__IaKp $998 04/8 210 ‘Ksano 30} sopowoun poornsorp areas TEM wel axoteqoyeUs pouszspoq {fsnoe8i08 jo amoyds v ova yung. 94s a Apory Kureo soKp suxwosp paw -siuopfour ‘souses seed 30 maysor z0Y sf 14 puw skyeuvonaisd w or ‘Gors oj 204 514 94-3 PUY 08 2[gR U9Dq F9ADU sey PUP aoUEHOS SOK ops ‘SurzeBeur uopysey © Jo sop “temo ssomsng onosnNOU puP porn 1 yo Ascisry asco xp s 3] “aBeniuvy asooroyp samep] IY JO WS TAK nantm ‘uopsodiioy omaear pue snowes v sf awtp Sif suosees AueuE UE Keupeosg qpear 0} qusummeHous FAMeeq pure Ysa] wou oq sHeds cox Koeut ur st yoqy ot up Apr], :pormouco ssoxd aif Jo sxoquour SxpO ,"tosees sotpo uw 20 sKen uF PORE [pA oneorp oy Bayona snopuodns sour atp jo auo, sv dn a¢ powrams &qapin/ 303 SFY SUT, ae aueorp jo 7pous & a [eo sof ‘ssoudkso pus sxopdio 01 ouomp B seq Ose 1 aomyg vdauopd yo aseoy © St yng] ays us Apr] * * TB Sa0Kp sseppod v st ‘qs Soumnse'] apNIOD 304 Sy “TERENAS sqs10¢) way “sea ‘Ur aneorp amp 20} waa axoos ISOUG OMB YIN FE PEypTEULSeK TEMA any. Sunoq womang 2 Jo ysmue vp anogs Saoys oneuTENp © UIA Set Srey “Tpy Kpomco jo 3,65 Bumarsyy qq Iuswour ays 303 Suysiorps, “ou3ep apour oop SurmsTPquD wep soyrer Suppose ‘euexp ap jo wey OT jp mmo Asnceueyuods osu uoponpand orp jo sxopuayds ays pus ojsns yp {pA UE earexp e st puns sazepy “sy 02 Suvour yerp reqAA ;ApoUToD [oO -jsnux pure eid yeorsnea, uoouoq uonounsIp amp arON “ApUEqda ‘ons sreuorssedwios'2 sif pue Apasoyrasent aneatp otf 30 soomosar oup soon Baquoso yo] aNWOU, Wlayy. axp ze wo nd ses YPM “eC ays uy Apo ‘Gord yworsnen sprepy soy 10 TupOM sr oq & OYE Toa se Low o8eys uopouy op ‘pexeprsuoo sBarp TV, MEL YOK mopy 911, WF B}OIM VOSUPPY Spoor “osraaxd orp Jo oHerDs09 sty “voumeunoyiod Arata 22 soapureis on kod on Sooasey anvors wr as1y orp) seat ‘Aqpoyodaz ‘Inq ‘suouse8 coo AepBua] so SuEMp yoyps 3usrssH09 v sea ffuO JOM AOS amp ‘35 sossof B popzepano aant pfnom erp Aueduico Suproddns e pue “Rom ear] ‘omory polqnon op se souSUMET aprneD sonmTA pure [eNO aout orp tpi “suoppso v Jo wedi amp Te pia Aeaspeorg oro adawis quod, oyt-us Kpoy ‘Cqemoiemr peu se KnerpAsd aaqan 01 ox ‘5 Jo ly’ 9tp Jo auo Pua) ameodp WeDpoMTY orp 30 feoysne reMPU Y Sa10N SZONPY Lao oust kp B H 8 TRA Ty G otsnyy uuausz09) wal My 1367 Wubd GILL NI bab’Taug DANY op pepsesse aq o Joa IPHAT ITY Oy “UPMAYSIE) wT “hepep pu sydaisiyy ‘uaxpEep oma Aor pur ‘Ise Anny Ses -ssonpe arp ‘Mopm syy Aq Params SF TOS] Ul PIP Oss “ULT SSO]A] -reok op Jo wy 3999 ay se Zp] UE prey Auopeoy op wou YprTM susuaaidy suewoysas) pu ‘wiog. sf Jig y Jo vores pases kpnf ows ‘siakoyg Jo oud fuasiopuy uopsiyy suopy “Ayqerou ‘sepdusoios Luvur 201 Ose 21 “saio07] spHOpHH PU sows fof uepy wpe peonposd-oo osye 94 yaya “opemec par sf 2t0q oe pone oy og pee SUMO THD 2A OF oer Zurans ye BIA B 205 soPEN [EPs e ouEDoq af] “seoUoIpHe jo Fempuersmpun ‘un pue Sumy jo asuas © aqfuauteyd Bund oxp cn ‘atau ang “219 -eiyord azou ypnur jou sei omauoa you STE ‘Pore] puw poonpord seat fod ayy, “drqsoqne oy posoquoo zorey 2y pue “yfnoq seas ap “whee -opnasd'e xepun ejd v penmugns rep] ‘uopee yp ssome sorueduzoo peor Suypredsip ur porserods ox soonpoad » ‘nonrg snasnny 103 £09, ojo UE Sy “ZT SeaL off MOG ourED aneaKp yp WpIst soEHTIOD ISH STE] “sous Sereur ses oy ‘oneorp ox 205 uorssed © umn UF porse oF ‘Srey JURY IY PTAA “SF 2y sonouaqit pucassuio v dn jos pom Soyeur melo e Soule) Sify -doys Gouoneas puv pueissaou S019 sy 2940 38% PEOsTEX & UH ‘461 “ye saqong wo Aig oR Moy] Uy wog soak HEL ssoyy ‘sorsnar pUE seqd Senpeong yo snootp poo pun 8 ‘pene Atom boyd poopsme ur 3 a eee eae one 4¢ “uozuoy empoorg ous uaryBinq moys op pip Au ION “ Aproupoxd -de ae pozrendes oq prnom a1 epor ‘onary on gonsus oe quorm aWp wo ojou v woeliewUr OL) “QOp‘OEIS Jo 3809 BunaHs-usp o— 307 poxmour sea af “sofiers Buysjonar y pure spunqafes [¢ ‘Srammopiod ge 30 Aaedmoo ¥ porjosut uononposd amp ‘suodax poysyqnd 03 Sumprcooy ‘eneorp orp jo squouoduoo Te jo pusqq Surmums v sem ymnsox ayy, “pozyfeossntr oq ot axpy prom ssouanbos ueaup ays ‘Aseiuey pue wistjeox puayq Apeansoyo (0) 29pr0 uy geyp axUp] 0} auaedde oureaq woos af “wewsyeID sandaosod 8 Bapq ing “jor jedpoud orp wr [puroD sueqey pouosstaue poy pus ‘eusp ay8tens v se Aepd ow aes wep ayy “éqfeuiBuG “dpoq pue 2oue pm 203 sisKqeae 0} pousma oy ouory polqnon v yo ssouspadxo oy Barapoanr J0 soprgisod amp axojdxo 07 ueBaq ay yerp pond aemp Suymp ses ay -q pus ssooons Supuess ano we seat J] “S261 ‘$2 INBuy wo MPEG UF pousdo yom aypaIg IPA om edQ savidaq ayy Smgmo puoarydie sdeg uyol wor pardepy “Cuodousypsoi8jeuq] 4C1) miedQ) Auuadeasyy 24], paver ‘forp sotpo8oy pur wporg yous, Gam soo05 pou! [oma ‘PoydesBor od fesutyy SoH 47D Ay], PUR aovjeq ekoy ayy, ‘sexedo xO omy Suisodimos yy “9761 UF emg arg wopsuq oy Aq poonpard Ssquofiong 2y, Sem Castel 981095 Aq BO B epus) eIado IIH sop “ourey jemitaxs Uren 07 seas 9 YPRIHA YBNOMI ummpour orp ‘oneorp amp 02 ofas sry paxdepe oy aemp slow sp Jo wo, -sodmoo op Ur seat 3x puv 32[[eq S,COXPLEKP ® OP os wR pouorseyurEteD pue upg pasts Kuedinoo ueissmy 8 1K port step Saump sesa ay -worpt zzef wpa orp £q Aifeuorseo0 paouaNy ay sea ‘uoRIpen HSsep amp ur qBowTe “yorysA—opsner Iqureg paw ‘somodo ‘ssqaoyduuds Suysodiuoo oyacEoU 4 panunuos apy ops sry souanguE 20 oyeEEIOS 30m ING “ -sop ‘onbaepor “anoy, Tuy year PRom ops Foosng pone, zasod09 asad. orp put Apmas on ou stp “arog 07 pousmor oq ‘Aaedu09 yer aus kor endo yusord » jo somanp » se Buzios soiyy “eraug pun posuryy jo resodureo poiout oxp Spmpndumpy aoqedug qua Apmis o7 ug 03 3028 seus QT Jo oBe ays ae pute joogps Aacumd uy puns aps asodtuos oy unfiog oq ‘sou © ‘rome siq Jo aouENgUY ayp pup) ~LaewIID ‘mossac] UE log sea (OSGI-OO6T) TIAA HRY “asodmo soma Wy “mig ST 44S Y PUR ‘sung up umooMY Wy ‘Knee -proig fo shopping 94,1, ‘pig sao ‘sompoy Maryn oy, ‘ssousICy up sin] y “souncy 274 TeYS AIqeiou ‘suryg Jo ax00s & ysoure poussy3iaq aang Sond] syuymysiepy way “poostyjoly Aq rye 3yfnos dqenby : ee eo sou ofp Jo ou0 se uonysod sxy pougjeor PM “Y9C] 20F 91095 TTPAA MNY oy 30F SHAT oy OP oF HUEY ssOPy "H weg zoonpoxd Aq popansiod sous aj pum ue encorp 20m PIP oY OYPONG sey Jo wpeop oxp Jyzo arejosuoos|cy “wor Buoure ‘aureanqog anypry “way PILL ‘way euonf oyNg wou, isuyy wy 30 awoy By uy siasodic RPO (pH Passos Ayfeuoyse.00 ose apy “CuORDOT|OD Jaye SaOHpO sy uy svedde yora ‘sag puo (Bog ayqrsowiaur ayp uo pressopy asognq] {pla wopexoqeyoo Hyp ya Supe) 991 !sny\] “BPO Y -aowjo SmONTE BAF] 1¢ 2u205 Seyuos9 Up SNE] oO SIO AA 7 28295 -uoousayye Semoyoy amp 31 OBO SHOT PAT 5T 2490S omy wy swoomanye 32°p ET xo SHON PAT 212g “Kop pou YL, HO Slog AG +E 24998 “Kop aures oq, SOMO SHON PAT 3 BIS oO STG A +1 eu20s ey mean sony Sq srraemeBuery [OA PUP SHORENSAPIO, peunaniqy sounoyy Sq wormongl [eSNYT ‘aiBousd aesimp Aq pouBsagy sumo Josoys, ouasy Sq, paussocy sous; sousoH] Cunpy q paudssaq Sumas yosey pusIORTY i AqdesBoat09) unssvpy hq ssouanbog fwogsnyy pus Sapir] “woanparg toys parssopy 9 SE TT gen muna “PIM mom ‘pea ioe ‘oT UoqoY “SHEN #290H “SIEM assay “Kasey ypouuay “uounyoA Sto] “uryleworyy auxgonbool Ssomar] unol ‘somaya ‘wosnBs0 Apps “uayomig oumy “TxD TL ‘shows rosy ‘opSets huey ‘eam terete AN “S129H paspeonyy ‘psoljie) uopsogy “pumas war] ‘Spann mY “wma 6 uncr ong us Apo sang ‘umuky eouasony “piofioyrny oun[ ‘Lug oppo ‘spanmpsy BPH ‘SHC oD Bugwaund uvef ‘posuoy oussoysoy ‘swBaig oy, Most soy “aosey avpsowA uivopy peat ‘estaoyc) ospuy “uouryoog 21006) ‘dppieg woseNy ‘smaspuy awosl Biogiseyy sasBmyy ‘uyoy suey mun Ay ‘S[OHDEN) Ying ‘wasrpooyy aunf Buuseq, vpopsig ‘oyeson Sespny ‘palg Sypoung ‘siooueg drop ypsey euRDGTY Oy], uso Buaeng savcy pel amopy sori, ‘saInD Apuryf 9g souversy ‘exeqseg fowy opp wg ‘png vag —_ppouopopy “aosayoL Aapreq Bog Phony, usuncy “cece TESTA “9 tommy ‘Jepou v ‘emmy —_safoyss ayPON ‘sJog nq wosTY Busioacy mpotsivd ‘Jepous v ‘Toe apo sammy UBD wSBeyy 297 way ‘suoanng ss, ‘eujoq MEHESEA ‘Topoue D “MODEL Poyok ay whpoagy “rorso.y serpy teuC] sg “MIGSON [TePUAY —BouoAe] epmsiiog “HOTT WET sfeosng wosjan “dog aorljo uo “a0y, Agyeys euuvel ‘sromog ss ‘wounpe.y ps0 4 ‘Log aarlfo un ‘oof udqopury preuoc] ‘syoo1g 3q ‘SmoT[Og $8 $800 1589 OH, “TH6T “EC ATenaeL wo yoK sayy ‘OneOWL, Uy Wp 1 su “HY weg Sq paruasord 3axy sem yavey amp us dpe] SION WoROMporg “eh61 UE pasvoper seas ‘TPH wol puv xoxeg Toure ‘peel AWN Soy ‘sroBoy saBur qin) yng oy ug Apr] Jo worss ug y 300s ory senow Sekpopum axjs um pue uoponpord w jo syusmap anesedos amp Urq wed req apsnur oueZI0 Jo zasodwoo e mq Tart u0s e 20U st apy, SIISAA 3° PPS some 04 aN 9y,] 30 2M wep ap ‘TEL UL AoA ays us umogq ‘exado Oy ap (preSpung pouy qr) pue somuod uopowt yexases 10y o1snur ‘sous oste ‘gp6T UF waz urSHMY ue aueDOq OM TIPAA UN sou] dof ueqy pae soygingy wos Suey ‘sony rou sodeyy snasnf up “urmnsI9g) ex] “repy ssopy ‘tos ~Bpuy [eaxepy ‘usaxD [meg sore suononpord pouoptouraioze O43 105 snd] Pur Sfoog orp poystumny oya siornne paysmBunsyp ox Buomy 8(Clary punanos sorn/Sy axraenB9 » sproy 2H) “ATeEMAD *SHOOUT "EC gyomss | AoW 'VZIT Gsnod y) “RON say ‘qesmok snoge our yor nof osoddng (ops » parmuns sura] apf) Wom op Ye wow jo mo Te mL syooud “Ud “woud otros punore 342008 asau031 1 pue prroq e aq pnogs army Pay op T ang ‘spooig cL ‘IsKqeue comphsd jnoge opr Soa mowy y “Bo sm SKONA—SK-TY AVZIT “hppa 0N *SYOOUE UCT guou Sunpamog mae ypu stsKreuwonseg HM TEMA SVZIT ‘qunooe amp dppq 3,029 | —sromog pur ayBrquns ofp snoge Assos my (Buey8nT) SYOOUR “UT “qus0oe weary] & puc sxomog paw 3qBiqans 20u SuyeneD "MOT 3, gsoureysur 205 SeTLAA EXT Burg) *SHOOUT "HC ‘quaragip o4mb Serqpeuios pasado pey I *VZIT Quoos a4 punosn soot pro komo susns ays quolja uo yay “iaom sole sou. Buzsom qruaps soy sps0fes YOL DOK Ail, Yoads wo ays axofoq poo fo wowou v sof peor Bae} suvam, ayg “Caysaisno fo gujod ays o1 ugmyd ‘sopssrys 97m] soy wep eDUOR » St LLOYTTA VZIT “SS PHP soy aye ob sessou9 ways “Cgoe Coo spucis ays tuowiout 9 10,1 sop ort Jo tos] ws soyo 9 OF 04 swoou opT) “ONT SSH “op vod op MOH] CSussHeT) *SHOOUT “UC Gay pusseq s00p ays Bussey “Ino s008 SUAMOM SSIN 5 woos ys on sowco LLOTTTA SIM) gaseayd “ty oad osvajd nok Tp, (Aoauoop amp Hf) *SURMOM SSIN “uy auI69 694 SY !SHOOUM UC “9K ‘SUAMOA SSI gorayp aust SupreM NON SIAL V Casep sty wo Jaded v go soounjS 9}1) “928 I *SHOOWE “UC aqenedooy orp 02 yp nok pi "woomano skp o3eT a [UI Sus8m s3f jf “Moxtout0s our 29s guoned sy aset| WED 24 Jt Aespury iq ouoydopay, Cssere] ays 404 spusy oF7) “worp [eur asnf “sranog, stp] G[pssur suopoese op ur popuod 947 *SHOOUd UC 8 Long us Mpoy “swam ays sopporoads pou: Soar orp (esfree te = Vigcopl ate ca¥an a (poreesl tae ‘stoma opie] Heol » St SHANNOM SSIN “Pury ws ued pun yoogorou “davjo.005 SYOLOOC 4 ‘SUAMOT pus uBis of sumer usys sop sy uo iy 1 aon? 0% Aqursuawow dn x00) Op SSUN s2H8o] 150 Jozeng ays sessoud -poo8 ‘soptof SIppHu SHY up sco 54 944 “200f posoMny-poo8 “pour, Afuous 94 somugungge ‘mopun oy Ynosy ue Busuvous ‘sy8y sins oY “Siotie] ewes Buyudis “sop ays 40 powas $ SIOOUA “AC porpeuun Crounsep ‘Sp sou cond ays inoqu 40 uD pun Ips mopuym ayt uo ssmoy) Bupsds Aum fo ssund wal 0 ‘sym ay, uo sosmad quosyd oes ‘soyo a2} v “yonoa » “yep » ao 21011], ‘woos pus, {004 fsoorp ‘+8814 Y “SNOOUM HACGNVXATV “Ud Jo earffo 24,1, 1 aNaOS HNO OV ee dys Gy aqqmesug pu Lan{ ‘exr] Auuaf fo vi0g 24, oyquissug pure rorsemany spi Apuey pu woserpof Aopeq smouR ypemy euOGTY aiquasug, pae myseusuny Aaeduxog) axpag sespy ays 49 uno DIP pus wary | ey i ie ear] pue samp Apury, Pe sovenpeid oorpg USiEy OL, Ho yBepy uoropdnyy Serodemon oma mar] HFT S400 3 pelea uawoyy a8 fo u26) mogmegp soy pus ear] ‘ayy 08 afr 2uC) 8dn aqua prom ] “poreoddestp on! Supoq-{pew Jo Pury & seat 3 YBnopP—[om SUH | OM v 20H PUY TOBE vee ap 2q aq wotay 3949 | Sumpézos9 pu auotzas wos} Kose Suped wep aj J “woneaisox Aur wy papueg y OB sypuou OmL :VZTT Buppom aday.24,nox ‘SHOOUT UT soqesee dooy o1 198g 02 ane | “onde jo 598048 3B 8 | doops oruy Aease dys of 3ou Apumisaon of8Bnns oF oae [ “VZIT ssdeqog ‘syOOud YC ‘oduoso yo puny ust pad ens [ ponore sep oy daops we J tou aq “esseNOsUy Hs SIE 305 porogns oa “xaKpS woyes pe 1 USnomp sy Céqwoys sefBrny 24S) +WZTT aausre ze doops 01 ayqe nok axy SHOU "UT va Aq payne we | Aquappns wo Past 3 yorum oy appar | uogis stuaeuour axvy [ opend—sye anf SAI “VZIT goqued jo Suypay sup anoqe 3ey MA ‘SOO “UCL sy 38 ‘uoyssandap orp go ased oq 01 powsses af ‘pares Burp zoqpo Srp WOH hod qn aymb yep [ Ypwons woyouqun Buoy e seas omy, pes “03 1280p pur s9s0p Suyuoo pue z28uoy puv 28uoy Bunse]axos “woK porpes | se-smodes—for yeqp ‘oGe sqpuour sas anoge ‘paonom [ 3st Foosed Addey # aamb Aqqensn we y “ups qrdns Joos pynoas | Puy posed sheanqe Soqy, 30% U—SKep omy, “hres prose Srp “YO “VZTT su] suoissaxdap asorp poss Buoy MOH] ‘SHOOU UC +359] 20 arom Sernp oures arp ynonp soo8 omoKso4g “OU arp ae possoudop—sen{ sea | “oquoupr | 3p SURFON ON *VZIT soy 3yGmr Up omy rep ve woddey SunpAue Pi “SXOONT UC coBe s@puout xs noqy *VZTT amas SHp PP YM SOO UC “ore 3o pupy & ur dup otp y@nanp o8 y pue somo yo Suyooy w pes SummOUr ap UT aTEAKE JT 709} Tp pomy we y Sue auoqdazex ovp au Asano 29K 30 PIES bq oy Sumpou seq y “Teuopent Aferojduoo say “mowy awop T !WZIT guys moqy ‘SYOOUS “UC ‘fyopcue pa xox169 Jo aTers JuBSUOD w UE LE] Te a aye oy yom say (fpsioy, Apwags of suowou 9 Beppe) *VZT1 & aun ong 1 Mery gsoveid oj Suyo8—Lq woour nok op seq asnf ?S YOO "UC ‘out 0} pousddeg sarqaa asouy 3,u0p 7 (Ayssapysnaig’) suosogIp sf Suppou~podueyp seq Sumpony Te 1e wosvar ou—uoseox ou spromp yok puy ‘sooord o1 Supo8 aq oy wroas CGBuspH) *VZTT eyeay nok Keak atp anc 1 B our To} Nok WED "HOM SSN ‘Paureyse oq postr nok spun 3,u0p | oe ua yuna y pue—gno speskur 1 noye Araso oprur o4,{ “aso Sumyphsono po 94,1 asne30q ea nig ‘wonendsep ur sep oi poumy aay ‘sdrqsaoneper Aer ype Som ‘os—poqpoduay sy ‘uy Bugplaas ayer asta | ssouddeyun 30 ssouddey yo uopsonb wv 31 ij905.1 Loa amp anoge avo 3f Soop souRIO Rp HAA “Wem Je PHO e ‘pus jposhur gmoge Bees oxay HS op PauIEyse of [s0y TY Moge But “Happeur os sqwyA sqEP—saeY], aamey sur qua Fuoum Aypeoqued so Suypout s soy, “ary akIO9 op aU PosLApe uoHMD AG :VZTT ON !SHOOUS WC aneur ey S20] a LLr——C = J “Goopeyspes pue Addeq eunow dpsrapdwen sf ayy aso Ay “338 rons penance wn] pom we | ‘sss zonb on avy [ y Buns Bumpou samy], syoog Iq Iyfrens Burp suo y3 our wy] Chyrmaup wy soonf pun sums oy) "mo od Ypuur of ae suosensnyy aporp ano Spmod sep ayy puods oat uowion 303 adtm=yu0s 3nq SumpoU oAey | :VZTT : ets ‘SxOOUR ud ‘Sapeqramy Apumanx sry ug | (seond pun dn syo8 ays) “axoy 9q 3yupnow | macy J J] “MOTE nop [ "our ype some op Spey nok TA quBuy) “yz ooueys opus sas 24g) “sma wos ye] 949 3052 uorgsey omp “ounpry Jo 2oupe oxp wy reqs “oso e:VZIT gorooq Sus ovp Jo 34Snor 3949 nos envy] “SHOOUR UA -proqp pus amy proms w anf “uDYp roquoms HAS IOP T AYVZTT Buos arp jo spr0rs ats aww FY ‘SHOOUM “UCL -pyrgp © sv our J Boos op auwos—Buos © ay °VZIT gE sE3eyAA ‘SHOOUT "UC “Saran sdooy 3 paw poy [ 3qSnoep very yp Say “pure Cor wt puiox pup panos Sp ony Bang ae As 980 pes 3 ong 3 sooard Jo suo axp TE JO MO jsnorIND Are sloy—sNOEM MOH *VZTT pag ge SwORTE OTD fea Suyuorsg wre x Cosnod Buoy 5p ator] “Havop Sy puD YRC ‘ax ot &pamb S008 pun ‘ayo ov to amy Joy S85S04 war “onmnser ag) “HEMp otp wo zwq amok monp anf sox Buss) ‘SHOOU “UC ‘yonan J oTRpsAcRDUE p3voq mok om] 8 oH eR Vat soned V- spe 20 Sarphcry ‘pug mod ovar omoo yorp sxyBnorp op jo Kee sods pur ‘qonoo oq WO usp ay ‘Tey mo anomar asn{ "NOK oY YHOO SRM 2 woos oso Seu aj amnpoooud plans © sat “S2R ‘SHOOwM "UC aso 37218 0) ow you nog Canoge Gurizown syoo) ay) 98H HIV FVZIT (eosnod » sy 3594) HONE SAL Kaos" wry “osjo ouootos 01 08 01 sosta FUN T woHD ‘AowE 03 att ons) x9 nok [poy oT op nok JT “st aE UN 03 vaddeq | “S¥OOUR "WC Aqappns srp st Ayn CAquey “quouows » sof wpe 49 Busses) °VZIT “wg ‘esp auoatos puy 03 aavy yLnod praye mr Cfu2D) isyOOUd “UT sauwo | “Atos WY ?YZTT ou wifoq nok erp jueodun aumb a arp T ‘SSPGHMON *SHOOUS “UC “oumn smpp wado yeous 02 pey aa, “our amp ards Sq, vod ayupnoo | “siowsom0y Jaye Aop ssond ov 08 yi, 3UPIRO T *VZIT ‘A SHOOUE YA HON SVZIT -proqpousany sess proys nok qURR | SHOOUT "WT “hopsony, you preys ueo ] Tom Lay Csomysoy ays) “wou y 98 T *VZIT “aygqnon yenuesss stp jo ammmord aroydtmoo orox » axe eur ‘sdexed “nos pus ‘ssouenp 199 Sg woot kpoy Rog we oxsUr 3:09 38 oF EP YBnOU 9404 PI soo ays TOYS | Bu seR 30 pus 2 oot sn a asus ges ps an ues nap roe Cg me 1 Ra doy ow og tak se mo ep 3598ns OF out 20} Huom oq plnow AY "Mou aeop'T cm Bakes inf dex utp poroydeco axou opi ° a cous on quvoUr 2848 SOP IEMA SVZTT “MOR 3.N0P | 'SYOOUT “Ud gu dppy nok wep) “souyy—sqyp Biman yo porous Atuo op 99 oy suros sx pur soedsor soo Te Fg od oo we | OU | ened nak of sta a4] “eDHE EIN TS es yea oxoa jsp pood v aap yy dur wt Buns Bulpou sang _ CGmapodwy) -ouo ajqvoas8e S04 © st yusmeBuns © NO) otpa¥oy Addeq ounb axe ayy “yy noge ump soBu0] ou :VZIT SeIp mMoqe [Poy Nok op MOF “S¥OOUR UC oe sary 20x Beso se Som pos» oy myn Be ng a NI "AY “om anoge qpENBfooKps oq 01 aur oy snonoaper Roely yl sy iret ede ee ; Ceonad Paped Seysngnd om SuqseNy Tepuy, syZyy GF PUBS NOK =SYOOU: foeonc cvapr Ata sea ourzeSeur: eal Rat FORHON ‘SoPRrE souEp-song -Peorge ows 30 seak Vy “B9|}0 SVZIT EMP 920594 op nok PrP HWA *SHOOUT Ud “9K :VZIT qua} 103 zoMpe t199q onnek ‘SHOUT ua ‘aah Sopa] :VZT aa cra vmg no oan Bo] sory "HOO ud ious ue ua9q shes oxey 1, Soe eee sgrn peop or wos Hf n jansisur ydoy xoSteureur Busmmape mo aio mamp om pow 1 sox og 30 Bunued 20 auc ie opmpon ap a 0 Se 1} Spo fam 21 gs maconsst wisrg ayp—tonon suo voQy ~oyed ous s smofey smoxp of Apeou sou ger eHONpS oy, Ege up “tox ArgBhosorp v saz Sunsou yess dpyoom fensn ano Pey OM :yZTT GF Se UUM 'SHOOU UC auPuyaemp Aeprises pousddeg, 8 * a simi apergen = jaypomog “omoy wy Aqua 53 & Boyauiiog s76q3 sow pay “yostur Apes x Aa oy abep ofp #800H} puooassuoms op yprevorigeas at sezdn200 O44 a auopn aon poy Aqanny aya aponases om 3y8t4 YooR Coaoqy iousinde ays of aan Kays Buse0oT) vopouoias App BeH no EM avousons aus wo wargos a aH aousos ja0uss 9009] 9A 14 OEP ‘2a0] pun suoRDinpeS aogo kpoy 241 9206) Bxcind sopouasas ait Jo} yo nok aseoys os Sousiee 94S 3 Bupsou sayg “u90s 9q sowuvo 24g “Bupsot og asnue am Aapokoy sno x prosfe ay “uouepsas) “peo Savon SE Hh :NOLLNS (swvaddo ‘Kavia1098 SWZTI “AALSOA SSUN so paijsapy 04 0% s0%0] ‘prow 9 ‘NOLLLNS s S2nusiH09 osm OY.) you of nok oxy soptte 02 Som pHs PHM, qtummodyod ou st sey. i900 “YO somos Ksoas snob ut 940 snopes YO TV ++ au of nok aay pro oq, 0 sve tease) 21,4 +o sme oping oF svn anol Aapuopea wa + mousyutg 07 soa Goreng 2Y worSugyso My OF Some myo HLA uposder 08 Som soruoyrood IHL fats of Som oppryUrag HUM [oouer] 02 Soa 900926) IHN + = atu] 08 Sm 20Hst90G FLA 'SUIHLO +++ cou of nok ouy como of swat sag 4M ro0s8e ysog Keys [pun suvay Gy somos Kaoas anol 1 uC SHOPRAPT IO tg oq ays 1 Cpe +++ out of nok any ‘somite 04 som opunseg yy HHL [298 pytoa uya} | aoungyos nox somo} Aaoas anol ut aug, snoynqy.y ‘YO, MGQVaT HHL sasope am. poy Kyoa0} aut apouasas 0} 2100 ay, ‘ssofojasoy sv ou “0s Buos v moysian Bucs 54 200] ang sn say uasa sou kow 4g joss fo panos ous yn pany ‘sn avout disa aq sou hogy osydvsas os Apo sng, so0y puooas-quoms 0} ysuoosuanas ays sozdnao0 24g “suope aa kpoy kaney aus epouaias of ouico 0/4 “TV Comusy sping wo Buruocs Kyuoe s4 9 SOMMPY LLOTTT VZIT radeyp 3poK soy, Bis v sopsimo suo yoru ‘souk, Buplasoo ‘soysopo Baguona ssopsno} us wom oajams ‘sams opsnen oy Sy “wp siyBt au], Buos ays wuny of supsog YZTT ‘Mqefos uot, “eonnd v 94 2204.1) ‘piston wing] asnf ‘spzous aqp anoqe 32) year 3,usa0p 7 ‘Buos amp jo raquomor nok ys WEY “SHOOUM UC ‘Buos om IAN VZIT uiBoq 1 PIP MOH ‘SHOOUR "HC “ay raquotnan 3ue9 | (way 19800 pus sala Joy 01 08 spuny sayy) “Te 3 sauy J aqdood oxp you axeu Komp 34 pue hep Arana 20s 1 aqdood arp aras Sowp—opdoad ony mony J -suwoxp apseruey ‘Posnyuos asoup J0 9U0 seus af “HED | LNB 38OP | !VZIT “ysequowes 0 417, =S¥OOUT "HC “3 wonto6h0j 28 °VZTT quearp ap seas YM *SHOOU "UC “aroip shesspe st ost arp aq. —soBunqp af “uraxp | woy arorp seme sp Buos amp 4 Jo PUMP TIE Mon] "001 ‘urmaxp amp uy sem Buos or pue—daojse [py [ wy, 3040 pue sag “pray Aur ySnonp Supmunx yday Boos oxy, “aur pausyyiay 3 pue—Zupwom sep exoq Sumuoo sem Y momy [-aysre se] “VZTT @se[ at 70 ERP nok PP UIA ‘SOON UC “way af Joqurouar 04 wraes | “ou sary opted yo BuTO95 sty woyst 19 “éqjensn ‘passardap uy wary, “Apoex Mow, 3,U0P | ?¥ZTT SOTIB TM FY Lt JO TURP ok pyp wyss ng :SHOOUT UC “Buos pooupyrp epMy & Saf “sou snoneA “YO *VZTT Ge seat WM ‘SHOUT UC 8swyeBany pivasopy-opek ait 9 94 OL not 01 yoo kang kes seuspnss puosnoys woes vrowos sown sty Aeysuzanuis Puy snot 044009 sty aivorpap or Ssuvae Koper EY oa ‘seuss 214 zo ‘siaya1 Jo tuoussosso up says NOLLNS 197 Bupssaxp mort) ” moet NOL soquunu » 21206 :NOLLDS esoBossouu ace oui ay {vaIT “sorta ssany Buguaee poo :NOLLNS suouing Baeyu049 yOOD ‘ZIT (pos eon sp sy say “suvoddo WZTT pun ‘Poot srosonueys copuuouion © vp ous sph “unio sqpoas oFsne 9HLL “YO SOuNP HL) sougoso8 aug oueefzod 01 Yo aq ssn | ausos ay) ib isn [suopsod puosnons ¥ Cyommmasti sit 30 400] FH) snosousuopyog soysouuepy swede uowor 29470 YP SeyrM aS PS sou os says] SEW 210 04 pasndtuoD, apuuop v unt sayaroy ‘Ayeans “ng —aypusayy hq wood oworpap V :NVINNES ojo say Jo uopovfombey 24.1 nop soy fo wosronfonby 24, smog} Aqrooms avon syetisome orgs “HOHE S008 way] ano Sypis we SY MOHAN SHLO@ “amg Jo yonor Canoga’ ues so4gop? #9 YT) -wosing Bust2na Pood) INVES 6 wo ee at kee suounyeogy Bupuoas poor) (Cuusofen axorpok 1Staq 9 up analJnoyo v sv sivadde mou ‘omy Jo soydesBoi0yd yt ‘NOLXVd TISSSNY $s” Peyseeps 94 OF 49m] ‘NVWNSHa) suvaddosyp pun ‘hog sv days aucvs ot Yo sorenp rpoq our uopoosy uu afiysdn sougod oys ways ‘ops? NOLLNS 3° amps Lou,1) Hopuoiosg youoiy 741, ‘ssouypisyy gobo se mony sopuagds soy 01 enqts I, none SW 40} somo Y :NVIN (Buoy soaf scarf s9004 2 59 mos pound -ofjoo aso. 2804 snoussoua un BuyCusr aamoz » hq pomonpos ‘Siero “unys Yas pouogqueg pun wy dor us ‘uow poysmSunsp Yes V) up 20D :NOLLNS (68g 10g “swvoddvstp pun oBssdn soouep of) “ages Jo woo y #208 “nomi sep 40} eBoypod y ‘KOT (@finypnd Buplaswo ‘10149 KOR) (SB 4ojo0 ay.], “Apoos soxpoz9 SWZI'T BusHe8 s+ NO. HopnOg SY ZIT uz aw oat puy swwaddosyp ounsyua yuousmede ays ‘oavey Lays sy) 88cuounyang “a 210 2194M4 Csouag, an8q pas nary 1, “Be w99Ug) “290 suaPts NVA) peaawapy yruoaag otf], qnqoryts avout a4], *VZIT OMT SSE “04 31014, INVADE Cesena WZTT “2 fo soop suado VINEE 5 SHES F5) suounjoog qnfrjinoys ho 2VZIT amo ayy ug ossrm5 amg ons and 00,1 preo sonal asucory amg 2x ytten Bioquason, omg ays Bugapsp mJ og -syByuos omg oq plnom a pause] | INVADE (silos ops ay, “200 Bueions]3 9 apssoq ‘Woruor 3 Tuerpucys ‘susofsee omg te mou St Bpf “posodcosep s¢ NVA peer 1/84q0ds we Bue “yyw pos “dn yom yupoou nox osu uns ous 208 oF ugpguinoyy wag ot soxoue Kyqoqoud 1h] *vZIT rasoy any [1 Sa0Y. SHHLASWOd SSI “papa oi Buea oto | pro poodanpng “0h yy *VZIT smooy sedvsoshyg *SHLASUOA SSI sm fo sus} wt kopd 9 agtien of saspwosd wolosmg *VZIT + suouasopy ays 0 kaso PHHLLASUOG SSIN "05 40 anoy uo fyoy sof ut dosp py ossanyy ays Plot T {VZIT “ysvopeosq suvoso,], SHHLLASHOA SSI 16 yng ays my Apo ‘sexo | wou} ua omospuny ome asous pun yoluoyoyy arf 4th {ZIT swaavayy yrusaag ays 10 sou] *(yooqeiow wou) AHLLASUOM SSI (Zapom asousias v sowuooaq mou kporouu soyrous spss} NOLLNS) “Bu 05 ood Sty aioxpep 04 stun Lapenty Aguero) VZTT o8aig wag us drysopttog v waispiyo nok wos “sy sof asoy mate aut Buuptoae nok spunm god nq “oReqo. fo pungs] ays oF Kary ous sjauapy “uy so] asod o4 anny Aqdauss nok skos ussysdy 6yoo. oys pu sory ays pay ron, war] jstsven Jo asv0s on, j8008 OW, jevOH Puma saad GBupoosd v soave ZIT “40H oF want TTY) rong D=eT SsoHT Cuopsuoesn sof Buyddo1D) *TMAAI ‘auatg ‘foams 219 nox 2VZIT seoussaud not Jo Aupioan saitop ssoqpous ous ue Kuo se ‘wows, ied 77 fun. apuuaounoy ays SOT aos qnpprB eassnoxa I0M S:Pysoa ange St fposen soriey) | “yore suomuyse ease apie Ay “9 1} SHOAL aud CVZIT OF sousms “LUTESIN TIVGONEA © payesuept 24 oF 42mm] ssonpaspooy ay IAAT 100 104 Sulu eouopuowy ws NYVIWAAAL ‘oouvsiwa un soyoue YT ‘Busounp amv sopdnoc vsiveddo uacooyy yyuanag ay Guappng -j8x oiljost w90.e “200 ots yong soup Aoy,1.) ouugud snot 1g axnot oper sno dog esoomid 04 03 kya ssysony dew st 504 1 “ous us suo » somovog ‘suosspuid oy 0 s92I]00 nok seH dnl 00 woof pray up ns oy 39 $07 * eupouop 0g Kye og ‘VZIT -oa 01 2 210 hquo sys Buswsou a0 s04 01 shes ays, INV “aagy of af 210 ssn ony 03 2fs1 uo duo 20,910, £6 roc on uy Apo Busypony gol sou Bupluom soop ya. Puy rena Coys oy 008 pun ays 240) wok gasdn susygoR ayy 42) Ly, “2a 08 afgy uo quo ype ppasaquungs uae pool on] —pasoquena s¢ kop yoy “ansronaBmut 94 $29°T —sunspqop ay uo #20q 04 950 ON, Jas ays up duent uno mood puy “is fo ssmon aug 9g o4 tune] umn ut ut J 145 Jo sou att aq 01 runee | asnoy parunoy sau9yt ff ‘9¢ Jo asoy ays aq 08 sua 1 dasnd v saxon fT 55 Jo sou ays ogous 04 sxom | Puy ou aos] Mquo 11] 9424704 | ‘suoalfo opqsssod BusBuoqpoyy ‘gall 4,us00p oy. 210) 226 nok a uy “wopousoougos te Buoy og ‘uoponosgo up spugus Kuo oxo o104 (patois ‘yt oF sosnis08 pun ‘coq duos uo sto yZyT “i9y 40f soop suado ‘200 Jo mo shunt NVINISAA “susp 14841 pos ‘apis uo oF porynd st azo ay.) -ypoods 1» ayo of qunm 1 Jasvajd ‘og dvos onjq Ku om s08 nok poy *WZIT “appAED smquempor INVITE 6dus juso-omy ay uo paste ssounys] snot pun porwgod aq yestiod smog * aad *SNIYV eR ‘HTdWaSNA CaaBuoy ore oe 429 CLAMMOWD FHL) ro pwanapito Jo wuowsouvapn out 40} pury *SNIUVIV BK *wZIT "te po J oun] ANTEVIAL ++ gun pouoge Ny ough 40f #041 saNTYW 9% {ZIT ++ sswsonbou quopisard UL *aNTUVI tuvou spy s99p placa ayy ue aya. a snogondo ako puts st snoponsB “yo ‘ssaupoo8 “4 CMOUD AHL -sonsig passep) ays fo muopisasd OULD PaNIEVIN -wongsy FT ssqpy sof aBossou v Busag | SANTI $6 og ays ue kpoy {oars ays uo nok SBitug uoswes ayy ‘ops 2 gs wat 0,1 pepund 210 208 yBnowryy Quveue sey s20p puoas ays us soya amg, snogoodvo ako spussu snc jonorpe.8 yo ‘soupoo8 “4C) :GMOUD FHL, Comppy fo sa8ouru Busstsaape ‘NOS pam ays Jo uusoyo ays puy op ays Jo aqrus oyt yet *onss ousoo Loum} 204.5, 298 pun nol 30 400} [ anasp | Bets nox dounf Jo siyiy) daw yo uy “pugs af Gu op pron no -pungs oy fo tuowiou Kyat louuou Lut 247005 ‘suowon oy Jo p88 4Q —svol on fo soo] ays pay yruowe ous fo oon ays pay +6nary 0298 YL —w2x] Jo S400 4], 2FT 9q 150083] pear] perused | *SNIGV PULL OS wary st MyM vary sat fen, a 2 way] 0 ats YL ‘NVI UHH.LONV waxy fo $400] 24, *NVINOM WHHLONV (eo somooag uoys “paxeqdied ssxy} w st pavoso 94,1, 90H} 40% saouyp ‘owato st Jo aon} ayt if #7 syoo] oS “sote]B mortem Apsgua’ Burpprqsof soymauos “o: Saomop ayt up powwod do ays s0 YZ 58 4] Busoniay 40 st 4 “Payoaun sy yossi0d 241) “ays so anf os ouou sauoys “omg ay 19g 01 Bo oy poms oH YO) Tv Maynaodiad 04 peBuopoud 04 ma kquqoud worn Lruadsoud pus sored Jo poriod soyndod » oonpoud of sospuuoid sosquaud aso to posuyd qyostod 244, INVES -pounguodues psoas Jo ousys p somoosg, 1/Squor suouysygeise api] ku—vowapuad pus sexy sau esonnis iyBro-Guof ays us spuassf OL, 4 fou at 9 wor. PU 4s pou oe uw9 uae Puy “ag pos ace uo uoyen pry Bee kpry sagen wos oy semarod 4] —poruged 84 aeosssod oy], parusonun danveq {0 "TV couse ye? Pasqpa.ns eeasemMIO ‘ouop 524 440 Jo yom sey] eBay UroqsoMy 4854 10, orsogssauduy 4 5] *vaIT Servis i8so-Gsof ays us spusssf OL yoaun—ass ‘osvoyd YO) “sipom worn 943 yensod 4,1, —ponugod sp sgoutsod oy | ‘porusoruss eg $0, *TTaINSNa worugod 5p ossiod 04.1, poystu sp Bubs Jo wossmo ~uoo yo 2ouayss Spuooes 9 sf 9104], “sofuouy ayE}s}ov— YRLM ONoHLIO un auoveg soy ‘osod 04 oonedasan 194 pappou soy YZTT sunsus out wou} Yoryan ,juomoyy orp Jo 145, Jo froy ssa} ous 02 Sry TTY “soH tus oF supig “say, sasod ANTHVIN "VZIT 404 syBnoiq s+ soy ayspouosye YY ‘Tes un Jo sBoq ewoveq sun siogyos oy, “soosonbo VZTT) sauay puo—nodk juzod of ui | *ANTEVIN gaioyet pun—ous qusod oF st oy *VZIT “ays so sof 0s ston sasays Sout ay [Pq 06 sf8n0 ays payne oy YQ *GMOUO FHL Haeaoy kqvas xoyy {ZIT #ce) gno s208 pu soop oye 03 Apyoinb spom 248) wom ssl “Aep poop ‘syOOUd “UC “ep Pood :WZIT _ Gppsiey sypoye wary ads oF stunts sous sof x 1 54001 1S sspoyp axys tuauf sory Jou sown Kqanoys pup tfonoo out mous S944 WZTT) ~uooiyy-2appass 38 ONOTO, Te 2q [U4 YL, Gesu 9f4) no pug yPyS om sdequag “owy 3u9p T ‘SYOOUR. "AC eau 31 sop soyyy “ons sgeqp ‘S9h—s9K (M4043) “VZIT of aust ‘ouyzeBeur mod jo wonDuny oust 2240 BuRPs jo oar smog ype pusds prnogs 2522] ‘axeq oma. ‘nok 2eRp ‘00% ‘sTOy we—uour eo} amy ese Ayyunuqury oq Says wow y—ueuOM snooureg op o ouoyda arp are nok Aseruey mo wy “ann st oN “eddo {uaa arp “uwaxp anos uf 94 “9[8 Ajuswom usooauy ZOyPex 30 nog fae ut yng ‘ssoxp uy A[uo 29 “G2496 Jo guyod amp 0 ssourye— auanxa aysoddo. orp 07, 08 nok ‘Sayan uy “seuanpoemne eK SUE Tao 0} asn uomow, Jour syusunope SuTURUNES ys Jo Ser 303 Op Aras for) ops uous 8 Afpnolago axe nok “Gear Ur PAA SHOOUd "HC cava nok eR! AOC 3,00 | SVZTT ax mok jo a1soddo arajduoo axp are nok Asezuey nok ur 38 ssqpy oBaes se nok ays ax assoc “Bie ye wreaspdep v AperoUt sf smouy nos ‘ueaxp v puy "nok oxy DuTED at “aos Lear a $e ONSEN ‘PIP NOK “PIp esp 949 ON peuteaxp nod Inq 9A «SHOOUM “UCL -ypsSuro1 won -epr UF af Jo JURP | woys—ojqupossar surzes 3 sep AwO—KGAY °VZET eSuens oon se nok oypns woarp ap anoge Sanphue PI *S¥OOUM "UC A 'VZIT sweaip ‘ayy Jo op 3213 v poxquouer oaeq oy wees NOX *SHOOUS “YC (Cyonoo ous uo se WZ ‘KpeB0 dn ston sty ays sy szoillo saoroop ays us exo dat vissoxfuo soifo pun pompous pio, st woBoq mvoesp ats YH YL “Map wap oF suns siyBy yt SD 3 epugygns Som #4 J, ps8 ous 5210414, 66 ung oy ut kp] ‘quotou aye Jo 188 4 —aval ays Jo syooy amp pay op aya Jo aps 04 suowuous yt Jo 488 “YO, nok ug aves | 30M sepuoe pu anu nok 228 | saxasp | Bou snoK “uapunso wot 210 suscosp dy “quusp 11704 a1oMs ou seytoy 214 OL, ‘lotuou SHY 10k Squanuou oy Jo 8 “YO eojoa ano us yBnny ou Puy Squamoue ays fo 188 “YO aval ays fo syooy ay puy pres ays ue sate “pun AiBiussnooe Buss ty “os2]0q price 2 50 fouo paonst sp aor Youyer cauomoyy out fo pip, Jo rye souoseg unyrdys syys qpidansoduy)janoy we sreyop A124 32 —aerp nod Ts prnoo J Keg Cypyp 9 onus uaop Busdiunig) *AIOOVIN “our Pp IOUTEUE Tp Sem ETT MO 9H VZIT ees oy PP O Jp preyy amp 298 01 unog (sitowoue » sof soy BuepaBoy.) *AIOOVIN GIDOVIN sw dn syoo 248 Wat, 80 08 YALSOA SSUN P™” SNAAALS SSI So tusuuowe » so} Sap sox, uo sioxioy yt Bross sopns ays) “osuord 300 Otp 960] “sowoD oy WONAL UL TIGSENT "A PUPS “IEA OF aA [HA siorpo orp—semmara asog w uF uosuof “Ap 298 TET TBH MV *VZIT “an 30} aye aseapd 01 pres OF] uoureSelua company w poy nok vex pro! | "nak 05 01 wy Barco sapy ‘nok ypoos on Senn wa0q seK IGN TN “smEpy A ‘stund ox “vosuyof WW *UALSOd SSI 1g 30 serpy 03 2feods on qreas T s9IS0 SSI BupFEas soya Our [>I (pod miounusoddn ox 29 uavop ways “joie 19m ssounl ag ‘S008 ys 50 4 494 Yo Bupssor ‘ysep soy sof ajbeoas Soyo pun ,Bumuou poo, 2 sanuanas ‘ue Appsuq seo VZID -sqroyy Sanaqany 3 Sureisep zy Jo [ap Pood e seop Hprederqps 3m TURP T nog, CAumurep aut punaso sop ayg) “# seyo ROM SAW J A AIOOVIN gens) sgh ‘onsse axou orp uy simp Sumav.y op CCaumnp ays sossod 94 sp sdoss wars Sno suns ays) Aeasue ‘Sopow ap UG 905 soa Je We [TP “YO “yBnowp ‘1p 0» Lem kaso} v sa] SNHAALS SSO Tuosyod si 9f aavy pace no 3x waag{ “sHop ‘dn oafp) “stow wo -sofipur aut soar yy Mow J “spId “MeMZoM Jepjo ue MY “ATOOVIN aang ‘Bunpdue uses x99 n0X oanpy [peg ION CPaes"O) *SNAAALS SSI “"peq 20N Tpée Bune0g VY ‘AIDOVIN esping Apuey ye yoo] 8 308 nok pyp SueID seq (podo-Luswes HS) *SNIAGLS SSTN “SHOU -qmpodde 20q ye 305 a10y Aya oq or BeOS says “ON *HHLSOd SSI Gk wr 200 HOT SIN ATOOVL Kaus “loamy v ng ‘S008 sows so sof 05 apis stopRpion on Ho aH Aquve soy uy wowace Bupyooy-poo8 Y “ut S1IOHS LNVED AT ror ts pry pros fea ye 31 ay] SumppAue uses sosou aanok omy (Aqpuasoaoy) ~woo8rd peop sea | pue-dn payooy | way], “suye909 jo punod v ayy aur yBnom quam soloa you) asmeD jo pub ,“Toyer oumayd Sux aaey or pasod dns ur, ‘pres oy pus Sjooq ouoydayes oxp wy raqamer e dn SuPjOO| seat | pue 3s9p wondooor exp or ours 9] “MSFT ‘SNAASLLS SSIIN yeray 798 poss OMT SSA GSM [ qwureg ‘sommgd ap Supper sem oq opts 3peq amp uF pusis pur orpnas agp ova seaus pynoo | our pasroad [essmy “UaLSOd SSIW {uses zou dag uwur Jo ye TAFHNeq Wout oT, (Aueaied) *SNAATLS SSI ap Sunpouog “YALSOI SSI BPD “HOTT $3°"R—POD “t “sxpeedn sem | 3 UTED “9K ‘SNHARIS SSL esning Apury :YALSOd SSI. gaary ve Yooy v 323 nos prp—som CIss9]49094q) ISNAALS SSTIN ‘Gai 04 1200 Soses ays—owopo 5] YALLSOA SSI ns soyous sys ~omppy fo songJo oyt yBnosye ssod oan sopniqeje0 Jo uwosss 3 10} aspuomdanos oy it ys exe ol Aqprvpyouus, sox sdaunys ays sowuou v soy ays “fauoop 24s Bnoiys wy syoo] 218 apuoyy Aevoppe “mfrinveq yet » ‘SNIARLS SSI Pedasop 94 uo uopwiou v soya pu dn Suny 24S) OY TE! TM BIG2N AW ‘9X JuounseFas wooppuny v pus stuounuzod de sorgo [esDAes Sey ONS (Sep ays wo yooq v 49 uaOp sooun|s {70K wr auto 3yusey ays “HIQSIN A ONT? ** “owog Sy ST SNP ‘ON OPH FWELLSOA SSI sBups ouoydoqar oy] “4S*P at ¥O sioyio] pouedo owos sooxd pun sojo s2qno ays wou, uf souson ‘hesaud ian pus aas)suaces mnogo fo x8 Sunok v ‘Levie.oes SHZTT “SHLSOA SSI “0qPD vIesE H4y] KBurystuoIsD BuxyooI pun ‘ssasp Busana qf uy parops AqpuanijuBiou ‘woos ayt fo saquoo ays ug asowep spurs YoRYe. fousunp oxpsafzt v sof sdaoxs ‘suowou ays w Modis 5 soiflo 24], “auoaas suspuano ons ‘Lavoy pun 0B. sspoyo at “sap 5 uu sp ysop oy, iioos aurusuual v ‘seasaioy You st 3] “Larunco ait we ME Bus saroutoen qnfssaoons ssou ava Jo soxtpa a1 siijaq so ‘woos aayssoud aus 9 55 4] “sousions unjBs00g or uz owop “woos parrund-yoo ofr] soo SN ZIT @ ANAOS ooruw asatp ‘san porodsssep sovyavs spy wy “4000 Suny ApBeps st pu 5400] DH soot) ous uo Sugposs ‘win spy 2900 Buns wwoodor v ‘pooy sy fo 304 ‘ayfk uo yy SHY ‘woos ays OMG SuoUMYS NOSNHOL AHTHVHOD “ur awOD FWZTT (Loop aug 49 yous » 54 240%.) -sooxdn ue us} 90gJ0 PHA SL, |TTIODVI “oamoo jo ‘998 “GO VZIT samp Apury +HIOOVIN eaomp ype sea segs Cleaner 7) :WZIT (Cgno soysns op) “wasvoy say] ‘PSue soazred b ayy punose pores spqcany 01 Supmmp 9q ‘ear] ou 30 pow siyp JO yo amyeom 8 of sf guy 05 nod prp ‘orBepy -rgimo Aoquaco w wf xoG FEY °°] ‘yp 20} orpmas oxp ur SupAis seq 89}] “poate ayusey ouITS09 UEP ‘orp pur ‘Spreng weanspjeg ays Jo ureidep se sopoo uy wry Jo ame cord a0 op 0} jue J “noi 908 OF poyse off “StuouIOUE M95 B 105 WI ‘unearonme 0 308 aa,noS ear] * * + ynour amok uy afour poss eH 95F 1 308 9H [po otp—pus stp sf 9u0 swep Inq “Wout [yd Jo saz od way aA ETP $24 ‘SED Cons so wou) *TTASSM fo ppp pun orig ut puoA PIO Mae ee ay fo uowag, p02. ays—soydoiSosoyd joss ays St NOIXWd TAS -snu "0 a ‘ays so Bupsome ysnl 54 cy usu Bunok pasoy-uaxry 2 4 sapfnoys soy Joao yossor st 350] SEL) BuyeP “TST “OPH ‘ay oqpeoy TGF aust ‘qpredempg wou y Ciro dom soy wo Kuuunp aye sessed ays s7) Op ng ‘Iuapearp see spay Sed OL “APAOT “omop orp pip wR IeMIO Meld omp v yong aysiu asey Buyusdo ‘aya ae no$ 30 saxpie 2294 CVZIT oF suodod ays Buspurpy) :NOSTIV -raa0 ¥ peos [LJ —wosTy ‘919K 31 9807] WZIT gnok 304s 7.980 PPA NOK, 2 sar qunp nos ac0p Suqmep ‘cary Touopesuas sea 3x pue “eopt ,BaIOG PeHL, ROK A8eHL, ‘ee jo spout nok way yeqes Mow nok sap “BBE “AON !NOSTIV juoor sured asoer orp ur Afpaoy Yooy [LAOH L LHL -opanyp © our warp aim pur soigeg pro anos ayes 10% SAMA ETOVIN «€PPC 205 PEA v OT amp ums pur saysesy Zop plo mos ayer rou Ay “sqraypeq ssenbs sou soy apssoq Surtums soo] [Hs 3 eHopnog ays 303 apoerdosar xoUuBopy B OIUT aarAIEs JoATS pjo Mo ao rou ou AGAMA “2iqes 240] sargeg worm’ zy Snx-depd vow 3 ayeUE pun 909 oIqes Po mos ayer you Aq, jsumrergdqep out ase Apoaoy oor TASLL eqpiod tums mo wo suyrmo oy 3peq 9n o2 oT Vsn Pu sy700 euedurego sok aaes jou Any, (pury soy, up ood uexqimadés w wosl spoas for mous us pe 24S) ION Sqn, Pee? say 1ke8 Kzon—qouory aoa say “wep mp eB on fuourour 8 9363 Sao [Taw af Baqpep “t oF aise] Bumuom sy arBSopy on a pear 7 gaiSeyy apps op yas aurzefiear ayp Jo 3peq O¢p UE FIPS 3,N0p asvard pi 80 0} nok jumia | UaWIOUr B IIE Op | mq——our oasBoy BaP “ezrT :NOSTIV (SIO NG SSIW 52 youe4y 50 sign sag of ap omy out 16 Bunyrou sp a1oys nq “ussuoasy yy “uoroyddy so uropsuy so Aqponion st ayg “ksppmat auunssoo yen saxo Aqoasnsod puo Gf) pus axis ussezoq 280 hum 04 pynoa oye urwom y “ros Tin} sopun up soysns STOR NG NOSTIV Pur uodo sexy} soop 24.1) “pjo sivak owa sea y toy Saou emrod op wo our ynd sapour Sux asne2oq sf SOROYSAIE pus 34109 | uOseax 2up erp asayoq om ayeur o; preg ATIMyiae 2q plnow af ang “SOM ay odoy | ‘smouy pop—syom a edoy | TPM “YMTYN ‘IOV ‘our parsBieys 3eqp moy amp Jo puo arp 2e Buryou0s But por apy Causuiou » sof AynfryBnoys sfind puen orrasvBr0 v styB%p ‘sep jo Gyeorun ‘yp IMogE wT OF per PInod J seal Ty “oApeDAs opag B Buys—y Mowe sures J pue—Uny POT T SOA “PIoog ACL PONT Y NG AH Y FVZIT gor Jp9y nok op MOH *SIOOVIN, “Apseyd !VZIT ‘we urn 2638 plnoo J ‘pop “nod Jo mo [ey ayp waNyseyy TLE coxa; unop BuB¥iqq norm nok ysta [ INq—T ‘sou J "nok axpjun os saj—Buyop aq 01 nos 205 sour, | (494 oF 4900 sowuoo pun dn sie ayg) “Kar0s ta] aeyy Sy8e ry (Apex pred 308 nox ‘srea 203 a0 seep Buyop uzoq a4 Bury :AIDOVIN “‘Suyzeure aymb say “Suoist] oF] “yYer ue yoeoo v wo ayy asnf !YZTT . dop ay S00 Te ‘mom © spn Aiuama 3 yomb oor aq AmsKUE a-oMg !ATOOVIN ofBBepy ‘ssoooud mops v aq 01 BONS say FYZTT(asop Joop 24,1) “ROM SSH “@Xq-po0D "@Kq-pooy Cusp oys sry sono Suayro—TTassny astos of 2ANY WoD UUION & 3nd “TEUE B20} TRIER saAyin sou] 4uop [—moKSMOS "uHRION aH S sep jo dnaos © uy sroyns sSeape suoamng ezyy ‘pu axp ur so4oU 3 Mg “SM JO Tod JOY GE ZUpIp “WOHENAES areisodas ¢ go eas 3mnpe ‘pazrpap @ aq oh OUD atp 38 putea 2p sopun plod aa 389q axp pp ou “wary “op nok s9X “TIVCNAN spuvysrapun 3,u0p | Guatwou Buc] » sof wry wo Bup{00T) *VZTT Jsn—sropqnon omp NBT a eae (0 s200 sou sansip pun pur 24 so4ei 2pT)* * * 5 ee Sur yon Senay rok one sey Casio, BetBoBes:C1) VZTT sous, nok 39] za49 J we oxoK—EZ] “Nos noqs PoAK 08 1994 9a (peo soy sosspy 9p] “wonnpos amp Pumoy OA AUP | -TIVONA nour nok A VZIT ‘oa aawrp Tino amp sxpuour e 20) 3f 6 09 Buyo8 wey “ypret syoorg 208 nok pil Cy soy 4980 puny Sit, eae sTIvaNa spon los» soy ‘uo oulospuy v apeyae ‘2onf tH 404 Semon pe sgl sy lw ksh 97 soap Pepa ‘yim sumo. oxy doy ysyod w tury aay soy 2fy] Syuome Yots qunsoogd Vy ‘defy Bunok v st LITESAN TIVGNSH “74 sey sexys 2H) aqepusyy Saou Sarpsuy “ope Y AWZTT goneq Aue Surpog Suysep ‘OPH (Aqpuof say Busssry) + LITASHN. (susan sey us 404 Soyo pus VZTT OF sosso10 ory qriomout 9 sof wey sorfo $0] LLIGSAN "0 5208 2H) Ipemsgoypeay, Hyer og ‘Burn :KATHVHO vuosuyo{ Supmoyy + LLTASAN (su2849 LUTASHN TIVONED Bu suado soop ay so ano sums 271) “Summon poo :Y¥ZIT “Sapmour pood ‘TPA Corrs 49994 -oysyBnosys Bugeorass sous ‘Euuoys sopseya. ap7) ex “SI ‘SRVHD sop TameBuere xoquesropd v axeur uv nok sdeqrod wey op we nok sap 3.uop nos 3y “so mok 07 s{zeurer ok auuO nok amNY ‘mp ur asoddng (NOSNHOL 0 ¥99q 401 ‘eouydasy} ays oF 4900 sypoe pun dn sBunny ays) “uy ase Ua puag esox (sBups uoydoqer 24.1) for yng ays us Apory oumeeu om TEA smyssrer oF soy wuossed Aux pasoype xan aavy | pu got mok ye 3uapfsoxo o1;Nos ssneD0q ar0q ax,nOX “mou asf sing) “apy wp oposids spa amp se ns ‘Scysnare sopysuoo nok smog, “2avty Yonot J nok ayET IuOP | “NOsUYoL ‘99H Yoo] Cysap ay uo umop yn Buplot useq soy oys seunosednd ays Supmsums) “ZIT Apey ssog ‘our [5] nox Ceongn] one sising oy Aquappns usys—s0y 2 S400] 21) 7XATHVHO spoour anue ue ur you pue—Asng Aza8 wy guosumof ‘our 01 kes 01 partem nok Sunpomos arp SoA, 2VZTT (2108 aun Kays pun Apuopindiug siom WZTT “Ino Kuwnp ays Las SKOF FOLIO 2111) soo tr peords ofedony v 0q oF sar Morea FWY IPL “OK 'VZIT “HORT SST] ‘orpras oq oy umop Japour SIIB aed oF sn PIOH TUID SSI ?AOT AOAO LSU (Gaia SKOM ADTIAO OL) sup owog (uoop ays 3 yoouy » St as9y,[) IPI ‘Suv ay seosip nom ay, “wosumof “Te oq TEM FHL CAuBey) °VZTT esp Apoq. -ouos 7 3F Mom oy quem [nok yuRB nox op IO “AA PHO PUS 20g arp Surinp Buop sem vdpuess reqs Lop autos sauo opy ae [= ued | oqdeyy (apo 94s up umop puw dn 33 sassox pun zayood sty fo ino syBromueded v soos of1) Gusrouroded xp dooy | Ae *XATYVHO (esnod y) dav 0} papaus yom wre | 3eq8 pHs sem Aepraisod soseyoq Sor qunp | pue ‘wopoepsnes [euosred autos out ‘ai oj adooxe asodind om oars pjnoa mow nok 03 aziBojode os aur soy “9|qusnoxouy orp 103 ABopode ue Buyseryd yo eas om MOU F NYZTT Cong “oun orousuessosspus Bupon} spurss KTTUVHO. KerpfJo un woos sry yBrosys gay 9m 01 Beqo8 om are—,anBuopy omy arp uF SPM, (loop ays of sesso ays sv Ausunp 241 oF suowou 245) 305 [I “MOU [saw nox ‘Sox gezzy ‘aIup Yun v 208 no; ep op nok pip F204 jars nok zayENS we rey “LoprEyD ‘KsUOHT :AIQOVW. ger“aval papi ois we SopeepsaoHO soMt 24S *KOd saoy ysien poromposd aM. saoytoBo4 ooyss yey or mam ay i044 eee 1 2 won PTB 9 SHH], FIVHOHO Cds a 0 pon ate su ae 4 9 so Buus oy z, somoydep yf, “08D uosroioued D JE nbn onesaiey 0 poseip 02 fy “psea) Busou Gao “STUID Pu SAO Jo Anois » dq ouop Bujoq st Buyiuys ays soacosip am pun goyaiswos dn ooo si8q 9, Buns dqpaod paroy % “VZTT oun ays ssoupinp oy YBnonyL “soup ome wep SIY8H] OL) Guos Jo asnsyd opie] sous wns oF susSog VZTT Sf oys Buymowry azgnb mnoystar ‘Appsotumpoases “uot, “SsouypHs oun Buoy v st 2194,J, “Foo Ja sS0100 5908 iD JoFy “HE UO jes soy sBusy pun yonoo ays o Kymops spear ays wor,p “yoo] axe us Ao ‘yy susny pus soop ays ot Kpyoinb se08 yg “tuauious v Jo} 4s9p ays {supB> Kpavoy suboy pun dn sBunt—pooysiof say sadim pre Joryou0y puny 421] sof saypvat oyg) “nok yuey.], pumstepup) “oaosuy “Oy Sup | yum auokue 99s 09 7 p T-Apogie Aq pogmsrp 2q 0% (poy warp 208 409 J Supres ase oy ojdoad osowp TPL, FP Op 3,00C] “pura assu—oNy ~Keuse 3/82 ‘oy WE oMmoo 0} say ye 4UseK] ays JT THX UN on uo8 sey UE SsTAl JE 99g Couoyderor ay dn syd pun axsaw8zo s24 mo soysnio oys ‘uaigy—2u08 soy of soifo stuowous ma} 9 sof qyps ern spots oyg “380 $008 ways ‘Koaxoop ays os} sory 9 494 Sessor 2FT) “AGRO ?VZIT rakq-poog) “Prey 003 3400 3,LOP OS —Kesskue ‘omen ayy yr dn puya deur arey (doy 2 Sepsis 2F7) copay & jasmnok oreds oseayd pay (Buryrads snoysm spou WZIT) ar] 49 4.055 ‘tou 10008 $4 aeI Ing “TUM 38 nok 99g *TTVENTY Cpoayaso} ay uo Aqruj3x soy sassiy pun s9y 04 S9ss010 9F1) “Bases opdoad yo py soo we 308 aay gpures nok og] “VZTT T 3 qeeaq pure nq auond TL] 308205 Aparoydu09 qf monomos suouahy 2ep YH Burup azo nok os nog zeay | 3upICE “semuord sty Jo uO WOH 71q 1 oy] romper sem yey, (syney oy—uery soefo BusyooT) *TIVONAL (Cuioos ays Jo ano suns sou aE) BIGON san ‘nok your aaeq on pers “ured afq-poo8—Temy Coouerss HH pacyen un 55 aiay, 7) “E oyeU THD NOK PEAS UH] "TEI" ION “AGNVU for aE Apo, ‘omar asey 4p 0 dn Sappzom oq ILI pu ssoud or Sue axoyy eKormpuases moqy gsnmp “ayy xy dn ow Sur sped purr nok prop, Conasv8e iy onoasou 34S) ‘PATBTEP oq pI “Auemg sox PSHE monouO wer MONOWOY, :YZIT {Sfu moxzowoL, ?KNVY agBrmon 3,00 J “Aar0s wy "GO *YZTT “aq8ruoy souuyp avy pynoo aa zr paxepuoas ny ‘sep aanp sotpoue 10} axaq wry pue pauodysod waoq seq a1ep Sunooys oy, WseoD oy wor Te e pey snl [——KqM *AGNVY Gop-nolop-aoy aBusyors Loy.) sning Apaey RIqSON TOPU $f SLL, 3y8H ye amb saeqy, *VZIT +++ y Gans wry "GQ *kGNVY (axou ‘gns ssousnq "mp sarroaszsuoo » sivem aff “ut souoo KANVY) gaMH TY “WE omDo nok TM UALS SSI. vos sok—Aqqy eSB IW FVZIT ROM SHAT “sHMO “sy sos nok THN AELLSO SSI Coauoop ays up spunis pun soop ay sudo YALSOA SST) “yuswour 2 303 aoe our 291 asnf “our roy 3:0q sey som | TTEPUONY ‘O5e9Eg °VZTT “wom suroy nok oye; our 3] Yoo] nok Aes oy MT 3MOP T *TIVCNAY -uoqp 300 we a 0} sowup 07 owod ‘Tepuayy “staf Aqpear—oxay aur 305 328% ‘VZIT it axnok warps ‘osmasuot ,no-oSgsnummons, stp uf astsred nok op Ky suv oys jams £04 mow nok—oupeSeu ayy ano 38 ue o1Foyy kg gomoy, 08 pure oowgo srep 30 ano 398 nok [p48 “Oxfes spor) 309 “WET: TIVONAN ur isk zoneM OM SE IEMA Gala soy 04 0B spuny 4077) “Tepuay ‘asmon Jo ‘sox * n HL AMS OYS toys snopOsHCD ‘yon pura 3p J “Afpeonsexd Srey CAypmfons poor sey soy 2s otf) Passnasip ay soe Tou conapy or Baro [er] Ase] 3 “~o10AIP our aag8 on paaiBe says (wry pimmor soy stuns aff) “Mow spuaTty soneq pout aypqy ay8ia asey ore que es Buoy w peg T (wy gorNos “NHOL ASTHVHO st sy swaddo sBups Jo host v yseae umnusoqes y) epunnsoy wary st Aye ag, Buoys Brlng 9x9 ous mou prey (4a, 01 5208 [IVAN “Hee anny va swwoddo YZTT) “My Leva 94, prnoys Koy *TVHOHO “pefssovons ssow 1994 sy “ty sof auszoBou ax powsoes of *xO aun sq *TVYOHO kgynfesnvoq Buopo 198 Loy.“ saao] wey] pun war] soso] apy ‘po sevol au Bso-Cas0} sp angseN] TePUOYL *THI Appumrvedea punose spooq 241 “porySqiods 8 TTVANA) “onqson epusy BusCusoue se noms MET ouvas unyys 0427091) “potssown 04 0258 wi8 oBiy uoregdopy » mou puy (8b ay fo sepss ssoddo—sdnos8 oms onus as Loy.1) “puoy ay us 54 yous sous} oN dup soa 130 aay 20 ape Puy spur Keoaa uo st Maunog ino, BH ormpdnyy “omy marty “YQ *IVYOHO ‘shop hadoy ‘Cddoyy 1X0 Cauny ap semip,, fo ount ays 0.1) LPL eH PL PY PT AMT ym ey mL OL MYO 2 OT Taemd sna tes ‘caigua} pj zosanQ, esprbuns} snoazaping B91 997 "TV"OHO “aften sey 0% avoys of omoy a8 Yoor oy J94 0 210s Buusta® Jo puaisuy dsayoves rrr sng ays us dpry tpuory ft UAqIV. "W Jo wexp oys aunivojiwo sys soquuoy *KO@ £6 ‘om 004 ays “suod tas ZS Jay poy | sue auC “siuUD 39 ZHYM D Som oYg :kOd “pun ays us 5 Jooyos sous} oN] anya puy puny Liana uo st Agung sno x YB] wordy samy out OQ) “Laopoye Jo 908 args yowas pry SEP [12a 40 op 1120 Jooyos sno 40} prey haqokoy ynex poppy se tway yoog SBE wordy fo aspoud ays Buss oy "TVHOHO “1fBnorp ‘eopoa Kazoud v poy 245 -s0y poosssopun o4gnb soaou | TID “snopes ow oy 14upep 24g “paptus ey seu sof a pays fo 404 poy | Coorrpap A ays pasacyap vr] way Log wopompess) uC) “mou 4 1198 Tom so a4 8t0 J "208 “Buys oF pasn ays asoyan uop io ous us 20s oy py ‘us 205] 08 posn ays osnoy ays saquiotuas | 1x08 “dre yonas som ays ay8n0ys | *TaID 91 S94 pos | *TuID 008 ‘sonst omy fo opm, V PHY ‘slop datos uo woos sax, us Seqquseseyy So] peas 24 ‘qm vary saquionas | *TuID Peps “ys “yr ep 1 2€ nob sof pun op tye 20 nol 40.4 “48tH worpdoyy “ysty uormdoyy "TVYOHO12 Shall it be with emeralds or shall it be with diamonds? CLIZA finally decides, points. JOHNSON bows and instead of giv- ing her the ring proffers a small golden dagger. LIZA recoils as both men disappear and RANDY is spotlighted) MEN'S VOICES: Randy Curtis, Flame of the celluloid. A precious amalgam of Frank Merriwell, Anthony Eden and Lancelot, WOMEN'S VOICES: Forty million women see him every week and forty million women love him, In Kansas, in Patagonia, in Hollywood itself he is a man every woman wants. (RANDY sees LIZA whose face ts covered by her hands. He turns her to face bins, Slowly her expression changes. Finally she smiles up at him) RANDY: With you L used to roam Through The Pleasure Dome Of Kubla Khan. Theld you tight, my love, In the gardens of Ola Babylon, lost you through the centuries, find you once again And find myself The luckiest of men. RANDY AND LIZA: And T'm living at Test Head to toe, You've got me so Vm spellbound. heaven or hell-bound. Isit Venus insisting ‘That I'm shrough With the shadowy past? Lam hurled Lady in the Dark 133, Up to another world Where life is bliss And this Isnew. (The Second Refrain is sung by the CHORAL. LIZA leaves RANDY'S arms, finds herself in JOHNSON'S. They dance. Six girls in red wigs, with dresses exactly like LIZA’S, come on. JOHNSON disappears, RANDY is again discovered. He sings to the six. As they dence LIZA merely watches. Finally LIZA is alone on the stage. Slowly she hums the beginning of that phrase of song) CHORAL: Go on. LIZA: Tan's remember any more, CHORAL: What's worrying you, Liza? LIZA: T don't know. CHORAL: What are you afraid of? You should be happy. Every woman wants to be married, ‘And this is the eve of your wedding day. What are you thinking of? VOICE OF DR. BROOKS: Take all the time you want, Miss Elliott LIZA: How curious! How very curious! Of all the things I could be think- ing of at this moment, a little school play I acted in when I was a child keeps running through my mind. CHORAL: We are listening, LIZA: It was called "The Princess of Pure Delight.” (A PERSIAN PRINCE, a little child, appears, along with other CHILDREN. They bow, then proceed to enact LIZA'S narrative’mq The Prince in Orange and the Prince in Blue And the Prince whose raiment was of Lavender hue— They sighed and they suffered and they tossed at night For the neighboring Princess of Pure Delight. . . « (Who was secretly in love with a Minstrel) Her father, the King, didn’t know which to choose; There were two charming suitors he'd have to refuse, So he called for the Dean of his Sorcerers and Inguired which one was to win her hand. (Which they always did in those days) “My King, here's a riddle—you test then: tonight: What word of five letters is never spelled right? What word of five letters is always spelled wrong? The one who can answer will be wedded ere long, That will be twenty gulden, please! The King called the three and he told them the test, The while his fair daughter kept beating her breast. He put them the riddle, They failed as he feared). ‘Then all of a sudden the Minstrel appeared! “Y answer that riddl the singer of song. in five leters is ‘wrong’ —wro-weg! Your Highness, the Princess helongeth to me! And I love her, anyway!” "Be off with you, villain!” “For my Princess a Pris “But, Sire!” said the Min No King who's a real King treats lovers this wayl Ibisn't sporting. And if you're no real King, no Princess is she— And if she's no Princess then she can wed me!” “By gad,” cried His Highness, “you handsome young knave, I fear me you're right!” and his blessing he gave, As a trumpeter began to trumpet. ‘The Princess then quickly came out of her swoon ‘And she looked at her swain and her world was in tune, And the castle soon rang with cheer and with laughter And of course they lived happily ever after. King cried in rage, Lady inthe Dark mrs (AIL bow as orchestra music grows louder and children gradually disappear. Suddenly wedding bells fill the air. LIZA looks wonderingly about and slowly walks to other side of stage where she discovers her office desk. As though under a spell she goes to the desk and presses a Iruzcer. MISS FOSTER appears) LIZA: ‘Miss Foster, where is everybody? Where's Miss Grant, Miss Du Bois, ‘Mr. Paxton, Mr. Johnson? (MISS FOSTER just Tooks at her and they appear) Maggie, where are the proofs? Johnson, where's your layout? Alison, where's your colin? What's the matter with you? What's the matter with everybody? JOHNSON: Why, don't you know what day this is, Boss Lady? This is your wed- ding day. ALISON AND MAGGIE: Your wedding day. You must hurry, Liza. (Again the wedding bells ring out, As.JOHNSON backs away, MAGGIE and ALISON go to LIZA and lead her upstage. RUSSELL PAXTON appears in morning coat, high hat, striped trousers. In back of him are BOYS and GIRLS as bridesmaids and ushers and as they proceed to dress LIZA as a bride, the stage turns into a church. In the back a huge stained-glass window with a grotesque bride and groom as the motif, and for the altar a huge wedding cake, The wedding proces- sion starts) CHORAL: And now Liza Eliott is going to be married, ‘At last Liza Elliott is going to be married. Let music fll the air! We heil the happy pair! Lift every voice in praise! This is their day of days! GUESTS: What a lovely day for @ lovely wedding. What a lucky man to wins himself such a bride, To the gates of paradise both are heading With love and loyalty acting as their guide. is is your wedding day.116 (NESBITT appears, goes to LIZA, offers his arm. The children now act as flower boys and girls. RANDY sings "This Is New” as though it were "Oh, Promise Me.” The procession marches toward the altar. During the second half of "This Is New,” CHARLEY, who is now fe mininr, starts murmuring the marriage service, It becomes aud he CHARLEY: If there be any who know why these two should not be joined in holy wedlock let him speak now or forever hold his peace, A VOICE IN CHORAL: The murmurings of conscience do increase And conscience can no longer hold its peace. This twain should ne'er be joined in holy wedlock Or een in secular board and bed lack. This is no part of heaven's marriage plan. This woman knows she does not love this man. CHORAL: This woman knows she does not love this man, Tell them about yourself, Liza EDiott. Tell them the woman you really want to he~ Longing to be beautiful And yet rejecting beauty. Tell them the truth. Tell them the truth, This is no part of heaven's marriage plan, LIZA: No, tool It isn’t true! CHORAL: This woman knows she does not love this man. LIZA: Idol Idol 1* "Udo! Lady in the Dark 117 LIZA, who has heon backing away slowly, her hands pressing against her ears to shut out the accusing voices, soon disappears. RANDY starts intonin New" as the guests sing the counter ‘smelody “What a Lovely Day.” It all becomes a bizarre combination of oratorio and mysterious and ominous movement winding up in a cacophonous musical nightmare) Curtain SCENE 3 DR. BROOKS’ office. DR. BROOKS is at the desk. MAGGIE GRANT sits in the chair facing him. MAGGIE: Now that I'm here, Dr. Brooks, I don’t know what to say— feel a litle foolish. DR. BROOKS: (Laughing) I think I understand, Miss Grant. You're not very partial to psychoanalysis. Is that it? by comflakes as a child, and another one finds out the only trouble with him is he can’t stand Radio City, So what does he do about that? DR. BROOKS: (Smiling) Its not quite as bad as that, I hope, Miss Grant. fencing around. Dr. Brooks, Tm worried sick about Miss want to be sure that she’s doing the right thing in coming—here. I hope you don't mind my saying that, ow quite what I expected to say to you or to have but I just hed to have some reassurance. I'm beginning ened. 2 Di mow you were coming to see me? MAGGIE: No, no-I just did this cn my own, You see—we're very great friends, We've grown up with the magezine together—and I Know Liza so well that the change in her these last few months scares me, She's going through some kind of helland the tersiblen8 ‘thing is that even I can’t seem to reach her. She seems to be sinking into herself more and more, Yesterday aftemoon I got kind of a shock. I came beck to the office after Iunch and hee door was locked. Thad to pound to get in, She'd fallen asleep on the divan, Pd never known her to do anything like that before. She didn't make sense for a few minutes—she'd been dreaming. She hardly seemed to notice me, Then she started to cry. Couldn't stop. Then she seemed to get hhold of herself and we started to work. But she couldn't work. She'd start and stop~pace the foor—light cigerettes—toss them away. Finally—she just walked out. And with the magazine going to press! You can't realize what a different Liza Elliot that is—she’s been like ‘a machine all the years I've known her. That's why I'm frightened, Dr, Brooks. Is she on the right track? Can you help her? Forgive my being skeptical—I'm very fond of her and very worn DR. BROOKS: I hope I can help he and patience and courage—on Miss Elliot’s surance—I'm inclined to be hopeful. I can’t say any more than that, MAGGIE: Thank you. That's very good news, You've been very nice, Dr. Brooks. And may I say that if ever I get neurotic, you'll be the first to know. In fact, I may DR. BROOKS: (Laugh please? I believe Miss to develop something right away. Phank you. Will you go out this way, s outside, . Brooks. (She looks at him and smiles) ere are times when I wish I weren't so goddamned normal. (She goes out through the other door. DR. BROOKS makes a no- tation on his desk-pad, then presses the buzzer on his desk. MISS BOWERS comes in from the waiting room) MISS BOWERS: Mr. Haskell telephoned to know if his hour could be changed to four o'clock today. DR. BROOKS: Let me see. (He consults his appointment book) Yes, that will be all right, You'd better télephone the hospital and switch my appointment to fivethirty. Is Miss Elliott waiting? Have her come in, please, ‘MISS BOWERS: (Turning) Will you come in, Miss Eliott? (She holds open the door as LIZA enters, shen goes owt) LIZA: Good momaing. DR. BROOKS: Good moming, Miss Elliott. (LIZA tosses her hat on a hait—then goes to the couch and lies down. Silence) I am listening LIZA: I can’t seem to think. Just the same thing over and over and over, Another silence) Lady inthe Dark x19 DR. BROOKS: Suppose we go back to the end of the hour yesterday. LIZA: All right. Anything. DR. BROOKS: You had this feeling of penic when Mr, Nesbitt told you of the divorce, Is that right? LIZA: Yes. DR. BROOKS: Had you intended to go to sleep? LIZA: No. I was suddenly so weary that I fung myself on the sofa. remember that song going through my head—then that dream—then Maggie pounding on the door. DR. BROOKS: Yes. LIZA: Tve told you. I tried to work. I couldn't, Then I called you and ‘came here. CA pause) DR. BROOKS: Had you ever been aware before that you did not want ‘Mr. Nesbitt to divorce his wife? I challenges ws is to Sind out sappens. 3 idea, I want to know what to do now. DR. BROOKS: I don't think yoii ought to make a decision in the dark, LIZA: I don't know. I can't seem to think. DR. BROOKS: I suggest that you decide nothing until you know what you want to do. LIZA: But I must do something. Can't you see that? DR. BROOKS: Now, look here—suppose I said to you, “Go ahead and ,” would you be able to accept that? solve your problem? LIZA: No, no, of course not. But I expect some kind of help from you, ‘Why am I here? DR. BROOKS: I can only suggest again that we try to lear more about your present emotional state before deciding anything. You no- ticed, { presume, that in this dream, too, you are again the glamorous LIZA: Yes, yes. What of it? DR. BROOKS: Why do you think you continually dream this fantasy, and yet never attempt to act it out in your conscious life? LIZA: I don't now.120 DR. BROOKS: Have you any reason that you give yourself for the austere way you dress, for instance? LIZA: Only the simple and valid one that I happen to like business suits and simple dresses. DR. BROOKS; Do you think there is a chance that thet may not be the real expl LIZA: Suppose DR. BROOKS: child, for instance? LIZA: Yes, yes! As far back as I can remember. DR. BROOKS: That's curious, isn't it? Children usually like pretty clothes. LIZA: Well, I didn’t! And I was a perfectly happy, nocmal child! DR. BROOKS: I see. Now, these men in the dream. They are the men ‘you usually see every day? LIZA: Yes. All except Mr. Curtis. DR. BROOKS: Oh, yes. And I think you told me you have an engage ment with him for tomorrow night, didn’t you? LIZA: J intend to break it. ‘What earthly difference does it make? you always fele that way about clothes? As a LIZA: I only said “yes” to get rid of him. He came in just after Ken- dall told me about—Kate. I wanted to get him out. DR. BROOKS: Why do you intend to break the engagement? LIZA: Because I can think of nothing I'd like to do less. DR, BROOKS: Really? Why? LIZA: It just wouldn't interest me, that’s all. Do we have to go on with this forever? DR. BROOKS: Do you think most women would fee! that way? Don’t you think most women would be delighted to spend an evening with ‘a man as attractive as Curtis? They might even feel attered at being seen with him. LIZA; I wouldn't. Do you mind? DR. BROOKS: There's a strange contradiction here, isn't there? Re- member in your dream Mr. Curtis made love to you—held you in his arms. Yet here you savagely reject him. That's a curious denial, isn’t it? LIZA: Yes, yes, what of it? DR. BROOKS: Bear with me a little further, Miss Elliott—it's impor- tant, Then, in your dream, you are suddenly a bride—but it is Ken- dall Nesbitt you find at the altar. Not Randy Curtis. And the mock- Lady inthe Dark 1a ing voices of other women make the ceremony a nightmare—tumn it Jato s oror you cannot face Yet your obi to make other women DR. BROOKS; T wonder if your scora and hated of other women f because you are afraid of them. You make them beautifel to appease them, but the more besutiful you make them the more they continue to rob you, and your hate and fear of them grows. Peshaps the reason for the way you dress is that it is a kind of protective armour—with it you are not forced to compete. You don't dare. LIZA: That's not true. I reject that—all of it. You forget Nesbitt, DR. BROOKS: No. You see, Miss Elliott, even the man you have be- longs to another woman. In a sense he is 2 man already taken—a man that you share, And the thought of having him alone sends you nto a panic. You don’t dare compete as a woman. (There is a moment's pause. LIZA rises from the couch and faces him. Her voice sounds strange, as though she could not quite control i) LIZA: Vve had enough. V'm not going any further, Send me a bill for whatever this is, Good day. CDR. BROOKS rises, but makes no move to detain her) DR. BROOKS: Gcod day, Miss Elliott. (She goes quickly out) Curtain SCENE 4 LIZA'S office, late in the afternoon. RUSSELL is sprawled full length on the couch, a lady's evening cape thrown across him as @ coverlet, a rather outrageous lady's hat over his face. ALISON is slumped down in an easy chair, intent upon her fingernails. MAGGIE. is nervously pacing and smoking a cigarette, They have apparently been there for hours. The office looks smoky and unkempt. Two of those life-sized dummies in formal evening attire stand at one side, Various ats, dresses, boudoir accessories, blow-up photos and proof copies of the next issue are everywhere about the MAGGIE crushes out her cigarette and sits on the edge of the desk, MAGGIE: (Violently) Where the hell is she? ALISON: Darling, she's just been delayed, somehow. (She dabs some ‘perfume behind her ears)MAGGIE: Ob, for God's sake, Alison, don't be such a jeck! Delayed! Its half-past six. (She paces again) Russell, take that silly-ooking thing off your face. You're a great help. RUSSELL: Removing the hat) What do you want me to do, dear? ‘Weep quietly? (He sits up and sniffs) Alison, is that you I smell? ALISON: It's that new “Northwest Mounted,” darling. Do you like it? RUSSELL: You'll get @ horse with it, dear, not a man. (He yawns and stretches) Maggie, how much longer are we going to just sit here? MAGGIE: I don’t know what to do, Russ. I hate to go ahead without herbut we've got to get to the printers. Damn! Why doesn’t she show up? She's never done this before in her lifel (A peuse. Then:) RUSSELL; Look, dear. Why don’t you break down and tell us, MAGGIE: Tell you what? RUSSELL: Did she go to that doctor today? MAGGIE: (Startled) What RUSSELL: Now, dear—don't trifle with J. Edger. I have my own lit tle Gestapo, I know she's going to a psychoanalyst. ALISON: An analyst? Darling, why didn’t she tell me? They're all awhul! I went to one myself but he said there was nothing the matter with me that a good boot in the behind wouldn’t cure. I go to an as- trologer now who's simply divine! Absolutely saved my life. RUSSELL: (Ignoring this) Did you speak to the doctor? MAGGI up there today, either. I do wish Liza would try Astrology—it’s absolutely miracu- RUSSELL: (After a pause) She's cracking up, if you askme. ‘MAGGIE: What the hell do you know about it, anyway? RUSSELL: Listen, pet, behind this pretty little face there's just sheer intuition, sure. And you understand women. Want to give us a justin the mood, 't be bitter, dear, I worship women, But you're all career or a bal always the answer. ALISON: Oh, Iagree, darlin, RUSSELL: Sleeping around isn't ‘None of you ever seem to rea in the middle of a blitzkrieg! MAGGIE: What do they call you at home, Professor—the Magic Bul- cither, dear. (ALISON shuts up) that anything is wrong until you're Lady in the Dark 123 RUSSELL: Well, look around you, dear, You're all so messy—maybe that's why so much bitchery goes on. (The telephone rings. MAGGIE leaps to it) MAGGIE: Hello? Ob, hello, Kendall. No, she hasn't shown up yet. Any luck? I. . . (She listens for a moment) All right. Why don't you do that? Welll go ahead without her. I guess we have to. (She hangs up) Nesbites coming over. Now, shall we get to work or ‘would you rather finish your report to the Rockefeller Foundation? RUSSELL: Oh, lead your own dreary female lives. I don't know why bother. Where did I put those pictures? (The door opens and LIZA enters) ALISON: (Leaping up) Darling, we've been frantic! omy for this, We'll have to work Iote. Russell, talk to Il you? He's outside. See if he can hold the men at the shop. Alison, call Bergdorf’s for me and see if they'll hold over until the next issue. Promise them anything. Maggie, wait here a minute, will you? ALISON: (On her way out) Darling, you look liverish—you ought to take a good physic. It’s not very chic, but. . . . RUSSELL: (Following her) Come on, dear—move, move! We've been all through your upper colon, many times. (The door Sloe behind them LIZA slowly removes her hat) MAGGIE: Everything under control? LIZA: Like a — train, CA slight pause) Kate is giving Kendall a divorce, Maggie. MAGGIE: Ob. LIZA: He told me yesterday. MAGGIE: I thought you wanted that, Liza. LIZA: I. I went to pieces when he told me. Don't ask me why. God knows! Why have I been driving eround Long Island since seven o'clock this moming? think any more—I can't. (She lumps into a chair) What are people saying, Maggie? They must be quit the analysis, Maggie. I couldn’t ‘MAGGIE: CAfter a moment) What did you124 LIZA: I lied, I wanted time to think—and I can’t think. I can’t get one single thought clear. I keep turning and turing in a squirrel-cage of my ‘go on this way much longer. I've got to do something. T tell you! ly) I don’t know what to say, Liza, v. What's happened to me, Maggie? What is this (MISS FOSTER appears in the doorway) MISS FOSTER: Mr. Nesbitt is here, Miss Eliott. LIZA: CA deep sigh) Have him come in, MISS FOSTER goes) MAGGIE: Don’t you want to put him of LIZA: can’t be worse than this, TIL get things moving, Don’t worry bout the magazine~ out. Just try and decide about the Easter cover, will you? ‘ight. Thank you, Maggie. she opens the door) Hello, Kendall. KENDALL: "Lo, Maggie. (He closes the door behind hin then LRG Meh to LIZA) Lin what happened 't know, Kendall. I hed an impulse to run was all. Sorry I was such a focl. Bedlam mpi corm aw, chat 4 cigarette and paces for a moment or two. Then:) + Be completely honest with me, will you, Liza? KENDALL: You weren't last night, LIZA: I know that, (A pause) KENDALL: You don't want to mary me, Is that right? Don't be polite. Is that true? . * sgh? Dow's LIZA: Yes. KENDALL: Do you want to go on as we have before? LIZA: I don’t know. I haven't thought about it, Have I been at fault? KENDALL: Is there someone ele? LIZA: No, Kendall. KENDALL: What is my position then, Liza? I have just rearranged Lady in the Dark 125 my life to give you what you've always led me to believe you've wanted, LIZA: I don't know why I don't want it now—I don’t know why! ‘t enough, Liza. You're too fair a person to think Tow can I make clear to you what I don't un- is no valid reason. I can't give you one. P've tied to think it out—you must know I have—but I can’t. I'm il, Kendall. KENDALL: I won't let you off this easy, Liza. I know y you'll be well again. Other people go through these things, too. ‘Meanwhile, you haven't the right to trifle with other people's lives, even with this as an excuse. I won't let you. LIZA: What do you want me to do? KENDALL: I want you to go through with this. ‘This-“confusion— It’s time you I-but will pass. I know it will. You're behaving like a chil stopped. LIZA: Don’t talk to me like that! I won't take it-not from yout or any- body! I'm Sighting as hard as I know how. KENDALL: Liza, listen to:me. I can't stand aside while you proceed to destroy something very important to me. LIZA: Kendall, give me time. KENDALL: No, Liza. That's not facing it honestly. And you've got to. For both of us. LIZA: (Wearily) All sight . . . All xight, Come back here for me. I'l igh as soon as I can, But don't push me into a comer, Ken- se. KENDALL: I'm going to Sight, Liza. I can’t help that. CRUSSELL comes in, his arms full of trailing chiffon and prop doves) LIZA: Yes. (He waves a hand in good-bye, and goes out, passing two boys carry- suit of armour’) me here, And wait, Ben, go and tell the girls to lear—the only way I can get those four models in the issue is to put them all together. LIZA: We promised separate pictures.n't kick—they're getting them in color. it and show me proofs? ime, dear. I want your okay now. ols, Stand over there and no talking. ls “come ins, murmuring a “Good evening, MISS IT.” There are four of them, and they are very beautiful in- deed. One is in a ski outfit, one in evening dress, one in an afternoon dress for Southern wear, and another in a negligee. They stand, beauti- ful but vacant) RUSSELL: Ben, hold these goddamn doves. I'm going to make Elner pretty. He hands over the doves to the office boy, and begins, with ‘great concentration, to drape the chiffon over the suit of armour) LIZA: (On the telephone) Tell Adams to bring in whatever he hes, ell, where's that California stuf? it on your desk. (Staring at the armour) Dear me, I wonder what they did in those days if they ever had » hurry call. Ie must have happened occasionally. What did they dol (He stands back and surveys his handiwork) Give me those doves now, Ben, (He places a dove on each shoulder) (CHARLEY JOHNSON saunters in and strolls behind the girls. RUSSELL, deep im his work, and LIZA, immersed in pictures spread out om her desk, are not immediately aware of hime, One of the girls ives a litle seream. He has evidently pinched her behind) RUSSELL: (Looking up) Oh, for God's sake! (LIZA looks up, then 40¢s back to the pictures) Come on, girls. Over here, please. Helen, I want you here, Ruthie, you over here. Carol over on the left, And ‘Marcia in the middle, Now drape yourselves, girls. Come on, Helen, suck up your gut and drape. That's better. Look, Liza—what about it? YI process in a shot of e Gothic Castle in back. : t, but go ahead if there isn’t time, And rush the up to me as fast as you can, HELEN: You going to take this tonight, Mr. Paxton? In-color? Ob, nuts! (The other girls echo her annoyance) RUSSELL: Now, dear, my love life has been shot to hell, too. You'll be out by nine. CHARLEY: Il take you all over to the Stork, How about it? HELEN: Ob, Mr. Johns xe a sweetie! (The girls rush over to him and gurgle their deligh RUSSELL: All right, Ben. Take Errol Flynn down to the studio, ‘Come on, girls—downstairs. And close your negligee, dear. You're Lady in the Dark 127 giving us a bird's-eye view of the promised land. (The girls start out, chattering) LIZA: Tell Miss Foster to grab a bite and come right back, Russell. ‘And ask Maggie to come in as soon as she can, will you? RUSSELL: Yes, ma’m. You know the printers are on double and over- time, dear? And what about the Easter cover? LIZA: Pl let you know. RUSSELL: See you later. (He gestures toward CHARLEY) Keep ‘Tommy Manville out of the studio if you want that stuff out. (He goes out) CHARLEY: Got a minute? LIZA: Just about. Can it wait? CHARLEY: Yes—but Pd like to settle it. Happens to be about the Easter cover—that ole davvil Easter cover. If you'd make up your mind and decide on a circus cover, Boss Lady, I can get a helluva ti up with Ringling Brothers. big stores ined up to to get Paxton started on a circus layout for the whole magazine. Ringlings will give me access toll thet ld cxcus ses and creses We could make it avery int teresting issue, LIZA: Tl give you an answer as soon as I can, (ALISON comes in) ALISON: Bergdorf’s will hold over—I charmed them into it, dear, (To CHARLEY) Darling, I saw you at Blake's last night. What was that fight about anyway? CHARLEY: I don't remember any fight. a ALISON: Why, darling, they carzied that man out after you hit him. LIZA: Come on, Alison. Is there anything else? ALISON: Darling, forgive me, but would you read this book on astrol- ogy? I know you've been going to an... (She glances at CHARLEY and stops) I mean its absolutely saved my life—the stars can cure anything once you get under the right one. LIZA: Alison, Fm very busy. : ALISON: Dading, le me leave it on your desk and just look at it ‘when you have 2 moment. Will you? You just wouldn’t believe what the stars can dol After science as ald‘as the world and they've just begun to dis. can heal and cure, Darling, you ‘must promise me you'll look138 LIZA: Yes, yes, yest Put it down. And bring in the Paris stuff as soon as it's set up, will you? I want to go over it. ALISON: I will, dear. Liza, whatever is the matter with Kendall? He ‘was positively rude! Really, if everyone took physics regularly I don’t believe weld ever have a war! (She goes out) LIZA: Was that all you wanted, Jonson? CHARLEY: Um. Too bad you can't decide on that cover. I wanted to cinch that and leave in a blaze of glory. LIZA: Leave? CHARLEY: This is what might be termed my resignation, Boss Lady. Pleaso-no tears. Just a light kiss on the cheek, perhaps. Then a quick good bye. Hot dog! LIZA: (After a pause) Pretty thin-skinned, aren't you? CHARLEY: Me? You mean you think I'm tossing in the towel be- cause you spanked me yesterday? Nooo! Just got a better offer— that’s all. LIZA: Where? CHARLEY: Town and Country. LIZA: Tl meet i CHARLEY: you couldn't, LIZA: Pl be the judge of that. CHARLEY: Why? Tannoy the pants off you, don’t LIZA: That has nothing to do with the way you do your job. T'l meet their figure. Does that settle it? has nothing to do with salary. I'm taking less thing there that I can never get here. (He pauses job. I'm afraid that’s what I want. LIZA: How nice of you to be so frank. CHARLEY: Yah—i'm ambitious. Want to run the whole thing my- would you? But I'm an eager lad, chance of that here. You married , and you're never going to get a di- vorce. I know your kind. LIZA: Do you, really! CHARLEY: Yep. You have magazines instead of babies. Maybe you're LIZA: Youre not only Kind, too, Johnson. And I'm sick of that incredible sideshow you put oon under the ouise of “the gay young man with e wicked tongue.” It Lady in the Dark 129 doesn't always excuse your being an illmannered boor, and I ques- tion whether that isn’t the extent of your talent. CHARLEY: (Stung) Rage is a pretty good substitute for sex, isn’t it? LIZA: (Exploding) Get out! (She picks up a cigarette box from the desk and flings it at him) (He dodges it, then hows deeply) CHARLEY: Don't think it hasn't all been charming, And if we ever need a good man over there, Fl make you an offer. (He strolls owt, whistling) (Suddenly LIZA erumples into the desk chair, her head and her corms on the desk. She begins to cry, violently, uncontrollably. The door ‘opens and MISS STEVENS stands in the doorway. LIZA manages to in time) ‘All aglow) Mr, Curtis is here, Miss Elliott, LIZA: Mr. Curt MISS STEVENS: Why, yes. You have: dinner engagement with him, haven't you? That's what he said. LIZA: CA gasp) Ob, my God. Ask him to come in, Miss Stevens. (MISS STEVENS goes out. LIZA dabs furiously at her eyes—puills herself together with enormous effort. The door opens) MISS STEVENS: Mr. Curtis, (RANDY comes én, He is resplendent in white tie and tails. The door closes behind him) RANDY: Good evening. Am I too early? LIZA: CAghast at the picture he presents) Hello, Mr, Curtis. No, you're not. Tim terribly sorry, I. . « RANDY: (Laughing) Now, you didn't forget about me again, did nu? LIZA: No, of course not. Im just-late. Weve been so presed. I haven't had time to. . « RANDY: (Eagerly) Sey=you know what? I wish you wouldn't go hhome and dress, Let's go out just as you are. Tl stop back at the hhotel on the way and change—won't take me five minutes. Let's do 1h? (He hesitates) I was so afraid Yd run into a glamour girl RANDY: You. As you are now. That’s what [like so much ebout you, Miss Elliott. Just this. You don’t know what a relief it is, I'm up to xy hips in glamour most of the time. LIZA: (Grimly) Thank you. But I am going to dress, Mr. Curtis, ‘Won't take me five minutes. Will you wait outside for me please!130 RANDY: Why, sure-if you'd rather. Il wait. (He smiles uncertainty at her. Then goes out) (She barely waits for the door to and tosses it on the floor. Crossing the She is erying again—wildly now. She f to the danny and takes off the dress and flings it on. From the other dummy she takes the evening cape and shoes. She runs to the mirror on the other side of the room, undoing the knot of her hair as she crosses. In front of she begins to fluff out her hair—half singing, half sob- ‘Magazine of Beauty! Like the line? The most alluring women are wearing it ‘AGG! LIZA: Fm fine! Let me alone! (She shakes her off and goes out of the door, MAGGIE stands staring after her) The curtain is down, ACT TWO Late the following afternoon. the desk intent on a layout spread before her. MAGGIE ‘and coat on, drawing on her gloves. MAGGIE: Liza—youll kill your eyes that way. (She snaps om the as gloomy as 2 Willkie button in here. Can I buy you @ the way home? LIZA: Tim staying down to work, MAGGIE: Liza—don't push yourself this way. Come and have a drink. LIZA: Let me be, Maggie. Please, MAGGIE: All right, Lady in the Dark 132 CALISON comes in, ls onthe way hore) Rendy Curtis," and I said, “Let me guess—twenty questions” and of course I never even came close to guessing you, darling. You looked when I tumed around, Nobody talked of anything else all MAGGIE: Not even Hemingway? Come on, Alison—Liz work. Good night, Liza. You must be brave, Alison. We'e living in dangerous (They are gone. For a moment LIZA stares unseeingly at the papers onthe desk before her. Wearily she tosses her pencil down on the desk —then gets up and stands quite motionless. She goes to the window and stands looking out. Then drifts to her desk and idly picks up some letters without glancing at the contents—then lets them fall again. She lights a cigarette and paces. Up and down. Up and down. She siops and tiredly passes her hand across her eyes. She glances down at a little side table on which ALISON has left the book on Astrology. Inipul- sively, she picks it up and opens it, She sinks into a chair and slowly turns the pages. From out of nowhere, a VOICE specks) THE VOICE: Tumi ANOTHER VOICE ‘be next—Numerology? ANOTHER VOICE stars! And you're clutching at it! Helplessly! You're clutching at anything! Wiolently, she tosses the book aside, geis iup, and again the pacing hegins, Suddenly she stops dead. She shakes her head—throws back her shoulders. It is an enormous effort at regaining some kind of self control. Defianily, she walks to the picks up several large callo- phane-covered drawings, takes the livan and sits down, spread- ing them out before her for cor For a long moment she is logy, now, eh? ANOTHER VOICE: You're not as efficient as you used to be.132 ANOTHER VOICE: You used to make decisions immediately. ANOTHER VOICE: You can’t seem to work any more. ANOTHER VOICE: Your mind seems to wander all the time, ANOTHER VOICE: Decide on this cover. You've got to. You've got to. (LIZA is holding one drawing in front of her, staring at it as though hypnotized) KENDALL NESBITT'S VOICE: I won't stand aside while you pro- ceed to destroy something very important to me. Im going to fight, Liza. I can’t help that. CHARLEY JOHNSON'S VOICE: You maried that desk years ago, and you're never going to get a divorce. I know your kind. RANDY CURTIS'S VOICE: That's what I like so much ebout you, Miss Elliott, Just this. You don't know what a zelief it is. I'm up to my hips in glamour most of the time. (She passes her hand in front of her eyes~as though to drive the ‘wices out of her head. A VOICE: Decide on this cover. You've got to. 2 It’s not so difficult, You can do it. The circus ANOTHER VOICE: The circus cover or the Easter cover. Why can’t you decide? Even this litle decision frightens you now. I¢s getting ‘worse. It’s getting worse. ANOTHER VOICE: You must decide this now or you'll go mad. You can't leave here without deciding. You won't sleep again. You've got to decide. You've got to. ANOTHER VOICE: You can do it. Yes, you can, Decide. Decide. ‘The Easter cover ot the circus covet. The Easter cover or the circus (The lights have been dimming. Now, as the lights come up, LIZA is standing with her back to the audience, silhouetted against a brilliant picture of circus performers in full costume. The walls of the office have disappeared and in their place is a huge circus cover for the ‘magazine—the cover LIZA has been staring at) While voices are saying “Easter cover or circus cover?" we faintly ocd cirous parade music. It quickly grows louder and paraders march on PARADERS: Tarara, ting, tscing, tscing— Tara ra, tscing, teeing, tscing— Ta rara, tse’ ‘szing, tszing— Lady in the Dark 133 Ta rararal Ta ra ra, tscing, tscing, tszing— Ta raa, tszing, tseing, tszing— Ta rata, tscing, ting, tseing— Ta rararal The Grestest Show on Earth! Tes Full of Thrills and Mirth! You Get Your Money's Worthl Come one, come alll Come see the Midgets arid the Bushman from Australia; Come see the Cossacks in Their Dazeling Regalial The Flower of Womenkind Who Can't Make up Her Mind Is A Feature You Will Always Recall You Get Your Money's Worth! Tes Pull of Thrills and Mirth! ‘The Greatest Show on Earth! Come one, come alll RINGMASTER (RUSSELL PAXTON) (Very operatic): Ladies and Gentlemen, I Take Pride in Introducing The Greatest Show on Earth! Liza Eliot's Gargantuan Three-Ring Circus Featuring for the First Time ‘The Captivating and Tantalizing Liza Eli The Woman Who Cannot Make wp Her In Addition, We Bring You an Assortment Of Other Scintillating Stars of the Tanbark Ring And a Galaxy of Clowns and Neuroses Ina Modern Mircale of Melodramatic Buffoonery ‘And Mental TightRope Walking! The Greatest Show on Earth! ENSEMBLE: The Flower of Womankind Who Can's Make up Her Mind Is a Feature You Will Always Recall ‘You Get Your Money's Worth! e's Fudl of Thrills and Mirth! The Greatest Show on Earth! Come one, come alll134 RINGMASTER: Order in the arenal (Drum roll as PAGE somersaults on. Presents parchment) PAGE: ‘The charges against Liza EUiott. RINGMASTER: Thank you, my dear, (As photographer rushes on taking flashlight of LIZA) LIZA: (Bewildered) What is allthis? Charges against me? What for? What is all this? RINGMASTER: (Reading from parchment) Whereas— ENSEMBLE: Whereas— RINGMASTER: Liza Elliott cannot make up her mind about the Easter cover or the ENSEMBLE: Secundus— RINGMASTER: Liza Elliott cannot make up her mind whether she is marrying Ken- dall Nesbitt or not, Moreover— ENSEMBLE: ‘Moreover— RINGMASTER: Liza Eliott cannot make up her mind as to the kind of woman she ‘wants to be—the executive or the enchantress-— And, inasmuchas— ENSEMBLE: Inasmsuchas— RINGMASTER: In aworld where tumult and turmoil reign, these indecisions of Liza Lady in the Dark 135 Elliott only add to the confusions of an already, as indicated, con- fused world— ‘Therefore, be it resolved— ENSEMBLE: Be it resolved — RINGMASTER: That Liza Elliott be brought to trial and be made to make up her ‘mind: (A cheer) Introducing That Death-Defying Trapeze Artist and Prosecuting Attorney, Charley Johnson! (Ganfare as JOHNSON marches on) CHARLEY: I'm the attorney for prosecution — Can't he bought or sold! For the jam she's in there's no solution, Once the story's told! ENSEMBLE: He's the attorney for prosecution— Flying into spacel Will shere be an electrocution If he wins the case? RINGMASTER: Introducing That Thrilling Bareback Rider and Attorney for the Defense—Randy Curtis! (Fanfare as RANDY marches on) ENSEMBLE: He's the lawyer for the defendant— Bareback rider, tool H's star is in the ascendant— "Cording to his view! Fanfare as JURY gets up)136 RINGMASTER: Introducing Those Merry Madcaps and Prankish Pantaloonatics— the Jury! We shall achieve in tine: To let the melody ft the rhyme— ‘The melody fit the thyme! RINGMASTER bangs gavel) RINGMASTER: This is all immaterial and irelevant— What do you think this is—Gilbert and Sellivant? guy: ert and Sellivant! Ha ha ha ha ha ha he ha hal If this is just a sample Then evidence is cmple ‘You get your money's worth At the Greatest Show on Earth! CHARLEY: Your Honor, Mr. Ringmaster! | would like to call That Peerless Wit- ‘ness and Lion Tamer, Kendall Nesbitt! GRINGMASTER snaps whip as NESBITT marches on) Mr, Nesbitt, you are divorcing your wife so you can be free to marry the defendant, isnt that so? CHARLEY: You were led to believe the defendant would marry you, when, as ae 70% NESBITT: Yes, sr. CHARLEY: But now she refuses to make up her mind, NESBITT: Yes, sit Lady in the Dark 137 CHARLEY: You gave her the best years of your life ‘And yet she refuses 10 be your wifel NESBITT: Yes, sil RINGMASTER: What a show! What a situation! Can you conceive i? If you saw it on the stage you wouldn't believe it! (Comes downstage to sum it up for the audience) He gave her the best years of She was, shall we call "Twas only for her And now the man’ The mister who once was the master of io Would make of his mistress his Mrs. But he's missed out on Mrs. for the mistress is through— What a mess of a mish mash this il ENSEMBLE: ‘But he's missed out on Mrs. for the mistress is through— What a mess of a mish mash this is! RANDY: ‘Your Honor, Mr. Ringmaster. RINGMASTER: Yes, Mr. Bareback Rider. RANDY: ; T would like to answer the charge just made by the prosecuting attor- ney. RINGMASTER: Go ahead. I can hardly await RANDY: Thank-you. She gave him her heart, but not her word— This case, therefore isso much deadwood. Her promise to wed he never heard For she never promised she wed would,138 Its just that « change of heart occurred And although it may have dismayed him~ When a maid gives her heart but does not give her word, How on earth can shat maid have betrayed him? (RANDY and ENSEMBLE repeat this softly as LIZA comes down to sing the countermelody) LIZA: Tra la—l never gave my word; Tra la~This action is absurd, ‘Tra la—I loved him at the start And then I had a change of heart. ‘Tra la—The rights of womankind Tra la—permit a change of mind. When a maid gives her heart but does not give her word, How on earth can that maid have betrayed hin? ENSEMBLE: When a maid gives her heart but does not give her word, How on earth can shat maid have betrayed him? RINGMASTER: Charming, charming! Who wrote that music? JURY: CAs one) Tschaikowskyl RINGMASTER: Tschaikowsky! I love Russian composers! There's Malichevsky, Rubenstein, Arensky and Tschaikowsky, Sapellnikoff, Dmitreff, Tscherepnin, Kryjanowksy, Godowsky, Arteiboucheff, Montuszko, Akimenko, Solavieff, Prokofieff, Tiomkin, Korestchenko; There's Glinka, Winkler, Bortniansky, Rebikoff, Tlyinsky; There's Medtner, Balakirev, Zolotaref{ and Kvoschinsky, And Sokoloff and Kopyloff, Dukelski and Klenowsky And Shostakovitsch, Borodin, Gliere and Nowakofski; There's Liadoff and Karganoff, Markievitch, Pantschenko And Dargomyzsky, Stcherbatcheff, Scriabine, Vassilenko, Stravinsky, Rimsky-Korsakoff, Moussorgsky and Gretchaninoff And Glazounoff and Caesar Cui, Kalinikoff, Rachmaninoft— Lady inthe Dark 139 Stravinsky ond Greconinah Rumshinsky and Rachmanino} Tresly have to stop, the subject has been dee pom enought ENSEMBLE: Stravinsky! RINGMASTER: Gretchaninoff! ENSEMBLE: Keoschinksyl RINGMASTER: Rachmaninoff! ENSEMBLE: He'd better stop because we feel we all have undergone enough! RINGMASTER: Proceed with the trial, I would like to call Miss Liza Elliott. 5 . t00. Introducing That Dazzling Defendant an of Mental Aerobaties—Miss Liza Eliot, ENSEMBLE: ‘And now the star attraction— The Greatest in the Landl ‘The Feature Attraction Gives us Action On the Witness Stand! CHARLEY: ‘Miss Elliott, you've heard the charges against you. Have you made ‘up your mind about any of these things? LIZA: No, [haven't CHARLEY: Do you intend to? LIZA: I don't know.140 CHARLEY: Can you give this court any reasonable explanation as to why you cannot make up your mind? 7 LIZA: Yes, Ican. There once was a gil named Jenny Whose virtues were varied and many— Excepting that she was inclined Always to make up her mind— And Jenny points a moral With which you cannot quarrel— As you will find. ENSEMBLE: Who's Jenny? Never heard of Jenny? Jenny is out of place! LIZA: But I ams sure the court'l Find Jenny is immortal And has @ bearing on this case! yury: As, for instance? LIZA: Well, for instance— Jenny made her mind up when she was three She, herself, was going to trim the Christmas tre, Christmas Eve she lit the candles—tossed the taper away, Little Jenny was an orghan on Christmas Day. Poor Jennyl Bright as a pennyl Her equal would be hard to find. She lost one dad and mother, A sister and a brother— But she would make up her mind. JURY: Little Jenny was an orphan on Christmas Day. Lady inthe Dark 14 LIZA: Jenny made her mind up when she was twelve That into foreign languages she would delve; But at seventeen to Vassar it was quite a blow ‘That in twenty-seven languages she couldn't say 10, yuRY Poor Jenny! Bright as a penny! Her equal would be hard to find. LIZA: To Jenny I'm beholden. Her heart was big and golden— But she would make up her mind. JURY: In twenty-seven languages she couldn't say no. LIZA: Jenny made her mind up at twenty-100 To get herself a husband was the thing to do. She got herself all dolled up in her satins and furs ‘And she got herself a hushand—but he wasn't hers. JURY: Poor Jenny! Bright as a penny! Her equal would be hard to find. LIZA: Could have had a bed of roses But history discloses That she would make wp her mind. JURY: She got herself a hushand—but he wasn't hers. LIZA: Jenny made her mind up at thirty-nine ‘She would take a trip to the Argentine, ‘She was only on vacation but the Latins agree Jenny was the one who started the Good Neighbor Policy.ma yury: Poor Jonny! Bright as a penny! Her equal would be hard to find. LIZA: Oh, passion doesn't vanish In Portuguese or Spanish— But she would make up her mind. JURY: She instituted the Good Neighbor Policy. LIZA: Jenny made her mind up at fifty-one She would write her memoirs before she was done, So she wrote ‘em and she published all her loves and her hates And had libel suits in forty of the forty-eight States. yuRY: Poor Jennyl Bright as a pennyl Her equal would be hard to find. LIZA: She could give cards and spade-ies To many other ladies But she would make up her mind. yuRY: There were libel suits in forty of the forty-eight States. LIZA: Jenny made her mind up at seventy-five She would live to be the oldest woman alive. But gin and rum and destiny play funny tricks And poor Jenny Kicked the bucket at seventy-six, JURY: Jenny points a moral With which we cannot quarrel. Makes a lot of common sense! LIZA: Jenny and her saga Prove that you are gage If you don't keep sitting om the fence, Lady in the Dark 143 yURY: Jenny and her story Point the way to glory To all man and womankind. LIZA: Anyone with vision Comes to this decision: ALL: Don’t make up— You shouldn't make wp— You mustn't make ap— (During the continuing music, RANDY, the JURY, the RING- MASTER, all congratulate her. She finally goes back to her seat, picks tup the drawing of the circus cover. CHARLEY goes to her) CHARLEY: excellent defense, Miss Elliott. May 1 ask what you have LIZA: Why, the circus cover. CHARLEY: ‘May I see it? LIZA: Of course. CHARLEY: : Thank you. (Looks at it. Goes to JURY) Gentlemen, look at this, (They lean forward. The oboe sounds in the orchestra and they read the cover as though i were a piece of music. They sing the opening bars of that phrase of song) No, no! Don't! don’t! Don't sing that! (She rushes over and snatches the drawing from his hand) CHARLEY: (to JURY) You see? (Goes to LIZA) You're afraid. You're hiding something.144 You're afraid of that music, aren't you? Just as you're afraid to compete as a woman—afraid to marry Kendall Nesbitt—afraid to he the woman you want to he—afraid—afraid—ofraid! your mind, make wp your in the office of DR. BROOKS. It is later that evening) SCENE 2 DR. BROOKS’ office. DR. BROOKS és at the desk-LIZA is pacing. There is a long mo- ment of silence. Then: LIZA; IT don’t think I can lie down. Do you mind if I sit here and smoke? DR. BROOKS: Whatever is most comfortable for you. LIZA: Thank you. (Silence again) DR. BROOKS: What LIZA: That dream. I can’t seem to shake I hep calling it a I had the feeling of 1g experienced it all before, some hhow, I can't seem to shake it off. That's why I've come back. I had to. CA pause) DR. BROOKS: Yes? LIZA: In the dream, when they laughed at me, I had that same feeling of humiliation and hurt that I used to have. DR. BROOKS: When? LIZA: L used to have it constantly as a litle gic. DR. BROOKS: Why? LIZA: Ive never thought about it before until this moment strange? I must have forgotten through all these years—but same. The “bad feeling” I used to call it. DR, BROOKS: Can you possibly remember when you fist felt i? LIZA:.Yes . . . Yes, I can remember. I must have been very litde— three or four years old—but I can still remember it. . The lights din The lights come up on a small group of people Lady in the Dark 145 dressed in the evening clothes of the year nineteen hundred. and four. LIZA, the LIZA of today, stands alone in a spotlight at one side. In the group, a woman of great beauty stands out from the others. It is LIZA’S MOTHER. She has red hair. Into the group comes a mart, car- ying a small child in his arms, It is LIZA’S FATHER, and he is carry- ing the LIZA that used t0 be). THE FATHER: Here she is! To say good-night and sing her little song, and off to bed with her! A WOMAN: Liza, Lizal A beautiful name for a beautiful gicll ‘AMAN: She's lovely, Bob! FATHER: (Laughing) Now, now! We'te reconciled to Liza's In fact, Pm rather pleased at having 2 plain child. (He pats his rly) One beauty in the family is enough, I can tell ‘yout I couldn't stand twol THE MOTHER: (Playfully slapping his hand away) Robert, really! ‘You'd think I did nothing but stand in front of a mirror for hours, #0 hhear him talk. THE FATHER: But you do, my dear! Tim—never manry a legendary beauty. It's hell! THE MOTHER:. (Laughing) Hush, Robert! (To the child), Tm afraid you're never going to be able to wear blue, my dating, and we ist be careful how we do your bai, but we shall make the most of ‘your good points, Liza, won't we? ‘THE FATH. never be a beauty, Helen, no matter what you do, and I'm gl (They all laugh) LIZA: (In the spotlight) I wanted to cry 01 true! I'm like my mother!” I wanted to ‘THE FATHER: Daddy's litle ugly Sing us your song, and then a good-night hher head in his shoulder) Why, Lizal Come now. That song we sing together. He sets her down) (The CHILD is silent for a moment, looking wp into their faces. She seems to be struggling against tears. Falteringly, she begins the lit- te song. It is the song we know. Only the frst few bars emerge. Then suddenly the child breaks into sobs and runs from she rooms. The lights dim dosom on the group. LIZA remains alone in the spotli LIZA: I ran to the nursery and looked in the mirror. ashamed. When my mother came in I hated her because she was 30 beautiful! “e’s not true! Is not146 (On the other side of the stage, the lights come up on a schoolchildren with their teacher) “ iii THE TEACHER: Now, then! Once again. Just the end and then I shall choose who is the play the Prince and the Princess. Ready? (She blows on a pitch pipe. The children begin. They sing a little ‘musical Cinderella play. They finish and stand waiting, their faces ‘eager for the decision) That was fine, children, No Ihave chosen David Reed~and for the Princess, LIZA, now a girl of seven, jumps up and down with joy. The other children murmur politely. Suddenly DAVID REED, a boy about the same age as LIZA, steps forward and speaks) DAVID: Miss Sullivan—I di Why emt = pretty Princess—I cess ought to be beautiful, oughtn't she? Liza will spoil everything! I don't want tbe the Prince i shes the Princes. oa ° : Cin the spotlight) I couldn't bear it. I wanted to hide. I wanted to crawl away and hide. THE TEACHER: David, what a stupid thing to s your place. I have chosen Liza for the Princess, an more talk about ‘you please. lon’t want it now! I don’t want itl (She runs, (The lights dim and fade) LIZA: Um the spolighs) I wanted it more dhen anything eee inthe (The lights come up on a Title girl, sprawled fulllength om the floor reading a book and munching an apple. It is LIZA, now a child apes In a. moment or two a buseom woman in a housckeeper's uniform comes slowly on. LIZA looks up from her book) _ LIZA: Is Mother better, Mrs. Bennett? (The WOMAN struggles to answer but cannot. Instead, she mo- tions to the child to come to her, and when she does, takes her in her arms) MRS. BENNETT: Liza, dear—your mother . . . (She hugs the child tightly to her—theri turns and goes, The child stands quite still for a Tong moment) LIZA: (In the spotlight) I wanted to cry. I knew. Yet, somehow, I coulis’, I loved miy mother. But Teould feel no gre The tear ‘wouldn't come. (Suddenly the CHILD runs off into the darkness, and in a moment Lady in the Dark 147 slowly returns, She is wearing a woman's evening cloak—her mother's “and in her hand she has a mirror, She turns and looks at herself in the mirror and half-smiles, Then softly, she begins to hum that child- hood song, LIZA’S FATHER comes out of the sick room and stops dead as he sees the child) ‘THE FATHER: Liza! Liza, what are you doing! (He rips the cloak from her shoulders and tears the mirror from her hand) Go to your room at once! (The lights fade) LIZA: (In the spotlight) But that—fecling was gone. I don't know why. Tt was gone. (The lights come up on a group of seventeen-yearold boys and girls, dancing, The girls wear white, starched dresses, bow-knots in their hair the boys, blue serge suits and stiff collars. One of the boys comes to LIZA) ‘THE BOY: May I have the rest of this dance, Liza? LIZA: Why, yes, Ben. Thank you. (The LIZA of today goes into his ‘arms, and they dance with the rest) CABOY stands up on a chair and claps his hands for attention) ‘THE BOY: Listen, everybody! The votes are all in and counted. Want to hear the results? (They yell: “Yes! Yes!”) Here you are: The Graduating Class of Mapleton High School votes Homer Adams the Boy Most Likely to Succeed, (Applause) Henry Conrad the Mest Builliant Student, CApplause) Barbara Joyce the Most Beautiful Girl, CApplause) Ben Butler the Handsomest Boy, (Applause) and Liza Elliott the Most Popular Gisll (Congratulatory groups cluster around the winners for a moment. Then the dance picks wp again) LIZA: CAs they dance) I didn’t vote for you, Ben. I don't think you're the handsomest boy. . didn’t vote for you, Liza. I don't think you're the most popular ‘They laughs) That was before this dance, though. Yhy, Bea-maybe you are the handsomest boy, I guess I never ‘at you this cose. (They laugh again) Tho you going in to supper with, Liza? ‘one, ‘specially. I sort of half-promised Henry. ‘you have supper with me? ks at him for a- moment) What about Barbara, Ben? ; Barbara won't mind. She's not speaking to me. And Fm not speaking to her. LIZA: (Laughing) You will be, Ben, by the time we go in to supper.tt you don't really know me, Liza, Want to sit out this ot in here. guess. She's so beautiful. . Fm going to college next fall and I don't want @ gitl who-Oh, why do we keep on talking about Bar- bara, anyway. You're lots nicer. LIZA; (Snag) Beal Youve never even asked me to dance with you until toni only because you've quarreled with Barbate. (She laus dn’t ever notice me otherwise. BEN: Mayl Barbara to make me see how nice you are, Lize. Who you going on the boatride with? LIZA: Homer Adams. BEN: Break it and come with me. LIZA: Ob, I couldn't, Ben. BEN: Yes, you could. Come on, Liza! Say you'll do it! Please! LIZA: But. . BEN: But what? LIZA: I don't understand it, Ben . . BEN: You don’t understand what? LIZA; You've—you've never noticed me before tonight, Ben. BEN: Well, say—can’t a fellow. . . Don’t you like me, Liza? LIZA: Yes—yes, I do, Ben. I always have. BEN: Well say, can't a fellow suddenly like a girl—suddenly? LIZA: All tight, Ben! YU do it! BEN: Thats great! CImpulsively he takes her in his arms and Risses her) LIZA: Ben! BEN: I'm sorry. LIZA: It’s—it’s allright. He takes her hand) BEN: Gee, you're nice, Liza. We'll write to each other this summer, ‘huh? Lady in the Dark 149) LIZA: Yes. (Suddenly she covers her face with her hands) BEN: What's the matter? LIZA: Nothing. 1 I don’t know. I feel funny. I guess I'm justhappy. awhile, Ben. is arm around her weist and places her head on going to be summer any minute. Well sure have a nice day for the boatxide. CThey sit in silence for a moment or two. Then softly, LIZA begins to hum the song) Whats that zn know I was singing. t-i’s cute. I haven't thought of years, (And then she sings, For the first time we hear the entire song. She sings it joyfully) My ship has sails that are made of sitk-— The decks are trimmed with gold And of jam and spice There's a paradise Inthe hold. My ship's aglow with a million pearls ‘And rubies fill each bins ‘The sun sits high Ina sayphire sky When my ship comes in, L can wait for years That dream need never be If the ship Ising Doesn't also bring ‘My own true love to me— If the ship I sing Doesn't also bring ‘My own true love to me, BEN: Say, that wes lovely, I didn't kmow you could sing, Liza,150 LIZA: Oh, I don’t sing. Ie’s Fs just a song T've always Inown, But I never could remember all the words before. CA girl strolls easu- ally toward them. A blonde, very beautiful girl. She laughs a little as she sees thers. They turn) Oh—hello, Barbara. BARBARA: Hello, Excuse me for interrupting. could I talk to you for a minute? just want to talk to you, silly. now you were speaking to me. (They go off into the darkness. LIZA sits motionless, waiting. In a few moments she turns and begins to look darkness. Then motionless again, waiting. A BOY stol THE BOY: Hi, Lizal What you doin, to supper. 1g out here? Everyone's gone LIZA: Oh. Have they? I'm waiting for Ben—he's taking me, THE BOY: Ben? Why, he’s in there now, Liza—with Barbara. They're having supper togeth LIZA: Ob, are they? I-I-guess he must have got tired waiting. IT ssid to wait for me—but I've just been sitting here forgetting about the time~and I guess he got tired waiting. THE BOY: Want me to take you in to supper, Liza? LIZA: No-No—Td just as soon sit here awhile, Its such a lovely night. Thank you, Ch: same. THE BOY: See you on the boat-ride tomorrow, Liza. We'ze sure going to have a fine day for it! (She nods her head up and down without speaking, THE BOY swaves a good-bye and goes. She sits immovable for a moment, Then her face plunges into her hands and she begins to weep uncontrollably. The lights fade out) The lights come up again om the doctor's office. LIZA is sitting in she chair facing him—her face averted, her hand over her eyes) DR. BROOKS: I'm afraid we have only a litte time left today, so what I want to say I must say quickly. Shall I wait until tomorow? I know this has been dificult for you. LIZA: No, Pm all right DR. BROOKS: Let me try to fit the pieces together, if I can, We can Lady inthe Dark 151 see the pattem more clearly now, I think A litle girl, convinced of rejects herself as not as good as other litle girls shy did that—"bed feeling”—disappear when my mother \OKS: Perhaps because that constant reminder of beauty—of all that you were not and longed to be-was no longer there. LIZA: And then? DR. BROOKS: Then you blossomed as yourself until once aguin—anid ‘at a most crucial moment—a beautiful woman robs you, I think, then, that you withdrew as a woman. That you would no longer risk being hurt as a woman competing with other women, But the long- {ing remained—and so did the rage and that deep sense of injustice. ‘And what you are facing now is rebellion—rebellion at your un- as a woman. LIZA: not true! I did love Kendall, And I know he loves me. How can you answer that? DR. BROOKS: I can’t answer that yet, Miss Elliott. But there is an an- sswer, I think, to that, too. ies) Tomorrow at the usual time? LIZA: Yes. Good day. (She y out) Curtain SCENE 3 LIZA'S office. A week later, MAGGIE avid CHARLEY are there, as are four of those beauteous models, in evening clothes and wraps this time, all of them distributed about the roomin various attitudes of waiting. MAGGIE: What time is your next appointment, gids? AMODEL: We're due over at Vogue at four o'clock for winter furs. CHARLEY: (Stretched out fulllength on the divan) Winter furs in ‘April, a sun suit in December. If I were a model I'd wear nothing at all in September. (The girls giggle) MAGGIE: (Glancing at her watch) 1 must have Miss-Ellitt see these first. I can't imagine what's delaying her. Look—why don’t you go down to the drug store, and have an ice cream, gids? She ought ro be hhere by the time you get back,152 CHARLEY: (Leaping up) Tl buy you all a sich frappé—because Johnson. Go eheed, girls, and don’t be too Jong. CCharley—you're not going. CHARLEY: Ab, me-I work in a world of women! (He pinches the hehind of one of the girls) "Tain't bad, (The girl slaps his hand away as the others laugh and exit) hard woman, Mag- gie. MAGGIE: You said it. Now look—you're going to k vord, Charley. You promised me. Fe BN NEE YEN "MAGGIB: An apology. And no jokes Tim staying right hee to see shat you CHARLEY: All right. MAGGIE; What makes you such a heel, Charley? You're really a good gy. CHARLEY: Look. I said a couple of things I shouldn't have. I should hhave just quit and that’s all. I'm going to apologize to her. Do I have io take any more? I'm leaving anyway, so what difference does ie make? MAGGIE: Okay. CHARLEY: How long have I been here? Six years. Six years is lon time to be irritated by a woman, ° Q MAGGIE: You fumish your own share of irritation, my boy. And on purpose. I've watched you do it. CHARLEY: Know why? MAGGIE: No, I don't. CHARLEY: Because I like her and admire her. I've always admired hher—as a person. As a woman she makes me sick, Let me tell you something, Maggie. Its not what I say or the way I behave some- ‘The big executive pose, She can't stand that. It frightens her. She needs that authority she wears like a thick enamel—she's afraid -with- out it, God knows why! I knew that from the first day I walked into this office—but I could never resist chipping bit MAGGIE: Stop it, Charley. Can't you be serious for more than a min- ute? Lady inthe Dark 153 CHARLEY: Everybody likes me better when T'm cute, Know. some thing else, Maggie? I'm kinda sick of being cute—even to. myself, He laughs ruefully) Yep. Here's a big secret—inside I'm romantic pinch @ model’s behind because—hey—you stop off me! 3s CHARLEY: I always thought you were fond of your mother, Russell. RUSSELL: Oh, shut up. Where's Liza? CHARLEY: Roping a cowboy. RUSSELL: Maggie—either Alison leaves the magezine or I do. This is the end—the absolute end. low, Russell... « it, She's just calmly loaned my color plates to a 'd like you to come up to the apartment and see my. color plates. RUSSELL: Oh, don't be so goddamn bright, Johnson—you sicken me. ‘Maggie, you of all people know that T've put up with Alison in an absolutely Godlike fashion. Now, either she goes ot I do. And just before I leave I may tear out her entrails and photograph them in heel does Alison do these things! (MISS FOSTER enters) MISS FOSTER: Miss Grant, don't you think-Td better cancel Miss Elliot’ appointment with Daché? It’s almost three now and she isn’t back yet MAGGIE: See if you can make it for four instead. (MISS FOSTER nods and goes, as ALISON bustles in’) darling, I had the most enchanting conversation with = ‘now. He was divinel Really, the city is getting so chic! ‘Avenue and traffic cops with oomph! Ie that wonder- ‘you know. I worship him! Where's Liza? MAGGIR: Alison, why did you loan Russell's color plates? He's furi- ous! ALISON: Oh, shat! Darling, I didn’t loan them, I dropped them and broke them-I haven't told him yet MAGGIE: Oh, God! ALISON: Chatles, dear, T've got the Saks end Bonwit Teller people in ‘my office. Come along and help me convince them.154 CHARLEY: Convince them of what, cookie? ALISON: I've got an idea for a feature, I want a Bonwit Teller win- dow-dummy, male, to fall in love with a Saks’ dummy, female, and cay out the love affair in the two store windows. It darling, isn’t it, May conservative. I think ick’s, they've been son, my dear, there's a touch of greatness about you! There's a touch of something about you-but we won't . Come on. MAGGIE: (Calling after them as they go out) You come back here, Charley, as soon as you've finished. (She picks up the telephone) Phone Le Coq D’Or—the restaurantand find out what time Miss Elliot left there, will you? I'l be in may office. (MAGGIE, goes out. MISS FOSTER comes in and places a new batch of papers on LIZA’S desk. As she starts out again, LIZA comes in followed by RANDY) LIZA: Anything important, Miss Foster? I know Tim tersibly late. MISS FOSTER: There's a list of calls on your desk, Miss Elliott. I changed your appointment to four, with Daché, LIZA: Good, Thank you. (MISS FOSTER goes ou) Out of my life now, Mr. Curtis. This minute. Thank you for lunch, fascinating, You've made me late for every appoint Today at lunch you were like someone Id never met before—gay, and . don't Ynow—completely different from the other night. And he tinute you walk into this office you're someone else again, IF you ‘want to talk about fascinating~you're the one! LIZA: CLaughing) Which one do you like best, Randy? RANDY: Iike’em all. LIZA; Oh, come now. Take your pick. Maybe I can do a little home- work. RANDY: Nope. I like ‘em all. Just as though Id ordered it from Sears Roebuck Catalogue. LIZA: What a boy you are for saying just the right thing, Mr. Curtis, RANDY: Well, you get the idea, Lady inthe Dark 155 lucky you didn't say Macy’s Basement. LIZA: Ide, indeed. I guess P (They both laugh) RANDY: Really got to work, huh? LIZA: Honest. RANDY: Couldn't possibly consider taking the afteraon off, huh? Walk through the park—i’s a beautiful day—cocktails later—any- thing you want. Til be fascinating—I haven't begun to tum it on, yet! CLIZA laughs) What's the matter? LIZA: Nothing. You're just—very endearing sometimes, Randy. RANDY: Endearing. Dhope you realize you're talking to the number cone box-office attraction in America, Miss Elliott, Only endearing, huh? LIZA: Randy, you're wonderful and get out of here. I've got to get to RANDY: Liza. . just the movie star you. lke because—sometimes 1 can’t Begin. You see, I know people invite me around—not because they want me—they want a name and a face. And I find myself playing what they expect. Paying for my dinner. more and more lost in the shutfle. I didn’t (A pause) LIZA: (Quietly) Ies not, Randy. RANDY: (Exuberantly) Come on—take the afternoon off, Liza! Let's get drunk, (The door opens and CHARLEY JOHNSON appears) CHARLEY: I beg your pardon. tographs coming? CHARLEY: Fine—fine. (The door eloses behind RANDY, LIZA and CHARLEY lock at each other for a moment. Then:) LIZA: Sit down for a minute, Johnson. CHARLEY: I'm kinda busy. I thought Maggie was in here. . is Boss Lady speaking, You see, i cccurred to me, Johnson, that in all the years you've been here, in all those156 charming talks we've had together, you've always had all the an- swers. And now that you're leaving, I thought I'd like at least one lit _tle talk in which Thad the answers. come on, Johnson, Put ‘em up. Ids the kid's last fight. CHARLEY: Better not get me started, Boss Lady. LIZA: (After a moment) Funny . . . It doesn’t scem to matter very much now. Ies gone. CHARLEY: What? LIZA: I used to be afraid of you. I don't know why. I used to be terrified every time you came into this ofice-but now Im not. And suddenly it doesn't matter much who has the answers. All this surprise you, Johnson? CHARLEY: In a quiet way. I could even make e rough guess at the reason—but I came in here to. « LIZA: Yes? CHARLEY: You wouldn't come out and meet me on my own ground, ‘would you? LIZA: Which arena would that be? CHARLEY: Would you come out into the open where I'm the boss, Miss Elliott? Just once? Dinner, cocktails—name it yourself. Any place away ftom that goddamned desk. Pll even make it my office and my desk. How about it? LIZA: It's the best offer I've had today. Only I like being boss, John- son. CHARLEY: I mow that. But so do 1. LIZA: [know that. But so do I. CHARLEY: Well, sir—here we are. LIZA: Yes, sir—here we are. (MISS FOSTER appecrs in the doorway) MISS FOSTER: Mr. Nesbitt, Miss Elliott. (KENDALL appears in the doorway) CHARLEY: Ah, me. (To NESBITT) Hello, Mr. Nesbitt. Teacher's fine again. In fact, she just used her ruler, For a moment NESBITT stands silent. Then he crosses to LIZA and takes her in his arms. He holds her in a tight embrace. Then he lets his arms fall to his sides and terns away) LIZA: Kendall. . . Lady in the Dark 157 KENDALL: (Huskily) Don't leave me, Liza, I haven't any pride any more. Don't leave me, derstand—but it’s like a searchlight playing over my entire life. So many, many things are suddenly clear. It's not you, darling, it's me. KENDALL: I need you tezribly, Liza. I've been alone all my life ex: cept for you. CALISON bustles in) "Lo, darling. ‘Lo, Mr. Nesbitt. Do you know where Charley LIZA: (Sharply) Pd go and look. ALISON: Oh, I'see. Well . . . Bonwit Teller’s'are being divine but I need Charley for Saks. They're positively rurall (She goes out) LIZA: Kendall—help me. I'm trying to fight my way out of the dark. Help me to do the right thing. For both of us. I can't bear to see you like this—we're bound together by years of kindness and affection— vwe always will be, Kendall, Always. I want so desperately for you to haps the thing that brings people together—that need they have of each other—is a very strange one. Love is just a label for it—a word. Tes not as simple as that. Its love and fear and hiding and longing and all the little pieces that go to make up the mystery and wonder of a human being. I know—because I've had a battle of my own. It’s what brought us together, Liza—each in our own seperate way—and now it’s tearing us apart. It’s the way things happen. (He kisses her gently) You'll do this, Liza. Fight your way through. Perhaps you'll be one of the lucky ones—the ones who come out of the dark into the sun, But some way—somewhere—find a place for me in your 1ife, will you? LIZA: Always, Kendall. Always. (She kisses him tenderly) (MAGGIE comes briskly in—then stops dead in her tracks) MAGGIE: Whoops! Sorry! KENDALL: No, no. Stay right here, Maggie. I'm sing, And sop158 looking as though you'd blundered into True Story magazine! Good- bye, my dear. (He waves a kiss to LIZA and is gone) CLIZA stands motionless for a moment—then her hands cover her MAGGIE: Liza... 1 : It’s all right, Maggie, Its just that—part of my life walked out of that door just now—part of me. You know, Maggie, I'm learning yut someone I don’t think I ever really knew before—myselE. ightening-and wondesful. Somehow, I'm going to find the to see it through. MAGGIE: You will, Liza. I know that. Only I hope . . . No, what's the difference. LIZA: I know what you mean. Will I give up all this—will my life change completely? I don't think so, Maggie. 1 think it only means Tl be free~at le free as it’s possible for a human being to be. Tbe through with hiding and running away. MAGGIE: You've never run away from anything in your life, Liza. LIZA: There are other ways of running away, Maggie. I think my whole relationship with Kendall was a flight from something I didn't dare face. And Kendall, too. He's like a lost child, really—this false front of strength that I had gave him the security he needed. (MISS FOSTER appears in the doorway) ‘MISS FOSTER: Mr. Curtis wants to see you, Miss Elliott LIZA: Mr. Curtis! Why—he just left here. MISS FOSTER: He ‘was important. And can you come out to the Reception Room, Miss Grant? Miguel Santos is here to be photo- sqaphed, and Mr. Paxton rushed out a few minutes ago. MAGGIE: Dama! It's Russell and Alison again. Never mind—T tell you later. Keep your mind on Mr. Curtis-its not a bad place for any woman's mind, Send Mr. Santos into my office, Miss Foster. (She goes out) MISS FOSTER: (In the doorway) Will you come in, Mr, Curtis? (She eloses the door behind hin) RANDY stands for a moment, just looking at LIZA) ge. And just now you looked as though... RANDY: Liza—will you marry me? (Speechless, she just looks at him) Don’t say anything—just let me talk for a minute, This is all pretty strange to me, too. I've been walking up and down outsié~— then I just went to the telephone and plunged. Lady inthe Dark 159 LIZA: Randy.» « RANDY: No, don’t, Lize—let me go on for ¢ while. I don’t know my- self what I expect you to say—you've only known me for a week. Look—I want to tell you about myself. I don't give a hoot in hell for acting, and I wouldn't care if I never saw Hollywood again, I stum- bled into it by diumb luck, and it’s been pretty fine, because I guess if it weren't for that I'd probably be tending a gas station some place in ‘Axizona, right now. What I'm trying to say is you wouldn't have to give up any of this for me, Liza. CAs she starts to speak) No, wait a minute—let me get it all off my chest. I don't know quite how to say what T want to. T've been in love before or thought I was, but you see, Liza, you're the only woman I've ever known who's given me a feeling of peace—as though no matter what happened you'd always be there. . . Iget a feeling of courage from you for the first time in my life, LIZA: Courage—from me? RANDY; I need someone like you, Liz—someone with your strength and courage—to lean on—to always be there. I guess the truth is, I'm a pretty frightened guy inside. LIZA: Frightened? You, Randy? RANDY: Maybe it goes back to when I was 2 kid. I was kicked out on my own at twelve—scared and desperate and needing someone to hang on to, And the funny thing is that still goes, I often think when I'm playing one of the strongman scenes and tel eryone where to get offboy, if they only knew! Gee, this is a helluva love scene I've just played. CHe mops his face) (There is a moment of silence) LIZA: What do they always say in the movies, Randy—"This is so sudden”? RANDY: You don't have to say anything now, Liza—I didn’t expect you to. LIZA: Twant to think about it, Randy. RANDY: Sure. I just had to tell you or explode.-Now I want to get out of here~quick! LIZA: (Laughing) All right, RANDY: Phone you late:? (She nods) Dinner, maybe? LIZA: All right. RANDY: Good-bye—and don't ever let my public know what a lousy lover I really am. CAnd he goes) (She stands for a moment with a stunned expression on her face, then slowly erosses to the desk and leans on it—that same sturmned look on her face. The door flies open and RUSSELL storms in)x60 RUSSELL: Liza, I demand a showdown—an immediate and utter — some attention—bleed in front of you? (The door opens and CHARLEY strolls in) CHARLEY: Paxton, the Dog Department wants to see you. RUSSELL: How darling of them! I may stay there the rest of my life. He goes to the door) If you have any hick with Sleeping Beauty, Jet me know. Really, I could spit! (He slams the door and leaves in a rage) CHARLEY: (After a moment) Ym supposed to apologize for what I stid the other day-promised Maggie I would. But Pve been think- ing it over quiedy and Ive decided Ym not going to. I'm sorsy—I that you've had to be the boss—always—and something in me deeply resents that. I can't help it. I know I've been preuy sotten to yourand [ve Kicked myself for it afterward, But there's always been that secret battle between us—from the very beginning—and I've always had to win—because, well, because I'm me, I guess. Anyhow, I want you to know—now that I'm leaving— that for all your goddamn shenanigans I think you're fine, (He turns away) I've tured in the Hattie Camegie layout to Paxton, so I guess that washes me up. Anything else? LIZA has been staring at him as though seeing him for the first time. Now she seems suddenly to come alive) LIZA: Jobnson—or Charleyif I may—give me back that paper- ‘weight and stay, will you? CHARLEY: Huh? LIZA: I know all your reasons for wanting to leave, but it appears that Tm slowly getting a divorce—from myself. I think you ought to stick around and see the fun. What do you say? (CHARLEY looks at her for a long moment. Then:) CHARLEY: Sorry. It wouldn’t work. LIZA: You mean—two bosses? EY: Roughly. LIZA: You're right. But suppose we ran it together—I might even step aside after a while if you didn’t get too drunk with power. CHARLEY: You—you mean that? Lady in the Dark x61 LIZA: Yes. Only—Pd like the paperweight now, asa token that you're ‘going to stay. Because—I want you to stay—very much, (A slight pause, then CHARLEY crosses to her) CHARLEY: Here you are, Catch. (He tosses the paperweight to her, she catches it, goes behind her desk) iow lock—I'd like to change the format right away—I've for years. Got a layout on your desk? : Joly issue. CHARLEY: Here’s what I mean. To hell with the title being on top. Put it over here. See what I mean? (MAGGIE enters and stares amazed at the picture the two of them present) LIZA: Yes—yes! CHARLEY: Then change the type-you suggested that yourself ‘months ago. LIZA: Change the size, tool CHARLEY: Sure, sure. Look—let me show you something . LIZA: (As she looks up and sees MAGGIE) Maggie, be an ngs and telephone Mr. Curtis at the Waldorf and tell him I can’t see him Pl talk to Sure, we can! Listen~I've got a layout in my office—let re get it—be right back. LIZA: Okay. CHARLEY: (To MAGGIE, as he rushes out) Be nice to me, Won- erful. Fm your boss now. MAGGIE: CAcidly) Would you mind telling me, Miss Elliot, exactly ‘what the hell goes on here? LIZA: Ob, Maggie, Maggie, I almost made a great mistake! I almost twisted up my life all over agzin, I might have married Randy! He seemed a reftige—a tower of strength! Those parts he plays—and the way he looks! And you know what, Maggie? He's another Kendall Frightened and insecure—seeing in me what Kendall saw in me— needing what Kendall needed. A mother—not a wife! I almost did the same thing all over again. And I'll tell you something else—Pve suddenly seen Charley Johnson for the first time~and I think I now the reason why for a great many things. (Gaily) Don't worry about me, Maggie! I'm going to be all xight! MAGGIE: Well, for God's sake!6a (CHARLEY dashes back in, arms full of papers) CHARLEY: (Going right to the desk and seating himself) Look—I x fun a few weeks ago—See what it does is... The ads here. . . The color sec: es dangerous—but if we can pull it off itcan be great. (LIZA has apparently ‘not heard. Intent om the papers in her hands, she begins to hu : (Suddenly singing) “And of jam and spice, there's a king at himastonished) Why—do you know that song? +: Yeah—baven't heard it since I was a Kid, though, Go ahead—do you know it all? LIZA: Yes—I know all the words—now. (She smiles, then slowly be- gins to sing. CHARLEY, as the remembered words come back to him, softly joins in. MAGGIE looks curiously from one to the other —then elaborately sinks into a chair and folds her hands in her lap. LIZA is singing gailyhappily. Oblivious of MAGGIE they half. smile at each other, The curiain is slowly descending) Curtain