Bytes & Pics

THE NEWSLETTER OF THE UKCA PAFOS COMPUTER & CAMERA GROUP

ISSUE SIX

JULY 2013

Time for change?

Do we need a
fresh format
for our
Bi-Monthly
competition?

Camera Club
chairman
KEITH WRIGHT
poses the question
IS IT time to take a
fresh look at the
operation of the Camera
Clubs Bi-Monthly print
competition?
Its a question which arose
during a recent meeting when
Barrie Allington compared the
merits of different types of
cameras.
Barrie looked at DSLRs (digital
single lens reflex), BRIDGE
cameras (in-between cameras
usually with a fixed zoom lens)
and COMPACTs (very often
referred to as the point and
shoot camera).
After extolling the virtues of the
different cameras, Barrie went
on to show that good pictures
can be obtained with each and
every camera.
During the discussion which
followed David Brindley pointed
out, its the person behind the
camera that sees and takes the
picture, not the camera.
But is that necessarily the case
each and every time?
Clearly not everyone feels that,
for the point was made that the
photographers regularly gaining
the top marks in the Bi-Monthly
competition seemed to be the
ones with the better cameras
and lenses.

Entries from the last Bi-Monthly competition from Gillian Chater (left)
and Jean Shepherd.
In the lively discussion which
followed, there was clearly a
feeling amongst many members
that the Bi-Monthly competition
format is now in need of a make
over but just how do we go
about it? What options are open
to us?
The question was then asked as
to whether it would be possible
for the Bi-Monthly competition to
have two sections - an
advanced section for those
photographers who are in the
top of the leader board and
another for those who are in the
lower part of the leader board.
Barrie came up with the idea
that instead of the competition
being open any photograph
of any subject and taken
anywhere there could be a
different set subject for each
competition.
This suggested change from an
open competition to a set
subject created quite a
response from members with

the majority seeming to be in

favour of a change.
It is a fact that the number of
entries in the competition is
going down.
In 2011 we had 347 prints
submitted but in 2012 there
were only 276 down 71 from
the previous year. The first three
competitions in 2011 attracted
214 prints; in 2012 this dropped
to 167 and the first three
competitions this year only 115
prints were submitted.
The trend is clearly downward,
but why?
Maybe its the fact that our
membership is decreasing, or
maybe the competition is getting
so strong, particularly at the top,
that it may put some people off
entering their pictures.
If that is the case then it must be
a good idea to run two
competitions and maybe we can
attract more entries.

Were taking
a summer
break
FOR the first time, the
Computer and Camera
Group is taking a summer
break.
The decision by the
committee means that
there will be no formal
programme for the month
of August, although the
meeting room will remain
available to members who
wish to come along to
chat and discuss matters
of mutual interest.
Formal meetings resume
on September 4th when
Roy and Ray will be
judging the latest BiMonthly competition.

CONTINUED ON PAGE 2

INSIDE: The birds and the bees Meet our monki Member Profiles

Hints, tips and more

Bytes & Pics

THE NEWSLETTER OF THE UKCA PAFOS COMPUTER & CAMERA GROUP

The birds and bees

IT WAS billed as a talk on
Photographing the Wildlife
of Cyprus, and when Dr
David Sparrow gave his
presentation to the Camera
Club it really did turn out to
be about the birds and the
bees.
In his fascinating, informative and
amusing presentation, David
detailed the route which led to him
taking up wildlife photography and
then took members through the
gamut of Cyprus wildlife from
butterflies to birds, via frogs,
lizards, snakes and all manner of
creepy crawlies. David, who was
one of the judges in last years
annual competition, illustrated his
talk with brilliant pictures of
insects, reptiles and amphibians.
But it was more than just an
illustrated catalogue of the various
species which live here. David
explained how many of them
arrived in Cyprusdid you know
that the Cyprus water frog came
from Syria and the terrapin we
have here is from the Balkans? and even provided a hilarious and
detailed explanation of the
breeding habits of butterflies and
dragonflies!

Welcome...
HELLO ... Is there anyone out
there?
This is my second edition of
Bytes & Pics and in this issue
youll find some interesting
articles from several members.
But they represent only a tiny
fraction of our total membership
of over 100!
For example, to date only eight
members have provided their
information for the member
profile page.
If you want a
regular newsletter,
you need to play
your part. I need
your help to keep it
going. Im sure you
have interesting
stories to tell,
helpful tips you can
pass on to other members.
Dont be shy. Let me have them
at iamdavid@primehome.com
- DAVID WHINYATES
ISSUE 6

New direction for Bi-Monthly?

CONTINUED FROM PAGE 1

reasons are simple.

It wouldnt be any more

difficult to run two
competitions as the same
two judges would be able to
judge the two competitions
on the same morning.
The question would be what
to call the two competitions.
Would they be competitions
A & B which could be
interpreted Advanced &
Beginners? I know not
everyone would like to be
called a beginner.
Another point is that the
competition as it stands
awards The Cyprus
Memories Cup to the
overall winner at the end of
the year. We would need
another trophy.
Im afraid Im very much
against the suggestion of
having a set subject for
each competition and the

If, for instance, someone is

very creative and wants to
continue in that vein,
always looking for creative
pictures, its no use that
person entering a set
subject of, say, a landscape
or a church interior and, for
that reason, I think it would
be unfair to that
photographer.

JULY 2013

On the other hand I can see

why some people would like
the idea of a set subject.
It would hopefully get
people off their backsides
to go out with their cameras
and take pictures of a set
subject.
Set subject pictures are
obviously open to each
photographers
interpretation so there will
be some good pictures and
some ordinary ones.

I would suggest you take a

look at the pictures from
our recent field trip to the
Bridges which were of a
series of set subjects.
This, by the way, is no
reflection on Liz Unwin who
organized the trip, as she
didnt take the pictures.
The point that Im trying to
make is that you can
probably imagine the
difficulty of judging 40 plus
pictures of the entire same
subject.
Each and every one of you
will have a view on this and
we want to take all your
opinions into account when
we consider the rules for
next years Bi-Monthly Print
Competition. So get in
touch and let us know what
you think. Send your views
to David Whinyates at
iamdavid@primehome.com
Page 2

Bytes & Pics

THE NEWSLETTER OF THE UKCA PAFOS COMPUTER & CAMERA GROUP

B&W: art and soul?

David Brindley
reports on the
ongoing debate over
Black & White and
colour portraiture.
What do you think?
THE age-old question of Colour
versus Black and White
photography was recently raised
in an e-magazine that I receive
from the DPS - Digital
Photography School.
The question posed in the magazine was:
Does B&W photography capture the
soul of people in portraits?
It created quite a stir and attracted many
opinions on both sides of the debate.
Theres not enough space available here so
I have re-arranged and screened the
answers. The first, and very controversial,
reply is, I suggest, meant to be a wind-up,
but it certainly got the debate going!
Peter says:
B&W photography is for people who havent
learnt to master light. B&W photography is
for people that are colour blind. You have to
be much more exact with colour, get it
wrong, convert it to B &W, call it art. Why do
most street photographers print their work in
B&W, is it for the above reasons? People
claim that B&W photography is more
dramatic, yet why do you want a dramatic
portrait, unless its a picture of an axe
murderer.
Colin says:
Perhaps its as simple as having less
distraction in black and white and the same
can be said for objects. That said, you dont
necessarily get less soul with a colour shot
either. B&W tends to be simpler and often
more dramatic. I guess his words do
resonate with me but for practical reasons
on this occasion.
Dave Says:
I disagree with this statement for the exact
opposite reason. The only way to truly
capture a persons essence is to capture
everything about them. The colours in a
persons life are part of them. The choice of
a persons clothes, for instance, says a lot
about them. To throw away part of that
information is to throw away part of that
person.
Phil says:
Photography in all aspects is about light.
ISSUE 6

Black and white or colour - if you havent

mastered it in colour then you havent
mastered it in black and white.
Having learned to shoot in B&W I have to
disagree wholeheartedly with Peter. If you
didnt understand lighting and how to read
your meter and then factor in things like
snow, that may throw off your meter reading,
then you would spend hours waving your
hand under an enlarger trying to burn in a
sky or even out a blown-out part of a pale
face. So trust me, after a few long weeks,
months, years you understand light.

The colours in a
persons life are part
of them. To throw away
part of that information
is to throw away part of
that person.

I do prefer B&W, maybe because I learned it

that way, I dont know, but I do prefer it. I
shoot mostly colour now because digital is
far easier and places that process T-max
film in my town have pretty much all shut
down. So what Im getting at Peter is that
your comment is way off the mark - to imply
that shooting B&W is due to a lack in skill is
crazy.
P.Bradshaw says:
Peter, that is a very bold statement that you
are making and obviously your personal
opinion. I find that attacking others skills by
claiming that we havent learned to master
colour yet is very rude and unprofessional. It
is fine to have different opinions, after all we
are all very different and our tastes vary from
viewer to viewer.
I do like colour photographs but I believe
that black and white has its purpose other
than what Peter claims it has. To me, black
and white captures something beyond what
we can see in colour.

Photography is very subjective, as it shows

with Peters statement. What one person
sees as trash, another will see as art. Could
you imagine if photography was only allowed
if one followed a set of strict standards? How
boring that would be?

Call it essence, soul, whatever. Sometimes

the real object is hidden by colour and black
and white helps to capture the pure emotion
of the scene. This includes street
photography as well.

Could we, perhaps, have some thoughts

on this from our members? Send your
views to magazine editor David
Whinyates at iamdavid@primehome.com

JULY 2013

Page 3

Bytes & Pics

THE NEWSLETTER OF THE UKCA PAFOS COMPUTER & CAMERA GROUP

Optimising Windows 8
IN Windows 8, the names of a lot of features which you
may have grown used to in Windows 7 have been
changed. For example, Windows Anytime Upgrade is
now called Add Features to Windows 8.
Disk Defragmenter has now been changed to Optimize Drives. Not really
sure why the name changes were necessary, but if youre looking for
something in Windows 8 and cant find it, its probably because the name
has changed.
In Windows 8, you can open the Charms bar and search for Optimize
Drives.

TECH TALK

With Derek Noronha

Windows 8s built in defragmenter

does a lot more than just defragment
drives. In his latest tutorial on the
much-maligned new operating
system, Derek explains how to find it.

Luckily, you can also still search disk defragmenter and it will load the
correct feature. (See Fig 1).
You can also get to the Optimize Drives feature by going to My Computer,
selecting a drive, clicking on the Manage tab and then clicking on the
Optimize button.
This will bring up the Optimize Drives dialog box where you will see a list of
your drives and their current status (% fragmented). (See Fig 2).
In Windows 8, the drives are automatically scheduled for optimization on a
weekly basis. You can manually optimize or defragment a drive in Windows
8 by selecting it and then clicking on the Optimize button. (See Fig 3).

This will start the defrag process manually and youll see that Windows 8
does two passes to relocate fragmented data on the hard drive.
You can also click the Analyze button to quickly update the percent
fragmented value. If you want to change the automatic optimize schedule,
click on Change settings. (See Fig 4).
You can either remove the schedule so that automatic defragmentation is
turned off or you can change it from weekly to daily or monthly. You can
also choose all drives or a specific drive to change the schedule for.
Lastly, if you click the Choose button, you can change whether you want
new drives to automatically be scheduled for optimization also or not. (See
Fig 5).

Thats about all there is to defragmenting disks in Windows 8. For most

people, the automatic schedule should work fine, but if you have a third
party tool or simply dont find defragmenting useful, you can always turn it
off in the settings. (See Fig 6).

NB: If youre running your system from a solid state drive

(SSD) you should not use a disk defragmenter. You should only
use this feature on actual hard disks.

3
4
5

ISSUE 6

JULY 2013

Page 4

Bytes & Pics

THE NEWSLETTER OF THE UKCA PAFOS COMPUTER & CAMERA GROUP

Catching up with a VPN

NOW that UK terrestrial channels
are unavailable through Sky in
Cyprus, what options do you
have?
Many people have tried without success to
connect through their computers to catch up
TV services such as BBC I Player and ITV
Player, only to be told that these services
are only available in the UK.
But there is a work-round. Download a VPN
and the UK TV world is your oyster and you
can view programs when you wish.
BBC I player and ITV Player can detect that
you are not connecting via a UK based
internet service provider. If you want to view
them in Cyprus a VPN is the answer.
VPN stands for Virtual Private Network. In a
nutshell it is a system which fools
programmes such as I-Player into thinking
that you are connecting to the net in the UK.
They work in such a way that your location
cannot be traced and its all quite legal
Some VPNs are available free, but the better
ones cost in the region of 5 per month,
although cheaper ones are available. I use
one called Focus and it costs 4.99 per
month. I know a number of members use in
particular Astrill.
Another excellent one recommended by
David Owen is called Hide-my-IP. I tried it on
a free three day trial and I found it to be
excellent. It provides a number of server
locations in the UK which you can connect to
and I intend signing up to it when my current
subscription expires. It costs $29.95 a year.
Many VPNs offer the option to subscribe for
a few months or a full year and I would
advise buying for a couple of months at first
until you are satisfied with the performance.
Once you have downloaded your VPN you
are all set to go. Most will place an icon on
your desktop and once you have opened the
programme, you will
normally be given a
choice of servers to
connect to.
Choose a UK server
and click on Connect.
It may take a few
moments, but you will
eventually be told that
you have connected
successfully. Now
search for the UK TV
player you want.
You can go to
www.bbc.com and
download the BBC I
player, placing an
icon on the desk top.
Because you are connected through a VPN,
a click on the icon will now open the player
and you have the choice of either watching
live programs or catch up TV according to
your wishes.
ISSUE 6

Cant get BBC or ITV on Sky anymore? In the

second of his two articles GORDON HENLEY looks
at how you can connect to UK catch-up TV sites
You also have the facility to download a
program which you can watch offline at a
later date if you wish. These often have a
time limit for viewing.

then view it live. You can also download

channels for viewing later offline but I have
yet to do this.

You can then go to www.itv.com to watch

ITV. Again download the ITV Player placing
an icon on the desk top and continue as for
BBC. Other players for UK channels are also
available.

When I am in Cyprus I carry out the same

procedure as if I were in the UK. I can then
get Sky channels here. I emphasise that you
have to have an account in the UK or details
of a relative or friends who will let you use
his user name and password. Simple !!!

These procedures require quite a bit of trial

and error and sometimes buffering occurs.
This is one of the hazards at present.
FilmOn generally provides much better
reception.

If all this sounds a bit too much for you,

alternatively you can contact any one of a
number of local companies who will install a
similar system which again uses your
Broadband modem to obtain TV.

So now you can get UK terrestrial TV but

how about connecting to Sky channels using
your VPN?

For example Holitec or Shipshape via

Easyvision which costs about 26.00 per
month. Another company I came across is
Expatelly.com. The charges for this one are
9.99 per month, 19.99 for 3 months,
35.99 for 6 months and 59.99 for a year.

Unfortunately you can only get

Sky channels if either you, a
relative or friend already has a
Sky subscription in the UK. If,
like me, you have a
subscription, or access to one,
you can hook-up to all Sky
channels you subscribe to via
SKY GO.
In your browser go to
www.sky.com and go to the
SKY GO section You will
need your or a friend or
relatives Sky user ID and
password in order to sign-up
to the service.
Once this is accepted you will need to create
a user name and password for SKY GO.
Once you are in, the Sky channels available
to you are shown. Just click on the
programme you want to watch and you can
JULY 2013

And one final option, as discovered by one

of our members is the Surf Easy Private
Browser for a one-off payment of 49.50
It can be purchased from the following
Canadian website www.qccuk.com and is
described as a VPN for life. I have never
used it so cannot comment further other
than to say it can be posted to Cyprus, the
packet being about half the size of a small
paper back book.
I hope the above may be of use but I must
state that I am not a TV or computer expert
and the information given is the result of
much trial and error.
EDITORS NOTE: Apologies to Gordon for
wrongly crediting last months article to Peter
Gillard.
Page 5

Bytes & Pics

THE NEWSLETTER OF THE UKCA PAFOS COMPUTER & CAMERA GROUP

On the crest of a wave

KEITH WRIGHT
was the winner
of the June
Bi-Monthly print
competition with
this dramatic
picture of a kite
surfer. Here he
explains the
techniques he
used to get the
shot
THE print Water
Sport was taken in
June at Kourion
Beach. For anyone
who doesnt know it,
the beach is sandy
with small stones in
places.
The area is windy and attracts
wind surfers and other sports
people as well as the general
public, who come here because
of the stunning scenery and
lack of visual clutter or
buildings.
The particular day I was there it
was sunny and very windy and,
of course, a lot of people were
out enjoying various water
sports.
I walked towards the parked

THE STORY BEHIND THE PICTURE

cars where the water sport

people set up so I could get
closer to the action.
The beach at this point consists
mainly of larger stones and is
difficult to walk on. My initial
idea was to capture a person
on the board holding onto the
control wires and to include the
parachute.
This didnt prove successful as
the overall image was too small

in the picture area,

camera set at aperture priority.

It was then I decided to use a

long lens and concentrate on
getting a closer shot.

With the camera set to Auto

exposure this gave me a
variable shutter speed
depending where I pointed the
camera while the aperture
remained a constant f8
throughout.

I used a Pentax K5 DSLR with

a Pentax 55 300 zoom lens.
The focal length of this shot
was 150mm which shows it
isnt necessary to have a long
telephoto lens for this kind of
shot. The ISO was set at 200,
the aperture was f8 and the

This shot was captured at a

shutter speed of 1/640 second
at f8 which shows sharpness as
well as movement of the water.

Runners-up in the June Bi-Monthly: Proud

Daughter by Pervez Tavaria (left) was joint
second with Dragonfly by David Brindley
(below). Friends by Carol McAllister (right)
was placed third.

ISSUE 6

JULY 2013

Page 6

Bytes & Pics

THE NEWSLETTER OF THE UKCA PAFOS COMPUTER & CAMERA GROUP

Getting to know you

Barry
Allington

Liz
Watson
Partner:

Partner:

Ken Watson.

Lesley Allington.

Home Village:

Home Village:

Peyia.

Peyia.

Birthplace:

Birthplace:

Glasgow, Scotland.

Dorchester, Dorset, UK.

Previous Occupation:
PA/ Office manager AKA general dogsbody.

Previous occupation:
Staff Photographer for Cyprus mail and Redcactuspost.
Retired Chief Inspector Dorset Police previously Army
Photographer.

Before I came to Cyprus:

Before I came to Cyprus:

I served12 years in the Army as a photographer visiting
many countries. Joined Dorset Police in 1975 and spent
last four years in London on secondment to the Home
office. I have a son and Daughter and 4 grandchildren.

Hobbies/Interests:
Playing the guitar and computers and photography. I also
enjoy cooking.

I moved to Maidenhead, Berkshire in 1985 and lived

there till retiring to Cyprus in 2001.Ken took early retirement and initially we wanted to move to the West Country. Came on holiday to Cyprus and decided it was definitely for us. Biggest surprise in my life was when I gave
birth to our second child in1975 - a 7lb girl followed five
minutes later by our son, also almost 7 lbs. I was told I
was having one big baby ... awful glad it was two.

Hobbies / Interests:
Photography, dressmaking, travel, eating out with friends
and family, swimming, keep fit.

MEMBER PROFILES

Roy
Calver

David
Whinyates

Partner:

Partner:

Margaret (Maggie).

Pauline.

Home Village:

Home Village:

Peyia.

Mandria.

Birthplace:

Birthplace:
Prescot, near Liverpool.

London.

Previous occupation:

Previous occupation:

Journalist/ Editorial manager.

Photographer/
Camera engineer.

Before I came to Cyprus:

I was a production manager for a company making

bespoke high-spec mobile computers for the emergency
services, Met police and ambulances etc and a part-time
wedding photographer. Before that I worked in the film
industry as a camera engineer/ instructor for over 30
years. I was given my first camera, a Bakelite Kodak
Instamatic 126 by my father when I was 14.

Spent all my working life as a journalist, starting as a cubreporter and working up to assistant editor of a major
regional daily in the North-east of England. I specialised
as a motoring writer and ultimately managed a motoring
editorial syndication service for the UKs biggest regional
newspaper group writing for an audience in excess of
nine million. I was fortunate to be able to travel all over
the world with my work and to drive many of the most
desirable cars in exotic locations.

Hobbies/Interests:

Hobbies/Interests:

Photography, model car racing, fishing.

Photography, driving, travel, most sports.

Before I came to Cyprus:

ISSUE 6

JULY 2013

Page 7

Bytes & Pics

THE NEWSLETTER OF THE UKCA PAFOS COMPUTER & CAMERA GROUP

Monki business
The Computer and Camera Group has invested in a piece of kit which
can help members get better prints from their photographs. Called the
Colormunki, it calibrates your monitor with your printer to provide truer
colours in your final print. ROY CALVER explains how it works.
WE have a monki
to look after but,
dont worry: it wont
bite. This monki is, in
fact, a complete system
for profiling monitor and
printer and Group members
can rent it for a small fee.
Colour management is an important topic
and ensures that the image we see in our
camera matches the one we see on our
monitor and that we eventually see on a sheet
of A4 paper.
Because all three devices use different
methods of interpreting the information of an
image, making that translation between them
can sometimes be like a game of Chinese
Whispers.
Each stage of the process produces
something slightly different from the one
before, with the end result sometimes a far
cry from the original version.
It is vital to have an accurate monitor. If
youre trying to correct a colour cast, and the
fault is with the monitor not with the image,
then youre going to end up going in circles
and produce an image that looks ten times
worse on another monitor or print.

TUTORIAL:
The opening screen gives you the option to
calibrate the monitor, printer or both as well
as a digital projector. Like other monitor
calibrators, the Colormunki dangles from the
top of the monitor and measures a series of
software-generated colour patches on the
screen.

The first thing to do is install and start the

included software. This is a really easy-touse, step-by-step wizard and doesnt require
you to change any external monitor settings,
such as contrast and brightness, before use.
ISSUE 6

This makes the idea of regular profiling, say

when you change inks or try new paper,
much more palatable and convenient.

One disappointment is that the device is

designed to work only with Adobe Creative
Suite CS3 and above (including Photoshop)
and Quark Express so its more aimed at
higher-end users than Paintshop Pro or
Elements fans.
When making prints you need to go into the
Print dialogue and set your colour
management settings to handled by
Photoshop and then choose the new profile
from the drop-down menu.

Changes in ink batches can affect colour

and, more importantly, using different papers
say a third-party Fine Art Matt for some
images, and an Ultra High Gloss for another
can produce radically different results.

Unlike other all-in-one systems, which

consist of separate monitor and print
spectrometers, the Colormunki is a single
handheld unit, resembling a tape measure. It
has a dial on the front for turning it on and
switching modes, and comes with a case and
weighted strap that aids placement on the
monitor.

Now, instead of taking half a day to profile a

printer, the Colormunki takes around half an
hour including a 10-minute drying time for
each test chart.

Once the profile is made it is automatically

saved in the appropriate colour management
folder on your PC.

In the case of printing, while most profiles

that are included with the printer driver
nowadays are reasonable and produce
results that are good enough for most
people, for the real perfectionist they can be
lacking. Im sure weve all produced prints
that look nothing like the image on our
monitor.

So how can the Colormunki help us to

achieve the right results?

Using the Colormunki

The software knows the actual colour values

and the device reads the monitors projected
values, with the difference then being
measured and those corrections used to
build the profile and correct the screen.
A similar system is used for the print profile.
Two test charts are printed and the
Colormunki reads the patches and the profile
corrects the differences in subsequent prints.
However, where the Colormunki differs from
other devices, is that, aside from being an all
-in-one solution, the charts are read by rolling
the device over whole strips of patches
instead of reading each patch individually,
which is a laborious and tedious chore.
JULY 2013

Also you need to turn off your printers colour

management system which is usually in the
advanced section of your printer driver
dialogue box.
It should be noted that this isnt available on
all printers, especially the lower-end
consumer models. But then youd be unlikely
to buy a 360 calibration system for a 50
printer.
I had good results using this piece of kit but
you do need to take time and it requires a
little patience,
Print quality is definitely improved using the
Colormunki, with closer matching to the
monitor, as far the gamut allows, and much
better black & white prints are possible
always a difficulty using colour inks.
Page 8

Bytes & Pics

THE NEWSLETTER OF THE UKCA PAFOS COMPUTER & CAMERA GROUP

Lets Facebook up to it
HAVE you signed up to
our new Facebook page
yet?
So far, 18 of our members
have joined our on-line
community ... and the more
the merrier!
its a closed group which
means that non-members
can see the group but
cannot see who the groups
members are and cannot see
posts.
If youre not already a
Facebook user youll need to
create an account at
www.facebook.com
Once you have your own
account you can ask to join
our Group by going to our
page at www.facebook. com/
groups/ 357922107 662161/
and requesting membership.
Any member of the UKCA
Computer and Camera
Group, past or present is
welcome to join.

COMPUTER & CAMERA GROUP PROGRAMME

Aug-Dec

FOR SALE

Nikon D7000 Camera.

Two years old, 30,000 shutter
actuations (quite low), perfect
working order and nice and clean.
Comes with body cap and a 16gb
memory card. 500.
I also have an 18-125 Sigma lens
that is the perfect match 150
Contact Roy Calver: Tel 99968361
or by e-mail at
roycalver@ cyprusmemories.com

ISSUE 6

JULY 2013

Page 9