ARCHITECTURE PORTFOLIO NUR AMALINA BINTI AB AZIZ | 2013-2015 | BSC ARCHITECTURE1 BACKGROUND STUDY. _ADAPTATIONII A‘SO CALLED’ ADAPTIVE REUSE PROJECT INTRODUCTION WHAT WAS INTENDED IN THE DESIGN IS THE APPROACH OF A ‘SO CALLED’ ADAPTIVE REUSE PROJECT IO CREATE A MODERN ARCHITECTURE THROUGH HISTORICAL BUILDING. THERE ARE ACTUALLY 4 WAYS OF DEALING. WITH HISTORICAL BUILOING WHERE THEY CAN UNDERGO DESTRUCTION, ADAPTIVE REUSE, PRESERVATION, AND ALSO ADAPTATION. ADAPTATION METHOD HAS BEEN CHOSEN FOR THIS PROJECT TO DEAL WITH THE HISTORICAL BUILDING WHERE IT WILL ADAPT AND CHANGE STATE TO RESPOND TO THE NEW INVASION WITHOUT LOSING ITS CHARACTER, WUT TIS. A METHOD OR SCHEME THAT SHOULD BE ABLE TO BE ADAPTED ELSEWHERE TO TREAT OTHER HISTORICAL BUILDING IN DANGER DEMOLITION ADAPTIVE REUSE IT IS ALREADY BEING PREDICTED THAT THE GREED OF HUMAN AND DEVELOPMENT WILL BE A TREAT TO HISTORICAL BUILDING FOR THE PURPOSE OF MAKING ROOMS FOR NEW DEVELOPMENT. HISTORICAL BUILDING 8 TO BE SEEN AS MEANINGLESS AND UNSUITABLE FOR THE CURRENT ERA. THE LEADING ARCHITECTURE OF THE RECENT ERA BECOME A HISTORICAL ICON OR TOTALLY LOSES ITS IMPORTANCE OVERNIGHT. THIS TEMPORARY STATE OF VALUE RENDERS US. INCAPABLE OF EVALUATING THESE BUILDING. FUTURES. WHEN WE ARE FACED BY THE NEED TO RESCUE BUILDING THE PERMANENT NATURE OF CURRENT ADAPTATION CLUTCH, PIERCE AND BRUISE THE HOST BUILDING. BUT THROUGH THE METHOD OF ADAPTATION THE HISTORICAL BUILDING MIGHT FIND ITS PLACE IN THE CURRENT ERA WITH A NEW FUNCTION. ADAPTATION PRESERVATIONSTATEMENT OF ISSUE MODES OF ADAPTATION oes eros DAFT: oes oF ero aoe ones oF Teona NTT: EVENT | INSTALLATION PRECIOUS HOST | ICONS TEMPORARY ADAPTATION Tengen iste wtpation can | Maklngs of str, caus an | AND DECAY tod wan suport tuts in howing | sso wihotsceringticho. There | Mason. This myth the ea of ee “urna eens thovebwotuitings The prune of | slalatincancsh eect ine hota dbauble ped tpn not ile fete tneentins Gd | ce ee ones. TNPoRea ONAN: TEMPORARY ADAPTATION OF TEMPORARY ADAPTATION ADAPTIVE REUSE PRESERVATION [1] ‘ARCHITECTURAL INFLUENGE= = ==""=—= AESTHETHICALLY BRITISH. semen GI MG 8 COLONIAL ARCHITECTURE IN. “SOMALI MALAYSIA | SESSENTIALLY Af HYBRID. UNDER WESTERN INFLUENCE, THE BUILDINGS SHOWS DIFFERENT ARCHITECTURAL STYLE THATARE MODIFIED TO THE GREAT- ER OR LESSER DEGREE BY TH EUSE tutnnrersimcn ecres OF LOCAL MATERIALS AND AR- fiedwiZtnatlenctticha (CHITECTURALTRADIIONS. THE AD- oi Mca cur bs MINISTRATIVE BUILDING DURING "A/wanal'crtaiksa THE BRITISH ERA REFLECTS WESTER DESIGN AND TECH- NOLOGY. IN THE 19TH CENTURY, THE ——_BRITISHH, AD ADOPTED AN ARCHITECTURAL STYLEORIGINATING FROM THEBRIT- ISH BUILDING STYL, A Mix. TURE OF THE BRITISH AND Mou G H AL ARCHITECTURAL STYLE IN_ INSIA AND IS COMMONLY USED IN ADMINISTRATIVE BUILDING. iSceeated NUR AMALINA BINTI AB AZIZ-———-WB AZARIPROJECT BRIEF NOLWLNJNATdW1/ASOTOCOHLIW 1 Se - ADAPTATION STRATEGY —_ . Ss Id Bete Be ales E mom i Sa ‘ THE COURTHOUSE MUSEUM [— PARASITE TO SYMBIOTIC BEHAVIOURLooe 7 Sy) TECTED Et tinned ania <5 al. ¥ ye | \ i I\ nrenvenion 1()()"% [REMAINING HISTORICAL BUILDING HISTORICALUI aeippipiore epi are try ne yee ene oO 00 S000 080% Dee 00SeoKCGO ©9O000 ©0000 E000 00000000 | | HERR | oO % © amogeeas ‘9°09 ©'0'@ 009 0 Bo 08 00 Oe @ Ox 0 coreDETAIL2 sente1s0 DETAIL1 = scmte110THE CULTURAL CENTERCENTER OF FLOOD RELIEF 3RD YR 2014/2015 COMPLETED METAMORPHOSISZ RINETIC ARCHITECTUR' WHAT SHOULD WE DO > 17 1, TOCREATE A SPACE TRANSIENTLY RECON. ‘SL? FcURED THROUGH VARIATION PHYSIC BASIC IDEA C A STATE OF CHANGE > cxf ~ —_ 13) THE BULONG stRUCTURE TO HAVE ‘STGRCGATD MCE PLAN TO UKE Roo FoR BUNSEN TH FUNCTION ‘OLUDE BUTEBLE LIBEL ouswss 21W13G osu seas \ osisqwos IN1613G Ava UOLLDDS lad UOLLDSS:FLOOD EMERGENCY uw erry TE atone Caw AccIMoNATE UP 1 4) ae aH CLE 1 HE OCCUPY 56 PROFLE Fon (ate) a0 cum wane 4M) 3-4 PEOPLE FO (45) (26 CBE CavouTa LeveL @neren © e000 cares A ao es ra 154 reo meee & Lavour aT Level meerBSUOdSSY GOONS HOS LADAS NOLWINHOISNWUL J9tdS TINGOW SNOTeas td) REGIONAL OFFICE 2ND YR 2014/2015, COMPLETED ARCHITECTURE 2030 ARCHITECTURE 2080, A NON-PROFEFT, NON-PARTISAN AND INDEPENDENT ORGANIZATION, WAS ESTABLISHED IN RE SPONSE TO THE CLIMATE CHANGE CRISIS BY ARCHITECT EDWARD MAZRIA IN 2002. Concert ARCrINATURE ReEGEneRAT So ARCHITECTURE WATER WAS CHOOSEN AS 24Y DESIGN GENERATOR FOR THIS SEMESTER. BE (CAUSE OF IIS DIVAMC FEATURES. 1 (CAN BE MANPULATED AND USED INS MANY WAYS. TO HELP THE ENVIRON: MENT, MY GOALS TO. GENERATES [NATURE THROUGH THE DESIGN, FPRST WATER IS COLLECTED AND i Ot RECTED TO THE PONF THAT FOULOW THE BULOING FOOTPRINT WATERFALL WILL CASCADES DOWN THROUGH THE BULDING WHLE IT GENERATES (COOLING MST THAT HELP 10 KEEP THE BULOING COOL WHLE LOWERING THE SURROUNDING TEMPERATURE, WATER WiLL FALLS DOWN THROUGH THE GREEN WALL TO. CREAT A MERGE (OF NATURE TO. THE BUILDING. ISEF GIVING A FOREST UKE AMBIANCE, a= SECTION DETAIL SoouetesLoneiTupinaL secTiona‘a ~ exPeRIencING NATURE ~—y waTeR FEATURE . connectiuTy ™S @ CONCEPT IN DESIGNae RYI0/D SNCs ian DESIGN APPROACH 2ND YR 2013/2014 Position COMPLETED rE - a ee ae Tents poe ¥ Clear seperation of indoor and open space. Half of my building is just an open deck for free rec- reational activities and gathering space wherea nother part of my building is an enclose space. The first floor is located next to the ground floor at a different level Hive with folding door to create flexi- bility of space instead of overlap. ping it to improve interaction inside the building, gathering space Space Planning Levelling is the key to stimulate interaction as, people on the ground floor can see the activities, happening on the second floor and vice versa, This —a will speed up the process of interaction so that the user can get to know each other faster achieving = the goal of socializing.DESIGN DEVELOPMENT Diving te sp hrs LONGITUDINAL SECTIONisa MODEL MAKING 2010-2013