Kind regards
Nr.
Titel
Op.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
Rubin
Topas
Opal
Aquamarin
Smaragd
Beryll
Onyx
Saphir
Tigerauge
Bernstein
Trkis
Hyazinth
Jade
Diamant
Granat
Amazonit
Achat
Nephrit
Serpentin
Lapislazuli
Karneol
Mondstein
Bergkristall Nr. 1
Bergkristall Nr. 2
Bergkristall Nr. 3
Bergkristall Nr. 4
Bergkristall Nr. 5
Bergkristall Nr. 6
Bergkristall Nr. 7
Bergkristall Nr. 8
Epilog
1,2,4,6,8,11
3,5,7,9,10
12,13,14,15,16,17
18,19,20,21,22,23
24,25,26,27,28,29,30
31
32
33
34
35,36
37,38
39,40
41
42
43
44
45
46
47
48
49,50,51,52
53
54,55,56
57,58,59
60
61
62,63
64,65,66
67,68
69,70,71
72
Clubs
Komponiert
Registriert
Reg. Nr.
1994
1995
1995-96
1996
1997
1997-98
1998
1998
1999
1999
1999
2000
2000
2001
2002
2002
2002
2002
2003
2003
2003
2003
2003
2004
2004
2005
2006
2007-2008
2009
2009
2010
1995
1995
1996
1996
1997
1998
1998
1999
1999
1999
1999
2000
2001
2001
2003
2002
2003
2003
2003
2003
2003
2003
2003
2004
2004
2005
2006
2008
2009
2009
2010
2-021-074
2-021-075
2-119-170
2-119-169
2-246-987
2-337-973
2-337-970
2-390-206
2-393-140
2-446-560
2-444-934
2-507-426
2-565-950
2-607-938
2-809-639
2-706-088
2-722-379
2-722-379
2-765-899
2-765-899
2-787-247
2-809-639
2-873-065
2-908-351
2-908-351
3-002-415
3-099-848
3-358-149
3-432-147
3-442-866
3-463-787
1997
1997
832-762
KARNEOL
Uwe Warneke
op. 49
III
III
1
3
4
1
1
3
3
1
4
3
3
1
1
4
(6)
=80
II
III
1
4
3
(2)
(5)
4
IV
III
II
1
4
1
3
4
1
4
1
1
2
2
1
III
4
1
4
KARNEOL. 4 Studies for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-787-247
2
To Coda
III
4
3
1
3
10
V
III
IV
4
2
4
3
(4)
11
2
1
(5)
12
4
4
2
1
1
3
(4)
13
14
V
III
III
3
4
4
3
1
2
3
1
2
3
1
2
3
1
(2)
1
(2)
15
16
V
4
2
III
IV
2
1
1
3
17
18
KARNEOL. 4 Studies for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-787-247
IV
III
3
1
1
3
4
2
1
4
3
1
3
2
19
20
1
1
1
2
4
21
3
2
22
VII
V
III
4
3
(3)
23
24
VII
1
3
(5)
25
26
VIII
III
2
3
2
1
3
2
2
3
27
1
2
3
(5)
(5)
28
KARNEOL. 4 Studies for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-787-247
4
VIII
III
VI
1
1
1
1
3
2
4
3
1
1
29
30
VII
III
1
1
31
32
V
III
3
4
1
1
1
2
1
3
4
33
34
II
3
4
2
3
3
1
1
4
1
1
2
35
(5)
36
III
1
1
2
3
1
37
rit.
38
1
4
2
1
4
3
=75
KARNEOL. 4 Studies for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-787-247
5
III
3
4
1
2
3
4
39
VI
4
1
1
2
4
(3)
(3)
41
42
VI
3
1
IV
40
III
44 a tempo
II
III
3
1
D.S. al Coda
3
4
3
3
45
Coda
46
III
VIII
V
1
1
2
1
4
3
2
3
2
1
1
Fine
3
47
=80
accel.
43
3
1
3
2
(6)
48
KARNEOL. 4 Studies for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-787-247
6
op. 50
3
1
49
=80
50
IV
1
3
51
52
IV
II
1
2
3
1
2
1
3
1
4
53
54
4
1
3
(5)
To Coda
II
55
rit.
56
II
=77
II
I
3
4
1
4
1
3
1
57
2
1
58
KARNEOL. 4 Studies for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-787-247
7
VII
III
4
4
4
3
1
4
4
(3)
1
2
2
3
(3)
(6)
(6)
59
=75
rit.
60
III
I
I
1
2
4
3
1
1
2
2
1
61
62
V
III
III
I
4
1
1
2
4
3
4
3
1
1
2
1
1
2
4
3
63
64
V
4
4
(3)
(3)
2
1
accel.
65
a tempo 66
III
III
1
1
1
1
67
=80
4
3
1
3
4
3
1
4
1
68
KARNEOL. 4 Studies for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-787-247
8
rit.
IV
III
1
4
1
3
4
[ 65 ]
2
69
70
III
3
2
(3)
4
1
=75
71
72
III
II
I
1
1
1
1
2
(4)
rit.
73
=72
(5)
74
IV
III
2
3
=75
(3)
(5)
75
(2)
(5)
(3)
1
1
76
accel.
V
III
4
2
3
2
1
4
2
3
4
3
accel.
77
78
a tempo
=80
KARNEOL. 4 Studies for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-787-247
9
IV
III
II
D.S. al Coda
1
2
1
1
1
1
1
2
3
79
80
Coda
IV
(3)
(4)
(3)
81
82
VII
4
3
3
(4)
83
84
IV
(6)
(5)
III
1
4
3
1
4
3
4
3
2
2
3
1
85
86
VIII
VI
Fine
VII
IV
4
1
1
1
4
3
3
2
4
4
3
2
1
1
1
(6)
87
88
KARNEOL. 4 Studies for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-787-247
10
op. 51
3
2
89
=80
(3)
90
2
1
2
2
91
(6)
(5)
92
(4)
(5)
(5)
(6)
(5)
(3)
1
3
93
94
I
1
4
1
1
2
3
2
4
3
95
96
III
1
1
1
2
3
97
2
2
98
KARNEOL. 4 Studies for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-787-247
11
2
1
99
100
III
4
1
4
3
3
2
1
101
102
III
IV
III
3
1
1
2
3
1
1
4
3
1
4
103
104
III
4
1
1
2
105
106
III
III
VI
VI
1
1
1
1
3
1
1
(2)
107
108
KARNEOL. 4 Studies for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-787-247
12
V
II
III
1
1
1
4
1
2
109
110
III
1
4
1
3
1
3
111
112
V
I
IV
III
4
3
1
3
2
4
3
113
2
3
4
1
3
114
III
115
(5)
4
3
(3)
(5)
116
3
III
(5)
III
3
4
3
3
1
1
1
3
3
1
1
(4)
(5)
117
118
KARNEOL. 4 Studies for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-787-247
13
IV
III
I
1
3
(3)
1
1
1
1
119
120
II
II
III
1
3
121
122
V
II
II
4
3
1
1
2
1
123
124
VII
I
2
1
3
1
4
4
3
125
126
VII
Fine
1
4
4
1
127
128
KARNEOL. 4 Studies for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-787-247
14
4. Moderato appassionato
op. 52
III
IV
1
2
2
=80
129
130
III
3
3
131
132
III
III
4
4
1
3
4
1
133
134
III
III
1
2
(3)
2
2
135
136
III
IV
III
2
1
II
4
2
3
4
2
3
4
3
1
137
138
KARNEOL. 4 Studies for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-787-247
15
II
To Coda
III
III
2
3
4
1
2
IV
1
1
139
140
III
1
2
4
3
1
4
4
(3)
(4)
(6)
141
142
[1]
=80
143
144
3
3
1
3
1
2
145
(2)
rit.
146
(5)
III
II
4
1
1
4
4
3
2
1
3
3
147
=60
148
=65
accel.
KARNEOL. 4 Studies for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-787-247
16
accel.
III
IV
a tempo
4
3
4
1
1
2
1
(3)
=75
=70
(6)
149
4
3
(5)
=80
150
VI
III
IV
VII
IV
2
1
2
4
151
152
V
VI
rit.
1
3
3
1
1
=75
153
VI
1
1
2
3
=70
154
4
1
1
=65
(4)
(6)
(6)
=60
155
156
VI
4
2
1
4
3
1
2
2
1
2
III
157
1 4
1
3
158
KARNEOL. 4 Studies for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-787-247
17
accel.
IV
III
III
1
2
1
=70
=65
159
D.S. al Coda
160
Coda
4
2
1
2
1
rit.
=60
161
162
accel.
III
IV
III
IV
2
4
=65
(3)
163
164
I
IV
III
II
3
2
=75
=70
4
4
165
166
1
2
167
=80
III
II
1
1
1
2
168
KARNEOL. 4 Studies for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-787-247
18
I
II
3
4
1
1
1
169
2
1
170
III
III
3
4
4
4
1
1
2
3
1
1
(3)
(3)
171
172
III
2
1
1
2
4
1
1
1
173
1
2
3
1
2
3
VI
III
174
III
2
1
175
176
Fine
[1]
3
3
177
178
KARNEOL. 4 Studies for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-787-247
BERGKRISTALLNo. 1
Uwe Warneke
IV
IV
op. 54
II
III
Thema
4
3
2
=60
3
4
1
3
2
Non Finito. Inspired by "The Slaves of Boboli Gardens" (1530-33, by Michelangelo Buonarotti)
III
3
4
(3)
1
3
4
3
2
4
4
Variation von Takt 7
II
1
1
1
3
(2)
2
1
6
Variation von Takt 19
II
III
IV
II
3
4
1
1
2
4
3
4
1
1
(2)
(3)
4
1
BERGKRISTALL #1. 3 Studies for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-873-065
2
VI
I
III
4
1
4
3
2
1
1
3
10
VI
III
1
3
1
1
2
1
3
3
11
12
(5)
VII
VI
Flagolett
4
2
4
1
2
1
1
13
14
4
1
15
16
Es
IV
V
II
1
1
ges
1
2
17
3
3
des
18
as
BERGKRISTALL #1. 3 Studies for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-873-065
III
II
III
2
1
(6)
19
2
4
20
1
3
1
3
1
3
4
1
2
21
22
III
I
23
II
3
1
1
2
1
24
3
VII
IV
III
I
3
3
1
3
25
3
VII
26
VI
I
2
2
4
28
4
3
1
1
es
(3)
1
3
II
4
3
27
ges
BERGKRISTALL #1. 3 Studies for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-873-065
4
IV
II
V
4
1
1
3
3
3
1
(4)
29
(4)
30
Ges
des
as
3
1
3
4
31
4
2
2
3
(3)
32
I
4
4
1
4
3
1
1
1
3
(3)
33
34
Variation Thema -14
accel.
Thema (Variation)
4
4
2
1
2
(2)
2
2
35
36
=65
2
1
1
3
1
2
1
2
1
2
2
3
37
1
2
38
BERGKRISTALL #1. 3 Studies for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-873-065
5
accel.
4
2
1
39
40
=70
II
1
1
1
2
2
4
1
1
41
42
a tempo
rit.
1
1
2
43
44
=60
rit.
1
1
1
3
=55
accel.
rit.
accel.
3
2
a tempo
4
4
3
1
4
(2)
(3)
2
(3)
(4)
3
45
=50
=45
accel.
4
46
=50
=60
=50
accel.
III
II
4
4
3
3
1
(5)
1
3
4
1
(3)
(6)
47
=65
48
=70
BERGKRISTALL #1. 3 Studies for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-873-065
6
II
III
rit.
IV
a tempo
VI
4
4
3
2
1
3
(2)
49
50
=70
=60
rit.
rit.
rit.
rit.
I
2
3
2
3
1
1
3
52
=50
=55
(2)
51
=45
=40
a tempo
[1]
3
53
=60
[2]
54
Thema (Wiederholung)
3
1
(3)
3
4
3
(4)
4
2
3
2
(3)
55
56
rit.
rit.
rit.
rit.
Fine
4
3
2
1
57
=55
58
=50
=45
=40
BERGKRISTALL #1. 3 Studies for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-873-065
7
2. Larghetto
op. 55
II
1
3
1
2
2
1
3
3
2
59
60
=50
V
III
3
1
II
IV
IV
4
4
1
2
4
3
4
3
(3)
1
(3)
61
62
III
I
4
2
1
3
1
1
(5)
(3)
63
64
2
(4)
(5)
a tempo
III
(5)
65
accel.
II
(6)
66(6)
(6)
(6)
(6)
(6)
a tempo
rit.
1
1
2
1
4
3
3
2
4
(3)
(5)
=55
=50
=40
68
1
(5)
67
(4)
(5)
(6)
(4)
(5)
2
3
(5)
(6)
=50
BERGKRISTALL #1. 3 Studies for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-873-065
8
accel.
I
II
1
3
(6)
(4)
(5)
2
1
4
2
1
69
70
accel.
=55
accel.
Flagolett
IV
II
II
1
(2)
(4)
72
=60
1
3
71
=65
accel.
IV
II
4
4
4
3
2
3
1
2
2
1
3
1
1
(2)
73
74
=70
V
rit.
rit.
rit.
IV
II
4
4
1
1
1
3
=50
rit.
(5)
=45
=55
a tempo
rit.
76
=60
=65
a tempo
77
(2)
75
3
1
2
[ 61 ]
(6)
=40
78
=50
BERGKRISTALL #1. 3 Studies for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-873-065
9
III
IV
4
2
3
4
3
1
2
2
(2)
(3)
79
80
III
1
2
4
4
81
3
1
2
2
82
II
III
I
1
2
4
3
83
84
I
I
II
II
2
1
3
1
2
4
85
86
IV
II
4
4
87
88
1
4
BERGKRISTALL #1. 3 Studies for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-873-065
10
IV
II
2
3
89
1
1
2
1
3
2
2
4
90
V
VI
IV
IV
III
4
4
4
1
91
(4)
92
VI
(4)
(6)
(4) (6)
(5)
2
1
(2)
1
1
(5)
(3) (5)
(5)
3
(6)
(5) (5)
(4)
V
III
4
3
2
1
1
2
(6)
1
(5)
(2)
4
4
3
1
(2)
93
94
I
III
II
1
2
1
1
95
96
1
1
1
1
97
98
BERGKRISTALL #1. 3 Studies for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-873-065
11
3
1
2
1
3
1
2
4
99
100
rit.
IV
II
2
1
3
3
1
2
101
rit.
102
=45
a tempo
=40
3
3
[ 63 ]
1
1
103
104
=50
4
4
2
3
1
2
1
1
(3)
105
4
4
(4)
(4)
1
(4)
4
(3)
3
(3)
1
2
106
1
1
2
2
107
2
3
108
BERGKRISTALL #1. 3 Studies for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-873-065
12
109
110
4
2
2
2
3
111
112
VII
VII
V
III
III
4
4
4
4
4
3
1
1
1
3
1
2
(4)
1
1
1
(3)
113
1
2
(2)
(3)
114
accel.
III
4
1
2
4
2
1
2
3
115
1
2
1
1
3
116
=55
a tempo
rit.
rit.
Fine
3
1
2
1
4
2
2
2
2
117
3
1
118
(4)
=50
=45
=40
BERGKRISTALL #1. 3 Studies for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-873-065
13
IV
3. Moderato
op. 56
I
II
4
4
3
119
120
=80
rit.
II
rit.
rit.
IV
4
3
1
2
121
=75
122
=70
=60
a tempo
VI
1
3
2
1
1
123
124
=80
III
II
2
3
4
1
1
1
125
126
III
4
4
3
1
4
3
1
1
4
2
(2)
(2)
(2)
(6)
127
128
BERGKRISTALL #1. 3 Studies for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-873-065
14
VI
II
III
4
III
2
3
1
3
3
1
(2)
1
(2)
(6)
129
130
III
4
131
132
III
134
IV
rit.
rit.
rit.
accel.
rit.
VII
accel.
III
3
2
1
2
(4)
=75
=65
1
1
(2)
=60
136
=75
=70
=65
a tempo
III
III
I
2
2
1
2
3
1
=80
1
(2)
(5)
=70
III
accel.
3
4
137
133
135
1
4
3
3
2
4
2
1
1
3
2
3
138
BERGKRISTALL #1. 3 Studies for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-873-065
15
X
rit.
III
1
III
rit.
1
1
2
1
rit.
rit.
1
4
(3)
(5)
139
140
=75
=70
=65
=60
a tempo
2
1
2
3
4
2
3
4
1
4
4
3
141
3
1
142
=80
III
3
2
2
3
II
(2)
143
144
rit.
rit.
rit.
1
III
2
2
146
a tempo
rit.
I
rit.
IV
1
1
3
2
4
1
(5)
147
rit.
=65
=70
III
3
2
3
=75
145
(5)
(5)
=60
(4)
(5)
(6)
(6)
148
=80
=75
=70
BERGKRISTALL #1. 3 Studies for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-873-065
16
rit.
rit.
III
3
4
2
II
1
1
3
4
1
3
2
3
4
3
2
2
4
2
3
4
4
1
3
4
2
149
=65
rit.
150
rit.
rit.
III
(2)
(3)
(4)
=60
a tempo
IV
1
1
2
3
1
4
3
1
2
1
2
3
[ 119 ]
151
=55
=30
=50
152
=80
rit.
rit.
[ 121 ]
[ 120 ]
153
154
a tempo
=70
=75
rit.
rit.
II
3
4
4
1
155
2
3
156
=80
rit.
rit.
=75
=70
a tempo
II
4
4
1
1
3
1
157
=70
=60
158
4
1
=80
BERGKRISTALL #1. 3 Studies for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-873-065
17
3
4
(5)
159
160
4
2
161
(3)
162
4
3
163
3
1
164
rit.
rit.
rit.
[ 122 ]
4
2
165
=75
=70
166
=60
a tempo
[ 124 ]
[ 123 ]
167
=80
168
BERGKRISTALL #1. 3 Studies for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-873-065
18
III
2
4
[ 125 ]
1
1
1
3
169
170
rit.
rit.
III
III
4
1
4
4
3
[ 148 ]
1
1
171
=75
172
=70
rit.
VI
IV
3
4
4
2
1
1
1
[ 149 ]
3
(2)
173
=65
3
1
(5)
174
rit.
rit.
2
3
4
[ 150 ]
(3)
(4)
(5)
175
=60
rit.
a tempo
rit.
176
=55
III
Fine
1
2
3
[ 151 ]
177
=50
=30
=80
(5)
178
BERGKRISTALL #1. 3 Studies for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-873-065
BERGKRISTALLNo. 2
Uwe Warneke
1. Andante
op. 57
rit.
rit.
2
1
(3)
=60
a tempo
rit.
I
=55
VI
III
1
4
1
2
1
=50
(2)
(5)
3
=60
=45
III
1
2
3
(2)
(3)
(3)
(3)
(3)
(6)
(3)
(5)
(6)
(6)
2
1
3
BERGKRISTALL #2. 3 Studies for Solo Guitar. (c) Uwe Warneke 2004. All Rights Reserved. US Copyright Office, PAU 2-908-351
2
III
III
II
4
3
2
1
1
1
2
1
4
4
1
10
I
3
3
4
4
3
3
4
11
12
I
I
2
2
2
1
1
2
13
14
I
III
1
2
3
2
3
1
15
16
V
II
III
rit.
1
4
2
1
1
3
1
1
2
1
1
III
IV
rit.
II
3
1
1
17
18
=55
=50
BERGKRISTALL #2. 3 Studies for Solo Guitar. (c) Uwe Warneke 2004. All Rights Reserved. US Copyright Office, PAU 2-908-351
3
accel.
IV
I
III
II
4
a tempo
3
=55
19
III
3
4
20
V
IV
4
3
2
III
3
3
3
21
22
=60
3
(4)
(5)
I
4
4
1
(6)
23
1
1
24
I
3
1
2
3
1
3
2
25
26
27
28
BERGKRISTALL #2. 3 Studies for Solo Guitar. (c) Uwe Warneke 2004. All Rights Reserved. US Copyright Office, PAU 2-908-351
4
I
I
IV
III
1
4
2
3
1
3
3
2
1
3
1
1
3
1
29
30
rit.
III
rit.
rit.
3
1
4
(3)
31
32
=55
=50
=45
a tempo
[ 10 ]
[9]
33
34
=60
3
3
[ 11 ]
35
[ 12 ]
36
IV
37
III
38
BERGKRISTALL #2. 3 Studies for Solo Guitar. (c) Uwe Warneke 2004. All Rights Reserved. US Copyright Office, PAU 2-908-351
5
II
IV
3
3
(4)
39
40
IV
III
41
4
3
42
3
2
I
IV
II
III
1
3
1
4
1
3
IV
III
1
2
3
44
I
3
2
2
3
1
3
4
4
1
II
III
1
1
3
3
2
3
45
46
II
III
3
3
1
3
2
1
1
3
3
47
43
3
48
BERGKRISTALL #2. 3 Studies for Solo Guitar. (c) Uwe Warneke 2004. All Rights Reserved. US Copyright Office, PAU 2-908-351
6
IV
2
4
(3)
3
(2)
(2)
(5)
49
50
I
III
4
1
1
III
IV
4
3
3
2
51
52
rit.
rit.
rit.
a tempo
I
III
III
3
1
3
1
53
=55
=55
3
3
=60
=45
2
4
54
III
I
III
2
3
2
4
1
1
4
2
4
3
4
2
4
3
1
55
56
Fine
2
1
1
57
(3)
3
3
(3)
1
2
2
1
4
58
BERGKRISTALL #2. 3 Studies for Solo Guitar. (c) Uwe Warneke 2004. All Rights Reserved. US Copyright Office, PAU 2-908-351
7
III
2. Andantino
op. 58
I
II
2
(3)
2
2
59
60
=60
I
II
1
4
1
4
1
3
3
1
(4)
(4)
61
62
rit
rit
rit.
rit.
4
3
2
4
63
=55
=50
a tempo
3
64
=45
IV
III
3
3
(3)
(2)
=40
III
1
(2)
65
66
=60
III
IV
67
1
2
68
BERGKRISTALL #2. 3 Studies for Solo Guitar. (c) Uwe Warneke 2004. All Rights Reserved. US Copyright Office, PAU 2-908-351
III
1
2
69
70
rit.
rit.
rit.
III
rit.
a tempo
rit.
rit.
rit.
I
2
2
4
71
4
1
1
1
=55
=50
72
=60
=40
=50
=55
3
=40
=45
a tempo
I
III
III
4
4
2
73
(3)
1
(2)
(4)
(3)
(5)
(4)
74
=60
III
1
1
1
2
1
4
2
1
75
76
rit.
II
III
1
4
1
3
1
77
II
(2)
1
2
4
3
1
3
1
1
2
(2)
1
78
=55
BERGKRISTALL #2. 3 Studies for Solo Guitar. (c) Uwe Warneke 2004. All Rights Reserved. US Copyright Office, PAU 2-908-351
9
a tempo
rit.
III
79
=50
80
=60
rit
4
1
1
3
rit.
81
82
=55
a tempo
=50
III
1
1
3
1
83
2
1
84
=60
III
3
4
3
2
85
86
III
III
IV
1
2
4
3
3
87
(6)
4
3
2
1
1
1
4
1
88
BERGKRISTALL #2. 3 Studies for Solo Guitar. (c) Uwe Warneke 2004. All Rights Reserved. US Copyright Office, PAU 2-908-351
10
III
1
4
4
2
89
2
1
90
II
IV
III
1
2
1
4
3
4
4
1
91
92
IV
3
4
1
2
4
3
3
1
2
3
(5)
(5)
(5)
93
94
4
1
1
3
4
1
2
3
95
96
rit.
IV
4
1
97
4
1
III
98
1
3
3
2
1
3
=55
BERGKRISTALL #2. 3 Studies for Solo Guitar. (c) Uwe Warneke 2004. All Rights Reserved. US Copyright Office, PAU 2-908-351
11
rit.
a tempo
3
1
2
3
2
(3)
99
=50
100
=45
=40
=60
1
3
2
2
1
101
102
rit.
a tempo
2
3
103
=45
=50
104
=60
IV
4
1
3
3
VI
(3)
(2)
1
(2)
105
(2)
106
rit
III
a tempo
I
4
2
3
1
1
2
3
107
=55
108
=50
=40
=60
BERGKRISTALL #2. 3 Studies for Solo Guitar. (c) Uwe Warneke 2004. All Rights Reserved. US Copyright Office, PAU 2-908-351
12
IV
3
1
2
109
110
IV
III
1
4
2
1
3
2
1
(2)
(4)
111
(4)
112
III
4
1
1
3
2
4
2
(4)
(4)
113
114
115
3
1
116
I
I
Fine
1
2
3
1
4
1
1
2
1
3
4
3
117
118
BERGKRISTALL #2. 3 Studies for Solo Guitar. (c) Uwe Warneke 2004. All Rights Reserved. US Copyright Office, PAU 2-908-351
13
3. Andantino con moto
op. 59
III
1
3
2
(4)
119
120
=70
II
2
2
1
2
121
122
4
3
2
4
123
3
2
124
a tempo
rit.
IV
2
1
2
1
125
=65
=50
=70
=60
126
rit
VI
1
1
4
2
4
128
127
=65
=60
BERGKRISTALL #2. 3 Studies for Solo Guitar. (c) Uwe Warneke 2004. All Rights Reserved. US Copyright Office, PAU 2-908-351
14
accel.
a tempo
rit.
III
1
2
=50
130
=70
=55
129
1
2
=75
III
II
4
4
4
1
1
2
1
131
132
3
4
1
3
1
1
133
1
(2)
(4)
(4)
134
(6)
rit.
a tempo
I
a tempo
III
IV
1
4
4
3
1
2
1
1
1
135
=70
136
=65
=70
=55
rit.
I
III
III
1
1
3
1
137
4
3
1
4
3
4
1
1
1
=65
138
=60
BERGKRISTALL #2. 3 Studies for Solo Guitar. (c) Uwe Warneke 2004. All Rights Reserved. US Copyright Office, PAU 2-908-351
15
a tempo
rit.
III
IV
III
1
4
4
3
1
(2)
139
=45
140
=70
III
3
3
1
2
2
1
141
3
1
1
1
3
1
142
3
III
II
III
I
4
4
2
2
4
(6)
143
144
I
II
3
4
1
2
3
1
2
1
1
1
3
(3)
2
3
145
146
II
IV
3
1
1
4
3
2
3
1
2
1
3
147
3
1
2
4
2
1
148
BERGKRISTALL #2. 3 Studies for Solo Guitar. (c) Uwe Warneke 2004. All Rights Reserved. US Copyright Office, PAU 2-908-351
16
II
[2]
[1]
1
1
3
3
1
149
150
1
2
1
1
151
152
II
I
4
2
(3)
(3)
1
2
4
153
154
II
[ 132 ]
3
3
2
4
1
1
3
1
2
1
1
3
1
1
155
156
III
IV
[ 133 ]
1
2
1
4
2
4
1
3
4
1
157
(2)
(3)
(4)
158
1
2
3
1
(3)
(4)
(5)
BERGKRISTALL #2. 3 Studies for Solo Guitar. (c) Uwe Warneke 2004. All Rights Reserved. US Copyright Office, PAU 2-908-351
17
2
3
4
2
3
2
1
2
159
160
(2)
(3)
II
3
3
1
1
1
4
2
2
162
II
3
4
161
1
1
4
4
4
2
1
1
2
163
164
III
1
1
3
3
2
(2)
165
166
III
rit.
VII
3
4
2
1
2
1
4
167
168
=65
=60
=55
BERGKRISTALL #2. 3 Studies for Solo Guitar. (c) Uwe Warneke 2004. All Rights Reserved. US Copyright Office, PAU 2-908-351
18
accel.
rit.
[ 125 ]
[ 126 ]
2
4
(3)
169
=50
170
=55
=65
=60
a tempo
[ 151 ]
4
171
172
=70
II
4
4
173
1
1
174
I
II
4
IV
3
4
175
2
3
2
(4)
1
(4)
(6)
(4)
176
II
Fine
1
1
3
(3)
2
1
177
178
BERGKRISTALL #2. 3 Studies for Solo Guitar. (c) Uwe Warneke 2004. All Rights Reserved. US Copyright Office, PAU 2-908-351
BERGKRISTALLNo. 3
Uwe Warneke
op. 60
1
1
1
3
1
4
3
Fleur's Motif
2
=70
4
1
4
3
1
1
2
4
(3)
2
3
2
rit.
VI
III
4
1
1
1
4
4
(2)
(5)
=65
=60
a tempo
rit.
1
1
1
=50
2
3
2
3
3
2
2
3
8
=70
BERGKRISTALL #3. Concert Study for Solo Guitar. (c) Uwe Warneke 2004. All Rights Reserved. US Copyright Office, PAU 2-908-351
2
accel.
rit.
4
4
4
2
1
10
a tempo
=50
=60
=65
2
3
1
3
(2)
(3)
3
1
2
3
11
=65
III
(2)
(3)
12
=70
rit.
I
III
1
4
2
3
1
4
3
2
2
4
13
=65
a tempo
=60
14
3
=55
=50
VI
IV
III
III
4
3
2
Leon's Motif
15
4
3
II
3
1
4
1
1
1
1
III
III
rit
3
1
4
17
1
3
3
1
4
II
4
3
3
2
III
III
16
=70
3
1
1
1
18
=65
BERGKRISTALL #3. Concert Study for Solo Guitar. (c) Uwe Warneke 2004. All Rights Reserved. US Copyright Office, PAU 2-908-351
3
III
a tempo
II
4
3
1
1
1
1
III
2
1
20
=70
=60
19
II
III
a tempo
accel.
III
II
1
2
1
1
3
4
1
2
3
1
4
2
3
21
=75
22
=70
rit.
a tempo
III
3
2
3
1
3
2
23
=60
=65
V
24
=50
=70
III
IV
3
1
4
2
3
1
3
[ 15 ]
1
2
25
26
rit.
III
II
1
2
4
4
27
28
1
1
=65
=60
BERGKRISTALL #3. Concert Study for Solo Guitar. (c) Uwe Warneke 2004. All Rights Reserved. US Copyright Office, PAU 2-908-351
4
a tempo
II
4
3
1
1
1
2
3
2
(3)
29
=50
30
=70
III
II
4
1
1
1
1
2
1
2
31
32
I
4
1
3
1
1
1
3
2
3
2
1
2
4
3
2
2
4
33
34
3
1
1
4
2
1
35
[ 32 ]
36
3
1
3
2
[ 33 ]
37
38
BERGKRISTALL #3. Concert Study for Solo Guitar. (c) Uwe Warneke 2004. All Rights Reserved. US Copyright Office, PAU 2-908-351
5
V
rit.
II
1
3
(4)
39
40
rit.
=65
a tempo
IV
4
4
3
2
2
2
1
41
42
=60
=70
accel.
a tempo
II
II
Flagolett
2
4
3
1
2
4
1
3
43
44
=72
=70
IV
III
3
2
1
3
2
1
2
(3)
45
46
II
3
1
3
1
2
3
3
47
(3)
1
3
4
(3)
1
3
2
1
1
1
3
1
2
48
BERGKRISTALL #3. Concert Study for Solo Guitar. (c) Uwe Warneke 2004. All Rights Reserved. US Copyright Office, PAU 2-908-351
6
rit.
1
1
49
50
4
1
=60
=65
1
3
2
=50
51
=70
4
1
a tempo
52
rit
3
4
4
53
54
=60
=67
a tempo
1
1
1
1
1
2
1
3
55
2
2
(3)
56
=70
III
Fine
4
1
4
1
3
2
3
2
3
2
57
58
BERGKRISTALL #3. Concert Study for Solo Guitar. (c) Uwe Warneke 2004. All Rights Reserved. US Copyright Office, PAU 2-908-351
7
2. Movement (Enter the Amazing Media World - Leon's Solo Part): Moderato con brio
I
4
4
1
2
4
1
3
59
60
=80
II
1
2
3
2
1
1
3
4
3
61
62
rit.
II
I
[ 59 ]
1
2
3
3
1
3
63
64
rit.
=75
accel.
IV
V
1
2
2
3
3
1
3
3
(3)
1
65
66
=70
accel.
3
4
2
1
4
2
3
1
3
1
67
68
=75
BERGKRISTALL #3. Concert Study for Solo Guitar. (c) Uwe Warneke 2004. All Rights Reserved. US Copyright Office, PAU 2-908-351
8
I
III
I
rit.
I
II
1
2
3
69
70
a tempo
=70
=65
=60
accel.
accel.
I
3
3
1
1
3
71
72
=85
=80
=90
rit.
accel.
I
1
3
1
4
73
(4)
74
=95
rit.
4
1
3
2
=85
=90
a tempo
4
75
76
=80
IV
III
III
IV
1
1
3
3
1
4
3
4
3
1
1
2
3
77
2
1
78
BERGKRISTALL #3. Concert Study for Solo Guitar. (c) Uwe Warneke 2004. All Rights Reserved. US Copyright Office, PAU 2-908-351
9
rit.
III
I
3
2
1
4
1
3
79
80
=75
accel.
3
3
II
=70
III
4
3
4
4
4
3
3
3
4
3
1
2
3
81
82
3
Leon's Motif (Variation)
=75
a tempo
II
III
IV
IV
2
1
1
4
(4)
1
1
1
84
=80
a tempo
rit
3
1
1
1
3
1
1
2
2
1
=75
=70
86
=80
I
rit.
87
85
(3)
(5)
(3)
IV
1
1
83
3
1
4
4
1
4
1
1
2
88
3
=75
=70
BERGKRISTALL #3. Concert Study for Solo Guitar. (c) Uwe Warneke 2004. All Rights Reserved. US Copyright Office, PAU 2-908-351
10
III
IV
III
4
4
3
2
3
1
3
89
accel.
III
II
1
1
=75
92
rit.
4
3
=70
accel.
1
3
1
4
91
rit.
IV
1
4
II
90
2
1
1
3
3
93
3
=65
94
=70
IV
3
4
III
1
1
1
2
1
95
2
1
3
96
accel.
a tempo
II
1
1
97
=75
98
=80
BERGKRISTALL #3. Concert Study for Solo Guitar. (c) Uwe Warneke 2004. All Rights Reserved. US Copyright Office, PAU 2-908-351
11
[ 60 ]
[ 59 ]
99
100
3
V
1
1
2
[ 62 ]
[ 61 ]
101
102
=80
I
4
1
1
103
104
rit
4
4
4
3
1
2
105
3
=70
3
=75
106
=60
=65
a tempo
II
IV
1
1
1
107
=80
1
1
2
1
1
1
108
BERGKRISTALL #3. Concert Study for Solo Guitar. (c) Uwe Warneke 2004. All Rights Reserved. US Copyright Office, PAU 2-908-351
12
rit.
IV
3
1
1
1
109
110
rit.
a tempo
=70
=75
IV
4
3
=60
=65
4
3
111
(3)
112
=80
II
3
4
IV
2
(2)
113
114
rit
II
IV
3
2
1
3
1
4
1
1
1
1
115
(3)
116
II
rit.
a tempo
=75
=70
=65
rit.
Fine
1
1
2
1
1
1
2
1
2
1
117
=60
=80
=75
118
=70
=65
=60
BERGKRISTALL #3. Concert Study for Solo Guitar. (c) Uwe Warneke 2004. All Rights Reserved. US Copyright Office, PAU 2-908-351
13
3. Movement (Reading Leon's Letter - Fleur's Solo): Moderato grazioso
4
1
119
120
=80
3
1
121
122
IV
1
1
2
1
3
1
3
123
124
IV
125
126
4
3
127
1
4
3
3
2
3
1
1
128
BERGKRISTALL #3. Concert Study for Solo Guitar. (c) Uwe Warneke 2004. All Rights Reserved. US Copyright Office, PAU 2-908-351
14
I
II
3
4
2
3
2
129
130
a tempo
rit.
3
2
131
=75
132
=70
=80
3
1
1
2
1
2
3
1
2
1
4
133
134
rit.
2
1
1
2
1
1
(2)
(2)
(3)
(3)
135
136
a tempo
=75
=70
=60
=50
I
II
2
1
2
1
137
=80
1
2
4
3
3
138
BERGKRISTALL #3. Concert Study for Solo Guitar. (c) Uwe Warneke 2004. All Rights Reserved. US Copyright Office, PAU 2-908-351
15
4
3
4
1
1
139
(2)
140
a tempo
rit.
III
2
141
142
=70
=80
rit.
III
3
1
143
144
=75
=70
=65
a tempo
I
4
1
3
3
145
146
=80
IV
I
III
4
1
1
3
1
(2)
147
148
BERGKRISTALL #3. Concert Study for Solo Guitar. (c) Uwe Warneke 2004. All Rights Reserved. US Copyright Office, PAU 2-908-351
16
rit.
a tempo
1
2
149
=80
=75
150
=80
=50
=70
4
2
3
1
2
1
3
2
4
3
2
4
1
151
152
rit.
I
4
VI
(2)
1
1
2
(5)
(6)
(2)
(2)
(6)
153
154
rit.
=75
rit.
VI
4
1
1
3
2
4
3
2
3
155
=70
156
=65
=60
accel.
3
3
2
[1]
2
3
157
=75
Fleur's Motif
158
=70
BERGKRISTALL #3. Concert Study for Solo Guitar. (c) Uwe Warneke 2004. All Rights Reserved. US Copyright Office, PAU 2-908-351
17
accel.
a tempo
3
1
1
2
3
2
159
160
=75
a tempo
rit.
4
4
1
1
1
=80
(3)
3
3
161
(2)
162
=75
=80
=70
rit.
accel.
III
2
4
1
2
163
2
1
1
2
3
(3)
(4)
(5)
(2)
(5)
=75
164
=70
accel.
=65
=70
a tempo
4
2
2
1
165
166
=75
=80
rit.
3
1
1
2
3
167
2
1
1
2
4
4
2
168
=75
1
3
1
3
=70
BERGKRISTALL #3. Concert Study for Solo Guitar. (c) Uwe Warneke 2004. All Rights Reserved. US Copyright Office, PAU 2-908-351
18
a tempo
rit.
3
2
169
170
=65
VI
IV
=80
2
3
(2)
(2)
4
3
2
2
171
172
II
I
1
1
4
1
173
174
4
4
1
3
2
[120 ]
175
176
Flagolett
4
Fine
[ 121 ]
177
178
BERGKRISTALL #3. Concert Study for Solo Guitar. (c) Uwe Warneke 2004. All Rights Reserved. US Copyright Office, PAU 2-908-351
No. 4
Uwe Warneke
op. 61
II
1
2
2
4
=70
rit
I
4
4
1
1
=60
=65
=55
=50
a tempo
II
III
1
3
2
3
1
3
1
=70
BERGKRISTALL #4. Concert Study for Solo Guitar. (c) Uwe Warneke 2005. All Rights Reserved. US Copyright Office, PAU 3-002-415
3
4
3
1
2
3
2
3
10
accel.
4
1
1
2
3
11
12
=75
a tempo
4
4
2
1
3
1
3
13
14
=70
BERGKRISTALL #4. Concert Study for Solo Guitar. (c) Uwe Warneke 2005. All Rights Reserved. US Copyright Office, PAU 3-002-415
accel.
IV
III
II
4
1
3
15
16
=80
=75
rit
a tempo
III
2
2
[7]
1
1
3
1
1
17
18
=70
=75
accel.
rit.
IV
III
[8]
4
4
1
3
3
1
(3)
19
20
=65
=60
=60
=50
a tempo
II
III
IV
2
3
2
1
1
3
2
3
(2)
1
1
1
21
22
=65
=70
BERGKRISTALL #4. Concert Study for Solo Guitar. (c) Uwe Warneke 2005. All Rights Reserved. US Copyright Office, PAU 3-002-415
4
rit.
3
[ 10 ]
3
1
23
24
=65
accel.
II
V
4
2
1
1
3
1
2
1
2
1
(4)
25
26
=60
=50
=55
=55
=60
a tempo
rit.
III
II
1
2
1
2
=65
2
1
27
28
=60
=55
=70
accel.
III
IV
1
1
3
2
1
3
1
1
1
(4)
(4)
29
30
=75
BERGKRISTALL #4. Concert Study for Solo Guitar. (c) Uwe Warneke 2005. All Rights Reserved. US Copyright Office, PAU 3-002-415
IV
4
1
1
1
4
4
2
31
32
a tempo
III
IV
II
4
1
1
3
2
3
33
34
=70
accel.
IV
IV
VII
4
2
3
1
2
1
3
1
4
35
36
=75
a tempo
VI
1
1
2
1
2
4
3
1
1
(5)
37
(5)
(4)
38
=75
BERGKRISTALL #4. Concert Study for Solo Guitar. (c) Uwe Warneke 2005. All Rights Reserved. US Copyright Office, PAU 3-002-415
4
3
1
39
40
accel.
III
II
3
1
4
1
3
2
2
4
1
1
41
42
=75
IV
III
4
3
(2)
43
44
=80
=85
rit.
III
III
45
1
2
46
=90
=85
=80
BERGKRISTALL #4. Concert Study for Solo Guitar. (c) Uwe Warneke 2005. All Rights Reserved. US Copyright Office, PAU 3-002-415
7
a tempo
III
1
1
47
48
=75
=70
III
4
4
4
1
1
3
1
49
50
III
IV
II
III
2
1
1
1
1
2
3
1
51
52
III
3
4
1
3
1
3
1
2
53
54
(5)
BERGKRISTALL #4. Concert Study for Solo Guitar. (c) Uwe Warneke 2005. All Rights Reserved. US Copyright Office, PAU 3-002-415
III
I
4
1
1
3
1
1
1
55
56
Fine
4
1
57
58
III
2
4
3
3
1
(3)
(4)
(5)
59
(6)
60
VI
3
4
1
3
4
1
IV
III
4
3
2
2
2
(2)
1
3
1
61
62
BERGKRISTALL #4. Concert Study for Solo Guitar. (c) Uwe Warneke 2005. All Rights Reserved. US Copyright Office, PAU 3-002-415
rit.
III
IV
IV
4
3
1
3
4
1
1
2
(5)
63
(3)
(6)
64
(5)
(5)
=65
a tempo
=60
rit.
IV
3
2
1
3
4
1
65
66
=50
=55
=70
=65
=60
a tempo
III
4
3
4
3
4
1
67
=55
68
=70
=50
I
III
4
4
1
1
1
3
2
2
69
1
1
70
BERGKRISTALL #4. Concert Study for Solo Guitar. (c) Uwe Warneke 2005. All Rights Reserved. US Copyright Office, PAU 3-002-415
10
4
2
3
1
4
71
1
1
1
4
3
3
72
III
III
IV
II
2
4
1
4
3
1
3
1
3
4
(2)
(3)
4
3
1
1
(2)
(4)
73
74
rit.
III
3
2
75
=65
76
=50
=55
III
3
3
1
4
1
3
2
3
1
3
1
3
77
=60
78
BERGKRISTALL #4. Concert Study for Solo Guitar. (c) Uwe Warneke 2005. All Rights Reserved. US Copyright Office, PAU 3-002-415
11
1
2
2
4
3
2
1
2
1
79
80
accel.
1
4
1
3
2
1
2
81
82
=55
=60
=65
a tempo
I
1
1
2
3
3
3
2
1
3
83
84
=70
4
1
3
85
4
3
3
1
3
1
86
BERGKRISTALL #4. Concert Study for Solo Guitar. (c) Uwe Warneke 2005. All Rights Reserved. US Copyright Office, PAU 3-002-415
12
2
1
1
1
3
87
88
1
2
89
2
4
90
3
1
91
92
I can DANCE!
[ 63 ]
3
3
1
93
94
BERGKRISTALL #4. Concert Study for Solo Guitar. (c) Uwe Warneke 2005. All Rights Reserved. US Copyright Office, PAU 3-002-415
13
[ 65 ]
[ 64 ]
95
[ 59]
96
[ 60 ]
97
98
accel.
[ 83 ]
1
99
100
rit.
a tempo
2
3
=75
I
3
4
2
1
2
4
3
3
3
(3)
101
=80
102
=75
=70
BERGKRISTALL #4. Concert Study for Solo Guitar. (c) Uwe Warneke 2005. All Rights Reserved. US Copyright Office, PAU 3-002-415
14
4
1
1
2
4
2
2
1
4
3
3
103
104
III
1
3
2
105
106
4
1
3
3
1
2
2
107
108
rit.
2
3
[ 100 ]
109
[ 101 ]
110
=65
=65
=55
=40
BERGKRISTALL #4. Concert Study for Solo Guitar. (c) Uwe Warneke 2005. All Rights Reserved. US Copyright Office, PAU 3-002-415
15
a tempo
[ 60 ]
[ 59 ]
111
112
=70
IV
III
2
3
3
2
4
1
1
1
113
114
IV
V
IV
1
1
2
3
1
1
115
116
IV
Fine
2
2
117
3
2
4
4
1
118
BERGKRISTALL #4. Concert Study for Solo Guitar. (c) Uwe Warneke 2005. All Rights Reserved. US Copyright Office, PAU 3-002-415
16
3. Movement: Leon meets Fleur for the first time (Andante)
accel.
II
III
IV
II
4
4
2
1
1
1
1
1
3
accel.
119
120
=40
=45
=50
II
accel.
I
3
3
1
4
1
(3)
2
2
(2)
(4)
accel.
121
122
=55
(4)
=60
=75
rit.
IV
4
IV
2
1
2
(4)
(5)
2
4
3
1
(5)
(6)
(5)
123
124
=65
a tempo
IV
III
II
4
2
4
1
1
2
3
2
4
(2)
(3)
1
2
(2)
125
126
=60
BERGKRISTALL #4. Concert Study for Solo Guitar. (c) Uwe Warneke 2005. All Rights Reserved. US Copyright Office, PAU 3-002-415
17
1
1
2
(2)
127
128
II
II
3
4
1
4
3
4
1
4
3
1
3
1
1
3
2
(3)
129
130
4
3
2
1
131
132
III
4
1
1
1
3
1
1
3
133
134
BERGKRISTALL #4. Concert Study for Solo Guitar. (c) Uwe Warneke 2005. All Rights Reserved. US Copyright Office, PAU 3-002-415
18
1
1
4
135
3
1
136
IV
III
IV
4
1
2
1
3
1
3
3
1
1
3
(3)
4
1
(3)
137
138
VI
III
3
4
1
(2)
(2)
(3)
139
140
III
II
I
4
3
1
1
3
4
4
1
(3)
(3)
2
3
(3)
1
(2)
1
1
(5)
141
142
BERGKRISTALL #4. Concert Study for Solo Guitar. (c) Uwe Warneke 2005. All Rights Reserved. US Copyright Office, PAU 3-002-415
19
a tempo
V
III
III
IV
rit.
1
2
1
3
2
1
(2)
(2)
3
(2)
143
144
=55
=45
=50
=60
=40
a tempo
rit.
3
4
4
1
3
(4)
145
(4)
(5)
(5)
146
=55
III
IV
=45
=50
1
3
(2)
2
(2)
2
1
(3)
(2)
(6)
147
=60
(2)
1
=40
III
148
rit.
III
III
III
3
4
4
4
(3)
4
1
1
3
(5)
1
1
3
4
149
150
=55
3
=50
=45
=40
BERGKRISTALL #4. Concert Study for Solo Guitar. (c) Uwe Warneke 2005. All Rights Reserved. US Copyright Office, PAU 3-002-415
20
VI
1
2
1
2
4
2
a tempo
151
152
rit.
III
V
4
2
4
1
3
1
153
154
=55
=50
a tempo
III
2
2
1
3
1
2
3
(2)
(3)
155
156
=60
4
3
2
2
3
(4)
(4)
157
BERGKRISTALL #4. Concert Study for Solo Guitar. (c) Uwe Warneke 2005. All Rights Reserved. US Copyright Office, PAU 3-002-415
21
III
3
4
1
1
4
1
1
158
[ 136 ]
159
III
III
3
1
[ 137 ]
1
1
[ 138 ]
160
1
1
2
2
III
2
2
161
III
II
I
III
1
2
1
1
162
163
rit.
[ 138 ]
a tempo
III
3
2
4
3
4
1
2
4
1
4
1
[ 139 ]
3
164
3
165
=55
=50
=45
=40
=60
BERGKRISTALL #4. Concert Study for Solo Guitar. (c) Uwe Warneke 2005. All Rights Reserved. US Copyright Office, PAU 3-002-415
22
a tempo
rit.
VII
III
4
III
III
3
3
2
1
2
3
3
166
167
=60
=50
=55
3
2
3
1
2
3
1
168
3
1
169
IV
III
3
1
4
4
1
3
1
170
2
1
171
III
1
3
4
172
1
3
3
2
1
3
2
1
173
BERGKRISTALL #4. Concert Study for Solo Guitar. (c) Uwe Warneke 2005. All Rights Reserved. US Copyright Office, PAU 3-002-415
23
III
3
4
3
3
1
1
4
1
3
4
1
174
175
V
I
II
4
3
1
1
1
3
3
4
2
1
3
176
177
Fine
1
1
2
3
3
178
BERGKRISTALL #4. Concert Study for Solo Guitar. (c) Uwe Warneke 2005. All Rights Reserved. US Copyright Office, PAU 3-002-415
BERGKRISTALL
No. 5
Uwe Warneke
op. 62
=70
2
2
3
1
1
3
1
III
III
4
4
1
1
2
2
1
3
3
BERGKRISTALL #5. 2 Studies for Solo Guitar. (c) Uwe Warneke 2006. All Rights Reserved. US Copyright Office, PAU 3-099-848
III
II
3
2
4
1
2
1
3
1
rit.
3
I
I
2
4
2
1
4
(2)
1
10
=65
=60
=60
=45
a tempo
I
1
2
1
1
1
1
4
3
11
12
=70
accel.
I
3
1
2
3
13
3
4
3
3
4
1
14
=75
BERGKRISTALL #5. 2 Studies for Solo Guitar. (c) Uwe Warneke 2006. All Rights Reserved. US Copyright Office, PAU 3-099-848
3
a tempo
VI
V
VI
III
1
4
3
(2)
15
16
=70
V
III
4
2
4
3
3
1
17
18
rit.
a tempo
I
II
1
1
1
1
3
3
2
1
19
20
=65
=50
=55
=60
=70
I
III
3
2
4
4
3
21
4
3
2
3
(3)
(4)
2
1
22
BERGKRISTALL #5. 2 Studies for Solo Guitar. (c) Uwe Warneke 2006. All Rights Reserved. US Copyright Office, PAU 3-099-848
I
I
4
4
3
2
1
3
2
1
23
(5)
(4)
24
4
2
1
1
2
3
25
26
IV
3
1
3
(3)
(3)
1
(3)
(3)
27
28
III
IV
III
III
4
3
1
1
3
4
4
4
1
3
(3)
(3)
29
30
BERGKRISTALL #5. 2 Studies for Solo Guitar. (c) Uwe Warneke 2006. All Rights Reserved. US Copyright Office, PAU 3-099-848
5
accel.
rit.
I
III
1
4
3
1
[5]
4
1
31
32
=65
=60
=50
=60
=55
=65
a tempo
IV
1
1
III
[6]
1
1
33
4
3
2
4
3
2
1
1
34
=70
rit.
accel
I
I
I
1
4
1
2
3
3
2
2
1
2
4
3
1
4
1
1
35
36
=60
=65
a tempo
=65
rit.
accel.
I
III
II
4
1
3
1
4
3
1
3
1
2
1
(2)
37
38
=70
=65
=60
(6)
=55
BERGKRISTALL #5. 2 Studies for Solo Guitar. (c) Uwe Warneke 2006. All Rights Reserved. US Copyright Office, PAU 3-099-848
=60
1
3
rit.
[1]
[2]
39
40
=60
=65
=55
2. Movement: Andante
4
4
1
2
41
42
=60
V
III
4
2
2
4
3
2
1
2
3
1
(2)
(3)
43
(2)
(3)
(5)
44
(3)
(6)
(4)
(3)
(3)
(5)
III
4
1
2
3
45
4
1
46
BERGKRISTALL #5. 2 Studies for Solo Guitar. (c) Uwe Warneke 2006. All Rights Reserved. US Copyright Office, PAU 3-099-848
2
4
3
2
2
47
48
V
III
1
3
1
2
(3)
(5)
49
50
II
4
4
3
3
1
1
3
1
2
2
51
(4)
(2)
52
accel.
53
54
=65
BERGKRISTALL #5. 2 Studies for Solo Guitar. (c) Uwe Warneke 2006. All Rights Reserved. US Copyright Office, PAU 3-099-848
4
3
1
2
55
56
=70
=75
=80
=90
II
3
2
1
3
1
2
2
(3)
57
58
II
2
3
1
59
1
2
60
IV
1
4
1
3
2
3
61
3
1
62
BERGKRISTALL #5. 2 Studies for Solo Guitar. (c) Uwe Warneke 2006. All Rights Reserved. US Copyright Office, PAU 3-099-848
II
1
3
4
3
2
1
3
2
2
2
63
64
VII
1
2
4
2
2
(4)
65
(3)
(3)
(4)
(5)
(4)
66
rit.
V
III
IV
VII
1
4
1
3
1
4
68
=85
=70
=80
accel.
III
2
1
3
2
2
1
(3)
69
67
70
=75
BERGKRISTALL #5. 2 Studies for Solo Guitar. (c) Uwe Warneke 2006. All Rights Reserved. US Copyright Office, PAU 3-099-848
10
III
II
1
2
3
3
3
2
4
2
3
3
2
4
3
2
2
1
(3)
(6)
71
(2)
(3)
72
(2)
(3)
(5)
accel.
IV
I
4
3
1
2
1
1
1
73
74
=80
accel.
3
2
2
3
3
1
3
75
76
=85
=90
1
4
77
1
2
1
2
78
BERGKRISTALL #5. 2 Studies for Solo Guitar. (c) Uwe Warneke 2006. All Rights Reserved. US Copyright Office, PAU 3-099-848
11
V
III
4
1
1
4
1
3
4
3
79
80
1
3
2
3
3
81
82
III
II
II
4
1
1
3
(2)
(4)
3
(5)
3
2
83
84
IV
II
II
4
3
1
4
1
3
(4)
(5)
85
86
BERGKRISTALL #5. 2 Studies for Solo Guitar. (c) Uwe Warneke 2006. All Rights Reserved. US Copyright Office, PAU 3-099-848
12
VI
III
III
87
88
II
4
3
89
4
3
2
90
I
3
4
4
4
4
3
3
(2)
1
1
91
(5)
(2)
(4)
(2)
(5)
92
III
V
1
4
4
3
3
2
3
3
4
3
93
(3)
(5)
(4)
(6)
94
BERGKRISTALL #5. 2 Studies for Solo Guitar. (c) Uwe Warneke 2006. All Rights Reserved. US Copyright Office, PAU 3-099-848
13
III
II
F ine
1
3
1
1
2
2
1
1
(5)
(5)
95
96
op. 63
rit.
4
3
2
1
97
98
=60
=55
=50
=40
=45
a tempo
I
I
4
1
2
3
1
1
4
99
100
=60
V
III
1
1
1
4
2
3
2
(4)
101
(2)
(3)
102
BERGKRISTALL #5. 2 Studies for Solo Guitar. (c) Uwe Warneke 2006. All Rights Reserved. US Copyright Office, PAU 3-099-848
14
III
VI
I
1
1
2
1
1
1
2
1
3
1
103
104
rit.
III
2
1
3
4
1
1
1
2
1
3
3
105
106
=55
=40
=45
=50
a tempo
I
4
1
1
3
2
1
2
3
107
108
=60
4
4
109
110
BERGKRISTALL #5. 2 Studies for Solo Guitar. (c) Uwe Warneke 2006. All Rights Reserved. US Copyright Office, PAU 3-099-848
15
4
1
3
3
3
1
1
111
112
rit.
a tempo
III
1
1
4
3
1
(2)
113
114
=55
=50
=60
VI
V
1
2
3
4
3
1
3
3
115
2
1
2
4
4
1
III
4
4
3
1
IV
116
III
3
3
2
1
1
3
2
3
1
3
2
117
3
4
4
1
118
BERGKRISTALL #5. 2 Studies for Solo Guitar. (c) Uwe Warneke 2006. All Rights Reserved. US Copyright Office, PAU 3-099-848
16
1
1
1
[ 99 ]
[ 100 ]
119
120
III
IV
III
3
3
3
2
3
1
121
122
III
IV
III
VI
1
1
1
3
3
1
123
124
(3)
rit.
Fine
125
126
=55
=50
=45
BERGKRISTALL #5. 2 Studies for Solo Guitar. (c) Uwe Warneke 2006. All Rights Reserved. US Copyright Office, PAU 3-099-848
=40
No. 6
BERGKRISTALL
Uwe Warneke
op. 64
Splinter #3 (2007) - 1. Movement: Andante
accel.
rit.
1
4
3
4
3
3
3
3
=60
3
=45
=40
=50
=55
a tempo
1
3
3
2
4
=60
rit.
II
3
2
2
3
2
4
3
1
=55
=50
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
2
a tempo
III
II
4
1
1
1
=60
1
1
2
2
10
1
4
3
2
3
11
12
rit.
4
2
3
14
13
=55
=50
=45
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
3
accel.
a tempo
II
1
4
2
3
3
2
16
4
3
3
1
15
3
1
1
4
3
=60
=55
=50
accel.
I
1
4
2
2
2
1
18
17
3
1
=65
II
1
4
3
2
3
3
1
19
4
3
4
3
1
1
20
=70
rit.
a tempo
[4]
1
1
4
2
3
21
=65
22
=60
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
[5]
3
2
24
23
I
1
1
1
4
2
1
2
25
26
3
1
III
3
4
28
27
1
1
III
1
2
1
29
4
1
30
3
1
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
5
rit.
accel.
VIII
[6]
2
32
=55
VI
1
4
3
(5)
4
3
31
1
2
=55
=50
=60
accel.
III
1
1
1
2
4
2
1
1
2
2
3
33
34
=65
a tempo
3
1
2
4
1
2
1
1
35
36
=70
=60
VI
III
IV
I
4
3
1
4
3
4
3
1
3
2
2
4
37
4
1
38
1
1
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
III
IV
IV
3
1
3
4
39
1
3
4
1
III
40
(3)
III
1
2
4
3
1
1
41
3
(6)
42
(6)
III
II
4
3
1
2
2
44
43
Fine
rit.
I
1
3
2
3
3
45
4
3
46
2
3
=55
=50
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
7
2. Movement: Allegretto
accel.
IV
4
1
(4)
48
47
=55
=50
=60
a tempo
I
1
1
3
2
3
4
49
3
2
=75
=70
=65
50
=80
XII
rit.
4
3
4
3
1
(5)
(2)
(5)
52
51
(5)
(6)
III
IV
4
3
53
4
1
(6)
(6)
1
1
54
1
4
3
1
(6)
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
II
II
1
2
(2)
56
55
II
IV
II
II
4
4
2
1
2
1
57
58
2
3
2
rit.
a tempo
3
2
4
2
1
1
59
60
(4)
=75
=80
=70
V
IV
I
4
4
3
1
4
3
1
1
4
1
61
62
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
II
I
I
1
64
4
1
1
1
1
1
65
66
3
3
II
3
4
2
4
67
63
68
rit.
a tempo
3
II
1
4
2
1
70
69
=75
=70
=65
=60
2
4
=80
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
10
rit.
accel.
I
II
1
4
4
4
3
3
3
71
1
4
=75
72
=65
=70
=55
=60
=55
=50
a tempo
III
3
2
4
4
1
1
1
2
73
=70
=75
74
=80
IV
III
1
1
1
1
1
1
4
1
1
75
76
accel.
3
1
I
1
2
3
77
=85
3
3
78
4
3
=90
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
11
III
IV
3
4
79
80
3
1
III
4
1
1
82
81
a tempo
rit.
III
I
II
4
4
3
1
83
84
=85
=80
rit.
III
III
85
2
2
2
1
86
=75
=70
=60
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
12
a tempo
IV
3
3
4
4
4
3
1
1
3
2
2
3
88
87
=80
III
89
90
IV
4
3
2
91
92
Fine
rit.
VI
IV
III
93
2
4
[55]
1
1
1
4
3
3
1
94
2
(3)
(5)
=75
=70
=65
=60
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
13
Splinter #4 (2007) - 1. Movement: Allegretto
op. 65
II
II
1
1
95
3
1
96
=80
II
III
I
1
97
2
1
1
3
98
(6)
III
99
100
=80
I
II
2
2
101
102
3
2
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
14
IV
II
II
III
II
103
104
IV
III
1
1
II
1
3
105
106
(5)
1
1
2
1
(4)
(5)
(6)
(5)
III
1
4
108
107
VII
IV
3
4
4
3
3
4
1
1
1
3
2
109
II
IV
110
1
1
2
1
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
15
II
4
2
111
112
II
II
2
4
4
1
3
2
3
1
113
114
1
1
II
1
1
1
115
116
1
3
3
4
117
118
1
1
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
16
4
2
3
2
4
119
2
2
120
2
3
1
1
2
122
121
a tempo
rit.
2
1
(3)
124
123
=80
=75
a tempo
rit.
IV
II
III
1
3
1
2
3
1
2
125
2
3
1
4
1
2
2
=75
126
=70
(2)
(3)
3
=80
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
17
1
1
127
128
III
IV
III
II
2
2
129
130
III
I
1
1
2
1
2
3
131
132
rit.
III
2
1
133
4
3
1
1
1
2
134
1
(2)
(3)
=80
=70
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
18
2. Movement: Allegretto
I
IV
III
II
3
1
2
1
1
2
3
1
1
135
136
=80
III
II
II
1
2
3
1
rit.
138
137
II
accel.
3
1
1
4
139
140
2
1
3
=70
=75
=75
a tempo
I
3
4
2
1
2
3
4
1
141
1
2
1
142
1
2
3
4
3
1
=80
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
19
II
IV
II
2
1
143
144
1
3
4
1
(5)
rit.
II
3
1
146
145
(6)
3
=75
IV
accel.
=70
=65
VI
3
3
1
4
2
2
3
1
148
147
3
=70
=75
a tempo
III
II
1
1
2
1
1
4
(5)
150
149
3
1
(5)
(5)
1
(6)
=80
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
20
VI
3
4
3
1
4
2
151
152
3
1
IV
1
1
3
3
(2) (2)
154
153
II
4
2
3
1
2
155
156
4
2
3
1
157
158
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
21
II
3
4
1
3
2
160
159
3
1
2
3
161
162
(5)
II
2
3
2
3
164
163
4
2
4
1
3
3
2
165
3
166
3
(3)
(2)
(3)
(5)
(6)
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
22
3
2
168
167
169
170
4
4
2
3
2
171
172
III
173
IV
174
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
23
IV
3
2
2
4
4
2
175
2
3
176
4
2
1
4
1
3
2
178
177
rit.
accel.
3
2
3
179
180
=75
=70
=65
=60
=65
a tempo
3
1
182
181
(2)
(2)
=70
=75
1
3
=80
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
24
1
4
3
2
184
183
4
2
185
1
3
186
rit.
4
3
2
1
188
187
1
3
=75
Fine
III
3
1
189
=70
190
1
2
3
3
=65
1
3
=60
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
25
Splinter #5 (2008) - 1. Movement: Moderato
op.66
rit.
1
192
191
=65
III
194
193
III
3
2
196
195
a tempo
1
2
3
3
2
198
197
=70
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
26
IV
3
3
199
200
VII
VI
4
2
1
3
1
2
1
1
IV
1
3
204
203
(3)
(6)
(3)
IV
VI
1
1
1
1
1
205
202
201
206
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
27
1
2
207
208
(5)
IV
2
1
3
209
II
3
4
210
III
IV
2
3
1
2
211
(5)
3
1
212
II
2
4
213
3
1
214
4
(5)
(5)
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
28
III
IV
IV
3
3
3
1
216
2
1
215
IV
3
1
1
4
3
217
218
III
IV
3
3
2
1
4
219
220
(6)
accel.
rit.
II
2
2
4
(2)
(4)
1
3
(3)
1
1
221
2
4
1
3
222
3
1
(2)
(6)
3
=65
=60
=55
=60
=65
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
29
a tempo
rit.
a tempo
rit.
III
3
4
4
1
4
3
1
3
(3)
224
223
=70
=60
=65
=70
=55
=65
=60
=55
a tempo
III
1
2
3
3
2
4
226
225
=70
V
III
4
1
2
3
4
227
228
(2)
1
229
230
1
(4)
1
(4)
(6)
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
30
III
IV
4
1
1
2
II
231
232
III
II
4
2
4
3
233
234
III
1
1
4
1
235
236
1
1
3
2
237
238
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
31
2. Movement: Moderato
III
IV
1
2
239
240
(6)
(5)
(5)
=70
III
4
2
1
1
241
242
a tempo
accel.
III
1
3
243
244
1
(6)
=75
(5)
=80
(5)
=85
=90
=70
1
1
245
246
1
2
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
32
III
2
3
247
248
(5)
(5)
4
2
1
3
249
250
(3)
II
3
2
251
2
1
252
3
(4)
IV
2
1
1
(4)
3
253
254
(5)
(6)
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
33
III
4
1
3
2
255
256
3
4
1
258
257
3
3
260
259
(5)
III
III
IV
1
1
3
1
3
1
261
1
3
1
3
262
(5)
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
34
III
1
1
263
2
1
264
III
II
1
4
4
2
1
1
265
266
267
4
1
268
IV
269
270
4
1
3
1
(3)
(5)
(5)
(6)
(6)
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
35
accel.
271
272
(6)
=75
rit.
I
4
1
3
4
273
274
3
=80
=75
a tempo
I
1
4
275
276
=70
1
2
277
278
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
36
3. Movement: Andantino
1
3
(3)
(3)
(3)
(4)
279
=65
II
III
IV
II
4
3
1
1 1
281
III
4
2
1
2
2
1
280
1
2
282
(5)
(2)
283
1
1
(5)
4
1
I
I
3
1
4
4
3
3
2
284
285
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
37
rit.
3
4
3
286
287
=60
a tempo
=55
=50
=45
accel.
II
II
2
1
289
2
3
288
=65
2
3
=70
=75
II
3
4
1
1
2
1
2
4
291
290
(3)
II
II
II
1
3
1
(2)
292
2
3
1
293
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
38
rit
II
2
2
294
295
=70
I
1
3
2
1
2
1
II
297
296
1
1
3
4
3
3
2
(3)
298
299
300
4
3
301
3
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
39
VI
III
IV
2
3
(5)
303
302
(6)
1
1
304
305
a tempo
I
III
3
3
307
306
=65
III
1
4
308
309
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
40
accel.
311
310
(5)
(5)
=70
III
III
2
3
a tempo
313
rit.
a tempo
III
II
III
III
IV
3
3
1
315
314
312
(4)
(4)
=65
=65
=60
accel.
III
3
1
2
3
2
3
1
316
1
3
317
=70
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
41
a tempo
III
IV
rit.
a tempo
II
1
3
318
III
II
3
3
=60
=65
III
319
=65
VII
IV
(3)
320
3
1
321
=60
rit
a tempo
VI
VII
1
2
3
1
323
(5)
=60
(5)
(5)
=55
=65
322
3
4
1
a tempo
accel.
=55
=50
=60
=65
II
2
4
2
3
3
324
3
1
3
1
325
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
42
II
1
4
3
2
327
326
rit.
I
3
1
328
329
=60
=55
=50
a tempo
I
III
1
1
331
330
II
2
3
332
3
1
333
1
1
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
43
III
3
1
1
1
1
1
334
335
1
3
337
336
III
2
2
2
3
338
339
IV
4
2
340
3
1
2
1
341
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
44
IV
4
2
1
3
3
2
342
II
IV
343
II
III
III
3
4
344
345
(2)
II
IV
IV
4
2
3
4
346
347
(2)
II
IV
3
1
3
4
1
348
349
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
45
II
1
2
4
1
350
351
(5)
rit.
a tempo
III
3
1
(3)
352
4
2
353
(4)
=60
=55
=65
III
1
3
3
2
1
2
1
1
1
1
355
354
Fine
4
356
2
1
1
1
357
BERGKRISTALL #6. 3 Studies for Solo Guitar. (c) Uwe Warneke 2008. All Rights Reserved. US Copyright Office, PAU 3-358-149
No. 7
Uwe Warneke
BERGKRISTALL
2 Studies for Solo Guitar
We are floating like oildrops in the ocean of cognition. Each of us encapsulated in his own world of truth.
To see the last ground means to burst - and: to peter out.
op. 67
III
3
4
3
2
2
1
1
1
=50
VI
IV
3
4
3
2
(2)
1
(3)
(3)
III
IV
3
4
4
3
1
4
2
4
4
3
4
2
1
3
1
BERGKRISTALL #7. 2 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-432-147
2
III
III
II
1
2
1
2
IV
II
4
4
3
3
4
4
3
(3)
(3)
(4)
10
1
1
12
11
4
2
13
4
3
14
BERGKRISTALL #7. 2 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-432-147
3
II
3
1
2
3
15
(2)
IV
(2)
16
III
4
2
3
2
1
(2)
(2)
18
17
19
20
3
(5)
I
I
Tritonus
3
3
21
22
1 4
4
d# b5
3
BERGKRISTALL #7. 2 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-432-147
II
1
1
2
2
E-Basspalette E 7/#3
24
23
E maj7
II
II
3
3
4
1
4
1
2
26
25
F maj7
c# 7
rit.
accel.
II
1
3
3
1
2
27
28
=60
=65 e 7
2
3
=55
f# 7
C maj7
=60
=55
a tempo
[13]
29
30
[14]
BERGKRISTALL #7. 2 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-432-147
2
1
[15]
31
32
1
4
3
34
33
III
1
3
36
35
1
3
1
1
1
1
4
3
37
4
1
1
1
38
3
3
2
3
(6)
BERGKRISTALL #7. 2 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-432-147
2. Movement: Allegretto
I
3
4
39
40
(5)
=70
II
3
4
1
1
42
41
1
(4)
4
1
4
3
2
3
(4)
44
43
1
1
(4)
G-Basspalette
2
4
1
3
45
46
G #3
4
3
2
BERGKRISTALL #7. 2 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-432-147
7
rit.
I
1
1
1
1
47
48
c
=65
=60
=55
accel.
3
4
1
4
3
1
3
1
3
49
=65
=60
I
50
III
2
1
4
4
51
52
(5)
=70
rit.
2
2
4
2
53
1
1
54
=65
=60
BERGKRISTALL #7. 2 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-432-147
8
a tempo
III
4
(3)
(3)
1
1
56
55
=70
accel.
rit.
III
1
1
3
4
57
58
=65
=60
=65
a tempo
accel.
rit.
IV
III
4
2
1
1
4
2
3
59
=60
3
1
60
=70
=65
I
4
1
II
1
3
61
62
BERGKRISTALL #7. 2 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-432-147
9
rit.
I
III
3
2
1
3
3
1
1
3
63
64
=65
accel.
III
II
rit.
a tempo
III
4
4
65
=60
accel.
66
=65
=65
=70
=60
a tempo
2
1
=65
=70
69
68
67
1
2
70
BERGKRISTALL #7. 2 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-432-147
10
accel.
2
1
1
4
71
72
=75
74
73
=80
3
1
1
1
2
75
76
rit.
4
1
78
77
=75
BERGKRISTALL #7. 2 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-432-147
11
a tempo
I
rit.
I
3
2
1
1
3
80
79
=65
=70
III
=60
4
1
82
81
accel.
a tempo
III
VIII
1
2
3
3
1
2
83
84
1
(4)
(6)
=65
2
1
(5)
=70
III
85
3
3
86
BERGKRISTALL #7. 2 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-432-147
12
II
4
1
87
88
III
1
4
3
1
89
90
1
1
(5)
IV
III
4
3
3
1
92
91
4
3
1
3
93
1
1
3
1
94
BERGKRISTALL #7. 2 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-432-147
13
1
3
2
2
3
95
3
1
96
(4)
III
4
1
1
2
3
2
3
97
(3)
98
(2)
III
4
1
2
4
1
3
3
4
1
99
100
III
(2)
1
2
3
1
2
101
102
(3)
BERGKRISTALL #7. 2 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-432-147
14
3. Movement: Allegretto
rit.
I
II
103
104
1
1
=70
=65
=60
=55
accel.
I
I
2
4
4
3
2
1
106
105
=60
=65
a tempo
4
2
107
108
=70
4
1
109
2
1
110
BERGKRISTALL #7. 2 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-432-147
15
111
112
3
4
113
4
1
114
1
2
3
2
116
115
(2)
(6)
III
VIII
VI
4
1
1
1
1
1
3
4
117
118
BERGKRISTALL #7. 2 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-432-147
16
VI
3
2
119
120
VI
2
1
1
1
3
1
4
3
122
121
IV
III
1
1
123
4
3
4
1
124
IV
II
II
4
3
2
1
2
125
2
4
3
126
BERGKRISTALL #7. 2 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-432-147
17
II
III
4
3
1
2
128
127
II
2
4
1
1
129
130
131
1
4
3
4
3
4
3
132
2
4
3
2
1
133
134
2
1
BERGKRISTALL #7. 2 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-432-147
18
III
135
136
(6)
II
III
II
1
4
4
1
137
138
1
1
III
III
3
1
4
3
4
1
III
IV
1
4
2
3
3
3
2
3
2
1
1
140
139
141
3
2
4
1
142
(6)
BERGKRISTALL #7. 2 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-432-147
19
IV
IV
1
2
1
3
144
143
3
1
(5)
(5)
III
2
4
4
2
146
3
3
2
3
1
3
2
1
(2)
148
147
II
III
II
3
2
1
2
149
VII
VIII
(2)
3
145
3
4
150
1
2
1
BERGKRISTALL #7. 2 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-432-147
20
4
3
151
152
153
154
II
1
2
3
II
3
2
156
155
III
1
3
1
1
2
2
3
157
158
BERGKRISTALL #7. 2 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-432-147
21
I
III
3
4
2
159
160
III
III
3
(3)
162
161
IV
4
1
2
4
4
3
2
3
3
164
163
Fine
1
165
166
BERGKRISTALL #7. 2 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-432-147
22
Splinter #7 (2009): Allegretto
op. 68
I
1
4
168
167
=70
2
2
1
1
2
1
4
169
170
II
3
1
4
2
3
1
172
171
II
173
2
1
4
1
174
BERGKRISTALL #7. 2 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-432-147
23
II
4
1
3
2
1
3
175
176
II
3
2
2
4
1
3
4
(5)
(4)
(3)
177
178
(2)
II
III
II
179
1
4
IV
4
3
181
1
3
4
1
180
3
2
1
3
1
1
1
1
182
BERGKRISTALL #7. 2 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-432-147
24
II
1
4
183
184
II
4
3
1
4
186
185
rit.
III
VI
IV
3
1
187
4
3
1
1
4
4
188
=65
a tempo
3
2
(2)
4
4
3
1
4
1
4
4
4
2
3
1
4
190
189
rit
II
1
1
=70
=65
BERGKRISTALL #7. 2 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-432-147
25
accel.
II
192
191
=65
=60
a tempo
rit.
2
2
1
1
1
193
194
=65
=70
II
1
1
195
196
3
=60
II
accel.
3
4
4
1
2
1
2
1
2
1
2
1
197
198
3
=65
BERGKRISTALL #7. 2 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-432-147
26
a tempo
II
1
1
200
199
=70
II
II
3
4
1
1
3
202
201
3
2
3
2
203
204
3
2
II
3
4
3
3
1
1
1
4
3
205
3
3
1
4
3
206
3
1
1
3
3
1
BERGKRISTALL #7. 2 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-432-147
27
II
IV
3
1
1
2
1
2
3
4
207
208
4
1
II
2
1
4
209
3
1
210
4
3
2
4
1
2
4
1
VII
IX
4
4
212
211
(6)
II
IV
4
2
4
1
2
1
4
3
4
1
4
(2)
213
214
BERGKRISTALL #7. 2 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-432-147
28
I
1
3
1
3
3
216
215
3
1
217
218
1
2
1
4
[214]
219
1
3
220
2
3
2
221
222
1
3
1
BERGKRISTALL #7. 2 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-432-147
29
2
3
4
1
1
2
224
223
II
VI
2
1
225
226
(5)
(6)
4
(3)
(5)
228
227
rit.
II
IV
2
3
VII
Fine
3
4
2
3
(4)
229
230
(3)
2
(5)
(5)
(5)
=65
=60
BERGKRISTALL #7. 2 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-432-147
No. 8
BERGKRISTALL
Uwe Warneke
op. 69
Splinter #8 (2009) - Andantino
II
accel.
2
1
4
=50
=65
=60
=70
a tempo
(3)
=75
rit.
II
4
3
1
2
=80
=75
accel.
=70
a tempo
I
1
1
1
3
5
=60
=70
=75
=80
BERGKRISTALL #8. 3 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-442-866
4
1
3
1
1
10
4
1
4
1
1
3
11
12
III
rit.
13
=75
14
2
1
2
=70
BERGKRISTALL #8. 3 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-442-866
3
a tempo
1
1
4
3
15
16
=65
=80
1
1
4
1
1
18
17
4
1
accel.
rit.
1
1
20
19
=85
=90
2
2
3
=85
21
22
BERGKRISTALL #8. 3 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-442-866
4
rit.
a tempo
VI
III
II
3
3
3
2
23
(5)
4
(6)
24
3
=75
=80
=70
rit.
accel.
V
IV
II
1
1
1
25
26
(6)
1
3
=75
=70
accel.
II
III
1
3
4
2
27
28
2
1
=80
=75
a tempo
I
1
2
4
3
29
=85
30
=80
BERGKRISTALL #8. 3 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-442-866
5
accel.
[1]
[2]
32
31
=50
=65
=60
=70
a tempo
=75
rit.
II
33
34
1
2
=75
=80
=70
a tempo
accel.
1
1
1
3
36
35
=60
=70
=70
=80
III
1
1
2
2
37
38
BERGKRISTALL #8. 3 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-442-866
6
I
IV
III
3
1
1
1
1
3
1
4
2
1
4
1
39
40
III
3
4
2
4
1
2
1
1
4
4
41
42
(3)
(4)
III
III
2
1
44
43
2
1
(2)
(4)
III
III
2
1
2
4
3
1
1
45
46
BERGKRISTALL #8. 3 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-442-866
7
IV
III
4
1
47
48
a tempo
rit.
1
2
3
49
50
=70
=75
3
1
=80
1
1
51
1
3
52
III
1
4
3
1
1
3
1
53
54
1
1
BERGKRISTALL #8. 3 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-442-866
1
2
3
3
2
56
55
II
4
1
3
4
2
2
2
1
57
58
4
3
59
60
rit.
62
61
=75
=70
Fine
=65
=60
BERGKRISTALL #8. 3 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-442-866
op. 70
64
63
=60
II
III
1
4
3
2
1
3
1
3
2
1
65
66
II
1
2
2
1
1
3
67
4
4
68
II
69
1
3
1
1
1
70
4
4
(3)
BERGKRISTALL #8. 3 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-442-866
10
4
1
3
2
71
72
2
1
4
4
4
73
74
III
IV
1
3
76
75
II
1
3
77
3
1
78
1
1
BERGKRISTALL #8. 3 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-442-866
11
II
1
1
[65]
80
79
accel.
III
IV
II
3
2
1
1
1
4
3
81
82
=65
=70
II
1
3
2
83
3
4
84
=75
II
3
1
85
3
4
86
BERGKRISTALL #8. 3 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-442-866
12
IV
1
3
87
3
4
3
1
2
88
Tritonus
II
IV
4
1
3
3
4
89
1
4
(5)
(3)
(3)
90
Consonance
rit.
III
3
3
1
4
1
1
3
1
91
92
=70
III
III
IV
III
3
4
93
4
2
1
2
94
1
1
1
4
(5)
(4)
BERGKRISTALL #8. 3 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-442-866
13
IV
II
IV
2
3
3
1
3
2
rit.
96
II
II
95
IV
III
a tempo
II
1
1
4
98
97
(5)
=60
=65
accel.
III
1
3
2
[65]
100
99
3
1
2
=65
=70
=75
accel.
1
2
1
1
2
102
101
=80
4
3
=85
BERGKRISTALL #8. 3 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-442-866
14
I
1
3
2
3
1
104
103
III
1
4
3
3
105
106
rit.
1
4
3
[97]
107
108
=80
=75
rit.
=70
a tempo
II
Fine
4
3
109
1
2
110
[98]
=60
BERGKRISTALL #8. 3 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-442-866
15
Splinter #10 (2009) - Andantino grazioso
op. 71
III
4
1
(3)
112
111
(2)
=80
1
3
4
(3)
1
2
114
113
1
3
III
II
1
4
4
1
115
116
II
II
4
1
2
4
3
3
1
1
117
3
1
2
4
118
BERGKRISTALL #8. 3 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-442-866
16
II
1
1
3
4
2
4
2
3
4
119
(3)
1
3
120
3
2
(3)
(3)
II
1
1
3
3
4
(3)
2
3
2
3
2
(3)
124
4
(3)
2
1
122
3
2
121
123
II
III
4
4
125
3
1
1
3
2
1
3
126
BERGKRISTALL #8. 3 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-442-866
17
II
IV
II
3
1
2
4
3
1
III
rit.
4
1
1
1
(3)
129
130
=80
=75
a tempo
accel.
2
3
1
1
2
1
1
131
=75
1
2
128
127
II
132
=80
1
4
2
3
133
134
[115]
BERGKRISTALL #8. 3 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-442-866
18
II
1
2
1
3
136
[116]
135
1
1
137
1
2
138
(3)
IV
VII
III
4
3
4
3
1
1
1
4
1
2
139
140
IV
III
III
1
1
1
1
4
4
3
141
2
2
142
4
1
BERGKRISTALL #8. 3 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-442-866
19
I
III
1
3
2
4
(4)
143
3
2
144
1
1
2
1
(5)
(6)
[117]
146
145
[116]
rit.
II
1
2
148
147
[118]
(4)
(4)
accel.
VI
VI
(2)
150
3
149
2
3
=60
=70
=75
(2)
(3)
3
=65
=70
BERGKRISTALL #8. 3 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-442-866
20
a tempo
1
4
2
3
=75
152
151
=80
III
4
1
154
153
1
3
1
3
155
156
1
1
3
2
157
158
BERGKRISTALL #8. 3 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-442-866
21
160
159
II
2
4
3
2
161
162
4
2
2
1
4
1
2
1
3
2
164
163
III
I
4
1
4
2
3
165
166
BERGKRISTALL #8. 3 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-442-866
22
167
4
1
168
170
169
1
2
II
2
4
2
3
3
1
(3)
1
171
172
3
1
Fine
4
4
3
3
1
174
173
=75
=70
=65
=60
BERGKRISTALL #8. 3 Studies for Solo Guitar. (c) Uwe Warneke 2009. All Rights Reserved. US Copyright Office, PAu 3-442-866
GRANAT
Uwe Warneke
op.43
IV
II
1
1
1
1
1
3
4
1
4
3
4
2
=65
2
III
4
1
1
2
2
3
1
1
2
(5)
4
V
1
2
3
2
2
3
1
2
1
3
3
2
(6)
3
5
6
V
accel.
III
2
1
1
3
2
1
3
1
2
4
2
1
3
7
(4)
(4)
GRANAT. Concert Study for Solo Guitar. (c) Uwe Warneke 2002. All Rights Reserved. US Copyright Office, PAU 2-809-639
3
4
1
2
1
2
3
3
1
2
4
1
1
2
(3)
(5)
=70
10
V
II
3
1
4
3
(2)
11
(3)
12
1
4
IV
II
4
3
1
1
4
1
3
2
1
13
1
1
4
3
1
1
14
VII
4
4
1
1
1
3
1
1
1
(4)
15
16
rit.
2
3
(4)
1
2
4
2
1
(5)
17
18
4
1
(6)
(6)
GRANAT. Concert Study for Solo Guitar. (c) Uwe Warneke 2002. All Rights Reserved. US Copyright Office, PAU 2-809-639
3
II
a tempo
II
II
4
4
1
1
19
(6)
(6)
(6)
20
=65
1
1
(3)
(3)
21
1
2
(2)
22
VII
4
1
1
1
(20)
1
23
24
V
4
4
2
3
2
1
1
(6)
(6)
(5)
(6)
25
26
1
2
1
2
4
2
1
2
1
(5)
27
28
GRANAT. Concert Study for Solo Guitar. (c) Uwe Warneke 2002. All Rights Reserved. US Copyright Office, PAU 2-809-639
4
2. Movement: Andantino con brio
IV
II
2
1
3
1
1
2
4
2
2
29
1
4
2
4
3
3
1
2
30
=65
III
II
2
4
3
4
1
2
1
2
3
2
31
4
3
32
V
III
2
4
4
4
3
1
2
2
1
3
(5)
33
1
3
II
2
1
3
3
2
(3)
II
3
34
3
III
II
III
4
1
1
1
2
1
3
1
3
2
1
(3)
35
(5)
(4)
(5)
(2)
(5)
(5)
(3)
(4)
36
III
1
1
2
3
1
3
4
3
3
2
1
4
1
2
1
(5)
37
2
1
(6)
(6)
2
3
3
2
4
(2)
II
1
1
3
1
2
3
38
GRANAT. Concert Study for Solo Guitar. (c) Uwe Warneke 2002. All Rights Reserved. US Copyright Office, PAU 2-809-639
III
II
1
3
2
1
1
1
2
3
3
4
1
2
4
1
2
39
40
II
II
4
3
1
2
3
2
4
1
3
1
3
4
3
2
1
2
4
3
1
41
42
IV
1
3
1
3
2
2
4
2
3
1
(4)
(5)
2
2
(5)
(4)
(5)
I
1
3
4
3
2
(6)
(3)
(4)
(5)
43
(6)
44
II
3
4
1
3
3
4
2
3
3
1
1
3
2
3
1
3
1
2
4
45
46
(3)
(4)
(4)
II
1
1
2
4
3
47
1
2
2
1
2
1
4
1
2
1
1
2
3
4
48
GRANAT. Concert Study for Solo Guitar. (c) Uwe Warneke 2002. All Rights Reserved. US Copyright Office, PAU 2-809-639
6
IX
3. Movement: Andante
IV
Vii
1
4
4
4
3
1
1
(2)
(3)
III
3
4
1
3
1
1
2
50
III
1
3
(2)
(2)
(2)
1
(2)
(6)
(2)
51
1
1
4
3
(2)
(3)
=60
1
2
49
(2)
(6)
52
II
3
1
2
4
4
2
3
1
4
2
3
(2)
3
3
(2)
53
54
IV
III
II
3
4
4
4
IV
2
4
1
4
3
2
3
2
2
4
4
2
3
3
1
II
3
1
1
3
4
55
56
VII
VI
III
III
II
III
1
4
3
2
4
3
4
1
4
1
4
3
1
2
1
2
1
57
1
1
58
GRANAT. Concert Study for Solo Guitar. (c) Uwe Warneke 2002. All Rights Reserved. US Copyright Office, PAU 2-809-639
7
IV
4
2
2
1
4
1
(2)
3
(2)
(4)
60
II
IV
3
1
III
1
1
1
(2)
(3)
(4)
59
(2)
3
4
3
2
1
1
1
4
2
3
2
1
3
61
62
III
III
2
3
1
2
3
63
1
2
3
4
64
1
2
3
1
1
2
3
1
2
1
3
1
1
66
65
(3)
2
3
67
68
GRANAT. Concert Study for Solo Guitar. (c) Uwe Warneke 2002. All Rights Reserved. US Copyright Office, PAU 2-809-639
8
4. Movement: Andante
IV
II
I
4
II
3
1
3
4
1
2
4
3
69
2
1
3
2
3
4
=60
70
III
II
4
4
2
1
3
1
4
4
71
4
3
1
1
1
2
4
3
1
1
2
4
II
VI
VII
VI
III
1
1
72
IV
2
2
1
4
II
1
1
3
1
(2)
73
74
III
II
4
1
75
4
3
1
1
1
3
(5)
76
IV
II
II
[ 71 ]
1
4
3
4
2
1
3
2
3
4
4
3
2
1
1
77
78
GRANAT. Concert Study for Solo Guitar. (c) Uwe Warneke 2002. All Rights Reserved. US Copyright Office, PAU 2-809-639
9
II
3
1
3
2
4
3
2
4
3
2
4
2
2
4
79
80
4
4
1
2
3
3
2
1
2
4
3
81
82
II
III
2
3
2
1
4
3
2
4
3
2
2
3
83
84
3
2
85
86
III
III
II
4
1
2
4
3
2
1
1
II
II
1
3
2
3
1
1
3
2
87
88
GRANAT. Concert Study for Solo Guitar. (c) Uwe Warneke 2002. All Rights Reserved. US Copyright Office, PAU 2-809-639
4
1
10
II
3
4
2
1
4
3
1
1
3
1
1
3
1
1
89
90
3
3
3
3
4
2
4
1
1
3
2
1
2
3
(2)
(2)
(2)
(3)
(3)
(4)
(3)
(3)
1
4
2
3
91
92
II
III
II
1
4
4
1
(5)
93
3
2
3(5)
(5)
(4)
94
3
2
2
4
3
1
95
3
2
VII
4
1
97
1
2
96
98
GRANAT. Concert Study for Solo Guitar. (c) Uwe Warneke 2002. All Rights Reserved. US Copyright Office, PAU 2-809-639
11
V
II
III
II
4
1
1
1
4
2
3
2
4
2
3
1
1
4
1
2
4
1
2
3
3
1
=65
99
100
2
3
101
(2)
(6)
(2)
(6)
(3)
(6)
102
(2)
4
2
2
3
2
3
(5)
III
II
1
2
3
1
4
1
1
2
3
(5)
103
104
II
3
1
2
3
105
1
1
1
2
106
[ 19 ]
1
1
3
3
107
108
GRANAT. Concert Study for Solo Guitar. (c) Uwe Warneke 2002. All Rights Reserved. US Copyright Office, PAU 2-809-639
12
[ 20 ]
109
[ 21 ]
110
IV
V
IV
[ 22 ]
2
4
3
2
4
2
3
4
3
1
111
(3)
(6)
112
III
II
IV
3
3
2
4
1
1
2
3
3
(4)
1
2
3
2
4
3
2
1
3
2
3
(5)
113
114
VI
III
rit.
IV
4
4
1
4
1
(4)
115
3
2 (4)
1
(2)
(5)
(3)
(3)
(5)
(4)
(3)
116
II
II
2
3
4
3
1
2
1
3
1
1
117
=60
118
GRANAT. Concert Study for Solo Guitar. (c) Uwe Warneke 2002. All Rights Reserved. US Copyright Office, PAU 2-809-639
(4)
13
3
[ 88 ]
119
[ 89 ]
120
[ 91 ]
[ 90 ]
121
122
3
[ 92 ]
123
[ 93 ]
124
III
3
4
1
2
125
3
3
3
3
4
(2)
(6)
127
(2)
(6)
1
(3)
128
(4)
(3)
(2)
(6)
(6)
3
(2)
(2)
(5)
126
IV
1
3
2
1
(2)
(4)
(6)
GRANAT. Concert Study for Solo Guitar. (c) Uwe Warneke 2002. All Rights Reserved. US Copyright Office, PAU 2-809-639
(6)
14
6. Movement: Andantino con brio
II
4
4
4
4
3
1
2
3
1
2
3
2
1
129
(2)
(3)
(4)
(3)
(4)
(2)
(3)
130
=65
IV
3
1
3
2
2
2
1
4
2
4
(5)
(5)
1
1
1
2
3
2
1
3
131
132
3
3
3
II
1
3
4
3
1
(2)
1
(2)
(5)
=70
accel.
133
134
II
3
4
1
4
4
3
2
(2)
1
1
135
4
2
136
II
2
1
137
1
1
2
3
138
GRANAT. Concert Study for Solo Guitar. (c) Uwe Warneke 2002. All Rights Reserved. US Copyright Office, PAU 2-809-639
15
III
II
IV
II
4
4
2
4
3
1
3
1
1
139
1
2
3
1
3
4
2
4
3
2
(2)
(3)
(4)
140
VII
rit.
II
1
3
1
3
4
3
1
1
1
(3)
(3)
(4)
141
142
a tempo
(3)
1
1
143
II
IV
144
=65
VI
IV
II
1
3
4
4
1
1
1
1
(6)
145
II
(6)
146
VI
4
3
2
1
3
2
4
4
1
4
1
1
3
1
1
(6)
2
4
147
III
(2)
1
(2)
148
GRANAT. Concert Study for Solo Guitar. (c) Uwe Warneke 2002. All Rights Reserved. US Copyright Office, PAU 2-809-639
3
2
16
7. Movement: Andantino appassionato
3
II
4
1
3
1
2
1
2
3
1
2
1
3
2
2
4
149
3
4
(3)
150
=65
1
2
1
2
3
1
2
(4)
(4)
II
4
2
1
2
2
1
2
1
2
1
1
2
151
152
[ 67 ]
153
[ 68 ]
154
II
II
4
4
1
2
3
1
3
1
2
1
3
1
3
3
3
1
2
(5)
155
156
2
4
3
4
3
157
(5)
3
1
1
(3)
(3)
158
GRANAT. Concert Study for Solo Guitar. (c) Uwe Warneke 2002. All Rights Reserved. US Copyright Office, PAU 2-809-639
17
II
2
1
1
3
1
2
(4)
2
159
(3)
160
1
1
2
1
3
(4)
(3)
161
162
I
1
(3)
2
1
3
(3)
2
4
3
2
4
3
4
1
(3)
163
164
rit.
=60
165
166
IV
VIII
II
4
2
1
3
167
3
2
1
1
4
3
2
2
1
168
GRANAT. Concert Study for Solo Guitar. (c) Uwe Warneke 2002. All Rights Reserved. US Copyright Office, PAU 2-809-639
1
4
3
18
VIII
4
3
4
3
4
1
2
3
2
2
1
2
3
4
3
1
2
1
(4)
(4)
(5)
(5)
(6)
169
(4)
(5)
(6)
(4)
(5)
(6)
(2)
(5)
(3)
(4)
(6)
(2)
(3)
(6)
(4)
(5)
(6)
170
(2)
(4)
(5)
(4)
(5)
(2)
(5)
(2)
(3)
(6)
(2)
(3)
(4)
(2)
(6)
III
1
4
1
2
3
(2)
(4)
(4)
(2)
(5)
171
(5)
(4)
(5)
172
VII
VIII
3
4
(4)
(4)
(4)
(4)
173
(4)
(2)
(5)
174
4
2
3
1
1
2
3
1
2
2
3
1
4
3
3
1
(5)
(4)
2
3
4
3
1
2
3
1
(4)
(5)
(3)
(5)
(6)
175
3
4
177
3
4
(2)
(4)
(2)
(4)
(5)
(3)
(4)
(5)
(2)
(5)
(2)
(4)
(3)
(4)
(2)
(5)
176
(5)
(2)
(3)
(6)
(2)
(5)
(5)
(2)
(3)
Fine
(3)
(4)
(2)
(4)
(2)
(5)
(2)
(6)
(2)
(3)
(5)
(2)
1
(6)
178
GRANAT. Concert Study for Solo Guitar. (c) Uwe Warneke 2002. All Rights Reserved. US Copyright Office, PAU 2-809-639
SERPENTIN
Uwe Warneke
op.47
4
2
(5)
(6)
(4)
(5)
(3)
(5)
(4)
(6)
(4)
(3)
(6)
(5)
(4)
=65
1
2
(4)
(6)
(6)
(6)
konstanter Klangwert
VI
V
VII
4
2
1
1
1
3
1
1
1
1
4
3
1
1
2
4
IX
VIII
VI
4
1
(2)
(2)
6
I
VII
3
1
1
1
1
1
4
3
1
2
4
3
1
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1
1
3
2
3
1
3
1
1
4
1
2
1
1
3
2
1
(2)
(3)
10
V
3
accel.
1
1
1
3
1
2
3
4
2
3
(2)
11
(3)
(4)
(5)
12
VIII
4
4
2
3
3
3
2
(6)
(6)
13
14
=70
(4)
(2)
(5)
(2)
(2)
(5)
I
4
1
1
(2)
(3)
15
16
VI
V
III
II
V
4
4
3
2
1
17
1
2
3
1
3
2
4
3
2
4
3
1
1
4
1
2
3
1
3
18
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III
1
4
4
19
(3)
(2)
(3)
(2)
(4)
3
1
(4)
20
3
2
4
4
(3)
(5)
(4)
(5)
(6)
21
22
VIII
VIII
4
4
2
1
(3)
(2)
(4)
2
3
1
2
1
4
4
4
(5)
23
(2)
(3)
(2)
(3)
(4)
(6)
24
3
II
3
25
26
III
2
4
1
1
2
1
3
1
3
1
1
4
III
II
1
1
2
1
27
2
1
4
4
4
2
4
2
1
1
3
4
1
28
(2)
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4
III
4
4
4
3
1
(2)
3
3
(6)
29
(6)
30
VIII
VI
1
1
2
1
1
31
1
2
3
2
4
(5)
(6)
32
1
1
1
4
3
4
1
33
(5)
(3)
(4)
34
III
1
1
4
3
4
3
2
2
1
3
1
(2)
35
36
1
4
2
3
37
(2)
38
SERPENTIN. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-765-899
5
2. Movement: Andante
4
2
1
(4)
4
1
1
1
3
3
1
1
1
3
1
39
40
=60
IV
III
4
2
3
3
3
4
1
1
2
2
(2)
(3)
(4)
41
(2)
(3)
(4)
42
1
1
accel.
4
1
1
2
4
(4)
(4)
(4)
(4)
(4)
(3)
(2)
(3)
(2)
(3)
43 =70
44
VIII
VII
a tempo
rit.
VI
4
1
3
4
2
1
1
46
2
3
(6)
45
1
3
3
=60
VIII
VII
V
VII
1
1
1
1
1
1
(4)
(5)
47
(4)
2
3
2
3
2
(5)
(6)
48
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6
V
VII
3
4
4
2
3
1
49
50
I
VII
accel.
1
3
1
2
4
3
1
2
3
1
1
(2)
(3)
(4)
1
1
2
3
(2)
1
(5)
(6)
51 =70
52
VIII
1
1
2
3
3
3
1
1
4
3
(3)
(2)
53
54
VI
I
IV
1
1
1
1
1
2
4
1
3
1
3
55
56
VIII
VI
4
4
3
(2)
(2)
(2)
(4)
1
2
(4)
(4)
(6)
57
58
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7
V
III
1
2
3
1
2
1
1
2
3
4
3
3
2
3
2
(4)
(2)
59
60
3
VII
III
2
4
4
(4)
(3)
(3)
(4)
(4)
(5)
(2)
(3)
1
(3)
(2)
61
62
V
3
3
3
2
(3)
rit.
3
4
4
3
(4)
4
(5)
3
1
(4)
(4)
(2)
63
64
III
a tempo
4
1
1
1
4
1
1
2
3
2
1
65 =60
66
I
III
1
3
(2)
2
2
67
(3)
(4)
68
SERPENTIN. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-765-899
1
1
4
3
1
4
3
2
2
3
2
3
69
70
4
4
3
4
1
3
1
1
(3)
71
72
III
4
1
1
2
3
4
3
73
74
V
IV
4
1
1
2
(2)
1
(3)
(3)
1
3
4
(4)
(6)
(3)
75
76
(4)
(5)
(6)
VIII
1
1
3
3
1
3
1
77
1
(4)
(5)
(5)
78
SERPENTIN. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-765-899
9
3. Movement: Allegro Moderato
1
1
4
(6)
(5)
G 3+
79
1
(4)
(6)
(5)
1
3
2
1
F-Major
82
F 3+
81
V
IV
III
4
4
1
2
3
1
1
C-Major
84
G#-Major
VI
4
1
4
1
4
2
1
am
C 3+
85
86
I
3
1
4
4
2
1
cm
87
(5)
(4)
(5)
fm
80
VI
83
C(3,6)-Palette
=90
1
2
C5+
88
SERPENTIN. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-765-899
10
II
I
IV
3
3
1
3
89
2
1
F#-Major
(5)
(5)
(6)
90
(Tritonus)
4
3
3
2
4
(3)
(4)
4
2
(4)
(6)
(4)
(5)
(5)
91
92
(5)
(2)
(6)
(5)
(5)
(3)
(4)
(5)
(2)
(6)
(2)
(5)
V
VII
4
2
1
3
1
4
1
1
(4)
(6)
(5)
(2)
(5)
(4)
93
94
3
3
4
1
2
(6)
(6)
(5)
(4)
95
96
(2)
(6)
(5)
(5)
(5)
(3)
(4)
(6)
(5)
(3)
(4)
III
4
1
3
2
1
3
1
1
(6)
97
(5)
(4)
(2)
(5)
(3)
1
4
3
2
1
3
1
98
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(2)
(5)
11
VI
V
1
2
3
4
4
2
3
3
1
1
2
4
99
100
VI
[ 84 ]
1
1
2
2
1
3
4
101
102
VI
V
[ 85 ]
3
4
1
1
4
103
104
VI
V
III
1
1
1
2
2
1
1
1
3
3
(3)
(5)
105
106
III
2
4
3
1
107
108
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12
III
III
2
2
1
3
109 =80
1
3
2
1
110
III
4
1
2
4
2
1
3
1
3
[ 74 ]
1
4
111
112
V
III
[ 75 ]
1
4
3
1
113
114
I
rit.
3
2
3
4
1
115
116
=70
VI
III
3
2
1
4
1
4
1
117
118
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13
[ 14 ]
[ 13 ]
119
120
V
VI
[ 15 ]
III
4
3
4
3
121
122
[18 ]
[ 17 ]
123
124
[ 19 ]
1
3
3
2
2
125
126
VII
III
V
4
3
2
1
2
3
1
1
1
127
128
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14
VII
I
III
3
(4)
4
3
1
1
2
(3)
1
1
3
1
(4)
129
(2)
(6)
130
III
IV
IV
4
1
3
4
4
3
1
1
4
(5)
1
1
1
(6)
(5)
131
(2)
(3)
(6)
132
3
1
1
1
1
2
3
1
1
1
(3)
133
134
II
III
IV
1
2
3
135
136
III
I
II
3
4
2
1
3
3
2
1
137
1
2
4
2
3
138
SERPENTIN. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-765-899
15
5. Movement: Andantino con fuoco
III
VIII
VI
1
4
4
4
3
1
(3)
139
140
=65
V
III
III
IV
2
3
4
3
141
2
2
3
1
3
(4)
(6)
142
VII
1
(4)
(5)
2
4
VI
VII
1
1
1
1
1
(4)
2
1
(3)
(6)
143
(5)
144
III
IV
4
1
2
3
(5)
(5)
(3)
145
(5)
146
III
1
3
147
4
3
1
2
4
3
2
1
3
4
148
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4
3
16
III
IV
1
3
(2)
(5)
149
1
1
3
1
1
3
150
(5)
(4)
V
4
4
3
2
3
2
(6)
(4)
151
(2)
(3)
(4)
152
(6)
(4)
IV
IV
IV
1
1
3
2
1
1
2
4
3
2
1
3
1
3
1
3
153
154
3
VI
IV
VII
4
VI
2
3
2
3
1
4
(4)
155
(5)
156
VI
VI
accel.
3
1
(5)
(4)
(2)
(4)
158
(3)
(4)
(4)
1
3
157
=80
(5)
(3)
(4)
(2)
(5)
(6)
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17
IV
VI
VIII
IV
III
4
4
2
1
1
3
1
1
1
2
2
2
2
3
1
(5)
(6)
159
3
2
(6)
160
V
VI
IV
IV
4
3
1
1
4
161
3
2
162
III
IV
III
(5)
(4)
(5)
(5)
163
164
1
4
1
2
1
3
1
2
(4)
(3)
(4)
(6)
IV
II
IV
I
III
4
1
1
3
1
3
4
3
1
1
2
1
3
1
1
165
166
VI
IV
4
4
4
4
3
3
1
2
167
(2)
(6)
(3)
168
3
1
(3)
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18
a tempo
3
rit.
IV
2
3
2
(4)
4
1
169
(5)
(5)
=65
170
IX
3
1
3
1
(5)
(4)
1
(2)
(3)
(4)
(5)
3
171
(4)
172
IV
IV
IX
VII
3
4
4
1
2
2
1
4
173
174
(5)
3
1
(3)
(5)
IX
3
1
1
1
1
1
1
1
2
1
175
176
IX
3
Fine
177
[ 157 ]
178
SERPENTIN. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-765-899
C(3,x)-Klangpaletten
Klangwertberechnung:
ceg=c-e(2)+c-g(1)+e-g(3)=6
c cis d
14
cef
c cis dis
12
c e fis
10
c cis e
10
C-Dur
C 5+
10
am
c cis g
10
c e ais
c cis gis
ceh
c cis a
10
c f fis
10
c cis ais
12
C 3+
c cis h
14
fm
c d dis
12
F-Dur
cde
10
F 3+
cdf
cfh
10
c fis g
10
c fis gis
10
c fis a
10
c fis ais
10
C - Fis
12
cah
12
c ais h
14
10
cdh
12
c g gis
c dis e
10
cga
c dis f
c g ais
cm
Gis-Dur
c dis a
c dis ais
c dis h
cgh
10
c gis a
10
10
Gis
Ais
4
3
2
1
Tritonus
c a ais
c fis h
10
Fis
10
c d ais
10
c gis h
10
Dis
c gis ais
10
10
G 3+
c dis fis
Cis
Intervall
C - Cis
C-H
C-D
C - Ais
C - Dis
C-A
C-E
C - Gis
CF
C-G
c d fis
cda
10
c d gis
c cis fis
c cis f
Dissonanzfaktor
4 (Tritonus)
5
5
4
4
3
3
2
5 = scharfe Dissonanz
4 = milde Dissonanz
3 = leichte Dissonanz
2 = unvollkommene Konsonanz
1 = vollkommene Konsonanz
2
1
1
C(3,6)-Palette
C
Dis
G / Gis
G / Gis / A
G / Gis / A / Ais
G 3+
cm
Gis
C 5+
am
C 3+
fm
Konstanter Klangwert
F 3+
Mit dem Tonmaterial C E Fis Ais kann in jeder Dreiklang-Kombination der vier
Tne der einheitliche Klangwert 10 erzeugt werden.
LAPISLAZULI
Uwe Warneke
op.48
IV
1
(3)
2
3
1
2
1
=65
4
3
2
2
VI
IV
III
4
3
(6)
1
1
3
2
1
2
III
II
VI
II
3
1
1
2
2
4
(2)
6
III
IV
4
4
1
(3)
2
3
3
2
LAPISLAZULI. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-765-899
accel.
3
3
(6)
(6)
10
=70
IV
III
IV
3
4
4
2
2
(4)
(5)
(5)
11
12
IV
IV
III
II
3
4
1
1
2
(4)
(6)
1
1
II
II
3
2
2
1
1
2
3
1
2
3
3
2
4
3
4
1
1
1
3
2
1
13
14
V
III
II
III
4
1
4
3
2
1
3
2
(5)
15
1
(6)
(6)
16
(5)
(6)
VI
III
3
1
3
2
1
3
1
1
1
1
17
18
(5)
(6)
(6)
LAPISLAZULI. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-765-899
3
VI
II
II
4
4
1
2
1
(2)
3
2
3
2
1
(5)
(4)
(3)
(4)
19
(5)
20
(6)
II
4
(3)
1
(6)
21
22
V
1
4
4
1
3
3
3
(2)
(2)
1
(6)
23
24
VI
1
3
3
3
(2)
2
(3)
(3)
(3)
(3)
(6)
25
26
VI
3
4
4
1
3
2
(3)
(6)
27
(4)
(4)
(5)
28
LAPISLAZULI. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-765-899
4
4
3
3
(3)
(4)
(4)
29
(2)
(4)
30
Accel.
3
2
4
3
1
1
(2)
(2)
(4)
(5)
31
4
(4)
1
2
3
(4)
(4)
3
3
(3)
(5)
(3)
(2)
(6)
rit.
=75
32
a tempo
1
4
3
1
(3)
(3)
(5)
(4)
=65
33
(4)
(6)
(3)
(6)
34
VII
1
(2)
(3)
(4)
(5)
IX
VII
V
VI
1
1
1
1
4
2
35
1
4
36
IV
II
VI
4
1
1
37
2
1
3
1
3
2
38
LAPISLAZULI. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-765-899
5
2. Movement: Andante
I
4
3
1
3
2
1
2
4
1
(2)
(3)
=60
39
40
III
I
2
4
1
1
2
1
2
1
=65
Accel.
41
42
V
III
4
1
2
3
4
2
1
3
43
44
(6)
(5)
(2)
(5)
(6)
III
III
1
3
1
2
2
1
45
46
II
IV
4
4
2
1
2
1
3
1
1
47
48
3
1
(3)
LAPISLAZULI. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-765-899
(3)
IV
II
III
IV
III
4
4
1
2
1
1
3
2
(3)
(2)
(4)
1
2
1
49
50
III
2
3
51
52
III
4
4
2
1
3
1
1
2
3
53
54
V
IV
III
III
1
3
1
4
3
3
1
55
56
4
1
3
1
4
2
4
2
57
2
2
4
1
3
2
1
2
4
3
(5)
58
LAPISLAZULI. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-765-899
7
VII
V
4
II
1
4
2
3
3
(2)
59
60
V
IV
IV
3
2
VI
1
3
61
62
VI
III
I
IV
2
1
1
1
IV
III
64
3
4
1
2
3
4
1
1
65
66
I
III
IV
4
4
2
1
1
1
4
3
1
3
67
2
1
2
1
63
68
LAPISLAZULI. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-765-899
8
V
I
III
4
1
1
2
69
(5)
70
IV
III
1
4
1
4
2
2
71
72
V
II
III
4
3
2
1
(2)
(2)
73
74
II
I
4
2
1
1
1
75
76
III
4
4
1
4
1
2
1
1
3
4
77
78
LAPISLAZULI. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-765-899
9
3. Movement: Andantino con fuoco
[ 24 ]
79
=60
[ 25 ]
80
[ 27 ]
[ 26 ]
81
82
Accel.
[ 28 ]
2
83
=70
84
[ 24 ]
85
86
IV
[ 25 ]
1
1
3
1
(5)
(4)
87
88
(4)
(5)
LAPISLAZULI. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-765-899
10
IV
a tempo
rit.
1
2
1
1
3
(2)
(3)
3
(5)
89
90
=60
(3)
VII
2
3
(4)
(4)
(4)
(5)
91
VII
92
93
VI
1
3
3
3
VII
2
4
IV
94
VII
Accel.
IV
II
1
3
1
1
1
4
3
2
1
1
4
1
3
2
(4)
=70
95
96
VII
VII
IV
1
4
3
4
1
3
1
2
1
1
2
1
4
3
1
(2)
(5)
97
98
LAPISLAZULI. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-765-899
11
VII
IV
4
3
2
3
1
1
3
1
99
100
VII
IV
3
3
(3)
(4)
(3)
101
102
IV
a tempo
rit.
II
4
2
4
1
1
2
3
1
(3)
=60
103
IV
III
104
IV
II
4
2
1
3
3
2
105
106
IV
IV
2
3
1
107
3
4
2
4
1
3
1
1
2
2
3
108
LAPISLAZULI. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-765-899
12
III
III
III
IV
4
2
(6)
109 =60
G3+ 7
(4)
1
2
(2)
(4)
Accel.
II
dm 7
am 7
(2)
(4)
111
110
1
4
2
Cis j7
C(4,14)-Palette
4
2
(5)
(6)
112
=70
VI
III
IV
Accel.
3
1
1
2
3
1
3
2
1
3
C3+ 7
113
=80
III
cm 7
114
1
4
3
2
3
4
3
F3+ 7
1
(2)
(3)
(4)
(5)
(2)
(5)
(4)
115
116
IV
II
1
2
3
3
2
4
1
3
Gis j7
117
Fis
(Tritonus)
118
LAPISLAZULI. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-765-899
13
1
2
1
1
2
3
1
2
2
3
119
120
III
rit.
4
4
1
1
2
121
3
3
122
=75
V
2
1
1
4
3
III
4
2
1
1
3
1
3
4
fm 7
123
124
accel.
III
4
3
125
(4)
126
III
1
1
1
3
2
127
(3)
(2)
(4)
(5)
=80
3
4
128
1
4
3
1
1
LAPISLAZULI. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-765-899
14
VIII
III
1
1
2
1
3
1
1
3
1
129
130
rit.
I
III
1
3
2
1
1
3
2
=70
D3+ 7
132
F j7
131
III
IV
I
4
4
4
1
4
4
3
1
4
2
1
1
1
2
3
3
1
(4)
(2)
(4)
(2)
(4)
(2)
(4)
133
134
III
V
IV
1
2
3
1
2
4
3
135
3
1
1
2
136
III
1
1
1
1
4
1
1
(5)
137
(3)
(3)
138
LAPISLAZULI. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-765-899
(4)
15
IV
III
Accel.
III
1
1
2
2
1
4
3
C j7
139
=80
140
IV
III
VI
4
4
4
1
1
III
1
1
141
142
III
1
1
III
II
1
4
1
2
3
1
2
1
2
(3)
143
144
VII
VIII
VII
1
1
2
1
1
1
1
1
3
VII
1
2
1
1
2
1
145
146
V
IV
VII
II
4
1
1
2
2
147
3
1
148
LAPISLAZULI. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-765-899
16
5. Movement: Andantino
III
4
1
1
2
(3)
=70
(4)
(5)
149
150
1
1
4
(4)
3
2
(4)
(5)
151
152
VIII
III
1
1
(2)
1
(5)
(4)
153
154
4
1
2
3
4
2
155
156
IV
VI
IV
3
2
1
3
2
157
1
2
4
3
1
3
1
2
158
LAPISLAZULI. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-765-899
17
V
III
III
4
3
1
2
159
160
II
3
1
1
1
2
1
2
3
161
3
1
2
4
(3)
162
V
4
1
2
1
1
1
2
1
1
1
3
2
4
163
164
VII
VIII
4
2
3
4
1
2
4
165
(3)
(2)
(3)
(2)
166
V
VII
VIII
4
4
4
3
3
1
1
2
(5)
167
(5)
(5)
3
2
4
(5)
168
LAPISLAZULI. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-765-899
2
3
1
18
V
III
[ 159 ]
[ 158 ]
1
4
169
Accel.
170
=80
4
1
(3)
(3)
1
(3)
(2)
171
(2)
(3)
(3)
(5)
172
VII
3
2
4
1
1
2
1
3
1
3
a tempo
1
3
2
rit
173
(3)
=70
174
II
I
4
1
1
3
3
3
1
1
175
176
I
II
Fine
4
1
2
1
4
3
177
178
LAPISLAZULI. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-765-899
C(4,x)-Klangpaletten
Durch Klangpaletten erhlt eine Komposition eine klangliche Grundierung, d.h eine relativ homogene Klangfarbe.
Tritoni setzen (soweit vorhanden) komplementre Klanglichter.
c cis d dis
c cis d e
c cis d f
c cis d fis
c cis d gis
c cis d gis
c cis d a
c cis d ais
c cis d h
26
23
20
21
20
21
20
23
26
c cis dis e
c cis dis f
c cis dis fis
c cis dis g
c cis dis gis
c cis dis a
c cis dis ais
c cis dis h
22
19
20
19
16
21
20
23
c cis e f
c cis e fis
c cis e g
c cis e gis
c cis e a
c cis e ais
c cis e h
18
19
18
15
16
21
20
c cis f fis
c cis f g
c cis f gis
c cis f a
c cis f ais
c cis f h
18
17
14
15
16
21
c cis fis g
c cis fis gis
c cis fis a
c cis fis ais
c cis fis h
20
17
18
19
20
c cis g gis
c cis g a
c cis g ais
c cis g h
18
19
20
21
c cis gis a
c cis gis ais
c cis gis h
18
19
20
c cis a ais
c cis a h
22
23
c cis ais h
26
c d dis e
c d dis f
c d dis fis
c d dis g
c d dis gis
c d dis a
c d dis ais
c d dis h
23
20
21
16
19
20
19
22
cdef
c d e fis
cdeg
c d e gis
19
20
15
18
c dis gis a
c dis gis ais
c dis gis h
18
15
16
c dis a ais
c dis a h
20
21
c dis ais h
20
cdea
c d e ais
cdeh
15
20
19
c d f fis
cdfg
c d f gis
cdfa
c d f ais
cdfh
19
14
17
14
15
20
c e f fis
cefg
c e f gis
cefa
c e f ais
cefh
21
16
15
14
17
18
c d fis g
c d fis gis
c d fis a
c d fis ais
c d fis h
17
20
17
18
19
c e fis g
c e fis gis
c e fis a
c e fis ais
c e fis h
19
18
17
20
17
c d g gis
cdga
c d g ais
cdgh
17
14
15
16
c e g gis
cega
c e g ais
cegh
15
14
17
14
c d gis a
c d gis ais
c d gis h
19
20
21
c e gis a
c e gis ais
c e gis h
15
18
15
c d a ais
cdah
19
20
c e a ais
ceah
19
16
c d ais h
23
c e ais h
21
c dis e f
c dis e fis
c dis e g
c dis e gis
20
21
16
15
c f fis g
c f fis gis
c f fis a
c f fis ais
20
19
18
17
c dis e a
c dis e ais
c dis e h
18
19
18
c f fis h
20
c dis f fis
c dis f g
c dis f gis
c dis f a
c dis f ais
c dis f h
20
15
14
17
14
19
c dis fis g
c dis fis gis
c dis fis a
c dis fis ais
c dis fis h
18
17
20
17
18
c dis g gis
c dis g a
c dis g ais
c dis g h
14
17
14
15
c f g gis
cfga
c f g ais
cfgh
16
15
14
17
c fis a ais
c fis a h
21
20
c fis ais h
21
c f gis a
c f gis ais
c f gis h
16
15
18
c g gis a
c g gis ais
c g gis h
20
19
18
c f a ais
cfah
c f ais h
16
19
20
c g a ais
cgah
20
19
c g ais h
19
c fis g gis
c fis g a
c fis g ais
c fis g h
21
20
19
18
c gis a ais
c gis a h
23
22
c gis ais h
23
c fis gis a
c fis gis ais
c fis gis h
21
20
19
c a ais h
26
h
#
a
#
g
#
f
e
#
d
#
c
5
4
3
2
1
4
1
2
3
4
5
c
4
3
2
1
4
1
2
3
4
5
5
#
3
2
1
4
1
2
3
4
5
5
4
d
2
1
4
1
2
3
4
5
5
4
3
#
1
4
1
2
3
4
5
5
4
3
2
e
4
1
2
3
4
5
5
4
3
2
1
f
1
2
3
4
5
5
4
3
2
1
4
#
2
3
4
5
5
4
3
2
1
4
1
g
3
4
5
5
4
3
2
1
4
1
2
#
4
5
5
4
3
2
1
4
1
2
3
a
5
5
4
3
2
1
4
1
2
3
4
#
5
4
3
2
1
4
1
2
3
4
5
h
MONDSTEIN
Uwe Warneke
op. 53
1
1
1
2
2
4
(5)
=80
2
III
III
3
2
1
1
2
2
3
2
6
III
3
4
1
4
3
4
3
1
2
1
4
2
3
1
3
MONDSTEIN. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-809-639
2
III
I
2
4
1
3
3
2
10
I
4
4
1
1
2
3
3
1
1
3
11
12
III
III
1
1
3
(6)
14
(6)
3
13
III
15
(4)
(3)
16
3
4
3
1
17
(6)
1
1
2
3
1
4
(6)
IV
3
IV
1
1
18
MONDSTEIN. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-809-639
3
II
IV
4
2
4
1
3
2
1
1
19
20
II
III
IV
1
2
4
(4)
3
(3)
(5)
21
22
IV
IV
II
4
1
2
1
1
II
4
1
3
4
3
(4)
3
(3)
4
(4)
23
24
(2)
III
3
1
3
3
25
26
3
3
VI
3
4
III
3
III
IV
3
1
3
4
4
2
3
4
1
2
3
1
27
(3)
28
(2)
(4)
(4)
(5)
(3)
(5)
(5)
MONDSTEIN. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-809-639
4
III
II
IV
III
4
1
3
1
3
2
(2)
(4)
29
1
3
(4)
(3)
(5)
(4)
30
rit.
I
rit.
III
III
4
4
4
3
2
1
3
1
1
(2)
1
1
=75
31
rit.
II
rit.
3
1
2
2
3
4
III
accel.
1
3
2
3
2
4
3
2
1
4
3
1
1
1
3
=60
=65
33
III
=70
32
III
=65
34
III
accel.
1
3
2
1
4
3
3
1
3
1
(4)
35
accel.
4
(3)
(3)
(5)
36
III
(4)
=70
a tempo
3
1
1
(2)
(2)
1
4
[7]
3
37
=75
=80
38
MONDSTEIN. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-809-639
5
VII
4
1
1
2
1
2
1
(5)
(5)
39
40
[ 11 ]
3
2
1
1
2
41
42
[ 12 ]
1
2
3
43
44
1
1
1
1
45
46
VI
I
VIII
III
1
1
2
3
2
1
47
1
2
1
1
48
MONDSTEIN. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-809-639
Fine
6
2. Movement: Andantino grazioso
1
3
2
=70
49
50
1
4
3
2
(3)
3
(3)
51
52
III
III
4
4
53
1
2
1
1
2
1
54
V
VI
III
4
3
55
56
(3)
(6)
1
2
1
57
3
3
3
1
58
MONDSTEIN. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-809-639
3
III
4
1
2
2
1
2
3
59
60
3
IV
I
II
3
2
1
3
61
62
I
4
1
2
2
63
64
3
III
4
2
1
3
3
1
1
3
2
1
3
1
1
2
(2)
65
66
II
3
4
[ 53 ]
1
3
2
67
68
MONDSTEIN. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-809-639
8
rit
rit.
accel.
[ 54 ]
4
1
2
4
3
(6)
69
1
4
1
3
2
1
3
1
2
3
(3)
(2)
1
1
3
4
(5)
III
2
1
(2)
(4)
(3)
71
72
a tempo
rit.
rit.
3
4
rit.
74
a tempo
=60
IV
1
2
3
3
=55
2
1
3
1
2
=50
VI
1
1
=55
3
=65
=70
accel.
1
2
4
rit.
73
(6)
=65
III
VII
(5)
70
=60
=65
=70
75
76
rit.
rit
4
Fine
1
2
3
77
=65
1
3
=60
78
MONDSTEIN. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-809-639
9
3. Movement: Allegro moderato
1
1
1
=100
79
80
IV
1
2
2
1
2
(3)
(4)
(4)
(4)
(5)
81
82
III
1
3
83
84
rit.
rit.
rit.
1
4
(2)
86
=95
II
85
=90
=85
rit.
rit.
rit.
4
2
1
1
87
=80
(2)
(6)
=75
2
1
88
=70
MONDSTEIN. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-809-639
10
accel.
III
III
3
1
3
(4)
=75
89
(6)
(2)
(5)
90
I
V
3
1
1
3
(4)
4
3
1
(6)
91
92
IV
VI
1
1
2
2
93
94
VI
III
IV
4
1
95
96
rit.
IV
VI
III
2
4
1
=70
97
3
98
MONDSTEIN. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-809-639
11
4
1
1
(3)
99
100
[ 62 ]
1
2
1
101
102
I
II
1
3
3
1
2
1
3
4
2
3
3
103
104
accel.
4
1
2
4
1
1
105
rit
rit
106
rit.
rit.
I
III
1
1
2
4
1
3
=85
107
rit.
=90
3
1
=80
=75
108
=70
=60
MONDSTEIN. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-809-639
12
accel.
3
2
2
1
109
(2)
(2)
=75
110
II
III
3
2
2
4
=70
111
rit.
112
(5)
V
II
4
2
4
3
1
1
2
2
3
2
4
3
4
1
113
114
rit.
3
1
3
2
4
2
3
2
115
II
III
=65
116
rit.
I
Fine
3
1
2
117
1
1
=60
2
4
1
1
118
MONDSTEIN. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-809-639
13
4. Movement: Moderato con fuoco
rit.
3
3
4
3
=85
=75
(5)
=80
119
120
3
1
3
2
=65
=70
121
122
3
2
3
1
(2)
(3)
1
2
3
2
1
3
1
(3)
1
4
(4)
123
124
IV
III
4
2
4
1
(3)
3
2
125
126
II
1
1
2
3
127
2
1
128
MONDSTEIN. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-809-639
14
accel.
[ 76 ]
[ 75 ]
=70
129
130
III
(2)
1
(3)
131
132
4
2
1
1
1
4
1
1
(3)
133
134
V
4
1
2
1
135
VI
2
2
137
1
2
1
3
IV
136
(6)
2
1
138
MONDSTEIN. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-809-639
15
V
IV
VI
rit.
1
1
3
1
3
3
1
1
2
1
accel.
rit.
VIII
(4)
=65
140
139
=60
(2)
(6)
=70
accel.
IV
4
1
3
(2)
(3)
III
(2)
1
1
(2)
(5)
(3)
(3)
=75
(2)
(5)
141
142
a tempo
1
2
1
3
2
2
4
3
3
=85
143
144
I
4
2
1
4
2
145
146
Fine
4
3
1
2
147
2
(2)
148
MONDSTEIN. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-809-639
(4)
16
5. Movement: Andante con moto
4
III
1
3
(5)
150
=60
VIII
VII
III
(5)
149
(3)
1
1
1
2
3
3
3
4
3
152
VII
VIII
(6)
151
1
3
4
2
(2)
(3)
154
(5)
V
(2)
(6)
(2)
155
(6)
1
1
3
VI
VI
3
3
3
3
3
1
158
2
1
157
156
(5)
3
2
IV
IV
IV
III
2
3
(6)
II
IV
3
153
1
1
4
4
MONDSTEIN. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-809-639
17
[ 14 ]
3
159
[ 15 ]
160
[ 17 ]
[ 16 ]
161
162
3
IV
IV
3
1
4
1
163
164
accel.
III
(3)
=65
165
166
IV
III
4
1
167
1
1
2
1
3
2
1
1
2
3
1
168
MONDSTEIN. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-809-639
18
a tempo
VII
VI
VIII
IV
4
1
3
2
4
1
2
4
accel.
III
170
=60
IV
3
169
a tempo
VIII
VI
1
1
3
2
3
171
172
=65
=60
accel.
IX
VI
II
1
173
174
(5)
(6)
=65
a tempo
IV
1
4
3
(6)
175
III
2
3
=65
rit.
III
rit.
rit.
3
Fine
2
1
1
1
2
3
177
1
2
176
IV
=55
3
178
=50
=45
MONDSTEIN. Study for Classical Guitar. (c) Uwe Warneke 2003. All Rights Reserved. US Copyright Office, PAU 2-809-639
Uwe Warneke
EPILOG
Concert Study for Solo Guitar
op. 72
1. Movement: Andante espressivo
III
3
4
(4)
(5)
=60
III
3
2
3
1
III
4
4
3
4
(3)
Epilog. Concert Study for Solo Guitar. (c) Uwe Warneke 2010. All Rights Reserved. US Copyright Office, PAu 3-463-787
2
I
III
IV
III
4
3
1
2
4
1
1
III
1
1
3
1
1
1
III
IV
2
1
2
3
2
4
3
4
1
1
(5)
10
rit.
III
III
2
2
1
3
1
1
4
1
1
1
3
1
12
11
(2)
(4)
=45
=55
4
3
2
3
4
1
13
2
4
14
3
1
(3)
(4)
Epilog. Concert Study for Solo Guitar. (c) Uwe Warneke 2010. All Rights Reserved. US Copyright Office, PAu 3-463-787
3
a tempo
III
1
4
1
3
2
1
4
3
1
16
15
=60
III
IV
3
2
1
18
17
3
4
3
3
19
20
3
3
3
1
2
3
4
1
21
4
1
22
3
Epilog. Concert Study for Solo Guitar. (c) Uwe Warneke 2010. All Rights Reserved. US Copyright Office, PAu 3-463-787
3
4
23
24
III
3
1
26
25
rit.
III
1
3
1
1
2
4
(5)
27
28
[11]
(3)
=55
a tempo
II
1
1
2
1
2
29
=45
30
=60
Epilog. Concert Study for Solo Guitar. (c) Uwe Warneke 2010. All Rights Reserved. US Copyright Office, PAu 3-463-787
5
I
4
1
1
3
2
32
31
III
1
4
2
34
33
III
(2)
2
1
3
1
1
2
4
1
35
36
II
4
4
2
3
2
4
3
2
37
38
Epilog. Concert Study for Solo Guitar. (c) Uwe Warneke 2010. All Rights Reserved. US Copyright Office, PAu 3-463-787
6
rit.
I
II
II
1
3
4
40
1
2
1
1
3
2
4
39
III
=55
=50
accel.
rit.
II
IV
1
2
42
41
1
(6)
(6)
=45
=50
=55
=65
=60
=65
=70
rit.
I
I
3
1
2
3
1
1
1
2
2
1
4
1
1
3
44
43
=60
=55
II
=50
4
1
4
4
4
1
4
1
4
3
4
2
3
2
1
3
3
1
45
46
=45
Epilog. Concert Study for Solo Guitar. (c) Uwe Warneke 2010. All Rights Reserved. US Copyright Office, PAu 3-463-787
2
1
1
1
1
48
47
II
3
4
1
3
50
49
(2)
II
4
3
2
1
1
51
52
(4)
(2)
3
2
(4)
53
54
Epilog. Concert Study for Solo Guitar. (c) Uwe Warneke 2010. All Rights Reserved. US Copyright Office, PAu 3-463-787
4
2
1
4
3
1
3
56
55
1
1
III
1
1
57
1
1
1
3
58
2
1
a tempo
III
3
2
3
4
1
3
1
3
59
60
=60
1
1
4
61
62
Epilog. Concert Study for Solo Guitar. (c) Uwe Warneke 2010. All Rights Reserved. US Copyright Office, PAu 3-463-787
64
63
=55
=60
rit.
rit.
1
2
4
66
65
=45
=50
a tempo
=40
1
1
2
68
67
=60
I
II
II
1
4
4
4
1
69
70
1
2
Epilog. Concert Study for Solo Guitar. (c) Uwe Warneke 2010. All Rights Reserved. US Copyright Office, PAu 3-463-787
10
IV
II
4
1
1
4
3
3
1
72
71
(6)
rit.
VII
II
IV
2
1
1
2
3
1
74
73
(6)
=55
accel.
II
3
3
1
1
4
(3)
(3)
(2)
4
3
76
75
3
=50
=55
II
4
3
77
78
Epilog. Concert Study for Solo Guitar. (c) Uwe Warneke 2010. All Rights Reserved. US Copyright Office, PAu 3-463-787
11
a tempo
80
79
3
2
3
=60
3
4
4
(3)
82
81
1
2
4
2
2
1
84
83
IV
III
1
4
1
4
1
2
85
4
1
86
Epilog. Concert Study for Solo Guitar. (c) Uwe Warneke 2010. All Rights Reserved. US Copyright Office, PAu 3-463-787
12
[8]
88
87
[7]
II
IV
1
4
89
90
(2)
4
3
2
4
1
(2)
(3)
91
92
(5)
III
1
1
3
1
4
1
93
94
2
1
Epilog. Concert Study for Solo Guitar. (c) Uwe Warneke 2010. All Rights Reserved. US Copyright Office, PAu 3-463-787
13
I
III
3
1
1
1
95
4
3
96
rit.
4
1
1
2
3
4
98
97
III
IV
III
=55
=50
accel.
a tempo
I
2
1
1
99
3
1
100
3
3
3
=60
=65
=70
1
1
101
4
1
102
(3)
=75
=80
Epilog. Concert Study for Solo Guitar. (c) Uwe Warneke 2010. All Rights Reserved. US Copyright Office, PAu 3-463-787
14
a tempo
rit.
I
1
4
1
103
=75
104
=60
=70
accel.
I
105
=70
=65
=80
=75
III
4
3
106
4
2
rit.
3
4
3
4
2
3
1
1
107
108
=75
I
109
=70
110
=65
Epilog. Concert Study for Solo Guitar. (c) Uwe Warneke 2010. All Rights Reserved. US Copyright Office, PAu 3-463-787
15
a tempo
[39]
[40]
112
111
=60
III
II
3
3
1
1
3
113
4
3
114
accel.
II
III
3
1
1
3
3
4
115
116
3
=70
=65
a tempo VI
rit.
I
III
4
1
3
1
1
3
=65
1
2
2
1
2
4
117
118
=60
Epilog. Concert Study for Solo Guitar. (c) Uwe Warneke 2010. All Rights Reserved. US Copyright Office, PAu 3-463-787
16
I
3
1
4
1
2
(3)
(3)
(4)
120
(2)
(3)
1
3
(2)
119
1
4
(4)
(6)
(5)
accel.
VI
3
4
3
1
122
121
(3)
=65
(4)
(4)
=70
rit.
III
123
=65
124
=55
=60
3
1
3
125
126
=50
=45
=40
Epilog. Concert Study for Solo Guitar. (c) Uwe Warneke 2010. All Rights Reserved. US Copyright Office, PAu 3-463-787
17
3. Movement: Andante con moto (unfinished)
a tempo
III
accel.
3
4
1
1
4
2
2
2
127
=50
=45
1
3
128
=40
4
1
=60
=55
III
3
1
1
4
129
3
2
130
rit.
III
2
1
3
1
3
4
3
2
1
131
132
(3)
(5)
3
=55
=50
=45
=40
a tempo
accel.
3
2
2
4
4
1
1
1
2
133
3
3
=45
=50
134
=55
=60
Epilog. Concert Study for Solo Guitar. (c) Uwe Warneke 2010. All Rights Reserved. US Copyright Office, PAu 3-463-787
18
a tempo
rit.
accel.
III
1
4
1
3
135
136
3
1
(4)
=65
3
3
1
2
=70
=60
=65
rit.
I
IV
2
4
3
137
1
4
3
1
1
3
2
138
=55
=50
139
140
141
142
Epilog. Concert Study for Solo Guitar. (c) Uwe Warneke 2010. All Rights Reserved. US Copyright Office, PAu 3-463-787
AMAZONIT
improvisation in jazz mode op.44. (c) Uwe Warneke '02. All Rights Reserved. US Copyright Office. PAU 2-706-088
Guitar
Bass
Drums
VII
IV
1
4
3
2
VI
1
1
1
(2)
(3)
2
1
3
2
2
3
(4)
(5)
4
4
2
1
3
3
1
3
1
3
1
1
(5)
(2)
2
1
3
(2)
(2)
1
3
(2)
(2)
1
3
3
2
3
2
2
4
(2)
(4)
4
1
4
1
3
2
1
2
2
2
(2)
1
2
4
VII
IV
4
4
1
4
1
(6)
11
1
(6)
(5)
1
(6)
3
(6)
(2)
10
(2)
(3)
(5)
(5)
12
3
(3)
1
(2)
13
14
3
3
15
16
3
3
(3)
3
3
III
17
18
1
3
1
(3)
(4)
(4)
3
3
III
VII
19
20
4
3(6)
2
3
1
1
(6)
(6)
IX
VII
3
4
21
3
2
22
2
1
2
3
1
1
3
4
4
2
3
1
(4)
(5)
3
1
23
24
3
3
3
1
3
4
25
26
2
(3)
1
1
3
(3)
(2)
(6)
3
27
VII
VI
28
1
3
1
2
(2)
(2)
(2)
4
1
1
2
3
1
2
1
2
1
(3)
III
IV
I
29
30
2
4
1
1
3
4
1
4
3
2
3
1
31
32
1
2
1
33
34
3
3
1
4
3
2
1
35
36
2
1
2
10
3
4
37
(2)
38
1
(5)
(3)
(2)
(2)
(2)
(3)
(2)
(3)
(3)
1
(3)
(2)
(6)
3
39
III
1
1
2
3
1
40
1
2
1
2
3
2
(3)
(4)
11
41
42
3
43
44
1
3
(3)
3
12
45
46
[5]
47
[6]
48
[7]
[8]
13
49
50
[9]
51
52
[ 10 ]
14
53
4
1
1
(2)
(3)
1
(2)
(4)
(4)
VII
VI
3
4
4
1
(2)
3 (4)
(2)
(4)
(6)
(3)
(6)
(6)
VII
3
55
2
(2)
(5)
(4)
(2)
(3)
54
4
2
56
4
4
4
3
1
(3)
1
(3)
4
3
1
1
1
(2)
(3)
15
IX
VII
VI
57
4
3
2
58
4
1
(3)
(4)
1
(4)
[ 54 ]
[ 53 ]
59
60
1
4
1
(5)
(6)
(3)
(4)
(5)
16
61
62
[ 33 ]
63
[ 34 ]
64
[ 41 ]
[ 42 ]
17
3
65
66
3
67
[ 43 ]
[ 44 ]
[ 43 ]
[ 44 ]
[8]
[7]
III
3
1
2
3
1
2
4
3
68
4
3
2
3
3
1
1
1
[6]
[5]
18
III
69
1
2
1
70
4
3
[3]
[4]
3
71
1
1
Fine
III
72
1
1
(2)
(2)
1
[2]
ACHAT
improvisation in pentatonic mode op.45. (c) Uwe Warneke 2002. All Rights Reserved. US Copyright Office. PAU 2-722-379
Guitar
3
III
1
1
2
4
3
(5)
Bass
Drums
(4)
(3)
2
3
III
3
4
3
2
3
1
(2)
(3)
1
(3)
(5)
6
4
3
3
2
(4)
1
(5)
(3)
VII
4
2
3
3
(3)
(4)
(2)
(4)
3
(6)
10
III
3
2
2
3
1
(3)
2
(2)
(3)
(5)
(4)
11
12
III
4
1
3
1
(2)
3
1
13
14
3
4
3
III
II
4
1
1
3
1
2
3
4
2
3
1
1
15
16
VII
3
2
1
3
17
18
3
1
2
(2)
4
1
(2)
(3)
(5)
(2)
(2)
(2)
3
3
19
20
3
(5)
(2)
(3)
(4)
(2)
2
(2)
2
1
3
1
3
(3)
(4)
(2)
(3)
(5)
1
(4)
(6)
(6)
(4)
(6)
21
22
3
3
(3)
(4)
(6)
2
1
23
24
3
4
III
4
(2)
(3)
(4)
(4)
(2)
(3)
(4)
VII
25
26
3
2
1
4
4
2
3
1
2
1
(2)
(4)
1
27
29
28
30
31
32
VII
1
2
3
1
3
3
3
33
34
4
2
2
2
2
1
2
3
3
3
10
35
36
1
2
2
1
37
3
2
1
1
3
1
1
38
1
1
1
(5)
(4)
(3)
11
39
40
4
4
1
(4)
(4)
(4)
41
42
(3)
(5)
(3)
(2)
(3)
(4)
12
43
44
1
1
45
46
II
V
1
2
2
1
4
3
3
4
4
3
1
1
1
3
IX
VII
[ 29 ]
[ 30 ]
13
VII
47
48
4
4
4
4
1
2
2
1
[ 31 ]
[ 32 ]
49
50
3
3
[ 33 ]
[ 32 ]
14
51
52
[34]
3
3
[33]
53
54
[35]
[36]
15
55
56
[1]
57
58
[2]
[3]
16
59
60
[4]
[5]
61
62
3
3
3
(4)
(5)
1
1
17
63
64
1
4
3
2
(2)
(2)
(3)
(2)
65
66
VII
4
2
2
4
3
1
4
3
18
67
VII
68
3
4
2
2
4
3
(4)
1
(6)
69
70
III
Fine
4
4
(2)
1
1
2
4
(3)
NEPHRIT
improvisation in gipsy mode op. 46. (c) Uwe Warneke 2002. All Rights Reserved. US Copyright Office. PAU 2-722-379
Guitar
Bass
Drums
3
1
(2)
10
1
(2)
(2)
(2)
11
VIII
12
1
IV
III
(4)
1
(3)
(6)
13
14
III
1
4
3
4
1
2
2
3
1
2
(2)
1
1
(6)
1
1
2
3
15
16
3
4
1
4
(3)
1
(4)
(4)
(5)
17
18
VI
4
3
4
3
2
4
1
(3)
1
(4)
(2)
(4)
19
20
III
II
II
1
2
3
1
3
2
3
1
3
2
21
22
IV
4
3
2
(3)
(2)
1
(6)
(4)
23
24
III
1
4
1
1
1
25
III
1
4
2
3
26
III
II
1
4
2
3
II
1
4
2
3
IV
1
4
2
3
1
1
2
3
27
28
3
4
29
30
31
32
33
34
10
35
36
VI
II
2
1
4
2
3
4
(5)
37
38
3
2
4
2
4
4
1
VI
3
4
4
1
1
1
11
39
40
VI
VI
VII
3
4
1
2
2
3
1
2
VI
41
42
III
4
1
3
3
4
1
1
(6)
1
4
(5)
12
43
44
III
III
VI
4
II
4
2
4
3
3
1
2
2
1
3
1
1
(5)
[2]
[1]
45
46
4
III
III
4
4
1
2
1
(2)
(2)
[3]
1
3
[4]
13
47
V
48
VI
VII
III
3
1
2
3
1
2
3
4
3
2
4
[5]
[6]
49
50
[ 25 ]
[7]
14
51
52
3
1
III
1
2
(2)
3
1
(2)
(2)
(5)
53
54
2
4
1
VI
1
2
1
1
2
III
4
4
(2)
(4)
15
55
56
VIII
VI
4
4
57
58
[ 29 ]
[ 30 ]
16
59
60
[ 31 ]
61
[ 32 ]
62
[ 33 ]
[ 34 ]
17
63
64
[8]
[ 35 ]
65
66
[9]
[ 10 ]
18
67
68
[ 12 ]
[ 11 ]
69
70
Fine
[ 13 ]
[ 14 ]
TVBeat
Ein Ballettmrchen in 3 Akten
Szenischer Entwurf
fr
kleines Ballettensemble
2 Schauspieler
Konzertgitarrist
Schlagzeuger
und
Tontechnik
TVBeat is no HeartBeat. This fairytale likes to paint scenically
different layers of modern media
perception. TV Spots zap Classical
tunes. A battle between seriously
composed measures and banal
Sound Clips dances around the
Golden
Calf
of
consumers
attention. Nervous drums want to
destroy the leisure to hear, word
rags try to deride the occurrence to
feel. The synthetic ballet turns
round and round and trifts away
into the empty space of dullness.
"Houston, we have a problem".
(c) Uwe Warneke, 2003
Personen
Die MediaMuse
Der SeinsVerwalter
Fleur aus der MediaWelt
Leon aus der RealWelt
Zuhlter / Medienproduzent
(Wandler zwischen den Welten)
Wesen der MediaWelt
Brger der RealWelt
Prolog
3. Akt
vor
dem
TVBildschirm. Die Liebenden tanzen
vor Glck, whrend die Brger der
RealWelt nur hinken knnen. Fleur
und Leon werden beneidet und
bewundert man spricht ber sie.
Doch je bekannter sie werden, desto
mehr entfernen sich ihre Herzen
voneinander. Whrend Fleur immer
hochmtiger wird, beginnt Leon an
seinem Anderssein als Tnzer unter
Hinkenden zu leiden. Auf einer Party
verspricht ein MedienProduzent Fleur
eine grossartige MedienKarriere. Er
gleicht ihrem Zuhlter aus der
MediaWelt bis aufs Haar. Fleur bricht
mit Leon und gibt sich dem
Produzenten im Glauben auf Ruhm
und Geld hin. Als Fleur einen
MedienVertrag unterschreibt, hllt sie
ein schwarzer Nebel ein und entfhrt
sie zurck in die MediaWelt, in der
sie wieder als Prostituierte arbeiten
muss, weil ihr Produzent, der sich in
ihren Zuhlter zurckverwandelt hat,
sie dazu zwingt. Fleur erkennt ihren
Irrtum zu spt: Sie hinkt an den
Sandstrand vor ruhiger Brandung und wartet vergebens.
1. Akt
Leon sitzt in der RealWelt versunken
vor einem flimmernden TVBildschirm
(der SeinsVerwalter liest Leons 1.
Brief). Leon schlft vor dem
TVBildschirm ein und trumt einen
Albtraum aus unverarbeiteten medialen Sinneseindrcken. Im unruhigen Halbschlaf zappt er sich auf
wundersame Weise durch den
TVBildschirm in die MediaWelt. Er
erwacht auf einem Sandstrand - vor
ruhiger Brandung - und beginnt von
dort die neue MediaWelt hinkend zu
erkunden. In einer glsernen Diskothek erblickt er erstmals die
tanzenden Wesen dieser Welt.
Inspiriert von ihrem Tanz beginnt
Leon ebenfalls zu tanzen.
2. Akt
Berauscht von seiner neuen Bewegungsgabe tanzt Leon durch
glitzernde MediaStrassen. Man
verspricht ihm, alles sei ohne Geld
zu bekommen. Als er in einem Bordellhof Fleur begegnet, mchte er
sie sogleich besitzen, weil sie
seinem sehnschtigen Ideal gleicht
(vgl. 1 Brief). Aber ohne MediaGeld
keine Liebe. Leon wird von Fleurs
Zuhlter verjagt. Er flchtet zurck
an seinen Sandstrand diesmal vor
lauterer Brandung - , auf welchem
er voll Verlangen an Fleur denkt (die
MediaMuse liest Leons 2. Brief).
Whrend Leon in einen sssen
Schlaf voll heissem Begehren fllt,
eilt die MediaMuse zu Fleur und
flstert ihr Leons Zeilen ins Ohr.
Fleur ist durch diesen Zauber sofort
entflammt. Die MediaMuse lockt sie
an den Strand vor tosender Brandung - . Dort entfachen Leon und
Fleur ein erotisches Liebesspiel, in
welches der Zuhlter, der Fleur
heim-lich gefolgt ist, ungestm
eindringt. Es kommt zum Kampf mit
Leon. Leon sticht auf seinen
Widersacher mit dessen Messer
ein. In diesem Moment verhllt ein
rosa Nebel (vgl. 2. Brief) die
Liebenden vollstndig.
Epilog
Leon sitzt wieder versunken vor dem
flimmernden
TVBildschirm
(Der
Seinsverwalter liest Leons 3. Brief).
Die
MediaMuse
hebt
ihren
Zauberspruch auf, das Spiel ist
entschieden: der SeinsVerwalter hat
es gewonnen. Leon schaltet das
TVGert aus, erhebt sich und hinkt
von der leeren Bhne.
Bhnenskizze
< ------>
_____I
I_____
SeinsVerwalter
MediaMuse
RealWelt
MediaWelt
TVBildschirm
______________
Gitarrist
Schlagzeuger
Tvbeat:
responsibility by vanity. Sometimes one being still tries to believe in love - a weak
flame, going dry soon. We limp, because masses, which move too fast, are
dangerous.
Mediamuse:
And we dance to discover our self !
SeinsVerwalter:
The only thing you will discover is the conceitedness in you. No heartbeat anymore!
Your beings are driven by TVbeat. And this beat costs money, only your rich ones
can try to discover this so called self. The others take pictures without respite.
Instead of doing their sex job even your prostitutes often act in silly and vain private
videos published in hundreds of program channels. Your Paradies is a large brothel.
What anachronism! We however pay with mutal personal services. We live without
money in audio world, all compository tone pitch battles have been fought, we like
sound colors. Our news are spoken, TV consoles are antigues for gatherers,
sometimes they watch your so called films without real interest. What is of use for
us, does not remain uncontrolled or destroyed by visual vanity. If a being of
RealWorld enters MediaWorld, it will unmask your hypocrisy. It will win you to live like
us and at the end your realm becomes mine!
Mediamuse:
Mistake! Only one of us can proselytize our world, but nobody of MediaWorld wants
that! We are proud lions in the grey age of aquarius. Quite the contrary: your intruder
will learn to love and dance and afterwards your world will change.
SeinsVerwalter:
In order to convert RealWorld, my being would have to be vain. We cannot be vain.
We always remain in our heart what we are: organized, average - passive however
peaceful.
Mediamuse:
Let us now then once open the border between our worlds and bet. My guitar and
your sound machine should content who is best expressing our beings feelings. Yes
they feel! You will see! If Im right two of our different beings can live and dance as
loving couple in one of our different worlds, if youre right they will be torn apart again
and both sentenced to limp, each one in its anterior world. By the way: if I lose and
my being has to live alone again in MediaWorld it wont be able to convert it, because
it limps! Nobody would believe in the truth an unselfish handicapped outsider
preaches.
SeinsVerwalter:
You never give up, dont you? Anyway, the bet is on! Speak your charm to open the
screen.
Uwe Warneke 2006
Geliebte Fleur,
meine Leidenschaft verzehrt mich. Meine Seele mchte umarmen, mein Krper will versinken
in Lust. Ertrinken in Dir. Die Zeit unserer Trennung erscheint mir unendlich. Minuten voller
Sehnsucht krochen trge voran, als ich gestern den vertrauten Film sah. Wir haben uns
jedesmal gergert, Du weit: ber die Meisterwerke, die Rose erstanden hatte, nicht
untergegangen, sondern in Kunsthallen; ber den Diamanten, von Rose im Meer begraben anstatt damit 100 Kinderdrfer in Afrika zu grnden! Unerfllte Teenagerliebe vor ernstem
Hintergrund. Volle Kraft voraus aus PR-Grnden, chaotische und hilflose Rettungsaktionen.
Menschenverachtend, tragisch. Diesmal machte es mich nur traurig. Weil diese simple
Liebesgeschichte zu frh endet. Der letzte Vorhang kann nicht fallen, das Schicksal hat ihn
abgeschnitten. Ich litt mit. In meinem Traum. Die Bilder kamen heute Nacht. Ich sah Leon
als Schler, gefangen vom unverstandenen Zauber eines sinnlichen Augenblicks. Er schlich
sich ungefragt in sein Herz, pltzlich schlug es in seinem Takt.
Pause. Es regnet. Der Schulhof wirkt trbe und langweilig. Ich sehe Fleur als Schlerin,
aufreizend: Stiefel aus weissem Kunstleder, seitliche Reissverschlsse, dazu ein glnzend
roter Lackmantel mit durchgehender Druckknopfleiste und Kapuze - wie eine junge Frau aus
irgendeinem franzsischen Melodram. Ihr Anblick erregt mich. Whrend mein Blut seine
Arbeit verrichtet, rieche ich Fleurs Haare, die kunstvoll von einem schmalen schwarzen
Seidenschal gefesselt sind. Leon, der Dumme! Seine wahren Begierden schlummern noch im
Kokon der Unwissenheit. Man rangelt - aus einem unwichtigen Grund? Fleur hat sich von
Leon fangen lassen. Er umklammert sie fest von hinten, das Folgende passiert blitzschnell ...
Die Erinnerung an diese Bilder luft noch jetzt wie die Zeitlupe in einem Kriminalfilm ab, kurz
bevor der tdliche Schuss fllt.
... Fleur befreit sich, windet sich von Leon ... dann zu Leon. Ihre Hnde umgreifen fordernd
seinen Nacken, ihre Arme umschlingen beschtzend seine Ohren. Fr einen kurzen Moment
ist sein Kopf in ihrer Gewalt. Er hrt die Gerusche der Welt nur noch dumpf im Hintergrund.
berlaut das Rascheln des Lackstoffes. Knisternde Khle auf seiner Haut und gleichzeitig
nhert sich ihr heisser Atem. Jeder einzelne Atemstoss synchron mit dem Herzschlag ihres
warmen Krpers, der sich hemmungslos an seinen schmiegt. Voller Hingabe. Doch sie
verfehlt ihr Ziel. Leon ist noch nicht bereit, ist noch unkonzentriert ... so trifft ihr sinnlich
geffneter Mund nur seine Nase. Die taucht ein in ein feuchtes Nest ungeahnter und
unbekannter Gefhle. Ihre weiche, flinke Zunge streichelt seine Nasenflgel, unsagbar
erregende Trnen der Lust dringen in seine Nasenlcher ... jetzt war er bei ihr! Seine Zunge
suchte die ihre, vereinigte sich, rasend, saugend ... er ertrank wie Jack - ... und verlor sie.
Sein Schmetterling flog mit ihr davon. Er schaute ihm traurig nach und verstand seinen
Schmerz nicht ... "Such Sie", flsterte Jack ihm zu.
Beim Erwachen weinte ich. Trnen der Freude. Denn ich habe Dich gefunden. Zwei milchig
schimmernde Trnen glitten bedchtig meine Wangen herab. Unsere Trnen der Lust - in
Deinen Mund zurck.
Ich schenke Dir diesen rosa Plastikregenmantel. Liebe mich auf ihm. Bitte.
Dein Leon
Blumen im Spiegel
(1970-1989)
1. My grandfather (1970)
2. Souls (1971)
oils on cardboard,
70 cm x 50 cm
oils on cardboard,
80 cm x 60 cm
5. Islander (1973)
oils on cardboard,
31 cm x 24 cm
7. Sensitive (1974)
oils on cardboard,
40 cm x 30 cm
9. Disabled (1975)
oils on canvas,
182 cm x 100 cm
oils on cardboard,
31 cm x 25 cm
oils on canvas,
80 cm x 60 cm
oils on canvas,
118 cm x 62 cm
oils on canvas,
85 cm x 62 cm
oils on canvas,
51 cm x 41 cm
oils on canvas,
41 cm x 51 cm
oils on cardboard,
110 cm x 70 cm
gouache on hardboard,
133 cm x 88 cm
gouache on hardboard,
about 200 cm x 80 cm,
owner: Ellen Kohlrausch, Bothel
oils on cardboard,
about 80 cm x 60 cm,
owner: Ellen Kohlrausch, Bothel
oils on cardboard,
about 80 cm x 60 cm,
owner: Ellen Kohlrausch, Bothel
modelling clay+material,
height: 59 cm
linoprint,
about 30 cm x 21 cm,
owner: Ellen Kohlrausch, Bothel
linoprint,
about 30 cm x 21 cm,
owner: Ellen Kohlrausch, Bothel
Clubs
GAME
(c)Uwe Warneke'98
Uwe Warneke
PLAYERS: 2
CARDS: 32
(french hand: clubs, spades, hearts, diamonds)
GAME's OPENING
SETTLEMENT
Uwe Warneke98
Clubs
SPIEL
(c)Uwe Warneke'98
Uwe Warneke
4. Der Geber verteilt die 20 Talonkarten abwechselnd. Der Gewinner des letzten Stiches
erhlt die erste Karte .Beide Spieler prfen ihr
Blatt: wer einen oder mehrere Buben in der
Hand hlt, KANN GEWINN spielen, muss es
aber nicht. Wer keinen Buben besitzt, MUSS
VERLUST spielen;
5. Der Gewinner des letzten Stiches setzt das
Spiel wie unter 2. beschrieben fort , - u.U. hat die
Trumpffarbe gewechselt (s.3.);
SPIELER:
2
SPIELKARTEN: 32
(franzoesisches Blatt: Kreuz, Pik, Herz, Karo)
KARTENWERTE IN STICHREIHENFOLGE
As, Zehn, Koenig, Dame, Bube, Neun, Acht, Sieben
SPIELEROEFFNUNG
1. Der Geber mischt das Blatt und verteilt
abwechselnd je 6 Karten, die restlichen 20
Karten bleiben verdeckt liegen (Talon);
2. Whrend der Spielerffnung ist immer
KREUZ Trumpf (Kreuz = engl. Clubs). Der
Nehmer spielt seine erste Karte aus, der
Geber muss durch Unter- oder berstich in
der ausgespielten Farbe bedienen. Hat er
diese Farbe nicht (mehr) auf der Hand, kann
er mit KREUZ stechen oder eine andere
Farbe abwerfen. Der Stichgewinner spielt die
nchste Karte aus ... usw.;
CLUBSJunior
Spielanleitung
Ein Spielentwurf
Uwe Warneke, 2001
Spieler
Spielkarten
2
32 (franzsisches Blatt: Kreuz, Pik, Herz, Karo)
Quartettwerte
Punkte
Quartett aus:
Zehn
Neun
Acht
Sieben
Knig
Dame
Bube
As
=
=
=
=
=
=
=
=
10
9
8
7
4
3
2
0
Spielerffnung
1. Der Geber mischt das Blatt und verteilt abwechselnd je 8 Karten, die
restlichen 16 Karten bleiben als Talon verdeckt liegen;
2. Jeder Spieler prft, ob er 4 Karten von gleichem Kartenwert in der
Hand hlt (4 Knige, 4 Zehner usf.). Diese Quartette mu er sofort
verdeckt vor sich auf den Tisch legen;
Spiel
3. Im weiteren Spielverlauf versuchen die Spieler durch geschicktes
Erfragen Quartette zu bilden. Der Nehmer beginnt. Er hat z.B. drei
Damen (Kreuz-, Herz- und Karo-Dame) und fragt den Geber nach
der fehlenden Pik-Dame. Hat der Geber diese Pik-Dame, wechselt
sie den Besitzer, und der Nehmer legt sein nun vollstndiges
Quartett verdeckt aus. Quartette mssen sofort abgelegt werden. Er
fragt den Geber nach der nchsten Karte. Hat der Geber die PikDame nicht, muss er selbst (der Geber) die oberste Karte vom Talon
aufnehmen und in sein Blatt einordnen;
4. Danach fragt er den Nehmer nach einer Karte. Hat der Nehmer diese, wechselt sie den Besitzer, der Geber fragt nach der nchsten
Karte. Hat der Nehmer sie nicht, muss er (der Nehmer) die oberste
Karte vom Talon ziehen. Er fragt nun den Geber wieder nach einer
Karte. So werden abwechselnd Karten erfragt, bis einer der beiden
Spieler alle seine Karten als Quartette geordnet abgelegen kann
oder seine letzte Karte abgibt.
Bluff:
Es kann auch eine Karte angefordert werden, die im eigenen Besitz
ist oder bereits abgelegt wurde. Durch diesen Bluff zwingt man den