Celebrate our
shared history
Aboriginal &
Torres Strait
Islander
cultures
Alwayswas,
Alwayswillbe
art
Competition
meet the
CURRICULUM
requirements
eng
Age
2016 Schools'
Reconciliation Challenge
Partners
Note to Reader
Aboriginal and Torres Strait Islander readers
are warned that this publication may contain
references to deceased persons.
Enquiries
Design
www.-l-design.com.au
2016 Schools'
Reconciliation Challenge
Alwayswas,
Alwayswillbe
2
Entry Info
Learning Outcomes
Past Entries
The Toolkit
9
10
Getting started
Exploring the 2016 theme
12
Reconciliation
eline
Always Was, Always Will Be: A tim
20
Creating art!
22
Creating stories!
11
32
Writer's Reflection
33
Entry Info
What?
The Schools Reconciliation Challenge is an annual writing
and art competition for young people across NSW.
Who?
All young people in Years 5-9 (or of equivalent age), Indigenous
and non-Indigenous, of all abilities. Young people may enter the
competition through their school or independently.
When?
The competition runs from 22 January to 10 June, 2016. Selected
works will be exhibited in Sydney during 2016. It is free to enter and
selected artists and writers will be sponsored to travel to Sydney for
the exhibition launch.
How?
Register for the competition by emailing
schools@nswreconciliation.org.au with your name, school and
position and whether you would like to receive a hard copy of the
Teaching Kit.
Then, use the activity ideas, case studies and other resources in this
Teaching Kit to inspire and inform lessons about Aboriginal and Torres
Strait Islander issues.
Use these lessons to assist students to develop artworks or stories
which reflect their ideas about reconciliation and the theme
Always Was, Always Will Be.
Submit the artworks and stories to the New South Wales Reconciliation
Council by 10 June 2016.
Remember:
All art entries MUST include a complete artists statement and entry form
(found at the back of this Kit). The artwork and artists statement are judged
together so it is important that the statement is sufficiently detailed and
explanatory. Entries without an artists statement will not be accepted.
Artworks should be 2D and a maximum size of A1.
Similarly, all writing entries MUST be submitted with a completed reflection
and entry form (found at the back of this Kit). Entries without a reflection or
entry form will not be accepted.
Writing entries must be original creative pieces that explore the theme
Always Was, Always Will Be, and reconciliation more broadly. Entries over
500 words will not be accepted.
2 | Schools' Reconciliation Challenge 2016
Througho
ut this kit
we refer
to differe
nt
Aborigina
l and Tor
res
Strait Isl
ander na
tions
and langu
age grou
ps.
Check ou
t this lin
k to
see wher
e they all
are
in Austra
l
ia
:
http://m
gnsw.org
.au/
sector/ab
original/
aborigina
l-languag
e-map/
Learning Outcomes
This Teaching Kit has been developed in consultation with the Board of Studies Teaching
and Educational Standards NSW (BOSTES) to ensure that the competition meets various
NSW curriculum outcomes for Stages 3 & 4.
Objective B
Objective C
Objective D
Objective E
Reading
and responding
Thinking
imaginatively,
creatively,
interpretively and
critically
Expressing
themselves
Reflecting on
learning
Grammar, punctuation
and vocabulary
Stage
Objective B
Objective C
Objective D
Objective E
Responds to and
composes texts
for understanding,
interpretation, critical
analysis, imaginative
expression and pleasure.
Thinks
imaginatively,
creatively,
interpretively and
critically about
information,
ideas and
arguments to
respond to and
compose texts.
Demonstrates
understanding
of how texts
can express
aspects of their
broadening
world and their
relationships
within it.
Uses, reflects
on and
assesses their
individual and
collaborative
skills for
learning.
Effectively uses a
widening range of
processes, skills,
strategies and
knowledge for
responding to and
composing texts in
different media and
technologies.
Makes effective
language choices
to creatively shape
meaning with accuracy,
clarity and coherence.
Identifies
and explains
connections
between and
among texts.
Identifies,
considers and
appreciates
cultural
expression in
texts.
Stage
Appreciating
Stage
VAS3.1
Investigates subject matter in an
attempt to represent likenesses
of things in the world.
VAS3.2
Makes artworks for different
audiences, assembling
materials in a variety of ways.
VAS3.3
Acknowledges that
audiences respond in
different ways to artworks
and that there are different
opinions about the value
of artworks.
VAS3.4
Communicates about the
ways in which subject matter
is represented in artworks.
Examines a range
of concepts and
their relationships to
selected forms.
Recognises how
an audience has an
influence on the kinds
of works they make,
and seeks to clarify the
purpose of their works,
and suggests alternatives
about how they
may proceed.
Discusses the conditions
and requirements of
artworks that are made
for particular purposes,
sites or events and how
those conditions and
requirements can affect
how they might go about
their own artmaking.
Area of content
Outcomes
Students will:
A student:
Practice
Conceptual framework
Frames
Representation
Resolution
Practice
Conceptual framework
Frames
Stage
Stage
A student:
Historical concepts
Continuity and change:some things change over time
and others remain the same.
Cause and effect:events, decisions or developments in
the past that produce later actions, results or effects.
Perspectives:people from the past will have different
views and experiences.
Empathetic understanding:an understanding of
another's point of view, way of life and decisions made in
a different time.
Significance:the importance of an event, development
or individual/group.
Contestability:historical events or issues may be
interpreted differently by historians.
Historical skills
Research
Stage
A student:
Describes and explains the significance of people,
groups, places and events to the development
of Australia
Describes and explains different experiences of
people living in Australia over time
Identifies change and continuity and describes the
causes and effects of change on Australian society
Describes and explains the struggles for rights and
freedoms in Australia, including Aboriginal and
Torres Strait Islander peoples
Applies a variety of skills of historical inquiry and
communication
Modules in Stage 3 that align with the content
of the Schools Reconciliation Challenge
Australia as a nation
Comprehension
Past Entries
In schools across NSW, young
people are speaking up about
reconciliation, and telling their
stories. Below are some of
the outstanding and inspiring
artworks from the 2015 Schools'
Reconciliation Challenge. The
theme was Homegrown Heroes".
Indigenous S
oldier
Mar y Bradhur
st
Avalon Public
School
Second Prize,
Primar y Scho
ol 2015
My ar twork is
about recogn
ising the Indige
fought in the
nous soldiers
war. Somethi
that
ng that inspire
sculpture in Sy
d
m
e to do this is
dney that has
the
5 bullets stan
it is the first sc
ding and 2 fa
ulpture in Sydn
lle
n,
ey that recogn
Indigenous so
ises the fallen
ldiers that foug
ht
in the war. In
there is an Ab
my ar twork
original flag on
the face of th
that the Abor
e soldier to sh
iginal people
ow
were the first
to be in Austra
lia.
f Heroes
The House o
ens and
Auraiha Hew
Billie Brennan
Public School
Tacking Point
ended,
Highly Comm
2015
ol
ho
Primar y Sc
owing Eddie
n Heroes by sh
w
ro
eg
om
H
table patch
relates to
Our ar twork
ng from a vege
gi
er
em
ri
ia
cause
ent Ling
are heroes be
Mabo and Vinc
heroes". They
n
w
ro
shows
eg
It
s.
om
hts and land
as they are "h
rig
r
ei
th
r
fo
To
ng and hard
g difference.
they fought lo
can make a bi
ns
lia
ra
most
st
d
Au
us
t of love, an
that Indigeno
cape, just a bi
a
ed
ne
t
n'
u do
be a hero, yo
urage.
co
,
tly
importan
Shared Reme
m
brance
Ella Burke
Moruya High
School
Highly Comm
ended,
Secondar y Sc
hool 2015
My ar twork is
about the reco
gnition that Ab
also went to
original peop
war along with
le
people of no
backgrounds.
nAb
original
It represents
a shared resp
hands give on
ect as the two
e another a po
ppy and som
represents re
e rosemar y. It
conciliation as
the hands are
to share the tw
coming toge
o items of rem
ther
embrance. Th
sleeves like th
ey have green
at of the sold
iers who wen
representing
t to war before
Australia toge
us,
th
er in an act th
home the ab
at's given our
ility to be safe
and free for us
all.
Australian Historical
Edition of Snakes
and Ladders
Mikayla Li
Reddam House
First Prize, Secondary School 2015
My artwork is an adaptation of the board
game Snakes and Ladders. The spaces
symbolise homegrown heroes progressing
through Australian History. The snakes
represent Aboriginal dreamtime serpents
and the ladders are the industrialisation
of Europeans coming to this nation.
Traditional painting methods such as dot
painting and weaving and stitching have
been incorporate along with a European
understanding of painting. This shows the
2 cultures coming together to form their
own unique perspectives of history.
The
Toolkit
AwE
SOME
Getting started
We encourage teachers to begin by readin
g through the timeline on pages
12 to 19 to familiarise themselves with the
content. Then, check out the
Creating Art (p.20) and Creating Storie
s (p.22) pages and decide which
option you think would suit your students.
These two pages contain a number
of activities focused on their respective
mediums. The table below is a
general guide to help you develop lessons
around the theme Always Was,
Always Will Be, and to assist in turning stu
dent ideas into art and stories.
Session guide
Sessions
Activities
1-2
Session 1:
Use the content from Explorin
g the 2015
Theme (p.10) and What is Reconc
iliation?
(p.11) to begin a class discussion
about
Reconciliation and our theme Alw
ays Was,
Always Will Be.
Pick at least four of the historica
l moments
from the timeline provided on pag
es 12-19 to
generate class discussion. Ask you
r students
why they think this event or mom
ent is
important, and how it might carr
y different
meanings for different people. The
re are also
additional discussion questions prov
ided
throughout the timeline.
3-4
Session 2:
Turn to Creating Art or Creatin
g Stories
(p. 20 & 22) and use the content
provided to
explore your chosen medium in
the context
of reconciliation.
Encourage students to create
their own
artwork or short stor y based on
what they
have learnt and discussed about
the theme
Always Was, Always Will Be and reco
nciliation.
We d particularly love to see wor
ks that
demonstrate students considering
historical
events from more than one pers
pective.
Make sure students write either
an artists
statement or writers reflection exp
laining their
work, and complete the entr y form
(p. 29-32).
Session 1:
Session 2:
Session 3:
Session 4:
Alternatively, research
your own historical
moments and
discuss in groups.
Photo by Fairfax
Reclaiming ou
r Rights March he
ld 20 July 2005
Brainstorming questions:
Reconciliation
What is reconciliation?
Reconciliation is important not
only to Aboriginal and Torres
Strait Islander peoples but also to
Australias future as a unified nation.
Reconciliation means acknowledging
Aboriginal and Torres Strait Islander
peoples as the traditional owners of
this land and recognising that this fact
is still important today.
At the heart of reconciliation is the
relationship between the broader
Australian community and Aboriginal
and Torres Strait Islander people. To
achieve reconciliation, we need to
develop strong relationships built on
trust and respect, and that are free of
racism. All Australians must also be
aware of not only our colonial history,
but the rich Aboriginal and Torres
Strait Islander cultures that were here
long ago and that still exist in the
present time.
Reconciliation is often best
understood as a journey. We
take important steps towards
reconciliation every day but it is a
We need to include
Aboriginal people and
Torres Strait Islanders in
our communities so that
we can all learn from one
another and develop a real
awareness, understanding,
appreciation and respect
for the culture and history
of Indigenous Australia
Its basis is the inclusion
of the Indigenous peoples
of Australia, not their
exclusion. And that is
healing for all of us.
Flora Macdonald from the
ACT Branch of Australians for
Reconciliation.
Looking f
or ideas
about ho
w your
school c
an suppo
rt
reconcili
ation?
Check ou
t th e
Reconcil
iation Ro
ad
Map on p
age 24
petition
,
s
a
W
s
y
a
w
Al
:
e
B
l
l
i
W
Always
A timeline
PRE
Colonisation
Approximately
60,000 years ago
Indigenous people arrive on
what is now known as Australia.
30,00010,000
years ago
Aboriginal and Torres
Strait
Islander peoples lived
through massive chan
ges in
climate and landscape
in the
thousands of years tha
t they
inhabited Australia pri
or to
colonisation, which req
uired
significant resilience an
d
adaptation to their wa
ys of
living. For example, so
me
30,000 years ago a vo
lcano
erupted in South-West
ern
Victoria, the resulting
lava
flow completely chan
ging
the drainage system of
the
landscape. The Gund
itjmara
people of the area ad
apted
quickly and constructed
an extensive aqua cultu
re
system to channel wa
ter
into low-lying areas,
trapping fish and eels.
Class discussion:
Imagine that changing
weather patterns
mean your town is no
w
under-water six month
s
of the year. What kind
of
adaptations would the
people of your town ha
ve to
make? What aspects of
your
lives would change?
ve been
haeology, scientists ha
Thanks to modern arc
Lady and
out the lives of Mungo
able to discover a lot ab
rch what life
m up online and resea
Mungo Man. Look the
o.
ag
rs
NSW 42,000 yea
might have been like in
8,000
years ago
40,000 years ago
The Brewarrina Aboriginal Fish Traps are built. This complicated network
of rock weirs and pools stretches half a kilometre along a river bed and
was carefully designed to trap fish as they swam upstream. It is believed
to be one of the oldest manmade structures on earth.
1606
1400 AD
Trading occurred between
the Yolngu people from
north-eastern Arnhem
land and the Macassans
(Sulawesi Indonesians) from
as early as 1400, although
conservative estimates
believe regular trade started
in the 1700s and continued
until 1907. The Macassan
people were very fond of
trepang or sea cucumber,
and sailed to Australia once
a year to trade for them. The
Macassans introduced many
new items to Australia such
as cloth, tobacco, rice and
knives. Interaction with the
Macassans also influenced
the art style of the Aboriginal
people in Arnhem land
and many Macassan words
filtered into Aboriginal
languages of the area.
Art activity:
The Yolngu people
arranged stones to tell
future generations about
their experiences trading
with the Macassan people.
Using naturally found
elements in the playground
such as rocks, leaves and
bark, create a picture that
records a story or event.
Have a look at what your
classmates have created and
try to guess the meaning
behind their picture? Dont
forget to photograph
your picture!
1770
1788
to 1988
1788
The First Fleet arrives in Sydney Cov
e,
establishing the first British colony
in Australia.
Activity:
Look up Screen Australias video
of the Kev Carmody song This Lan
d is
Mine on YouTube and answer the
following questions:
Who are the two characters in
this song?
How does their understanding
of land ownership differ?
What is the message of the son
g?
Write a short stor y inspired by this
song, considering the perspectives
of
both characters.
1901
1802
Pemulwuy is killed. He was
a courageous Aboriginal
warrior who fought against
the British by leading
raids against farming
settlements. Between
1790 and 1900 there were
numerous instances of
Indigenous resistance
to British settlement and
expansion, often referred
to as the Frontier Wars.
These were a serious of
conflicts fought between
Indigenous Australians and
British settlers.
The Commonwealth
of Australia
is established as a self-g
overning
nation. The Australian
Photo by Fa
irfax Fede
Constitution,
ration
celebrations
which remains to this
Sydney
day the
foundation for the leg
al power in the Comm
onwealth, came into for
on the 1st of January
ce
1901 and establishes the
government, defining
structure, power and
its
procedures. This mome
nt is known as Federat
as it is when the indep
ion
endent colonies (which
we now know as states
came together under
)
a federal system of go
vernment.
While Federation was
a time of celebration for
most non-Indigenous
Australians, for Indige
nous Australians little
ch
an
ged. The power
to make laws relating
to Aboriginal and Torre
s
Str
ait Islander
people remained with
the states and Indigeno
us
people were
excluded from voting,
pensions, employmen
t in public offices and
maternit y allowances.
Research questions:
Aboriginal and Torres
Strait Islander cultures
already had their own
system of laws prior to
British arrival. Research
some of these laws an
explore how they could
d
be recognised today.
1909
borigines
T h e NSW A
en
Board is giv
Protection
riginal
o
b
A
move
powers to re
ilies
m their fam
children fro
.
g
in
urt hear
without a co
1909
Aboriginal children are excluded from
public schools in NSW and instead are
sent to Aboriginal-only schools where
the syllabus focuses on manual activities
rather than literacy and numeracy.
1938
1914-1918
World War I. Despite
the prohibition against
non-European people
enlisting, Aboriginal soldiers
are among the Australian
troops at Gallipoli.
1939
the local
1965
1939-1945
Activity:
Research the Freedom Rides and create a map
showing where the bus went. Write a story from the
perspective of one of the students on the journey.
1948
For the first tim
e, Aboriginal
and Torres St
rait Islander
people are m
ade official
citizens of Au
stralia.
1959
Margaret Williams becomes
the first Aboriginal person to
graduate from an Australian
University.
1963
The Yirrkala Ba
rk petitions ar
e tabled in Au
documents, si
stralian Parliam
gned by twel
ent. These
ve clan leader
of the Nor ther
s
from the Yoln
n Territory, ca
gu
region
ll for the Hou
reconsider its
se of Represen
decision to al
tatives to
lo
w
30
0 square kilom
be excised fo
r mining and
etres of land
to
to send a com
Aboriginal elde
mittee to spea
rs of the area
k
to
th
e
.
Th
e petitions in
in ochre depi
clude designs
cting Yolngu
painted
law and conn
typed docum
ection to the
ent written in
la
nd
,
an
da
two Yolngu la
translation.
nguages with
an English
1962
The right to vote is extended to all
Aboriginal and Torres Strait Islander people.
1966
kO
Wave-Hill Wal
ff.
1971
Neville Bonner becomes
the first Aboriginal member
of the Australian Federal
Parliament.
1971
27 May 1967
1967
Australia votes in a referendum to enable the Commonwealth to create
laws for all Aboriginal and Torres Strait Islander people and to enable
them to be included in the census. A referendum is the only way to
make changes to Australias constitution. Many Aboriginal people
considered these changes to the constitution to be essential in gaining
formal recognition of their existence as people of their own country.
Over 90% of voters supported the changes, making this the most
successful referendum in Australias history.
Questions:
Why do you think this referendum was so successful? Do
you think this event is a significant moment in Australias
history? Why/why not?
1972
brella on
men setup a beach um
Four young Aboriginal
a with
ment House in Canberr
the lawns outside Parlia
nths that
al Embassy. In the mo
a sign reading Aborigin
ssy becomes
n the men. The emba
follow, 2000 people joi
al people
of the way that Aborigin
a physical expression
untry. The
co
n
eigners in their ow
feel like outsiders or for
prominent
ssy is one of the most
Aboriginal Tent Emba
d continues
of traditional lands an
protests for the return
to this day.
Photo by Fair fax
sy
Aboriginal Tent Embas
1976
1985
Aboriginal La
nds Right
Act (Nor thern
Territory)
passed. This is
the first
attempt by an
Australian
government
to legally
recognise the
Aboriginal
system of land
ownership.
1988
to 2015
1992
The High Court recognises
Native Title in what has
become known as the
Mabo decision and
overturns the legal narrative
of terra nullius.
protests
1988
rs
its bicentenary, 200 yea
ry Australia celebrates
ua
Jan
of
th
26
the
the
d
On
nts held aroun
First Fleet, with huge eve
since the arrival of the
chanism to highlight
me
sur vival, and as a
of
t
en
tem
sta
a
As
.
country
ices, more than
excluded Aboriginal vo
s
ha
y
tor
his
n
alia
str
the way Au
le stage a march in
d non-Indigenous peop
40,000 Indigenous an
the crowd telling them
st Gary Foley speaks to
er in
Sydney. Aboriginal activi
ite Australians, togeth
ent to see black and wh
that "...its so magnific
uld be like".
Australia could and sho
harmony. This is what
1992
Prime Minister Keating
delivers his Redfern
Address to a predominatelyAboriginal crowd in Sydney.
It is the first time that an
Australian political leader
has publicly acknowledged
the impact of colonial and
contemporary government
policies on Aboriginal and
Torres Strait Islander people.
Writing activity:
the resilience
way to celebrate both
Do you think there is a
tor y on the
d Australias colonial his
of Aboriginal culture an
alia Day)? As a
we currently call Austr
the
26th of January (what
g two diary entries for
nge, have a go at writin
the
at
creative writing challe
ter
tes
tive of a pro
one from the perspec
the
26th of January 1988:
tive of a performer in
ec
rsp
entry from the pe
er
oth
the
d
an
,
rch
ma
l of the First Fleet.
enactment of the arriva
1992
The Torres Strait Islander flag is designed by Bernard Namok.
Research challenge:
What do the different symbols and colours in the Torres
Strait Islander flag represent?
"There comes a
time in the history
of nations when
their peoples
must become fully
reconciled to their
past if they are
to go forward
with confidence
to embrace
their future."
2007
Australias first national
24-hour Indigenous television
service, NITV, launches.
2008
apology
2009
The National Centre of
Indigenous Excellence
opens in Redfern.
2014
ity leader
ayer and commun
Aboriginal AFL pl
of the Year
named Australian
is
es
od
Go
am
Ad
suppor t
t in programs that
for his involvemen
pt
ce ance
h. He uses his ac
Indigenous yout
m:
s the issue of racis
speech to addres
hether we like it
all connected w
I believe we are
me in so many
equal and the sa
or not. We are all
n can break
that we as a natio
is
pe
ho
y
M
s.
ay
w
k down those
tween races, brea
be
os
sil
e
th
n
w
do
ns, Indigenous
inority populatio
stereotypes of m
groups. I hope
all other minority
populations and
gardless of the
of our heritage re
we can be proud
be Australian.
and be proud to
colour of our skin
2015
Yininmadyemi-Thou Didst
Lets Fall, a sculpture by
Indigenous artist Tony Albert
is unveiled in Hyde Park. The
sculpture acknowledges the
contribution of Aboriginal
and Torres Strait Islander
men and women who served
in the nations military.
Into the
Future
Eddie Mabo
Photo by Fairfax
2015
As part of Mabo Day
celebrations on June 3rd,
the Sydney Observatory
honours Eddie Mabo by
naming a star in the
Southern Cross after him.
2016
Aboriginal languages will
become a subject in the
HSC for the first time, as part
of a renewed effort to keep
Aboriginal languages alive
in NSW.
Class discussion:
Languages are an
expression of culture
and a vehicle through which
to keep culture alive. Why do
you think having Aboriginal
Languages in our HSC is
important for reconciliation?
2017
2017 is the propos
ed year for a refe
rendum on cons
recognition. Curre
titutional
ntly the Australian
Constitution does
Aboriginal and To
not recognise
rres Strait Islande
r peoples as Austr
despite their histo
ali
as
first people,
ry and connectio
ns to this country
60,000 years. Ev
da
tin
g back over
er y Australian ov
er the age of 18
to vote to recogn
will get the chan
ise Aboriginal an
ce
d Torres Strait Isl
in the Constitutio
ander people
n. This change w
ill be an importa
reconciliation be
nt step to help
tween Indigenous
and non-Indigeno
us Australians.
Future
Together we are responsible
for continuing the journey
of reconciliation into the
future. This land always
was, and always will remain
sacred for Aboriginal
and Torres Strait Islander
people. It is important we
celebrate these rich cultures,
while also learning from
our mistakes. Through
understanding and
acknowledging what has
happened in the past, we
can shape a better future for
all Australians.
Activity:
Draw or write about the
Australia you would like
to see in 100 years time.
What has changed and what
is still the same? Where do
we live, what do we do, and
how do we relate to each
other? Brainstorm ways
that we can each shape
the future for our country
what can individuals do
to make positive changes
in society?
Creating art!
What do you think of when you think of Aboriginal Art?
For many, the image that comes to mind is of dot paintings. The truth is, Aboriginal art comes in a range of forms and styles
there is no single type of Aboriginal art. An artwork will look very different depending on where it was made, when it was
made, what it is about and the artist themselves.
When we look at an artwork it is always important to think about the artists aim when they created it. In other words why
was this artwork made? or what is the artist trying to say?. For example, many artworks by Aboriginal and Torres Strait
Islander people focus on their relationship with the land and connection to country. Often when we create art, we are
showing something about our own identity and what is important to us.
Reko Rennie
Yvonne Koolmatrie
Research activity
Indigenous artists today may choose
to work in a more traditional or
modern style of artmaking. Reko
Rennie is a Kamilaroi man living in
Sydney, who draws on his Aboriginal
heritage to recreate traditional
images using modern tools such as
neon, projection, installation and
spray paint. His 2012 art installation
Always Was, Always Will Be is a
celebration of Aboriginal Australians
ongoing connection to country
as well as a reflection on modern
Indigenous identity. Rennies artwork
could be said to belong to the
urban Aboriginal art movement,
which often includes a social or
political message.
Questions
What meaning do you think Reko
Rennie is trying to convey with
this artwork?
Look-up a picture of Reko Rennies
other public mural, Welcome to
Redfern. What are the similarities
and differences between these
two works?
Questions
Research Yvonne Koolmatrie on
the Art Gallery of NSW website and
answer the following questions:
petition
Dont forge
t to comple
te
an artist st
atement
and entry f
orm after
completing
your artwo
rk!
petition
Creating stories!
The Longest
Dreaming in History
Why Stories?
The sharing of stories has been
an intrinsic part of Aboriginal and
Torres Strait Islander cultures for
over 60,000 years. Storytelling
is a way of teaching and sharing
the importance of culture, and is
a mechanism to pass on ways of
looking after family, culture and
country. Not all stories are written
down; often they are shared much
like friends telling a good yarn,
or through song and dance, or
even through artworks. Stories
continue to be an intrinsic
part of Aboriginal and Torres
Strait Islander cultures and
are shared through traditional
means as well as contemporary
ways that reflect the ever
evolving nature of Australian
Indigenous cultures.
Photo by Fairfax
Harbour Bridg
e Walk
1. Pre-writing Activities
from the timeline, or
Each student selects a moment
selves, that they
one that they have researched them
want to explore.
ents.
Each tableau will consist of 4-5 stud
key character:
time?
ut your
The Yarning Game: Yarning abo
Tableaux
vity, students will
After completing the tableau acti
were aiming
they
t
describe to other groups wha
cover in the
to
to reveal. Key points for students
discussion are:
the event?
What do students know about
racters were feeling
What do students believe cha
during the event?
ld happen as a result
What do students imagine cou
of the event?
2. The Writing:
Writing your Yarn
uld be encouraged
In the writing section students sho
they have explored
to include details and information
in the warm-up activities.
for students to imagine
The aim of the writing activity is
chosen to explore.
they are part of the event they have
vity students should
For the duration of this writing acti
a real event, and
imagine they are a real person at
their characters
ct
refle
uld
their piece of writing sho
to share their
aim
uld
view of the event. Students sho
t.
characters unique stor y of the even
wing points in their
Students should include the follo
stor y:
discovery or event?
1. The Key Moment. What is the
ething important
Does the character discover som
ut the world,
about their view of the world, abo
about other people?
in a particular place
2. The Place. The character is
ents to focus
at an important moment. Ask stud
time, place and
on the sensory experience of the
being at the
event. Describe the experience of
place and time.
character react to
3. The Emotions. How does the
? What does the
all that is happening around them
How will students
character feel about the events?
ts to the event?
show the way their character reac
does the discovery and
4. What Happens Next? How
Do they star t to
the event change the character?
What does the
see the world in a different way?
t?
character do as a result of the even
Doing
Done
Action: We Will.
Develop and implement a Reconciliation Statement
Develop and implement a Narragunnawali Reconciliation Action Plan (RAP)
(see p.26 for website details)
Fly the Aboriginal Flag
Fly the Torres Strait Islander Flag
Celebrate NAIDOC Week
Celebrate Reconciliation Week
Participate in National Apology Day
Participate in National Sorry Day
Enter the Schools' Reconciliation Challenge
Make a mural in our school to represent Aboriginal and Torres Strait Islander peoples
culture, stories or history to the school community
Invite Aboriginal Artists, story tellers and cultural practitioners to visit our school
Develop and display a plaque to recognise the Traditional Custodians/Owners at the
entrance of our school
Connect with Elders in our local community and invite them to talk at our school
Organise school excursions to local Aboriginal sites of significance
Invite a Traditional Owner to perform a Welcome to Country in School for important
assemblies and events
Conduct an acknowledgement to Country at the commencement of important school
events and assemblies
Investigate and learn about our local Aboriginal languages with the assistance of the local
Aboriginal community, and consider re-naming parts of our school environment
Significant Dates
Survival Day
26 January
The 26th of January marks the
anniversary of the arrival of the
First Fleet in Australia and is also
known as Australia Day. However
for Aboriginal and Torres Strait
Islander people this is a day
to acknowledge their survival
rather than celebrate British
colonialisation. Events are held
all around Australia showcasing
different aspects of Aboriginal
and Torres Strait Islander
cultures including dance,
literature, music, food, language
and history.
National
Reconciliation Week
27 May 3 June
The dates of Reconciliation Week
commemorate two significant
milestones in the Reconciliation
Journey the anniversaries of the
successful 1967 Referendum and
the High Court Mabo Decision. It is
a time to celebrate and learn about
our shared histories, cultures and
achievements, and explore how
each of us can contribute to the
national Reconciliation effort.
National NAIDOC
Week
310 July
NAIDOC stands for National
Aborigines and Islanders Day
Observance Committee. Held
from the first Sunday to the
second Sunday in July, this week
celebrates the history, culture
and achievements of Aboriginal
and Torres Strait Islander people.
National Apology
Day
13 February
19 March
Harmony Day
21 March
This is a day of cultural respect
for everyone that calls Australia
home. The purpose is to promote
belonging and cultural diversity,
and to reaffirm Australia as an
inclusive nation.
Mabo Day
3 June
This marks the anniversary of the
High Court's historic decision,
led by Eddie Koiki Mabo, which
overturned the legal fiction of
terra nullius and recognised
Aboriginal and Torres Strait
Islander people as the original
custodians of this land.
National Aboriginal
and Torres Strait
Islander Children's Day
4 August
This is a day to reflect on the
human rights of Aboriginal and
Torres Strait Islander children:
their right to be educated, cared
for, protected, and to have the
opportunity to understand and
practise their culture.
International Day
of the World's
Indigenous People
9 August
This day affirms the importance
of protecting and promoting the
rights of Indigenous peoples all
around the world. It also celebrates
their unique contributions and
diverse, rich cultures.
Further Resources
Find out more about any
of the specific events
highlighted in the timeline,
as well as information
about Aboriginal and
Torres Strait Islander
cultures and history
more generally, using the
following resources.
Check out
these websites
Australian history timelines
Indigenous Australian Timeline
BOSTES
teachingheritage.nsw.edu.au/
section03/timeindig.php
Timeline: Indigenous Rights
Movement SBS
sbs.com.au/news/
article/2010/11/08/timelineindigenous-rights-movement
Reconciliation Australia
reconciliation.org.au/
schools/resources
AIME
aimementoring.com/inspire/
library/tutorial
Creative Spirits
creativespirits.info/
resources/#axzz3uMVMSa5f
Rediscovering Indigenous
Languages, State Library
indigenous.sl.nsw.gov.au
This incredible interactive website
enables students to access wordlist
and other resources in the Aboriginal
language of their chosen area.
Reconciliation Australias
Narragunnawalli program enables
schools to develop their own
personalised Reconciliation
Action Plans.
The Human Rights Commission
humanrights.gov.au/publications/
face-facts-2012/2012-face-factschapter-1#Heading86
The Human Rights Commission has
a vast collection of resources. This
link takes you to lesson plans and
classroom activities about Aboriginal
and Torres Strait Islander Issues.
My Place for Teachers
myplace.edu.au/home.html
Activities for the classroom based
around the ABC television series My
Place, includes sections on Australia
before the first fleet and at the time of
first contact.
My Place for kids
abc.net.au/abc3/myplace
Includes games and activities to make
learning about Australian history fun
for kids.
Eight ways of Learning
8ways.wikispaces.com
A free resource to assist your school
to implement Aboriginal pedagogies.
Barani
sydneybarani.com.au
A fantastic resource providing
histories of people, places and
events in the City of Sydney local
government area that are associated
with the histories of Sydneys
Aboriginal and Torres Strait Islander
communities.
Terminology
Terminology changes over time within
Aboriginal culture and communities. The
following is a selection of terms to help
teachers with the sensitive implementation of
the units of work.
Aboriginal people is the preferred term.
Aborigine is an outdated term and can
often offend some Aboriginal people.
In any writing activity, the word Aboriginal
should always be written using a capital A.
It is unacceptable to use the terms
half-caste or full blood when referring to
Aboriginal people. This is highly offensive.
Use terms such as group, nation, language
group or cultural group rather than
the word tribe, as it is now outdated
terminology. Some Aboriginal people refer
to themselves as traditional, not tribal.
Avoid using words such as legends and
myths when referring to the Dreaming or
Dreaming stories. Dreaming is preferred
to Dreamtime as the latter refers to the
past, and is not inclusive of the present and
the future.
Torres Strait Islanders do not consider
themselves Aboriginal people.
There are similarities and differences
between Aboriginal and Torres Strait
Islander cultures.
Torres Strait Islanders refer to their
traditional stories as legends rather than
dreaming stories.
Aboriginal people will often refer to
themselves as Koori, Murri, Noonga etc.
These names refer to a particular group
or area to which they belong. They are
not general terms and should not be used
as such.
Artwork details
Artwork title:
Number of contributors:
Year:
Male
Indigenous*Non-Indigenous*
Artist's name/s:
(FOR CLASS ARTWORKS, ATTACH A CLASS LIST TO THIS FORM WITH THE NAMES OF ALL CONTRIBUTORS)
I declare the submitted artwork is original and I have read and agree to the competition terms and conditions of
entry on page 33 of the Teaching Kit.
School details
School name:
Town/Suburb:
Postcode:
Contact teacher:
Teacher email:
Teacher mobile:*
*Please provide teachers direct details, not the generic school information. Details will only be used to contact you in relation to the Schools' Reconciliation Challenge.
Parent/Guardian details
Parent/Guardian name:
Email:
Mobile:
Survey
How did you hear about the competition?
Email
Social media
2-5
NSWRC websiteOther
5+
What parts of the Teaching Kit did you find most useful?
Activities/questions
Timeline
Art activities
Teaching protocolsOther
Send to:
NSW Reconciliation Council
Studio 213, 3 Gladstone St
Newtown NSW 2042
CLOSING DATE
10 JUNE 2016
Artist Statement
Schools' Reconciliation Challenge 2016
For students to complete and attach to ARTWORK. Only one artist statement should be submitted per artwork.
Artist's name/s:
Year:
School:
Teachers name:
Artwork title:
Please address the following three points in your artist statement (max 100 words):
What is your artwork about?
How does it relate to reconciliation?
How does it relate to the theme Always Was, Always Will Be?
Reconciliation means...
Writing details
Story title:
Number of contributors:
Year:
Writer's name/s:
(FOR CLASS WRITING ENTRIES, ATTACH A CLASS LIST TO THIS FORM WITH THE NAMES OF ALL CONTRIBUTORS)
I declare the submitted writing piece is original and I have read and agree to the competition terms and
conditions of entry on page 33 of the Teaching Kit.
School details
School name:
Town/Suburb:
Postcode:
Contact teacher:
Teacher email:
Teacher mobile:*
*Please provide teachers direct details, not the generic school information. Details will only be used to contact you in relation to the Schools' Reconciliation Challenge.
Parent/Guardian details
Parent/Guardian name:
Email:
Mobile:
Survey
How did you hear about the competition?
Email
Social media
2-5
NSWRC websiteOther
5+
What parts of the Teaching Kit did you find most useful?
Activities/questions
Timeline
Writing activities
Teaching protocolsOther
CLOSING DATE
10 JUNE 2016
,
Writer s Reflection
Schools' Reconciliation Challenge 2016
For students to complete and attach to WRITING PIECE. Only one reflection should be submitted per piece.
Writer's name/s:
Year:
School:
Teachers name:
Writing entry title:
Please address the following three points in your reflection (max 200 words):
How does your story relate to reconciliation?
How does your story relate to the theme Always Was, Always Will Be?
Describe the process you used to write your story. Were you able to put yourself in the shoes of the characters?
Why/why not?
Reconciliation means...
2.
3.
4.
5.
9.
5.
2.
3.
Copyright
By signing a completed entry form, and
accepting the award offer, the nominated
authors/artists:
1.
2.
2.
3.
4.
Writing entries
1.
2.
3.
Judging
All entries will be viewed and judged by a
subcommittee of the NSWRC. The decision
of the judges will be final and absolute. No
correspondence concerning decisions will
be entered into.