1911 Rare Old Violins

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OOPYRIGHT, 1911
LYON & HEALY
CHICAGO
dtil
3.
AND HEALY are almost univer*3 2 ON

sally known as the largest music
LF- --1161
1 house in the world, but among musi-
*LN
LICL .85
cians and connoisseurs their greatest
reputation does not rest on this fact.

*> Fine musical instruments are not
pieces of merchandise, but works of
art. Their value depends not on cost of material and
labor, but on individual qualities and characteristics
cunningly wrought into them by a master hand, to be
called out again by the master artist. Such instruments
cannot be bought by lot and sold by number like ordinary merchandise: they must be individually selected
by experts and just as carefully sold again-each to perfectly meet the particular requirements of its particular
new owner.
C Lyon and Healy early and clearly recognized these

From the first their entire policy has been to
facts.
select only those instruments whose individual merit
would rank them at the top of their class, and to sell
only on a basis that would assure permanent satisfaction
to every customer.
4 Such a policy necessitates the constant exercise of

great technical judgment along all musical
meet this need Lyon and Healy have gathered a corps
of experts that has made this name famous in high
musical circles the world over.
lines. To
41 This policy, and the careful, consistent way in which

it is followed out, has led many of the leading musicians
and connoisseurs, both in this country and abroad, to rely
entirely on this judgment in the choice and purchase
of some of the world's greatest musical masterpieces.
For years it has also proved invaluable to thousands of
customers everywhere in selecting for them the best
instrument procurable to meet their needs and means.
4 And what is true of all branches of our
business is
particularly true of our Old Violin Department. The
violin is so inseparably linked with all that is greatest in
the history of music-its design and construction were
brought to such a marvelous point of perfection by the
mastermakers of Cremona and their followers in France
and Germany, who seem to have caught the very soul
of music in the very form of art-that it stands today
without a peer in the hearts of the great body of music
lovers.
41 The importance of a really fine old instrument, not
only'for the professional musician, but for the student,

cannot be overestimated. Artistic expression, light and
shade, beauty and tone color are the very essence of real
violin music; yet the average modern instrument is incapable of expressing them.
41 In speaking of this subject, Mr. Theodore Thomas, the

late great conductor of the Thomas Orchestra, wrote us:
I am convinced that the prime reason for lack qf artistic
e*ression among violinists is the want Qf a good in#trument
in early LUe, one which might have awakened a sense qf tone
quality instead Qf noise. In placing suck ,#ne instruments
within the reach Qfkmerican musicians your undertaking should
meet the appreciation and encouragement which it deserves.
41 Our Catalog de Luxe, illustrating and describing our choicest violins, ranging in price from one
thousand dollars, upward, will be sent to those considering the purchase of a masterpiece of this class.
1.
/
Descriptive list of fine old Violoncellos
will be sent on request
Rare Old Violins

Gasparo da Salo, Brescia, about 1580
This celebrated master was the discoverer and inventor of the violin. The first
No. 1859.
violin which is known to have been made was

by him and appeared about the year 1540. The
instrument here referred to, No. 1859, is a large,
broad, flat pattern in a fine state of preservation,
having a wonderfully large, broad tone. T'he
quality of tone of the Brescian violin is deeper
and more somber than that of the Cremona.
For the playing of Bach, for home use or for
church music nothing can be richer than the tone
of a fine old Brescian violin. This instrument
has a back of beautiful close-grain Italian maple,
which, while old, is not the work of (la Salo.
T'he sides match the back. It is essentially a
violin for a professional and concert player, as it
has all the attributes desired by performers in
public The tone is extremely even anti respon-
sive in all positions. The lower strings are

especially deep and noble ; the upper strings
brilliant and flexible.
PRICE, $800.00
Laurentius Storioni, Cremona, 1779

No. 3178. Storioni was one of the prominent
Cremonian makers. He was a pupil of Stradiva-
rius, and came into possession of much of the

wood, varnish and tools left by his master. This
is a fine example of Storioni's work. It is in a

perfect state of preservation. The wood is of
the finest selection and the varnish a very rich
golden orange shade. Its tone is of the purest
Cremona character. It is very
sweet and pure
and exceptionally far-carrying. PRICE, $800.00
Carlo Tononi, Bologna

No. 2798.
The most celebrated maker of
Bologna, which was quite a center for music
and art, as it is today. The finest work of
Tononi, of which this is an example, resembles that of Francisco Ruggeri in workmanship,

model, wood and varnish. This instrument possesses exquisite tonal quality and volume. It is
beautiful in wood and varnish and the color is a
rich ruby red.
PRICE, $800.00
Giovanni Baptiste Gabrielli, Florence, 1750

Gabrielli was one of the great makers
of Florence, and his violins are esteemed for their
sweet tone and careful workmanship. He made
two classes of instruments, one a very high model
and another much broader and flatter, which are
regarded as his best. This is a specimen of the
latter type. The pattern is broad and large.
The back is formed of one piece of very handsome curly maple, the figure of which extends
slightly downward from left to right. The sides
are of the same maple and the front is of spruce
of the choicest quality. The scroll is original,
and also the varnish, which is of a rich brownish
color. It has a tone of extraordinary brilliancy
PRICE, $800.00
and beauty.
No.. 507.
J. B. Vuillaume, Paris
No. 2459. A fine specimen, made about 1865.
Stradivarius model. Very beautiful curly back,
one piece.
Striking figure extending across the
of
choicest spruce. Varnish a lusback. Top
trous orange color, shaded.
Large, brilliant
concert tone.
$800.00
No. 2416. A good example of this maker's

work. The wood is of great beauty and the work-
5'
PRICE,
Giovanni Grancino, Milan, 1718
RARE OLD VIOLINS
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manship shows the master hand. The varnish is

a rich orange shade. The model is broad and flat.
The instrument is in a remarkably fine state of
preservation and possesses a tone of great refinement, power and brilliancy. It is an ideal solo
violin. The tone is of high soprano quality, very
clear and bell-like, very responsive to the slightest
bow.
PRICE, $750.00
touch of the
Giuseppi Schneider, Cremona, 1720
Schneider was a pupil of Nicolas
Amati, and his model resembles the character
No. %419.
of that of his famous teacher. The style of

this instrument is broad and large, splendidly
proportioned, the wood is of very fine selection
throughout, the varnish is of splendid quality
and of'a golden orange color. The tone is of
purest quality, very brilliant, soft, flexible, farcarrying and bell-like . An instrurnent for an
artist, with a tone large enough for the ordinary
concert hall.
PRICE, $700.00
RARE OLD VIOLINS
Petrus Antonius Malvotti, Florence, 1708

No. 2488.
Splendid example. A very strong,

brilliant-toned instrument. The back is of two
pieces of beautiful maple. The top is of very
choice spruce. Excellent state of preservation.
Soft varnish of a golden brown shade.
PRICE, $650.00
Januarius Gagliano, Naples, 1767

No. 2453. This is a line example of the work
of this celebrated maker, in excellent state of
preservation and intact throughout with the
exception of the scroll. The back is formed of
two pieces of the handsomest description of curly
maple. The sides match the back and the top is of
spruce of very straight grain, and of the choicest
quality for tone. This violin possesses a tone of
exceptional richness, brilliancy and far-carrying
power, aiid is especially recommended.
PRICE, $650.00
Joseph Kloz, Mittenwald, 17-
No. 2013. A magnificent example of this famous

maker's work. It is constructed on the lines of
the grand pattern Amati. The wood throughout
is of the very choicest selection. This violin is
in a most excellent state of preservation, and has
a tone of great richness and carrying power. The
varnish is of an orange red color. A violin for
an artist.
PRICE, $650.00
Antonius Amati, Cremona, 16A splendid example of Italian workmanship. The wood throughout is of the choicest
quality. This violin possesses a tone of rare
sweetness, combined with ample power for solo
work. It is an ideal instrument for a lady's use
or for a player with small hand. The varnish is
of a brownish yellow shade. The back and scroll
we attribute to the celebrated maker Cappa.
No. %041.
PRICE, $650.00
Francois Gand, Paris, 1838

No. 2858. Red varnish. Fine state of preservation. Superb tone quality. Finest specimen
of this maker that has come to our notice.
PRICE, $650.00
RARE OLD VIOLINS
Giuseppi dall Aglio, Mantoue, 1775

No.
3181.
Guarnerius
model.
Flat type.
Light brown varnish. Fine state of preservation. A superb instrument.

PRICE, $650.00
Jeoffre(la Cappa, Saluzzo, 1636
Cappa was one of the great pupils of
Nicola Amati in Cremona and his work follows
closely the lines of that of his master-the
Nestor of Cremona. This splendid example was
obtained by our connoisseur in Italy on his last
journey. It is small iii size, being slightly under
full size-probably full seven-eighths size will
designate it correctly. It is an ideal instrument
for a lady, or any one having a short arm and
a small hand.
The tonal quality is exceedingly
rich and sympathetic. It has ample power for
concert or public work. It is a very handsome
violin in appearance and is in a perfect state of
No. 2651.
preservation.
PRICE, $600.00
Nicola Gagliano, Naples, 1750

No. 3281. This is a fine specimen of this celebrated maker's work. It is in a good state of
preservation, with splendid wood, fine varnish,
handsome appearance, and a rich, far-carrying
tone.
PRICE,
$600.00
David Tecchler, Rome, 1721

No. 2287. A large, mellow tone of very brilliant
quality characterizes this instrument. It is full
large size. One-piece back of handsome curly
maple, handsome sides and splendid top. In
excellent state of preservation, with a yellowish
brown varnish.
PRICE, $500.00
Ludovicus Guersan, Paris, 1760

Splendid old French masterpiece.
Well-developed model. Excellent wood. Dark
orange varnish.
Very mellow tone. Perfect
preservation.
PRICE, $500.00
No. 2803.

No. 2417. Excellent model. Beautiful orange
brown varnish. Handsome appearance. Very
effective tone quality. Fine state of preserva-
tion.
PRICE, $500.00
RARE OLD VIOLINS
Carlo Fernandus Landolphus, Mila

n, 1755
No.
2516.
This maker was one of the most
prominent who flourished in Milan in the eighteenth century. His violins are
highly prized
by violinists for their pure Cremona tone character.
This violin is an interesting example of
his work.
Its tone is mellow, rich and
farcarrying. The wood and varnish are strikingly
handsome.
PRICE, $500.00
Andrea Gibertini, Parma, 1802

No. 8251.
Brownish red varnish, shaded. In

the handwriting of the maker it is stated
that
this violin was made in exact imitatioIi of the
Joseph Guarnerius of Paganini. Excellent state
of preservation. Splendid tone.
PRICE, $500.00
Antonio Gragnani, Legorno

No. 2650. A fine specimen, having exception
al
tonal qualities, and in a fine state of
preservation.
Good, large model. Good wood. Yellowish
colored varnish.
PRICE, $500.00
Mateo Albani, Botzin, Tyrol, 1708

No. 3009. An exquisite
specimen of his work.
Reddish brown varnish,
beautifully shaded.
Fine state of preservatio
n. Rich, mellow tone.
A splendid concert instrument.
PRICE, $500.00
Heinrich Jacobs,
celebrated maker of Amsterdam
, 1704
No. 2927. Amati model. Reddish brow
n varnish. Excellent prese
rvation. Beautiful tone.
A grand old instrument.

quartet work.
Splendid for solo and

PRICE, $500.00
Thomas Balestrierri, Mantua,

1737
No. 3232.
Medium-high Stradivarius model.
Brownish red varnish.
Excellent condition.
Magnificent tone.
PRICE, 8500.00
Luigi Marconcini, Ferrara, 1769

No. 3176. Well-deve
loped model. Amber yellow varnish. Finely prese
rved.
Exceptionally fine instrument. Exquisite tone.
PRICE, $500.00
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RARE OLD VIOLINS
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Jacobus Stainer, Absom, 1670
No. 2429. This is a very excellent specimen of

this great master's work. lit is in a fine state of
preservation, has handsome wood and rich, amber
colored varnish. It has a large, brilliant, farcarrying tone.
PRICE, $500.00
Giovanni Grancini, 1695

Flat model. Splendid wood selecExcellent condition throughout. Rich
orange colored varnish, all original. Large concert tone of fine quality. A superb instrument.
No. 3247.
tion.
PRICE, $500.00
Nicolaus Gagliano, Naples, 1738

No. 8268.
Exceptionally good brown varnish.

Excellent state of preservation. Large, beautiful
tone of far-carrying quality. A good concert
Violin.
PRICE, $500.00
Ferdinand Gagliano, Naples, 1762

No. 2437. Small full size. Splendid preservation. Handsome wood. Orange colored varnish.
Brilliant tone.
PRICE, $500.00
Antonio Casini, Venice, 1680

No. 3180. Dark reddish brown varnish, shaded.
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Fair preservation. Superb tone.
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PRICE, $500.00
Ambroise de Comble, 1755

No. 2801. Maggini model.
nish. Very large, deep tone.
Dark brown varPRICE, $500.00
Giovanni Battesta Gabrielli, Florence, 1760

No. 3%82. Yellow varnish.
very desirable instrument.
Splendid tone. A
PRICE, $500.00
Mattio Goffriller, Venice, 1734

No. 8269.
Splendid varnish of dark brown
color. Goffriller was one of the great Italian
makers. This is one of his smaller modeled
violins. It possesses tone of exquisite quality
and is ideal for quartet, the home and occasional
solo playing.
PRICE, $450.00
RARE OLD VIOLINS
13
Antonio Pedrinelli, Crespano, 1799

No. %517. One of the finest types of Italian
work. Stradivari outline and model, with a very
soft, rich quality of tone of good volume and
carrying power. The back is formed of two
pieces of handsome curly maple joined in the
The sides are of the same maple,
center.
matching the back. The front is of spruce of
the choicest Italian description. The varnish is
of a rich orange color.
PRICE, $450.00
Joseph and Antonio Gagliano, Naples, 1804
No. 3230. A choice specimen of the work of

these celebrated makers. Medium-high model.
Brownish yellow varnish.
Superb tone.
First-class condition.
PRICE, $450.00
Jeoffreda Cappa, Saluzza, 1690
No. 2518. A fine old Italian masterpiece oii

artistic workmanship.
Splendid wood and grand

Usual model, partaking of the Amati
char,icter. The back is formed of one piece of
very handsome curly maple, with the figure
extending upward from left to right. The front
is of spruce of the choicest description. Varnish
is of a rich orange brown color. The tone is of
the sweetest quality, with good power, suflicient
for all ordinary use.
PRICE, $435.00
tone.
Francois Gavinies, Paris, 1766
No. 2038. A magnificent old French masterStradivarius pattern. Wood of the

piece.
choicest selection.
It is an excellent concert or orchestra violin,
being very suitable for the all-around needs of the
PRICE, $400.00
Average business musician.
Francois Chanot, Paris, 1805

No. 293. Large Guarnerius model. Dark red
varnish, shaded. Well preserved. Fine, mellow
tone of good volume.
PRICE, $400.00
J. Guillami, Barcelona, 1733

No. 3299.
tone.
Golden
orange
varnish.
Superb
PRICE, $400.00
RARE OLD VIOLINS
14
Ludovicus Guersan, Paris, 17No. 2286.
Beautiful example.
Stradivarius
pattern. Back two pieces of handsome maple.

Top excellent spruce. Orange yellow varnish.
Violin possesses a tone large in volume and of a
beautiful quality.
PRICE, $400.00

No. 2822.
A superb example. Wood of the

choicest selection throughout.
Orange red
varnish of excellent quality. Handsome appearance.
Beautiful tone.
PRICE, $400.00
Petrus Paulus de Vitor, Venice, about 1750-60

No. 3170.
A fine old Italian instrument.
Original dark brown varnish. Good state of
.
preservation.
violin.
Exquisite tone. A fine solo

PRICE, $400.00
Giovanni Baptiste Ceruti, Cremona, 1804

No. 8304.
Red varnish,
shaded.
tone.
Splendid
RICE, $400.00
Giovanni Grancini, Milan, 1753

Brownish red varnish. Fine condition. Splendid tone.
PRICE, $400.00
No. 2692.
Claude Pierray, Paris, 1689
An excellent concert instrument by

Large Stradivari pattern. Splendid wood, and plenty of it. Rich
No. 415.
a very celebrated maker.
brownish red varnish.

tone.
Very responsive, even

PRICE, $875.00
Mathias Kloz, Mittenwald, 1735

A fine specimen. Broad, flat model.
Light brown varnish. Excellent condition. A
very desirable solo instrument. PRICE, $850.00
No.91 8.
Pietro Antonio Landolf, Milan, 1773

No. 2850.
Yellowish
Medium-high model.
brown varnish. Excellent condition. Superb
tone.
PRICE,
$850.00
RARE OLD VIOLINS
15
Ludwig Christian Bausch, Leipzig, 1830

No. 189.
Bausch was by all odds the most
celebrated of the nineteenth century makers in

Germany. His work was exquisite in every
detail. He was an artist in the truest sense of
The violin here listed is one of his
the word.
representative specimens, in a very high state of
preservation, with magnificent wood in back, sides
and top. The tone is exceedingly responsive,
and the instrument is very easy to play on
account of the sloping shoulders. It has a large
tone of great brilliancy and liexibility. I12
appearance is very beautiful, as it could be very
easily taken, even by a competent judge of violins,
for a fine Amati or Ruggeri.
PRICE, $350.00
Antonio Gibertini, Parma, 1850

While not so widely known among
violinists of this country, the name of Gibertini
is recognized by the connoisseurs of Europe as
that of one of the best makers of the nineteenth
century. His work is not altogether unlike that
of Pressenda, though the model he employed was
not so broad and robust, but more feminine in
character. This instrument is built of very
choice wood selected especially for its tonal
quality, the result being a tone of especial
sweetness and good power. The varnish is a
PRICE, $350.00
light ruby red color.
No. 2503.
Gaffino, Paris, 1748
Large Stradivarius pattern. Back

Top very
two pieces of handsome maple.
choice spruce. Brownish yellow varnish. Robust tone. Excellent condition. Splendid solo
No. 1780.
violin.
PRICE, $850.00
Joseph and Antonio Gagliano,
Filius Nicolaus, Naples, 1790

No. 3174. Flat type. Orange yellow varnish.
Well preserved. Splendid tone. PRICE, $850.00
Johann Baptiste Friedremauer, Paris, 1740
No. 2457.
red varnish.
Long Stradivarius model. Orange

Excellent state of preservation.
PRICE, $850.00
RARE OLD VIOLINS
16
Johannes Cuypers, Amsterdam, 1718
Yellow colored original varnish.

Exceptional state of preservation. Cuypers was
a splendid maker.
He employed correct models,
used splendid materials and his violins are very
highly prized abroad for their many excellent
No. 2928.
points.
PRICE, $850.00
Giacomo Zanoli, Verona, 1752
No. 8313. This violin possesses a tone of rare

sweetness and of ample power. The wood
throughout is of the choicest quality. The back
is in one piece, of handsome curly maple. The
varnish, which is entirely original, is of a lovely
dark orange shade. Well preserved throughout.
PRICE, $350.00
Giuseppi Odoardi, 1700

No. 364.
Rather flat type. Red varnish.

Excellent preservation.
Tone large and of
PRICE, $350.00
splendid quality.
Paulus Castello, 1758
No. 3175. Flat type. Reddish brown varnish.

Fine state of preservation. Grand, mellow tone.
PRICE, $350.00
Wm. Voller, London, copy of Stradivarius of 1720-22

No. 2785. Dark brown varnish. Fine condition. Magnificent tone.
PRICE, $850.00
Francisco Emilianus, Roma, 1728

No. 2877. Brown varnish. Fine state of preservation. Large, magnificent tone.
PRICE, $850.00
Felix Mora Costa, Parma, 1806

No. 2933. Large,Rat pattern. Original yellow varnish. Finely preserved. Strong tone
of excellent quality.
PRICE, $325.00
Carlo Ferdinando Landolil, Milano, 1753

No. 8183.
Well-developed model.
Orange
yellow varnish. Good state of preservation.
PRICE, $325.00
Splendid tone.
RARE OLD VIOLINS
17
Antonio Mocha, Bologna, 1796

A little-known maker, whose reputation has not extended beyond Italy, but who
made good instruments. Broad model. Light
reddish brown varnish. Finely preserved. ExNo. 85.
quisite tone.
PRICE, $800.00
Johannes Antonius Marchi, Bologna, about 1760

No. 2667. Splendid model. Back is of two
pieces. Top of fine-grain spruce of very choice
quality. Brownish colored varnish.
PRICE, 8300.00
Leopold Widhalm, Nurnberg, 1774
No. 3155. The celebrated maker of Nurnberg.

Broad, high model. Reddish brown varnish.
Fine state of preservation. A magnificent
instrument.
PRICE, 300.00
David Buchstetter, Ratisbonne, 1780

No. 2872.
model.
Excellent example. Large,. flat

Fine concert ,instrument.
Big tone.
PRICE, $800.00
Joannes Florenus Guidantus, Bologna, 1731

No. 3257.
served.
Orange brown varnish. Well pre-
Beautiful tone quality.
PRICE, $300.00
Joannes Voratti, Bologna, 1806

No. 3267.
Brown varnish.
Beautiful solo instrument.
Well preserved.
PRICE,
8 00.00
Andrea Boreli, Parma, 1743

No. 2765.
Superb tone.
PRICE,
$300.00
Johannes Antonius Marchi, Bologna, 1750

No. 2777. Orange red varnish. Very fine condition. Splendid tone.
PRICE, $300.00
Camillus Camilli, Mantua, 1749

No..8*54._ Ort,nge varnish.
ervation. Splendid tone.
Fair state of pres-
.'
----
PRICE,
300.00
T
-
RARE OLD VIOLINS
18
Mantagazzi, Pere
No. 3295.
Brown varnish.
Splendid tone.
PRICE, $285.00
Fine old Italian work

No. 8171. Handsome model. Dark reddish
brown varnish. Well preserved. Splendid tone.
An ideal solo instrument.
PRICE, $280.00
Francisco Emilianus, Rome, 1736

No. 8288.
Brown varnish, shaded.
cent tone.
Magni6-
PRICE, $280.00
Michael Deconet Venice, 1753

No. 8286.
some.
Rich orange varnish. Very handPRICE, $280.00
Joseph Gamno, Paris, 1745
No. 2210. This violin was built after a broad,

robust model. The wood employed throughout
is of ilne quality and the varnish oil. The back
is formed of two pieces of handsome curly maple.
The front is of spruce of medium width of grain.
It is in excellent state of preservation, and has a
large, robust tone.
PRICE, $275.00
Hieronymus d'Avi, Brescia, seventeenth century

No. 2505. Possesses the soft, rich tone of
Brescia, differing in quality from the violins of
any other city. Rough in workmanship and

rich in varnish, in common with all Brescian
work. Splendid condition.
PRICE, $275.00
Jean Koeuppers, Amsterdam
No. 3168. Yellow varnish. Perfect state of
preservation. Magnificent tone. Very desirable for solo and orchestra work. PRICE, $275.00
Antonio Mariani, Pisaro,
1675-1718
Brownish red oil varnish. Very

Good condition. Ideal
instrument for home use.
PRICE, $275.00
No. 3256.
sweet, carrying tone.
RARE OLD VIOLINS
19
Petrus Johannes Mantegatia, Medeolani, 1779

No. 8172. Rather flat type.
varnish. Magnificent tone.
Orange yellow
PRICE, $275.00
Jeoffre(la Cappa, Saluzzo, 1650

*No. 2501.
Seven-eighths size.
A magnificent
specimen of Cappa's work, in a fine state of preservation, with original varnish and scroll, and a
glorious tone. It is an ideal violin for a lady, or

for any one requiring a small-size instrument.
For such a person a violin of this kind is far
preferable to a standard-size instrument, because
the efFort of playing in the upper position is
much lessened by the size and shape of the
shoulders. A far greater technique is thus
possible, as the tone is as large in volume as
most ordinary-size instruments and of surpassPRICE, $250.00
ingly beautiful quality.
Jacobus Stainer, about 1660
No. 2536. This example of the great Stainer's

art possesses a tone of rare beauty and quality.
The instrument is in a fair state of preservation,
with very handsome wood throughout, and rich
orange red varnish. The workmanship is artistic,
like all Stainer's work of this period.
PRICE, $250.00
Jacobus Stainer, Absom, about 1660

No. 8029.
Orange
yellow varnish. Excellent state of preservation.
Tone not large, but very sweet. A very desirable instrument for home use.
PRICE, $ 50.00
Allessandro Mezadri, Ferrara, 1738

No. 1549.
Large model. Back is of two

Exceptionally fine wood in the top.
Brownish red varnish. Fine condition. Large
tone of beautiful quality.
PRICE, $250.00
pieces.
Daniel Stadelmann, Vienna, 1734

No. 3014. Splendid model. Brownish orange
varnish. Perfect preservation. Brilliant, farcarrying tone. A very desirable solo instrument.
PRICE, $250.00
* Any violin under full size sold by us can be exchanged at any time
toward a full-size instrument and the full price will be allowed.
20
RARE OLD VIOLINS
1AURENTIUS STORIONI
r,DpwONA. 11'TD
NUMBER 8111
RARE OLD VIOLINS
-\
LAURENTIUS STORIONI
CREMONA. im
NUMBER 8178
21'
RARE OLD VIOLINS
22
J. R Vuillaume, Paris, 1827

Stradivarius pattern.
No. 2490.
One-piece
back of handsome maple.
Top spruce of
choicest quality. Dark red varnish. Brilliant
tone.
PRICE, $250.00
Claude Pierray, Paris, 1712
Splendid old copy of Stradivarius.

Beautiful wood and workmanship. Dark red
varnish. Brilliant tone.
PRICE, $250.00
No. 2690.
Francisco Mantegazza, Milano, 1789

No. 3238. Brown varnish. Finely preserved.
Fine tone. An excellent example of the work of
this well-known maker.
PRICE, $250.00
Didier Nicolas Mirecourt, 1795

Fine model. Large type. Red
Robust orchestra tone of excellent
Fine specimen.
PRICE, $250.00
No. 2908.
varnish.
quality.
Marcus Stainer, Absom, 1660
\.
No. 3222. Medium-high model. Light brown

varnish. Good state of preservation. Superb
tone.
PRICE,
$250.00
Giacomi Zanoli, Verona, 1751

No. 8262. Red varnish, shaded. Finely preserved. Beautiful, sweet tone. Adapted for solo
use.
PRICE,
$250.00
Johannes Mario Valenzalo, Astursia
in Valentia, 1804
No. 3255. Broad model, much like a Guadagnini.
Large, broad tone. Ideal for musicians' use.
PRICE, $250.00
Venaccio, Naples, 1760-70
No. 3182. Flat type.

preserved.
Yellow varnish. Well
Sweet, large tone.
PRICE, $250.00
Petrus Jacobus Rogeri, Brescia, 1710-20

No. 8274. Brown varnish.
Magnificent tone.
Well preserved.
PRICE, $5850.00
23
RARE OLD VIOLINS
Ignatius Christianus Partl, Vienna, 1796

No. 2019. Flat model. Dark brown varnish.
Fine state of preservation. Splendid tone.
PRICE,
8 50.00
Mattio Albani, Balzano, 1707

No. 3239. Brown varnish. Has family seal
" S. S." on shoulder. Very sweet, pure tone.
PRICE, $250.00
Old Italian Violin, about 1680

No. 1537. Amati model. Handsome wood.
Brown varnish.
Mellow, sympathetic tone.
PRICE, $250.00
Georgio Bairhof, Naples, 1770

Yellowish brown
No. 2746.
Large type.
varnish. Well preserved. Beautiful rich tone.
PRICE,$250.00
-\
Joseph Albani, Botzen, 1719

No. 3117. Reddish brown varnish. Fine condition. Excellent tone.
PRICE, $250.00
Giovanno Baptiste Zanoli, Verona, 1725

No. 3805. Rich brownish yellow varnish. Well
PRICE, $250.00
preserved. Excellent tone.
Antonio Compastano, Milan, 1707

No. 3294.
Large model.
Red varnish. Fine

PRICE, $250.00
tone.
Gaetano Antoniazzi, Cremona, 1860

No. 2862. Splendid specimen. Large Stradivarius model. Back is two pieces of maple of
handsome curl. Top is spruce of very choice
selection. Soft varnish of an orange shade.
Perfect preservation.
Strong orchestra tone
of great brilliancy.
PRICE, $25.00
Old Italian work, 17Flat model.

No. 3173.
ance.
Finely preserved.
Handsome appear-
Exquisite tone.
PRICE, $225.00
RARE OLD VIOLINS
24
Old French work, 1825

*No. %08. This instrument is a small, broad,
flat model, suitable for a person with small
hands. Splendid wood. Good varnish. Dark
orange red color. Very broad tone. In a very
fine state of preservation.
PRICE, $225.00
Joannes Antonius Marchi, Bologna, 1778

No. 2483. Well-developed model. Handsome
wood. Soft varnish of a dark orange shade. It
possesses a tone of beautiful quality.
PRICE, $225.00
Peter Rombouts, Amsterdam, 1740

No. 3157. A celebrated maker. Flat type.
Dark brown varnish. Excellent state of preservation. Superb tone.
PRICE, $225.00
Johann Ulrikus Eberle, Prague, 1745

No. 3156. Well-developed model. Dark reddish brown varnish.
Splendid tone. A very
PRICE, $225.00
fine specimen.
A line old French masterpiece

No. 2037.
wood.
Broad, flat model.
Fine
varnish.
Fine appearing
Perfect
Robust tone.
preservation.
PRICE, $225.00
A line old Tyrolean masterpiece of the Kloz type

No. 2526. Splendid in wood and varnish. Fine
preservation. Very brilliant, far-carrying tone.
PRICE, $25.00
Julius Caesar Gigli, Roma, 1761

No. 3226. Excellent model. Orange varnish.
Joannes Antonius Gedler, Fussen, 1734
No. 8169. Dark reddish brown varnish. Fine

state of preservation. Splendid mellow, rich
tone. One of the finest specimens of old Ger'RICE, $200.00
man work we have seen.
RARE OLD VIOLINS
25
Old French masterpiece, 1745

No. 1778.
Flat pattern.
very handsome maple.

Strong orchestra tone.
One-piece back of
Golden yellow varnish.
RICE, $200.00
Johann Carl Kloz, Mittenwald, 1770

No. 2900.
Amati model.
Brownish yellow
varnish. Well preserved. Fine tone.
'RICE, 00.00
Old Mittenwald, 1760

No. 828. Broad, flat type. Dark brown varnish. Well preserved. Excellent tone.
PRICE, 8200.00
Peter Wamsley, London, 1743

No. 910. Reddish brown varnish. Good condition. Fine, mellow tone.
PRICE, $200.00
Joseph Kloz, Mittenwald

No. 1562. Brownish red
robust tone.
varnish.
Brilliant,
PRICE, $200.00
Antonio Gagliano, Naples, 1780

No. 8290.
Brown
varnish.
Excellent tone.
PRICE, $200.00
Andrea Postacchini, Naples, 1820

No. 3243.
Amati model.
Perfect condition.
Orange varnish.
Excellent tone.
'RICE, $185.00
Attributed to the Nicola Amati shop, 164040

No. 3237. Guaranteed as being of that period
and school. Small model. Dark brownish red
varnish. Exquisite, sweet tone. PRICE, $175.00
Joseph Hornstainer, Mittenwald, 1760

No. 8211. Orange red varnish.
Fair state of
preservation. Splendid tone.
PRICE, $175.00
Johann Ullrich Eberle, Prague, 1752

No. 8298.
Brownish
condition.
Large, rich tone.
red
varnish.
PRICE,
Splendid
$175.00
26
RARE OLD VIOLINS
Joseph Stainer, Mittenwald, 1790

No. 3224. Well-developed model. Lion's head
scroll. Reddish colored varnish. Good condition. Splendid tone.
PRICE, $175.00
Jean Koeuppers, La Haye, 1780

No. 2839. Good, healthy violin for all-around
use. Large, ilat pattern. Excellent wood and
condition.
Robust tone.
PRICE, $175.00
Martin Hornstainer, Mittenwald, 1789

No. 2911.
Reddish
brown oil varnish. Good condition. A very
fine instrument.
PRICE, $175.00
Benjamin Banks, Salisbury, England, 1760

No. 8246. Red varnish. Fine state of preservation. A good example of this great English
master's art.
RICE, $175.00
Bartolomeo Obecci, Venice, 1680
No. 3215.
Fine old Italian model. Reddish
brown varnish.
Fine condition.
Exquisite
tone.
PRICE,
$175.00
Martin Stoss, Vienna, 1799

No. 8194.
Reddish
Medium-high model.
brown varnish. Good condition. Fine, rich
tone.
PRICE,
$175.00
Christefaro Gabrielli, Florence, 1760

No, 3800. Orange varnish.
Very desirable.
Excellent tone.
RICE, $175.00
Nicolas Diehl, Mayence, 1798

Amati model.
Good condition and tone.
No. 2901.
Brown varnish.
RICE, $175.00
Joseph Albani, Botzen, 1718
*No. 3276*. Small size.

condition. Fine tone.
High model. Good

PRICE, $175.00
27
RARE OLD VIOLINS
Nicola Amati shop, 1640-60

No. 3287.
rich tone.
Dark brownish red varnish.

PRICE,
Sweet,
$175.00
Old French masterpiece

No. 2821. The work of Cabasse, Paris. Stradivarius model. One-piece back. Splendid wood.
Brownish red varnish. Good preservation. Mellow tone.
PRICE, $165.00
Benoist Fleury, Paris, 1760

This specimen is in an excellent
No. 250.
state of preservation. Good quality of wood
throughout. Varnish of an amber brown color.
Workmanship admirable. Tone brilliant, farPRICE, $150.00
carrying and charming.
Attributed to Antonius Bachmann, Berlin, 1758

Handsome wood and varnish.
No. 2537.
Splendid workmanship. Large, robust, telling
tone. Splendid orchestra violin. PRICE, $150.00
E. Perrin, Paris
Large Stradivarius pattern. Excellent wood and condition. Brownish red varNo. 722.
nish.
Strong, healthy tone.
PRICE,
$150.00
Andreas Nicolaus Partl, Vienna, 1756

No. 2979. Medium-high model. Reddish brown
varnish. Fair preservation. Very fine appearPRICE, $150.00
ance. Large tone.
Giuseppi Odoardi, Venice, 1661

No. 3%85. Rather flat model. Dark reddish
brown varnish. Excellent state of preservation.
PRICE, $150.00
Splendid tone.
Johann Ulrich Ficker, Mittenwald, 1765

Fine model.
No. 3185.
condition
and tone.
Splendid
Brown varnish.
PRICE, $150.00
Michael Ignatius Stadelmann, 1782
No. 3184. Flat type. Light brown varnish.

Excellent condition and tone.
PRICE, $150.00
28
RARE OLD VIOLINS
Johann Ulrikus Eberle, Prague, 1742

No. 8116. Well-developed model. Dark brown
varnish.
Fine state of preservation. Splendid
tone.
RICE, $150.00
Johann Joseph Stadelmann, Vienna, 1800

No. 8094. Well-developed model. Light brown
varnish. Good state of preservation. Beautiful
tone.
PRICE, $150.00
Hans Wondner, Regensberg, 1677

No. 3112.
Reddish
brown varnish.
Good condition.
Excellent
tone.
PRICE, $150.00
Francois Nicolas, Paris, 1815

No. 2809. Copy of Stradivarius. Dark orange
varnish. Perfect state of preservation. Robust
tone.
PRICE, 8150.00

No. 3193.
Brownish
Well-developed type.
yellow varnish. Well preserved. Splendid tone.
PRICE, 8150.00
Chappuy, Paris, 1800

No. 8265. Prominent French maker. Brownish
yellow varnish. Excellent preservation. Fine
tone.
PRICE,
$150.00
Anton Jais, Mittenwald, 1770

No. 3196. Fine model. Yellow varnish. Perfeet state of preservation. Superb tone.
PRICE, $150.00
Nicolas Augustus Chappuy, Mireeourt, Paris, 1786

No. 909. Large model. Yellow brown varnish. Good condition. Excellent tone.
pRICE,
$150.00
Petrus Merighi, Parma, 1771

No. 8249. Rather fiat type. Brownish yellow
varnish. Good condition. Excellent tone.
PRICE, $150.00
\.
RARE OLD VIOLINS
29
Paola Antonio Farinato, Venice, 1718

No. 8008. Reddish brown varnish. Good state
of preservation. Fine tone.
RICE, $150.00
Mathias Albani, Botzen, 1659

No. 2939.
served.
Brownish red varnish. Well preGood tone.

PRICE,
$150.00
Franz Simon, Mittenwald, 1810

No. 3032. Dark orange varnish. Perfect condition. Fine tone.
PRICE, $150.00
Concert Solo Violin, maker unknown

No. 2615. Very sweet, rich, sympathetic tone ;
very responsive.
PRICE, $150.00
Martin Stoss, Vienna, 1820

No. 2403.
Stradivari model.
varnish. Strong, healthy tone.
Reddish brown
PRICE, $150.00
Carl Helmer, Prague, 1769

No. 2807. Flat model. Robust tone. Excellent workmanship and condition. 'RICE, $150.00
Stefano Scarampella, Mantua, 1802

No. 3244. Red varnish. Very fine condition.
Large, powerful tone.
PRICE, $150.00
Gaspar Borbon, Brussels, 1698
No. 2918.
condition.
High model. Brown varnish. Good

Excellent tone.
'RICE, $150.00
Mattio Albani, Balzano, 1707

No. 3275.
Red varnish.
Sweet tone.
Fair preservation.
PRICE, $150.00
R Breton, Mirecourt, 1821

No. 2703.
Reddish brown varnish. Excellent

RICE, $150.00
condition and tone.
Mathias Hornstainer, Mittenwald, 1790-1800

No. 8198.
quality.
Fine sample.
''
"
.... 4
Sweet, pure tone

PRICE, $150.00
'
:
:rd
RARE OLD VIOLINS
30
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ANTONIOS AMATI
CREMONA. 10NUk[BER 9041
0
RARE OLD VIOLINS
31,
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..2
,,
....9..t
I':.
ANTONIUS AWAY
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NUMBER INt
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32
RARE OLD VIOLINS
Joseph Rauch, in Commotovil, 1825

No. 2954.
Reddish
brown varnish.
Good preservation.
Fine,
mellow tone.
PRICE, $150. 00
Italian Violin, about 1740

No. 1554.
Milanese work, style of Testore.
Broad, liat type.

sides.
Handsome wood in back and
Orange varnish.
PRICE, $150.00
Ferd. Aliberti, Milan, 1737

No. 3240.
Brown varnish.
Good condition.
Fine tone.
PRICE,
$150.00
Mougenot, Rouen, 1780

No. 904. Large, flat model.
Well preserved. Fine tone.
Brown varnish.
PRICE, $150.00
N. F. Vuillaume
No. 3283.
Fine tone.
Red
varnish.
Good condition.
'RICE,
$150.00
\
Giuseppi Nardotti, Plaisanne, 1760

No. 8289.

PRICE, $150.00
Italian work, 1710-20

No. 3302. Dark red varnish.
PRICE, $150.00
Stephano Forni, Pesaro, 1665

No. 3301. Rich red varnish.
Good tone.
Fine condition.
PRICE, $145.00
Giovanni Branchi, Florence, 17No. 8002. Broad,Rat model. Orange yellow

varnish.
Well preserved.
Fine, mellow tone.
PRICE, $140.00
Pietro Romano, Borgo di Pavia, 1769

Old Italian violin. Plain appearGood condition. Fine, mellow tone.
RICE, $140.00
No. 2930.
ance.
RARE OLD VIOLINS
33
Mathias Johann Kolditz, Munich, 1730

No. 3017. Deep red varnish, shaded.
PRICE, $140. 00
Old German work, 1780-90

No. 2825. Two-piece back. Splendid preservation. Brownish red varnish. Beautiful tone.
PRICE, $135.00
Martin Hornstainer, Mittenwald, 1765

No. 3086. Fine old German model.
brown varnish.
Good preservation.
tone.
Reddish
Superb
PRICE, $135.00
Johann Paul Schorn, Salzburg, 1716

No. 972.
varnish.
Medium-high model.
Splendid
condition.
tone.
Dark brown
Fine, mellow
PRICE, $135.00
-\
Honore Derazey, Mirecourt, 1820

No.978.
varnish.
Old Italian model. Orange red

Good preservation. Fine, mellow tone.
PRICE, 8135.00
Geo. Hofzin, Mittenwald, 1783
No. 2835. Broad, flat type. Dark brown varnish. Well preserved. Excellent tone.
PRICE, $1 35.00
Italian work, 183040

No. 749. Broad, flat model. Brownish colored
varnish.
Handsome wood.
PRICE, $135.00
Old Italian work, about 1760

*No. 2480.
Small model.
Dark red varnish.

PRICE,
8135.00
Johann Baptiste Schweitzer, Pesth, Hungary, 1790

No. 3217.
Full model. Dark brown varnish.

RARE OLD VIOLINS
34
Luigi Cardi, Verona, 1887

Orange varnish. Good condition.
Excellent tone. This maker has a splendid reputation throughout Italy. His violins are always
of charming tone quality and have good wood
and varnish.
PRICE, $125.00
No. 3242.
Old German, 1800-20

No. 678. Amati pattern. Excellent wood.
Artistic workmanship. Dark orange red varnish.
It has a very mellow tone, of splendid carrying
power. Violin is in a perfect state of preservation.
PRICE, $125.00
Daniel Stadelmann, Vienna, 1728

Dark
No. 3188.
brown varnish.
Good state of preservation.
RICE, $1 25.00
Fine, rich tone.
John Betts, London, 17*No. 2145. Small Stradivarius pattern. Splendid wood and condition. Very responsive, even
tone. An ideal violin for a lady.
PRICE, $125.00
Thomas Hulinzky, 1790
Rather flat model. Dark brown

No. 3087.
varnish.
Fine state of preservation. A very
desirable instrument.
PRICE, $125.00
Joseph Michael Simann, Mittenwald, 1797
No. 2660. Large model. Splendid wood, the
top being exceptionally fine. Dark brown varnish. Very mellow tone.
PRICE, $125.00
Michael Boller, Mittenwald, 1783
No. 2476. A line specimen of this well-known

maker's work. Bril]iant tone. Good state of
preservation.
PRICE, $125.00
Mathias Neuner, Mittenwald, 17Broad, flat model.

Fair condition. Fine tone.
No. 2995.
Brown varnish.
PRICE, $125.00
* Any violin under full size sold by us call be exchanged at any time
RARE OLD VIOLINS
35
Giuseppi Antonio Arcalli, Milan, 1765

No. 3221. Broad, flat type. Dark reddish
brown varnish. Well preserved. Rich, mellow
tone.
PRICE,
$125.00
George Tiefenbrunner, Munchen, 1846
Excellent model, wood and workmanship. Dark red varnish. Brilliant tone.
No. 2179.
PRICE, $125.00
Christian Frederick Hunger, Leipzig, 1778

No. 2973. Broad, flat model. Yellowish brown
oil varnish. Good preservation. Fine tone.
PRICE, $125.00
Fine old Italian work, 1800

No. 8228. Well-developed type. Dark reddish
brown varnish. Excellent condition. Exquisite
tone.
-\
PRICE,
$125.00
Josephus Ceruti, Cremona, 1795
No. 3233. Flat model. Orange yellow varnish. Fine condition. Excellent tone.
PRICE, $125.00
Fine old Tyrolean specimen

* No. 2538. Seven-eighths size. Fine preservaGood appearance. Brilliant tone.
tion.
PRICE, $125.00
Giovanni Dollenz, Trieste, 1840

No.
3%44*.
Splendid tone.
Fine condition.
Red varnish.
Excellent for practical musician.
PRICE, $125.00
Joseph Paul Christa, Munich, 1736

No. 2912. Rather large model. Reddish brown
varnish.
Nice condition.
Smooth, excellent
tone.
PRICE,
$125.00
Ludovico Moitessieur, Mirecourt, 1785

Stradivarius model. Brown varnish.
Excellent condition and tone.
PRICE, $125.00
No. 3279.
RARE OLD VIOLINS
36
Fine old German, made about 1760

No. 509.
This instrument is very much like

The model is flat, the wood excellent, and the varnish of a soft, fine quality.
the Italian.
Good preservation.
PRICE, $125.00
Marcus Ferdinand Mayer, Salzburg, 1732

No. 3085. Well-developed model. Dark orange
varnish. Good condition. Splendid tone.
PRICE, $125.00
Marcus Stainer, Kufstein, 1657

No. 3064. Large model. Reddish brown varnish. Excellent preservation. Fine, rich tone.
PRICE, $125.00
Georgius Thier, Vienna, 1793

No. 3119.
Reddish
brown varnish. Rich, mellow tone.
PRICE, $125.00
Chappuy, Paris, about 1770

No. 8261.
Brownish yellow varnish. Good
condition. Fine tone. Musician's violin.
PRICE, $125.00
Eugene Fabris, Venice, 1884

No. 3234. Large model. Red varnish. Excellent state of preservation.
Fine tone.
PRICE, $125.00
Sacquin, Paris, 1840
No. 8111. Fine model. Orange red varnish,

shaded. Well preserved. Superb tone.
PRICE, $125.00
Fine old Italian work, 1790
No. 3214. Flat type. Orange yellow varnish.

Good state of preservation. Splendid tone.
PRICE, $15.00
Matthys Hofman, Antwerp, 1740

No. 2902.
nish.
High model. Orange brown varGood state of preservation.

PRICE, $125.00
RARE OLD VIOLINS
37
Fine old German masterpiece

No. 257.
Very strong, rugged tone. An
excellent instrument for a musician.
PRICE, $125.00
German work
No. 3131. Reddish brown varnish.
state of preservation. Superb tone.
Splendid
PRICE,
$125.00
Christian Frederick Hunger, Leipzig, 1739

Reddish brown varnish. Well preExcellent tone.
PRICE, 8125.00
No. 8018.
served.
Antonius Bachmann, Berlin, 1759

No. 2603. Dark brown varnish. Well prePRICE, $125.00
served. Very fine tone.
Antonio Mario Louazza, 1728

No. 3248.
varnish.
Rather flat type.

Light brown
Excellent condition. PRICE, $125.00
Johann George Thier, Vienna, 1790

No. 3199.
condition.
Flat model.
Brown varnish. Good

PRICE, $125.00
Splendid tone.
Johann Anton Gedler, Fussen, 1760

No. 3162. Orange red varnish.
preservation. Superb tone.
Fine state of
PRICE, 8125.00
George Thier, Vienna, 1780

No. 3204.
served.
Well preExcellent tone.
PRICE, $125.00
Grandjon, Paris, 1830-40

No. 3278.
Broad model.
Brown varnish.
PRICE, $125.00
E..
Bagatella, 1814
No. 2664.
Beautiful, rich, resonant tone.

PRICE, $125.00
Julius Lombardi, 1789

Brown varnish.
PRICE, $125.00
RARE OLD VIOLINS
38

Rich, mellow tone.
Good condition.
PRICE, $125.00
French work, 1830-40

No. 2743.
Fine tone.
Red varnish.
Good condition.
PRICE, $125.00
Joseph Kloz, Mittenwald, about 1760

No. 3127. Broad, flat type.
nish. Exquisite tone.
Orange red varPRICE,
Gabriel Buchstetter, Ratisbonne, 1761

Dark brown varnish.
No. 3220.
condition.
Superior tone.
$125.00
Excellent
PRICE, $125.00
Joseph Marconcini, Ferrara, 1829

No. 3245.
Red varnish.
Well preserved.
PRICE, $125.00
Sweet tone.

Dark brown varnish.
No. 2826.
condition.
First-class
PRICE, $125.00
David Christian Havemann, Klingenthal, 1790

No. 929. Broad, flat model. Reddish brown
PRICE, $120. 00
Johann Christian Ficker, Neukirchen

No. 3136. Amati model. Brown varnish. Fine
RICE, $120.00
condition. Splendid tone.
Carl Rauch, Wurzburg, 1750

Dark reddish brown varnish. Excellent condition. Superior tone. PRICE, $120.00
No. 3201.
Michael Ignatius Stadl, Vienna, 1765

No. 8205. Well-developed model. Brownish
red varnish.
tone.
PRICE, $115.00
Superior
Franz Simon Mittenwald, 1810

No. 2970.
preserved.
Orange red varnish. Fairly well

Excellent tone.
hICE, $110.00
RARE OLD VIOLINS
39
Johann Christian Ficker, Neukirchen, 1730

No. 2859.
Orange red oil varnish. Well pre-
served.
PRICE, $110.00
Gaspar Duiffoprugcar, Brescia
No. 409. This, like most violins bearing the

name, is an old French instrument, made in the
early part of the nineteenth century. The size
is large, sides are ornamented with carving, the
back with an inlaid device, and the scroll is a
man's head.
PRICE, 8100.00
David Christian Havemann, Klingenthal, 1790

Reddish
brown varnish. Well preserved. Fine, rich
No. 3092.
tone.
PRICE,
$100.00
George Carl Kretschmann, Neukirchen, 1780-90
..\

varnish. Well 'preserved. Excellent tone qualPRICE, $100.00
ity and volume.
Andreas Jais, Folz, 1750

varnish. Fine state of preservation. Beautiful
tone.
PRICE, $100.00
Cabasse, Paris, 1830-40
No. 3027. Old Italian model. Dark brown

varnish. Good condition. An excellent instrument.
PRICE, $100.00
French work, 1810-15

No. 2924. Broad, flat model. Brownish red
varnish. Good condition. Mellow tone.
PRICE, $100.00
Johann Ulrich Fichtl, Mittenwald, 1770

varnish.
Superb tone.
Splendid condition.
PRICE. $100.00
Nicolaus Augustus Chappuy, Paris, 1765

Dark yellow
No. 914. Broad, flat model.
varnish. Good condition. An excellent instrument.
PRICE, 8100.00
RARE OLD &1OLINS
40
\-
l
JOSEPHKLOZ
MITIENWALD. 17NUMBER 2018
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ft' 4
RARE OLD VIOLINS
41
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... 25
....0
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i.
.... I.: 4
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RARE OLD VIOLINS
42
Anton Joseph Lutz, Schonbach, 1780

Amati pattern. Very handsome
No. 2573.
wood throughout. Instrument has a very mellow,
sweet, rich tone. Brown varnish.
pRICE, 8100.00
Old French work, 1810-20

No. 700. Very handsome in wood and varStradivarius model. Perfect preservation.
Brilliant tone. Brownish yellow varnish.
nish.
PRICE, $100.00
Johan Godfried Hamm, 1728

No. 2955.
preserved.
Reddish brown varnish. Fairly well

Sweet tone of good volume.
Price, $100.00
Old Italian work, 1760-70

No. 371.
Large, flat type.
Red varnish.
Fair state of preservation. Fine tone.

PRICE, $100.00
Carl Rauch, Wurzburg, 1750
\-
No. 3158. Fine old German model. Brownish

red varnish. Good condition. Superb tone.
PRICE, 8100.00
Paillot, Mirecourt,
1780-90
Large, fiat model.

Well preserved. Good tone.
No. 917.
Brown varnish.
PRICE, $100. 00
Joseph Antonius Laska, Prague, 1790

Reddish
No. 3159.
brown varnish. Well preserved. Fine tone.
PRICE, 8100.00
Gabriel David Buchstetter, Ratisbonne, 1767

No. 3%02.
Brown varnish.
Excellent state of
preservation. Very fine tone.
PRICE, $100.00
Michael Baader, Mittenwald, 1786

No, 2981. Medium-high model. Dark brown
varnish. Fair condition. Fine tone.
PRICE, $100.00
43
RARE OLD VIOLINS
German work, about 1750

*No. 2535. Seven-eighths size. Reddish brown
varnish. Excellent preservation and tone.
PRICE, 8100.00
Michael Baader, Mittenwald, 1780

No. 3077. Fine model. Brownish yellow varnt tone.
nish. Very well preserved. Excelle
PRICE, 8100.00
Andreas Hoyer, Klingenthal, 1758

No.980. Long, flat pattern. Light brown
PRICE, $100.00
German work
No. 3008. Fairly well-developed model. Orange
red varnish.
PRICE, 8100.00
Italian work, 1820

No. 3%73. Large, broad model. Red varnish.
Good condition. Fine, sweet tone.
RICE,
1 . 00
Simon Voight, Neukirchen, 1780

No. 3061. Fine old German model. Brown
varnish. Well preserved. Excellent tone.
PRICE, 810000
Johann Nicolaus Lentz, London, 1800

No. 3200.
Dark brown
of preservation.
Good state
PRICE, $100.00
varnish.
Very fine tone.
Ignatius Ber, Berman, 1781

No. 3126. Reddish brown varnish. Finely prePRICE, $100.00
served. Splendid tone.
Carl Joseph Helmer, Prague, 1810

./
No. 3165. Orange red varnish. Fair state of

PRICE, $100.00
preservation. Superior tone.
,V
*
44
RARE OLD VIOLINS
Johann Andreas Doersfel, 1750

No. 3015. Medium-high type. Dark brownish
red varnish. Good condition.
PRICE, 100.00
Johann Baptiste Schweitzer, Pesth, 1813

No. 3118.
condition.
Reddish brown varnish. Splendid

Superb tone.
PRICE, 8100.00
Joseph Gratiani, Genoa, 1763
No. 3189. Dark brown varnish.

tion.
Fine tone.
Good condi-
PRICE, $100.00
French work
No. 2701.
varnish.
Reddish brown
Broad, flat type.
PRICE,
$100.00
Fine old German instrument, 1780-1800

No. 3088.
Dark brown varnish.
condition and tone.
Excellent
'RICE,
100.00

No. 3179. Orange yellow varnish. Fine model
and tone. Splendid condition. PRICE, 8100.00
Johannes Bodio, 1820
No. 8258. Red varnish, shaded. Good preservation. Smooth, mellow tone. PRICE, $100.00
Luigo Fabris, Venice, 1877

No. 3253. Orange red oil varnish. Excellent
state of preservation.
PRICE, 8100.00
L. Bajoni
No. 3%68.
and tone.
Dark red varnish.
Good condition
PRICE, 8100.00
Milanese work, 1760

No. 8291.
Yellow varnish.
Fine tone.
PRICE, 8100.00
Italian work,
1790-1800
No. 2926.
Excellent conditipn.
Sweet tone.
PRICE,
8100.00
\.
RARE OLD VIOLINS
45
Johann Andrea Kumbl, 1643

No. 2758.
Good condition.
Attractive tone.
PRICE, $100.00
Louis Otto, Dusseldorf, 1880

No. 1995.
Stradivari model.
PRICE, 8100.00

No. 3096. Large, liat model. Reddish brown
varnish. Good state of preservation. Excellent
tone.
PRICE, $95.00
Joseph Fischer, Regensberg, 1808

No. 2974. Light brown varnish. Fair condition. Good tone.
PRICE, $95.00
Wilhelm August Haff, German, 1780

No. 3012. Rather well-developed model. RedFine
Well preserved.
dish brown varnish.
tone.
PRICE,
$90.00
Mathias Neuner, Mittenwald, 1795

No. 3026. Broad, ilat model. Reddish brown
PRICE, $90.00
Fine old German work, 1775

No. 2942.
varnish.
Old Italian model. Reddish brown

Good condition. Mellow tone.
PRICE, $90.00
Sebastian Rauch, 1765

No. 941. Rather high model.
Good condition. Excellent tone.
Red varnish.
PRICE, 890.00
Johann Christian Ficker, Adorf, 1800

No. 2975. Old Italian model.
varnish. Splendid condition.
Dark brown
PRICE, $90.00
Jacob Rauch, Mannheim, 17-
No. 3079. Rather well-developed model. Reddish brown vainish.

PRICE, $90.00
13
:9'.*
RARE OLD VIOLINS
46
Old French Violin, 1740-50

No. 3%41. Dark brown varnish.
Well preserved. Strong tone.
PRICE, 90.00
Adam Martin, Neukirchen, 1770

No. 977.
Dark brown varnish.
served.
Finely prePRICE, 890.00

No. 2875.
Brownish red varnish. Well pre-
served.
PRICE,
890.00
Lemarquis, French, 1765

No. 2919.
Brown varnish.
Good condition.
PRICE, $90.00
Franz Worle, Mittenwald, 1802

No. 2931. Broad, flat pattern.
Dark brown
varnish, shaded.
Perfectly preserved. Fine,
mellow tone.
PRICE, $85.00
Graingeot, French, 1780-90

No.999. Old Italian model.
Dark brown
varnish. Good condition.
PRICE, $85.00
Johann George Voight, Neukirchen, 1795

Broad, flat pattern. Brown varnish.
Fairly well preserved. Excellent, mellow tone.
No. 3073.
PRICE, $85.00
Old Italian Violin, made in Naples about 1820

*No. 2514. Seven-eighths size. Broad pattern.
Good preservation.
sive.
Large tone; very responPRICE, $85.00
Joseph Michael Simann, Mittenwald, 1797

No. 2988. Amati model.
preserved. Good tone.
Orange varnish. Well

PRICE, $85.00
Coutourieux Deroux, Paris, 1840

No. 8280.
Stradivarius model. Yellow varnish. Splendid condition.
PRICE, $85.00
RARE OLD VIOLINS
47
Paillot, Mirecourt, 1770-80

No. 91. Large, flat model.
Brown varnish.
Good condition.
PRICE, $85.00
Joseph Hamberger, Presburg, 1820

No. 3005. Rather broad, ilat model. Red
varnish. Fairly well preserved. Sweet, mellow
PRICE,
tone.
$85.00

Reddish
No. 3091. Fine model and tone.
Well
brown varnish.
preserved.
PRICE, $85.00
No. 3148.
Dark orange varnish.
Good state
of preservation. Excellent tone. PRICE, $85.00

1
Joseph Kriner, Mittenwald, 1815

No. 3160.
instrument.
Red varnish.
A very desirable
PRICE, $85.00
Simon Kriner, Mittenwald, 1810
No. 81 24. Flat type. Reddish brown varnish.

Fine condition. Superior tone. PRICE, $85.00
Johann Gottfried, Lubich, 1780

No. 8060. Rather flat pattern. Dark brown
varnish. Fair condition. Excellent tone.
PRICE, $85.00
Wilhelm Dornig, German, 1760

No. 2976.
Brown varnish.
Good condition.
PRICE, $85.00

No. 2824.
Greenish yellow brown varnish.

PRICE, $85.00
Carl Frederick Lippold, Neukirchen, 1793

No. 3052. Orange yellow varnish. Good condition. Fine, mellow tone.
PRICE, $80.00
RARE OLD VIOLINS
48
German work
No. 3158.
Dark varnish.
Good condition and
tone.
PRICE, $80.00
Classic old Italian Violin
*No. 2675. Three-quarter size.

resonant tone, and responsive.
violin.
Very large,
Good solo
PRICE, $75.00
Adolf Meyer, Neukirchen, 1780

No. 3033. Rather well-developed model. Dark
reddish brown varnish. Well preserved. Excellent tone.
PRICE, $75.00
Francois Louis Pique, 1813

*No. 2727. Three-quarter size. One-piece back
of very beautiful maple. Dark red varnish.
Splendid condition.
Brilliant tone.
PRICE, $75.00
Joannes Gagliano, NapIes, 1800

* No. 2868. One-half size. Wonderful tone for
so small an instrument. Fine wood and condition.
PRICE, $75.00
Michael Achner, Bavaria, 1762

*No. 3109. Rather small, well-developed type.
Dark brown varnish. Well preserved. Sweet,
rich tone.
PRICE,
$75.00
Heinrich Wilhelm Glandenberg, Leipzig, 1730

No. 2968.
Reddish
Medium-high pattern.
brown varnish. Well preserved. Good tone.
PRICE, $75.00
Simpertus Niggel, Fussen, 1760

No. 3004.
served.
Dark brown varnish. Well pre-
Sweet tone.
PRICE, $75.00
Good old German work
No. 8058. Dark brown varnish. Good state of

preservation. Rich, mellow tone. PRICE, $75.00
RARE OLD VIOLINS
49
Andreas Hoyer, Klingenthal, 1758

No. 8071. Rather flat model. Light brown
varnish. Fair condition. Excellent tone.
PRICE, $75.00

No. 3120. Light brown varnish. Well preserved. Excellent tone.
PRICE, $75.00
Johann Andreas Doersfel, Klingenthal, 1760

No. 3187. Rather flat model. Reddish brown
varnish. .Well preserved. Fine tone.
PRICE, $75.00
Johannes Roisman, Breslau, 1684
Extra high model. Dark brown

No. 2915.
varnish. Good condition. Sweet tone.
PRICE, $75.00
German work, 1712

No. 962.
Well-developed model. Reddish
brown varnish. Fair condition.
Sweet tone.
PRICE, $75.00
Johannes Gottfried, Breslau, 1791
No. 3080. Fine appearance. Reddish brown

varnish. Very well preserved. Excellent tone.
PRICE, $75.00
Old Italian make

No. 3%12.
Excellent
Mellow, sweet tone.
value. Condition only fair, but durable.
PRICE, $75.00
Martin Fichtl, Mittenwald, 1790

No. 8203. Broad type. Yellowish brown varnish. Fine condition and tone. PRICE, $75.00
Johannes Schorn, Salzburg, 1780

An excellent instrument.
Well preserved.
PRICE, $75.00
Saxon work, 1800-10

Amati model.
No. 2908.
Brown varnish.
PRICE, $75.00
:.:.......
50
RARE OLD VIOLINS
tS
P...:
16.. - * .
.
E.
PM
4.
F
I.
A.
F.i
60.
l:.
F.
18
S
.
Ff..
LF.V..'
LUZ)OVICUS GUERSAN
PARIS, 1760
NUMBER 2803
RARE OLD VIOLINS
51
r--I'.
44
f
LUZ)OVICUS GUERSAN
PAR,170
NUMBER 2803
52
RARE OLD VIOLINS
German work, 1820-30
No. 905.
nish.
Good model. Reddish brown varGood condition and tone. PRICE, $75.00
Johann Christian Hammig, 1754

No. 2959.
Reddish
Medium-high pattern.
brown varnish. Fair condition. PRICE, $75.00

No. 2816.
condition.
Broad, flat model. Good wood and

PRICE, $75.00
Very sweet tone.
Carl August Schmitt, Markneukirchen

No. 3163.
Good
condition. Excellent tone.
PRICE, $75.00
Adam Martin, Adorf, 1790

No. 3164.
Large, fiat type.

Fine condition and tone.
Red varnish.
PRICE, $75.00
Benedict Wagner, Ellwangen, 1791

No. 3028. Brownish red varnish. Excellent
PRICE, $75.00
Johann George Voight, Neukirchen, 1790

Dark brown
PRICE, $75.00
German work
No. 8182. Fine model.
cellent tone.
Good condition. ExPRICE, $75.00
Saxon work, 1810

No. 2854.
tion.
Light brown varnish.
Good condiPRICE, $75.00
Orchestra Violin
No. 3145.
Strong tone.
About fifty years old.

PRICE, $75.00
Saxon work
No. 2817.
Brown varnish.
PRICE, $75.00
\.
RARE OLD VIOLINS
53
Adolf Meyer, Neukirchen

No. 8000.
Dark varnish.
Fair preservation.
PRICE, $75.00
German work, 1790

No. 2704.
Light brown oil varnish.

PRICE, $75.00
Paulus Aletsie, Munchen, 1729

No. 3053. Fine model. Reddish brown varnish.
Well preserved. Excellent tone. PRICE, $75.00
August Glier, Neukirchen, 1793

No. 3122. Flat, broad type. Dark brown varnish. Fine condition. Elegant tone.
PRICE, $75.00
Johann Adam Schoenfelder, Neukirchen, 1742

,
Well-developed model. Dark brown

varnish. Perfect condition. Tone mellow and
of good volume.
PRICE, $70.00
No.938.
German make
No. 3135. High model. Reddish brown varnish.
Fairly well preserved. Good, full tone.
PRICE, $70.00
Johann Ullrich Fichtl, Mittenwald, 1760

No. 3%87.
Brown varnish.
PRICE, $70.00
Fine old German work, 1830-40

No. 3066. Excellent model.
varnish.
Fine preservatioii.
Reddish brown
Excellent tone.
PRICE, $70.00
Joseph Benedikt, Fussen, 1815
No. 8082. Rather well-developed type. Reddish brown varnish. Good condition and tone.
PRICE, $65.00
Joseph Buchstetter, Ratisbonne, 1778

No. 3140. Broad, flat type. Reddish brown
varnish. Splendid condition. Fine tone.
PRICE, $65.00
RARE OLD VIOLINS
54
Nicolaus Hammerle, Greitz, 1808

No. 3063. Dark varnish.
Full, rich tone.
First-class condition.
PRICE, $65.00
Rudolph Hof Churl, Munich, 1696

Reddish brown varnish. Good conPRICE, $65.00
Mellow tone.
No. 3065.
dition.
Johann Anton Schuster, Schonbach, 1795

No. 31 28. Yellow varnish. Well preserved.
PRICE, $65.00
Excellent tone.
Carl Frederick Lippold, Neukirchen, 1788

Brown varnish. Very good state of
preservation. A fine old instrument.
PRICE, $65.00
No. 3054.
Johann August Glasel, Neukirchen, 1770

Orange red
No. 3090. Rather flat pattern.
varnish. Good condition and tone.
PRICE, $65.00
\-
Mennegand, Paris, 1861

No. 3030. Broad, flat model. Brownish red
varnish. Fine condition. Excellent tone.
PRICE, $65.00

Reddish
No. 3078.
n.
conditio
Perfect
brown varnish.
PRICE, $65.00

Good model.
Good condition.
No. 2906.
nish.
Reddish yellow varPRICE, $65.00
No. 308.
nish.
Long model.
Brownish red var-
PRICE, $65.00
Italian work, about 1760

No. 3010*. Reddish brown varnish. Good conPRICE, $65.00
dition. Sweet, round tone.
RARE OLD VIOLINS
55
Johann Christian Boeland, 1790

Brown varnish.
PRICE, $65.00
Michael Baader, Mittenwald, 1790-1800

No. 8102. Rather flat type. Orange red varnish. Fine condition and tone. PRICE, $65.00
Brownish yellow varnish. Good

condition and tone.
PRICE, $65.00
No. 3191.
Adolf Meyer, Neukirchen, 1790

Brown varnish.
No. 3192.
Excellent tone.
Well preserved.
PRICE, $65.00
Old Italian work, 1790-1800

No. 8219. Brownish red varnish. Good condition. Excellent tone.
PRICE, $65.00
Joseph Marconcini, Ferrara, 1827

No. 8250.
Orange varnish.
and tone.
Good condition
PRICE,
$65.00
Frederich August Glass

No. 2750.
Dark
Copied after Stradivarius.
brown varnish.
PRICE, $65.00
Saxon work, 1810-20

No. 2945. Italian model. Brown varnish. Good
condition. Mellow tone.
PRICE, $65.00
Luigi Cardi, Verona, 1870

tion and tone.
Excellent condiPRICE, $65.00

No. 2988.
dition.
German work, 183040

No. 3010.
served.
Finely pre-
PRICE,
$65.00
RARE OLD VIOLINS
56
Old Tyrolean, made about 1800

No. %141. Flat model. Dark brown varnish.
PRICE, $65.00

No. 8016.
Orange reddish brown varnish.

PRICE, $65.00
*No. 8043. Small, about seven-eighths size.

Excellent
Brown varnish.
Rather flat mode].
condition. Good tone.
PRICE, $60.00
George Carl Kretschmann, Neukirchen, 1760
No. 3216.
varnish.
Rather well-developed model. Brown

Excellent tone.
Good condition.
PRICE, $60.00
Good old Saxon work, 1820-30
No. 991. Flat Italian model. Brown varnish.

Well preserved. Good volume. Sweet tone.
PRICE, $60.00

No. 2987. Broad, flat model. Reddish brown
varnish. Fair conditon. Good tone.
PRICE, $60.00
Christian Donat Hopf, Klingenthal, 1740

Brown varnish.
Long pattern.
Good state of preservation. Excellent tone.
No. 3190.
PRICE, $60.00
Franz Simon, Salzburg, 1780

No. 3195. Rather ilat type.
Good condition.
Brown varnish.
tone.
mellow
Rich,
PRICE, $60.00
Joseph Rieger, Mittenwald, 1824
Fine model and quality. Dark

brown varnish. Splendid state of preservation.
PRICE, $60.00
No. 3138.
RARE OLD VIOLINS
57
Wilhelm August Hess, Klingenthal, 1830

Well
No. 8104.
PRICE, $60.00
preserved. Excellent tone.
Old German work, about 1800

No. 8115.
Broad, flat type. Dark red varnish.

Old French Violin
*No. 2726. Three-quarter size. Stradivarius

model. Orange varnish. Brilliant tone.
PRICE, $60.00
Repaired by A. Homolka, Prague, 1821

No. 8141. Good old Bohemian violin. Dark
brown varnish. Good tone and condition.
PRICE, $60.00
Old Saxon work, 1840-50

No. 2827.
One-piece
back.
Good wood and condition.
Brown varnish.
Sweet tone.
PRICE, $60.00
Philip Jacob Fischer, Wurzburg, 1780

No. 3097. Large model. Dark brown varnish.
Good condition. Excellent tone. PRICE, $60.00
Vincenzio Sancienno, Naples, 1904

Rather flat type.
No. 32%7.
Yellow varnish.
PRICE, $60.00

No. 3108. Rather Bat pattern. Good condition. Fine tone.
PRICE, $60.00
E. Voele, Mayence, 1820

No. 8057. Reddish brown varnish. Good condition. Fine, mellow tone.
PRICE, $60.00
German, Neukirchen, 1860-70

No. 2985. Excellent model.
Reddish brown
PRICE, $60.00
RARE OLD VIOLINS
58
Fine old Vienna work, 1800-20

No. 8125. Dark colored varnish. Good condition and tone.
PRICE, $60.00
John Gaspar Reichel, Neukirchen, 1728

No. 2964. Medium-high model. Dark brown
PRICE, $60.00
Adolph Meyer, Neukirchen, 1798

Excellent wood
Good model.
throughout. Brownish colored varnish. Original scroll. Has a strong, flexible tone.
No. 2626.
PRICE, $60.00
Neuner, Mittenwald, 1800

No. 3218. Dark brown varnish. Fine condition and tone.
PRICE, $60.00
Old German work

No. 2612.
Fine instrument for home use.

PRICE, $60.00
\.
Joseph Paul Christa Munich, 1760
No. 3146. Long pattern. Dark reddish brown

varnish. Fair preservation. Fine tone.
PRICE, $55.00
Leopold Schweiger, 1763

No. 3150. Fine old German instrument. Flat
type. Dark brown varnish. Fine tone.
PRICE, $55.00

Dark red
No. 3101.
Large, broad model.
varnish. Excellent tone. Good condition.
PRICE, $55.00
Christian Donat Hopf, 1733

Dark brown
2961.
No.
varnish.
Splendid
PRICE, $55.00
Old Saxon work

No. 2957.
Orange yellow varnish. Good conPRICE, $55.00
dition and tone.
RARE OLD VIOLINS
59
August Neumacher, Schoeneck, 1842

No. 8021. Reddish brown varnish. Fine condition.
PRICE, $55.00
German work
No. 2748.
varnish.
Rather flat type.
Reddish brown
PRICE, $55.00
Gottlieb Heberlein, Neukirchen, 1838

varnish. Good condition. Sweet tone.
PRICE, $55.00
Italian Violin
*No. 2512. Small three-quarter size. Amati
Beautiful outline. Handsome wood
model.
Fine
throughout. A very beautiful color.
Mellow, velvety tone.
PRICE, $50.00
\
Philip Jacob Fischer, Wurzburg, 17No. 997. Fairly well-developed model. Reddish brown varnish. Well preserved.
PRICE, $50.00
Saxon work
No. 3107. Rather flat type. Orange yellow
PRICE, $50.00
Pierre Levonier, Paris, 1827

*No. 2820. One-half size. Beautiful wood.
Perfect condition. Large tone for so small a
violin.
PRICE, 850.00

No. 3076.
nish.
Long pattern. Reddish brown varExcellent tone.
Good condition.
PRICE, $50.00
French work, 1850

Fine tone.
Good condition.
PRICE, $50.00
toward a full-sizeinstrument and the full price will be allowed.
. e- 'r....
Mts:......
-
60
'
RARE OLD VIOLINS
:<* .._
--I
254.'
r
'.
'll
4/,3
r..
"
7*44.i..,
. C.'-al..':
7,:Spt, 22.
Vi:'..1..'...*
',FLF':.
/1,25'fici#:
43*r#
e : ..:56(.'
3,
, ANTONIO GRAGNANI
LEGORNO
Nown,1 2850
7.:
.:..:22.C......
RARE OLD VIOLINS
-61
C
ANTONIO GRAGNANI
LEGORNO
NUMBER 201
63:*12:fi 43:w...c,..fizjj-b :.bi ..IL.:ZA:,<...9*IL Pr.67
..72
97
RARE OLD VIOLINS
62
Johannes Schorn, Salzburg, 1769

No. 8100. Rather high model. Reddish brown
PRICE, $50.00
Old German work

No. 2576.
Smooth, mellow tone. PRICE, $50.00
Old German work, 1760.80

Dark brown
Rather flat model.
No. 3114.
PRICE, $50.00
Johann Gottfried Lippoldt, 1759

No. 811 3. Flat type. Dark brown varnish.
Fine state of preservation.
Sweet, rich tone.

PRICE, $50.00
Dark brown var:nish.

No. 3152. Flat model.
Splendid state of preservation. Elegant tone.
PRICE, $50.00
\.
Old Bohemian work, 1850-60

No. 3161*. Dark brown varnish. Fine condiPRICE, $50.00
tion.
Saxon work, 1840-50
No. 3161. Dark red vamish.

and tone.
Fine condition
PRICE, $50.00

No. 3044. Modeled after old Italian make.
Reddish brown varnish. Good condition and
tone.
PRICE, $50.00
Johann Hadl, Regensberg, 1710
Dark brown varnish. Good condiNo. 3045.

tion. Excellent instrument.
PRICE, $50.00
Austrian work, about 1820

No. 3023. Rather long model. Reddish brown
varnish. Well preserved. Good tone.
PRICE, $50.00
RARE OLD VIOLINS
63
No. 8047.
and tone.
Dark red varnish.
Fine condition
PRICE, $50.00
Good old Saxon work, 1810-20
Dark brown varnish. Good condition. Excellent tone.

PRICE, $50.00
No. 3038.

No. 3039. Rather flat model. Reddish brown
varnish. Good condition and tone. PRICE, $50.00
Joseph Hiebler, Augustae, 1787
No. 3098. Long type. Reddish brown varnish.

PRICE, 850.00
Old Saxon work, 1770

No. 8134. Broad, flat type.
nish. Excellent tone.
Brownish red varPRICE, $50.00
Old German instrument, 1840-50

No. 3056. Flat model. Dark brown varnish.
Saxon work
No. 997*.
Dark brown varnish.
tion.
Fine condi-
PRICE, $50.00
Ferdinand Stegmaier, Inglestock

No. 3024. Dark brown varnish.
vation. Excellent tone.
Good preserPRICE, $50.00
Saxon work, 1830-40

No. 2990. Old Italian model.
Good condition. Sweet tone.
Brown varnish.
PRICE, 850.00
Johann Martin Hoffmann, Schillingsfurft, 1805

No. 2968.
dition.
Ignatius Ber, Berman, 1780

No. 2960. Broad model.
nish. Well preserved.
Reddish brown varPRICE, $50.00
RARE OLD VIOLINS
64
German copy of Stradivarius, 1840-50

No. 2698.
condition.
Dark
orange varnish. Excellent

PRICE, $50.00
J. T. Lutz, Schoenbach, 1810-20

No. 2949. Medium-high pattern. Dark brown
PRICE, $50.00
Old German (Saxon), 1810-15

No. 953. Broad, flat pattern. Light brown
PRICE, $50.00
Brussels, 1900
*No.
%723.
Ladies' size (about seven-eighths).
Red varnish, shaded.
PRICE, $50.00
Old Saxon, 1790-1800

* No. 3006.
Three-quarter size.
Brown varnish.
PRICE, $50.00
Old German work
\.
No. 297. Flat model. One-piece back. Orange

varnish. Excellent condition. Mellow tone.
PRICE, $50.00
Old German work

No. 1795.
Sweet tone.
Good
model.
Fair condition.
PRICE, $50.00
French copy of Stradivarius

*No. 2710. Small pattern.
Mellow tone.
One-piece back.
PRICE, 850.00
A classic old German school, 1760-70

No. 2561. Amati model.
Smooth, mellow tone.

PRICE, $50.00
German work
No. 2969.
served.
Dark brown varnish. Well prePRICE, $50.00
RARE OLD VIOLINS
65

No. 751. Flat type.
Dark brown varnish.

PRICE, $50.00

No. 2639.
varnish.
Stainer model. Dark reddish brown

Wel preserved. Good tone.
PRICE, $50.00
Rafael Rancini, 1875

Well*No. 372. Three-quarter size violin.
developed model. Red varnish. Good condition. Sweet, mellow tone.
PRICE, $45.00
Johann George Lippold, Markneukirchen, 1760-70

No. 2966.
tion.
Dark brown varnish.
Sweet tone.
Fair condiPRICE, $45.00

No. 2967. Broad, flat model. Dark brown
varnish. Well preserved. Good tone.
PRICE, $45.00
*No. 3%70. Three-quarter size. Brown varnish.

PRICE, $45.00

No. 998. Reddish brown varnish. Well preserved. Good tone.
PRICE, $45.00
Hopf model
No. 2940.
dition and tone.

*No. 1881.
Three-quarter size.
Sweet tone.
PRICE, $45.00
French Violin, made about 1800

*No. 1888.
Three-quarter size. PRICE, $45.00
RARE OLD VIOLINS
66
Old German work

No. 2734.
Guarnerius outline. Dark brown
varnish. Excellent condition. Smooth tone.
PRICE, $45.09
Saxon work, 1810-20

Fine state of
Dark brown varnish.
No.996.
PRICE, $45.00
preservation.
Jacob Schmidbauer, Ratisbonne, 1832

Good condiNo. 8051. Dark brown varnish.
tion and tone.
PRICE, $45.00
Franz Bocek, about 1820

No. 3084.
Dark brown varnish.
tion.
Fine condiPRICE, $45.00
Old Saxon work, 1830

No. 3147. Rather flat type.
varnish.
Fine condition.
Reddish brown
Excellent tone.
PRICE, $45.00
Good old German work, 1810-20
\.
Model
Reddish brown varnish.
No. 3041.
rather well developed. Well preserved. Excellent tone.
PRICE, $40.00

No. 3046.
Large, flat model. Reddish brown
varnish. Fair condition. Good tone.
PRICE, $40.00
Old German work, 17B0-1800

No. 8070. Rather small model. Dark brown
varnish.
Fairly well preserved. Soft, rich
tone.
PRICE, $40.00

No. 8072. Large, liat model.
Dark varnish.
PRICE, $40.00

No. 8167. Dark brown varnish. Fine condition. Good tone.
PRICE, $40.00
67
RARE OLD VIOLINS
Petrus Schulz, Ratisbonne, 1837

Fine model. Reddish brown varGood condition. Excellent tone.
PRICE, $40.00
No. 3075.
nish.
Saxon work, 1820-30

Small model.
No. 3042.
Dark brown varnish.

PRICE, $40.00

No. 3037.
varnish.
Dark brown
Rather flat model.
PRICE, $40.00
Saxon work, 1820-30

No. 2984. Dark brown varnish. Fair condition.
Good tone.
PRICE, $40.00
Old Saxon work

No.994.
dition.
Dark brown varnish.
Good con-
PRICE, $40.00
Saxon work, 1830

*No. 618. Three-quarter size. Brownish yellow
varnish. Perfect condition. Good tone.
PRICE, $40.00
German work, about 1815
*No. 2620. Three-quarter size. Yellowish brown

varnish. Perfect condition.
PRICE, $40.00
John Christian Boeland, Klingenthal, 1770

*No. 2673. Three-quarter size. Good condition.
PRICE, $40.00
Good old German work, about 1810
No. 8067. Rather Bat model. Dark brown

varnish. Fair preservation. Good tone.
PRICE, $40.00
Herman August Kreiner, Neukirchen, 1801

No. 3197. Broad type. Yellowish brown varnish. Good condition and tone. PRICE, $40.00
* Any violin under fall size sold by us can be exchanged at any time
RARE OLD VIOLINS
68
Hopf model
No. 2948.
dition and tone.
French Violin
*No. 2712.
varnish.
Three-quarter size.
Orange red
PRICE,
840.00
Old German Violin

No. 181.
Flat model.
Good preservation.
Fair tone.
PRICE, $40.00
Old Saxon Violin, 1820-30

Stradivarius
No. 2%47.
and condition.
model.
Good tone
PRICE, $40.00
Pillement, Paris
*No. 2711. Half size. Light brown varnish.
Good tone and condition.
PRICE, $40.00
Old French Violin

* No. 714. Three-quarter size. Stradivarius
model. Good wood and condition.
PRICE, $40.00
Old Hopf Violin

No. 2600.
Good condition.
PRICE, $40.00
Good old German Violin, about 1820

No. 079.
Good tone.
PRICE, 840.00
C. Terne, Leipzig, 1851
No. 2806.
Dark brown varnish. PRICE, $40.00

Excellent
No. 8048. Reddish brown varnish.
state of preservation. Good tone. PRICE, $85.00
Saxon work, 1840-50

No. 8040.
Good tone.
Brown varnish.
Fair condition.
PRICE, $35.00
\-
69
RARE OLD VIOLINS

No. 3068. Excellent model. Reddish brown

varnish. Fine condition. Good tone.
PRICE, $35.00
Good German work, 1870

No. 8069. Good model. Reddish brown varnish. Excellent condition. Good tone.
PRICE, $35.00
Good German instrument, about 1860
*No. 2099. One-half

of about eight years.
size.
Suitable for child

PRICE, $85.00
Tyrolean work, about 1810

No. 2971. Broad, liat pattern. Dark red varnish. Good condition. Nice tone. PRICE, $35.00
Good old Saxon Violin
Rather flat type.
No. 952.
varnish.
Reddish brown
PRICE, $35.00
German work, Mittenwald
*No. 3007.
One-half size.
Dark brown varnish.

PRICE, $85.00
Fine condition.
French Violin, about 1850

*No. 2511. Three-quarter size.
Red varnish.
PRICE,
$85.00
German work, 1780

One-half size.
Good condition.
*No. 2556.
varnish.
Dark brownish red

PRICE, $85.00
Charles Claudot, Paris, 1830
Half size. Stradivarius model.

Orange varnish. Very good tone. PRICE, $85.00
* No. 222.
Old French Violin
*No. 2721.
condition.
Small three-quarter size. Fair

Sweet tone.
PRICE, $85.00
RARE OLD VIOLINS
70
....,
..1
ir.*
1
1-9
.:
\
,,
\
.;
....1
PErRUS PAULUS DE VITOR
VENICE, ABOUT 1750-60
NUMBER 8170
"1:.al,&*%.
.. . .
:70229./..,..
RARE OLD VIOLINS
71
-A
..
..
/< ...
PETRUB PAULUB DI vrrOR
42826
VENICE* ABOUT 17*80

NU,MER 8170
kef
-f.'Amis/M
-
. >:S*5111%181/2/4
I ... I: ;,3
. ......-...#./*edmet:#.//0-/"/...............
72
RARE OLD VIOLINS
German work, 183040
*No. 3210. Three-quarter size. Dark brown

PRICE, $85.00
Old English Violin

* No. 2672.
particular.
One-quarter size.
Sweet tone.
Perfect in every
PRICE, $85.00
Italian Violin, 1805-10

*No.
One-quarter size.
very responsive and even.
58109.
Beautiful tone;
PRICE, $35.00
Good Saxon work, 1840-50

tion. Fine tone.
Perfect condiPRICE, $85.00
Old Saxon Violin, made about 1830

No. 2552.
Mellow tone.
PRICE, $85.00
Saxon work
* No. %622.
Three-quarter size. Good condition.

PRICE, $35.00
German work, Mittenwald, 1820-30

* No. 3049. Small model. Dark varnish. Well
preserved. Sweet tone. Desirable instrument
fur a lady.
PRICE, $30.00
Old German Violin

*No. 2515.
Half size. Excellent wood.
Perfect condition. Very responsive. PRICE, $30.00
German Violin, made about 1860

No. 92800.
varnish.
Stradivari model.
Reddish brown
'RICE,
fJO. 0
Old Saxon Violin of 1840-50

No. 093.
Small model.
Brown varnish.
PRICE, 830.00
73
RARE OLD VIOLINS

German work, 186040
No. 2948. Tiger-head scroll. Dark orange

varnish.
Fine condition.
PRICE, $25.00
Mittenwald, 185060
Good condition.
Reddish brown varnish.

PRICE, $25.00
.*"3' %
:. .
Ht'i
F..5.
Rare Old Violas

Francisco Ruggeri, about 1680-90
No. 2645. This splendid specimen of Ruggeri's
work was secured by our connoisseur during a
recent trip in Italy. It is in the finest style of
the maker, beautiful in wood and varnish, and
possesses a tone of very deep, rich quality. It is
an ideal quartet or orchestra instrument. It is
in an excellent state of preservation. The varnish is of the the usual deep reddish brown
Ruggeri used and is entirely original.
PRICE, $500.00
Fine old Italian Viola, probably made in Brescia

about 1690-1700
No. 1085. Dark brown varnish. Fine wood.
Excellent condition. Very large, rich, mellow
tone ; very responsive. An ideal qiiartet instrument, as well as first-class for orchestra.
PRICE, $250.00
Petrus Guarnerius, Filius Joseph, Venice, 1772

No. 1557. Broad type of Amati model. Amber
yellow varnish. Handsome figured wood in back
and sides. Perfect preservation. Superb tone.
PRICE,
$250.00
Joseph Guadagnini, 1788
Delightful old instrument of medium

Rich, yellowish red varnish. Beautiful
PRICE, 8200.00
quality of tone.
No. 1996.
size.
Splendid old Tyrolean instrument

No. 2138. Varnish is of a brownish color. It is
in a fine state ofpreservation. The right size for
the pure viola tone.
PRICE, $150.00
Fine old English Viola

No. 2522. This is a fine model of Guarnerius
maxie by the celebrated English maker, George
Crask, 1797-1888. Broad, fiat pattern. Splendid size and correct proportions.
Large,
responsive tone.
PRICE, $85.00

No. 2066.
PRICE, $35.00
75
RARE OLD VIOLAS
Franz Juhling, Dresden, 1899

No. 2799. Orange red varnish. Excellent wood
and workmanship. Perfect condition. Large,
rich tone.
PRICE, $75.00
Viola d'Amour, by Delaplanque, Paris, 1756

Fine condition.
Brown varnish.
No. 3252.
Rich, mellow tone.
PRICE, $60.00
Descriptive list of fine old Violoncellos
will be sent on request
$&. E-
i'.
Violin and Violoncello

Repairing
4 The restoration of fine old violins is one of the very
fine arts. Many can make good new violins, but few
have the necessary experience for the proper repair of
valuable old instruments.
41 This is a branch by itself, separate and distinct. It

is safe to say that more valuable Cremonas have been
butchered and ruined by unskilful treatment at the hands
of so-called repairers than by any other agency, including
loss by fire and accident.
< We maintain a corps of repairers than which there is
none superior in Paris, Berlin or London. It is to the
hands of such artists only that we can entrust our own
valuable instruments, not to speak of those sent us by
our clients.
IL We have for many years been very extensive buyers

of old violins. These are purchased, for the most part,
in an unrepaired condition, and require complete rebuilding before being offered for sale. This applies to the
finest old masterpiece of Cremona, worth in the thousands,
as well as to that of old Saxony, wl*h would be sold for
fifty dollars.
< The most valuable specimens in America have passed
through our shop. The list includes some of the most
celebrated violins in existence. This has given us an
experience which has its effect on the work we do, and
we can truthfully say, without boasting, that nowhere
else in America can similar results be obtained.
l we furnish free estimates of the cost of repairing

rioting sent in for that purpose.
not worth the

1
Those which are found

expense are returned, or a letter setting
forth the condition is sent to the owner.
REPAIRING
77
C There are many good old instruments lying idle in

garrets and closets which, in their present condition, are
worth very little, because they cannot be played. For
the lack of proper regulation they are, for all practical

purposes, worthless. With properly adjusted bar, blocks,
linings, neck, fingerboard, strings, etc., they immediately
have a musical and commercial value often away beyond
the idea of their owners. They then become valuable to
66
a violinist who knows." They then have power, evenness and brilliancy, and they respond to the bow readily
and satisfactorily. The violin which previously was an
inanimate object has become, through the skill of the
repairer, possessed of life and song-a joy to those who
know how to bring forth its manifold possibilities.
< Violins which have been broken in accidents, sometimes literally reduced almost to splinters, often are
restorable. If not too far gone, they may be so repaired
as to retain their tone. It often happens that they are
better than ever, which, however, is not due to the fact
of their having been ibroken in splinters, but to the
skill of the repairer who is able to procure such results.
Obviously, if he had had the same violin to adjust before
it was broken, it would have turned out very much
better still.
Estimating Cost of Repairs

C If a violin be a very old one, and
has never been

artistically repaired, it will probably require a complete
going-over. This, as a rule, includes the following: A
new neck grafted * the old head, regraduation of top
and back, new bass-bar, new linings, blocks, regluing of
all cracks, lingerboard, bridge, tailpiece, strings, etc.
Often corners and edges have to be replaced, soundholes rebuilt and varnish retouched; so that the expense
may be anywhere from $25 up.
IL It also
depends somewhat on the quality of the violin,

for, obviously, the care and responsibility of restoring a
fine Cremona is far greater than where an ordinarily
good old violin is concerned.
IL The better the violin the better must be the
adjust-
ment to get commensurate results.
AB
78
REPA IRING
4 Where only a new bar and minor adjustments are

necessary the expense entailed for repairs and adjustment is from $15 up. If the first bar is not satisfactory
in its results, we put in another at our own expense
until it is right. Obviously there is a great difference in
bass-bars. You may pay some one $5 to put in your
violin a bar which does it no good whatever, but instead

much harm. It is not a question of the bar being ne,0,
but of its being right.
All Our Work is Fully Guaranteed

4 This also applies to the tone of old Italian violins which
have been sold through this department in the past five
years, which, if they have become deficient in tone, indieating that their bars are too light or otherwise faulty,
will be repaired free of charge for the bar, post, etc. ;
charges being made only for such other adjustments as
may be found necessary.
Charges for Violin Repairing
\.
New bridge, fitted and adjusted . . . .

New sound-post, made, litted and adjusted
Resetting old post and adjustment. .
New fingerboard, best ebony, depending
on value and adjustment . . .
New set of pegs, ebony or rosewood . .
First
Second
Quality
Quality
$ 0.75
8 0.50
.75
.50
.25
3.00
{ ':0
2.00
1.50
l.vv
3.00
3.00
Bushing peg-holes and fitting set of pegs f
NewusnciraohHedantdo n tjhp no t=:= {
to
l=
7.00
UP .
10.00
Grafting new neck in original
Regluing top and back . .
JO
scroll . .
. . . . .
15.00
1to
5.00
Gluing cracks in top or back . . . . . { 1.00
UP
Bass-bar, new bridge and
graduation . .
String-nut . . . . . . . . . . .
New tailpiece and fitting . . . . . .
Estimates for general repairs of old violins
are furnished after an examination of
the instruments. The cost varies according to the work necessary and the
quality of the violin.
.50
7.00
1 ..,5
to
15.00
10.
.75
.50
JO
.40
REPAIRING
79
Violin Bow Repairing

First
Second
Quality
Quality
. . . . . . . . . . . $06 5
$0.50
.50
.35
.75
1.00
.50
.35
.50
Rehairing
Pure silver wrapping . . . . . . .
Other silvered wrappings......
Leather wrapping........
New ivory tip made . . . . . . .
New frog and
1.00
1.50
to
5.00
repair.......
Violoncello Repairing
First
Second
Quality
Quality
$30.00
$25.00
28.00
Set of new pegs fitted . . . . . . .

Fingerboard, best ebony, bridge and adjustment . . . . . . . . . . .
Bridge fitted .
3.00
18.00
2.00
10.00
6.00
Grafting neck in scroll, including fingerboard .
New scroll and neck, including fingerboard
2.50
1.50
20.00
UP
10.00
5.00
3.00
UP
cracks . . . . . . . . .1 1.00
.75
{ .50
UP
.60
Bass-bar and
adjustment . . . . . .
Bushing peg-holes
Regluing
. . . . . . .
Rehairing 'cello b o w. . . . . . .
Double-Bass BOW Repairing

Rehairing
. . . . . . . . . . .
First
Second
Quality
Quality
$1.00
$1.00
"
Our Selling Terms

Q All prices in this catalog are net. When our customers so desire we sell violins of the value of $25.00
and upward on monthly payments. Our prices are the
same, cash or time. The only difference is that when a
purchase is made on the instalment plan we charge a
nominal interest of six per cent on the deferred payments, which really amounts to about three and one-half
per cent on the whole amount, and only covers our
extra expense in carrying the transaction.
Instruments on Trial
responsible persons in any part of the United
States we will send two or three violins on a week's
trial. From this we except Stradivarius, Guarnerius, and
a few of the other more valuable instruments, for which
IL To
special arrangements must be made.
Selecting and Exchanging Violins

Il We exercise the most conscientious care and discretion in selecting instruments for our customers. If the
matter is left entirely in our hands we will do our best,
and our expert will give his personal attention to making
the best possible choice. At the same time we wish the
purchaser's own judgment to be the determining factor
in the final choice. If for any reason he should become
dissatisfied with an old violin bought from us, we will
exchange it for another at the same price, any time
within one year. It costs nothing except transportation
charges to make an exchange. We wish every customer
our fault. We
have an ample stock and will gladly exchange in order
to give satisfaction.
to be satisfied. If he is not, it is not
C If a customer's teacher finds the instrument we have

selected unsuited we will exchange it. We want him
An artistic, conscientious teacher will
satisfied also.
appreciate this.
C If a customer wishes at any future time to exchange

an old violin purchased from us for a better and higherpriced one we will take back his instrument at the full
price paid for it. All he has to do is to pay the dill'erence in price and the transportation charges.
SELLING TERMS
81
Terms of Payment
4 Our easy-payment plan enables one to purchase a
genuine fine old violin with a small initial outlay. We
like to get about twenty per cent cash, but have no set
rule. If our customer thinks he can pay for a violin in
or about two years, with perhaps a smaller cash payment
and a corresponding increase in the amount of the
monthly instalments, we invite him to write us, freely
stating what he can do, and we will endeavor to arrange
the matter to meet his wishes as nearly as we consistently can.
Notice
)f 6 D IS is a Selected List of
and studies for
T I methods
1
the violin: solos in sheet
and book form; books
on the history, construetion, care and study of the instrument;
and biographies of violinists.
IL The compositions contained in this

list have been selected with unusual
care, and nothing has been included
which is not of recognized value in its
particular class and for which there is
not a constant demand. No attempt
has been made to grade or classify the
list, because it is expected that it will be

used largely for reference by musicians
who are sufficiently familiar with composers and their works to select from
such a list without further assistance.
Prices
Sheet Music
4 All sheet music not marked Ret

will be sent postpaid for one-half the
list price and two cents a copy additional for postage, and net items are
sent postpaid at 25 per cent discount
from list price and two cents a copy
additional.
Books
IL The prices quoted for books are

the net prices at which a single copy
will be sent postpaid, or by express
prepaid, to any part of the United
States or Canada. In quantities a
somewhat better price can be made
on many of the publications.
Violin and Piano Music

AMERICAN PUBLICATIONS
Adieu (L'Adieu) . . . . . . . .
Adoration
Air for G string (Bach) .
.
.
.
.
.
Air on the G String (Bach) . . . . .
.
Barcarola
Barcarolle (Belie Nuit) (from Tales of Hoffman)
.
Benedictus . . . . . . . . .
Berceuse (Cradle Song) .
Berceuse
.
.
.
.
.
Berceuse No. 1 (in G) . . . . . . .

Berceuse No. 2 (in F) . . . . . . .
Berceuse (from "Jocelyn") (Author's Trans.).
Blue Bells of Scotland (Variations). . . .

Blue Bells of Scotland (Fantasie) . . .
Bohemian Girl (Fantasia) (Balfe) . . . .
Bohemian Girl (Balfe) . . . . . .
Bohemian Girl (Potpourri) (Balfe) , . . .
Bohemian Girl (Balfe) . . . . . . .
Bohemian Girl (Then You'll Remember Me)
(Variations )(Balfe) . . . . . . .
.
. . . .
.
Burmester
Bohm
Losey
Labitzky
Lax
Braga
Grieg
May
Harria
Louw
Frey
D'krcadelt
Cutler
Gounod
Schubert
ITWhelmj
Demuth
Ofenbaek
Schubert
Renard
Renard
Godard
Farmer
Cinquantaine, La.
. . . .
Con Amore (Melodie) (Beaumont) .
Cradle Song (Wiegenlied) (Eichhorn)
Cradle Song (Wiegenlied) . . .
.50
1.00
Saenger
Marks
May
Winner
.50
.60
.60
May
.50
Ambrosio
Farmer
Pagamini
1.00
.75
1.00
.50
.40
.60
Mcintyre
.
.
.
.
Oehmi
Gabriel-Waru
Saenger
.40
.50
.60
.
.
.
.
.40
.6 0
.50
.50
Lehmann
HawN
.65
.55
.40
Ducette
Ducelle
Emmott
.50
.50
.50
Dance of the Dewdrops (Polka) . . . .

Dancing Stars Waltz (Grun) . . . . .
Dixie Land (Variations by May) . . . .
Dove, The. See Paloma. . . . . . .
Dream of Paradise (Gray) . . . . . .
Dream 6f the Tyrolean (Traum der Sennerin)
Dreamy Moments (Liebesfruhling) (Ehrich) .
Dying Poet (Gottschalk) . . . .
.
Yradier
May
Labitsky
Tobani
Wiegand
.50
.60
Harris
Schmidt
.50
.50
.50
.50
.65
.50
.50
.75
.50
Ehrhar(it
Nel,on
E v 1 . . . . .. .. ..I.. .. :. lfl:
.
.50
.50
.75
.40
.60
.50
.50
.60
.40
.50
.60
.75
.40
.40
.65
Theme
Lagye
Carnival of Venice . . . . . . . .
Carnival of Venice (Variations) . . . . Wic/111
Cavalleria Rusticana (Intermezzo) (Mascagni) Braham
Cavalleria Rusticana (Intermezzo) (Maicagni) Herbert
Cavalleria Rusticana (Intermezzo Sinfonico)
Franko
. . . . . . .
(Mascagni)
Cavatina . . . . .
Cello Player (Grun) .
.
.
.
.
Cinderella Valsette . . . . .
.50
.40
.50
Mackenzie
.65
.6 0
D'Atmains
Canzonetta
. . . . . .
Carmen Fantasia (Bizet)
. .
$ .50
.Withetmj
Air Melodieux . . . . . . . . . .
Alita (Wild Flower) (Saenger) . . . . .
Alp-Maid's Dream (Traum der Sennerin)
(Violin 2 a d lib.) . . . . . . . .
American Medley (6 Airs on Patriotic Songs).
Andante Religioso . . . . . . .
. . . . . .
Angel's Dream (Reverie)
Angel's Serenade (in G) (Arr. by Pollitzer) .
Anitra's Dance . . . . . . . . .
Annie Laurie (Easy Variations) . . . .
Annie Laurie (Fantasie) . . . . . . .
Arkansas Traveler and Miller's Hompipe,
.
At the Mill (Descriptive) . . . . . .
Ave Maria (Klein) . . . . . . . . .
Ave Maria (BasedonPrelude 1)(Bach-Gounod)
Ave Maria (on 1st Prelude of Bach) (Ernst) .
Ave Maria (Transc. by Papini) . . . . .
Ave Maria (Schubert) . . . . . . . .
Bee (L'Abeille) . . . . . . . .
Ben Bolt (Fantasia) . . . . . . .
Boroto,M
Borowski
.35
.50
.50
.75
VIOLIN PUBLICATIONS
85
Elegie . . . . . . . . . .
Elegie
Bazzini
.
Ernst
Gnm
Evening Song (Abendlied) (Krogmann) .
Evening Song . . . . . . . . , . Schill
Evening Song (Abendlied) (Arr. by Wilhelmj) Schumann
Fantaisie Elegante
.
.
.
.
.
.
.
.
Fantaisie Pastorale . . . . . . .
Faust Fantaisie (Gounod) . . . . . .
Faust (Fantaisie from Garden Scene)
(As Played by Elman) . . . . . .
Faust Waltz (Gounod) . . .
Faust (Waltz from) (Arr. by Wichtl) . : .
Flower Song (Blumenlied) (Lange) . . . .
Flower Song (Blumenlied) (Lange). . . .
Flower Song (Lange) . . . . . . . .
Flower Song (Lange) . . . . . . . .
Forget-Me-Not Valsette (for A and E strings).
Funeral March (Chopin)
. . . . . .
.
Garden Melody (Ries) . .

Gavotte (Burmester) . . .
Gavotte (Burmester) . . .
German Dance (Burmester)
German Melodies. . . .
Gipsy Dance . . . . .
. .
. .
.
. .
. .
. .
.
. .
. .
Happy Thought . . . . . .
Harp That Once thro' Tara's Halls
Harp That Once (Fantasie) . . .
Harvest of Flowers (Over 100 Choice
. .
. .
. .
Singdee
Singetee
Gounod
Atard
Gounod
Atard
Hermann
May
Winner
Oehmler
Eichburg
Schumann
. .
. . . .
Singotee
Gossec
Rameau
Dittersdorf
Jocelyn (Berceuse) .
.60
.40
.50
.25
1.00
1.00
1.00
.40
.75
.75
.40
.50
.35
.50
.60
.50
.50
.50
.50
.50
Samger
Emd
.60
Koehler
Farmer
Harris
.50
.50
.60
1.00
Progressive
Melodies) Nos. 1,2,8,4,5,6,7,8,9 .

. Weiss Each
Hearts and Flowers . . . . . . . . Tobani
Heimweh (Jungman) . . . . . . . . May
Home. Sweet Home (Variations) . . . . Farmer
Home. Sweet Home (Variations) . . . . Mack
Holy City (Adams) . . . . . . . . Henley
Hungarian Dance No. 5 (Brahms) . . . . Joachim
Hungarian Dance. . . . . . . . . Hae,che
Hungarian Dance in G minor-Book 1, No. 5
(Brahms) . . . . . . . . . . Hermann
Invitation to the Waltz (Weber)

Introduction et Polonalse . .
Iris (Intermezzo) . . . . .
Irish Melodies. . . . . .
$ .85
. .
. .
. .
. .
.
.
.
Danbe
Allm
Largo (Cutter) . . . . . . .
Largo (Rev. and Fing. by Saenger) .
Last Rose of Summer (Variations) . .
Last Rose of Summer (Easy Variations)
Last Sleep of the Holy Virgin (Herman)
.
.
.
.
.
Legende
.
.
.
.
.
.
.
.
.
Leola Waltz (Krogmann) . . . .
Life Let Us Cherish . . . . . .
Lilliputian Parade (March) (Ducelle) .
Little Boy Blue (March) . . . .

Little Patriot (March) (Krogmann) .
Lohengrin (Bridal Chorus) (Wagner) .
Lbin du Bal (Echoes from the Ball) .
Loreley (Fantasie) (Silcher) . . . .
Lost Chord (Sullivan) . . . . .
.
.
.40
.75
1.00
Renard
.50
Saenger
1.00
Godard
.50
Lax
Eberhardt
.50
.50
.40
Wieniawaki
.5 0
Handet
Handet
Farmer
.50
.50
.75
.50
.40
.May
.
.
.
.
.
.
.
Lax
Massend
IFieniawaki
Grun
.
.
.
.65
.35
.75
.60
.60
.65
.75
. . . . . .
Kathleen Mavourneen . . . . .
Killarney (Balfe). . . . . . .
Koboldtanz
Kuiawiak (Polish National Dance).
.
.8 0
:
.
. .
. .
. .
. .
Farmer
Grun
Engetmann
Grun
Gutter
Gittet
Harru
Strube
1.00
.40
.60
.50
.40
.50
.50
.60
.75
.50
VIOLIN PUBLICATIONS
86
Love's Greeting (Salut d'Amour) (Cutter).

.
Lucia di Lammermoor (Fantaisie) (Donizetti).
Lucia di Lammermoor (Sextet) (Donizetti)
Lullaby (Berceuse) (Bloch) . . . . . .
Lullaby (Ukolebavka) . . . . . . .
Lustspiel Overture . . . . . . . .
.
Etgar
Sing0166
Saenger
Lehmann
Frimi
Keter Beta
. . . . . . . . . . . Simonetti
the Country (Marche a la Campagne) Atten
Papini
(Scenes That are Brightest) . .
(Scenes That are Brighest) (Air Varie)
.
.
.
.
.
.
.
Saenger
(Wallace)
Madrigal
March to
Maritana
Maritana
Martha (Fantaisie) (Flotow)
Martha (Flotow) . . . . . . . .
Mazurka
Mazurka .
Meditation
.
.
.
.
.
.
.
.
.
.
Winner
.60
.50
.75
.60
Kirkman
Mlynar,ki
Muxin
Volpe
Morrison
Meistersinger (Walther's Prize-Song) (Wilhelmj) Wagner

Melody in D . . . . . . . . . . Blt, ch
Melody in F (together with Romance)
Rubindein
.
Melody in F (Rubinstein) . . . . . . Hermann
.
Melody in F (Rubinstein) . . . . . . May

Melody of Love . . . . . . . . . Engelmann
Memories of Home (Trans. on "0 liebe Heimat")
Ambro*o
(Gutmann).
Begthooen
.
Menuett (Burmester)
Menuett in G, No. 2 (Burmester) . . . . Beethoven
Menuett (Burmester) . . . . . . . Haydn
Menuett in G, No. 1 (Burmester) . . . . Mozart
Merry Bobolink (Krogmann) . . . . . Grun
Singetee
Mignon (Fantaisie) . . . . . . .
Minstrel Boy . . . . . . . . . . Jacoby
Mocking Bird . . . . . . . . . . Laz
.
.
.Mack
Mocking Bird . . . . . .
Moment Musical (F minor) .
...
.
. Schubert
Morning Star (Lange) . . . . . . . Liehtenberg
Mosquito Dance (Muckentanz) . . . . Mendelasohn
My Old Kentucky Home (Foster) . . . . May
.
Narcissus (Strube) . . . . ....Nedn

HarriB
National Fantasie (American Airs) . . .
Nearer, My God, to Thee (Variations) (Mason) May
Nocturne (Trans. by Sarasate) . . . . . Chopin
.
Nocturne, Fifth (Leybach) . , . . . .

Norma . . . . . . . . . . . .
Norwegian Dance (Strube) . . . . . .
Obertass (Mazurka) (Pollitzer) . . .
Old Black Joe (Foster) . . . . .
Old Folks at Home (Foster)

Old Folks at Home (Foster)
Old Oaken Bucket.
.
.
.
.
.
.
.
.
.
.
May
Winner
Grieg
IFieniato,ki
.
. May
. De Seve
. Laz
Pagliacci (Fantaisie Brillante) (Leoncavallo) .

Palms (Faure) . . . . . . . . .
Palms (Faure) . . . . . . . . .
Paloma, La (Yradier). . . . . . . .
Paloma, La (Yradier). , . . . . , .
Paloma, La (Fantasia) (Yradier) . . .
Perpetuum Mobile (Rev. and Fing. by Saenger)
.
Petite Berceuse in G . . .
Petite Valse . . . . . . . .
Pippa's Dance
. . . . . . . .
Poet and Peasant Overture (Suppe) . .
Polish Dance . . . . . . . .
Polonaise (Morceau de Salon) . . . .
.75
Demuth
Jacobon
. . . . . . . . .
.50
.50
.40
. . . .
.85
.60
.65
1.2 0
1.00
.50
Singetee
Mazurka in A. . . .
Mazurka in G. . . .
Mazurka in F . . . .
Mazurka de Concert . .
$ .50
:
.
.
Harris
Saenger
Mal
Ritter
Lae
May
Mottenhatter
Bohm
Herrmann
Mendelasohn
SeyboW
Wichit
Drake
Ho,fmann
1.00
.75
.75
.50
1.00
.50
.60
.50
.55
.50
.50
.50
.50
.50
.50
.40
.75
.40
.50
.60
.35
.50
.40
.50
.60
.75
.50
.50
.35
.60
.50
.60
.50
.40
.50
.60
1.00
.35
.50
.50
.85
.65
.50
.50
.50
.60
1.00
.50
.65
VIOLIN PUBLICATIONS
Polonaise
Promise Me (De Koven)
. .
Mendel#ohn $ .5 0
.75
Mierach
Grun
87
Queen of Drowsy-Land (Waltz) (Ducelle)
Refuge (Sacred Air) . . . . . . . . Harria

Reverie (Gilis) . . . . . . . . . . Lehmann
. . Vieuztemps
Reverie
. . . . Zimmermann
Reverie
.
.
.
.
. Singetee
Rigoletto (Faniaisie) (Verdi)
Ritournelle
. . . . . . . . . . Borow,ki
Gmn
Robin's Lullaby (Waltz) (Krogmann) . .
Romance . . . . . . . . . . .
Becker
Romance in G
Romance . .
Romance in F.
Romance in G
Romanza . .
Case
Rosary
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
. . . .
. . . .
. . . .
. . . .
. . . .
Heitech
Ries
Svendsen
Jacobsohn
. .
(Nevin) . . . . . . . . . Mier,ch
.
.
Serenade Badine .
Serenade d'Amour (Blon)
Serenade (Gounod) .
Serenade
Serenade
.
.
.
.
.
.
.
.
Serenade (in A major)
.
.
.
Gabriel-Marie
Moses-Tobani
.6 0
.5 0
.60
.50
.60
.50
.90
.75
.50
.50
.50
.75
.40
.75
.60
.60
.60
.75
Herman
Moszkowski
Pierne
Schubert
Schubert
Schubert
. . . .
. . .
Dr(lia
Samger
Thome
Sing Me to Sleep (Greene) : . : : . .

Sounds from Home (Waltzes) . . . . .
Souvenir des Alpes . . . . . . .
Hottas
Gungl
Herman
Serenade
(Tittl) .
Simple Aveu
.50
.50
.50
.50
.50
.50
.75
.60
.60
....
. .
. .
. .
. .
1.00
Serenade . . . . . . . . . . .
Serenade (Elman)
.
Serenade (Remenyi) .
.60
.50
.75
.40
. . . . . .
.
.50
Souvenir (Ed. and Fing. by Mittell) . . . Drdla

Souvenirde Wieniawski No. 1 (Mazurka Charae.)Haesche
Souvenirde Wieniawski No. 2 (Mazurka Charac.) Hauche
. .
.
Spanish Dance
. . .
Spring Song (Song without Words)
.
Swan (Cygne)
Sweet Spirit, Heai My Prayer (irom Lurline)
(Wallace) . . . . . . . . . .
.
.
.
.
Rehfew
Mendet#ohn
Saint-Saen,
Hone
Swing Song (L'Escarpolette).
Swiss Air and Gentle Zitella

. . . .
Sylvia (Barcarolle and Pizzicati) (Delibes)
.
.
Barn8
Farmer
M arBick
Tales of Hoffman (Barcarolle) (Offenbach).
Simbe
Tambourine (Gossee) . . . . . . . Burmeater

Saenger
Tannhauser (Selection) (Wagner) . . .
Tannhauser (Fantaisie) (Wagner) . .
Singelee
Tannhauser (March and Chorus) (Ed. and Fing.
by Strube) (Wagner). . . . . . . Ht:Uweck
Tannhauser (Pilgrims' Chorus) (Wagner) . . Saenger
Cutler
Tannhauser (To the Evening Star) (Wagner)
Tannhauser (To the Evening Star) (Ed. by
Leonard
Cutter) (Wagner) . . . . . .
Drdla
.
Tendresse .
Hartmann
To a Wild Rose (Originaf Ed .) (MacDiweil)
To a Wild Rose (Simplified Ed.) (MacDowell) Hartmann
......Busch
Top, The . . .
.
To Spring (Sitt) . : 2 . . . . . .
Traumerei and Romance (Schumann) .
Traumerei and Am Kamin (Schumann)
Traumerei (Schumann)
Traumerei (Romance) (Schumann)
:
Traviata (Fantaisie) (Verdi). . . .
Trovatore (Selections) (Verdi) . . .
Trovatore (Miserere) (Verdi) . . .
Trovatore (Potpourri) (Verdi) . . .
Trovatore (Fantaisie) (Verdi) . . .
Grieg
Cutler
Huthoeck
.
.
.
.
Winner
Singetee
.
.
.
.
Singer
Blumenthal
Cutler
May
Singetu
.50
.50
.75
.60
.50
.75
.50
.60
.75
1.00
.60
.50
.60
.60
.65
.50
.50
.60
.60
.40
.50
.35
.40
1.0 0
.60
.50
.60
1.0 0
1 1 '.
42......
VIOLIN PUBLICATIONS
88
Trovatore (Miserere) (Verdi) . . . .

Trovatore (Selections) (Verdi) . . . .
Tulip (Beauty) (D minor) .
....
Twilight
Tyrolese and His Child (Variations)
Violet (Modesty) (E minor). .

Viola (Wright) . . . . .
Tracy
.60
.60
Grant-Schaefer
.5 0
.May
. . .
. . .
.
.
.
.
.
.
.
.
. . .
. . .
. . .
. . .
Zephyr (Characteristic) . . . . . .
8 .50
Waltz (Lehmann) . . . . . . . .
Wedding March (Mendelssohn)
. . . .
Where Roses Fair (Prince Gustave of Sweden)
Whims (Bb) . . . . .
William Tell (Overture) . .
Witches Dance . . . .
Woodpecker (C) . . . .
Winner
Winner
.50
Tracy
.60
.60
Sm
.50
.50
.40
.40
Tirindetti
Eichberg
Lehmann
Cutter
Rossini
Paganini
1.00
1.25
Cutter
.40
Hubay
.75
./
Violin and Piano Music

FOREIGN PUBLICATIONS
1,
Aceolay.
Alard.
Concertos Nos. 1,2,8
Aragonesa,
L' (Valse de
Concert)
.
.
Net
$1.5 0
1.4 0
-A u bord de la mer (Schubert) . . . . . . . .

.65
- Berceuse Tyrolienne . . . . . . . . . . .
1.00
- Brindisi Valse . . .
. . .
1.00
- Faust (Fantaisie de Concert) (Gounod)
:
.
.
.
.
2.0 0
- Serenade (Schubert) . . . . . .
.
.
.
.
.
.7 5
2.15
.
- Souvenirs de Mozart (Fantaisie)
.
.
.
.
.
.
- Trovatore (Fantaisie) (Verdi)
.
.
.
.
.
.
.
.
1.7 5
Ambrosio. Mazurka . . . . . . . . . Net 1.60
-Romance . . . . . . . . . . . . . . 1.00
.
- Serenade
1.00
Andre. Auf hoher Alp (Landler-Idylle) : : : : : .

Arensky. Berceuse . . . . . . . . . . . .
Each. Air (Wilhelmj) (with String Quartette or Piano or
Organ
Accompaniment)
.75
.75
1.0 0
- Air (Wilhelmi) (Ed. & Fing. by Mittell)

. . . . .
- Meditation (Ave Maria) (Gounod) (with Cello, Flute and
.35
1.25
C/cfe( lhelmj):
- Menuett (Singer) . . . . . . . . .
Bazzini. Elegie . . .
. . . . .
- Concerto Militaire (Pollitzer)
. .
.
.
.
- Preghiera (from Concerto Militaire)
Beeker. Romance . . .
Beethoven. Adagio (from Moonlight'Sonata) :
. . .
- Op. 40. Romanze (G dur) (Singer)
- Op. 50. Romanze (F dur) (Singer)
. . .
- Op. 50. Romanze (F dur) (Wilhelmj) . . .
-Op. 61. Concerto (Wilhelmi) . . . . .
- Menuett in G, No. 2 (Burmester) . . . .
Berlot. Op. 1. Air Varie in D minor (Pollitzer)
- Op. 5. Air Varie in B major (Pollitzer) . .
- Op. 12. Air Varie in A major (Pollitzer) . .
- Op. 15. Air Varie in E major (Pollitzer) . .
- Op. 16. Concerto in D major . . . . .
- Op. 32. Concerto in B minor . . . . .
- Op. 44. Concerto in E minor . . . . .
Concerto in D major (Pollitzer) . .

Concerto in G major (Pollitzer) . .
- Op. 87. 10 Petites Etudes Melodiques-Suite 1
- Op. 87. 10 Petites Etudes Melodiques-Suite 2
- Op. 88. Air Varie in G major (Pollitzer) . .
- Op. 99. Concerto in D major (Pollitzer) . .
- Op. 55.
- Op. 76.
:
.
.
.
.
.
.
.
1.15
2.15
1.0 0
.50
.40
.
.
.
.
.75
.75
.35
Net
. . .
.50
.50
.40
.40
.40
.40
.50
.50
.50
.50
.50
Net
Net
Net
Net
Net
Net
Net
Net
Net
.
.
.
.
.
.
.
.
.
(Corder)
(Corder)
Net
.
1.25
1.25
Net
Net
Net
Net
. .
Op. 100. Scene de Ballet . . . . . . . .

Op. 104. Concerto in A minor . . . . . .
Op. 118. Reveuse . . . . . . . . . .
Op. 119. Grande Valse de Concert . . . . .
.
.
.
.
.
.
Op. 120. Fantaisie Lyrique .
- Op. 124. Serenade (Pollitzer)
. . . . . .
- Op. 127. Concerto in A minor . . . . . .
Bilse. Schlesische Lieder (Original Melodieen) . .
Bloela. Serenade de Milenka (Ballet-Pantomime).
Bohm. Air Melodieux . . . . . . . . .
- Arioso .
Net
Net
- Bolero . . . . . . . . . . . . .
- Canzonetta
. . . . . . . . . . .
- Caprice en forme de Variations . . . . . .
.40
.50
.40
.50
.30
1.65
1.0 0
.75
.5 0
.75
.75
.75
.60
.
.
.50
.50
.
.
.
1.5 0
.50
2.00
- Cavatina . . . . . . . . . . . .
- Concertino . . . . . . . . . . . .
- Gavotte in G . . . . . . . . . . .
- Gavotte (Deuxieme) . .
- Introduction and Polonaise . . . . . . .
- Landler. . . . . . . . .
.
.
. . . . . . .
- Mazurka
. . . . . . .
- Op. 866, No. 12. Moto Perpetuo .
- Op. 187, No. 4. Perpetuum Mobile
.40
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1.5 0
.60
1.00
.50
.50
..VV
.50
.
.5 0
.50
VIOLIN PUBLICATIONS
90
- R o m a n z e. . . . . . . . . . . . . . 01.00
- Theme Varie (Vorspielstucke No. 1)
.
1.00
.
.
.
.
.
-
Theme Varie (Vorspielstucke No. 2)
1.0 0
- Scene de Ballet (Mazurka Elegante)

.
.
.
.
.
.
Brags. Serenata (Angel's Serenade) (Pollitzer) . . . .
.
.
.
0
.
Brahms.
Op. 77. Concerto (D mdjor) .
- Hungarian Dances (in 4 books) (Hermann)
.
.
Each
- Hungarian Dances (in 4 books) (Joachim)
Each
- Hungarian Dance (G minor) (No. 5) (Hermann) .. .
- Op. 117, No. 1.
Intermezzo
- Op. 78. Sonate (First) (G major)

- Op. 108. Sonate (Third) (D minor)
- Wiegenlied (Hermann) .
.
Brueh. Fantasie (Scottish)

.
- Op. 26. Concerto (First) (G
- Romane
.
.
.
.
1.50
2.50
.40
.75
8.75
5.0 0
minor)
.5 0
1.0 0
-Kol Nidrei . . . . . . . . . . . ,
Bull. Saeterjenten's Sondag (Svendsen) . . . .
Net
4.0 0
.75
4.5 0
2.0 0
2.00
1.50
.40
. .
1.50
Chausson. Op. 25. Poeme . . . .
.40
Chopin. Op. 9, No. 2. Nocturne (Papini) . . . . .
- Op. 9, No. 2. Nocturne (Sarasate)
Net
.70
. . . .
- Op. 9. No. 2. Noeturne (Wilhelmj) . . . . .
.50
-Op. 37. No. 1. Nocturne (E minor) . . . . .
.65
- Op. 64, No. 1. Waltz (Burmester)
1.00
. . . . .
Corem. La Folia (Lichtenberg) . . . . . . . .
.50
1.00
- Sonata in C (Ries)
.75
Danbe. Op. 20, No. 1. Barcarolle Mignonne . . . .
- Op. 20, No. 2. Melodie et Cabalette . . . . .
.75
- Op. 20. No. 8. Petite Gavotte . . . . . . .
.75
.75
- Op. 20, No. 4. Petite Valse Lente .
1.00
- Op. 21, No. 1. Romance et Tyrolienne (Morceau Orig.)
-Op. 21, No. 8. Valse du Duc de Reichstadt . . .
1.00
- Op. 21, No. 4. Canzonetta . . . . . . . . .
1.00
- Op. 21. No. 5. Oberon (Fantaisie)
.
.
.
.
.
.
1.0 0
1.15
- Op. 22, No. 2. Invitation a l a Valse . . . . . .
-Op. 22, No. S. Carnaval de Venise (Variations) . .
1.15
1.15
- Op. 22, No. 4. Mazurka de Salon . . . . . . .
.
.
.
.
.
.
1.1 5
- Op. 22, No. 6. Cantabile et Bolero
- Op. 80, No. 1. Cant:abile et Allegro . . . . .
.75
.75
- Op. 30, No. 2. Menuet . . . . . . . . . .
- Op. 80, No. 6. Petite Barcarolle . . . . . .
.75
1.25
Danela. Op. 50. Romance and Bolero in A
- Op. 57. Three Romances sans Paroles
.
.
.
Net
1.25
- Op. 89. No. 1. Air Varie on Theme by Paccini . .
.40
.40
- Op. 89, No. 2. Air Varie on Theme by Rossini . . .
- Op. 89, No. 3. Air Varie on Theme by Bellini . .
.40
.40
- Op. 89, No. 4. Air Varie on Theme by Donizetti . .
- Op. 89. No. 5. Air Varie on Theme by Weigl
.40
.40
- Op. 89, No. 6. Air Varie on Theme by Mercadante
1.00
- Op. 106, No. 1. 8 Petits Divertissements. . . . .
.
.
. :
1.0 0
- Op. 106, No. 2. S Petits Divertissements .
1.00
- Op. 118, No. 1. I Monteechi et I Capuletti (Air Varie) .
1.00
- Op. 118, No. 2. La Straniera (Air Varie) . . . . .
1.00
- Op. 118, No. 8. Norma (Air Varie) . . . . . .
1.00
- Op. 118, No. 4. La Sonnambula . . . . . . .
1.00
- Op. 118, No. 5. Les Puritains . . . . . . . .
-Op. 118, No. 6. Ie Carnaval de Venise . . . . .
1.00
2.15
- Op. 120. Carnaval de Venise (Variations Brillantes) . .
.50
- Op. 123, No. 7. Air with Variations (Ed. by Lehmann)
.
.
.
1.9 0
- Op. 128, Suite 1. Petite Ecole de la Melodie .
1.90
-Op. 123, Suite 2. Petite Ecole de la Melodie. . . .
2.00
-Op. 123, Suite S. Petite Ecole de la Melodie . . . .
.
.
.
1.00
- Op. 126. Suite 1. 6 Petites Fantaisies Faciles.
-Op. 126. Suite 2. 6 Petites Fantaisies Faciles.
.
.
1.00
.
.
.
1.00
- Op. 126, Suite S. 6 Petites Fantaisies Faciles.
David. Op. 16. Andante and Scherzo Capriccioso (Schra.
dieck).
Op. 5. Introduction and Variations

- Scherzo . . . .
Net
.75
. . . Net
.75
. . . . . .50
VIOLIN PUBLICATIONS
Debussy.
Arabesque (First)
91
.
-En Bateau . . . . . . . . . . . .
.
.
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Dittersdorf. German Dance (Burmester) . . .
Drdia.
Op. 52.
Capriccio
- Serenade in A major.
- Souvenir
- Op. 46. Tendresse

- Op. 28. Vision .
- Op. 42.
Waltz-Serenade
Net
0 1.0 0
Net
Net
1.00
1.00
.
.
.5 0
.8 0
.50
.60
.65
1.0 0
. . . . .90
Dvorak. Humoreske (Kreisler)

.
.
.
.
.
.
.
.
.7 5
- Humoreske (Wilhelmi) .
.75
1.0 0
- Largo (from New World Symphony) . 2 : : 2 :
- Sonatine
. . . . . . . 3.00
.75
Indian Canzonetta (frAm Sonatine).
Eberhardt. Op. 82. Musikalische Genrebilder (Koboldl
.65
tanz-Harlekin-Schalkhafte) . . . .
.75
Ellenberg. Op. 51. J'y Pense (Pensive Beauty) Gavotte
- Op. 52. Muhle im Schwarzwald (Mill in the Black
-
Forest)
.90
........
Salut d'Amour
Ernst. Op. 10. Elegie (Ed. by Cutter) .
- Op. 10. Elegie (Spohr) (Schradieck) . . . . . .
- Op. 11. Fantasy on Airs (from Rossini's Otello) . Net
- Op. 22. Hungarian Airs (with Variations) (Schradieck)
Elgar.
-\
Op. 12.
. . . . .
Eulenstein. Love Song (Liebeslied) . . . .
Gabriel-Marie. Insouciance . . . . . .
- Serenade Badine . . . . .
German. Three Dances from Henry VIII. . .
Gmet. Reponse a Manon . . . . . .
Gluck. Ballet aus Orpheus (F major) (Ries) .
Godard. Berceuse (from Jocelyn). . . . .
- Canzonetta (from Concerto Romanti(lue) . .
Goldmark. Op. 11.
Suite
. . .
Net
.
.
. . .
.
.
.
.
.
. .
Net
Net
. .
. .
. .
. .
.7 5
.60
.7 5
.50
.50
.50
.75
.60
1.50
.80
.75
.50
1.00
3.15
.50
Gavotte
.90
Gounod. Hymne a St. Cecile (Herman) :
- Invocation (Herman) . . . . . . . . . .
.90
- Serenade (Herman) . . . . . . . . . . 2
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.75
Net
- Vision de Jeanne d'Arc
. . . . . . .
.90
Grieg. Op. 46. Peer Gynt Suite (Sitt) . . . . Net
.75
- Op. 65. No. 6. Wedding Day
Gungl. Op. 861. Am Konigssee (Lsndler in 'Oberbaierl
isehen Styl) . . . . . . . . . . . . .
1.00
.75
. . . . .
- Klange aus der Heimath (Oberlandler)
.50
Handel. Arioso . . . . . . . . . . . .
Gossee.
Ha . Bird onthe Tree . : : : . : : :

- Hungarian Rhapsody . . .
. .
Haydn. Menuett (Burmester). . . . . . .
Heltsch. Romanze. . . . . . . . . .
Herbert. Op. 12. Canzonetta (from Serenade) .
.
.
.
- Op. 12. Liebes-Scene (from Serenade)
. . . .
- Op. 12. Polonaise (from Serenade)
Herman. Reve d'Enfant (Nocturne). . . . .
- Souvenir des Alpes . .

Herrmann. Petite Berceuse .
- Serenade . . . . . .
- Valse Caprice . . . . .
Hollaender. In the Mill . .
- Notturno . . . . . .
- Spinning Song . . . . .
Hubay. Carmen (Bizet)
.
.
- Heire Kati . . . . . .
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-I n der Spinnstube. . . .
- Schmetterling
- Vor ihrem Bild
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Huber.
Net
1.00
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Op. 8, No. 4.
.7 5
1.00
.
.
.
.
.
.
. . .
. . .
. . .
.
.
.50
.50
Net
.50
. . .90
1 ;0
Pupil's'Concertino
.
.
.50
.40
.40
.75
1.8 5
75
1.15
1.75
1.00
.65
. . . . 1.00
.
.7 5
92
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- Op. 58. No. 2. Walzer . . . . . . . . . .
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Jungmann. Op. 117. Heimweh . . . . . . .
.65
Kafks. Tyroler Heimaths Klange
. . . . . .
1.00
Keler Bels. Heimaths-Sehnen . . . . . . . .
.75
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. . . . . . . . . . .
.90
-Sohn der Haide ......,.....
.75
Kreisler. Caprice Viennois. . . . . . . . Net
.60
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. . . . . . . . . . .
Net
.50
- Liebeslied . .
Net
.50
- Romance . . . . . . . . . .
.60
- Tambourin Chinois . . . . . . . .. .. Net
Net
.75
Langer. Op. 20. Grossmutterchen (2 Violins and Piano).
.65
.
- Op. 22.
Grossvaterchen . . . . . . . . .
Laub. Ballade (Op. 4, No. 2) and Polonaise (Op. 8)
.
(Schradieck) . . . . . . . . . .
Leelair. Sonata No. 8 (Lichtenberg) . . .
Leonard. Airs Bohemiens et Styriens . . .
- Grand Military Fantasy (Schradieck) . . .
.
.
Net
Net
1.00
.75
.75
1.40
Net
.
- Souvenir de Bade . . . , , .
- Souvenir de Haydn (Lichtenberg) . . . . .
Net
- Souvenir de Haydn (Original Ed.) . . . . . . .
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Leybach. Fifth Nocturne (Ritter) . . . . . . .
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1.0 0
1.6 0
1.60
1.00
Lewandowsld. Kol Nidre
. . . . . . .
Lipinski. Concerto Militaire (Hermann)
.
. .
Liszt. Hungarian Rhapsody No. 2 (Sitt)
.
.
.
Maebeth. Serenata (Love in Idleness) . . . .
Massenet. Melodie-Elegie des Erinnyes
. . .
- Meditation (from Thais) . . . . . . . .
64.
Violin
Concerto
. . .
Mendelssohn. Op.
- Op. 64. Concerto (Joachim)
. . . . . .
-Op. 62. No. 6. Spring Song . .
Meyer-Helmund. Chanson d'Amour . . . .
Mlinarski. Mazurka in F . . . . . . .
Moszkowski. From Foreign Parts (5 Numbers) .
- Serenata
Net
.
Ortmans. Op. 10.
Concertino . . . .
- Op. 14. Concertino (Second) . . . .
Paderewski. Melodie (Sauret)
Paganint. Carnival of Venice . .
- Concerto (D major) (Wilhelmj) . . . .
- Moise de Rossini (Variations) (Besekirsky)
- Moto Perpetuo (Lichtenberg) . . . .
-I Palpiti (Lichtenberg) . . . . . .
- Witches' Dance (Le
Streghe) (Lichtenberg)
.50
.75
2.0 0
.
1.00
. . .50
1.20
Net
Net
. .
. .
Net
Mozart. Larghetto (Singer) . . . . . .

- Menuett in G (Burmester) . . . . .
- Pantomime (from "Les petits riens") (Franko)
- Concerto No. 4 i n D . . . . . . . .
- Menuetto de Don Juan (Herman) . . . .
Nachez. Dances Tziganes (in 2 parts) . . .
Neruda. Bereeuse Slave . . . . . . .
.75
. .
Net
.50
1.00
.50
.75
1.00
1.50
.75
.75
.60
.75
.75
.50
. Each
. . .
1.50
1.00
1.25
.60
.75
1.00
.
.
.
.
.
1.5 0
.
.
.
.
1.25
Perilhou. Passepied . . . . . . . . .
Pepper. Elfentanz . . . . . . . . . .
- Gavotte No. 2 (Auer)
. . . . . . . .
Puceint. Madame Butterfly (Bachmann) . . .
Raff. C a v a t i n a. . . . . . . . . .
Ravina. Petit Bolero (Ritter)
. . . . . .
Rieeken. Souvenir de Lubeck . . . . . .
34.
. . . . .
Ries. Op.
Suite No. 8 (in G)
- Op. 84. Adagio (from Suite No. S). . . . .
- Op. 84. Perpetuum Mobile (from Suite No. 8) .
-Romanze . . . . , I , I I I , I
Wiegenlied (Slumber Song) . . . . . . .
Rode. Air Varie (Lichtenberg) . . . . . .
- Op. 10. Air Varie (Jensen) . .
- Andante mit Variationen (David) . . . . .
Ross/ni. William Tell Overture (Brand) . . .
- William Tell (Selections) (Herman)
. . . .
Net
Net
.75
.75
Net
.75
Net
. .
Net
. .
. . .
.75
1.00
.
.
.
.
.90
2.25
1.50
1.00
Ne
.50
Net
1.00
1.00
1.50
.
.
.75
.75
.50
.75
.75
1.00
.75
Net
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99
Kammenoi-Ostrow (No. 22)
- Melody in F (with Romance)

- Melodie (Auer). . . .
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- Romance (Wieniawski) .
8 .7 5
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.50
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minor) Net
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. .
Third Concerto (in B

. . . . . . . . .
. . . . . . . . .
- Introduction and Rondo Capriccioso . .
- Swan (Cygne) . . . . . . . . .
Sarasate. Carmen (Bizet) . . . . .
Saint-Saens. Op. 61.
-L e Deluge .
- Havanaise .
Net
Net
. . Net
- Faust (Fantasy) . . . . . . . . . . . .
- Romance et Gavotte from Mignon (Thomas) . . Net
- Op. 22. Spanish Dance (Romanza Andaluza)
. .
- Op. 28. Spanish Dance (Playera) . .
. . .
.
- Op. 26.
Spanish Dance (Nos. 7 and 8)
Spanish Dance (Serenade Andaluza)

2
Spanish Dance (Canto del Ruisenor)
Spanish Dance (Bolero) . . . . .
- Zigeunerweisen (Gipsy Airs) (Mittell) . . . .
Sehubert. Ave Maria (Wilhelmj)
. . . . .
- Serenade (Hauser)
. . . . . . . . .
- Serenade (Lindner) . . . .
- Op. 28.
- Op. 29.
- Op. 30.
.
.
.
.
1.50
1.00
1.60
.75
.50
1.80
1.5 0
1.15
2.25
2.25
2.2 5
.25
2.2 8
2.25
1.00
1.1 5
.
.40
.75
.25
Sehumann. Abendlied (Wilhelmj) .... . . .
.40
- Traumerei and Romance (Cutter) . . . . . . .
1.U
Sehutt. A l a bien aimee . . . . . . . . .
-Op. 44. Suite . . . . . . . . . . . . . 4.00
Sehytte. Little Shepherdess (Ed. by Moor)
.
.
.
.
.4 0
.75
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Sevelk. Bohmische Tanze und Weisen (in 4 Books) Each
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Seybold. Concertino (Schulerconcert) . . . . . .
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- Froh und Frei .
-5 Kleine, Ganz Leichte Vortragsstucke

Sinding.
Ballade
- Romance in E minor .
.
.
.
.
.
.
.50
.50
.1.5 0
.75
.
.
.
.
.
.
8.00
Sitt. Op. 28. Concertino (A minor)
2.2 5
- Op. 81. Concertino (E minor) . . . . . . . .
1.50
.
Polonaise
- Op. 49. Zweite
(A major) . . . . .
- Op. 57, Pt. 1. Aus der Jugendzeit . . . . . .
2.00
- Op. 57, Pt. 2. Aus der Jugendzeit .
.
.
.
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2.0 0
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- Op. 66. No. 1. Fantasie uber Bohmische Volkslieder .
- Op. 79, Pt. 1. Jugend Album l
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Short. Romanze . . . . . . . . . . . .
Sjogren. Sonate No. 2 (E minor).
.
.
.
.
.
.
.
5.2 5
Suppe. Ein Morgen, ein Mittag. ein Abend in Wien
(Overture) . . . . . . . . . . . . . 1.25
Tartimi. Trille du Diable (Leonard) . . . . . . .
1.15
.50
-Trille du Diable (Lichtenberg) . . . . . . Net
.75
- Variations on a Gavotte (Corelli) . . . . . . .
Ten Have. Allegro Brillant . . . . . . . . .
.75
.50
Thorne. Simple Aveu . . . . . . . . . . .
Tours. Melodie Religieuse (Reponse a la Meditation de
.
Gounod).........
. . . 1.20
.75
Tachalkowsky. Andante Cantabile (Bb) from Op. 11
.75
- Chant sans Paroles . . . . . . . . . . .
.60
- Op. 42. Melodie . . . . . . . . . . . .
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.75
.75
1.50
. . .
Hungarian Dances (Behr)
Invindble Folio of Standard Musle
Kelley Graded Pteees. 4 Books . .
Ught Opera Melodies . . .
Masters for the Young. S Volumes:
. .
.75
.50
.50
.55
.50
.7 5
Each
1.50
- (Beethoven-Schubert)
- (Haydn-Mozart)
- (Mendelssohn-Schumann) , . . . , . . Each.
Mcintyre. Ten Melodies from Song-Land . . . .
Melo(lien-Album (Marsche, Tanze) (Hermann) . . .
Melodious Pastime
Mittell's Popular Graded Course. 2
Modern Classics for the Violintst .
Modern Masters of the Violin . .
. . . .
Modern Reettal Pieces
Most Popular New Violin Solos . .
Most Popular Tiolin Pieces

Mozart Sonatas
Volumes
. . .
. . .
.
.50
.
.
1.25
1.10
.75
Operatte Melodies in the First Position
.85
.50
1.10
.50
.50
.55
2.00
.
.
.
.
.
.
.
, .
.
.
Osgood's Six Easy and Characteristique Melodies .
Our Favorite Tunes. Operatic Airs and Popular Melo. .
dies of Different Countries (Hermann)
Overture Album. 5 Volumes (Collection Liiolfi) . Each
Par Excellence Collection
. . . . . . . . .
.
Popular Collection . .
Popular Duets.
2 Volumes
Popular Melo(lies of England (Terschak)

Popular Melo:lies of Ireland (Terschak)
.
.
Popular Melo(lies of Scotland (Terschak) .

Popular Songs and Melodles
Prima Vista Album
1.65
1.5 0
.
.
.60
.60
Muller. 20 Little Pieces for Violin . . . . .

Musical Evenings
. . . . . . .
. . . .
Musical Pastime
Music and Steps of the Round and Square Dances
Old Masters of the Violin (Schering)
. . . .
Old Melodies
. .
. . .
. . . .
. . .
Old Time Jigs and Reeis (Violin Only)
Old Treasures. Series 1 (Brayley) . . . . .
. . .
.
.
.
1
Series
Opera--Blumenthal.
- Series 2,3,4,5,6 .
1.00
Each
.55
.75
.50
1.50
1.75
.5 0
.60
1.00
. 60
.50
1.00
Each
.5 0
.
.
.
.
.
.
.90
.90
.90
.5 0
1.00
Root's Selected Duets . . . . .

Seehzehn Ikiehte Stueke (Hofmann)
,
:
Short Transeriptions from Favorite Operas . .
Sonatinen Album (Hermann) . . . . . .
.50
.Net
.
.
1.0 0
.
.50
.75
100
Social Hours .
VIOLIN PUBLICATIONS
.
Society Danee Journal
Price Postpaid
.
.
82.00
Standard Overtures (Album of) .

Standard Selections of Classie Compo
sitions . . .
Stearns Original and Selected Compo
sitions for lolin
and Organ . . . . . .
Students' Popular Album
. . . . . . . . .
Superba Collection . . . . . . .
Six
Suppe.
Overtures . . . . . .
Tours. 30 Melodies
. . . . . . . . . . .
Tolhurst-Lange Album . . . . . . .
Twenty-Five Pieces in First Position
n) . .
Violin Classics (Mittell) 5 Volumes . (Lehman
. . . . Each
Violln Classics (In First Position)
. .
.
Violinists' Classmates . . . . . . .. . . .
.
Violinists' Concert Album. 2 Volumes . . :
Each
Violinists' Daily Companion . . . .
Violinists' First Solo Repertotre
. . . . . . .
Violinists' Second Solo Repertolre . . . . . . . .
Tiolintsts' Parlor Album. 3 Volumes . . .
Each
Volkslieder Album. 2 Volumes . . . .
.
Each
Volks-Melo(lien (Popular German
Melodies) (Hermann)
White's Unique Collection of Jigs and Reels
. . .
Windsor Violin and Plano Album . . .
Winner's Danee Folio . . . . . . . . .
. .
Witmark Folio (Popular) Volumes 14, 15, 16
. . Each
Young Artists. 8 Volumes
Each
Young Musician (12 Melodious Pieces) (Armstrong) . .
Young Violinists. 8 Volumes . . . . . . Each
Zephyrs from Melodyland (Krogmann) . . . . . .
.
.50
.50
.50
.50
.50
1.00
.75
1.2 5
1.00
1.00
1.25
.50
.75
1.2 5
.50
1.00
1.50
1.00
.45
.45
.50
.50
1.00
.50
.75
.55
.75
.73
Books about the Violin

and Violinists
Agusting and Repairing tolins, Cellos,
etc............Broadley
Advice to Pupils and Teachers of the tolin

.
.
.
.
(Strad Library No. 1 1) .
.
Atthot:88
Art of Fiddle Making .
.
.
.
. . .
Baker's Biographical Dictionary of Musl.
Broadhouse
cians (General)-Cloth . . . . .
Bow: Its History, Manufacture and Use
.
.
.
.
(Strad Library No. 3) .
British Violin Makers . . . . . .
Bull, Ole (A Memoir) . . . . . .
Carrodus, J. T., Violinist (A Life Story) .
Child Vionnist .
.
.
Saint George
Murria
BuU
Carrodua
Winn
Ehrtich
Confessions of a Violinist .
Phipson
.50
1.10
.60
8.50
Celebrated Violinists (Strad Library No. 4).

Chats of Violins . . . . . . . . .
.
Racater
1.1 0
8.65
1.50
1.40
1.25
2.15
1.40
1.65
Cremona (An Account of Italian Violin Makers and Their Instruments) (German Text) Wiederheitmann 1.20
Dictionary of Fiddlers (Ancient and Modern) Clarke

2.00
Famous Violinists . . . . . . . . Allen
.25
Famous Violinists .
.
Lahee
1.50
Flddle Fanciers' Guide . . . . . . Fleming
S.15
Great Violinists and Pianists . . . . Ferris
1.00
Grove's Dictionary of Music and Mustelans (General) (5 Volumes) . . . .
26.00
Guarnerius, Joseph (Strad Library No. 16) . Petherick
2.20
Gymnasties for the Fingers and Wrists . Ward-Jackson .40
History and Construction of the Violin . Foucher
1.10
How to Choose a Violin . . . . .
p er
.25
How to Make a Fiddle . . . . . . . Hand
1.00
.
How to Play the Fiddle .
How to Prepare Kreutzer . . . . . .

1Iow to Repair Violins and Other Musical
Instruments
How to Study Fiorillo .

.
How to Study Kreutzer . . . . . .
How to Study Kreutzer . . . . . .
How to Study the Violin (Strad Library No. 2)
Gresswell
Winn
Common
Winn
Cutler
Winn
Carrodus
How to Tell the Nationality of Old violins Batfour

Information for Players, Owners, Dealers
and Makers of Bow Instruments . . Hepworth
Italian Varnishes .
Joaehim, Joseph
.
.
Lessons in Harmonies . . . . . .
Natural History of the Musical Bow .
Lowe
Old Violins
Hawew
Clarke
Fetia
...
FTy
Maitland
Batfour
.75
1.10
.60
.85
.75
.85
1.10
1.85
1.10
S.15
1.15
.40
1.40
2.40
Old Violin Makers and Their Labels . .

.85
Paganini, Nieolo (History of the Violin). .
1.00
Paganint, Nleolo (Strad Library No. 17) . . Stratton
2.20
Remenji, Edouard . . . . . . . . Kelly & Upton 1.9 3
Repairing and Restoration of Tiolins
(Strad Library No. 12) . . . . .
Pethcrick
1.10
Repairing, Restoring and Adjustment of
the Violin . . . . . .... Foucker
1.10
.
Salabrle Stradivarl, The . . . . . .
Slocombe
Secrets of Violin Playing .
Honeyman
Honeyman
Scottish Violin Makers
Seleeted Vionn Solos and How to Play

Them (Strad Library No. 14) . . .
Spohr, Louis (Autobiography)
. . . .
Stokes' Encyclopedia of Music and Muslcians (General) . . . . . . . .
Story of Chamber Music . . . . . .
Story of the Violin
. . . . . . .
Stradivarius, Notice of . . .
.
.
Stradlvari, Antonio: His Life and Works .
Stradivarl, Antonio (Strad Library No. 8) .
.
Atthouse
De Bekker
Kilburn
Stoering
Fetis
Hill
Petheriek
4.15
.50
.50
1.10
3.70
8.25
1.40
1.40
2.50
2.50
1.10
Study of Paganint's Twenty-Four Caprlees Kross

Technies of Violin Playing on Joachim's
Court,o er
Method (Strad Library No. 1) . .
Tone Principles of the Art of Tiolin Playing Lehmann
Treatise on the Structure and PreservaOtto
4,0 of the Violin .
. .
Vialm and Its Story (Strad Library No. 15) Abele
Violln Making (Original English Ed.) . . Alien
Atten
nolin Making (American Reprint) . .
.
Violin: How to Make It
IS ,
:=
VIOLIN PUBLICATIONS
102
Broadhouse
& Bult
.30
1.1 0
1.00
1.50
1.10
3.00
2.00
1.50
-Er.... : 1,.
.75
-C l o t h. . . . . . . . . . .
1.00
1.50
Tiolin: Its History and Construction . . Broadhowe
Tiolin Tone Pecullarities .
Violln Makers' Guide .

Violin, The .
Tiolin Playing (Strad Library No. 6) :
Tiolin Family, The .
.
.
. .
Dubourg
2.40
1.10
3.25
Engel
Gruenberg
Violinists' Manual . . . . . . . .
Tiolin: Famous Makers and Their Imitators
1.65
Dunn
Castle
Davidson
......Hart
Hart
.
Violin and lIta Music .
Tiolin and Other Stringed'Instruments . Hdwk
Violin Solo Playing, Soloists and Solos
(Strad Library No. 13) . . . . . . Henley
Violin Literature (German Text) . . . . Hofmann
Vielin: How to Choose One . . . . . Honeyman
Tionn: How to Master It:
Honeynwn
-Paper . . . . . . . , . . . .
- Boards .
- Cloth . . . . . .
Violin Music of Beethoven (Strad Library
No. 10)
Violin Making (Sirad Library
No.'9) :
Tiolin Literature, Guide through .
Mayson
Schroeder
.
.
Violin Playing, Handbook of
.
Tiolin Makers (Novello No. 55)-Paper
Violin Makers (Novello No. 55)-Boards .
Tiolin Bowing, Art of . . . . . . .
Tiolin Unterricht (German Text) (2 Books).
Violin Talks . , . . . . . . .
Tiolin Pilaying and tolin Adjustment
Ttolin Labels (German Text) (2 Books) .
.75
6.25
5.25
.50
1.10
1.00
.50
.50
.75
1.00
Mathews
.80
Schroeder
1.10
2.15
.2 0
1.00
1.25
1.50
1.25
Stainer
Stainer
Stoering
TottmannEach.00
Winn
Winram
dz Wit
1.25
2.15
Each 3.75
*
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..
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t3
R ' L. 6 14 '' 1.6

1911 Rare Old Violins

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1911 Rare Old Violins

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1

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AND HEALY are almost univer*3 2 ON

1 house in the world, but among musi-

cians and connoisseurs their greatest

reputation does not rest on this fact.

C Lyon and Healy early and clearly recognized these

4 Such a policy necessitates the constant exercise of

41 This policy, and the careful, consistent way in which

4 And what is true of all branches of our

41 The importance of a really fine old instrument, not

only'for the professional musician, but for the student,

41 In speaking of this subject, Mr. Theodore Thomas, the

Rare Old Violins

violin which is known to have been made was

sive in all positions. The lower strings are

Laurentius Storioni, Cremona, 1779

rius, and came into possession of much of the

is a fine example of Storioni's work. It is in a

Carlo Tononi, Bologna

Tononi, of which this is an example, resembles that of Francisco Ruggeri in workmanship,

Giovanni Baptiste Gabrielli, Florence, 1750

No. 2416. A good example of this maker's

Giovanni Grancino, Milan, 1718

RARE OLD VIOLINS

manship shows the master hand. The varnish is

of that of his famous teacher. The style of

RARE OLD VIOLINS

Petrus Antonius Malvotti, Florence, 1708

Splendid example. A very strong,

Januarius Gagliano, Naples, 1767

Joseph Kloz, Mittenwald, 17-

No. 2013. A magnificent example of this famous

Francois Gand, Paris, 1838

RARE OLD VIOLINS

Giuseppi dall Aglio, Mantoue, 1775

Light brown varnish. Fine state of preservation. A superb instrument.

Nicola Gagliano, Naples, 1750

David Tecchler, Rome, 1721

Ludovicus Guersan, Paris, 1760

Ludovicus Guersan, Paris, 1768

RARE OLD VIOLINS

Carlo Fernandus Landolphus, Mila

This maker was one of the most

Andrea Gibertini, Parma, 1802

fi':. : ''R' I-LP: :A .7. , .; 4. 7 :., ::2:.7