aahe mhanun? Ja
kuthun ti aan ja lavakar

10

HARI
Haan! Pan te sandhyakali lokanna bhetnyache lakshyat theva
.aani ratri jhopayache asel tar mala haak mara.

SHIVAJI
Ratri jhopayache asel tar haak mara mhanaje kahi
samajale nahi mala..

HARI
Mhanaje ekatyane jhopave lagelna mhanun mhatale
sobatila mi yeto jhopayala

SHIVAJI

Barebare...thik aaheye tu.

CUT TO:

12. EXT. / VILLAGE FIELD / DAY

We can see in a village field under a big tree SHIVAJI and AABA are positioned
at a table. Some villagers are in front of them. Men attired in typical ghati look
of white dhotar- kurta and a towel kind of cloth fixed on their head. HARI is
also one of them. SAMPATH PATIL is not there. SHIVAJI once looks at them
and stands up.

SHIVAJI
Namaskar! Tumhi sarva ithe aalyabaddal dhanyavad!
Majhe naav SHIVAJISHIVAJI BHOSALE! Mi shikshak
aahe. Aabanni sangitlyapramane aamhala hya gavat parat ekada
shala suru karun mulanna shikavayache aahe.tyasathi tumachya
sahayyachi aavashyakata aahe.tumhi mulanna shalet
pathvalet tar tyannahi parat ekada shikshanachi sandhi milel.
tumhala kaay vaatate? Baremala agodar he saanga ki kiti jananna
shala suru vhavi ase vaatate?

No villager responses to this. We see a strange look of SHIVAJI. He smiles; looks

at AABA and then moves to the villagers.

SHIVAJI
Shala suru vhavi ase konalach vaatat nahiye?

Some villagers speak.

1# VILLAGER
Kashala suru karayachi shala? Maagehi ashich suru
hoti.pan kaay jhale? Master aalechar divas
rahile aani gavacha kantala aalyavar gele..
11

tenvha koni nhahi to hya poranchya shikashanacha ichar kela.

amhi tumachyavar kasa vishawas thevayacha?

2# VILLAGER
Aani mi mhanato evadhe kaay honar aahe
shikun? Magchya elibe mule shikatach hoti pan
evadha kaay motha tir maralay? Hayet padun
gharateka kamache nahi lek hebaki maar khayacha
toh khatatach.kaay shikat hote konas thauk?

3# VILLAGER
Aani aho Siramhi pathvale tumachyakade tari
pudhache kaay? Pudhyachya shikshanacha kharch konala
parvadnar aahe? Aani evadhe karun karayach kaay tar aapali
shetichshalet jaun shikatil tevdhya velat te shetichi kame
shikun aamhalach madat karatil.mag kashala havay tye
shikshan aani kaay? Sirtumhala khare sangato
hi char pustake vachun kasalebe akkal yet nhahikhara manus
shikato te baherachanubhavachya shalet.

SHIVAJI is overwhelmed after hearing this all. He looks at Aaba.

SHIVAJI
Hya ashikshitankadun aaj khup kahi shikalo.

SHIVAJI now turns to the villagers.

SHIVAJI
Sarvat pratham tumhi sarva mokalepanane bolalat,
tumachya samasya sangitalat tyabaddal dhanyavad.
aata mala tumachya samasyanna uttare deta yetil.
shala suru karnyababat, mulanna shikavinyababat mi
agrahi asanyache sarvat mothe karan mhanaje tumhi aahat..

All villagers are looking at SHIVAJI with strange face.

SHIVAJI (contd)
Karan jagat aaj evadhi pragati hotanacomputer,
Internet, mahiti tantradnyan, mobiles, robot..evadhe
asatana tumhala saadhi tumachi sahi karata yet nahi
tumache naav lihita yet nahi.sadhe vartamanpatra.
paper vachata yet nahi.kaay farak aahe tumachyat aani
itar pranyant? Je mar mar mehnat karatat faktakaay upyog
aahe tumachi budhdhi asanyat jar tumhi tyacha yogya vaparach
karu shakat nasal? Magashi tumhi mhanalat ki shikshak ithe aalyavar
svatachya badalichya maage lagatat.hi kharokharach durdaivi goshta
aahe ki tyanna shikshanapeksha swatacha svarth motha vatatopan
12

mi tase karanar nahiye karan mi ithe konachya marjine kinva sarakari

badaline aalelo nahiye.Aabanni mala jenvha ithali paristithi sangitali
tenvha mala svatahalach vaatale ki ithe jaane aavashyak aahe.
aani mhanun mi aaloaaj kiman prathamik shikshan he mullanna
far aavashyak aahetumhi mulanna shalet pathavat nahi karan
tumhala vaatate ki shikun pudhe kaay karanar? Sheti kinva
kuthetari molmajuri kaam. Pan ek goshta lakshat ghya ki sakshar aani
nirakshar kamgarachya babtitahi farak padato. Shetitahi jar shikalela
asel tar to aadhunikata yete tumachya rojachya kamat
sudharana ghadatelokanvarache avalambitva kami hote
shikalela asel tar tumachya samasya to char lokansamor
mandu shakatoshikshan he samaj parivartanache
ek prabhavi madhyam aahe shikshanane vyakticha vikas hoto
changale kaay, vaait kaay hyachi samaj yete.ek lakshyat ghya AAJ
aapalya hatat aahe aani UDYA tyancha aahe aani tyanna udyala
uttare dyayachi aahet tyamule mulanna shikshan he aavshyak
aahe.tarihi tumhi mulanvaril kharchachi kalaji karu naka..karan
majhyakadun jevadhe sahakya hoiel tevadhe mi nakki karen

Aaba stands up and addresses to the villagers.

AABA
Mala vaatate gavakaryanchi aata kahich harakat nasel
karan tyannahi shikshanavishayi evadhi odh asanara
shikshak dusara milanar nahi.

1# VILLAGER
Thik aahe amhi pathavupan tyannabi tumachyasarakhach
tayar kara.

SHIVAJI
Dhanyavad! Mi kharokhar tumacha sarvancha aabhari aahe
mi tumhala jaga baghun sangato kenvha suru karayche te pan
tumhi dakhavalelya pudhakarabaddal parat ekada dhanyavad!

All villagers slowly clear the field. AABA, SHIVAJI and HARI are there. SHIVAJI
moves to AABA.

SHIVAJI
Gavatil lok changale aahet tase.lavkar aikale.

AABA
Arre aapan changale tar sagale changalebare tumhi aata
Hari sobat ja.

13

SHIVAJI
Aabamala TUMHI mhanu nakatumachya mulasarakha aahe mi.
saral hakkane tu mhana.

AABA
Bare tu aata Harisobat shalechi jaga baghun yesadhyatari tithech

suru karu

CUT TO:

13. EXT. / VILLAGE FIELD / DAY

HARI and SHIVAJI both come under a big tree. That place is quite away
from village.

HARI
Hi bagha hich tumachya shalechi jaaga

SHIVAJI is looking elsewhere.

SHIVAJI
Kuthe re? Mala kuthe disat nahiye

HARI
Aho! Hich hya jhadakhaliAabanni hich dakhavali hoti

SHIVAJI
Ithach basayach ughadyavar.

HARI
Oh tumhala kaay tambya gheun nahi basayla sangat aahe
abhyasala basataynamag mokalya nisargat basa.

SHIVAJI

Arre lekacya nisargacha prashna nahiye.ithe mule divasbhar

basanar aahet.dupari oon, vaara tyach kaay?

HARI
He bagha vaaryache mi kahi sangat nahi pan jase jase oon
yeyil tase tumhi savalit basat ja

SHIVAJI
Va! Kaay upay sagitaly!! Aani he kiti divas ase?
Pavasalyat kaay karayach?

HARI
Pavasalyach sodaaaplya junya shaleche kaam chaluch aahe.
14

..tumachya shaletahi mule jamali ki mag navin

shaletach jaayche aahe.

SHIVAJI
Bare mulanna panyachi soy kuthe aahe? Aani
svachatagruhachi kaay vyavastha?

HARI
Tumhi kahi kalaji karu naka.ithe bajula ek ghar aahe
tyanna mi sangitalay te panyachi soy karatil.shivay tumache
te fala, table, khurchi sagal tyachyachghari aahekantala aala
ki toch chitra kadhat basato tyachyavar.shivay ti juni shala javalach

aahe tyache svachatagruh mule vapartil.te saaf karun ghyave lagel

te aaj mi kahi lokanna gheun karun takenhay kay tyachyat

SHIVAJI
Tu tar hushar vatatos.kitvi shikalayas tu?

HARI
Mag dahavi jhaloy mi.gavane motha satkar kela hota
majha tenvha..

SHIVAJI
Satkar kela hota? Arre va! Ka bordat aala hotas?

HARI
Bordat kuthale? Tase mala pastis takkech milale hote
pan svatantryanantar dahavi pass jhalela mi pahila hoto
hya gavat..mhanaje ajunahi mich aahe

SHIVAJI
Arre va! Kamal aahe he gaav tujhe.shaharat merit list varun
maramari kranaryanni ekda jarur ithe yeun jaave.bare te
jaau de he lamb tar nahina mulanna?

HARI
Che! Laamb kasaleithali mule tar pakadapakadi khelat khelat
dusarya gavat pohochtat

SHIVAJI
Pure! Pure! Mala saang andaaje
kiti mule yetil?

HARI starts counting.

15

HARI
AhhaaDagadu ek.dhondu.kalu.

SHIVAJI
Arre.he kaay he Dagaddhondekalu...kaay
mantrikachi mule aahet ki kaay?

HARI
Aamachyakade ashich mule milatat.abhaaaahet

SHIVAJI
Te jaaude mala mule kiti yetil ti saang?

HARI
Andaaje daha-ek yetil.

SHIVAJI
Gavat dahach mule aahet?

HARI
Gavat mule aahet pan lagech kashi tumachyavar vishavas
thevatil aani tumachyakade yetil? Aattatar tumachi
suruvat jhaliye.jase jase lokanna vishavas vaatel tase tase
te yayla suru hoyil.

SHIVAJI
Hushar aahes tubar thik aahe nighuya ka aata? Udyach
lakshat thev..mulana sakali barobbar daha vaajata yayla saang.

CUT TO:

14. INT. / SAMPATHS HOUSE / NIGHT

Sampath and his friends are in a Living room. In front of them, there are
few bottles of drinks.

SAMPATH
Kaay re kaay bolala kaay to Master?

1# FRIEND
Abanni lokanna ekatra kel..tyane shikshanache mahatva
patavun dileaani aata udyapasun suru karatoy to shala.

SAMPATH
Kaay nahire..nusate fasvatoy tumhala..toh aani te Aaba
16

.aata pathava udya shalet.

1# FRIEND
Amhi tari kaay karanar? Sagale gaavatale tayar jhale pathvayala.

SAMPATH
Mi tar nahi baba tumchyatmajha Raju tar aahe apala
dadankade shaharat..pan ha Aaba aata tumachi kashi vaat
lavato bagha .kahi nahi sagali banavegiri aahe.aadhi
shala mag anudanache paise mag mulancha kharchasathi paise
doghe aapapsant ghetil vaatunbaghat raha aata kaay kaay
hotay te

CUT TO:

15. EXT. / SCHOOL FIELD / MORNING / DAY

We see SHIVAJI is writing on a black board. SHRI GANESHAY NAMAH

is what he writes. Then he turns and we can see from his point of view
there are near ten childrens positioned on the rough land. All childrens are
in a normal dress-up. Everyone is quiet, empty handed and looking at
SHIVAJI who is in front of them; standing near the table.

SHIVAJI
SHRI GANEHSAY NAMAHA! Kuthlyahi changalya kamachi
suruvat ganarayachya navane karavi mhanaje te kaam yashasvi

honyas madat hotebare.aaj aapala pahila divas aahe tyamule

aajpasunach abhyasachi katkat nakoaajacha divas aapalya lakshat
rahil asa ghalavu..pahile mi tumachi naave mahiti karun ghenar
nahitar mi konala chukun kahihi mhanen.

SHIVAJI makes his finger on one boy.

SHIVAJI (contd)
.chukun mi hyala dagadu mhanen

All students start laughing.

SHIVAJI (contd)
..Hyala dhondya mhanen

Again all students laugh.

SHIVAJI (contd)
mhanun sarvanni pratham nave sangayachinantar
mi tumhala khelayala sodnar aahe.aani mag ek chanashi
17

...goshta sangnar aahenantar.suttighari jayach

All students clap loudly.

SHIVAJI

.bare aatta sarvanni mala tumchi naave sangayachi aahet

..tya agodar majhe naavmahje naav SHIVAJI BHOSALE!
Koni mothyanni vicharale tar mahiti asave mhanun sangitale.

SHIVAJI addresses one boy.

SHIVAJI
Haan tu ubha raha

He stands up.

SHIVAJI
Tujhe naav saang

DINESH
Dinu..

SHIVAJI
Purn saang.

DINESH
DINESH!

SHIVAJI
Vadilanche..

DINESH
Dashrath

SHIVAJI
Aadnaav..

DINESH
Patole

SHIVAJI
Shabbas! Aata purn naav sang parat ekada

DINESH
Dinesh dashrath patole!

18

SHIVAJI
Chan! Bass khali! Pudhe.

CUT TO:

16. INT. / DINESHS HOUSE / NIGHT

Dineshs father Dashrath and Dinesh both are talking to each other. Dashrath
is asking him about his first day.

DASHRATH

Arre tujhi aai sangat hoti tu aaj lavakar aala mhanun

DINESH
Haan siranni aaj sutti dili.

DASHRATH
Sutti dili mhanje kaay pahilyach divashi vaitagala ki kaay?

DINESH
Tase nhai.aaj pahilach divas aahena mhanun
udyapasun purn..

DASHARATH
Baremag kaay kaay jhale aaj pahilya divashi?

DINESH
Aadhi gelo tenvha thodi saaf safai kelimag Rashtragit.
mag tyanni amhala. aamachi naave vicharli

DASHRATH
Naav! Naav ka icharal?

DINESH
Naav mhanje tyanna aamachi naave mahiti navhatina mhanun

DASHRATH
Aass! Bare mag?

DINESH
Mag pahile majhe naav icharale mya sangitale.mag
vadilanche icharale

DASHRATH takes his fingers on his moustache and feeling proud.

19

DASHRATH
Mag kaay sangitales?

DINESH
Pahiletar mala aathavatch navhate

DASHRATH puzzles.

DASHRATH
Kaay?

DINESH
Pan nantar sangitalepan Sir khup changale aahet.amhala
khelayal sodale.nantar goshtapan sangitaliaata lavakarach
te aamhala pustake patyasudhdha aananar aahet.

CUT TO:

17. EXT. / SCHOOL FIELD / DAY

We see SHIVAJI is on his seat. All students are not in uniform but well dressed.
All have their own school bag and slate. Some are writing on slate, some are busy
with their books. One of them is showing his new MOUTH ORGAN to his friend.
SHIVAJI sees that.

SHIVAJI
Ramesh.ikade yeaani te hatatil gheun ye

That boy RAMESH hesitates to come but SHIVAJI again addresses him. RAMESH
comes near to SHIVAJI. Now SHIVAJI moves to his class.

SHIVAJI
Kaal mi hyachya gharajavalun jaat hotoaani achanak
konitari he vaadya vajvayacha aavaj aala.mi jara baghitale
tar hach hota. kaal jhale te jhale aaj tu shaletahi he
aanlas? Aata hyachi shiksha mhanuntula he vajvave laagel

RAMESH
Nahi sir..

SHIVAJI
Are ghabartos kasala..saral vaajav bindhastbagh tujhe
mitrapan vaat baghtahet.

He is ready to begin but SHIVAJI stops him.

20

SHIVAJI
Arre kaay vajavtoyas te saang

RAMESH
Magachyaveli ek cinema aala hota gavat.militaryvar
hota toh..kontari Nana mhanun hote tyachyat.

SHIVAJI
Haan toh PRAHAAR! Aahe far changala cinema aahe toh

RAMESH
Tyachyatale ganebi hyachyavarach vajavlay.

SHIVAJI
Haan mag vajva ki tu pan aata..

RAMESH starts the tune Dhadakan jara ruk gayi hai from movie PRAHAAR on his
MOUTH ORGAN.

CUT TO:

18. EXT. / SCHOOL FIELD / DAY

MONTAGE SCENES ACCOMPANIED WITH THE SAME MOUTH ORGAN TUNE:

We see SHIVAJI is addressing something and students follow that.

One student is writing something on his slate.

SHIVAJI is writing on a black board.

We see one girl is standing near SHIVAJI and reading a book. All students
are listening and SHIVAJI is looking at her.

CUT TO:

19. EXT. / CITY SCHOOL FIELD / DAY

Outside the examination hall of city school, SMITA (physically handicapped girl)
is waiting for SHIVAJI. Some students are moving there, some are reading their
books. Few seconds later, her father comes near to her. She asks him about
SHIVAJI.

SMITA
Kaay jhale? Laagala phone?
21

FATHER
Phone lagalanighalet SHIVAJI.pan yayla bahutek usheer hoyil
mhanalet Aabaparikshela usher karnyapesha ithech konachi tari
madat ghyayla sangitliye.

SMITA

Tyanchehi barobar aahe itakya lambun yenar mhanaje.

pan ithe kon madatila yenar?

FATHER
He bagh konina koni tari nakki milel..manusaki ajun
jivant aahekonitari nakki devrupane yeyil..
ek kaam kar tu jaaun baher konala tari vichar tula
pahun te nakki madat karatil aani mihi bagatoh.pariksha suru
vhayala ajun thoda vel aahetoparyant koni na koni tari nakki
madatila yeyil.

CUT TO:

20. EXT. / CITY SCHOOL FIELD / DAY

We see SMITA is moving in a school field; trying to convince the people. But
everyone is rejecting her. SMITA starts crying, she is begging them for help but
everyone ignores her. SMITA gets a shock.

CUT TO:

21. INT. / CITY SCHOOL / EXAM ROOM / DAY

All students are on their bench. The supervisor madam is distributing all the papers.
SMITA is on her bench. No one is there to help her. The supervisor comes
near to SMITA. She looks at her. The supervisor keeps SMITAS paper on her
bench. SMITA is looking at her.

SMITA
Mam!

SUPERVISOR
Sorry..Smita!

The supervisor moves forward. SMITA once looks at the whole class. Everyone
writing their papers but Smita cannot write. SMITA again starts crying.

CUT TO:

22

22. EXT. / CITY SCHOOL FIELD / ROAD / DAY

One AUTO- RICKSHAW stops on a road near the school. SHIVAJI comes
out of it. He gives its money and AUTO pulls out. SHIVAJI then looks at school
where so much crowd is there on a ground. SHIVAJI walks forward and what he
sees is very shocking for him. SMITA is on terrace, she is going to suicide.
SHIVAJI walks through that gather and comes near Smitas father. He tells
SHIVAJI what happened with her. SHIVAJI feels very bad but hurriedly runs
in to the school to go up and save her.

CUT TO:

23. INT. /
CITY SCHOOL / STAIRCASE

HIGH ANGLE on staircase, SHIVAJI is running very fast to save her.

CUT TO:

24. EXT. / SCHOOL / TERRACE CONTINUOUS

SHIVAJI comes on terrace but suddenly he stops because SMITA is not there.
Just two slippers of her are there. He slowly moves forward and looks down. There
he sees SMITAS dead body, which is on a floor. There is too much crowd around
her body. We can clearly see SHIVAJIS shocking face.

CUT TO:

25. EXT. / SCHOOL FIELD / GROUND CONTINUOUS

SHIVAJI comes through that gather and stands near the body. Her father is crying.
SHIVAJI is totally broken; looking at that dead body. Suddenly he hears some
youngsters comment who gathered there.

1# YOUNG GUY
(To his friend)
Arrekaay nahirelove storycha matter asnaar.one side
toh nahi bolalala aselaani hine marali udi

2# YOUNGSTER

Nahitar kaay.hya mulishi kon prem karel?

Both laugh on it. However, SHIVAJI listens that all and now he losses his control.
He slaps them and with anger, he holds ones shirt.

23

SHIVAJI
Chya aayala tujhya..kaay re saalya layaki aahe ka tujhi
tichyabaddal bolayachi? Are sharirane apang asun ti shikanyasathi
dhadapadat hoti..aani tumhi dhaddhakat asunmanane
vaganyane..purn apang jhalele aahat.

He throws both of them. Then he moves that crowd.

SHIVAJI (contd)
Kaay gunha kela hota hine? Bichari apang
aslyane tine tumhala ek paper lihinyachi vinanti
keli aani tumhinalyak sale.manase aahatna tumhi?
are manuski aahe ki nahi? Kaay karanar ti tumachyasarkhyaant
rahun.tyapeksha ti geli tech bare jhale.

SHIVAJI walks away from them.

CUT TO:

26. INT. / VILLAGE / AABAS HOUSE / DAY

SHIVAJI is with AABA. He is very upset. AABA is trying to make him

cool.

AABA
SHIVAJI! Aata jast manala lavun gheu nakos.je vhayache te jhale.

SHIVAJI
Mala sagalyat jast raag yetoy to tya lokaancha.tyani tila jara
madat keli asati tar..aaj bichari jagali asati.tya tichya vadilanchi
kaay avastha asel jara vichar karun bagha..

AABA
Sagale maanya aahe.pan jhalelyala kaay karanar? Hya goshti aapalya
hatat aahet ka? He bagh janm aapalya hatat nahi aani mrutyuhi nahijar
aapalya hatat kahi asel tar.jaganeaanakhi ek goshta aayusyat
lakshyat thev.ki jenvha aapalya manasarkhe hote tenvha te changalech.
pan jenvha aaplya manasarkhe hot nahitenvha aanakhi changale karan
jenvha aapalya manasarkhe hot nasate tenvha te parmeshavarachya manatil
hot asate aani parmeshvar je karato te nehmich chaangale asatekadachit
hyamagehi asech kahise aseltyamule nirash honyapeksha jashi Smitachi
shikshanavishayi talmal hotitasach tuhi tyach talmaline kaam karat raha..

CUT TO:

24

27. EXT. / VILLAGE SCHOOL FIELD / DAY

SHIVAJI sitting at a table; writing something in his notebook. All students are
doing their work. One postman is coming near to them. Some students see that
and tell SHIVAJI.

STUDENTS
(All at once)
Sir! Te bagha kon aale te

That postman comes near to them. He has his cycle. He stops near to SHIVAJI.

POSTMAN
Aho sir! Sakali roomvarach yenar hoto tevdhyat tumhi nisatlat aani mala
shalechi rapet jhali

SHIVAJI
Aho mag bare jhaleki tevadhech aamachi shalahi baghun
jhali.

SHIVAJI addresses one boy.

SHIVAJI (contd)
Ha bagha tumacha raajkumar aahe ithe..

POSTMAN once looks at him and then moves to SHIVAJI.

POSTMAN
Aho sir! Mi tumhala sangato hyala changale fodun kadhami
baap aahe hyacha mi saangato.aho divasbhar hindat
asatokahi kaam nahi.abhyas nahi.

SHIVAJI
Tumhi sangitalana? Aata salach kadhto tyachi.

POSTMAN
Aaan? Aho nahi mhanaje tevedhe nhave ho

SHIVAJI
Te tumhi aata majhyavarach soda..bare.tumache kaam hote ka?

POSTMAN
Aho visarunach gelo bagha.tumche ek patra aalayhe ghya.

He gives it to SHIVAJI.

25

POSTMAN
Bare..yeto sir!

SHIVAJI
Ya.!!

POSTMAN takes his cycle and runs on his way. SHIVAJI is reading that letter. All
students start talking to each other.

SHIVAJI
APANGANCHI SPARDHA?

Then SHIVAJI looks at them.

SHIVAJI
Arre aika re! Mi don divasaansathi baher jaat aahe tar
don divas aapali shala band rahil..

All students clap.

SHIVAJI (contd)
Tallya nako mi don divasancha abhyas deun jaanar aahe.
toh vyavsthit karun aana aani khelnyat vel ghalavu naka.

CUT TO:

28. EXT. / VILLAGE GROUND / DAY

In a nearby village, there is running competition of physically handicapped boys.

One small stage is there to overlook them. Several chairs are there on stage. One
desk is there at the right side of stage. One mike is fixed on it. Whole ground is the
track of running. All audience sitting and standing in semi circle waiting for the
competition to begin. SHIVAJI is also present on stage; sitting along with other teachers.

Five physically handicapped childrens are standing on a ground near to stage. All
are standing on their support system, something like wooden crutch. One man
is standing near to them who has one red handkerchief in his hand.

The host comes on stage.

HOST
Tumhi sarva ithe aalyabaddal dhanyavad.... hi kahre tar apang
mule aahet aani tarihi aamhi tyanchi dhavanyachi spardha thevali
karan tyanchyatil aatmvishawas vaadhvinyacha ek prakare aamhi
prayatna karatoy....ki amhalahi koni durlakshu naye....aamhihi
competitionmadhye aahot.....hech sangnyacha ha ek prayatna....
26

spardha aata suru hoyilach...

That man who is standing near to boys; takes his handkerchief in front of
them and leaves it on ground; suggesting them to start the race. All boys
get the message and start to run. Now they are running away from stage.
All people are looking at them. SHIVAJI is also watching them. All boys are
trying hard to cross the line first.

Suddenly one of them losses his balance and falls down on the earth. SHIVAJI
becomes serious. All people are looking at him. His other colleagues stop; turn
and look at him. They all come near to him. They help him to stand. Then all
take everyones hand in each others and make one chain. Now all boys run toward

the line and all cross it. Everyone from the field is clapping for them. We can see
SHIVAJIS impressed face. He is also clapping for them. The host comes near to mike.

HOST
Aaj aplyala vaatat hote kahi mule hi spardha jinkatil mhanun pan hyanni
spardha navhe tar ithe baslelya pratyekala jinkalay..manuskiche ek uttam
udaharan aaj hya mulanni dilay

CUT TO:
29. INT. / SIX SITTER VEHICLE / DAY

SHIVAJI is in a six sitter. Except him, only DRIVER is there. That car
is running on a road. SHIVAJI is thinking quietly. We see smile on his face.
He has a new idea about helping others. Suddenly that car stops. SHIVAJI
looks at the DRIVER.

SHIVAJI
Kaay jhale ho?

DRIVER
Aho Tire puncture jhalay...aata ithe madhyech madatilahi
koni bhetnar nahi....

SHIVAJI
Aho dada...! Evadha tumachya gaadit basalela asatana aani konala
shodhatay?

DRIVER
Tumhala jamel ka?

SHIVAJI
Tumhi sangal tase karato...
27

DRIVER
Bare mag ya...! Lagech karun taku...

CUT TO:

30. EXT. / SIX SITTER / ROAD / DAY

We see that driver fixed that tire. SHIVAJI is standing near him. Driver
stands up.

DRIVER
Chala.....jhale ekadach.....dhanyvad! Aaj tumachyamule
jhale....nahitar ithe koni milat nahi madatila.....

SHIVAJI
Aatta....kaay mhanalat tumhi?

DRIVER
Kahi nahi....tumhi bhetlat te bare jhale.....madat jhali...

SHIVAJI
Nahi tya agodar?

DRIVER
Kaay? Dhnyavad?

SHIVAJI
Haan! Dhnyavad!! Mala tumachyakadun dhanyavad
nakoy.....tumhala kharach jar majhi madat jhali ase vaatat
asel tar tumhi ek kaam kara.....dhnyavadaevaji tumhi tumachya
aayushyat kiman doghanna tari madat kara aani tyanchyakadun
dhanyavad, thanks na gheta tyannahi tyanchya aayushyat doghanna
madat karun tich kalpana pudhe karnyas saanga.....

DRIVER
He kaay aahe? Mhanaje mi neet samajalo nahi....

SHIVAJI
Hi aahe human help chain....hyatun lokant madatichi bhavana
vaadhel.....mhanaje kase aahe...tumhi doghanna madat karanar
aani te doghe kinva doghi aanakhi doghanna madat karatil....
mhanaje don....donache char.....charache aath....ase haluhalu
hi sakhali vaadhat jaail......hyatun lokant madatichi bhavana vadhnyas
madat hoyil.....aajachya sarakhi vell tumachyavar parat yenar nahi.

28

DRIVER
Hoon! Dum aahe hya ideamadhye....mi hyacha
vapar nakki karinch....pan tarihi parat ekada manapasun
dhanyavad.......hya ideabaddal....

SHIVAJI
Asu de kahi harakat nahi pan nakki vichar kara.....ek idea tumache
jivan badalu shakte....

DRIVER
Nakki....nakki!!

Both Driver and SHIVAJI laugh out.

CUT TO:

31. INT. / AABAS HOUSE / DAY

SHIVAJI and AABA both are in a living room. SHIVAJI is sipping tea.

SHIVAJI
Aaba! Kashi vaatali hi kalpana?

AABA
SHIVAJI! Tu je karatos te changalech asate....! Hi
kharokhar ek vegalich kalpana aahe....hyatun nakkich

lokancha fayada hoyil.....

SHIVAJI
Fayada hoyil he barobar Aaba...pan hi lokanparyant
pohochayala tari havina? Aaba, mala hi kalpana yethil
lokanparyant pohochavayachi aahe....

AABA
He bagh SHIVAJI! Ghai karu nakos....karan tujhi
hi kalpana te uchalun dhartil ka hehi mahatvache aahe....
pan majhyakadun mi prayatna karen....mi bolven tyanna......

CUT TO:

32. EXT. / VILLAGE FIELD / DAY

SHIVAJI is standing in front of village people. AABA is on a chair near to

SHIVAJI.

29

SHIVAJI
Tumhi sarva ithe aalyabaddal tumache dhanyavad!
Aaj tumhala ithe bolavanyache karan mhanaje mi tumhala
ek ashi kalpana denar aahe ki jyatun kadachit tumache
aayushyahi badalel aani ha badal changalach asanar aahe....

aaplya aayushyat aapan anek karanasathi devavar, nashibavar

avalambun asato....pan shevati aaplya madatis yeto to manusach....
mag aapan aapali shraddha tikavinyasathi mhanato ki dev mansachya
rupatun aala.....kadachit te kharahi asel....mhanaje manus hach
mahatvacha ghatak aahe.... jar manusach manasachya kaami yenar
asel tar aapalyala hya bhavanechi vaadh karavi lagel.....tyasathi hyapudhe
pratyekane....tumhala jamel tashi madat karavi....tarihi jar tumhala vel
nasel tar tumhi tumachya aayushyat kiman doghanna madat kara aani
tyannahi tasech pudhe doghanna madat karnyas saanga.....mhanaje yatun
lokant madatichi bhavana vadhel.....samajat eki nirman honyas madat hoyil...
pan mala hyasathi tumachya madatichi garaj aahe.....

One villager speaks.

1# VILLAGER
Aho sir! Amhala vaatale tumhi mullanvishayi kahitari bolayala aalat....
pan tumhi tar kaay he.......maansane madat karayachi....samajachi eki....

SHIVAJI
Aho majhe jara ekun tar ghya......

Another one speaks.

2# VILLAGER
Sir tumhi far changale aahat....tumhi maage mulanche
shikshan aavashyak sangitale.....aamhi tyanna pathavile....aattahi tumhi
changale sangitale....pan aamhi kuthe he karat basu...bare aamachya
kadun aamhi madat karotchki.....mala ase vaatate ki tumhi he...samajkaran.....

lokanna madat he sodun tumhi tumache kaam mullanna shikavinyache kara.....

aani krupaya ase ugach amhala bolavun amacha vel fukat ghalavu naka....
garibacha vel far mahatvacha asato....divasbharachya mehntine kasebase don
ghass potat jatat....bare...aamhi nighato....kahi vaait manun gheu naka....

(To all)

......Chala re! Aapaplya kamala chala.....

All villagers clear the field. SHIVAJI is very upset. AABA comes near to him.

AABA
Mi tula sangitale hote SHIVAJI evadha vyapak vichar te lagech.
30

svikaru shakat nahi pan tu ka hyanchya maage lagatos? Tu

tujhi khari taqat......tujhe je ekatil ashya mulanna he saang mala
vatate te nakki tujhi kalpana yashsvi karatil......

A close look of SHIVAJI; thinking something.

CUT TO:

33. EXT. / SCHOOL FIELD / DAY

SHIVAJI is standing in front of all students. All childrens are listening to him.

SHIVAJI

Tumha saglyanna mi hyapudhe ek navin kaam denar aahe....

tumhi sarvanni tumacha abhyas, khel vagaire sarva sambhalun....
tumachya gharat tumhala jamel tase kaam karayache aahe....te kaam
mothech asel asse nahi...chotya chotya goshtintunahi khup madat hote....
gharatil kaame......gharatil lokanna shikava.....tumhala yete tevadhe tari....
tasech hi kaame gharatach kara ase nahi baherhi kara.....pan hi sarva
karatana tumhala ek gosht sarvanna sangayachi aahe.......jar koni
tumhala changale, tumhala dhnyavad vagire det asel tar tyaanna sanga ki
hya evaji tumhi tumachya aayushyat kiman doghannatari madat kara aani
tya doghannahi anakhi doghanna madat karayala sanga.....jyamule lokant
madatichi bhavana vadhel......ji mule jast changale kaam karatil tyanna
......mi ek khass bakshis deyin.....aani madhye madhye mi tumhala
he vicharathi rahin....aatta mi tumhala dakhvato hi idea kashi aahe ti......

SHIVAJI turns to the black board and shows them the idea of human help chain. He
creates 2 symbols of people and shows them what happens when 2 helps 2. That
chain develops. From 2 people it goes to 4......then 4 to 8 and so on. After watching that
all, students start to clap.

SHIVAJI
....He bagha! He sarva aata tumachya hatat aahe....tumhi kiti
yashsvi karata hyavar sarva avalambun aahe.

CUT TO:

34. INT. / SAMPATHS HOUSE / NIGHT

Sampath is with his friends. All are discussing about Shivajis idea.

SAMPATH
Baghitalat...je sangat hoto te jhale! Aata kay dhad nahi hya gavache....
hi tar khari suruvat aahe....aata bagha pudhe kaay kaay karato te....

----------------------------------------- FADE OUT -------------------------------------------------------------------31

MADHYANTAR

32

35. INT. / VILLAGE / HOUSE / NIGHT

In a house, we see Tukaram (age 45) comes and sits in kitchen near his wife.
She is busy with her work.

TUKARAM
kaay ga! Jhopali ka aamachi Rani?

WIFE
Aattach jhopali.....pan aaj tine sagala abhyas karun....
sarva gharatali kaamesuddha keli....mala hatach lavayala deyina!
Kaay tar mhane siranni sangitalay......varun mhanate aayushyat
kamit kami don mansanna tari madat karavi.....aani tyanna aanakhi
doghanna madat karanyas sangave....

TUKARAM
....Asach kahi tari parava bolat hote vaatate.....pan tyane kaay hoyil?

WIFE
Aho mhane mansamansant madatichi bhavana vadhel.....loke
adinadichyaveli madatis yetil....

TUKARAM
Barobar aahe! Nahitari lokant madatichi bhavanach nahiye....koni
konala madat karayala magat nahi...aaj kal madatichebi paise khatat
sagale.....pan kaaybi aso Siraani he changale shikavalay mullanna....

CUT TO:

36. INT. / EXT. / VARIOUS LOCATIONS / DAY

MONTAGE SEQUENCES ACCOMPANIED WITH PLEASANT BACKGROUND TRACK:

One girl is doing her household work.

We can see one boy is taking one womans luggage on his cycle.

TUKARAM helps one villager to lift his luggage and tells that idea.

One girl is with her grandpa and teaching him something on her slate.

Some villagers help one farmer to take his bull-car on a road and telling him to
help 2 people.

SHIVAJI is at his school, teaching his students.

33

One girl from the village is studying in her house.

CUT TO:

37. EXT. / VILLAGE FIELD / DAY

Two villagers are walking on a road. They are talking to each other about
SHIVAJI.

1# MAN
Arre! Hya gavatil lokanna jhalay kaay? Jo to baghave to madat
karayala tayar.....

2# MAN
He sarva tya Shivajimule! Tyane mulanna, aani mullanni gavatil
sarvanna hi savay lavali.....tymule aaj gavat bagh joto madatis tayar.

CUT TO:

38. EXT. / VILLAGE FIELD / DAY

One barber is doing one villagers shaving. That villager is talking with barber.

VILLAGER
Hya Shivajine baghitale ka kaay chamatkar kela to gavat? Nahi tar
aamhi lokanna madat karun thakalo pan lyekachya ekane tari kimmat
thevayachi.....pan Shivajine bhari dok vaparale......hya gavakaryanna
sanganyapeksha tya mulankadun te karvun ghetale.....aata bagha
gavakade......

Suddenly that barber by mistake cuts is chick.

VILLAGER (contd)
Aai....!! Kapalas kire lyeka!

CUT TO:

39. EXT. / AABAS HOUSE / DAY

AABA and SHIVAJI both are on chairs in a ground.

AABA
SHIVAJI....shevti tumhi yashasvi karun dakhvalit tumachi kalpana.
Gavatil khup lok tula navajat aahet....lokant haluhalu madatichi
bhavana vadhtey....te aata tumhala kuthlyahi madatis tayar aahet....
tasech navin shalechya kamat tyanni pudhakar ghetala aahe....lavakarach
tumhi navin shalet jaal....tyannni tar bajuchya gavatil mulannahi ekatra
34

karanyas suruvat keli aahe.....SHIVAJI.....majhya apekshepeksha tu mala

khup kahi dile aahes.....

SHIVAJI
He sarva tumachyamule aahe.aani ithe hyachi aavshyakata hotich
karan lokanmadhye madatichi bhavana far kami hoti aani jyakshani
aapan ekmekanna madat karanyache sodu tyachveli aaplyatil manusaki
sampleli asel..ji gosht mothe nahi karu shakle te mulanni karun dakhvale
ti svatachya abhyasabarobar gharatil kaame, svatachi kaame svatah karatat.
hyatun tyanchi shist vaadhel.bhavishyat ek changale vyaktimatva ghadnyas
madat hoyilhya kalpnemule gavat eki vadhel ji ithalya vikasas upyogi
asel..khare tar shikashanachi garaj fakt mulanna nahi tar ithalya
pratyekala aahe..tihi gosht mule aata purn karatil..hya yuktit nakkich
gavachya vikasachi chinhe disat aahet.

AABA
Nakki! Nakki!! SHIVAJI! Majhyakadun tula shubechcha!!

CUT TO:

40. INT. / SHIVAJIS ROOM / DAY

SHIVAJI is at his table. He is writing something. HARI comes near to him.

SHIVAJI
Kaay re? Kaay jhale?

HARI
Kahi naahi..vicharayala aalo hoto ki tumhi spardhet bhag ghenar
aahat ka?

SHIVAJI stops his writing.

SHIVAJI
Kasali spardha?

HARI
Aho kahi divasaat ithe Cycle-race suru hot aahe..darvarshi hote
mihi bhag gheto pan nukatach majha pay dukhavalyane mi hyavarshi
sahabagi nahi aahe.mhanun tumhala vicharletumhi bhag
ghya..jinkalat tar daha hajarache pahile bakshis aahe..

SHIVAJI thinks for a second.

SHIVAJI
Pan ase konihi bhag gheu shakato..
35

HARI
Ho! Tyat kaay aahe? Fakta svatachi Cycle havi evdhech
tumhi majhi Cycle ghya..

CUT TO:

41. EXT. / VILLAGE FIELD / DAY

SHIVAJI and AABA both are walking in village field. That place is quiet away
from the village.

AABA
SHIVAJI! Tu kadhi kadhi kaay karatos tech mala
kalat nahi.

SHIVAJI
Aaba! He bagha..mi jar hi sharyat jinklo tar hya bakshisachi
rakkam tya Smitachya vadilanna madat mhanun upyogi padel.
te ajunahi tya dhakkyatun savarlele nahit..

AABA
Pan he evadhe sope nahiye.tya Sampathchi mansehi tya

sharytit samil asatat.aani ti sahajasahaji konala jinku det

nahit..

SHIVAJI
Tyannahi ek samaj denyachi hi ek changali sandhi aahe..
tumhi bagha AABA mi nakki jiken..

CUT TO:

42. EXT. / SAMPATHS HOUSE / DAY

Sampath is on his chair in a ground. His two colleagues are with him. He is
looking at one guy who is going to participate in race.

SAMPATH
Tu aahes kaay re? Hi sandhi chukayala nako.hyaveli
tya Shivajila changlach dhada shikavato..nahitar tujhi kahi khair nahi.
samajale ka? Ja tayarila lag..aani jinkunach ye.aani jar harlass
tar gaav sodun palun ja..nahitar jar kuthe bhetlas tar gaath majhyashi
aahe..lakshyat thev.aata baghato SHIVAJI kasa jinkato te.

CUT TO:

36

43. EXT. / VILLAGE GROUND / DAY

We see at village ground, nearly 6 people are ready with their CYCLE. All are
ready to run. Behind them on stage AABA, SAMPATH and other respected
people of the village are there. All excited villagers are gathering near
the running track. All are eagerly waiting for the race. Suddenly the man
who is standing near to those Racers; makes a signal with his handkerchief
and the race begins. All viewers start clapping and roaring.

CUT TO:

44. EXT. / VILLAGE FIELD CONTINUOUS

SERIES OF SHOTS ACCOMPANIED WITH THE HILARIOUS BACKGROUND

MUSIC:

One villager starts to run but suddenly his whole Cycle breaks and he falls on
the ground.

Another one is ready to start but his Cycle chain dismisses.

One Racer is in hurry so he runs fast but doesnt sit. He is running very fast.
His seat is very loose so it falls down but he is busy with his race.
He suddenly sits on it but he gets a big shock and he also falls on the
ground.

All Racers are running on the road, SHIVAJI is also one of them.

Both AABA and SAMPATH are very excited.

SHIVAJI is very fast in all of them. But SAMPATHs man is near to him. He
comes near to SHIVAJI and gives one stroke on his Cycle. SHIVAJI cant
understand anything and losses his control and falls aside.

SHIVAJI
(To self)
Aata ha marg shodhla kaay re? AABA barobarach
mhanat hote.lyeka aata baghatoch tula

SHIVAJI stands up; takes his Cycle and again starts his race.

SHIVAJI also comes near to that man and he gives a stroke. That man
falls aside.

We see SHIVAJI is near the winning line and in a second, he crosses it.

SAMPATH reacts very badly. AABA is very excited.

37

CUT TO:

45. EXT. / VILLAGE GROUND CONTINUOUS

On a stage, SAMPATH is giving winning trophy to SHIVAJI. SHIVAJI reacts happily.

CUT TO:

46. EXT. / SAMPATHS HOUSE / GROUND / DAY

SAMPATH is with his friend. SAMPATH is moving in a

GROUND.

SAMPATH
SHIVAJI! SHIVAJI!! SHIVAJI!!! Ha svatala kaay SHIVAJI
maharajancha avatar vagaire samjatoki kaay? Mala adhi kalat
nahi he gaavatale lok kase saath detat tyala?

1# FRIEND
Tumhi doghanna madat kara..

SAMPATH
..Aata don bhag karen tujhe.chyayla kiti lokanna madat
keliekala tari aathavan aahe ka? Sagale khatat aani
gap basatat.aata majhi bhikari vhyachi vel aali..bare
to aahe kuthe tumacha shurvirCyclesvaar?

1# FRIEND
To gela palunaani ti Cycle pan gheun gela..

SAMPATH
Arre kuthun aanatare ase namune? Eka kamache nahit
sale.

Suddenly another friend of SAMPATH comes to him.

2 # FRIEND
DADA, tumhala samajale ka?

SAMPATH
Arre murkha mi hoto tithe.mich tar dile tyala bakshish

2# FRIEND
Aho te navhe! Aabanchi notice aaliye tumachya daruchya
guttyavar..

38

Suddenly SAMPATH surprises by the fact.

SAMPATH
Kaay? Hya Aabala jhalay kaay? Haan! Toh SHIVAJI
bhetlayna jodila? Pan mi kami nahiyehya
Aabanna ekada bhetayala have.

CUT TO:

47. EXT. / AABAS HOUSE / GROUND / DAY

AABA is coming out of the house but suddenly he stops. SAMPATH is

there with his two friends.

SAMPATH
Namaskar AABA! Kaay baher chalala vaatate?

AABA
Ho! Pan te jaaudetu kashala aalas ithe?

SAMPATH
AABAaho ase kaay karata? Tumhich ase karan
kadhlat ki yavach lagale..tumhi notice ka pathavali
aamachya guttyavar?

AABA
SAMPATH! Khare tar he kaam mi pahilech karanar hoto.
pan majhe kahi chalale nahi..tujha gutta gavatil tarunache
bhavishya dhokyat ghalatoy.svatah sobat gharatil bayakanvar
attyachar karatat.samajik arogya dhokyat yetay..

SAMPATH
Mag mi tyanna sangatoy ka yayla?

AABA
Mhanun tar mi tula kahi karat nahiye.mi tychee je
karan aahe tech band karatoy.

SAMPATH
AABA.mi tumhala shevatache samajavatoy.hya gavat
mi je kahi karato tyat pratyekat aad yeu naka.aattaparyant
tumache khup aikale aatta nahisaral sangato ha visahay
sodun dya..

AABA
SAMPATH.mi joparyant ithe aahe.tula mi manmani
karu denar nahi..tula kaay karayache te kar.
39

SAMPATH
Tumachi jar ichach asel tar mi kaay karanar?

SAMPATH once glances on his friends. They come forward and ready to slap
AABA. But suddenly SHIVAJI enters into the scene and fights with them. He
throws all of them out of the HOUSE.

CUT TO:
48. INT. /
SAMPATHS HOUSE / NIGHT

SAMPATH is thinking quietly; his two friends are talking to each other.

1# FRIEND
Aaj javal javal Aabala kamalach lavale hotemadhyech
to Shivaji aala aani

2# FRIEND
Shivaji ha vaatala tevadhaa saadha nahiyeAaba
gavatil lok he sarva haluhalu tyala madat karu lagale
aahet..aani udyache kalale ka? Udyapasun navin shala
suru hotey..mhanaje toh aata ithech rahanar..

SAMPATH
Karude kaay karato Teaata fakta aapan lakshya thevayacha.
aajahi aapali vell chukichi hoti..ragachya bharat gelo aani maar
khaun aalo.kase aahe aayushyat kadhihi jinkayach asel tar
niyojan mahatvache aahe.shant dokyane vichar karun niyojan
kele aani tase vagale tar manus nakki yashasvi hoto.aani tech
aapan aaj nahi kele.pan tech aata pudhe karayachay.Shivajila
sadha samajalo tithech chuk keli.tyachyasathi aata vishesh
vichar karava laagel..pan evadhe nakki ki ha vichar tyachyasathicha
kelela shevatacha vichar asel.

CUT TO:

49. EXT. / VILLAGE FIELD / NEW SCHOOL / DAY

A CAMERA PAN on the new building of SCHOOL.

CUT TO:

50. INT. / SCHOOL / CLASSROOM / DAY

SHRI GANESHAY NAMAHA this is what SHIVAJI writes on the black board.
He turns and looks at the class. All students are sitting on the floor; looking excited.
40

Some new students are also there. Some posters of great leaders are there on
a wall.

SHIVAJI
Aaj aapala pahila divas aahe hya shalet aani he
sarva tumachya mule jhalay.mhanun..ekada
sarvanni milun tumachya vijayasathi talya vajvuya....

All students clap loudly.

SHIVAJI
Bare.bare.thamba! Tar aajahi aapala pahila divas asalyane
aaj abhyasachi katkat nako. Aata mi tumhala ek majeshir prashna vicharato
tyache uttar dya.tar mala sanga jar ekhadyala garam panyachya
takit takale tar kaay hoyil? Tu saang re..

SHIVAJI addresses one boy. He stands up.

1# BOY
Sir! Paani garamach rahil pan manus thand hoyil..

All students laugh.

SHIVAJI
Arre gap basa!! Arre kaay uttare detos..tu bas khali.

He sits down.

SHIVAJI (contd)
Bare aata tumache samnya dnyan baghuya.mala saanga

jar shikshak din guruvari asel tar tych varshichi Gandhi jayanti
kuthlya vari asel?

All students start thinking.

SHIVAJI (contd)
Agodar mala saanga.Shikshak din kenvha asato?

One girl shows her finger up. SHIVAJI looks at her.

SHIVAJI
Haan! Tu saang..

She stands up.

1# GIRL
Shikshak din ha paach saptemberla asato.
41

SHIVAJI
Chan! Bass khali!!

She sits down.

SHIVAJI (contd
mag Shikashak din paach September aani
Gandhi jayanti don October..pan mi divasache
vichartoy.saanga..nahi sangata yet?

All students nod negatively.

SHIVAJI
Bare! Tar Shikshak din ha jar guruvari asel tar
Gandhi jayanti hi yeyil budhavari.darvarshiche
calendar tumhi bagha.jya divashi shikshak din asel
tyach varshatil Gandhi jayanti hi ek var maage asate.
mhanun asha goshtikade, divas, var tarkhankade vishesh
lakshya dya..aata.kahi divasanni pandhara august
yet aahe tar tyachi tayari aapalyala changali karavi lagel
aani tasech aapalya hya shaleche mukhyadhapakahi tya
divashi yenar aahet..tar tyachi tayari thevaaani tyanchya
samor jara vyavsthit vaaga.He aaplya shaleche pahilech
jhanada vandan aahe..

CUT TO:

51. EXT. / SCHOOL GROUND / DAY

We see SHIVAJI and his students are standing in the respect of TIRANGA.
The HEADMASTER is standing near to SHIVAJI. Few villagers are also
present there. We can hear the tune SAARE JAHAAN SE ACHCHA from
background.

CUT TO:

52. EXT. / SCHOOL FIELD CONTINUOUS

All are in a ground. One student is giving sweets to all. He comes near to the
HEADMASTER. He gives some sweets to him.

HEADMASTER
Thank you!

STUDENT
Nahi...! Mala thank you nako sir.tya evaji tumhi.
42

tumachya aayushyat kiman doghanna madat kara aani

tyannahi tasech aanakhi doghanna madat karayala saanga.. ..

HEADMASTER
Are va! Hi tar changali idea aahe pan he koni sangitale tula.

STUDENT
Aamacya Siraani!

HEADMASTER looks at SHIVAJI.

CUT TO:

53. EXT. / SCHOOL FIELD / ROAD / DAY

Outside the school, HEADMASTER is on his BIKE. SHIVAJI is standing

there.

HEADMASTER
SHIVAJItumache kaam he kharokharach kautukaspad
aahe..ithe kahihi nastana tumhi he ubhe kelet..tumhi
nakkich ek aadarsh shikshak aahat..aani mihi tasa prayatna
karen..thik aaheyeto mitumache kaam asech chalu theva
aani mala tumachi ti kalpana far aavadali.mi nakki ticha
upyog karen..

HEADMASTER starts his BIKE.

HEADMASTER
Chala!!

SHIVAJI
Ya!

HEADMASTER pulls his BIKE out.

CUT TO:

54. INT. / HEADMASTERS HOUSE / NIGHT

HEADMASTER enters in his house and sits on the wooden sofa. His wife
and his daughter PRIYA (age 10) comes near to him.

PRIYA

Baba, mala kaay aanlat?

43

HEADMASTER
Jhale aalya aalya suru..he ghe.

He gives one packet of sweet.

PRIYA
Thank youbaba!

HEADMASTER
Haan PRIYA..hyapudhe konala thank you mhanayache nahi
aani ghyaychehi nahitya evaji tyanna sangayache ki thanks
evaji tumhi tumachya jivanat kamit kami doghanna tari madat kara

CUT TO:

55. EXT. / CITY SCHOOL / GROUND / DAY

PRIYA comes out of the school. She has her Tiffin in her hand. She comes
near to her friend, PUJA.

PRIYA
PUJA! Chalna jevayala.

PUJA
Aga tu jev.mi daba visarale aaj..

PRIYA
Mag majhya dabyatil ghena.

PUJA
Pan tujhya aaine tujhyasathi dilayna daba?

PRIYA
Aga ti nehmich jaast bharun dete..pan aaj tu aalis
tar daba sampunach jaaiel.

PUJA
Tu kiti changali aahes ga!

PRIYA
Te mahiti aahe mala..pan majhe baba kaay mhantat mahiti
aahe? Te mhantat ki konakadunahi changaleaabhari aahe.
thank you vagaire ghenyapeksha tyanna kiman doghanna
madatis saangayache

CUT TO:

44

56. INT. / PUJAS HOUSE / DAY

PUJA is at her desk and reading a book. Suddenly her father SHANKAR
(age 35, Auto rickshaw driver) comes near to her.

SHANKAR
Puja! Kaay karates tu? Aaj daba visarlisna? Mala kalvale
asates tar mi aanun dila asata nahitar aapan jevalo asato baherach.

PUJA
Tyachi kahi aavashyakata navhati karan majhya eka maitrinine
barobar mi jevale.

SHANKAR
Arre va changali aahe tujhi maitrin.

PUJA
Nusati changali nahi.tine mala aanakhi ek gosht sangitali
ki aaplya aayushyat aapan kamit kami doghanna tari jamel
tashi madat karavi aani tya doghanna aanakhi doghanna madat
karayala sangayachi..mhanaje tya doghankadun charmag
charache aath.ashi madatichi sakhali vaadhat jaaiel aani lokant
madatichi bhavana vaadhel.jyatun kadhitari aapalyalach madat
hoyil

SHANKAR
Kamaal aahe tumachi..evadhyasha tumhi aani kaay
vichar karata? Pan mala hi kalpana aavadalimi
nakki hicha vaapar karen..

CUT TO:

57. INT. / SAMPATHS HOME / NIGHT

We can see SAMPATH and his friends are playing CAROM.

1# FRIEND
Dada! SHIVAJI udya talukyala chalalay..khabar
ekadam pakki aahe

SAMPATH
Aapali ji manase aali aahet tyanna sobat ghya.aani
bakiche kaay te mi tumhala nantar samajavito.

CUT TO:

45

58. EXT. / VILLAGE FIELD / DAY

SHIVAJI is walking on his way. He has his small bag. Suddenly few four men
come in front of him. Two of them are friends of SAMPATH. SHIVAJI stops
his walking and looking at them. They all have big sticks in their hand.

CUT TO:

59. EXT. / VILLAGE FIELD / FARM / DAY

One villager is working in his farm. Suddenly he looks at SHIVAJI who is

far away from him and fighting with them. He runs towards the village.

CUT TO:

60. EXT. / ROAD / DAY

SHIVAJI is running on a road. He is totally injured. Those people are running

behind SHIVAJI. SHIVAJI is trying to stop some vehicles but no one is giving
response. Suddenly one Auto stops near him. He is no one else but PUJAS
father SHANKAR. He takes SHIVAJI in his Auto and runs away.

CUT TO:

61. EXT. / ROAD / DAY

Those people are looking at that Auto then they turn and look at the village field.
Several villagers are coming towards them with big sticks in their hand.

CUT TO:

62. INT. / HOSPITAL ROOM / DAY

Banded SHIVAJI is on a bed. One doctor, AABA and SHANKAR are near to him.
After a second SHIVAJI slowly opens his eyes and looks at AABA. Doctor also
looks at him.

DOCTOR
Kase vaatate aata?

SHIVAJI just smiles. Then he looks at AABA.

AABA
SHIVAJI mi kharokar maafi magato tujhimajhya mule
tu hya gaavi aalas aani hya lokaanmule aaj tujhya jivavar aale
pan tya lokanna gavakaryaanni changali aaddal ghadavali aahe.
46

AABA makes his finger on SHANKAR.

AABA (contd)
Aaj ha manus ainveli tujhya madatis dhaun aala aani tyanech
tula ithe dakhal kele

SHIVAJI looks at him and addresses him to come. He comes near to him.
SHIVAJI slowly speaks.

SHIVAJI
Thank you!

SHANKAR
Aho Thank you vagaire kashala? Pan tumhala kharach
majhe aabhar karayache asatil tar majhi mulagi mhanate

tase tumhi kadhitari jyala garaj asel tyanna.kiman doghanna

tari tumachya aayushyat madat kara aani tyannahi tasech pudhe
aanakhi doghanna madatis saanga.mhanaje jashi aaj mi tumhala
madat keli tase tehi konala tari upyogi padatil..

A close look of SHIVAJI. We see tears in his eyes. SHIVAJI looks at him and with
great affection he makes the NAMASKAR to SHANKAR.

FADE TO BLACK: