Oliver Bowes

Dorian Gray

Dramatis Personae
Dorian Gray Counter-Tenor / Mezzo-Soprano
Basil Hallward Tenor
Lord Henry "Harry" Wooton Baritone
Sybil Vane Soprano
James Vane Bass
Alan Campbell Baritone
Whore - Soprano
Lady Victoria Wooton Soprano
Chorus of Hunstmen,Whores and Opium ends

Synopsis of Scenes
Act 1
-- Scenes 1 and 2 - In Basil Hallward's Studio
-- Scene 3 - Lord Henry's house in Mayfair

Act 1
Scene 1
(Stage is pitch-black. Spotlight
on Basil, centre stage.)

bbb
&

Quasi recitative

Clarinet in Bb

Basil Hallward

Violin I

bb
& b

Violin II

Viola

Violoncello

pp

pp

The artist is the creator of beautiful things.

Quasi recitative

b
& bb

b
& bb

? bb
b

To reveal art and conceal the artist is art's aim.

nw

w
pp

pp

solo

mf

U
b

mp

? bb w
b

bw
pp

Cl.

Basil

Vln. I

4 bbb
&

bb
& b
The critic is he who can translate into another manner or a new material his impression of beautiful things.
pp

b
& bb w
b
& bb w

Vln. II

? bb
b

Vla.

Vc.

? bb w
b

b
J

pp

Those who nd ugly meanings in beautiful things are corrupt without being
charming.

mf

bw

Cl.

Basil

Vln. I

7 bbb
&

b
& b b

That is a fault.

Vln. II

Vla.

Vc.

b
J

pp

U
w

Those who nd beautiful meanings in beautiful things are the cultivated.

For these there is hope.

b .
& b b bJ

b .
& b b J

? bb .
b J

.
? bb n
b J

bw

They are the elect to whom beautiful things mean only beauty.

U
w

U
w

U
w
U
w

(Pink wash, revealing an orangery, with

Laburnum trees growing in the background. The windows are framed by long
curtains. Hallward moves to his easel,
which is set up in the corner, bearing
the unfinished portrait of a young man.
Henry is reclining on a divan, smoking.
They are both admiring Hallwards
painting. Henry smiles.)

12 bbb
&

Andante q = 80

Cl.

Hn.

Basil

Henry

Vln. I

bbb
&

b
&b b

Fl.

18

b
& bb

Hn.

Henry

Vln. I

& b b
b

bbb
&

It's

your

best

Vla.

Vc.

=
Fl.

b
& bb w

Cl.

Hn.

? bb
b w

Vln. I

Largo q = 50

Vc.

You must

cer - tain - ly send

it,

next
rit.

. . .

b
& bb

. . .

When - ev - er

I have gone

there,

there have ei - ther

been so

ma - ny

that I have not

peo - ple,

or so

rhythmico

ma - ny pic - tures,

that I have not

>

ppp

been ab - le to see the peo - ple,

which was dread - ful,

pp

mf

The A-

been ab - le to see the pic - tures,

b
& bb

pp

ppp

- nor.

year, to the Grosve

Uj

? bb
b w

? bb w
b

? b
bb

No...

mp

? bb w
b

Largo q = 50

Vla.

& b b

Vln. II

pp

Henry

pp

pp

? b w
bb

bbb
&

rit.

pp

? b
bb

b
& bb

Ba - sil.

b
& bb

C. A.

work,

Andante q = 80

21

j .

b
& bb w

b
& bb

Vln. II

ca - de - my is too large and too vul - gar.

b
& bb

sfz

? b
R
bb

b
& bb

C. A.

Cl.

tutti

Vla.

? b
bb

Vln. II

Vc.

Fl.

25

Ob.

C. A.

Hn.

Tpt.

Henry

Vla.

Vc.

b
& bb

b
& bb

ppp

ppp

? b
bb

Andante q = 80

mp

b
& bb

b
& bb

b
& bb

nr
'
f
pp
con sord.

? bb
b

?b
bb

j
>

No,

which was

Hen - ry...
mf

worse.

? bb
b w

3
- -

The Grosve - nor is real - ly the

Pi mosso q = 55

r
'

don't think I shall send it

pp

pp

R n

con sord.
f

pp

<b>

an - y - where.

pp

con sord.

con sord.

ppp

bbb

pp

. . #
>

mp

. . #>

bb
& b

ppp

ppp

? bb
b .

Tbn.

Basil

Tpt.

Tbn.

b
& bb

b
& bb

Cl.

B. Hn.

4
Pi mosso q = 55

No.

on - ly place.

Ba - sil!

bw

Andante q = 80

Hn.

Tpt.

Basil

Henry

Vln. I

31

Allegretto q = 105

rit.

b
& bb

& b b
b

senza sord.

>

mf

r
>

n>
3

?b
bb

b
& bb

rit.

Not

b
& bb
? bb
b

Vla.

Vc.

? bb
b w

>

Allegretto q = 105

mf

>

ff

why?

mf

an - y - where? My dear fel - low,

mf

mf
Vln. II

3
3
bb
& b -
won't send it an - y - where.
pp

n n-

Have you an - y rea - son?

#w

nw

mp

What odd chaps you pain - ters

are!

U
J

Hm You do

mf

5
Fl.

37

b
& bb

b
& bb

& b b

C. A.

Cl.

Hn.

pp

bbb
&

pp

pp

3
? b n
b
b

b
& bb

? bb
b

Vla.

Vc.

re - pu - ta - tion.

w
3

n n 3
J

one, you seem to want to throw it a - way.

- - .
It is sil - ly of

mp 3

pp

? bb
b w

mp

As soon as you have

3
J
J

3
3
b
& bb

Vln. II

an - y - thing in the world to gain a

Vln. I

pp

Henry

you, for there is

pp

Fl.

44

b
& bb

Ob.

C. A.

B. Hn.

Hn.

b
& bb

b
& bb

b
& bb

Cl.

b
& bb
b
& bb

>
not

be - ing talk'd a - bout.

Vla.

Vc.

? bb w
b

3
3

por - trait like this would set

? bb
b

pp

? b
bb

Vln. II

on - ly one thing in the world worse than be - ing talk'd a - bout:

Vln. I

mf
3

Henry

mf

? bb
b

bbb
&

Fl.

50

b
& bb

Ob.

C. A.

B. Hn.

Hn.

Basil

Henry

Vln. I

rit.

? bb
b

? bb
b
? bb
b

rit.

pp

Eng - land,

and

mp

Adagio

are e - ver ca - pa - ble of e - mo - tion.

pp

J
3

if old men

pp

pp

make all the old men quite jea - lous,

Andante

Adagio

a - bove all the young men in

b
& bb

Andante

b
& bb

Vla.

you far

? bb
b

Vln. II

Vc.

b
& bb

bb
& b

bbb
&

b
& bb

b
& bb

Cl.

=
Cl.

Hn.

Basil

Henry

Vln. II

Vc.

58 bbb
&
bbb
&

Allegretto q = 105

?b
bb

in - to

it.

mp

I knew you

? bb
b w

would!

mf

Ha - ha!
Allegretto q = 105

b
& bb w

much of my - self

3
bb

& b > J
know you will laugh at me, but I real - ly can't ex - hi - bit it. I have put too

Too much of your - self

=
Cl.

Hn.

Tbn.

Henry

Vla.

Vc.

65 bbb
&

b
& bb

b-

?
bbb

in - to

it!

nw
3

n n

senza sord.

? b J R b
J
bb
?

Andante

I did notknow you were so

bbb

? bb
b

vain;
Andante

nw

-
n 3 b n 3 nJ
J
J

mp

b
J R

b U
J

I real - ly can't see an - y re - sem - blance be - tween you two, with your rug - ged strong face and your coal - black

b n
J
p

n
J

b
J

ppp

bw

7
Fl.

Cl.

Hn.

72

b
& bb

& b b

Timp.

Henry

Vln. I

rit.

Allegretto q = 105

? bb
b

? b
bb

Vla.

hair,

and this

b
& bb

b
& bb

young A - do - nis,

who looks as if he were made of

rit.

.
J

iv' - ry and rose - leaves.

Why, he
Allegretto q = 105

is

mf

? bb w
b

? bb
b w

ppp

ppp

mp

a Nar - ciss - us,

ppp

w
w

senza sord.

pp

pp

ppp

w
w

ppp

mf

senza sord.

? b
bb

w
w

n 3

mf

3
b

mf

? bb
b

Vln. II

Vc.

3
b
& bb

Tbn.

Tbn.

mf

and

Fl.

80

Ob.

C. A.

B. Hn.

b
& bb

b
& bb

b
& bb

Cl.

pp

? bb
b

Tbn.

? bb
b

Tbn.

?
bbb

Timp.

Henry

Vln. I

? b
bb

well,

? bb
b

? bb
b

you

b
& bb

Vla.

Vc.

b
& bb

Vln. II

? b
bb

b
& bb

Hn.

Andante

b
& bb

#J

#w

mf

ppp

ppp

pp

that.

w
w
w
w

<b>

mf

Allegretto q = 105

.
J

beau

mf

mf

ty, real

w
p

ends

w
w

beau - ty,

where an

in - tel -

n
J n
-

pp

But

w
w

mf

n #
J J J
accel.

of course you have an in - te - lec - tual ex - pres - sion, and all

Andante

n #
J

Allegretto q = 105

accel.

Fl.

87

b
& bb

b
& bb

C. A.

Cl.

Hn.

Henry

b
& b b b

pp

b
? bb b
b

? bb
b

? b b 3

bb

j


p

b
& bb

Vln. II

Vla.

Vc.

j
n

j
n

pp

In - tel - lect is in it - self

mp 3

n
J

mf

b
& bb

lec - tual ex - pres - sion be - gins.

Vln. I

pp

pp

b
& bb

b n

pp

w
?
bbb

Tbn.

Tbn.

b
& bb

Ob.

B. Hn.

8
3

.
J

mp

J
n

mode

of ex - ag - ge - ra - tion,

mf

b
J

mf

bJ

n
J
f

mp 3

n 3
J
the har - mo - ny of

b n

n
J

n

J
n
3

and des - troys

ppp

? bb w
b

bw

? bb
b w

nw

Fl.

95

3
b
& bb

b
& bb

Cl.

B. Hn.

Hn.

Tbn.

Henry

Vc.

ppp

j
b

? bb b

- n

p
bJ

face.

b
p

ppp

Vla.

- n

? b -
- n
bb

ppp

? bb -
b

an - y

Vln. I

ppp

b
& bb

<n> w

? bb
b

Tbn.

b
J

r j j

one be - comes all nose,

or all fore - head,

3
b

or

some - thing hor - rid.

b
& bb

? bb <b>w
b

? bb w
b

bw

The mo - ment one sits down to think,

ppp

solo

9
Fl.

103

b
& b b

Cl.

B. Hn.

Hn.

Timp.

Henry

Vln. I

? bb
b

b
& bb

j j

- - bp

- - -

3
4

? b
bb

Look

b
& bb

solo

all the suc - ces - ful men

ppp

b
& bb

Vla.

at

? bb <b>w
b

all

>

43

mf

mf

of the lear - ned pro - fes - sions.

How per - fect - ly

hi - deous they

mf

mp

are!

Ex-

b
- - -

3
4

- -
-

3
4

? b w
bb

in

mf

n b
n b -
b b
J
- j b

3
4

43

? b
bb

mf

3
4

3
4

? b
bb

mf

3
4 n

j
n b

3
4

? b
bb

Vln. II

Vc.

b
& bb

Tbn.

Tbn.

ppp

tutti
mf

.
.

3
4

3
4

mf

mf

C. A.

112

Cl.

B. Hn.

Hn.

Timp.

Henry

b
& bb

4
4

b
& bb

4
4

? bb
b

4
4

bbb
&
? b
bb

>

? b

bb
cept,

Vln. I

b
& bb

? bb
b

Vla.

Vc.

? bb
b

4
4
>

4
4

the Church...

the

Church, they don't

n
think.

4
4

4
4

4
4

4
4

.
n.

but then in

4
4

of course,

b
& b b b
.

Vln. II

mf

mf

Your

mp

mp

mp

whose

young, mys - te - ri - ous friend,

3 3

Hn.

Henry

Vln. I

121 bbb
&

C. A.

Hn.

Henry

3
.

name you have ne - ver told

b
& bb

? b
bb

129 bbb
&

? bb
b

bbb
&

me,

but whose pic

Vla.

Vc.

=
Fl.

Hn.

Basil

Henry

3
3 b

3
.

I feel quite cer - tain of that.

He is some brain

n b

pp

?
bbb

mf

ppp

?b
bb

b
& bb

b
& bb

mf

? bb w
b

3
.
J
J
3

Don't at- ter your - self,

at, and al - ways here in sum - mer, when we

look

3 b 3
J

have no ow - ers to

-
-

b 3

Ba - sil:

not

in

the least

like

mp

don't

un - der

him.

w
w

3
3

You

you are

Andante q = 80

ways be here in win - ter, when we

? bb
b

b
& bb

Vla.

thinks.

U3

b
&b b

ne - ver

pp

b
& bb

Vln. II

Vc.

bbb
&

? bb w
b

.
J

me,

? bb
b

want some - thing to cool our in - tel - li - gence.

Vln. I

b
& bb

Cl.

rit.

b
& bb

real - ly fas - cin - ates

137

C. A.

B. Hn.

ture

? b 3
bb

.
3
J

- less beau - ti - ful crea - ture who should al

Vln. I

Andante q = 80

b
& bb

Vla.

? b
bb

Vln. II

Vc.

10
rit.

11
Cl.

B. Hn.

Basil

Vln. I

146

j
b
& b b j
pp

?
bbb

me,

j

j

Har

Of

b
& bb

? bb w
b

like

him.

mp

well.

I know that per - fect - ly

J j

course I am not

ry:

b
& bb

? b
bb

Vla.

Vc.

bb
& b
stand

Vln. II

=
Fl.

152

C. A.

Cl.

B. Hn.

Basil

Vln. I

b
& bb

mf

b
& bb
.

? bb
b

Vla.

bb

& b

In - deed,

Vln. II

Vc.

b
& bb

b
& bb

b
& bb

? b
bb

? bb
b

3
3

b-

mf

I should be sor - ry

to

look

pp

like him.

mf

ppp

3
3

You shrug your shoul - ders?

- - b w-

I am tell - ing the truth.

pp

pp

sfp

=
Cl.

B. Hn.

Hn.

Basil

Vln. I

158

b
& bb

? bb
b

mf

bbb
&

mp

mp

? bb
b w

mp

bw

a - bout all dis - tinc -

b
& b b w

mf

mp

n w

mp

- -

-
-

-
-

-
-

the

fal - ter - ing steps of kings

that seems to dog through his - to - ry

b w

tion,

w
w

w
w

b w
& b b w

? bb
b

mp

mf

mp

Vla.

nw

bb mf j

& b n

There is a
fa - ta - li - ty

Vln. II

Vc.

Cl.

B. Hn.

Hn.

166

12

b
& bb

? bb
b

pp

bbb
&

pp

Vln. I

b
& bb

Vln. II

Vla.

Vc.

Cl.

B. Hn.

Hn.

Tbn.

Basil

Vln. I

b w
& bb

? bb w
b

? b
bb

Cl.

B. Hn.

Hn.

Tbn.

Basil

Vln. I

b
& bb

The

ug - ly and stu

mf

mf

at

their

b
& bb

b
& bb

ease,

and gape

at

the

play.

If

they

? bb
b

j
n

?
bbb

b
w
& b b
know - ledge of
de - feat.

b
& bb
b
& bb
? bb
b

? bb
b w

w
w

mp

w
w

nJ

mp

of

this

They can

pp

pp

they

are

at

least

spared the

world.

pp

live:

un - dis - turbed,

in - di' - rent,

and with - out dis - qui -

w
w

w
w

w
w

w
w

w
w

w
w

w
w

w
w

w
w

w
w

w
w

w
w

w
w

w
w

w
w

w
w

w
w

w
w

w
w

w
w

mf

They live as we all should

w
w

j 3
n b

mp

b
& bb

know no - thing of vic - to - ry,

ppp

b
& bb

Vla.

? bb w
b w
w
w
w

182

have the best

pp
3
3
3
w

ppp

pid

mf

pp

? bb
b w

mf

mf

? bb
b

? bb w
b

Vln. II

Vc.

ppp

Vla.

Vc.

bb
& b
sit

Vln. II

ppp

b
& bb

ppp

175

mf

mp

mp

mp

bb 3 3

J
& b

It is bet - ter to not be di' - rent from ones fel - lows.

pp

Basil

>

w
w

w
w

w
w

w
w

13
Cl.

B. Hn.

Timp.

Basil

Vln. I

193

b
& bb

? bb
b

? b
bb

Vc.

o - thers, nor

b
bw

b
J

re - cieve it

from

thers.

They nei - ther bring ru - in up - on

Your

rank;

my

brains,

w
w

bw
w

w
w

bbw
w

w
w

nnw
w

nw
w

? bb w
b w

w
w

w
w

w
w

bw
w

w
w

bbw
w

w
w

nnw
w

nw
w

? bb w
b w

w
w

w
w

w
w

w
w

w
w

w
w

w
w

w
bw

w
w

w
w

w
bw

w
w

w
w

such as they

w
w

w
w

w
w

w
w

b w
w
& b b
b
& bb w
w

j
b

Vla.

bb
& b

et.

Vln. II

are,

w
w

w
nw

w
w

Fl.

203

Cl.

B. Hn.

Tbn.

Timp.

Basil

Vln. I

b
& bb

solo

ppp

? bb
b

? b
bb

solo

U
j

ppp

b
& bb w
w
w
? bb w
b

w
w

ppp

n
J
what

e - ver it may - be worth;

w
w

w
w
w
w

w
w

>

b3 n
-

ppp

Do - rian

J w
pp

pp

b w
& b b w

? bb
b

ppp

bb #
& b

my art,

Vla.

n
b

? b
bb

Vln. II

Vc.

b
& bb

Gray's good

looks;

we shall all

suf - fer

Fl.

211

Ob.

14

b
& bb

b
& bb

w
w

pp

Cl.

B. Hn.

Tpt.

Tbn.

Basil

Henry

Vla.

Vc.

mp

mp

mp

? bb w
b

b
& bb

? bb
b

? b
bb

?b
bb
?

senza sord.

mp

bb
& b
J

for what the gods

have gi - ven us.

Prestissimo

b
& bb w

Tbn.

pp

b
& bb w

C. A.

accel.

Suf - fer ter - rib - ly.

? bb
b w

Yes,

Do - rian

bbb w

Gray?

accel.

w
w

w
w

though I did - n't in-

Is that his name?

w
w

w
w

w
w

w
w

Prestissimo

Fl.

221

C. A.

b
& bb

b
& bb

rit.

mp

b
& bb

Cl.

Basil

Henry

Vla.

Vc.

? bb
b

b 3

&b b

tend to tell you.

?b
bb
?

bbb

3
j

? bb w
b w

why

Oh,

rit.

w
w

w
w

w
w

mp

When I

like

peo

ple

im

w
3

Allegro q = 120
w
3

w
w

can't ex - plain.

not?

mp

mp

But,

mp

B. Hn.

Allegro q = 120

15
Fl.

229

b
3
& bb

b
& bb

C. A.

b
& bb

Cl.

B. Hn.

Basil

Vln. I

? bb
b

b
& bb

b
& bb

ne - ver tell a - ny - one

their

name;

? bb w
b

Vla.

bb
& b
mense - ly,

Vln. II

Vc.

3
? bb
b

ro - man - tic.

Is that chil - dish?

w
w

w
w

mf

nd the se - cre - cy...

mf

w
w

w
w

B. Hn.

Hn.

Basil

Henry

Vln. I

237? b
bb

bbb
&

bb
& b

No,

b
& bb
? bb
b

ne - ver tell

Vc.

b

& bb
p

Vla.

? bb w
b

am.

accel.

3
3

w
mf

it?

want the real

Prestissimo q = 180

3
b

I have al - rea - dy told

rea - son!

b <n>w

bw

mf

mf

But why won't you ex - hi - bit

Andante q = 80

mf

Prestissimo q = 180

Oh!

my wife where I

accel.

mf

Andante q = 80

?b
bb

Vln. II

Fl.

246

Ob.

C. A.

&b

&b

&b

&b

Cl.

Hn.

Basil

Henry

Vln. I

b w
&
you!
?
b

Basil

&b

Vln. II

Vc.

Basil

Vln. I

Vc.

Basil

Vln. I

5
4

4
4

3
n 4

n 43

n 43

3
n4

5
4

5
4

5
4

Vc.

. .

4
4

4 . .

said it was be - cause there was too much of your - self

in

4
4

5
4

4
4

4
4

'ry

por

? 3
4

mf

of

the

sit

trait

that

&

&

?
?

is

the

sit

But

it

is

the

pain

is

ter

is

por - trait of

the

ar

mere

ly

tist,

ter

who,

on

the

the'o -

3
n 4

3
n 4

pp

n 43

pp

ing

n 43

sion.

pain - ted with feel

273

ter

&

Now, that is chil - dish.

5
4

it.

5
4

? 3
4

? b <n>w

&

Vla.

4
4

ev

n 43

n 43

4
4

n 43

5
4

&

Vln. II

4
4 w

265

&
not

Vla.

& 4
mp










3

& 4


mp

Vln. II

3
4 3
4

. .

254 Presto

3 mp
& 4
Har - ry,

Vla.

Presto

Vln. I

n 43

4
4

rit.

You

mp 3

5
4

5
4

. . . .

4
4

you have not!

&b

Vla.

<n>

mp 3

No

5
4

. . . . 5
4

b
&

Vln. II

Vc.

nw

?
b

mf

B. Hn.

16

. . . .

rit.

cca

co - loured

can -

17

&
- vas
280

Basil

Henry

Vln. I

&

re

298

Cl.

&

Cl.

B. Hn.

Hn.

Basil

Fl.

&

Vln. II

I have shown in it the se - cret

of

my soul.

what

4
4

4
4

4
4

pp

&

pp

&
&

&

"A

pp

pp

mp

is

all

mf

mf

mf

mf

The

work

I can now cre - ate

Who

is it who says

that?

That is what

Do - rian

Gray is to me.

life in a way that was hid - den from

is the

Do - rian Gray

met

since

think of them di' - rent - ly.

I have done

J
w

Dream of form in days of thought"

art.

mp

mf

J
j

mf

my

J j
p

mf

mf

me be - fore.

&

things di' - rent - ly,

&

&
best work of my life.
I see
316

mf

mf

mf

mf

that?

is

Allegro

4
4

4 w
4

mp

pp

&

&

He

308

mf

&

ppp

&

Cl.

Vln. I

C. A.

Basil

pp

&

pp

Ob.

B. Hn.

am a - fraid that

Allegro

4
4

pp

&

C. A.

Vln. II

And

Vln. I

rit.

&

Ob.

Basil

And I

B. Hn.

- veals him - self.

&

Fl.

rit.

pp

Vla.

&

Vln. II

Vc.

Cl.

B. Hn.

Hn.

Basil

Vln. I

Vln. II

=
C. A.

324

Hn.

Basil

& j

Vln. I

C. A.

Hn.

Basil

Vln. I

&

.
p

I won - der,

Ba - sil,

this is ex - traor - di - n'ry!

J J
f

I must see

Do

3
3
3
3
bb 43

Har - ry,

rian

Gray

Do - rian is

3
bb 4

pizz.

bb 43

pizz.

bb 43

3
bb 4

3
bb 4

3
3
3
b
&b

3
3
3
? bb

bb
&

You

b
&b

b
&b

? bb

3

might see

3
3

simp - ly a mo - tive

3
3

in

He

But I see ev - 'ry thing.

p 3

3
3
J

him.

3
3

no - thing in

? bb

bb
&
art.

to me

3
3
3
3
3
3
b
&b

3
3 j
J

&

bb 43

3
bb 4
3

mf

that this

mf

3
3
3
3
bb 43

b3
b 4

mf

&

mf

Largo q = 70

rit.

can you re - al - ize all

Largo q = 70

mf

342

ah!

mf

Vla.

rit.

w
&

mf

&

&

333

mf

&

Vln. II

Vc.

mp

&

Cl.

B. Hn.

Vla.

3
3
mp

&
J

The mere - ly vi - si - ble pre - sence of this lad,

his mere - ly vi - si - ble pre - sence...

Vln. II

Vc.

pp

means?

Henry

? w

&

Cl.

B. Hn.

18
3

3
j

is a sug - ges - tion of a new man

ner.

3
3

3
3

19
C. A.

350

Cl.

B. Hn.

Hn.

Basil

Vln. I

3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
b
&b

3
3
3
3
3
3
3
3
3
3
3
3
3
3
b
&b

b
&b

nd

him

in

the curves

b
&b

of

cer - tain lines,

3 J

in

the

love - li -ness

and

of

cer - tain

co - lours.

3
3

sub - tle - ties

? bb

3

3
3

3 4
J

? bb
3

bb
&

Vla.

Vc.

? bb

3

bb
&

Vln. II

3
3

3
3

=
C. A.

359

Cl.

b

&b

b
&b

? bb

B. Hn.

Hn.

Basil

Henry

Vln. I

bb
&

That

all!

is

3
3
j

My heart shall ne - ver be put un - der their mic - ro - scope.

3

Then why won't you ex - hi - bit

There is

it?

arco
b
&b

arco
b
&b

? bb

?b
b

Vla.

bb
&

Vln. II

Vc.

? bb
3

=
Cl.

Basil

Henry

Vla.

Vc.

368 bb
&

bb
&
too

? bb

much of my - self in the

thing,

J
Har - ry,

4
4

44

too much of my - self!

4
4

bb

? bb

think you are

wrong,

3
3

Ba - sil,

but I won't ar - gue with

4 w
4

4 w
4

you.

Fl.

375

b
&b

b
&b

b
&b

& b

- - -

Ob.

C. A.

Cl.

Hn.

Basil

Henry

Vln. I

bb
&

bb
&

Basil

Vla.

Vc.

=
Ob.

Basil

Vla.

Vc.

=
Tbn.

Basil

Vla.

Vc.

ppp

ppp

ppp

ppp

b
&b

? bb w

? bb w

ppp

ppp

Of

course, I

at - ter

him dread - ful - ly.

- - -

Is

Do - rian Gray

poco accel.

- -
-

fond of

Andante
q = 80
accel.

He is char - ming to

me...

J
J

? bb
w

b
&b

b
&b

? bb

? b
b

mp

. . #
>

j

>

. . #
>

mp

b
3
& b J

. . #>
mp

pp

3
3

now and then, how - ev - er,

He is hor - rib - ly

mp

thought - less,

. . #>

nw

mp

and seems to

#
take

real

de - light

in

giv - ing me pain.

? bb w

>

3
bb

&
Then I feel I have gi - ven a - way my soul

to some - one who treats it as if

things.

bb w

397? b
b

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
w
w

We sit in here and talk of a thou - sand

me;

you?

He likes

- - -

b
&b

bb w

390

ppp

Andante
q = 80
accel.

- -
-

b
&b

Cl.

Tbn.

384

C. A.

B. Hn.

bb -
&
know he likes me.

ppp

poco accel.

It is on - ly the in - tel - lec - tualy lost who e - ver ar - gue...

Vla.

3
3
?b
b

Vln. II

Vc.

20

- - -

it were a ower

3
j

to put in his coat,

J #
a

bit of de - co - ra - tion to

bb w

? bb w

21
B. Hn.

Hn.

Pno.

Basil

Henry

Vln. I

403? b
b

b
&b

? bb

n.

?b
b

bb
&

3
bb

&
w
charm his va - ni - ty,
an or - na - ment for a sum - mer's day.

Vln. II

Vla.

Vc.

pppp

Days in sum - mer of - ten lin

solo

b
&b

b
&b

ger...

? bb w

? bb w

=
B. Hn.

Hn.

Henry

Vln. I

414? b
b
bb
&

? b
b

Per - haps you will

? bb
w

tire

soon - er than

pp

? b w
b

b
&b

Vla.

Vc.

he.

It

is

sad,

but there is no

doubt that gen - ius

3
lasts

long - er than beau

ty

=
B. Hn.

Hn.

421? b
b

b
&b
? bb

Tbn.

Tbn.

Timp.

Henry

Vla.

Vc.

? bb w

ff

? b
b

ff

In the wild strug - gle for ex - is - tence, we

w
w

want some - thing that en - dures,

w
w

ff

? b
b

bb

?
bb

so we ll

w
w

our minds

ff

with rub - bish and

w
w

facts

Hn.

Pno.

Henry

Vla.

Vc.

=
Hn.

Henry

Vla.

Vc.

=
Hn.

426 bb
&

Henry

Vla.

Vc.

=
Fl.

Pno.

Basil

Henry

b
&b

? bb
.

ppp

? bb w

bb

Vc.

#
.

you.

? bb

bb
&

&

?b
b
b
&b

J
3

seem

lit - tle bit out of draw - ing,

and he will

w
w

J
3

for it will al - ter

you.

mp

p
3

As long as I

live,

What you have

w
w

pp

w
w

&b

It will be a great pi - ty,

ppp

w
#

No.

You will bit - ter - ly re - proach him in your ownheart, and se - rious - ly think that he has be - haved ve - ry bad - ly

you will look at your friend

pp

mf

calls, you will be per - fect - ly cold and in - dif - f'rent.

b
&b

3

J

The next time he

? bb w

442 bb
&

mp

to

w
bb

? b
b
?

Some day

or you won't like his tone of co - lour.

? b
b

? bb w

436 bb
&

Vla.

told me is quite a

Vln. I

? b
b

in the vain hope of keep - ing our place.

bb

431 bb
&

n .

? b
b

b
&b

Pno.

22

J
J

Do - rian Gray will do - mi - nate

me.

You can't

ro - mance, and ro - mance leaves one so un - ro - man - tic.

tutti
con sord.

? bb w

? bb w

pp

23
Fl.

Hn.

Basil

Henry

Vln. I

Vln. II

B. Hn.

Hn.

Pno.

Basil

Henry

Vln. I

Vln. II

Pno.

Basil

Henry

Pno.

Basil

Pno.

Basil

Henry

451 bb
&
bb
&

bb
&
J
feel what I feel. You

? bb

con sord.
div.

my dear Ba - sil,

? bb

the tri - vi - al side

of

b
&b w
w

b w
w
w

b
& b
.

? bb n.

b
&b

mf

n .

&b

? bb

Don't

in - uence

b
&b

? bb
.

try to

bb
&

on him.

b
& b

him.

Non -

You're

sense!

you shall

have

w
w
w

>

pp

w
w

w
w
w

I don't want you to meet

him.

He has a sim - ple and beau - ti - ful na - ture.

Don't spoil

him.

to in - tro - duce us now!

take him a - way from

me.

My

Don't

b
&b

? bb

?b
b

bad.

bb
&

w
w

w
w
w

in - uence would be

I must see Do - rian Gray.

&

Well,

w
w
w

w
w

w
w

loves tra - ge dies.

w
w
w

b
&b

?b
b

w
w

w
w
w

w #

476

w
w

w
w
w

?b
b

482

w
w

w
w
w

468

it is the faith - less who tru - ly know

w
w

& b

love:

Those who are faith - ful know on - ly

? b 3 3
b

it.

w
w
w

w
w

w
w
w

why I can feel

b
&b

bb
&

w
w

w
w
w

That is pre - cise - ly

w
w

w
w
w

w
w

w
w
w

w
w

change too of - ten.

w
w
w

Ah,

459

? b
b

w
w

b w
w
w

? b
b

bb ww
&

& b

life as an ar - tist de pends