Warnar
Kari
K
Veblen
Music
1800
December
12,
2015
Thibeault, M. (2010). General music as a cure for the high-stakes concert.
General
Music
Today
(Online),
04/
23
(3)
In
this
article,
Thibeault
examines
the
high-stakes
concert,
as
well
as
how
it
can
be
problematic
for
students
and
the
music
program
itself.
He
argues
that
rather,
the
solution
is
in
general
music.
Within
general
music,
the
focus
is
altered
towards
the
learning
and
education
of
the
students,
instead
of
exclusively
being
exposed
to
performing.
I found Thibeaults concept of learning about the work interesting, because the
students
are
given
the
opportunity
to
make
educational
connections
as
they
learn
a
new
piece
of
music.
A
few
of
the
methods
that
Thibeault
mentioned
include:
creating
visualizations
of
the
work
using
computer
software,
recording
and
sharing
rehearsals,
and
creating
an
audio
guide
to
the
work.
All
of
these
methods
are
excellent
ways
for
the
students
to
gain
a
better
understanding
of
a
work.
Thibeaults perspective on the high-stakes concert initially surprised me, since I had
I was frustrated when I reflected on the music teachers that I have known in the past
who
have
caught
the
elitist
virus.
I
remember
that
as
these
teachers
would
continue
to
teach
music
that
was
too
difficult
for
their
students,
the
students
would
ultimately
suffer
musically.
Many
of
these
students
decided
to
not
continue
with
music
as
a
result,
and
those
that
chose
to
continue
to
study
music
did
not
enjoy
their
experience.
As a comment to the author, I found his ideas surrounding general music to be very
refreshing.
While
many
music
programs
strive
to
be
great
through
elaborate
and
difficult
performances,
his
ideas
are
based
on
what
the
students
require
in
order
to
have
a
balanced
music
education.