POPULAR MUSIC, VOLUME 26 - ISSUE 02

t.A.T.u. You! Russia, the global politics of Eurovision, and lesbian pop
DANA HELLER
Popular Music, Volume 26, Issue 02, May 2007, pp 195-210
doi: 10.1017/S0261143007001237, Published online by Cambridge University Press 26 Apr 2007
From blatant to latent protest (and back again): on the politics of theatrical spectacle in Madonnas American Life
MARTIN SCHERZINGER and STEPHEN SMITH
Popular Music, Volume 26, Issue 02, May 2007, pp 211-229
doi: 10.1017/S0261143007001274, Published online by Cambridge University Press 26 Apr 2007
I Will Survive: musical mappings of queer social space in a disco anthem
NADINE HUBBS
Popular Music, Volume 26, Issue 02, May 2007, pp 231-244
doi: 10.1017/S0261143007001250, Published online by Cambridge University Press 26 Apr 2007
Marketing androgyny: the evolution of the Backstreet Boys
DARYL JAMIESON
Popular Music, Volume 26, Issue 02, May 2007, pp 245-258
doi: 10.1017/S0261143007001286, Published online by Cambridge University Press 26 Apr 2007
Techno, Frankenstein and copyright
MARK A. McCUTCHEON
Popular Music, Volume 26, Issue 02, May 2007, pp 259-280
doi: 10.1017/S0261143007001225, Published online by Cambridge University Press 26 Apr 2007
Inventing recorded music: the recorded repertoire in Scandinavia 18991925
PEKKA GRONOW and BJRN ENGLUND
Popular Music, Volume 26, Issue 02, May 2007, pp 281-304
doi: 10.1017/S0261143007001298, Published online by Cambridge University Press 26 Apr 2007
Rethinking the music industry
JOHN WILLIAMSON and MARTIN CLOONAN
Popular Music, Volume 26, Issue 02, May 2007, pp 305-322
doi: 10.1017/S0261143007001262, Published online by Cambridge University Press 26 Apr 2007
The melodic-harmonic divorce in rock
DAVID TEMPERLEY
Popular Music, Volume 26, Issue 02, May 2007, pp 323-342
doi: 10.1017/S0261143007001249, Published online by Cambridge University Press 26 Apr 2007
The Hendrix chord: blues, flexible pitch relationships, and self-standing harmony
ROB VAN DER BLIEK
Popular Music, Volume 26, Issue 02, May 2007, pp 343-364
doi: 10.1017/S0261143007001304, Published online by Cambridge University Press 26 Apr 2007
Music and Revolution, Cultural Change in Socialist Cuba. By Robin D. Moore. University of California Press, 2006. 305 pp. ISBN 0-520-24711-6 (pb)
Timba: The Sound of the Cuban Crisis. By Vincenzo Perna. Ashgate, 2005. 338 pp. ISBN 0 7546 3941 X (hb)
Popular Music, Volume 26, Issue 02, May 2007, pp 365-368
doi: 10.1017/S0261143007003315, Published online by Cambridge University Press 26 Apr 2007
The Resisting Muse: Popular Music and Social Protest. Edited by Ian Peddie. Ashgate Popular and Folk Music Series, 2006. xxiv + 228 pp. ISBN 0
7546 5114 2 (pb)
Hazel Marsh
Popular Music, Volume 26, Issue 02, May 2007, pp 369-370
doi: 10.1017/S0261143007003327, Published online by Cambridge University Press 26 Apr 2007

Cambridge University Press 2007.

POPULAR MUSIC, VOLUME 26 - ISSUE 02

Policing Pop. Edited by Martin Cloonan and Reebee Garofalo. USA: Temple University Press, 2003. 241 pp. ISBN 1566399890 (pb)
Jan Fairley
Popular Music, Volume 26, Issue 02, May 2007, pp 371-373
doi: 10.1017/S0261143007003339, Published online by Cambridge University Press 26 Apr 2007
John Lennon Imagined: Cultural History of a Rock Star. By Janne Mkel. New York: Peter Lang, 2004. 312 pp.
Yrj Heinonen
Popular Music, Volume 26, Issue 02, May 2007, pp 373-375
doi: 10.1017/S0261143007003340, Published online by Cambridge University Press 26 Apr 2007
Noisy Island: a Short History of Irish Popular Music. By Gerry Smyth. Cork: Cork University Press, 2005. 136 pp. ISBN 1 85918 387 5 (hb)
Ciaran Wrenn
Popular Music, Volume 26, Issue 02, May 2007, pp 375-377
doi: 10.1017/S0261143007003352, Published online by Cambridge University Press 26 Apr 2007
Jazz on the River. By William Howland Kenney. Chicago and London: University of Chicago Press, 2005. 229 pp. ISBN 0-226-43733-7 (hb)
The Evolution of Jazz in Britain, 18801935. By Catherine Parsonage. Aldershot: Ashgate, 2005. 322 pp. ISBN 0-7546-5076-6 (hb)
Popular Music, Volume 26, Issue 02, May 2007, pp 377-379
doi: 10.1017/S0261143007003376, Published online by Cambridge University Press 26 Apr 2007
Music In Film: Soundtracks and Synergy. By Pauline Reay. London: Wallflower Press, 2004. ISBN 1 903364 65 5 (pb)
Pop Fiction The Song in Cinema. Edited by Steve Lannin and Matthew Caley. Bristol: Intellect, 2005. 338 pp. ISBN 1 84150 078 X (pb)
Popular Music, Volume 26, Issue 02, May 2007, pp 379-381
doi: 10.1017/S0261143007003364, Published online by Cambridge University Press 26 Apr 2007
The Last Waltz of the Band. By Neil Miniturn. CMS Sourcebooks in American Music no. 2. Edited by Michael J. Budds. Hillsdale, NY: Pendragon
Press, 2005. 224 pp. ISBN 1-57647-093-8 (pb)
Christopher Garbowski
Popular Music, Volume 26, Issue 02, May 2007, pp 382-384
doi: 10.1017/S0261143007003388, Published online by Cambridge University Press 26 Apr 2007

Cambridge University Press 2007.