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were in the camps prematurely scared their brain with aggressive material, and usually
still long for a lost parent, or one they never truly knew. The AMCHA, a support system
in Israel, attempts to heal the hearts of survivors, and free them of their burdens. This
organization encouraged many Holocaust victims to speak out, and share their
experiences with mental suffering. AMCHA offers help and counseling to all those who
need help in various forms. Some include group and individual therapy, open forums and
lecturing, psychiatric consultations, and support clubs. There are several main
characteristics of those requesting help from AMCHA, such as intrusive memories,
suicidal ideation, nightmares, excessive anxiety, low threshold for stress, and constant
paranoia. Many survivors panic whenever certain triggers are brought up, including but
not limited to crowded trains, showers, medical exams, loud knocking, tight spaces, and
ovens. Positive or happy situations can also act as grief triggers, as victims remember
all of those who were not so lucky to live through the Holocaust. It is generally much
more difficult for older survivors as they have a harder time doing things to distract
themselves from these thoughts, than a young person with a job, and growing family.
Wiesel, Elie, and Marion Wiesel. Night. New York, NY: Hill and Wang, a Division of Farrar,
Straus and Giroux, 2006. Print.
Night is a horrifying first-hand narrative about the terrors of the Holocaust from a childs
point of view. Wiesel tells of heavy topics in a frank manner throughout his memoir such
as mental illness, the blurred line between the yearn to live or die, and the death and
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betrayal of those closest to him. Throughout the book readers see the powerful themes of
depression, death, and the onset of psychological disorders.
In the beginning of the work, Mrs. Schachter, a middle aged woman accompanied by her
young son, fell into the long spiral of losing her mind. While on the cramped cattle train,
en route to the camp, she would cry out and insist she saw fire, completely enthralled in
her hallucinations. Readers can also see the change in Moshe the Beadl, a once
seemingly shy and decent individual, who came back to be loud and persistent,
transfixed on the horrors he witnessed. Wiesel describes his feelings of being
permanently marked by the awes of the concentration camp when he says he will never
forget the loss of his faith, the sight of burning bodies, and the loss of the desire to live.
The author also describes how he feels immune to violence after less than a week in the
camp, how he is now numb to things that a week prior would have angered him.
Towards the end of the memoir, when Wiesels father dies, he tells of how nothing truly
matters to him anymore, and how he feels guilty of not being able to cry of his fathers
death.
Wilson, John P., Zev Harel, and Boaz Kahana. Human Adaptation to Extreme Stress: From the
Holocaust to Vietnam. New York: Plenum, 1988. Print.
The Death Imprint is a widespread symptom of Holocaust survivors caused by the
images of death being permanently burned into the mind. Death Imprint can also be
caused by a near-death situation in which the victim is defenseless. This experience can
be sudden, or develop gradually over a large time period. It calls forth prior imagery of
this experience, that is most likely extremely absurd, grotesque, or suffered at a young
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age. The degree of anxiety the survivor suffers can depend on the suddenness,
extremeness, or the unacceptably of the deaths that occurred. The intensity of the Death
Imprint also varies according to the vulnerability of the victim, it can cause them to not
only be a threat to life, but can also cause them to be socially aloof and standoffish. This
hindrance to everyday life is not generally clung to, but rather permanently attached to
the survivor, as they struggle to find a way to deal with such intense imagery and
memories. When these images re-enter the mind, questions of personal meaning and
feelings of prior experiences also affect the victim. Though the Death Imprint is largely
associated with grief, it can also be associated with value. Those who overcome
situations of the like can feel a unique knowledge or sense of pride in being one of the
few to make it to tell their story. The Death Imprint not only forces the victim to look
back, but also can change their views on the rest of their life, as they faced death so
many times, they are immune and often welcome death.