Script of Sriram Raghavan's Badlapur

Gji
May 16, 2014

BADLAPUR
A Sriram Raghavan film

If you prick us, do we not bleed? if you tickle us, do we not laugh? if you
poison us, do we not die? and if you wrong us, shall we not revenge?

SHYLOCK in William Shakespeares THE MERCHANT OF VENICE.

Yaadon ke zanjeer mein lipta hua inteqam ka shola.
Radio advt for Prakash Mehras Zanjeer.

WORK IN PROGRESS DRAFT.
CONFIDENTIAL

Illuminati/ Maddock Films Productions
On BLACK ..WE HEAR VOICES.

A MOTHER AND CHILD TALKING. Shes telling the kid a story..WE
LISTEN..as we sort of imagine..who they are and what they look like.
The kid says something funny. and the mother laughs. THE
CONVERSATION CONTINUES AS WE fade in on :

SC 1. EXT. BANK - MAIN STREET - PUNE. DAY.

Its 10.45 am. The peak traffic is over, the shops are open. there is a
certain lull till the signal turns green. The camera is idly watching the
street. Its almost like watching a documentary.

In the background we see two guys pasting poster on a telephone box.
They furiously apply gum paste on the back of the poster with their
hands..

In the background, we see a bike park and two men get out. They enter
a bank. Some others exit the bank.

In BG we also see, a pregnant woman exit Dr. Coyajees consulting clinic
adjacent to the bank..she gets into auto

Meanwhile the bank shutter is down. a customer looks around
Across the street, we now see..

THE YOUNG MOTHER AND CHILD.talking..she stops by a handcart
selling strawberries .The mother examining the strawberries as the
little boy is fascinated by a balloon seller who is doing his best to seduce
him with his wares.
(or some such item..maybe a crippled beggar on a crude skateboard)

A tow van lumbers in. a traffic cop points to a car parked near a No
Parking Sign. Two helpers jump out and start the towing process

We may not realize it now. but the tow van has blocked the bike the
two guys came in

The kids attention is diverted by the towing process. The balloon seller
still not giving up.
UPDATED 16 May 2014 - CONFIDENTIAL

The mother tucks a bag of strawberries under her arm and grabs the kid
and crosses the street.

She puts bags in the back seat , as kid clambers to seat in the front and
switches on the car radio.
O mein nikla.gaddi leke.. BLARING.

She is still fitting the bags in the back..AS...The Tow guys are hitching
an old Fiat as..

The poster is pasted. WE NOW SEE THE MOVIE IS LAGAAN. The bank
shutters coming up. A couple of customers waiting.

A LULL AND SUDDENLY A COMMOTION.

TWO MEN WITH BLACK HOODS ON THEIR FACES RUSH OUT OF THE
BANK.ONE OF THEM WITH A GUN.

The cop, and tow van guys are startledOne of the hooded guys spots
the young mothers car. He dashes to it. opens door and gets into
driver seat as he yells at his partner to jump in..The KID IS STARTLED
AND STARTS SCREAMING ASTHE OTHER MASKED GUY SHOVES THE
MOTHER INSIDE AND GETS INTO CAR..
THE CAR ZIPS OUT just as

The signal is released. and a flood of two wheelers enter the frame as

A bank security guard rushes out with a .303 rifle. and fires a shot in
the air.1

The traffic cop jumps on a passing bike. and gives chase.2

Chaos erupts as we cut to:

1 Real time. 90 seconds..
SINGLE SHOT. NO CUTS TILL MENTIONED IN SCRIPT. TO

DECIDE WHETHER ITS FIXED CAMERA OR FLUID. DO I CHOOSE BASED ON BUDGET
OR
AESTHETIC?
2 The bike rider is a Fergusson College girl with face covered, we only see her eyes. In a
sense, shes also wearing a mask


SC 2. INT. PUNE ROADS - MOTHERS CAR. DAY

THE BLACK HOODS ARE STILL ON THEIR FACESWE HAVE NOT YET
SEEN THE FACES..for clarity we will REFER TO THEIR NAMES AS WE
WILL KNOW LATER. THE GUY DRIVING WITH GUN IN HAND IS ..LIAK. THE
OTHER GUY IS HARMAN.

Liak furiously drivinggun in hand

HARMANS MASK IS STILL ON. HE IS CROUCHING IN THE BACK SEAT.

The mother struggling/shouting. Her name is Misha. And the kid is a
boy. four years old.His name is Robin..

LIAK HAS THE GUN TO THEM. Any nonsense and I will shoot.

Its A CHASE BUT NOT IN FAST AND FURIOUS SENSE.
THERE IS TRAFFIC ALL AROUND..LOTS OF TWO WHEELERS.

LIAK stopping at a signal.a scooterist by the sideLOOKS ALARMED.

HIS POV: MASKED GUYS IN CAR WITH WOMAN AND CHILD.arre
boss..wtf.

Liak LOOKS at the guy.
Green light. Liak speeds out
We hear a siren
A police jeep is behind themLiak speeding.

At a turn. the car door swings open..
Events leading to the side door swinging open and the kid falling out of
speeding car.

Horrendous visual best left to viewer imagination. We play on screeching
tyres and screams on audioWe are in the car. We are with Misha
FREAKING OUTSCREAMING, KICKINGGRABBING LIAKS HAND

THE SIRENS blaring all around THOUGH WE DONT SEE THE COPS COZ
WE ARE INSIDE THE CAR

Liak drives furiously
And when the mother tries to grab the wheelLiak shoots her.
Just like that.
Blood splatters on Harmans mask.
Harmans face is covered but we realize hes shocked.

Harman: We are fucked. We are fucked.

Liak: jump off at the next turn..and take the money. Ill handle
this.Now.NOW.

ON THE SHRILL HOOT OF A TRAIN..LIAK TAKES A SUDDEN
SWERVE.THE CAR SLOWS DOWN FOR BARELY THREE SECONDS..AS

We see the car exteriora police jeep followingLiaks car takes a sharp
turn under a bridgeHarman jumps off at the signal with the bag. Its a
blind spot..

The cop jeep continues chasing the car as.. Harman
Scrambles up a gradient to reach a railway track.
A speeding train approaching. Harman crosses the tracks as train
covers him
Harmans BLACK MASK FLUTTERING IN THE WIND.

AND WE SEE HIS FACE

A LEAN 25 YEAR OLD WITH INTENSE EYESor maybe even better if we
end on the fluttering BLACK MASK. We dont see Harmanat all.

CUT TO:

LIAK his mask still onDRIVING WITH A SEMICONSCIOUS MISHA.
bleeding on the upholstery
THE SOUND OF A BULLET
AND WE REALIZE A BACK TYRE HAS BEEN HIT.
LIAK SLOWS DOWN. NO CHOICE.
TWO JEEPS STOP. COPS WITH GUNS GET OUT..

AND WE SEE THE COPS FOR THE FIRST TIMEso far its been just sirens
and ambient sounds..The traffic cop on pillion and girl watch as
COP GOVIND, FLANKED BY TWO OTHERSAPPROACH THE CAR.GUNS
IN HAND. The masked MAN GETS OUT. HANDS IN THE AIR.

COP GOVIND removes the mask and we see LIAKFOR THE FIRST TIME.

BASTARD. VILLAIN.

Option one: Shoot from all angles and maximum coverage.
Option two: Stick to certain givens. Like INSIDE CAR ONLY AND USE COPS IN SUGGESTION
AND AUDIO.

SC 3 ADVERTISMENT

SEXY GIRLS from different states of the countryTALKING IN THEIR
MOTHER TONGUES IS THE HOOK BETTER OR VELCRO BETTER.

We wonder what we are watching..
Its a Bra Ad. 20 SECONDS. Sexy and funny.

SC 4. INT. LINGERIE COMPANY - CORPORATE OFFICE. DAY.

Applause. The lights come on. We are in a lingerie companys office.

RAGHAV: Ive put those three shots for the censors to cut.

Some time later. Refreshments counter.

RAGHAV, 29 with some colleagues including a Japanese honcho..
He is talking to a South Indian lady.

RAGHAV: Okjust a minute back, you said its great coffee and asked for
another cup. Now you are saying Ugh. based on what? Information.
Not taste. Heres the second cup. You have to

South Indian: (to another colleague) lizards eat the coffee bean and this
coffee is made from their..SHIT.

RAGHAVs phone ringing: Hi Mishaguess what. they loved the idea
..Whos this..?????

Every party sound fades out as all we hear is: Sub Inspector Trimbak
.KEM Hospital..aap immejet KEM hospital aa jayiyeaapke missus ka
accident hua hai..Wo ICU mein hain

CUT TO:
SC 5. E/ I. HOSPITAL. VARIOUS LOC. DAY.

EMERGENCY WARD. RAGHAV rushes init are crowded. A dozen people
at the inquiry counterRAGHAV searches aroundspots a HAVALDAR at
Enquiry counter.

HAWALDAR TELLS HIM TO GO TO 5th FLOOR. To the ICU. GoHurry.

RAGHAV rushes into LIFT.

SC 5 A. INT. HOSPITAL - LIFT. DAY

WITH OTHER VISITORS INCLUDING MAN WITH BOUQUET
RAGHAV. FUCKHURRY HURRYTHE LIFT STOPS AT SECOND FLOOR..
A STRETCHER WHEELED IN.

TRAPPED IN THE FUCKING LIFT. I SHOULD HAVE TAKEN THE STAIRS..
We hold on RAGHAVs face as the journey to the fifth floor is interrupted
at every floor.

WE SHOULD SMELL THE ANTISEPTIC

5th FLOORRAGHAV RUSHES OUT OF LIFT.

SC 5 B. INT. HOSPITAL - I.C.U. CORRIDOR. DAY

A COP SPOTS RAGHAV. rushing to him.

COP: Mr RAGHAV..Please come..

RAGHAV : What happened

Cop: its not an accident. a bank robbery. shes been shot..

A doctor leads RAGHAV inside. gesturing to the cop to stay out. They
exchange glances. The doctor shakes his head.

SC 5 C. INT. HOSPITAL - I.C.U ROOM. DAY.

RAGHAV staring at Misha. Shes full of tubes and bandages. a horrible
sight.. Her eyes recognize him. She tries to speak

MISHA: ROBIN.WHERE IS ROBIN
RAGHAV holds her hand
RAGHAV: you will be fine. itll be ok.

Misha: .its all going dark.i am scared..its all going dark RAGHAV.

Her eyes are looking at him and in the next few seconds. her eyes are
looking at him but we see that shes gone.
She dies in front of his eyes.

RAGHAV STARES AT HER..HE CANT BELIEVE IT.
HE TRIES TO TALK TO HERLOOKS AT THE NURSE WHO SAYS SORRY
SIR..SHE IS NO MORE.starts filling a form.

RAGHAV looks at Misha ..still talking to her as he room slowly but
suddenly gets very crowded

SC 5 D. INT. HOSPITAL - I.C.U CORRIDOR. DAY.

RAGHAV STEPS OUT LOOKS AROUNDWHERES MY SON??????
HE ASKS A MATRONWHO IS FOXED.
He grabs the cop.. WHERES MY SON?????? Where is Robin.

CUT TO:
SC 6. INT. POLICE STATION - INTERROGATION ROOM. DAY.

Cop Govind and a hawaldar. Liak is seated on a chair.

Liak: .. HE SHOT THEM I thought he had an empty gunI was
driving. I got scared. He told me to keep driving. And he suddenly
jumped off.His name is Jayant. He lives in Yerawada behind Gunjan.

Cop: Where behind Gunjan?

Liak: I dont know him very well. I was looking for drivers jobHe said,
lets do this robbery and share the moneyI am a fool and got
tempted.

Another hawaldar rushes into the interrogation room.

Hawaldar: (excited) Sir..TV mein dikha rahe hain..

SC 6A/B/C. - I/E. POLICE STATION/ STUDIO /BANK (CCTV)

ON T.V. announcers voice we see: CC camera footage of the robbery
from one angle only. We get some infuriatingly brief glimpses of two
men in masksone waving a gun and customers huddled about. Circles
around the masked men.

Cop Govind: .We got one of them. We will get a breakthrough very
soon.

TV ANNOUNCER: The value of the stolen loot is 3.5 crore rupees. And in
other news two Indians and one Nepali were arrested by the Italian
police for fraud.

SC 7. EXT. HOSPITAL DESOLATE CORRIDOR. NIGHT.

RAGHAV standing outside a room. We see its the Post Mortem room

RAGHAV enters.

SC 7 A. INT. HOSPITAL - POST MORTEM ROOM. NIGHT

Top angle wide shot: We see the bodies. Mother and child. Naked, pre
the post mortem. 3

(I hope nobody is munching popcorn on this shot.)

RAGHAV is looking at them.

3 We will use body doubles and pixillate and all that..
His Pov: The post mortem equipmentall laid out. Theres a constant
sound of running water.

In the distance we see two men washing their hands. TALKING ABOUT
something totally unconnected. They emerge from bathroom and come
to the bodies as they spot RAGHAV..

The men mumble somethingRAGHAV doesnt react. He just stands
there watching

SC 8. EXT. RAGHAVS HOUSE FAADE/ELEVATOR. NIGHT.

A teenager walking her dog as some building neighbours are seated on
red plastic chairs and discussing a cricket match.

And someone nudges..RAGHAV has come.

They suddenly get sober and serious and gather to him..

I came to the hospital also
I heard about it only half an hour back..i dont know what to say.this
is so shocking.;
there is no God.this is unfair
Are you bringing the bodies.
RAGHAV gets into the lift and gently shuts them out

SC 8A. EXT. RAGHAVS HOUSE - CORRIDOR. NIGHT

He opens the lift door on 3rd floor where he lives and walks to his flat.
Far down a neighbouring door surreptitiously opens and a face almost
hidden peeks out.
SC 9. EXT. RAGHAVS HOUSE - VARIOUS. NIGHT

RAGHAV enters.
We see the happy house. The presence of Misha and Robin. The phone
is ringing intermittently through this scene but RAGHAV doesnt pick up.

Many picture frames. A foreign holiday.
10
.a floor keyboard that one can jump on 4 and .more toys. (must
research toys)

There are lots of post it notes on the fridge and other places.
The phones continues ringing

We move with RAGHAV.. See more of the house.
RAGHAVs bedroom. a glimpse of Robis room.
Inside.a partially assembled train set.

A poster size blow up of a photograph. RAGHAV DRESSED AS
BATMANAND YOUNG ROBIN IN COSTUME.

The apartment is frozen at a busy 10:30 am on a day where the bai has
not come. Misha had to leave cleaning up halfway to rush and get Robin
from school..
He stares at himself in the bathroom mirror. Three tooth brushes
including Junior. Theres a tiger striped panty soaking in a mug.

RAGHAV Opens fridge and takes out a bottle of water.
A red casserole. He pulls it out.

RAGHAV places it on the dining table.
We see a kids hand open the casserole.

Robin MAKES A GRIMACE..RUSHES TO THE FLOOR KEYBOARD AND
STARTS JUMPING AND DANCING TO DISCORDANT TONES..

RAGHAV: if you be a good boy and eat it, Ill take you to the dentist
tomorrowokthats a promise And if you dont eat properly, Im
going to take you to a movieok

Robi: Means .what?

As Misha bursts out laughing.

RAGHAV: (to Misha.and then we realize that we are in the present) This
is the last rajma chawal cooked by you that Ill be eating.

4 Its there in the shrine and can be good audio when V and N slug it out later.
11

He takes a spoonful.as he breaks down.
CUT TO:

SC 10. INT. POLICE STATION HOLDING CELL. NIGHT.

CU of Liak. Eating watery dal with some pao. He stiffens as he hears
voices. Govind and a couple of men get in. Liak jumps up.

Liak: Mila saab?

Govind KICKS THE FOOD TRAY AND SLAPS HIM HARD.

Liak: Murder usne kiyapaise uske paas hai aur aap mujhe maar rahe
hain. do ghante mereko chodiye usko dhoond nikaloonga..(thinking) ek
baar koi Kalpana se baat kar raha tha..thoda charas milega to aur bhi
achha soch sakta hoon.aur kuch yaad aayega.Milega thoda.?

The cop Govind stares at Liak.
Govind: (snarls or does he laugh) Sau gram lal mirchi milega.chalega?

CUT TO:
SC 11. INT. RAGHAVS HOUSE LIVING ROOM. DAY.

We see RAGHAV and Mishas wedding album.

A few days have passed.
An ageing couple in the house. The man is watching the lady go thru an
album.

Man: (in Tamil) Each time you look at it you will cry. Why are you seeing
that album now Saroja

Saroja: (in Tamil) I just want to cry all day and night.

Man: (to RAGHAV in English) She would have liked to donate
organs.we had spoken about it. But who thought like this.mind
doesnt function.

12
RAGHAV: Dad, this picture. I would like you to keep it. It was her
favourite. (whispers).Mother , she is a bit weakyou have to keep
strong..

He gives a photo frame of Misha and the kid.

Cut to:

Father looks at RAGHAV as Mishas mother emerges from the bathroom.

Mishas mother: I remember the first time we came to this house when
Misha was pregnant. and your father.(she breaks down)

RAGHAV hugs her. Gestures to father to leave.

RAGHAV: (to Mishas mother) .he is a bit weakyou have to keep
strong..

SC 11A. EXT. RAGHAVS HOUSE.- FAADE. DAY.

A Taxi. the parents get in. It drives off.

SC 11 B. INT. RAGHAVS HOUSE LIVING ROOM. DAY.

RAGHAV back in the house. There is a clean space in the wall, where
there was the picture frame.

SC 12. INT. POLICE STATION OFFICE. DAY.

The cop Govind looks up as RAGHAV enters.

Govind shows him a sketch. Strange looking character.

RAGHAV: Kaun hai?

ANOTHER COP: Ranjeet . wo bhi aisa dikta hai.. Actor Rape
specialist.

Govind: Chootiya bana raya hai bhain chod?
Kal raat ganja bhi pilaya. Natija yeh SKETCH.
13

RAGHAV: mein mil sakta hoon?

SC 12 A. INT. POLICE STATION HOLDING CELL. DAY.

Cop Govind opens the cell.
Liak looks up. RAGHAV stares at him.
NO INTRODUCTIONS. EVERYONE STARES AT EACH OTHER. WE WONDER
WHO WILL BREAK THE ICE AND HOW.

There is a third inmate. a druggie type.

RAGHAV stares at Liak who stares backAnd Liak. just gets it!!! His
eyes tell us.

Liak: Sir. Sorry sir. sorry sir.Meine unko nahin maara sir.

RAGHAV: .to kisne mara?

Liak: looks at RAGHAV and Govind.comes to RAGHAV in close.
(whispers) Akele mein baat kar sakte hain.?

RAGHAV TURNS TO GOVIND.

RAGHAV: can I spend five minutes alone with him.

Govind bit confused. Shrugs. OK.

Leaves. As he is leaving.

Druggie: Sprite milega Sir?

Govind: Bottle ghusaoon kya kundi mein.

Liak sees Govind leave.

Liak: jo malum tha sab detail mein bataya.kaisa dikhta hai, kahan rehta
hai..police abhi tak usko pakad nahin payi. kyoon(whispers) Ya
shayad pakad liya. Khatam kar diya aur dafna diya. Sade teen Karod
police kha gayi aur main andar.
14

RAGHAV stares at him.

Liak: SAYS ONE MORE LINE..WHICH PROVOKES RAGHAV..THINK.

And suddenly pounces on Liak. And starts throttling him.

RAGHAV: Mere biwi aur bachhe ko kisne mara

The druggie belying his condition, springs to action.trying to separate
them. Heckis he druggie or undercover cop?

Cut to:

A full-fledged chaos erupts in lockup. RAGHAV is on LIAK trying to beat
and pummel LIAK senselesspunching LIAK as he rolls on the
groundalmost hysterically shouting who killed my wife and son??
Who was with youthe druggie yelling as with a shout.
GOVIND RUSHES IN. trying to separate.

GOVIND grabs RAGHAV up. pushes him against the wall.Hey..Hey..he
shouts.What the fuck are you doing??..... RAGHAV pants. He is on the
verge on collapsing. His knuckles are smashed and bloody GOVIND
shakes RAGHAV. hey
RAGHAV looks at himhe looks really mad. who was with youwho
was with you..

Govind : That guy would have been killed....we would have lost out job
for you......you crazy bastard.....

GOVIND shakes his head. As they drag RAGHAV awayLIAK manages
to turn and give a half horrible smile . He seems less worn than
RAGHAV

SC 13. EXT. RAGHAVS HOUSE FAADE. DAY.

Two cars stop in front of the apartment building. A few guys and girls get
down. Another car stops and some more colleagues spill out.
We saw some of these colleagues in RAGHAVs office earlier. One of
them, is carrying a small statue.An award.
15

SC 13 A. INT. RAGHAVS HOUSE - ELEVATOR/LOBBY. DAY.

They crowd the elevator.go up in to batches. One fat guy decides to
walk up. They Press the bell repeatedly. The door doesnt open. They
look at each other and press the bell again. FAT GUY HUFFING AND
PUFFING enters.
Southie Woman: RAGHAVWe got the IEE award..
NO RESPONSE.
CUT TO:
SC 13 B. EXT. RAGHAVS HOUSE FAADE. DAY.

They are trooping out.
They get into their carsleave.

We see RAGHAV watching them from a curtained window.
He has a slight beard..

ONE LADY WHISPERS TO ANOTHER. I saw him at the window. He is at
home.
The other lady looks. Puzzled. Cant be. Dammit I saw him.
So why didnt he open the door?
CUT TO:

SC 14. INT. RAGHAV HOUSE LIVING ROOM. DAY

He is peering over a telephone directory. Yellow Pages.
R.Joshi. Private Detective.
34 B Road, Model Colony.

SC 15. EXT. DETECTIVES HOUSE + OFFICE FAADE. DAY.

RAGHAV gets out from the auto.. he looks aroundand sees the
residential building.

SC 15 A. INT. DETECTIVE HOUSE + OFFICE. DAY.

RAGHAV presses the bell .. the door opens

16
A BAI with pocha in hand standing.. very Marathi and sweatingshe

looks at RAGHAV

RAGHAV : mera appointment tha.saab hai andar??

Bai : yaaAiyee

RAGHAV goes ina small drawing room decked up as an office.more
like a dentists waiting room.

Bai shuts the door and dunks rag in soapy bucket.
She goes to bathroom and emerges with a dry towel.

She extends her hand

Bai: Rasika Joshi. Missed my yoga class so. this exercise.

RAGHAV stares at her. Then after a brief hesitationhe takes the hand.
He also smilesfirst time after the tragedy

Rasika walks across and sitsshe picks up a box of cigarettes and lights..

Rasika: I am sorry for your loss Mr. RAGHAV... So you think now that
the police is giving up. a detective can find the name of the killer for
you??

RAGHAV: can you find out?

Rasika stares at him.

Rasika: I can try. I charge Rs 2000 a day. (on phone)Hey Bagul. what is
the status of that bank robbery...

Rasika talks and listens. in Marathi.as she opens drawer and gives
RAGHAV rate card and terms conditions and ball pen for signature.

Rasika: (hanging up) come home sometime. (to RAGHAV) Liak ko jail
bhej rahe hain.judicial custody ..
CUT TO:

17
SC 16. E/I. JAIL VARIOUS LOCATION. NIGHT.

WATCHTOWER POV. We see the jail at night. SOME GUARDS
PATROLLING..graphic shot. ON AUDIO, A MELANCHOLIC TUNE BEING
WHISTLED

SC 17. EXT/INT. JAIL - DORMITORY - NIGHT.

DORMITORY exterior. CU FEET..of GUARD PATROLLING..THE WHISTLE
CONTINUES..GUARD STOPS AT DORMITORY CELL DOOR. SHINES
TORCH.

CU: WHISTLER..THE TORCH SHINES ON HIS FACE. A MEAN LOOKING
GUY? GUARD MOVES TORCH. WE SEE MORE FACESPRISONERS
ALL..ENDING ON LIAK IN TORCH LIGHT . STARES BACK..

THE WHISTLERS TUNE ENDS... THE LIGHT GOES OFF. GUY NEXT TO
LIAKDaru peeyega? Liak. Hai? Guy rises.. Chal TWO more guys
rise...INCLUDING THE WHISTLER Some others stare but dont get up..

Guard opens lock..the guys get out.

SC 17A. EXT. JAIL - PREMISE - NIGHT.

In the dark..they move.Liak in between the file. Guard opens door.
Make it quick guys.

SC 18 . INT. FABRICATION WORKSHOP OR LAUNDRY.

ITS DARK AND QUIET. THERES A PRISONER THERE..WITH A BOTTLE
OF RUM..A BOTTLE OF WATER.PEANUTS AND GATYA. HE POURS
THREE GLASSES.THEY PICK UP. He looks at Liak.New friend..Guy
says he will earn his drink..HE PULLS OUT A RED SAREE.AS Another
guy sprays a perfume.

Third guy: (the biggest) Sade teen karod.kahan haikiske paas
hai.kuch batayega ya idhar ka draupadi banega

A FULL FLEDGED FIGHT ENSURES. AND LIAK GIVES IT BACK. BUT THE
GUYS GET AT HIM TOO.
18
ITS A JUNGLEE FIGHT. AND THE RED SAREE PLAYS A PART IN IT TOO.

LIAK MANAGES TO SET SOME MACHINE ON.CREATING A RACKET IN
THE NIGHT.
Its a vicious fight.no holds barred..the things break and the mass
bangs against the door.

The sentry outside hesitates and then raps the door with his stick

Sentry : Silence..bastards.

Huge things fall inside.

Sentry is now psyched.he opens the door.and rushes in..he rushes
out and blows the whistle

A bleeding goon almost runs the sentry over and rushes out.

Liak. All blood. One hand hanging limply by his side. Rushes out
threatening the chap who ran out.

Another chap comes from behind and jumps on Liak.

Guards rush to the scene.

Liak stands .he is trying to hold a pose..with one fist circling before
his facea guard gets near and hits him solidly in the stomach.he
crumbles down without a word like a sack of flour
CUT TO:

SC 19. E/I. JAIL VISITORS GALLERY. DAY.

Liaks mother in Visitors gallery. (this is her introductory shot) She is
shocked to see his bruises. He says he is fine .as mother raves and
rants about why he has become such a bad guy. Why did youblah
blah?. Liak loses his cool. Yells at his mom. Says WHY DID YOU COME..

WE SEE DETECTIVE IN SAME VISITORS GALLERY WATCHING HER.

19
SC 20. EXT. JAIL. BUS STOP/RICKSHAW STAND. DAY.(real location)

How Detective Joshi befriends Liaks mother.
They have tea.

OR

SC 20 A. E/I. ROADS S.T. BUS. DAY.

They sit next to each other in ST Bus. (if Jail is Nasik)
They talk about men. Sons and lovers.
Detective Joshi concocts a fake story.
Liaks mother has her own story.
Both seem real.
CUT TO:

SC 21. INT. MARZ O RIN RESTAURANT. DAY.

RAGHAV ENTERS THE RESTAURANT.

Its a restaurant with character.

DETECTIVE Joshi heartily enjoys JUICE AND SANDWICHES.
SHE TELLS RAGHAV THE DOPE ON WHORE JHIMLI.

Joshi: .She operates from a flat in Colaba... (GIVES SOME SAUCY
DETAIL about how she met Liak.) Liak was hooked on her.

RAGHAV: I want to meet her.

Joshi: Go to Shagun Beauty Parlour near Regal and ask for Mamu. He is
her pimp. She goes by the name of Pinky but her real name is Jhimli. She
charges five grand for two hours. I charge two grand a day.

SC 22. E/I. TRAIN TO MUMBAI. DAY

RAGHAV in a train to Mumbai.

20
SC 23. EXT. MUMBAI ROADS REGAL CINEMA. DAY

RAGHAV gets off a cab near Regal. Mood.

SC 24. INT. SHAGUN BEAUTY PARLOUR. DAY.

RAGHAV seated across table with a man.

Man: Pinky . 2 ghante ka Dus hazaar!

RAGHAV nods. Pulls out money.

Man takes it. Passes a visiting card.

VENUS ESTATE AGENCY.
414 Forjett House,
Colaba.

Man: 8 baje pahunch jaana.

He watches RAGHAV leave. Dials a number.
Man: First timer hai. Khush kar, Achha tip milega
CUT TO:

SC 25. E/I. JHIMLIS PAD 1 (FORJETT HOUSE COLABA). NIGHT.

Forjett House Colaba. A six storeyed building.

SC 25 A. INT. JHIMLIS PAD 1 - CORRIDOR NIGHT.

RAGHAV gets off the lift. 414. Venus Estate Agency. RAGHAV Rings the
bell.

SC 25 B. INT. JHIMLIS PAD 1. NIGHT.

The door opens.
Jhimli. Young. Pretty. A smile that looks so fresh despite her profession.

RAGHAV enters. The room is full of posters for various housing projects.

21
Jhimli: Flat kharidne ke liye aaye ya mujhse milne. Andar .

She leads him into a bedroom.

Its colourful, a bit gaudy but yet has taste. There is a 21 inch tv, a stack
of dvds and vcds mostly porn and music

Jhimli: Drink?
RAGHAV: Whisky.

He looks around the room. There is a bowl with a goldfish on the side.

Jhimli enters with a quarter bottle and soda and ice bucket.

RAGHAV makes a drink.

RAGHAV: Tum?

Jhimli: Tumhare se sip loongi.cheers. Be comfortable.

RAGHAV avoids the bed, on which shes sitting. He takes a chair.

He drinks his whisky. Big gulps. Almost to fortify himself.

She comes to him and takes a sip.finishes the drink.
She pulls out a heap of cds.
Jhimli: kis type ka music pasand hai.hmm

Jhimli: Mera favourite lagaoon?

RAGHAV nods..refills his drink as SONG # 1 plays. (Ref: a 90s
seductive number. We make our own from an imaginary Sunny Deol
film.)

Jhimli does a little bar dancer item.She is having fun.seductive and
yet impersonal.

RAGHAV is watching her. She smiles.comes for a lap dance

Kapde utaroon?
22

She makes it seem like shes going to undress but starts undressing him.
He holds her hands..

RAGHAV: mein tumhein baandh sakta hoon.

Jhimli: (seductive) Kya karega baandhke?

RAGHAV: Baat karoonga

She laughs. Dances to a chest of drawers/box and pulls out two
scarves/handkerchiefs

CUT TO:

Jhimlis hand against the bed. A kerchief being tied.

Jhimli: Not so tight.

The other hand is tied too.

Jhimli: kurta kaise nikaloge mujhe pata nahin fadneka nahin haan!!?

RAGHAV fills his third drinkpicks up a pair of scissors.from her
dressing table.

She stares at him. A bit hassled. This first timer is a Ripper, hope not.

RAGHAV: jaanti ho mein yahan kyoon aaya hoon JHIMLI.

Jhimli: Yeh naam kaise jaante ho? Kaun ho tum???

RAGHAV: Liak ka partner(longish PAUSE).. jaanti ho na use?

Jhimli: Kaun Liak.nahin.kholo mere haath.kaun ho tumkya chahiye
tumnhein Open this. Chillaoongi main haan

she wonders whether to scream or keep quiet. The twitch of her tied
wrists are screaming.

23
RAGHAV: Liak ne nahin bataya uske partner ke bare mein?

Jhimli: Mein nahin jaanti.

RAGHAV: Tum Liak ki girlfriend ho na?

Jhimli: Mein kisike ki girlfriend nahin hoon Saab. Liak aata tha
yahanmein dhanda karti hoon saabsabko khush rakhti hoon. Mein
sab ki girlfriend hoon saab. Naagre saab jaante hain mereko.

RAGHAV: Mein police nahin hoon. ..Liak aur uske partner ne mere biwi
aur bache ka murder kiya14 october.

Jhimli stares at RAGHAV.dawning recognition of the case and victims.

RAGHAV: Liak jail mein hai. Uska partner kidhar hai?

Jhimli: Mujhe nahin maloom .Liak bas customer tha abhi mujhe thodi
bataya ki wo dacaity karnewala hai..

RAGHAV: Yeh Goldfish usne diya tumko .

Jhimli: Wo kuch na kuch gift leke aata hai

RAGHAV: Tumhare liye wo customer tha..lekin wo tum ko chahta hai.
Police ko nahin bataya but shayad tumhein batayega. Tum dus hazaar ka
dhanda karti ho. AGAR tum uske partner ka naam nikal sakti ho to
mein tumhein dus lakh doonga

RAGHAV: meine police ko tumhara naam diya.tum jaanti ho kya hoga?

RAGHAV CUTS THE KERCHIEFS WITH THE SCISSORS

Jhimli sits up and takes a big sip of RAGHAVs drink.

CUT TO:

SC 26. EXT. JAIL FAADE. DAY.

Jhimli gets off a rickshaw.
24
Shes in a line. With other visitors. Brief mood shots.

In the distance, a constable is checking the Visitors dabbas.

An old lady in the line tells Jhimli that they wont allow booze inside. Are
you crazy girl?

SC 26 A. EXT. JAIL VISITOR GALLERY. DAY.

Liak: tu.mere ko laga meri maa phir .tu..tu aayi hai. believe nahin
hota hai.tu.

Jhimli: Pachhas baar sochi aaoon nahin aaoon, .phir boli ek baar aake
milti hoon. Tu kya kardiya .kyoon.?

Liak: Bada galti ho gaya yaar..lekin meine unko nahin maara..sab ko
bola koi sunne ko taiyar nahin.

Jhimli: Tu kyoon usko chupa raha hai.Approver ban ja.teri sazaa kum
ho jayegi na..

Liak: Wo kabhi milega nahin. Police ne uska encounter karke paisa hadap
liya hai. (changes topic)

Roz raat ko tere se bahut baat karta hoon.tera dialogue bhi mein hi
bolta hoon..

Jhimli: mera kya dialogue bolta tu?

Liak: Tere se better bolta hoon

A COP COMES AND INTERRUPTS.

Cop: Teen minute baaki..

Jhimli: wo aaya tha parson.RAGHAV..jiski biwi aur bacha.

Liak: wo tere bare mein kaise jaana.kya kiya

25
Jhimli: kuch nahin..bola partner ka naam mila to paise doonga

nahin to police ko bol doonga.Kya bolega police ko? Mein handle
kar sakti hoon.

Liak Lots he wants to say..but.

The constable peeks in again and makes a pronounced noise with his
baton.

Jhimli: Chal.apna time khatam. (smiles her pure Mumtaz smile) Raat ko
milti hoon.
CUT TO:

SC 27. E/ I. JHIMLIS PAD 1 COLABA . NIGHT.

JHIMLI THROWS A WRAP OVER HERSELF AND OPENS THE DOOR.

RAGHAV IS STANDING THERE.

RAGHAV: Tum mili Laik se..

Jhimli: Aayeye..

RAGHAV: Partner ka naam bataya usne?

Jhimli: ..Usne wohi bataya jo police ko bataya..Meine kai baar
poocha.Sorry. Kuch lenge? Drink..?

There is a bottle of whisky and a glass. Same like last time.
RAGHAV makes a drink.
RAGHAV doesnt know what to do. He sips the drink

RAGHAV: Aur kya baat hui?

Jhimli: Aur kuch nahin.meine poocha yeh kya kar diya..kuch nahin
kiya usne.wo bekasoor hai.fas gaya bechara

RAGHAV: Tumne use mere bare mein bataya?

Jhimli: Nahin.mein kyoon batati.
26

RAGHAV: Bees minute thi tum wahan.kuch to baat hua hoga..

Jhimli: aadha time to bas dekhta raha.wo mujhe dekhke khush hua.

RAGHAV: tum bhi khush hui.?

Jhimli: .Dekhiye aapke request peh mein wahan gayiabhi usne kuch
nahin bataya.mein kya karoon? Aap apna time waste kar rahe
hain..Aur paisa bhi. Mukesh ko commission dena padta hai..

He takes out his wallet. He gives her a bundle of notes.

Jhimli: Thank you

She takes the money and is putting it in a tea box or under mattress as
he goes to the CD player and hits the play button..

the song plays. SHE REACTS. TURNS.

RAGHAV: Tum sabko khush karti ho na..Mujhe bhi khush karo..

Jhimli is zapped..
RAGHAV: Come on.Dance.NOW DANCE.I am paying you double.
On with the show. BAHUT PAISE HAIN MERE PAAS
THE SONG PLAYS..
Jhimli starts dancing.RAGHAV watches.. strange strip tease which
nobody is enjoying.
Jhimli takes off the first piece of clothingher face is
deadpan(complete reverse of the way she was smiling seductively
last)

RAGHAV: Tum Liak ke liye aise naachti thi.?

She dances with a forced smile.

RAGHAV: Kapde

She starts taking her clothes off.
27

RAGHAV: wo light on raktha tha ya

The lights are on. He is f***ing her.
She closes her eyes.
DONT HOLD BACK ON THIS SCENE. THE BEGINNING OF THE DESCENT.

RAGHAVs pov. Her eyes closedand we pan/transition to:

Liak watching...themCUT TO:

SC 28. INT. JAIL DORMITORY / VARIOUS LOC - DAY

LIAKS FACE BEHIND BARSSTARING ANGRILY..

(HE IS IN THE JAIL BUT WE SHOULD GET A SENSE THAT HES WATCHING
JHIMLI AND RAGHAV)

ABOVE SCENE CONTINUING

LIAK IN JAIL. BEING HANDCUFFED AND TAKEN TO COURT..A SET
OF COURT AND LEGAL VOICESLEADING TO.

SC 29. E/I. COURT. PUNE. DAY.

(To figure out a mise en scene where we can avoid interior court and the
usual shots. This scene is largely information so how to present it
interestingly.)

JUDGE SENTENCES LIAK TO 20 YEARS RI.

RAGHAV is in the courtroom.. We also see Liaks mother..

Liak protests his innocence once again..as his mother hollers.

Liak is being led out followed by wailing mother.
RAGHAV crosses to meet him.
Govind debates but gives them a moment.

RAGHAV: (whispers TO LIAK) jhimli se kuch kehna hai?
28

Liak tries to attack him as cop Govind shoves Liak into a van.

SC 30. E/I TRAIN TO MUMBAI. NIGHT. (OPTIONAL)

The train cuts thru the night.
RAGHAV at a window seat.

SC 31. E/I. JHIMLIS PAD. NIGHT.

Close Up of Jhimli SHES CRYING SILENTLYTHERE IS PAIN ON HER
FACE..
.its darkwe really do not see anything.
In the bg, we hear breathing.. somebody gets up.takes time in
dressing and goes out..the door opens and closes.we see a body on
the bed for a brief glimpsesome notes lying on the floor.

SC 31 A. EXT. JHIMLIS PAD. NIGHT.

RAGHAV walks out of the building.

He is looking a pale sick version of what he was just a few months ago.

SC 32. INT. TRAIN TO PUNE. NIGHT.

RAGHAV in the train.
ITS A 2 TIER PASSENGER TRAINRESERVED COMPARTNEMT.

RAGHAV LOOKS AROUND..

Various peoplealone and together and all kinds. One girl is reading a
book. CROOKED HOUSE by Agatha Christie

CUT TO:
SC 32 A. I/E. RAGHAV HOUSE PUNE BEDROOM - NIGHT

(LOVE STORY FLASHBACK)

The book cover. A different edition. Misha is reading CROOKED HOUSE.

29
RAGHAV looks at her. snuggles up to her.

RAGHAV: ..I know the killer.I read the last chapter while you were
in the shower.
Misha: if you spoil the suspense ..i will kill you. got sixty pages left
RAGHAV: ..read it tomorrow.or else..
Misha: its at the most exciting part. Puhleesse. I got to finish the book
tonite.

RAGHAV : Milord..My sex life is being threatened by Agatha Christie.

TIGHT CLOSE UPS OF THE WORDS FROM the PAPERBACK.

the Colonel lay slumped on his desk at an unnatural angle. Blue blood
seeped out from under his face. For a moment, Nurse Lara was stumped
and then she realized that the bottle of ink had split. And then she
screamed.
Misha..screams.
ABRUPT CUT TO:

SC 32 B. INT. TRAIN TO PUNE. NIGHT.

Someone tapping RAGHAV on the shoulder. Excuse me, are you in the
TV serial Ive seen you on TV.
Someone else in the train stares at him. Ive seen you tooon tv or
newspaper? Are you a model?

More passengers join in. Its some surreal guessing game going on.and
then someone guesses right.

Heck. Hes the guy whose wife and kid were killed. Am I right Sir?

RAGHAV GOES TO THE DOOR.OPENS IT.
STARES AT THE HURTLING TRACKS.

A DISTANT SIGNAL GOES RED.
Almost by divine intervention.the train slows down.
A station is approaching.

SC 33. EXT. BADLAPUR STATION. NIGHT.
30

The train leaves. RAGHAV is on the platform. THE STATION IS BADLAPUR.
We wonder at the irony of that.

RAGHAV walks out of the station.

Its deserted.a small township.WE should get a sense of a one horse
town past midnight.

RAGHAV just walks and continues walking.

SC 34. EXT. BADLAPUR HIGHWAY. NIGHT.

RAGHAV walks and reaches the highway.traffic is sparse and passing by
with speed.RAGHAV WALKING ON THE SIDE OF THE HIGHWAY.

WE SEE THE FACE AND EYESWE HOLD ON HIS FACE THE
ONCOMING VEHECLES LIGHT UP HIS FACE INTERMITTENTLY.

AND THEN.WE SEE RAGHAVIN THE SAME CLOSE UP..MOVE TO
THE CENTRE OF THE ROAD..

The next five seconds .......WE ARE ON RAGHAVS FACE. We hear a
LOUD HORN

We sense he has walked onto an oncoming truck. LOUD HONKS.HE
STOPS AND SHUTS HIS EYES, THE HONK BECOMES A

NERVE SHATTERING SOUND AS WE HOLD ON RAGHAVS FACE AS A
CLOUD OF DUST FILLS THE BACKGROUND AND WE NOW CUT TO:

A MONSTER CONTAINER TRUCK TWISTED AND HALF IN A DITCH
CAREENING AWAY BARELY.AND HIT A MOUND OF SAND..
THREE GUYS JUMP down from the truck and rush to him. He doesnt
protest as in the silhouette we see three guys bashing and pushing him
away from the road.

SOMETIME LATER.

SC 34 A. EXT. BADLAPUR HIGHWAY. NIGHT.
31

THE TRUCK LEAVING.RAGHAV STIRS.

RAGHAV sits on the side of the road.bleeding and dusty..
AN AUTO comes and stops..Gandhi Chowk?
RAGHAV looks at the auto-guy..his face is blankthen he shrugs and gets
in.

SC 35. E/I. BADLAPUR GANDHI CHOWK - HOTEL. NIGHT.

A sleepy Hotel Attendant opens the door.
He opens a register.
A dusty RAGHAV enter a hotel in Gandhi Chowk...is there a room?
Yes sir..the attendant says.how many days.
RAGHAV is quiet..the attendant asks..for how many days in Badlapur
sir??

RAGHAV looks at him..20 years???

SC 36. INT. JAIL - COMMUNITY HALL. NIGHT.

Jail community tv.
A movie is on. Bees saal mein sab bhool jaoge Gabbar
LIAK is eating silently. Dudhi watery daal and tough chappatis.

Next to him is an old man. African. Singing ORIGINAL OF Mehbooba
Mehbooba
Liak watching him. Outside he would have enjoyed this item.

CUT TO:
SC 36A . INT. JAIL - COMMUNITY HALL. DAY.

NEXT MORNING. Liak wakes up to commotion. The old timer is dead.
Liak learns he was a lifer. Drug peddler who killed someone in a fight at
Colaba. Hes been here for 25 years.

Close up Liak. (to another prisoner?) Yahan se nikalna hai mujhe. Koi
idea hai kya?

32

SC 37. INT. JAIL - OFFICE. DAY.

In room we see a jail officer, reading prisoners letters.censoring
prisoners letters. There is a bundle of envelopes. He reads out a funny
line to another cop. In distance we see Liak steal a sutli rope or a sack

SC 38. I/E. JAIL - UNSPECIFIED LOCATION. (Details to be worked out)

Liaks jail escape attempt. Maybe disguise himself as a sack of potatoes.
A cop watching from vantage point. He is highly amused.

Tempo at Jail Entry Exit gate. Liak in sack praying perhaps. The cop
comes with a bayonet and pokes the sacks at random. Till he hears a
sack of potatoes scream.

SC 39. INT. JAIL - SOLITARY CELL. NIGHT.

THE LUNCH IS SHOVED UNDER THE DOOR. THE HATCH IS SHUT.
Liak looks at the closed tray.

Liak: (almost singsong) BudhwarGobi Shukruwar Baingan Shanivar Aloo
Sunday Anda, Somwar Dudhi..aaj kausa din hai bhai?

Opens the tray. .Cut to black.

SC 40. EXT. JAIL - VARIOUS LOCATIONS. DAY. + NIGHT.

the GETAWAY MONTAGE

We see the jail..regular activities..
Liak bathing with other prisoners.
Lying in cell.
Entry and exit from dorm/solitary
Letter from Jhimli
Playing carom.
Sound of carpentry
Sound of fabrication
Looms
33
Dining area.

SC 41. EXT. JAIL DINNING AREA. DAY

Liak is an arrogant loser. Says one day Ill get out and theres a fortune
waiting for me outside. LOOKS AT HIS TRAYarre wah Mutton Sagoti,
Prawn Biryani, Bombil fry. Gulab Jamun.aaj kiska birthday hai bhai?
OR sees a boiled egg. Aaj Sunday hai..din mein daru peene ka day
hai..

Prisoners are not amused. They collect their trays with daal and dudhi.
Liak sits with his daal and dudhi. looks at one guy staring at him and
loses it.
Every shot is a disturb shot in some sense. The sound, the edit..,..we
convey Liak hates this place and wants to get out asap.
SOME ACTIVITIES IN RAIN if its raining.
CUT TO:
SC 42. EXT. JAIL. FENCE. D/N.

A DEAD BIRD ON AN ELECTRIFIED FENCE,

IN CLOSE SHOTS..WE SEE A BUCKET HANDLE TIED TO A SET OF
TOWELS..BEING TOSSED ACROSS THE WALL .

TWO GUARDS WORKING ON FENCE..DONT SEE THE BUCKET AND
TOWELS.
SOMEONE JUMPS,

PRISONER IN LONG SHOT STARTS WALKING TOWARDS RICKSHAW ETC.
AND..SOME PASSING COP IN DISTANCE DOES A DOUBLE TAKE. AND IN
LONG SHOT WE SEE A MAD DASH IN THE DAY.THE PRISONER
RUNNING.COPS AND OTHER PRISONERS AND RICKSHAWWALLA TOO
CHASING,.

CAUGHT IN 15 SECONDS AND THE COPS SAY..joker!!!

THEY SLAP THE PRISONER. AND NOW WE SEE HIS FACE.

LIAK.
A MUCH OLDER LIAK.
34
FREEZE AS A SUPER APPEARS:

FIFTEEN YEARS LATER.
SC 43. INT. JAIL THE TONSURING AREA. DAY. RAIN?

Day. Tonsuring line up in jail. Few prisoners are praising a great escape
artist.....we find Liak listening to them.
He is also in the line-up..actually they are mocking him. Liak hears and
then snatches the razor used on him and threatens these chaps.

Quarrel heat up....but suddenly Liak writhes in pain and collapses....the
others are zapped...they look at each and run. Some try to revive
him.....one runs to the jailgate...

SC 44. INT. JAIL - HOSPITAL. DAY.

Some dramatic X-Rays in close up.

A doctor comes to Liak. He is cuffed to the cot. There is a Hawaldar
standing besides him.
Doctor stares at Liak.. Liak is watching curiously. CUT TO:

SC 45. INT. JAIL - COUNSELLING ROOM. DAY.

Intro of SHOBA. Shes in her 30s. Smart and attractive.

The jail doctor gives her the files as the Jailor is making some sarcastic
comment. Shoba says everyone deserves a second chance.can she
meet him now??.doctor says he is upsetShoba nodslets go

SC 45A . INT. JAIL - ANOTHER ROOM. DAY.

LIAK is crying. we have not seen him cry before.,.. Its a silent
weep.but crying he is.
SHOBA talks to him.LIAK wants to know if anything can be done.
SHOBA tells the cancer is far-gonehe has only about a year at max to
live. But there will be treatment.
Liak is not consoled.
Shoba looks at him. There is one thing I am going to try.

SC 46. EXT. BADLAPUR - ROAD. DAY.
35
Shes in a car. Shoba is driving. Music playing. Getting directions from

locals and also Checking directions on Google.

SC 47. E/I. RAGHAVS HOUSE - BADLAPUR. NIGHT.

A society secretary type guy is talking to Shoba.
He points to a terrace flat 3rd floor 2 BHK. Shoba is relieved. At last.
Shoba goes up.

SC 47 A. EXT. RAGHAVS HOUSE - BADLAPUR CORRIDOR. NIGHT.

There is a lock. She looks around. And just sits on the stairs.

Some time later.

RE-INTRODUCE RAGHAV

A BUS DROPS HIM/ OR HE DRIVES OWN CAR.
(No super. We see the 15 years on his face.)

RAGHAV AT STAIRS NOTICES A LADY ASLEEP. Shes 36 and attractive in
her own way. SHE WAKES UP.

Shoba: Hello.Mr RAGHAV.
RAGHAV: yes????

Shoba: ..you wont believe how difficult it has been to find youI
deserve a medal just for tracking youCan I come in..?

RAGHAV lets her inside. Thru her eyes..we see the space. Its
HERMITIC. ITS CLEAN. THERE ARE ONLY THE ESSENTIALS. INCLUDING A
TV. A FRIDGE, GAS AND UTENSILS.

SC 47 B. INT. RAGHAVS HOUSE BADLAPUR LIVING ROOM. NIGHT.

Shoba: I am ShobaI run Prayas..its an NGO focusing on jail
inmates..The idea being that prison can play a big part in
reform..So.This is our booklet.and website .actually I am here on
behalf of Liak ..Liak Tungekar.

36
Yes.the man who is in jail for being part of a robbery that killed your
wife and child.
He has been diagnosed with cancer of the . He has maximum a year
to live.

RAGHAV: why are you here?

Shoba: I am here because .if you give him a pardon..he can get a
release. he can spend his last few days as a free man. .it will give him
better treatment and a dignified death..

RAGHAV: is he in pain?

Shoba: Physical pain..Not yet.itll kick in .in a few months..he has
started chemo...here these are the reports. He has spent 15 years
in jail.

RAGHAV: He should have been hanged from a lamp post fifteen years
back. But this is better. He will die a slow and painful death

Shoba: I completely understand how you feel..

RAGHAV: (suddenly flares up) ReallyHow would you know how I feel
right now?

I am damn happy. This is the best piece of news I have heard in 15
years.I am going to celebrate.make a drink..Would you like a
drink?

Shoba: I would love one too..

RAGHAV: I have rum.

Shoba: a small..with cold water..

She watches RAGHAV make the drinkWE SEE THE HOUSE THRU HER
EYES..

Shoba: There are no pictures of Misha and Robin?
RAGHAV hands her the drink.
37

RAGHAV: I dont have any..(gulps his drink.goes to make another)

Shoba: Liak has spent 15 years in prison under wretched conditions.
Pardon my saying so Mr RAGHAV.but I think you are living in a prison
too. Maybe by forgiving Liak, you will get your release too.. I request
you to atleast meet Liak once. Maybe you will see a changed man..

RAGHAV stares at her... Nods.

Shoba: Oh thank you..i will arrange everything.. I apologize for
barging in like this. Thank you.

RAGHAV: You didnt touch your drink..

Shoba: Actually I drink only wine..(smiles)

Some THUNDER..

RAGHAV: you will drive all the way back?
Shoba: I dont see a choice. Im a bit wary of checking into one of the
highway hotels. Dont worry. Ill blast music and drive back. I am happy I
met you RAGHAV.

She leaves.

RAGHAV from his window watches her car driving away.Her drink is
untouched. He notices the cancer reports. Heck.shes left them behind.
Forgotten or intended.

HE GOES TO KITCHEN. TAKES OUT A KEY FROM A STEEL DABBA..

RAGHAV opening the LOCKED DOOR. He goes in.

SC 47C. INT. RAGHAV BADLAPUR HOUSE - SHRINE ROOM. NIGHT.

RAGHAV SWITCHES ON A LIGHT. ITS A GREEN ZERO WATT BULB.

WE SEE: SMILING PHOTO FRAMES OF MISHA AND KID. Their things. Her
handbag. The kids schoolbag. The unfinished train set. SO MANY OTHER
38
EVERYDAY THINGS. Every damn thing has a memory and a story. THE
PLACE IS CLEAN. ITS OBVIOUS THAT RAGHAV HAS KEPT IT CLOSED. BUT
CLEAN.

There is the big poster of RAGHAV with the kid. Batman with Robin.

RAGHAV SITS ON THE BEANBAG.SWITCHES ON THE FAN. THE
WINDCHIME.HANGING IN THE GREEN DARKNESS. AAAAH.SOME
AIR. IT CHIMES. A smiling picture of Misha. Making a face. RAGHAV
picks up the train engine that has derailed and places it on the track.
CUT TO:

SC 48. EXT. JAIL FAADE. DAY

RAGHAV gets down from a taxi.
In the distance. Cop Govind. Heck he is looking run down and old.
Govind comes to RAGHAV.
Govind: How are you?
RAGHAV: Fine.

Govind: the loot was never recoveredso if u pardonsurely LIAK will go
for his share. We will follow and catch the partner then.

GOVIND stares as RAGHAV walks inside the jail.

SC 48A. INT. JAIL - OFFICE. DAY

RAGHAV sits in an office..SHOBA and the warden gets him coffee.

They wait and then they open another door and nod. LIAK comes in.

RAGHAV looks at him.LIAK tries to do a namaste.comes and sits.
LIAK plays the contrite reformed convict to the gallery. We almost
believe him ourselves.

RAGHAV says give me the name of your partner and I will give you
pardon. Liak says I dont know him. I would not have suffered in jail so
long if I knew his name.
RAGHAV says you are lying. You know him. Liak says I dont.

39
RAGHAV looks at him..uncannily he reads LIAKs thoughts. so you

thought you will have your money and live your last few months as
king.no..you are a rat and die like that in the jail

He gets up .. He stops at the doorbtw, I had some nice meetings with
JHIMLI..she told you? LIAK rises..seething.

He tries to rise but his hands are cuffed.

The door opens. Shoba and the Jailor watch as RAGHAV walks out.
Shoba rushes to him.but RAGHAV keeps walking. Govind watches

CUT TO:
SC 49. EXT.INT. RAGHAVS HOUSE. BADLAPUR. NIGHT.

The Ganpati Bappa Morya ambience. (or some festivities..)

Badlapur is getting festive..and so the co-operative society. They have a
pandal and there is excitement in the society.
RAGHAV is moving through his houseThe kids and adults below
celebrating. The loudspeaker blaring.or maybe theres a tambola for
the society. The announcer: 2 fat ladies 88. Cut to:

Two fat ladies examining their tickets.
CUT TO:

SC 49 A. INT. RAGHAVS HOUSE. BADLAPUR. DAY.

RAGHAV. Drinking. Watching the festivities..5

And then the bell rings,

RAGHAV goes to the peephole.

There is a woman outside. Its LIAKS MOTHER.
RAGHAV opens the door. the woman is hesitant...
He says..I am not signing anything..please go away

5 Amitabh in MILI is a good reference
40
he goes to close the door.the woman says I have something you need.
RAGHAV laughs..you have no idea what I need. The woman looks at
him.I can give you the name of the person who killed your wife.

RAGHAV stares. Liak sent you?

Mother: No.he will kill me if he knew. But he told me to contact
someone last week. His partner.

my son.He has only so many months to liveplease dont let him die in
prison.

RAGHAV opens the door..please come in.

She enters and sits on the floor.
RAGHAV offers her some water.

She is grateful.

RAGHAV looks at her If I get the name of the partner..i will get your
son out of jail.

Mother: I have his name and number here.
SHE EXTENDS HER HAND..THERES A CHIT.
MOTHER: Liak told me to call this person.and say that he should keep
the money ready.

SC 50 - I/E. MONTAGES VARIOUS LOCATION. D/N

A nicely worded pardon letterbeing read by Shoba.(indicative
dialogues follow)

July 16 2000 ko Liak ko court ne meri wife aur bacche ke murder case
main 20 saal kathin karawas ki saza di thi aur tab se ab tak wo Yerwada
jail main 15 saal 4 mahine ki saza kaat chuka hai.
kuch dino pehle mujhe pata chala ki Liak ko cancer ho gaya hai aur wo ek
saal ke upar nahin jee payega.

Main Liak ko maafi dena chahta hun taaki wo apni baaki ki zindgi jail se
bahar azad hokar bita saken.
41

In pandrha salon main maine bahut koshish ki lekin main apne dukh se
bahar nahi nikal paya.

Lekin mujhe ye ahsas ho gaya hai ki Liak ko jail main rakhne se mera
dookh kam nahi hoga nahi mere khoye hue log mujhe wapas milenge.

Main is ummid ke saath Liak ko maaf kar rahan hun ki shayad nafrat ki
kuch diwaaren dhah saken aur uski azadi main main apni azadi bhi
dhoondh nikaloon.

On this we see

SC 50 A . POLICE STATION - OFFICE . DAY

Govind reacting to THE NEWS.

SC 50 B/C. I/E. PHONE INTERCUT SHOBHA/RAGHAV HOUSE .D/N

Shoba calls up RAGHAV.
She is so happy and grateful..Thank you. We must have that drink.

RAGHAV Says FOR SURE..ONE OF THESE DAYS WHEN I COME TO
TOWN.

SC 50 D. I/E. JAIL. COMMUNITY HALL. D/N

Liak is ecstatic. TV anchor waxes eloquent on the quality of mercy .. a
disbelieving and ecstatic Liak going around and embracing everybody in
his dorm.even his earlier tormentors.

SC 51. E/I. WAREHOUSE. BADLAPUR.

Warehouse. Trucks. Barrels. Activity. Sound. VISUAL CURIOSITY.
FASCINATING SHOTS AND IMAGES BUT WHAT ARE WE
WATCHING.AND WHY?
AND THEN WE SEE RAGHAV talking to a senior person that he will need a
few days leave.

A YOUNG FOREMAN RUSHES TO GREET HIM.
42

FOREMAN: SIR..(OFFERS HIM PEDA BOX) . I got a baby boy Sir. You
must come for the naming ceremony next week.

RAGHAV: (smiles) Congratulations Kamdar.

He takes peda, breaks into two. Puts one in proud fathers mouth and
the other in his own.

SC 52. BADLAPUR STATION. DAY.

The drumbeats have begun..

RAGHAV boards the train. We hold on the station name. BADLAPUR.

CUT TO:

THE TRAIN WHIZZING TOWARDS PUNE

SC 52 A. PUNE STATION. NIGHT.

A train stops

AND MISHA GETS OFF..
WE SEE SHES PREGNANT..

SHE SPOTS RAGHAV..
RUSHES TO HUG HIM.
RAGHAV: (bends down to her tummy.whispers to kid) Welcome to the
land of the Puneri Missal

Misha: .the land of the Peshwas.

WE SEE RAGHAV AND VISIBLY YOUNG AND PREGNANT MISHA..WALK
TOWARDS HIS CAR AS WE DO A WIPE AND SEE.

SC 52 B. PUNE STATION. NIGHT.

RAGHAV..IN PRESENT AVATAR at stationThe mood is Amitabh
Bachchan in Do Anjaane. (2nd half)
43

SC 53. PUNE. UNSPECIFIED LOCATION. DAY/NIGHT.

We see RAGHAV in a public place. We realize he is watching someone.
Following someone.
And the we see.his target.

Harman. THIS IS THE FIRST TIME WE ARE SEEING HIM. OR.we saw a
younger thinner face earlier.. How he has changed in the last 15
years

The POV camera moves towards HARMANHe looks intimidating and
then we hear a snatch of conversation..

Harman: (on phone) ..why did you break the legs? What did I tell you?

He is waiting at an elevator. Maybe a bubble lift.
RAGHAV moves towards the lift.
Harman is on the phonetalking to someone.
Harman: Once the crabs are cooked.shove them in the masala.
Achha.am entering the lift will call later.

Harman gets into lift. With two other people. RAGHAV ENTERS.GETS IN
TOO.

Harman stares at him... On Harmans face.fck.this guy.here.He is
the husband. Whats he doing here? its a coincidence of course.THE
LIFT STOPS AND RAGHAV WATCHES HARMAN..
HE STRIDES TO HIS SUV..AND TURNS BACK TO LOOK AT RAGHAV..

RAGHAV IS STARING GENERALLY IN HIS DIRECTION. HARMAN GETS INTO
HIS CAR..DRIVES OFF.STILL LOOKING AT RAGHAV.
RAGHAV WATCHES THE CAR GOING AWAY. 6

INTERVAL

6 option: Harman playing cricket match neighbor hood kids. The ball rolls.
Harman rushes to it. RAGHAV is watching. Maybe he throws back the ball.
44
SC 54. E/I. WEDDING RECEPTION/ HOLI PARTY/ NIGHT.

Intro KOKO.(IN HER 30s.SHE IS DANCING. THE LIFE OF THE PARTY.)
Or shes cracking a non veg joke. Her laughter is raucous.
We wonder who she is.
The angles we shoot, can HINT that its someones POV.

SC 55. E/I. DESOLATE ROAD - KOKOS CAR. NIGHT.
(PIMPRI TYPE AREA STREETS)

The street is desolate. Koko in car driving. Music.
In close up.we see her tyrea big nail is embedded. (some such
thrilling shot)
The tyre goes bang.Koko curses..shit

She gets downlooks at the nailshe looks worried.
A car passes by.and then comes back
RAGHAV is in the car.
He examines car and offers to give her a lift.
Koko bit wary but what the hell.a good Samaritan.
She thanks him, makes a call to ... says what happened and I got a lift
from Mr MJ 12 3884..(turns to RAGHAV, big smile) better safe than
sorry
They drive.

SC 56. INT. DESOLATE ROAD - RAGHAVS CAR. NIGHT.

RAGHAV and KOKO conversation. Got to be engaging and relevant to
our story and characters.
RAGHAV notices her wedding ring.
Some talk about spouses. Kids.

She notices a pic of misha and robin.ah so lovely

She tells about husband. He runs a hotel on ..road. ViJAY PALACE.
Invites him if he is in that side. Good Rawas..you non veg I hope?

SC 57. EXT. HARMANS BUNGALOW FAADE. NIGHT.

The car stops in front of a neat bungalowplease come in. RAGHAV
45
declines. Will visit your restaurant for sure sometime.

Koko says bring your wife and kid too..its a family restaurant.
She : Pardon my saying sothey look so young.please bring
themRAGHAV says maybe .He waves as Koko goes in As she
rings the bell and door opens.we see its Harman.

SC 58. INT. PUNE ROADS - RAGHAVS CAR. NIGHT.

RAGHAV driving.

SC 58 A. I/E RAGHAV MISHA LOVE STORY. PART 2. D/N (OPTIONAL)

RAGHAVs flashback with Misha. Avoid cute. A real moment in a real love
story. MUST FIND INTERESTING VIGNETTES AND GOOD TRANSITIONS IN
AND OUT.

SC 59. INT. VIJAY PALACE RESTAURANT. NIGHT.

Two marinated Bangdas thrust into hot oil. We are in Vijay Palace.
RAGHAV is sitting is sitting at one cornerhe drinks. then suddenly the
door opens and Koko comes in.

She walks in and is extremely surprised to see RAGHAV hey you here??

RAGHAV nods..how is it for surprise??
Have you met my husbandsays Koko.no..not yetJust a minute..says
Koko and rushes in.RAGHAV drinks.and Koko brings out her
husbandhere .. this is the gentleman I was talking to you about.the
one who gave me the lift.RAGHAV looks up and smiles

HARMAN freezes.
Hi HARMAN says RAGHAV and extends his hand.HARMAN looks like he
has seen a ghost.
Koko askswhy havent you brought your wife and kids.
RAGHAV smiles.sit down he says
Koko sits and pulls HARMAN down by hand.
RAGHAV says..actually I lied to you.
Lied?? Koko is surprised.

46
RAGHAV says my wife and kid died 15 years back..in a bank

robberydidnt want to tell you a sob story that night

OMG.Koko is ashen..that IS terrible.

HARMAN stares at RAGHAVRAGHAV looks at both of them. even
more terrible is that they never got the one who actually shot them
(Harman licks his lips here)but lets not talk of old things.why not
recommend a dish??

Oh sure Koko says..try out this Rawas Koliwadabut wait.let me first
check if we have good mussels today..

She rushes in to check. Harman looks at RAGHAV.
Its Clint Eastwood looking at Lee Van Cliff.
Who is going to blink first.

SC 59 A. INT. VIJAY PALACE - KITCHEN. NIGHT

Koko instructing the cooks.TWO MARINATED Bombay ducks ARE
CHUCKED INTO BOILING OIL.

SC 59 B. INT. VIJAY PALACE - KITCHEN. NIGHT

KOKO RETURNS. She has got something cooking. THE CONVERSATION
HAPPENS NOW ON TWO PLANES.AS KOKO COMES BACK..THEY SHIFT
TO SHOP TALK..BUT WHEN SHE GOES INHARMAN AND RAGHAV SPUR.

RAGHAV GETS AN INVITE FROM KOKO TO COME FOR LUNCH NEXT DAY.
She says the mussels must be done. Ill just get.Refill?

She leaves.

Finally Harman says..my wife doesnt know. Dont tell her. RAGHAV
says thats your problem.
He walks out.

Koko returnswith the mussels.surprised to see RAGHAV gone.
Harman tells her lets go too. Francis.get my car

47
SC 60. EXT. HARMANS BUNGALOW FAADE. NIGHT

Harman and Koko drive in. We see them enter the house.

In the distance, in his car. RAGHAV is watching.
The house lights go on.
RAGHAV debates (rather I am debating) whether to go to the window
and peep into their lives.
RAGHAV goes to the house.
Peeps. Chabrols The cry of the owl. Patricia Highsmith. Must watch
again.
We see Harman and Koko. We cant hear.but its something
important.we can see from their body language.

HARMAN AND KOKO. HE IS CONFESSING HIS PAST CRIME. SHE IS
SHOCKED. Chabrol.

SC 61. INT. BARBERS SALOON. DAY.

A Bhojpuri film is on the TV
RAGHAV shaving his beard.
(IF WE CAN SCHEDULE THIS AND GET AN INTERESTING LOOK
VARIATION) or just having a tel maalish. Head massage.

SC 61A. INT. PHONE INTERCUT SHOBHA HOUSE. DAY

She is on the phone talking to RAGHAV.
Shoba: Liak is getting out of jail tomorrow. And its thanks to you. I
would like to take you out for lunch Small celebration.
RAGHAV SAYS sure.i would love to. Rain check?

SC 62/A/B. E/I. HARMANS BUNGALOW - FAADE/LIVING ROOM. DAY.

Harman opens the door. RAGHAV walks in. Looks around.

RAGHAV: Where is your wife?
Harman: She had some work

RAGHAV: Thats rude. Ill come some other time maybe.

48
PICKS UP SOMETHING. AND SMASHES THE TV..

RAGHAV: you want to call the cops?

There is a sound. Koko emerges from a room.

Koko: Please sit..

RAGHAV sits..Koko and Harman also sit.

Koko: I got to know two things last night. My husbands past and what
happened to you. I am really sorry.

Harman: I didnt kill your wife and child. Liak did.

RAGHAV: He says you did.

Harman: You spoke about a deal.

RAGHAV: Tell me what do you have to offer.

Harman: I invested the proceeds of the robbery. It is appreciated to ----. I
can give you 4 crores. Liaks share.

RAGHAV: So Mrs--- do you think thats a fair deal?

Koko stumped.

Koko: No amount of money can recompense your loss.

RAGHAV: (to Harman) even she feels that wayThereIll have to go to
cops.

Koko: Dont! You can have everything. The hotel, our house, all our
money. Everything. We can start from scratch.

RAGHAV: (to Harman) you ok with that? You think thats fair?

Harman: ..(nods uneasily)

49
RAGHAV: You didnt steal my money. You stole my life. I have a deal for
you. I want to sleep with your wife.

Harman springs uppossessed by sudden rage..he grabs RAGHAV by
the jugular

RAGHAV: go on..you want to kill me .go ahead..you think that will
save yougo ahead..you fucking killer..c0me on..kill me..maybe
the neighbours will call the cops

HARMAN has lost his muscle to happiness and prosperity..

Koko intervenes. STOP.I AM READY.

Koko: I am ready. I am willing to sleep with you.

Harman turns to Koko..

Harman: What the hell..you go and let me handle this.

Koko: Let me handle it Harman. YOU WILL FORGET THIS LIKE I WILL
FORGET THE MURDERS.

RAGHAV is watching them.she comes to him.

RAGHAV: Your bedroom is upstairs right?

Harman sits in the sofa. He watches them take the stairs.
-
We hold on Harman as the door locks from inside.

CUT TO:

INT. BEDROOM. DAY.

RAGHAV AND KOKO standing..

RAGHAV: SO.strip.

She moves towards the bathroom.
50

RAGHAV: Stop. Right here.

Koko strips.
RAGHAV watches her shes not looking at him.
Look at me.he says.

As he looks around the room.
Theres a younger picture of Harman and Koko..in some foreign
destination.

Shes in her bra and underwear.

RAGHAV: Why are you doing this?

Koko: Isnt this what you want?

RAGHAV: Your husband is a killer. You are willing to sleep with another
man to save him?

Koko: He told me he didnt do it. I believe him.

Cut to

Harman coming up the stairs.
He has an antique metal statue (or some such) in his hand. He looks
crazy.

And then he hearsKoko laughing out loud.

She continues laughingAnd then a happy scream..

Harman stares at the door helpless. Sits on the stairs.

CUT TO:

INSIDE THE BEDROOM.

KOKO STOPS LAUGHING.
51
RAGHAV: ok.one day you are coming down the stairs in a hurry.and
you fall..how will you scream..Scream.

Koko fakes a pathetic scream.

RAGHAV: Louder..

She screams louder.Fake..

RAGHAV: (whispering) LOUDER..You know how to fake an orgasm
dont you?

Koko screams. And she laughs. Its funny and pathetic.

RAGHAV: Give me a full throated laugh.

RAGHAV drinks water and splashes some on his face.

In a while the door opens. Harman turns.
He sees RAGHAV exit..and a glimpse of Koko in underwear rushing to
bathroom.
THE CALL FROM SHOBA COMES HERE Oh.im with friends
SHE TELLS ABOUT LIAK RELEASE

RAGHAV: Liak is getting out TODAY. He will try and contact you for sure.
I want to know when he does. And till then..shes mine..

Koko enters in a sari.

RAGHAV leaves.

Harman looks broken.

Koko: Listen he didnt do anything. He is a crazy guy. He told me jokes
and asked me to laugh. Listen we are going to make it out of this. Just
hold on.

They hold each other. Harman hugs her and cries.

Or raves and rants about how he doesnt care and will kill the bastard..
52
Koko asks him if he killed the wife and child.

Harman says NOOOOO. I didnt.
Do you think the police will believe you? Harmams face.

CUT TO:

SC 63. E/ I. JAIL FAADE. DAY.

Liak GETTING OUT OF JAIL. MANY VIGNETTE SHOTS..ending with.

SC 63A. INT BARBERS SALOON. DAY.

LIAK GETS HIS HAIR DYED..

SC 64. EXT. UNSPECIFIED LOCATION. DAY.

Liak on way home.a tailing cop in mufti. Lets call him Khanolkar.

SC 65. E/I. LIAKS HOUSE. DAY.

Liaks mother hears knockshe goes and opensher jaw drops.LIAK is
thereshe hugs Liak as she cries REUNION. PERFORMANCE SCENE.

TRANSITION TO:

SC 66. EXT. PUNE CITY - ROADS. NIGHT.

LIAK .a night in the city. We see the cop Khanolkar is watching him.
Liak knows too. GET VISUALS..PRECISE AND UNSEEN.


JHIMLIS PLACE. There is a young sexy whore there. She says Jhimli left
some years back. I am here now UNCLE. If you can afford me. Liak takes
Jhimlis address. SOMETHING TO SUGGEST ITS THE SAME PLACE BUT
AFTER 15 YEARS. THIS IS A VERY BRIEF SCENE.

53
SC 68. E/I. JHIMLIS NEW PAD (BORIVALI). NIGHT.

JHIMLI OPENS DOOR TO FIND LIAK. FOR A SECOND SHE STARES. AND
THEN SHE BURSTS INTO TEARS. I read in paper. I thought Id come and
meet youbut not sure if .we have not met for so long. I SENT YOU
TWO LETTERSno reply.

Liak stares at her.

(15 years is a long time.. We have option of showing her as sexy as she
was in the pastwith a bit of age. Or maybe more interesting if shes a
bit of a wreck too.)

You are looking fine man.is there pain?
Can I get a glass and ice. He pulls out a nip of whisky.

He drinks and she drinks and she talks about her life.

Colaba place needed a younger girl. She moved here some years back.
Says shes PATIL SAABS MISTRESS. He lives in Latur with his farm and
family. Comes once in ten days. (chuckles) cant get it up. And you know
what? I am paying installments for this house too. 2018 mein
possession milega..

Liak laughs. Says he has one year.BUT.

Buthe is going to come into some big money. He wants to take her
away.have a good time. And once hes gone, she gets half and his
mother gets halfof what is left.
JHIMLI IS TOUCHED. LIAK ASKS IF HE CAN BORROW SOME MONEYSHE
GIVES HIM 50K.

Do you want to .? She asks. He says I am on medication. Thanks for the
loan. SHARP CUT


Liak fucking. AND WE SEE ITS the younger whore. HE HAS A GOOD
TIME.

54
She counts the money. Thank u for the tip. Come again.
LIAK smiles.as he wears shirt he quietly picks up the whores
mobilehe is tipsy.plants a wet kiss and waves and goes out.

SC 70. E/I. MUMBAI STREETS - COLABA. NIGHT.

LIAK is out.the Cop Khanolkar is having pav bhaji. Watches curiously as
Liak approaches him.

Liak: I am taking a taxi to Pune. Why dont we share the cab and save
some money.?
Cop looks flummoxed.

SC 71. EXT. LIAKS HOUSE ROOM. NIGHT.

His mother is awake. Where did you go?
Liak says dont ask stupid questions. ARRE.you sleep na.
Takes out whores mobile. And makes a call.

SC 71A . INT. HARMANS HOUSE. NIGHT. (intercut both locations)

HARMAN AT HOME. KOKO IS THERE TOO. SHE WATCHES AS HARMAN
SPEAKS..

HARMAN: Whose number is this?
Liak: its untraceable. You got the money?
Harman: Yes..and the passport. Arent the cops watching you? Isnt it
too soonI thought..
Liak: I have to make the most of the time I have left. So tomorrow is
dday. I have befriended the cop. The next anda bhurji he has with me will
send him to sleep for ten hours. By which time Ill be on my way to
Kathmandu. So meet tomorrow at ST Bus Stand near station.
Liak: Tomorrow night .

THE TALK between two old crime comrades. Should be a Melville tone.

SC 71B. INT. HARMANS HOUSE - BEDROOM. NIGHT.

Harman alone. Koko comes and asks what.
He wants to tell Liak.maybe kill RAGHAVand take his chances.
55
She is dead against it. THEY DISCUSS OPTIONS.realize they dont have
any. She takes Harmans phone and calls RAGHAV.
CUT TO:
SC 71C. E/I. PUNE. UNSPECIFIED LOCATION. NIGHT. (ext restaurant?)

RAGHAV gets call from Harman.
Liak called. He wants to meet me tomorrow and take his money.
RAGHAV:Where is the money?
Harman says its not at homehere and there.hell get it all by tomo 2
pm.
RAGHAV says great.I will come to your house at 12 noon. Make sure
Koko is there. And some beer in the fridge. I will have some fun, collect
the money and get out of your lives forever.

Harman: what about Liak? He will be waiting for his share and
passportif I dont meet Liak and give him his share.. .he may tell the
cops about me. He has kept quiet for 15 years..

RAGHAV: dont worry about Liak. I will meet him and deal with him. I
have the money he wants. He wont bother you again. And book two
tickets to Shirdi.take a couple of days off from work. Go and do some
penance.

HE HANGS UP.

SC 71D. INT. HARMANS HOUSE - BEDROOM. NIGHT.

WE STAY ON HARMAN..AND KOKO
Harman says that RAGHAV will come at noon tomo. Koko says fine. Its a
good deal. Harman looks at her..You think so?
CUT TO:
SC 72. EXT/INT. RESTAURANT. PUNE DAY AND NIGHT.

MISHA: THE DEAL SOUNDS GREAT..
RAGHAV: YOU THINK SO TOO?
MISHA: its a two year stint in Europe. Working with the main agency.
Itll give you terrific exposure.and the money is good too. Sounds
fantastic.

RAGHAV IS STIRRING A CUP OF COFFEE
56
CUT TO:
CLOSE UP OF COFFEE CUP AND SPOON.

MISHA IS STIRRING.

They both look the youngest in the film so far. They look like college
kids in love.

THEY ARE IN A happy looking RESTAURANT ON MAIN STREET

RAGHAV: Its fantasticyah but.

Misha: So whats the catch?

RAGHAV: .Do saal hum mil nahin sakenge.youre ok with that?

Misha: do saal tum azaad ho.sorry humaur hummein pata bhi chal
jayega whether we are serious about each other.

RAGHAV: But I am serious about you dammit. Arent you?

Misha: Great.to ek aur khush khabar suno. Ive missed my periods.

RAGHAV: What? Are you..Did you check?

Misha: (Continues) To option two hai..tum is assignment ko mana
kardo.aur hum shaadi karlete hain..

RAGHAV: shaadi ???? I am 22and you are 20..

Misha: Agar hum tan man se ek ho gaye.to we are 42.

RAGHAV: ARE U JOKING OR SERIOUS OR WHAT?

She: if you love me..dont lie to me.. am not blackmailing you or
pressurizing you or pleading with you. Tum Europe jana chahte ho.
Its a fantastic offer. You must..

RAGHAV: Tum kya karogi?

57
Misha: .Unwed mother banoongi. Mein writer banna chahti hoon. I

need experiences..

RAGHAV: You are mad...

Misha: No.i am BA. Lit. Jadavpur universityThere is a tide in the
affairs of men, Which taken at the flood, leads on to fortune. Omitted, all
the voyage of their life is bound in shallows and in miseries. On such a
full sea are we now afloat.. William Shakespeare
Misha: matlab yeh decision humara life bana sakta hai ya bigad sakta
hai.
CUT TO
SC 72A. EXT/INT. RESTAURANT. PUNE DAY AND NIGHT.

Coffee cup being stirred. We see older RAGHAV.
IN SAME restaurant. Its night now..

WILD STRAWBERRIES and MAUSAM zone and we CUT TO:

SC 73. EXT. UNSPECIFIED LOCATION. NIGHT. OPTIONS REQD.

We see RAGHAV on phone..Near an abandoned well or a construction
site..Big cranes and trucks. All silent. The place is desolate.
hi..not too late to call?
Want to meet for lunch tomorrow?
Great.

SC 73A. INT. SHOBAS HOUSE. NIGHT.

SHOBA GETS A CALL FROM RAGHAV. PLEASANTLY SURPRISED AND
EVEN MORE SO.WHEN HE ASKS HER OUT FOR A LUNCH DATE. She says
we can meet at my house. Do you like dhansakIll cook some .

SC 74. INT EXT. LIQUOR SHOP. PUNE CITY. DAY.

RAGHAV buying a bottle of red wine.

58
SC 75. EXT. INT. HARMANS HOUSE. DAY.

Koko watches RAGHAV open the gate and enter. He has a big bag and a
bottle of wine. SHE OPENS THE DOOR.

RAGHAV: Keep this in the fridge. Its for LATER.

SHE ASKS IF HE WANTS SOMETHING TO EAT. My husband will be back
by 2.30..

RAGHAV: That gives us one and a half hours. Lets not waste time. Lets
go to your bedroom.

She is zapped.
He just stares at her.
RAGHAV: What happened? You prefer doing it with your husband
listening?

Koko tries to smile.
Koko: Come..

She walks up. He follows. They enter the bedroom.

He doesnt shut the door this time. He goes to a chest of
drawers..opens it..looks at various undergarments.picks a wine red
negligee.

RAGHAV: Go and have a bath..and wear this..

SHE GOES IN..He watches her lock herself in.
He starts unbuttoning his shirt.

SHOULD THERE BE MORE CONVERSATION?

SC 75A. INT. HARMANS HOUSE BATHROOM. DAY.

Koko locks door from inside. Looks at mirror. Is he going to sleep with
her today. Her phone rings. Harman.

59
Koko: (lies) Its all ok.he wanted some tea..i am making.he is

behaving normally. I am fine.

Harman says he will be home in an hour.

SC 75B. UNSPECIFIED LOCATION LOCKER

INSERT: HARMAN OPENING PACKET WITH GUN.FROM LOCKER.
CUT BACK TO:

Koko hangs up. Looks at the negligee.
She turns on the shower.and stands under it with all her clothes on.

We see her face. She is preparing herself. Ok.so he will sleep with me.
Ok.CUT TO:

SC 75 C. INT. HARMAN HOUSE - BEDROOM. DAY.

KOKO steps out.
Here I amwant some red wine? And then she stops.
REACTS.
HER POV. There are plastic sheets all over the room.
She turns to see RAGHAV ..
He is in his underwear. He has a heavy antique item in his hand.
HE STRIKES HER WITH it.

SHE FALLS mid scream.
HE HITS HER AGAIN.
Shes GASPING. He watches her breathing in gasps .trying to say
something.. the whole thing is BRIEF, SHOCKING AND TOTALLY
UNEXPECTED.
WE WATCH WITH HORROR AS RAGHAV SITS ON A PLASTIC WRAPPED
CHAIR AND WATCH HER MOAN IN PAIN.We DONT LIKE THIS MAN.
AND HER PHONE RINGSITS HARMAN

RAGHAV: What.
Harman: I want to talk to my wife.
RAGHAV: She cant ..right now..you got the money?
Harman: Ill be there in 15 min

60
RAGHAV goes to Koko who is moaning..this time for real.

He watches her
Hears a car outside.. and walks down the stairs..

SC 76. E/I HARMANS HOUSE FACADE - DAY

HARMAN ENTERS. With a suitcase.

SC 76A . E/I. HARMANS HOUSE LIVING ROOM. DAY

RAGHAV IS SEATED ON SOFA. He is in his underwear. The broken tv set is
gone

Harman REACTS. where is my wife?

RAGHAV says upstairs. Harman RUSHES upstairs.

SC 76B. INT. HARMANS HOUSE- BEDROOM. DAY

HARMAN Enters the bedroom .zapped by the plastic.and sees
her.collapsed on the floor.
Shes moaning. Shes alive
Harman:. call an ambulance.

With a scream he goes to her.

RAGHAV is behind him. RAGHAV hits him with the antique.

RAGHAV says it came.they took her to the ICU .i met her for a few
seconds..she was trying to tell me something

Harman pleadsget a doctor
.RAGHAV rants at Koko .do you see the darkness.what do you see?
What was my wife telling me?

Harman watches Koko die. He goes crazyhe pulls out the gun but he is
too late. RAGHAV strikes him one lethal blow.

Harman collapses on the plastic. Next to his wife. There is a lot of blood.
61

The cold blooded RAGHAV. Swiftly bundle up the corpses in plastic.
Carries them to Harmans car. (info shots, so find a way to do it)

SC 76C. EXT. HARMANS HOUSE- FACADE. DAY

RAGHAV walks out of the gate.to his car. He is fully dressed. He has the
suitcase and the bottle of wine. He goes to his car.

SC 77. INT. SHOBAS HOUSE LIVING ROOM. DAY.

RAGHAV with the bottle of Champagne rings Shobas door. She opens.
A bit angry. It shows on her face.

RAGHAV: two hours late. I am so sorry.I had to go all the way to
Hadapsar to get this..

Shoba: (her anger dissolving into a meaningful smile) And where are the
roses?

RAGHAV: Misha loved roses.

Shoba: Come in..My house..

RAGHAV looks around. Pictures of a bright kid.

Shoba: Thats Tina..shell be back evening.

RAGHAV: No pictures of your husband.

Shoba: We are divorced.

SHE EXPERTLY OPENS THE BOTTLE OF CHAMPAGNE AND POURS OUT
TWO BUBBLIES.

Shoba: To the ones we lost..

Shoba gets the Prawn starters.We see that she has a bit of an
OCD.But we like her..

62
THEY ARE DRINKING.

Shoba: So..you just went off the radar..all these years..do you want
to talk about it.

RAGHAV: I dont know if I can explain it. Her parents.kept in touch with
me.They both died within three years. I couldnt go back to the world I
knew.i tried to kill myself .

Shoba stares..And?

RAGHAV: The truck just.saved me.And then I said I wont kill myself.
Theres no guarantee theres a heaven and Ill meet her. Maybe Ill be
reborn as a horse or a flyYes..i have been a loner. I once thought
Id meet a psychiatrist but I know how they talk.

Shoba: Life is so weird. You love someone you have lost. I hate someone
who I was close to..My husbandRanjan .(she continues her story as)

We cut to a long shot.

Shoba INTERRUPTS HER OWN STORY AND SAYS..DO YOU LIKE
OLIVES.I GOT SOME FRESH OLIVES ..

she gets up and SWAYS TO THE KITCHEN.. RAGHAV CAN SEE SHE IS
DRUNK..

SHE RETURNS WITH THE OLIVES..she was such an expert with the
champagne but now its tough to open the jar.
RAGHAV opens it.

She eats one.

OFFERS TO RAGHAV.
HE EATS ONE TOO.
SHE SPITS OUT THE SEED..SORR.SORRY

RAGHAV: You are drunk.

SHOBA SLURS A bit.This is so embarrassing.Do you mind if I lie down
for a bit.
63

RAGHAV HELPS HER TO A COUCH.

SHOBA: I was telling you something.i forgot....are you in a
hurryare you hungry?

RAGHAV: No..

Shoba: will you massage my neck.

CUT to:

SC 78. INT. LIAKS HOUSE. NIGHT.

Liak at home. With his mother.
Spending quality time with her. Talking to her. Shes like every mother.
We realize he is saying his goodbye to her. Leaves his house.followed
by cop.

SC 79. E/I. HARMANS BUNGALOW - FACADE. NIGHT.

Brief info shots..How RAGHAV drives out with the plastic wrapped
bodies in Harmans SUV.

SC 80. UNSPECIFIED LOCATION. NIGHT.

RAGHAV DISPOSES OFF THE BODIES. HE LOOKS AT THE GUN. AND
DISPOSES THAT OFF TOO.
CUT TO:
SC 81. E/I. VICTORY CINEMA - AUDITORIUM. NIGHT.

Liak watching a film in VICTORY talkies. The cop is watching. how Liak
gives the cop the slip. Asks cop if he wants popcorn. Cop nods.Liak gets
out. Cop hooked on movie.

SC 82. EXT. BUS STATION. NIGHT.

Liak gets off rickshaw.enters..
Liak is waiting. There is a floating crowd around him. (ideally real
locationnot staged)
64

RAGHAV is watching him.

Some time later. Liak getting restless. Harman is more than an hour late.
RAGHAV approaches Liak.

Hello..Waiting for your friend? He is not coming.

Liak zapped. What friend? What are you doing here?

RAGHAV: Hes gone How is the cancer? Paining?

Liak is too stunned to react. RAGHAV leaves. Maybe disappears into
crowd.

SC 83. INT. VIJAY PALACE. NIGHT.

Liak looking at a framed article from Pune Times.about Harmans hot
eateryA smiling picture of Harman and Koko with some celebrity.
7
LIAK STARES AT THE HAPPY FACE OF HIS PARTNER AND HIS BEAUTIFUL
WIFE.
Liak: .saab kidhar hai? Waiter says Shirdi gaye hain.Missus ke saath.
Liak: (points to pic) missus?
Waiter nods.
Liak: Wapas kabhi aayega.
Waiter: 2-3 din

CUT TO:

SC 84. EXT. VIJAY PALACE- FACADE. NIGHT.

ITS SHUT. Liak is talking to watchman.

Watchman: boss is missing. Some gadbad. Police had come in morning.
Liak alarmed.

SC 85. COP STATION/ UNSPECIFIED LOCATION. DAY.

Mufti cop Khanolkar tells Govind that Liak has been going to vijay palace
LAST FOUR DAYS..

7 Shivaji Satam
65
COP GOVIND: Why? Good food?

Cop: I didnt enter. Didnt taste.

Govind: Dumbo..isnt that the same place where there was a missing
persons report. Vijay Palace..hey Kadam what was that flash that
came. Missing persons.

Kadam: (FILLS IN SOME DETAILS ON HARMANS RESTUARANDcc camera
footage.his car is missing .. We dont know if he went to Shirdi at
all.On Govinds face we cut to:

COP says the hotel had cc tv outside..some interesting footage.

GOVIND stares. a grab of RAGHAV drinking..A grab of RAGHAV with
koko.
Whats this guy doing here?

SC 86. EXT. WAREHOUSE - BADLAPUR. DAY.

GOVIND MEETS RAGHAV..
GOVIND GRILLS RAGHAV ABOUT HARMAN. GETS NOTHING BUT
SARCASM.
GIVES HIS ALIBIWAS WITH SHOBA.
DOING WHAT?
DRINKING WINE IN THE AFTERNOON. And the rest.you can ask her..
Cop Govind leaves

SC 87 . HARMANS HOUSE - BEDROOM. DAY.

TIGHT CLOSE UPS..
We see a pair of feet climbing on a chair. Trying to reach further high.
One foot gets on to the armrest.
The chair wobbles dangerously as the other foot is also on the other
armrest. It looks like a SUICIDE ATTEMPT..AS.

SOMEONE SHOUTS AND COMES RUNNING TOWARDS CHAIR.
And we realize.we are in HARMANS BEDROOM

Govind at the spot of the horrendous double murder.
66

He is on a chair trying to EXAMINE/ SCRAPE some red speck from the
ceiling.

BLOOD.

SC 88. EXT. UNSPECIFED LOCATION/ POLICE STATION 2. DAY.

Liak picked up by cops. Hey..wtf..

CUT TO:

SC 89. INT. HARMANS HOUSE. DAY.

LIAK ENTERSwhat is this place.LIAK LOOKS AROUND. SEES A PIC OF
HARMAN AND KOKO.AND THEN HE SEES GOVIND.

Govind HAS BROUGHT HIM HERE FOR A REASON. You know this guy?
Points to pic of Harman

Liak shakes his head.
Govind: He owns the restaurant where you went last four days.

Liak: I felt like sea food sir..not a crime.
You know Harman
Liak says I dont know..
Govind says he was a nobody 15 years back. Then got a lottery.or so he
says
Liak: Why are you telling me all this..

Govind asks why Liak gave them the slip last Friday.

Liak says he wanted to score some ganja because of the pain. He is
dying.

Liak: so who are these two..and what happened to them..
Govind lets him off..with an admonition.

67
SC 90. EXT. INT. LIAKS MOTHERS WORK PLACE. DAY.

SHE HAS A LITTLE SHOP SELLING TEA, CREAM ROLLS AND SAMOSA. A
solo operation. Liak watching her at work, serving customers. He goes to
her.. I wont make any dramajust tell medid you tell anyone
about Harman.

Mother stops frying.Yes. She told RAGHAV. Thats why he got the
pardon.
Nawas thinking furiously. Fck. Thats how RAGHAV knew. What else
does he know? Maybe he knows where Harman is.

SC 91/ 91 A. INT. RAGHAVS BADLAPUR WAREHOUSE . NIGHT.
(PHONE CUT) RAGHAV AND SHOBA.

SHE IS FURIOUS. Shoba with RAGHAVwhy did u tell the cop about us?
Did you have anything to do with the disappearance? He said you told
him that you came to my house at one thirty.Did you have anything to
do with the disappearance of that couple.
RAGHAV humiliates her..ending with..if I am arrested you will come
and give me gyan then.. I have to hang up now.

Its Cop Govind. Wiping sweat or rain depending on season.

Govind tells RAGHAV about the various proofs he has collected and says
he has enough to arrest him.

RAGHAV laughs at the irony. Imagine me getting arrested ....i lost my
family.i pardoned one of the killers.and the police after 15 years find
the second partner..and accuse me.??? the press will have a field
day.

Govind stares at RAGHAV. I have a proposition.

I am retiring on Monday. I need a nest egg. Harman is dead so that
means you have the loot money. Give it to me and I tear up my report.
Theres enough to send you to jail.I am retiring on Monday.
..give me the money.and you go free.
Think about it.

68
RAGHAV watches Govind leave.

SC 92. EXT. BADLAPUR STREETS. NIGHT.

PASSING SHOT. RAGHAV going home.

SC 93. E/ I. RAGHAVS BADLAPUR HOUSE. NIGHT.

RAGHAV enters his house. Switches on the lights.
The SHRINE ROOM IS OPEN. ITS IN A MESS.

AND THEN.SOMEONE grabs/ KNOCKS RAGHAV OUT. ITS LIAK.

Where is the money? Where is Harman?

Liak attacks RAGHAV.tries to throttle him.
RAGHAV throws him back.
A brief INTENSE FIGHT and Liak gives up.
HE DOESNT HAVE THE STRENGTH HE HAD 15 YEARS BACK.
AND THE CANCER. HE GIVES UP.

RAGHAV watches him panting.regaining his stamina.

RAGHAV says they are both dead.
Liak cant believe. What do you mean? How?

RAGHAV says I killed them.
Liak cant believe.
What did you do? How did you kill them?

Harman went to get the money. I first made her unconscious and then
killed her in front of Harman..when he came back.
He tried to attack me but I hit him with the spade

Liak: I dont believe this. Where are they? Where have you locked them
up?

RAGHAV Describes what he did with the bodies.
You want to dig them up?
Liak is psyched.
69

Liak: I was the culprit. I killed your family.yes I did. I was high that
morning. I panicked. I didnt know what I was doing. I have regretted it
all these years..and you are worse than me. You killed two innocent
people. You are a monster.

Liak makes a drink.

Liak says you left a lot of clues.you are going to get caught. and let
me tell you .you wont last in jail. You will last lesser than me.

RAGHAV says the cop has promised me freedom. In exchange for the
money.

Laik: Dont make that mistake. That cop is not corrupt. He is looking for
proof to convict you. The moment you give him the money, he will
arrest you.Everything else is circumstantial. The money is the proof,.

Liak walks out..we hold on RAGHAV. HE LOOKS AROUND THE SHRINE
ROOMTHE RAILWAY SET IS INTACT.RAGHAV PICKS THE SHARDS OF
GLASS.CUT TO:

LIAK OUTSIDE THE BUILDING..HE CAN SEE RAGHAV AT THE WINDOW.

SC 94. E/I. JHIMLIS PAD 2 LIVING ROOM. NIGHT.

A Delivery boy is leaving.Liak rings the bell.
Jhimli opens the door. She is all dressed up. And surprised. Happy.
Clearly she wasnt expecting him.
There is some Chinese Food Parcels on the table.

Jhimli: Hi. whats wrong?

She goes to Liak.

Jhimli: is it the pain?
Liak: No
Jhimli: What happened? You look terrible

Liak: I was supposed to get a lot of money. Now I am not getting any.
70

Jhimli: How much do you want?
Liak: Nothing. I just felt like meeting you You are looking nice.
Jhimli: Patil is coming today.. Shit. Here he comes

The door opens and Patil enters..He is a bit zapped to see Liak, though
he doesnt know him.(Swanand Kirkire as Patil?)

Liak notices Jhimlis reaction.the slight tension.He grabs the bill.for
the chinese food.

Liak: 650 rupees madam.

Patil fishes out his wallet. He is still suspicious. Pays.

Patil: (casually to Liak) Ronnie saab kaisa hai.?

Liak: (??) achha hai

Patil: Pichle hafte unka funeral tha. (to Jhimli) Kaun hai yeh?(to Liak)

Jhimli: Dost hai.

Patil: Mein idhar ka rent bhar raha hoon.Apna condition kya tha?

PATIL GETS ABUSIVE.yells at Liak to get out.PUSHES HIM OUT OF THE
DOORTHREATENING HIM..Jhimli tries to stop.Patil SLAPS her.
BIG FRACAS. LIAK AND PATIL GO FOR EACH OTHER..JHIMLI SEPARATES
THEMShe pushes Patil to a corner, picks up her handbag..

Jhimli: Chal Liak

Patil: Jhimli.Rukh.

Jhimli: Hafte bhar mein khali kar doongi.Chal na Liak.

She walks out with Liak.

71
SC 95. EXT. JHIMLIS PAD 2 - FACADE. NIGHT.

She gets into a second hand Maruti.

Jhimli: Get in.its minenot stealing it.

Liak: Arre ja ke pata usko.kidhar ja rahe hain hum?

Jhimli: Kidhar jana hai.bol? Singapore mat bol.
CUT TO:

SC 96. EXT. MUMBAI ROADS JHIMLIS CAR. NIGHT

Patil calls.
Her ring tone .she cuts. He calls again.
She cuts.
CUT TO:
SC 97. EXT. SCENIC RESORT. NIGHT. GANPATIPULE?.

The car stops at the driveway. The valet comes and Liak is surprised as a
confident Jhimli gives car keys to the guy.

They come to the reception....the Manager seems to know Jhimli....

He is full attention and smile. Till he notices a bedraggled Liak.

Jhimli asks for the best room.

The Manager is mighty curious.
CUT TO:

SC 98. INT. RESORT ROOM/ BATHROOM. NIGHT.

The lights come on in an idyllic big room...with an LCD tv, a large
CIRCULAR bed and some fresh pink roses in a vase.

Jhimli turns and smiles.....Isn't it Great??

Liak is looking at her..his face is suddenly grim...

72
Liak: kitne aadmi ke saath aayi hai idhaar??

For a second Jhimli stares at him. Her face flushes.

This hurts more than that Patils slap.
She then smiles and comes to Liak.

Jhimli: I am a whoreand you are a bank robber..these are the cards
we have been dealt with. We can play or quit......

Liak looks at her..

Liak: you are right... Sorry

Jhimli: Go and have a bath..sab khunnas dho daal..

She fills tub with hot water. A moment between them.

SC 98A. INT. RESORT ROOM. NIGHT.

They are in hotel robes. He is Switching channels. Liak says in jail they
only had Doordarshan.

He hits a Karaoke channel on Tata SkyWhats this.

..Jhimli starts singing...Lena hoga janam hammein kayi kayi
baar. An impromptu Karaoke session Liak drinks and JOINS.Totally
outsync. Kya gaa raha hai pad na..Liak: .itna fast thodi angrezi pad
sakta hoon.MAKES UP HIS OWN LYRICS..to the beat.

They are in bed. we see them making love.not fucking. Making love. In
a film with a lot of tormented sex, it would be good to have one tender
lovemaking moment. How to shoot this..i need Bertoluccis email id.

CUT TO:

SC 99. EXT. INT. BADLAPUR HOUSE. DAY.

Some packers are loading all the shrine items into cartons and carting
them to a truck. (get real packers for this, not junior artiste thespians)
73

CRY lady8. Thank you

RAGHAV Enters house.

SC 99A . EXT. INT. BADLAPUR HOUSE. DAY.

The shrine room is now empty. Open.

RAGHAV suddenly sees Mishas red handbag.

Theyve forgotten it.the packers.

On a close up of the RED HANDBAG..WE CUT TO:

SC 99B . EXT. INT. USPECIFIED LOCATION RED HAND BAG STORY.

Brief meet cute moment. HOW RAGHAV AND MISHA MET..thanks to
the same RED HANDBAG. A little short film idea needed here.

SC 100. INT. RESORT - BUFFET BREAKFAST ROOM. DAY

Liak is piling his plate.
Its a spread.
Jhimli: you are looking better today.

The place is packed. An elderly couple request if they can sit at the same
table. Jhimli says of course.

Liak getting some dessert..croissants.and a cake. Sees Jhimli with
elderly couple..
Elderly man: So what do you teach Mr Liak? Your wife said..you are a
professor .
Jhimli winks.
Optional:
Liak: (bit zapped)Professor of Maths. Ganit

Elderly man: oh wow. You teach Dance?

8 priyangi?
74
Elderly woman: Janak.your hearing aid is off

Elderly man: exactly. all because of Bollywood.

Jhimli rises..leaves with Liak. Nice meeting you Sir

Jhimli: (to Liak) Maths sikhata hai? 17 multiplied by 17 kitna? Jaldi bol
Liak laughs.
The first time we see him laugh in this story.

SC 101. EXT. BEACH. DAY. Ganapatipule.

Some moments at the beach. Some kids and families on water scooters.

They take a ONE MINUTE PHOTO for 30 bucks.
Jhimli pays.
Liak we realizehas no money.

There is a guy selling hats, gogs, souveniers and trinkets. Jhimli buys a
pair of glasses for Liak. He immediately sells it to a foreigner for double
and buys another.using profit to buy something for Jhimli. The seller is
wtf. 9

They are on beach chairs.the elderly couple on adjoining ones. The
elderly man is reading a novel. The woman is listening to Jhimli.

Jhimli: HE WAS 8TH PASS CAN YOU EVEN IMAGINE. are you mad.this
guy is good for nothingMy father abused him and insulted him. AND
THEN HE GOT A SCHOLARSHIPAND SPENT THE NEXT 15 YEARS
STUDYING.

LIAK LISTENING. CURIOUS. Realizes shes making up a story about them.

SHE CONTINUES: I was in a bad jobbut we met once a month ..
.yes we got two kids..they are with his mother in Pune. His
motheryou knowshe still sells samosas and tea to the locals

Liak, on the other side too is listening intently.

9 Dont overdo the Yash C moments.
75
Jhimli: STORY CONTINUES.Jhimli is making up a story of her life with

Liak.in a parallel universe..

Liak is listening to her..looking at the life and activity around
him..sees a five year old kid running towards themits Mishas kid....

Liak rises
He starts walking towards the water..

The lady: (to Jhimli) .SOME TALK

Jhimli suddenly sees.Liak is far deep in the water.
She senses something.
Shouts.

Liak is walking into the water..even deeper..
Jhimli rushes..holds him

Jhimli: Where are you going?

She leads him back. He hugs her (Still in the water)
Jhimli: what..what happened?

Liak: we could have lived the life you told her aboutI need to tell you
something.

Big wave hits.

SC 102. INT. RESORT - ROOM. NIGHT.

SHE IS BREAKING DOWN AND A BIT ANGRY TOO.
LIAK IS TRYING TO COMFORT HER.
JHIMLI:..but why.. but why?
HE SAYS ITS TOUGH TO EXPLAIN BUT I HAVE TO DO IT.

She is silent. Sobbing. He holds her hand..Comforts her
Liak: its very tough to explain.
Jhimli hugs him.
Jhimli: Stay tonight.forget everything else and spend the night here.
Well do everything we did yesterday as if it was the first time
76

Liak: I need to meet my mother. Say goodbye to her.

I, VIEWER MUST WONDER WHAT HES GOING TO DO. WHERE IS HE
GOING?

SC 103. INT. ROADS JHIMLIS CAR. NIGHT.

Jhimlis car comes and stops outside her house.
Liak watches her go back to Patils flat.
Patil opens the door. He is still there. He grins.
Sorry, he says.

SC 104. INT. LIAK S HOUSE - ROOM. NIGHT.

A quiet mood. Liak talking to his mother. Asks her about his father. She
says good for nothing fellow. Like you. Liak says there must have been
something good about him. She says nothing I can remember. Cut to:

SC 105. INT. RAGHAVS BADLAPUR HOUSE. DAY.

MONDAY MORNING.

A phone call ..its from the cop. MY LAST DAY AT WORK.hope you
have made up your mind.
I am on my way Either you give me the money..or I arrest you.
Cut to
RAGHAV KEEPS THE PHONE DOWN.

SC 105 A. INT. POLICE STATION. DAY.

COP GOVINDS LAST DAY AT THE OFFICE. There is talk of some
celebration at 4 pm. The lady havaldars have been given charge of the
celebrations and are mighty excited.

SC 106. EXT. INT. POLICE STATION- FAADE . DAY.

LIAK..SMOKING A CIGARETTE.

WATCHING THE BUSTLE..
77

HE STUBS IT OUT. TURNS. WE SEE HIS MOTHER THERE.
SHE IS CRYING.

LIAK: (HUGS HER) IF ANYONE ASKS IF THERE WAS SOMETHING GOOD
ABOUT YOUR SON..
He leaves it hanging.or we dont hear more.because we CUT TO:

CUT TO
SC 107. INT. POLICE STATION - OFFICE. DAY.

Cop Govinds room. He is telling staff that he has to go for a whilefour
hours.Last day at workits an old case

Everyone says sir.aaj chodiye na..kya sir..

They pester Cop Govind to stick onas
As Cop Govind stares at the door.

Liak stands in front of Govind's chamber.

Govind looks up.....you here

Liak draws a chair and looks at him

I killed my friend Harman and his wife Koko

GOVIND REACTS. WTF

LIAK CONTINUES: I PUT THEIR BODIES IN .n XXX place on the night on
ZZZ date. REPEATS VARUNS DESCRIPTIONS IN NEAR VERBATIM DETAIL.

GOVIND GRABS LIAK.

GOVIND: YOU ARE LYING ..WHY?

LIAK: (CONTINUES) Harman refused to give me the share of the robbery
so I was forced to do it..I do not know what he did with the money.

Govind stares at him......
78

THERE IS A CROWD COLLECTED. THE HAVALDAR LADIES STOP THE
DECORATIONS.AND LOOK.

SC 108 . TV NEWS. ANNOUNCER AND RELEVANT CLIPS. (make list)

News Anchor: Liak..recently released due to RAGHAVs pardon has
killed two people missing since . Date. ..INFO TALK. Leading to : Liak
has been arrested and sent back to jail. This is cop Govinds last day at
office and he needs to be congratulated on his grand success of busting
a 15 year old case on his last day of service.
HOW DO YOU FEEL SIR? A GREAT HISTORIC DAY.What will happen to
Vijay Palace? Will the police sell it to recover the robbery loot..

SC 108 A. SHOBHA HOUSE - HALLROOM. NIGHT

SHOBA WATCHING AT HOME. MAYBE HER DAUGHTER IS WATCHING
TOO.

SC 108 B INT. BADLAPUR WAREHOUSE NIGHT.

RAGHAV watching.
The news report ends. Cut to:
ITS NIGHT. HE WALKS TO AN AREA IN THE WAREHOUSE. LOTS OF
BARRELS AND BOXES. IN ONE OF THEM..IS THE MONEY.

SC 109. EXT + INT. JAIL. NIGHT.

LIAK COMING BACK TO JAIL. THE ENTRY PROCEDURES,..
HE IS HANDING OVER PERSONAL ITEMS. INCLUDING THE GOGS JHIMLI
GOT HIM.

SC 110. INT. JAIL. NIGHT

REACTION OF INMATES. You killed them? For the first time..theres
some fear and awe amongst inmates.

SC 111. INT. JAIL. DAY

Brief vignettes of Liak..We convey a sense of time passing..his cancer
79
getting worse.

SC 112. INT. JAIL CARPENTARY. DAY.

Liak in carpentry section. Making a chair. Shoba says its time for his
chemo. He says no. I am fine. There is no pain. I have to act like I am in
pain because they give me some ganja now and then.

SC 113. INT. JAIL DORMITORY. NIGHT.

Liak is trying to write a letter.Dear Jhimli.first time I am writing a letter.
I dont want to meet you because I dont look very good. Yesterday I had
a dream.

SC 114. INT. JAIL - OFFICE. DAY.

Jail Censor cop reading inmates letters. He reads an extract from Liaks
letter. Some good catchphrase/philosophy that the cop shares with
another lady cop also reading letters...

SC 115. INT. JAIL CARPENTARY . DAY.

Liak at work on the chair.
Liak is busy polishing.

A GUARD COMES..REACTS. WE SEE LIAK HAS COLLAPSED NEAR THE
POLISHED CHAIR. GUARD SHAKES HIM.WHISTLES..OTHER GUARDS
COME RUNNING.
ONE GUARD FINDS PIC OF LIAK AND JHIMLI.

The one they took at the resort. He looks at smiling Jhimli.

SC 116. E/I BADLAPUR ROADS -JHIMLI CAR DAY

JHIMLI IN A CAB..

SC 116A . E/I BADLAPUR WAREHOUSE - DAY

STOPS OUTSIDE BADLAPUR WAREHOUSE. RAGHAV WITH SOME
WORKERS.
80

She comes to him. Says LIAK DIED THIS MORNING.

Do you know why he gave himself up.
To give you a second chance.

Dont waste it asshole. We never got it.
RAGHAV watches her leave.

SC 117. UNSPECIFIED BEAUTIFUL LOCATION. DAY.

RAGHAV sitting on a kata somewhere.
In the far distance..a young woman and a kid on a cycle...

As they come closer we see they are Misha and Robin..

Maybe we have RAGHAVs VO: I watched them approaching .....they
looked really happy..They cycled past me. They didnt see me..

They pass by RAGHAV without noticing him.

Theme song kicks in..
End.
81

Script of Sriram Raghavan&#39;s Badlapur

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Script of Sriram Raghavan&#39;s Badlapur

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May 16, 2014

A Sriram Raghavan film

Illuminati/ Maddock Films Productions

On BLACK ..WE HEAR VOICES.

UPDATED 16 May 2014 - CONFIDENTIAL

Illuminati/ Maddock Films Productions

SINGLE SHOT. NO CUTS TILL MENTIONED IN SCRIPT. TO

Illuminati/ Maddock Films Productions

UPDATED 16 May 2014 - CONFIDENTIAL

Illuminati/ Maddock Films Productions

UPDATED 16 May 2014 - CONFIDENTIAL

Illuminati/ Maddock Films Productions

Illuminati/ Maddock Films Productions

UPDATED 16 May 2014 - CONFIDENTIAL

Illuminati/ Maddock Films Productions

UPDATED 16 May 2014 - CONFIDENTIAL

Illuminati/ Maddock Films Productions

Cop: Where behind Gunjan?

Illuminati/ Maddock Films Productions

UPDATED 16 May 2014 - CONFIDENTIAL

Illuminati/ Maddock Films Productions

Illuminati/ Maddock Films Productions

UPDATED 16 May 2014 - CONFIDENTIAL

Illuminati/ Maddock Films Productions

UPDATED 16 May 2014 - CONFIDENTIAL

Illuminati/ Maddock Films Productions

UPDATED 16 May 2014 - CONFIDENTIAL

Illuminati/ Maddock Films Productions

UPDATED 16 May 2014 - CONFIDENTIAL

Illuminati/ Maddock Films Productions

UPDATED 16 May 2014 - CONFIDENTIAL

Illuminati/ Maddock Films Productions

A BAI with pocha in hand standing.. very Marathi and sweatingshe

UPDATED 16 May 2014 - CONFIDENTIAL

Illuminati/ Maddock Films Productions

SC 16. E/I. JAIL VARIOUS LOCATION. NIGHT.

UPDATED 16 May 2014 - CONFIDENTIAL

Illuminati/ Maddock Films Productions

UPDATED 16 May 2014 - CONFIDENTIAL

Illuminati/ Maddock Films Productions

SC 20. EXT. JAIL. BUS STOP/RICKSHAW STAND. DAY.(real location)

UPDATED 16 May 2014 - CONFIDENTIAL

Illuminati/ Maddock Films Productions

SC 23. EXT. MUMBAI ROADS REGAL CINEMA. DAY

UPDATED 16 May 2014 - CONFIDENTIAL

Illuminati/ Maddock Films Productions

Jhimli: Flat kharidne ke liye aaye ya mujhse milne. Andar .

UPDATED 16 May 2014 - CONFIDENTIAL

Illuminati/ Maddock Films Productions

UPDATED 16 May 2014 - CONFIDENTIAL

Illuminati/ Maddock Films Productions

RAGHAV: Liak ne nahin bataya uske partner ke bare mein?

UPDATED 16 May 2014 - CONFIDENTIAL

Illuminati/ Maddock Films Productions

Shes in a line. With other visitors. Brief mood shots.

UPDATED 16 May 2014 - CONFIDENTIAL

Illuminati/ Maddock Films Productions

Jhimli: kuch nahin..bola partner ka naam mila to paise doonga

UPDATED 16 May 2014 - CONFIDENTIAL

Illuminati/ Maddock Films Productions

Illuminati/ Maddock Films Productions

UPDATED 16 May 2014 - CONFIDENTIAL

Illuminati/ Maddock Films Productions

Script of Sriram Raghavan's Badlapur

Script of Sriram Raghavan's Badlapur