‘100 Jazz & Blues Greats100 Jazz & Blues Greats Excusve Osun: ‘Musi Sales Lito, 89 Fin soet London WIV STZ, England ‘Muse Salas Pry, Limtoe 20 Rotnschis Avenve, Rosebery, NSW 2018, Ausra “This book © Copyaght 1987 by Wise Pubieatons S6NO7119:12008, ‘Orsor No AIM 6854 Unauthorised epradution of any po this publication by ary ‘meas incudng photocopying san initogemen of copyror beegred by Peatce Marchbank tule Masi Sales compet catalogue las thousands o ies and sr from you loeal muse Donk shop, ode om Muse Sales Lied Prease sore a cheque o Postal Orde fo"21 0 or postage o Muse Sales Limited, ‘89 Ph Sveet London WIV STZ, Priasin Grea Brian by Dotosos x, Trowoge, Witshve,ANightin Tunisia A Sunday Kind Of Love ATaste Of Honey Adios Ain't Misbehavin’ All Or Nothing At al Angeleyes Back ToEartn Basin Street Blues Blue And Sentimental Blues In The Night (My Mama Done Tol’ Me) But Beautiful Caravan Chances Are Come Fly With Me Cute The Girl From Ipanema (Garota De Ipanema) Glow Worm Good Time Fiat Blues Here's That Rainy Day Hey Lawdy Mamma Hit The Road Jack How Ya Baby 1 Ain't Got Nobody 1 Gar’t Give You Anything But Love, Baby WiHad You ruBe Around Remember April 'm Beginning To See The Light m Getting Sentimental Over You Should Care Is You Is Or Is You Air’t (Mia Baby) Don'tGoTo Strangers It Don't Mean A Thing Gf It Air’t Got That Swing) Don't Worry ‘bout Me Early Autumn, East Of The Sun (And West Of The Moon) Everything Happens To Me Fever Fly Me To The Moon (in Other Words) ” Georgia On My Mind v Its A Raggy Waltz The Joint is Jumpin’ eee Loay Sings Irectuea tarypones Lesenie The Blues Let's Get away Fromit anYesterdan Shers Leasing, Ha LovQ Fora das, My Paw Uru Gag Areckanas Raw Rul The Thine You Ane hiuiay Me Shy Limehouse Blues Lonesome (Si Tu Vois Ma Mere) The Lonesome Road Lover Man (Oh Where Can You Be) ~~ Lullaby Of Birdland Mean ToMe Meditation (Meditacac) Mercy,Mercy,Mercy ~~ Midnight Sun oe imesiesinptmud acene eS mocngiow ‘The music Goes Round And Around My Very Good Friend The Milkman The Night We Called Ita Day Nina Never Knew Oh! Lock At Me Now The Old Piano Roll Blues One Note Samba (Samba De Una Nota So) Opus One Pennies From Heaven Wah Wall F de Hone Linnew Taken te Mt Ha & Hows DELO IS You Lewy Ho better Bucy Cote wut Baboon MAE Oe The Han | Cong SS eon Boy Socdhe we Cor T mes . Round Midnight ~~ oe September: ‘Song ~~ Stightty Out Of Tine (Oeeatinadoy Snootie tite Cutie sotto sonice ease Stare FeltOnAlabame Summertime Bivoe 7 Sweet Sue, Just You Swinging Shepherd aives TainrtNoboct¢s Bie-Nows #100 Take The Train Tat ole DewilCalled Love + es The Touch OF ourLipe Tuxedo Junction ‘The Very Thought! ‘Of You Votete For Your ure The Wang Wang Blues va You Sue mine vouve ChangedCaravan By Duke Etngton ving Mile & Juan Tot *Srongutitonieetecrmaciee ames ea Moderato Quasi Misterioso mp-mf F ag i ag &e Eheim & zYain fe Night —______________ and stars a - bover that shine 20. 1 es Mo We bright —____________" Themys-"try of their fad-ing light Bim cs lain cr Rm cr Ft that shines up ~or ————— Sleep ——_________.up-on my CSP Ft ip FH Elam cr Haim oy¥ nha cr mhdim cr Blain cr Fae RB Aa BA shoul-der as we creep—___________A-crossthe sandsso I may & ee This mem-ry of our CAR- A -thrillBhdim cr Bidin cr Bidim cr Blain co aS ga Be fe ROR you—__________ Be. side me here. be-neath the Misterioso q a Be ome Be ode Ae de Oe My dream of love is com- ing q "a = - be a de BY ode Ee ee Boe With-in our des-ert CAR-A - VAN. iOh! Look At Me Now Words by John Devries ‘Musto by Joo Bushin Moderately fy sm a Tm not Abmas? ea) hrs Ebay? DT a : i ie 7 guy fared about for ~ tunes a nev-er cared mucl Tim not the GY5- who cared about fo sand such, — id much, — 8 = 2 BIS Bhp co FT eae BSEbe/e Ebr-g 0 AemalT a tech-nique of Kiss Fo abo fe Abms ch & = ie eT thrill I could get_ from your touch, _—nev-er knew much, Ohl Look At Me 4 new man, bet-ter Girl) in a on prs Gm Gmt cr, Fm . ea a fe ete no -va at his best.__ nev -er knew love was like this.De ca Fm Fm? Bot Bbr+s < Ea & sg I'm 50 proud I'm bust-in’ my vest — Gon-na be Mis - iz, not Miss. Abmal? Ebmal? é ng 7 “ one of those things, a a | co FS ae Pe Fm? Be BETS aay ae SE eS — Now.Swingin’ Shepherd Blues Moderately slow ef ———=s|-_d > PrP ERP? 2 BBS She 2 = 2 aBb VERSE ag <= 1, Aclong @ —-moun-tain pass,there is @ patch of grass where the swing - in’ shepherd playshis tune, 2 (And:down the) moun-tain pass there lives a pret - ty lass who'swait-in’ for the moon to shine a-bove,_ eb p p Eb? ES ae Ea His sheep nev-er stray, —dene = int = She dress - es with care,—braid - in! all tay till they see the her hair for_her one and I + z cm? cfatm Bb a cmt Se Sa and yel - low moon, — And— then he leads his flock and home-ward Wy—swing - in’ love, And_she knows he'll nev - er foam be-cause she Porte Each t * of fF ea & i sit aaa = = = Z they all rock tothe tune of The Swing - in’ Shep - hard BIUBE.— waits at home forthe tune af |The Swing - in’ Shep - herd Blues. — 2those haunt - ing i ee weil, at through the hills, The Swing wd cmt et e z Ib" a sz Vise aor eb 7, FT Bb WR we Bt eb OT, py SE ae en Blues. 2, Anddown the Blue, a [Feet ae xTuxedo Junction Worde by Buddy Feyne Music by Erskine iawkina Wiam Johan & Juslan Dash 2 ae Feelin’ Rock-in' slow, zh Fr 2 Q 8 2 Senet ac meEr tee Right back where Ibe = long. = Pe chores ARB os ee a » a e _# Way down South, Ip Bir ming-ham,— 1 mean South fe arve of walk “for’ miles. to "get jive that South Ep Ea o an old where peo - ple g0. - fow that) makes you want_— fi I~,Be Bt & = you, Come on = 9 Fy fae eee Youll find Bis where the town folks meet, fa there down, your care...Come onMean To Me Words & Music by Roy Turk & Fred. Ahlert 3 Moderately oS mt a @ © Fmaj? cme omt co 2 a Hgre ei # oe GE ig! RieFm? pg Dm opmr SL fot cree = om & ae & a why. 1 stay home~ cma ce or & & #¢ & & & && say you'll phone— Fma? cms pep G7 i Fmal? pe ke ee # & ie Sing-in" the blues_ and Omi FT-8 phsuss BD Fro EE Ge oe ee You treat me cold fieBb pos D9 om ome zp pos D2 Gh Rak & # ah & — You al- ways scold & bbs Bhmt Fall op pm? mt co a 2 2 i Ea can't. you see what you mean rc V3 F 1 Gm? ons F Bie ae a ae & meSatin Doll Words By Johnny Mercer Music by Duke Elington & Biy Strayhorn war ae SES which wigs me=a Tu eive it a whirl, but 1 20amt bo ‘ERY an ain't for no girl catching me,______________ (Spoken) Swich - ¢~ Roo-ney Dm? zt 2 Pa ar Hig ee EN eS Se SS well you know, do - ingmy chum = basSophisticated Lady Words by ving Mite & Mitchell Parish io by Duke Elington i km ot py ct Pat Bp Bie dois HE - oly miata ay | ‘Say=o— into your ear - ly life rovmance came Andin this heart of yours burned a — simple and shy But then as 2Laugh Fine, Gar Iag, SSS wg FS. nesver pin - ing For 2 Sa SS a = nat a ee o oe SaBlues In The Night (My Mama Done Tor Me) Words by Johnny Mercer ‘Music by Haro anon Blues tempo el mB ie ma-ma done tol” me—— when I was in }ENEP™ done tol’ me, id give ya the hig eye,— but when the sweet wom-an's ® tWo- face mags’ & twolfacge| A Mors tisome thing whollleweya ¢ sing the 24blues in the night, Be fe aR mama done tol’ me,—) Hear dat lone-some whis-tle blow » in’ crossthe trea-tle, whoo-ee— (My if Fl ea I © 7 ma-ma done tol’ me,—)A whoo-ce-duh-whoo-ee— Ol" click-e-ty clack’s a ech-o-in' back th’ a Ri in the night, The eve-nin’ breeze - ‘ll start the trees to cryin’ and the = 5 5 5 25Bm & py, (ore ore ogee oztee aS cr a fee A moon - ‘Il hide its light, when you get the blues in the night. # B Ams a Be Zine m7 ae aT fa oR Take my word, the mock - in’ bird-"Il sing the sad - dest kind knows things are and he's right. Ame a7 oS Bb ED From Nat-cher to Mo-bile,— from aga= — HE heard me some big talk, butthere is one thing I know, — SA womras a hohe ‘A man_is a two-face—! A eS 7 a fe i wor ricsome thing whol leave yet sing the blues. x a oa = ma-ma was right,there’s blues_in the night. = aap a cee fe aOpus One Words & Music by Sy Olver Moderate Jump Tenrpo i Ss REFRAIN fH wrack-in' mybraia, to think of a came, To give tothis tune, so Per -rycan croon, And reo rE mponf a9 P ‘Am /p ee fom Fp ph ah Fon h tops Ee ae ay-neOlBiog wil give a fing And Oat-lstat ev"ry-one hummidthe thing. The ? RPE bet — : ? et Ea a mel-o-dy'sdumb, te-peat an! re- peat, But if you canswing, it's got a good beat, Pr F 28Ao Am7/D or ¢ cr s fa that's the main thing, to make with the feet, ‘Cause ev-'ry-one is swing.in to-day, So,-lUlcall it : Pe Boe Gres co PT4S me oa Es O-PUS ONE! It's aot for Sammy Kaye, Heyl. hey!. —hey!, it's, O-PUS ONE! It's 4 got to swing, cot - bey if Mis-terLesBrowncould F or a Takeit. te Town And Ray An-tho-ay could swing it for aes Theres nev-er a doubt youll F ¥ 28Solitude Words by Edie de Lange & Irving Mis Bhtsicby Duke Elington SEmr eerie Bois | “Ebmajt y Slowly, cwich expression In my SOL-1 - TUDE__ = eee ‘Ab/Bb Gm Fm/Bh gy Bbr Bbrs5 — Ebmaj7 omy feta ga ein Be ER re-ver-ies__ of daysgone by In my SOL-I - TUDE FL Ab/Bb « arn ae & fe FR ee With mem.o- ries__ that nev-er diea a a sit_in my chair, Tim filled with de-spair, Theres no one could be so si tf Tif Fm? rior Bi or phr | BbTS a ee gloom ev-'ry-where, I sit_and I stare, I know that Pl soon go mad = In my TF iF Ebmaj? cm? Fmt ‘Ab/B> Gm SOL-I- TUDE Tm_— pray ing Dear Lord a - bove_ = Send back my aMood Indigo Words & Music by Duke Ellington, Irving Mile & Albany Bigard Very Slow —S 7" : a == Till youve had that Fea Se That feel- in’ == —— —— Se sh and Sigh bm cbt ch Se Bb? Ebm be Ab 32CHORUS Slow Always get that mood in-di-go,— Since my ba-by said good r Tinjust a soul who’ biu-er than blue can be, pe =.- pt pe — vies 33Blue And Sentimental Words & Music by Count Basle, Jorry Livingston & Mack Davie mee RR Slowly with a beat Verse Rubato FR = mance iso ver, you've You nev-er loved me, 1 should be flad_that ws Refrain STOWIE With 8 beat Db, 34Ed Ez ea Chees fA" T can't for-get you, + —— 6 A fr fr E> BT Bb just won't come trie dreams, 1 ring all the time since you eb Gj F Eb Bbr+s E29 ie my heart won't let you said "Good bye, a skies and omy & heart all ery, (epee "ebmaioeye a \PEbmajgevs chy And Sen ts = ——— = men-tal ? s 35 =September Song Words Menor Anderson sagen se ae os Bb Moderately slow nt (Sass ag 32 Oh, t's @ Tong, long while from May to De-com - ber, but the days grow g corsa B Bhmalt ome (Shay ei) F fl Hs adi, - when you reach Sep -tem - ber.- When the au-tumn weath - er— 7 Fem py © hy F ath catlay ban time {or the watt FF ¥ mums the leaves to flame ng he p aa 36Oh, the days dwin -dle | crese. pocd a poco Edtm pre- cious few, a (EBay Tacet ool aim erese, poco e poco XT J a cosbaw) And these few pre - cious days FI spend with you Pe rhy ———— |b abs fe ae fer eeFly Me To The Moon (in Other Words) ‘Words & Music by Bart Howard Dmq-5 387 as OB om7 67 om 8 : Be @ & 8 Fm? my heart with con & Ema? 67 Ab ace aRound Midnight Words & Music by Coote Willams & Thelonious Monk Moderately slow, in 2 Am?7-5 Qe ae ray Bbmajr ty Bbr7-5 40Ebn/D Ebq/Db cmr-s pare fen = Ee ee a be-gins to tell ‘round mid - night, ‘round mid - night. Bw é Be 2 ik bm | Ep/D cmr-s Nmraadcheradachyabnadd ebaiaiac) if a & &” gr wr do pret = ty é 2 tr a ea mR | Sup per-time, I'm feel - sad. But it abm Ebm/D Ebm/D> om7-s Fare) Fel a i ce a8 Mem ‘ries al.- ways start’ ‘round mid - night, ‘round mid - night. r= = = s Ebm Ebp/D ‘cm7-6 ‘Boi7(add CH) E (add C#) Bhm add C)Eb Tadd C) Eg _ Y & er er Haven't got the heart to stand those mem + ‘ries, Abo? po by Ebmo a9 when my heart is still om7-5 Fs Cho Ab/Bb Eb(add FY)“ a ee 42Fs Bho Fb7-5 ele > a ——3—— | mean that our dove ——3—— BbTs cm7-5 Fr Bois you're Baa Dhosit abot pms BES hr ee” Ee] * 43bm Ep/D Ebm/Db Fmt-5 bo e i aa Be Let our love take wing some_—=mid - night, ‘round mid - night. bm Ebm/D Cmr-5 ‘Bm tiaad CHE Tadd Ch Bhd C)EST(aa Cy Ee as & be Fb “Ebmo aby = 8 Ee fe cts Erg cho Ab/BbEM add F efegce ~- mid - night comes a —3— —3.om7-5 cba om7-s ae D&E rat Bhagat ciao Fis Bm? Bs Amo phys | EME * 0 ink Ebmt 45The Very Thought Of You Words & Music by Ray Noble eT a Fm a3 Bb? kT Abin? ad) Be BS 1 don'tneed your pho-to - graph, To keep_by my beds, 1 hold you “re = spon-si_- ble, I'll take it_ to law, OO = Your pic- ture is _al-ways in Toney er have felt ike this x Fm 83 ey en ‘Edin Fim es Ea aj BS 1 don'tneed your portrait, Tm ‘suing for _dam-ag To call you to Ex-cus - es won'tFr? Abn gbansi7/Bb ay Bb? ay pret 2 ae ae A if For sleep -ing or wak-ing, dear Ti on - ly be sat- is ~ fied with rerrain [EER ae The ver -¥ thought of you, ———" Anat for-get to do, #44 Le 72 — Thelit -tle or that & = ry - one a7that’s ev! = ry ~ thing ‘The mere i - I ———> Fie You'll nev- er know + ments go ‘till Pm 48By De Ebr ae al He near to you, ——________—" Tee your face poco rit. Bn i Bint By as Ea 2 & ge 15 just the thought of ¢ 49The Wang Wang Blues ‘Musto by Gus Muslics Buster Jonson & Henry Busse cr F Mode: sateen gi # Wane, Wang She's gone and left_me with the Wang, Wang Wang Te got the ev - er-last-ing Wang, i ceneteag ‘And let me tell you, mister, 1 Tim only ask -ing’that_my’ Sweet F Gm faim p ab F Obaim Gm? (TGF #6 02a Ble a 68 8 knew Td be so. blue un til she went will come back and chase 2 - way those 50Ain't Misbehavi ir by Andy Razat Musto by Thomas Wallet & Harry Brooks [== ‘Thilth a» fie-kle age, Youriypeot man in rary ¥ = Happy. inside my cage. Whey way sorte where, Withsheaingal the rage, Here is one birdwith econt, Thmow yourealy care, thafawhy myconsrience never sleeps, i oe Tknow who I love bet, “Thumbs dowafor all the Nurewar a luek-y. ‘When fatevont you my NCO fy lovewas given, heartand woul; So it cametandthe teat, Andmadeyoummine a lonefor Keeps, Dit-to to all you aay. rere 51CHORUS Siowiy, with expression Noowe iotlkwith, all by mp-aef, Ro one owalkwithbot in happy on the abet ———— _— Popp ‘Aint me-be-buv-in', — Timaav-in’ mylove for you. ‘Yonthrs with irtin ite just you Tn think in’ of, Aintimicbe-havciny—— Tmaavcin’ my love for yo 52in thecorser, dol go aowhere, what do Tears, Your Risen Téortsay out ate, ——; dontcareto. go, Fmtone'stouteightjuet mead my re = dl-0) —Alahmi he-bavin? —— nana any neve toe gue you. 53But Beautiful Words by Jonnny Burke Music by Jimmy Van Heusen ql Verse D Bm? Em Ar D Who can say what love is? rit Bm? G Favs Fe? Bm7 E95 E9 Am7 Av When I hear dis - cus~ sions on what Em7 AT ABS Am? Ew'rybod-y speaks a dif-frent par 54Refrain (Slowly with expression) e Gedim Am? Bedim Or it’s qui-et_ or it's mad; Its a — Pert FP Fe ta D7 Fidim G Em AmT iG chance and if you fall, you fallGedim Am? Bedim tear = ful or it’s Is a prob-lem or it's play; thinking if you were mine I'd nev-er let you 56it Don’t Mean A Thing (if It Ain’t Got That Swing) saleby Bue Sngton Vamp Gm Gm? BT DT Gm Gm Gmé BT Gm Gm If itain’t pos - Gmé E7 Dlaug Gm Gm Gm? BT ODT Gm Gm? sessin’ some - thing sweet, —__ Ik ain’e the it ain't the 57Gmé BT Gm Gt Gmé BT AT ADS Dr ‘There's some-thing se that makes the tune com ~ CHORUS Gm Cat my Gm cr gotthat swing, crs FTsus B Diaug Gm doo wah, doo wah, doo wah, doo wah, doowah, doo wah,) It don’t. mean Gms BT —Diaug Devaug CT ons 5 * : = sa 7+ tt SS thing, all you got to do is sing, (doo wah, doo wah, doo wah,doo wah doo wah,Frsus Be Fidim Fm ‘Bo9Bo7 — doo wah, doo wah, doo wab,) It makes no dif-frence if EB Fidim C7 Fidim C7 Fr Gr pr givethatrhy-thm ev-"ry-thingyou got, gotthat swing, chs Fisus Bi D7Here’s That Rainy Day Words & Music by Johnny Burke & Jimmy Von Heusen Ln EET apes Slowly, with expression nf Broadly (with much feeling) May-be I should have savedthose left - = er dreams; Fun-ny, but Here's that rain - y — Here's that rain-y day they told me a - bout, laughed at the thought that it might turn out this —— _——_——————~Where is that wornout wish that = & on 2 Af-ter it brought my lov-er love be-comes a cold rain-y Fun-ny that rain-y day — aan 6Don’t Go To Strangers Moderately a4 ot ecenl Beild yoar dreams to the stars a - bove— but when you need_some-one true to love, = ee ee DON'T GO TO STRAN-GERS,darling,come to me. Psezac 8 fingers burn,— and =H jw to turn, DON'T GO TO STRANGERS, 62(raced) For, when you hear a oF be 2 : da EB Tol-tow your heart, you'll fol-low your heart I Fre been through it all, for br fm an old hand, and Ill wn-der - standif yoo gol So, makeyour mith for your T i hand, under - stand_if gol Ke y tor yo friends ty Seer bat when you _sewd,mope tiga com pa-1y- DONT GO 10 STRANGERS, a dacling,come to me a darling.come tome. e brsJust The Two Of Us Easily #=96 Biot atat LT see the crys tal 2.4. (s0e addivional lyrics) Fain - drops fy iiss is when the sun comes shin - ing Dhinat tH ea to make those rain- bows in my time, and I want to spend. some 65 ‘time with Fm Eat an Ee fall, and the beau- ty of through, re shor an aes i mind, when I think of you some - ey you.110 Choris oa a two. of us: we can make it if we try; just the 329.12. 13. ete (Instr. solo od lib) HE a (Bkgr) ‘Just. the two. of us. build ~ ing 5 = thes in the [BST ara TE TS cr Ft © iat re (fade)) or — (Bker.) Juat the 66Dhmait ctw cr Bites abt Bibi itaue an “binait bags 19) ERE or fe ae be i cae =e a= as tiene for tears: Wasted water's all that is, and it don’t make no flowers grow. Good things might come to those who wait, But not for those who wait too late; We've got t0 g0 forall we know. Just the ..(To Chorus:) Verse 3 hear the crystal raindeops fall on the window down the hall, ‘And it becomes the morning dew. ‘And darling, when the morning comes, and I see the morning sun, Twant co be the one with you. Just the... (To Chonus:)Misiriou ""Bierlanwordesys. Pina MoslebyNRoubarie Beguine tempo (not too fast) = tives kneel in under an east - een mStse my tone 3 pal lost blos-som of | Shal Old tem-pie bells are calling a —3— == = . . 3 = We'llfind our Kis - met, an-swer-ing osheav-en will guide SSSMoonglow Words & Music by Wil Hudson, Eade de Lange & Irving Mile MOON - GLOW, MOON - GLOW n 1 rust have been,‘And now when there's MOON ~ GLOWLimehouse Blues Worde by Douglas Furber "Music by Phil Braham Doe ‘Medium bright HH Qh! Oh! Lime-house kid — Oh! Lime-house kid — Qh! Go-ing the way that the rest of them did — > Pour brok-en blos - som and no- bod-y’s child — i Vass 7 , a Haunt-ing and taunt - ing you're just kind o’ wild Oh! Oh! ™Oh! Lime-house blues— I've the real Lime-house blues — BbT ie Can'tseem to shake off those sad Chin-a blues al Fz Bbm Bbm7-5 ie if Rings on your fin - gers and tears for your crown — that is the sto- if) Eb Ab Ab Ab BB aa fet" ef" — Of old Chin- a - town. 5Come Fly With Me sade 8y Sinn Van Heusen scorns ee Refrain (moderately, with 2 strong beat) ‘cass co cma 8, hor aah Ed FE COME FLY WITH ME!____ Let's fly!____Let's fly. away! or Ed = & booze _ there's a9 = 6 Ea 9 sy FLY WITH ME! Let's fly! oe BS Dm? or EyS Ey ay prt ss cmaja_o6 cmaia ce Eb07 § i oS Fe =: — = == — COME FLY WITH ME! Let'sfow down to Pe mi. om: aj? C8, his Land there's a z Ee flute for ahs2 e = a f of He off in the blue: | FLY WITH MB!___ Let's take ¢ Ab, Abe, ms co ie r Where the air (Once Dbmajt Dbs By Bhm(maj7) pyn7 —_EbT just glide, Once 1 get youdDb s a a & hold - ing r—- Sh Bot ey em Ss Weather wise, it’s such — An-gels cheer, we're to - geth ~ er. co poco rall a tempoae Ee ee fm ae say the words and we'll beat the birds__ down to = ca~pul- co 5 ‘Bog Bbr+5 pbr per = fect for ee FLY WITH ME! Let's fy 80Angel Eyes SSE oserle Freely, with expression Gm omé Am7, D7 fe i i verse Ev-er hed the feel- in’ that the world's gone and left you with pedal throughout Gm Am?-5 Gi7 sam m6 Ev-er had the feel-in' that you're Abs Fmaj7/G Dm9, Dm? G13 iia ag that close to los - tn’ your mind? ‘You i a1Medium Blues cm ors gp Amos BTS gm a age See BH Bm7-5 13-9 aay cool per - haps,— pre - tend that you don't care, Tacet a) Slow Blues. 38 Dm AS gm ATS eae i = Rp" a fa fae gap dam cme Abs ay) feck il you find, OF youll nev- er unwind, a t [Ft * opusast807 gbo7 Dm Bhs A7-9 Dm Bm7-5 Chorus EHREHR EE EQ ae Ge ER Tey to think_ love's not 2 - round,— My old heart_ ain't $ 83ie wy Bho? Dm abo Dm Bho Ar8 ah a Ee ey fe Ee that my love's mis-spent,___mis~ spent with an-gel eyes to -nigi FT-9 oh6 Dimil Gt778 an es grea faa drink and the laugh’s_ on me. 84Bb 47-9 Bn7-5 Bm? ATS AT 507 BbO7 Bho ee dead ea a «= age 1 ais a omg Dina sosion FREE Se ere ee 85Back To Earth Moderately (J:10) Fat oye “y a6e769) ‘ 1st Improvisation cms 12 24s ak, on > ota i aad $4313.32 pea =peerage= = ante) ane 198) cn? puse ppoe is . 2 ma p slower tolend cm Fa? Gn cm rai 89Lullaby Of Birdiand Music by. worde By George David Woe SSE Moderato, With A Rock iF De & chmr-s FHI-9 6 8 w E Hes LUL-LA-BY OF BIRDLAND that what 1 al-ways hear when yoo sigh E FPS owt sS Bm? Eat $F Amt E * A Fa ie ‘i S. a A é Never in mp nondland could there be ways to re- veal, ina phrase, Huw 1 fe a =| », i ay gee Bt S * S Have_you ever heard two * bill and coo when they love? mucsiec_we_gake with ovr lipp—————— when we kiss! rr 20Am amt be pre A con aR 7 & ae! a HB al ‘And thereb a weep-y old wil = lows. He real-[yXaows how to ry! — » & #£ &2 B 8 # LUL-LA-BY OF BIRDLAND, whisper low,.—Kiss me awect and well_ go Brot B . fly-in’ high ia bitdland, High in the sky up a-bove al be-cause_wete in lov el oren cor aeaaeeea| a 8a @ are Z il aLearnin’ The Blues Words & Music by Dolores Vicki Sivers, With a solid beat 07 cor Refrain ta - bles are ‘The dance floor's de - You play the same after the won't help you for ~ 92Eg fe ia love pong, W's the tenth time you've heard ot {Ree vate Nay SE Se” EGY E - Sabres Ebmaj7 ELS Ebm6 Ebm? i i fa That's the be ~ gin - ning, You're on - ly burn = ing Ror cm? ‘You've had your first les. - son, but you're ‘on the right track cient Ebr Bb BOT In | LEARN - IN’ THE BLUES. For{ 93EE = EbS o EDS Eb7 __ Bi a When you're out in 2 crowd, The blues will taunt you con ™™stant~ fa a Um OR p Cegsy EL a blues will hauntyour memo - ry. The nights whenyou don't sleep, —___ y oi i a —— The whole night you're cry - in', you can't for - bpSoon you e ~ ven stop ‘= EA 8 & You'll walk the you feel your heart _break,. Ebr Bb abr pho Ea ES a You're LEARN - IN’ THE —= 95Midnight Sun Words by Johnny Mercer Music by Sonny Burke & Lionel Hampton somapanautigrenmnreerateemcest tt Slowly, witha beat tn pt ge a) = ase aa nf CHORUS Your lips_were_like a red_and ru- by chal- ice, © warm~er_than the — — ES STN, The clouds were like an a - la-bas-ter = & 2 poleate rising to tow height sud - den - ly you 96[a = & held me tight, T could seo the Mip-Nicut Sun, can’t_ex-plain the sil-ver rain that found me, or was that @ moon-lit__veil?___ u-ni-verse a- Bbmt eho round me, or wasthat a night-in - gale?. me then your arms mi - rac - -lous-ly found me, sud -den- ly theae & aq ely, turned (pale, eens L could see the Mip-NiGHT SUN. —a——_——X a Ay Ea Was _there such a night, it’s a thrill_I still don’t quite be - = =~ = - But af-ter_you were gone, there was flame_of it __may dwin-dle to an em - ber, and the stars for - 98cnt » car oi a ie” Ee OR me to__ shine, ___________ And we may see the mead- ow in De- bo. = Bbmt a cem-ber, ie - y white and orys-tal - line, a: _ my dar-ling al-ways I'll re - mem- ber, when your lips were i ae I ee 1 ‘Mip-NIGHT SUN. Your MID-NIGHT SuN, Tes 99The Glow-Worm ‘Composed by PaulLinoke Medium jump Glow, lit-tle glow- worm, of fire, Glow! tke an in - can- Glow, lit-tle glow- worm, and giim-mer, Swim thru the sea of originat GOW, little glow- worm, the ‘key ‘on, You are e-qulpped with 8! shine, lt=tle glow- worm, rmer (elim mer) Shine —, iy - tle glow worm, — — eS Ses on Bg ae SS SS= SSS fly fom giim au ut a a « a q a a a SSS ———— Ee = F ? f = vent” dire, Glow forthe te -’ male af the spe - cle, nigh, t= fleswim‘mer; ‘Thou ser - O-nau-te-al Boll Wee - it; tail” ght ne on; You got a cute- vest pock - et Maz - da giim - merl(glimager) —Lgad’, us, Test top ar we_wan ~ der, SSS a5 = = = # . Z oi 2 ma woods pri-me - val; See how the shad - ows slow or ‘faz - da;* 1 don’t know who you call - ing yon - deri Shine, lt - tle glow - worm, a 100{SSS SSS SS x It > A, Brlght-alet, Lagat? oe is gt be erin diy Hatta et ey ee Whe aa Eee HED oP “I Shine to’ Or eho ere cue ton ike Stent to, gim - mer, (giim-mer,) Shine,— lit - tle glow worm, glim - mer! (glim-mer) = SS SS a 5g fp ve es g © * soe F au DT T ‘Det c B a Ed ‘When you got-ta glow, you got -ta glow, Glow, lit-tle glow-worm, glow. T got a gal "that T love so" Glow, Iit-tle glow-worm, glow. 1 got_ a gal that 1 love so,— Glow, lit-tle glow-worm, glow. Light “the path, be - low, a-bove,And lead’ us on to " Lovell [Fine for 3rd Chorus ‘bo. S. eI faa Glow, lit-tle glow - worm,. Put on a show worm, Glow, lit -tle Dm? a ¢ Fine tor 6k pete a ) “ae ea Ee £ glow - worm, glow. 101The Joint is Jumpir’ Words by Andy Razaf &JC Johneon Waiter ‘Miles by Thomas SS See ‘Tempo distueb de neighbors They have a new ex + pres - tells you when a ten times more than gay. or ee say that things are jump gh: 102cr F Fhaim Gmt ae &# 8 8 @ & ev -‘ry-thing is in full swing when you hear some - bod - y shout: (Here tis) == 2 Baim Sat fe g =a This joint is jump = in it’s real-ty jump ~ This joint is jump - in’ its really jump - in’ check— your hats, 1 mean this joint is fis toes, 1 mean the joint is jump = "ty Mose. ison i = > sae =e s 103F or F Flam C7, Fr “ # @ @ # #8 spot is more than hot, infact. the joint is jue and "out the mug [mean this joint is Bby Edm Bor Eb Bb? Bb a 8 & ee Check your weap-ons atthe door, be sure to pay your quar -ter. Get your pig’ feet, beer and gin, there's plen - ty inthe _ kitchen z = cr crs Fr fe a 8 a Burn your leath -er onthe floor... grab an = y_- body's Who "is that that just came in? Just look at the way he's The roof is rock the neigh-bor's. knock - in’. Don't mind the hous, ‘cause “Tm in pow + er.a i ORO We've all bums_when the wag-on comes. mean thisjoint is T got bail if we go to jal mean_ ‘2 & IEE ze 8 Hee \ — thisjoint is jump - in’ ‘Thisjoint ie jump - in’, 1s real -ly jump in We're all bums.whenthe wag-on comes,[_ mean this joint is jump- IT ge FOUF Pig Fame Wd, NOT 105The Old Piano Roll Blues Words & Music by Cy Coben = RSI raging Somers ere Ragtime Tempo aa CHORUS gain, I wan-na hear it a - gain,— The Old Pi- a-no Roll Blues._ ‘Were sit. tin’ at an up-right, My (op z t Be > > > = eweet-ie and me. Push-in’ on the ped-als, mak-in’ sweet har-mo-ny. When we hearrink-i-ty tink, And we hear plink-i- ty plink, We cud-dle clos-er, it seems, 7 Cia 07 r ae — And while we kiss, kiss, kiss a- way all our cares, 4 ne play-er pianos piay-a razz-a-ma-tazz,. T wan-na hear it a- gain, I wan-na hear it a- gain, The Old Pi-a-no Roll Blues.— 107Time’s A-Wastin’ ‘Words & Musle by Duke Eiington, Mercer Elington & Don George aE Lis-ten, baby the TIME'S A-WAST = IN‘ ‘An'T'm tellin’ ya itS dis-grace - z Miss-in’kiss-es we should be tast. - in” Sugar child,— now I’m beg-gin your lips to hast- xz a T need "em £0 roause T got a feel-in’ I got - ta glow. esi fF = Bhay Bi BS Fn 108Whilethere’ a moon up Canit our sung bemorethan just 4 tune up? = a7 Boor why 8 Z PS. [pe PELE Se: — — td —, te BY odin Po? wh2 RS? Ab Bom ase BB 1091 Can't Give You Anything But Love words by Dorothy Feiss MORSE eRay etioch “Moderately. ¢ oS phatm Amt Dr De i 1 Can't Give You An - y - thing But 110pe Cham Dmt sehem + in’ a > while, — Sie | SS you're sure to find, Hap - pi ~ ness, — ao 1 guess all those things. youve al: ways’=—sopined = for, © Gee, 'd_—_—sitke a of Baim »o f see you look = in Sy ia ~ mond brace - lets mTill that luck - y 12Tain’t Nobody’s Biz-Ness If |Do ‘Words & Music by Porter Grainger & Everett Robbine mon SRE ee TST Brightly Gm Bb Edim Fae Fg & eS = Eg If J should take a no - tion jump in - to the o - cean, If 1 go to church on Sun - day, then cab-a-ret all day on Mon - day, th e "Tain't No = ‘Tain't No - a 3 = i my friend ain't got no mon-ey, T give her my last nick el, 13Br Edim BO Gm cmt Fr a 2 & & & & & B and I say, “Take all mine, hon-ey.” "Tain’t No = bod - y's dnd that leaves me pick-le, “Tain't No - bod - y's ‘There sin’t noth - in’work and come home drag- gin’ then stay up all night rag gin’, eat three tur - key din-ners and announce that's just be ~ gin-ners T Bo Gat mtr ee ac ef fe 2 i OO ‘Tain’t No -bod-y’s Biz - ness ain't No = bod-y’s Biz - ness 15pb cmt Ckatm Bb FY, B bi7 ReEaee ., # £#§ real style set - stay out drink- but go home with someone bet ter, “Tain't_ No- body's Biz-ness If T and buy mea ten-grand Lin-coln, ‘Tain't No-bod-y’s Biz-new if I 1. cto chess FHS iz Chm? Daim 1 1 feed my wife. ba = lo - ney, and don't pay my al - i - mo - ny, 16or ff ain't No-bod- y's Biz -ness if | ress up sport ‘nilive to die be = fore I'm for - ty, Tain'tyour biz - ness, biz = ness, "Tain't their . "t No - bod - y's "W7Mercy, Mercy, Mercy ‘Words by Gall Fisher Levy & Vincent Levy ‘Music by Jose Moderately slow with expression — £88 & 4 & It seems_ life has played 2 game on me, Tm lost in T wait for you ev ~ ‘ry “sin ~ gle night, Hop-ing— you'll re ~ i fe atin th sis sea of mis-er -y My love has turned fPS! pack on me turn and make things right You don't. show and Tm eft! all 8 ~ lone f FT f "PF ae heartache why. won't you let me _ be. to pray= you'll. call me on the phone. iF —$— = neplease don't a stir make please: mer-ey on me, Interlude with - out Tm beg knees oh please— Mer-cy, Mercy, Mer-cy what would 1 for ‘one more you = ging pl i we one chance Facet) were through? has man-y a twistPa a | SEES a = SS thing T can’t Fecsist, Fa Chorus Hf fad BS ge SS = To just can't goon living With-out please— knees oh Please don't make — Ze aw a a E Mer-ey, Mer-cy, Mer-cy, mer-cy on me,— Mer-cy, Mer-cy, Mer-cy, Please (Tacet) please 120IShould Care Words & Music by Sammy Cahn, Axel Stordaht & Paul Weston, seroma oeenneremerrevae ‘Molto moderato e con espressione Toa don't be - cause, you -—— oo GF c Cm 5 + —— oP 1 have loved = and ora]Refrain Tenderly Dm? csc Dmt (crc) = Should Care, I should go _a-round weep - ing. a p.m atempo I should go without sleep - ing. es An Bn? ET cr S™1_co Gm oF = a Serangely e-nough I sleep well “Cept for adream or two, = = 3 => But, then, I count_my ——Dm? co c Dm? a oc 1 should let_it_up « es Am Dm Gdim BY Am E+ Am7 D7 Fe Dm? May-be I won't find some-one TS Tasreree aP 123Nina Never Knew Girls were made to mp a tempo Fo, abr Byrbs Eby Br 5 om? 7 SSS 6 did not un-der - stand, i ee ar ar SSS 25 4TELW = Pe x. [SS Sweet sur-prise filled fe SSAF one ae Bi T kissed her hand, why dreams be-ganto stir deep down in-sideof iy dovams began Jo 2 Jeep i her! J a f 7 Dey susec7 Fim Fm ‘When I whis-pered things that. Ni-na nev-er heard, Ni-na’s heart took a4 al fr Bhrbo__ 87 Bomt _Fi7_Eb+ ab Abn wings with evry tender word, Then sudden-ly she clang to me; she vee ? a bit crt cr Fm By Tm so glad that Ni- na Never Knew till 125Chances Are Words by Al Silliman Musioby Robert Allon sepa miners Sm Moderately, with great warmth 745 cs 745 ¢ C6 6 ‘an? SB & & veause I wear a il - ly grin, The mo-ment you comein - to to Ghancees Are you think that ir ers 8 a7 m6 & See ee ee ee my com- po-sure sort of slips, the mo-ment that your lips mest Te 128your ‘va higher optional ¥ cm om m6 B ‘2 & Chances Are you be lieve the stars a, Be os 745 6 745 ‘e & Ss Guess you feet you'll al ways be Theoneand a7@ = & = 2 « fon = ly one for me IF youthink you could r Am Bdim Am Chdim——f! Am or or-8 @ & @ & 8 |e @ & & Ghanc-es Are your Chane - Fant o7 m6 a @ & Ey Gg G75 a #3 128Polka Dots And Moonbeams | Moderately at re tn : bea S & & & s Be 1296m? co F om m7 Ae OAT, g @ a om Bom F fom Sma 8 & Ey 6 ‘8 ae i im my fight eed ame ram, ET A Gaim Bm? EL om = Fim am al A Gein a # # & &§ a = 130m7 Om ET Fim? diem Guz = & & @ & Ey Hs ee Gm? co F om ey Gm7 coMississippi Mud Words & Music by Harry Barris Segre Moderately slow, with a beat ¢ aT er BT i Gh a Ey & & & @ ‘The peo ple gath - er ‘round and they to shout 7 ¢ Coin ¢ Céim Cain G Cdm Gg ¢ Cdn # = ¢ @8 & # &@ # & & & to beat your feet on the Mis- sis -sip- pi Mud It beat your feet on the a 132On a. om & a & = = = =e —— no 6 ba They ep They don't need g. Ay a & = = Fae pe = 3 Chew-"on’ on a cud When the poo ple beat their feet on the | Mis- sit- sip - pi Mud 133sm gL am etm Am am tm @eeb @ 8 BBeH & 8 = how cy 7 Cy ¢ a7 or oar cém c. 8 e — & & @ a & 6 how they pound the mire with vi gor and as fe Es 8 | stow when they 40 Say! they best it up ei =ther fast or slow. ‘When the ? 134It’s A Raggy Waltz ‘Musle by Dave Brubeck ann a It's a raggy waltz, a raggy waltz, a raggy waltz _It's a raggy waltz, a raggy waltz, a raggy waltz, That I'm gonna dance with you. And no other dance will do. Now that you've heard this very funny beat And when the dance is through Let me see if you can feel it in your feet. ‘You're gonna say, Yeah, you've got it! Startin’ to swing! “Never stop romancin; dancin’ in this way Just forget everything, Makes me love you’ Raggy waltzin’ with me. Out on the floor you'll be askin’ for more It's not a waltz that’s Viennese, Raggy waltzin’ with me Johann Strauss ‘twould never please, Come dance with me. Walte Tempo.with a swing c or Gain i TSS me TFS cos 8 rag - gy waltz, a rag - gy | waltz, a rag - gy waltz that ee or ct Ra ose 2 2 a a en gon - na dancewith you, Now that you've| heard this ver - y fun - ay —— feet. Yeah, you've got 1357 or av, —1 “as 35 Start - in’ to swing! Just for -| get ev - ‘ry-thing, —————— Bh? Eb AR Gm71h5) c Em ann | strauss rag > gy waltz, 136Gaim ae FS = 2 s waltz, a rag - gy waltz, and | no oth - er dance will do. ‘And when the =— cr Chaim ot pon aa mo dance is through you'regon - na | say, "Nev - er stop ro -| mane - in dane - in’ in this =I soe way makes me love you."| Out on the floor you'll be | ask- in’ for more, rag - gy ——- cy ce Di G Coda D+ 7 me, Come dance with =——— ] v at tt ue 137You’ve Changed ‘Words by Bil Corey Music by Cart Becher Tye an aw -flly fun- ny feel in’ that this thought that’s been a - steal - in’ tha my tou cn 2 eo m brain is motto be But to real -ly tell the truth, though I'm not a wellknown sleuth, 1 honest - ly be-lievethat you are bored: 138cons a & YOU'VE CHANGED, spar-Kle in your eyes z Ee Ey mile is just a Fa my heart, YOU'VE CHANGED; —_—_———————*_ YOU'VE, s a fe & CHANGED, 109can’t un: derstand, _YOUVECHANGED, di de dk ch a gotten the words, “I. love rod Bia i — you", sch mem- 0 - that we've shared. —_ } = Fa Bae nore ey - ty. starfy i s realize you ev -er cared CHANGED, He i ae not the an - gel I reed to tell me that we're allover now __ YOU'VE CHANGED. 141Everything Happens To Me ‘Worcie by Tom Adair Musto by Matt Denne ‘Slow Rhythm om ea Binds) Verse (rubato Fa a Black cats creep a - cro omy path on - til Tim al most mad, ely i) on, be Ebe. gin must have ‘roused the one, 7 cnr Des ae Be Chorug Slowly make 2 date for golf and you can bet your life it 142A ¢ & & @ & pest Hl gothra life justaten-lo rf guy upstairs Complains, T tty fo give a part-y and the v Dp? i a & colds and miss = iny trains EV-"RY-THING HAP- PENS TO ME eee age meas - les and yart- ner all- ways trumps, 143ee guess Tnjust 2 foolwhonev-er looksbe-fore he jumps,‘ EV-RY-THING HAP-PEXS TO ME_ TF Fmz Bhe Ebpajs Ete aH it ‘At list yfeart thot you could break this jfax for me, Fat Bin Ebpais EMé emt are ae oa fe Be ove would torn the trick to end des - pair, now T just eas foo! this head that Dmajo ps. cs pe ORF one Py 144cus fe cer ad Bhai tel = e-graphed and phoned, I sect an “Air - mail Spec ial” cot Bs, 2. Ens-wer was ‘Good - by? And there . was Daim aa pp & fell in love just once and then ft 145Lover Man (Oh Where Can You Be) Words & Music by Jimmy Davies. Roger Ram Ramirez & ‘Srnmy Sherman Don't want to be 1468ia T don't know why but I'm feeling 0 sad. Never had no kissin? fe se LOV-ER MAN, ch where can you be? T long to try something Oh, what Pve been mise in’ ‘The night is cold, and Pmip a Es] a ES Td give my soul just to call you my own, _ fe a oe ee Got a moon a Dut no one to love me, LOV-ER MAN, oh where can you fd Tve heard it said thatthe thrill: 1 go tobed with aa Es 3. pray that youTlmake love to me, Strange as it seems. a —3— ro a if & & Some day we'llmeet and you'll dry all my tears, _ ‘Then whisper swee - « ig 2 things in. my ears, Hugin’ and a kisein’, (Oh what we've been missin’, 4 i LOV-ER MAN, oh where 49The Lady Sings The Blues Words by Bille Holiday Music by Herbie Nichote Slow Blues a ee en) mignon — _DYSINGS THE BLUES, wo the world to just what the 150we (orem) ~ _ DYSINGS THE BLUES, ao the world will Q a Ge ay FE a just what the blues is alla 151get bad start, when youand your man. a and ery, and now te (cba) DYSINGS THE BLUES, po 4 182io eo” - a GB GE er gon - nasing them no more, __ iF 153The Girl From Ipanema (Garota De Ipanema) Criginal Words by Vinicius De Moraes Engh Lyrtos by Norman Gimbal ‘Musto by Antonie Ganioe Jobin Se Moderate Bossa Nova Pe Refrain = Tall asd tie and pomp ad ioe, THE GIRL] RON Wc at, ESF Sw fF fot oa cm che she paw <8, each one she MA goes walk - ing, and when— pees the cack one) pas es goes wr ¥ t con - on Fat ce iz S yshe walks she's) When [Tye walks he's! f ‘swings $0 cool and sways so gentle, LS aes 184Gm? on, ee Fe es, each one —— es, each girl — 2 Spas Fea Gh maj.7 cso Perce oe a bo Fter bo tove | fete: — Twould give my heart glad - ly, Ag? roi = But each day when {REI watks to _the a5 155a ane Fa? looks stright a - head not__at ce a —_ a ae and plese - ty, THE GIRL jFROM 1 PANE MA goes walk - ing, and when thand some, the _ boy — ) She HERE] just doesSweet Sue-Just You Moderately ft _ perme : = aS —— Sue, ____________dry your pret-ty eyes of “hie ——————— Tears were nev-er_meant for why — stouldyousit arround and sigh When the sun up "inthe Smile _a-while please do, . = Shinesfor you and, My cr ae bt SSS + ats oes Dear,______________ don’t be- lieve the things you heaf————=_—""__ You _ know I'm Bes, ———— tint rere me ag ee oan = Now that” you 187Em? > en708) fan EE _ a fs = 2 Z : = one - ly for on= ly sweet yous ee | know it, to show it, TM ty ‘CHORUS — Am? bo Am? Du nistay ce Ee star a= bove________knowsthe one I 158> Der Gon? amis _F. Bm7s tr! © No-one else it ser sharesmy am Am(7) Am? Amis br Amt ‘out you, dear, don’t know what I'd In this heart of mine br Am? D7 pis) eH) EE a GR aa you live all the time. poco! rit 159Fever vier tuo by Sot Dovrpert i oshy See Moderate jump beat (snap fingers) ete, VERSE ad 1, Never knowhow muss 1 tve you Nev-erkgow tow macht cae 2 Sun" lights” "up the day-time, Moon. lights up_—the hight. ng £7 Am \S When you put your arms a- round me, get, a fe - ver that’s so hard— to pn *tigne “ip" when you call” my’_name, And you_know I'm gon «na treat you CHORUS tacet Am F6 |, Yousive me FE - VER When you kiss. me FE-VERwhen you hold me =] 160eS FE-VER all through the Ey za That is. something — you all know FE-VERis- n't such a new thing FEVERstart-ed longa - go. ‘Additional Verses Verse 3: Romeo loved Juliet, Verse 4: Captain Smith and Pocahantas Juliet she felt the same Had a very mad affair ‘When he put his arms around her, he said, When her Daddy tried to kill him, she said, “Julie, baby you're my flame.” ™Daddy-o don't you dare.” Chorus: Thou givest fever, when we kisseth Chorus: Give me fever, with his kisses, FEVER with thy flaming youth. FEVER when he holds me tight. FEVER — I'm afire FEVER — I'm his Missus FEVER, yea I burn forsooth. ‘Oh Daddy won't you treat him right, Verse 5: Now you've listened to my story Here's the point that I have made. Chicks were bom to give you FEVER Be it fahreheit or centigrade. Chorus: They give you FEVER, when you kiss them FEVER if you live and learn. FEVER - till you sizzle What a lovely way to burn. 161Take The ‘’ Train Words & Music by Bly Strayhorn soompi emtacenee i 88 gs gs Ge os —— If you want to go to Harlem, ‘way up to Sug-ar Hill, Adie co 6 ag GA Where those danc-ing feet you read eee 162Eb cp EST a SEB SH gly OE go to Sug-ar Hill ‘way up in Bias) & ee | ew! ae ib aS a find you've missed the quick-est way to ae Db iecom-ing Lis - ten to those rails a - se E) a ae thrum-ming on the = you will be on Sug-ar Hill inSlowly Georgia On My Mind muaic by Roagy Carmicheet “ ge Gener TF pa GaGa GRIEF id gy, pe ae ae FER | oldsweetsonekeepsGeorginon my min ‘mind.One Note Samba (Samba De Uma Nota So) (Original Words by N Mendonca English Lyrios by Jon Hendrick ‘Music by Antonio Carlos Jobin Bossa-Nova fa il they have with a sim-ple mel - 0 - dy + ed. and re- peat-ed con-stant-ly,——— ‘Well my love is like-that «am with that _sim-ple_mel- 0 - Just_one sin gle stead-y feel ing thatsrepeat ¥ = __it a 1684 5 = Sa a pa ee SS tara-img, A burning fre. 1 all eave wuneverfor 1 know that youllforewer be re- eave never or fhe tat yeuor er be BSS 7 Fs == a = 7 Saaasa FF + == ee ad cj a ay _sin- le notes asym SP a Jove have for you ‘And my single noieere - peat - ed for my love is con-stanttoo F: ea - F Yes, if ev-er [should leave you, 108 fo easy ena ‘m2 fle note a - gaia o o nar eae “Tae 169Meditation (Meditacao) Criginal Words by Newton Mendonca English Lyrics by Norman Gimbel ‘Music by Antonio Cantos Jobim ge and Tm all by myscif___and | need____your car - ess t t FET? ° 5 Abd te though of you bold =ine_ me t FF ‘makes the lone i= ness soon dis = sa - pear1 have on=ty_t0 close my eyes___. and you are ied t t ‘And the sadness that miss“ing_you brings ‘one and this heart of mine 4 —— —_ Fete EEE OF PRCE PEF that for me i all Teed t_ Krom tao wait for_yeu——___ ‘ull de sun_falls_from oyt_of the for_what ele i+ w-ting how sweet i will 12 - ting how sweet life will be, when you come back to ¢ aarm Beginning To See The Light Words & Music by Harry James, Duke Elington, Johnny Hodges & Don George, Medium bounce i < Sh ram a iarts affy ; ___ does == 5 SS = 7 T ney er cared much for moondit. SS = o I onev-er wink back at But nowthat the stars bw amT as ai Hi + + == =) = SS = — gin-ning t© see the ight — Tnev-er went in for‘candle - light be - gin-ning to see the light. + ble thru the At eas : a Then you came and m4br spark, That's a four en Bt ah ney-er made love by lan tern a Amt ‘a-lam fire shine, But now that your lips are, # gin- ning to see the light. 75Stars Fell On Alabama Words by Michell Par Nusio by Prank Perkin some gane nacre come Slowly zen) eee Moonlight and mag -no - lia, A109) on HALEY g 709) star-light in yourhair, all the world a dreameome true, Did it real-1y hap-pen, was real- ly there with Hed ourlit- tle ——.fi gt aa my fe GA! = eos gee dra - ma, we kised in’ afield of white, and stars fell onAl-a- | ba - ma last. night. I nev-er planned in my im- a-gi-a i ey De? ty ant Bisse) BT Baa Afai-ry land where noone else could erie fen - ter, and in the cen -tre___ just youand ge a ham-mer, my arms_—wound a-round you tight, Ss Heart beat like ae ba-ma lastnight,Violets For Your Furs ‘Words by Tom Adair Musie by Matt Dennis Slowly of ye vubato Gia) TREE It was win-ter in Man-hat-tan, Fall-ing snow- flakes filled the air, 97, & streets were cov-ered with a film of lit-tle sim-ple mag-ic that Id Ea? rd oo, i Eg by it EER EE heard a- bout some-where, Changed the weath-er all a-round, just with-in a trice: 79769) u a rhythmical fant ait ft CHORUS Siowty and rhytimica ff HR HER ES I bought you VI-O-LETS FOR YOUR FURS — and it was Spring for a while, Re- cou) We) (ays ™P-f Famaj 9 Fouj? 56 fees \em-ber ?__ I bought you VI-O-LETS FOR YO" FURS, and the til in that - member? of Bought yon VIO. UR and there was Ap-ril in that De fr F a Gn bbs ay, Fmi9, a pba? id BE #08) a Ei Ras — Be re Gay chy EES. The snow drif-ted down on the flow-ers and mel-ted w a cots) = Fmaj 9 7 oe? cre cB AEE lay, The snow looked like dew on the blos-soms__ as on a sum-mer day z t ww 180Faaj7 fs I bought (You) 710, jo dot YEO-LETS FOR YOUR FURS and there was blue in the wintry sky, e) T—_4 ) My) Fait ES Boa? ee dh Feajo Fs. fl Youpinaed the VIO-LETS 70 YOUR FURS and gave a lift to the crowds passing by, a (My) Bb Hie 2 bo * cm s <¢ Br esto as gp EH smiled at me so sweet- ly, Gaz Since then one thought oc- curs, e706, Bb Bhdim Faia, (Fave), a7 f crt), a That we fell in love com- eal go C7 0 se HE doi ste ahh slp Plete-ly, The day that I bought you VI-O-LETS FOR YOUR FURS ___ FURS, ey) (ou) (Me) 3-9 181Will You Still Be Mine? Words by Tom Adair Musie by Matt Dennis Moderately & Baim cm? Fr Es i & B 182m7 fr or ps Fim Gm Es _& Ea & 8 8 win = dows light the or Fm. Br BTS EbmalT 5 183Bain om? £ ie @ When lam ~ our phe ave lot thei Baim om? 3 om Bet B Am 87 co cr cma 104A Sunday Kind Of Love Se aia Moderately Siow @ love to last past Sat - ur-day night, "a like toknow it'smore thanlove at first sight Gm7 C745 B/C F6 ‘m7 Abm7 — Gm7 Abm6 E7-5 = 185Jove that's on the square, — Cant seem to find some - bod - y to care je + ess = aS See Es f pe 2 — a a a Bb/C =——, ee = wpe tim on 8 fone ty road ates me po = wre — fe 8 eee do my Sun - day dream -ing and all my Sun - day schem - ing ev - ty min = ute, ev = ty hou, ev - ty day. tm 1869 D7 69 om7—G7-9 ca Fagim cer = tain kind of lov - er, hop - ing to dis-cov-er a Gm7 F6 EB Sor ae >; BEE Gm7 Bomé love for all my lite to have hold. Gm7 will show me the way. At ors C7+5 ——Bb/C es 2 Sun - day kind of FS 07-9 Gm7 Ea Guitar Tacet Gm7 Bom6 Fmaj7ATaste Of Honey ‘Worcs by Rio Marlow Music by Bobby Soot SE, Moderately Slow taste of taste of ‘eee as 188back for the hon-ey and vou. vu HeSo Nice ‘Music & Original Lyries by Maroos Valle & Paulo Sergio Valle ‘Engh Lyrics by Norman Girnbel Scere. Relaxed Bossa Nova Some-one to hold me tight, that would be ver - y lee —Some-one to love_-me right, that would be Some-one to un-der stand each lit - tle07-9 Gm7 Em7-5 ATH some - one who would take my hand and tam- ba thu Some-one to cling 10 me, stay with me right. or wrong = — — = —— =i => = = = Fae + some -one to sing to me some little sam ba song, Some-one to take my hear, BES =p F 191fome-one who's read - y give love 8 start with me, Amy 07-9 Gm7 cra F Bo you and me, ® 192Imagination Word by Jonny Burke municby Sing Weetowsen Moderately be — loud = y day sun ie Fm crs, Fm? Bo B+ Gm? im: B & & & 2 8 193& Gm7-5 Fm? B7 Fm 15 Fm? Fm om G+ Cy f & Fn? ca |Let's Get Away From it All [= Lively & 7-9 a7 » Lew ake Fm a7 Bocien7 7, F9 wT ES & & @ Ey a Lets ke a kay ak 1 Quin-ey or NyFm BT Bodim c7, F9 87 & BT = a a ga a € 8 Lets ake a pow = der 1 Bor ton for chow de, Lets Ga As way From it All ee e aS ‘e Ey ‘2 LBS Ge A nay — From All cat = =ANightiIn Tunisia ‘ute by Fan Para ohn Deny ieee Manan Seer Moderately Fast Coceecltcaaia a o + SS =_= SSS B7 Dm(+7) BI Dm(+7)Dm(+7) BT Dm(+7) 87 pm(+7) Gmé AT-9 om(+7) ie Ath = EeGm7 F#7(89) F6/9 BB fe Bom9 Eb9H11) Dm +7)Dm6 is i Guitar Tacot = Eg Ez iwey womy ey Umer omy oy emp zi i eae eens Oe be. ge ft $5 : Se Bom baie) reco Gor Fe/9 Bom? ED 9/211) Dm(+7) BeRemember April Words & Music by Don Raye, Gene de Paul & Patricia Johnson. Sere Moderato This love= ty day will Jeng = then in to ev “ning, well sigh pood - bye to all we've ev-er had fe wth Re emer A plan ee == mF a SSS 20496. cm 7 omay7 a6 B & be con - tent, you loved me once ——— mz fT Bomai7 | Asst ad et oe roe for TT) Ema? £6 Amt o7 S 66 maj? a 2 & é & ge eee SSE = ae t + T The fire will dwin-dle in = to glow “ae 4 Tt FT al 205am? 07-9 6 65 Gmaj7PiiBe Around Words & Music by Alec Wier See Moderately and a, Dm7 Em Fmaj7 ME Gfaim P a Chorus nL al Ea aR TLL BE A - ROUND Nomat-ter youtreat me now, = p-mf a tempo jn Doz ade ¢ zbs ab Dmqbs) o7 I'LL BE A-ROUND from now 207“ Dp Ep, i ae J Graggk ONgim oT lat = (est lovee last, And when its Tif A - ROUND when {Bes} F * F dim, obs Gm Baas eg Fmaj7 6 ofa Dm 4, BR OR Tf you find a love like mine 208Dmzadso gp a, Dp7 or, drop a line to say you're feeling fine. And — = im Bat Dpa 5 Pai Gregg Gigip a i es ae Ht a fi Per-haps youll se you're meant for —— % BE A - ROUND when {203} re Eb ab Dmzos) 3, I c. Dm7 ©, DBT ©, | 208Early Autumn Musto a Mee Herman Slowly, with feeling ae, Ae et ste. te, | ‘Autumn walks the land______"“And chili the breeze And touch-es with fer hand 210y 57 ‘oma a7 yg os A in es a @ 8 frogt_—_y _ win - dow ~ pane —— maj 6 om? maj im That sping of ours an81 BT Ama? ASG. os = zs & 8 & &® 8&8 @ Please let me row, I [ar agg gg eg ag ig 28 8 lge 8 8 a8 @ 212Snootie Little Cutie Werde &: Music by Bob Troup Eee, Molto moderato a 2 * == =] SS SS Se c cms a7 br AkT Dm? G7 <= 2S SSS = SS S55 SSS SS pale little frail, _ You're not a sick lit - tle chick; You're swell! fra! it tle mate Youre not a smug lit = tle ‘pug: You're swell 213atempo — P-mf —3— (oy) You're a Snoot-ie Lit - tle Cu - tie,, You're a pert lit - tle (Girl) Youre 2 mel -low it - tle fel - low, Youre a coy it - tle c Dm? or Dm? G7 c C7 Caug — You're a flirt You're a joy: You're a knock-out, you're a beau -ty. —_ You're ter - rif - ic, you're for me, “Joe, You're a dap-per lit-tle flap-per,—_ You're just. as cute as a trick; You're a You're a read-y lin -tle stead- You've swept this girl off her feet; Youre a —S kiss-y lit-tle miss-y, you're a vain lit-tle Jane, You're slick|____ You're a shifty" lit -tle nifty, you're @ shrewd it -tle dude, You're sweet! You're a terDm7 or Dm7 G7 \Coeeeeeee Omg) (Cl) SS pf sooth = - SS i— = = (2555555 === = = | class-y tittle as - si You're a keen lit~ tle queen; And al- hand = lit =tle dan ~ dy, Youre a glad lit - tle lad: You're a Ee tho’ sometimes you're sass-y, And you're mean; I'ma fiend ick - up like good bran-dy, You're not bad: 1 go mad Fm prs c Gms6 mance with you, Squirr-'lly lit - tle girl - ie, you're fine; You're aknockout, you're a beau-ty, mance with you. Sooth ~ ie lit - tle smooth-ie, you're fine; You're ter-rif = ic, you're for me, "Joe, ——— = = AT Dm7 G7 he G7 7 c Snoot-ie Lit-tle Cu-tie, Snoot-ie Lit- tle Cu - tie mine You're a mine ‘Mellow little fel -low, Mel -fow lit - tle fel - low, mine. You're a mine,Slightly Qut Of Tune (Desafinado) Moderately F Po et have Now the oreh oh Lyre wc Hendhicks & Jessie Cavanaugh Hah ~ ing of 216ors oe Oe Cowl F a = | = a 207tim m7 @ Gn7 Fim ar Stam yOu OF Tne Tine your heat 2187, cms ors 07 m7 & 8 Se Ey Yout fing a * 219Cute Words by Stanley Styne ‘Music by Neal Het! Dm? EmTAT+569)0m7 GB cs ay, D7 EMT A7+5(69) = 6:3 = & & Eaar emai am6 ar-8 om7 En7 A7+569) on? ara 6 [one aS] 1? ¢ 22 eae $=([f#* /s $y 221Adios Engl Words by Edcle Woods msn 5 Searieheraa by are bnacrigvers cere, Moderately Emi) FT ebmart) tae ce ty iy We were so hap - py dear— together, ‘And ev -'ry dream of joy we knew, Yo (a a-le-gri- a demi vi- da Es co-moun sue - fio que se vi—y or a) fp BR = a GE In the air, dear, for - ey-er,— A worldof love for just_we “twor porquéai lle -gar de nue- vo el di = @ con miY-lu -sion me he dea -le - jar ne Bm) F ae Ge But ev-ry dream must have.its end- ing, Our cas-tle falls and we must part— * ae Por e 50 ven-g0 A des ~pe-dir- me dul-c&’-mor— 222Beet Dir Gms) a gis a So, dear, this mes-sage to you I'm 5 ‘Aword of hope, from my aching por'e's0 miai-ma triste se 7 feuandoa-si te ean tas su do ~ Smoothly ag $8 ae a ne in lav-ing you, it grievsme toy 3 Me voy lin -da'mo-re - na le jos de Tl be so lone-ly, for you on ly 1 EI al- mahe-chd wna pe - na por.quéal par- 223Am 9 8 ae sigh and cry_my a - dios, a - dios_ to you. Tir te = mo_que tol» vi- des nuestro’ mor. ‘And in this Her-mo- sa om oe Dn pp TG ag o oF Gi i ae) Gt in aie aap a, is mem-'ry of what used to be—dear for you and me—set a - mial-ma cau-ti- vas - te con-la fra - gan-cia de— tu can = ms 3, Am, Dm F Deg ep c Hoes ie aye watchingand wait - ing a - boye cre f0- da mit-lu = sin tie 224Gmi/C Eat HS o Gut F Oe cn & Ob a HS Ge E fH ee] Ein for hap-py endings 1" re-turn,dear to ‘me voy lin -da mo-re-na me vy déa- =o.” ee er ere my fig GR fe ae ox ———— With a lovetrue, no more to bid_you a - dios Allo -rar_ mt’ tris -te-2ale-jos de ti 225Don’t Worry ’bout Me Words by Ted Koohler Music by Rube Bloom Moderately ——~, 5 ebm? E309) » co ls mg EE au 3 GBR ‘Thisis the one mo-ment that I thought Inev-er could live thro’, But now some-how, that its here, my dear, that 3 imp colla voce seems sweet Bim Bim ey Bimt er a —— It's plain that Fate did-n't want us on a FfE19) fen BE Abe Aig, Asma? A, cuorus ft : aay Ey 413669) fH Be ea — ~3- eb = HB re cour lit-tle show is ov-er and $0,The sto. - ry end, call it a day the a a a aur Esng9) Bim7/E> Dyfaddo) Fim T/C Hae oe fe 3 3: + — sen- si-ble way, And still befriends ‘Look out for your - self —3— I ey ey é =S —| = = of 227Asma HEE bop ees be the rules a ae —— as be a fool, Dar-ling, why should you cing to some fad-ing thing that —3— I Bim? BG) as Gf as a Ge ae : 3 you can for - get, Don't _wor- ry "bout —3— + Misc out ey fr ae i za [EE Hn ‘molto rit 281 Ain’t Got Nobody (And There’s Nobody Cares For Me) Words & Music by Roger Graham & Spencer Willams Slow beat re Gr Em oe Ea GF fe ie ia 1. There'sa say-ing go-ing “round, and 1 _be-gin_tothinkit's true, Its 2. Wish I on-ly —hadsome-one that ‘I could really call my own. For an a oe re = ful hard to love some - one theydon’'t care would mar ry him at once, takehim to ee is, de ai f ——— SS SSS 3 +4 Et SI << =| bop 4.P chain P 7 and lone - ly, forhe’s gone and tumed me down. ove me, noone to content’ my mind, Ue "Cause ars conus ite Side dh Ge ws ain't got no - : 7 ‘And there's dy cares Bp ory of?) Ar a EEE a so sad and Jone ~ i won'tsome-body come and take a chance with 230gm tam 07 oy _ tata Ea if TM sing sweet love songs,hon-ey, you'll comeand be my — sweet ba - by mine, ain't got no - vo = AG) Bbdim Daim Am Fg7] [ 7 f EtG) GEER fs 231East Of The Sun (And West Of The Moon) Words & Music By Brooks Bowman He ag |“ wish that we couldiive up inthe sky Where we couldfind a place 2 way up 232233bi iors live in a love - 5 5 Living on love and pale moon -light, = T Zz Just you and =r ¥ g I yo? amt f a r Love will not die, ‘Antsy Ant 238stars we'll har -mo - ny of life 235The Night We Called It A Day Words by Tom Adair Musioby Matt Dennis rasa Sree See ca te “a & ay FE din) s an7 2 an Do poe Seem to a - gree that night is the _—_ time of 236Gmj7 Em lov-ers' meet - ings, To-man-tic greet - ings, To — Gai EH my mis- for- tune, i f whis - _pered —,— 4 “Good - Fi+G9) was bye” A D7 Gait Daim night when you 7 ce sad - ness, much too aor # 237 soon: ——— =Ge Be cain CHORUS There was a moon out in space, But a cloud drift-ed ov-er its (eae 3, = im, io 5 Es? Bhiiw Bp? Aa abr face, You kissed me and went on your way, | THE NIGHTWE CALLED IT A —r_ —_— me igre " [FB * cs aces By, Gmyj7 , 98 oe DAY, I heard the song of the spheres, Like a min-or la-ment in my —— Fema rr oe iF gi re EE cars, I had-at the heart left to pray, THE NIGHT WE CALLED IT A DAY, ao — T aed Hee FE 238thru the 5 dark, of an owl in the sky, SS 5, a Ga de7 Bs, 4 Fe BUS Eat, ae Bhdim Bb oP? C= Fimé Cain 8 BG Sad tho'his song, No blu-er was he than I, ‘The moon went down, stars were ca So 4 yl id Gmaj7_ 8 3 ered a gone, But the sun did-n't rise with the dawn, There was-nt a thing left to se = TS A Gdim Bhs or a say, THE NIGHT WE CALLED IT A DAY, There was a fot so 239Slow blues tempo See See Rider Words & Musie by Gertrude Mai Rainey F abim om Hi Fa GE aid Tm so un-hap -py 1 feel so blue rs = SS = oe ——; —= = Right from the stat Tho’ it seems to hard to part =e = = SS 240F Fim see ee = 3 now your gi done comeNow your girl done come.— cHoRus 2: Fm goin’ away baby, won't be back till Fall, Law, Lawd, Lawé. Goin’ away baby, won't be back til Fall. ‘ If find me 2 good man I won't be back at all cHoRus 8: Tm gonna buy me a pistol just as long as Tam tall, Lawd, Lawd, Lawd. Kill my man and catch the Cannon Ball. If he don't have me he won't have no girl at all. 242Hey Lawdy Mama Words & Music by Clive Reed Slow blues tempo a a a aN got mouth full of gold — Hey Law-dy Ma-ma, sh} 243SSS = ooo ce _ time he makes my blood 244VERSE 2: ‘Now the man Iove, the man I long to see Hey Lawdy Mama, little pretty Mama The man Hove, the mart long to see He's in Cincinatti and he won't write to me. VERSE 8: ‘Now the man I love got his feet right on the ground Hey Lawdy Mama, lite pretty Mama ‘The man Fove got his feet right on the ground He's tailor made, he ain't no hand me down. VERSE 4 Tin down and out, ain't gota friend in the world Hey Lawdy Mama, hey pretty Mama T'm down and out, ain't gots friend in the world Tknow I've been a fool for being someone elses git. VERSES. When {liad money, I had money to spend Hey Lawdy Mama, little pretty Mama ‘When I had money, Thad money to spend Every time [eft home, Ihad a brand new friend VERSE 6. Soon this morning, about a quarter to four Hey Lawdy Mama, little pretty Mama Soon this morning, about a quarter to four You brought your new girl night up to my door 245IHad You Words & Musle by Ted Shapiro, Jimmy Campbell & Reg Connelly sommes Moderately schem’dall_my hhea ven to til 1 met you know all the Bliss om Had (a tempo) EEE I. dream’dall my dreams (My) wholelife would be, Just P (a tempo) Bb PE But somehow it just Dear, if you'd learn seem’d wrong; Un - to care, To ‘And then,dear, I knew, ‘Of —yourlov- ing kiss, cHoRUS (With expression) 1 could show the world how 246 To me you must wait-ing for me torot Es Ebms Bee all of the while I could changethegrey skies to blue Dm Bhdim aim I couldleavetheold days be - i Ebms Be Bhim pals, Ta nev - er mind, I could start my life all a- Eb6 For Bb cng ad a a him i 1 had _ 1 could climb the snow capp’dEm7(5) A7(69) on ioga | «BB gyi Spet aaee chal Fe] ‘moun-tains, Sail the mighty 0 - 1 could cross the burn-ing 1 ——~ ar et Em7(b5) ATb9). ~ cm? of? Cm? oF? oBb [ee ey a des ert, If T hed you by my side, T could be a king, dear, un- —= _—_~ Fer eeete i ai crown'd, Hum-ble or poor, rich or re- nowned, There is no-thing I could - n't ‘m7 am7(o5)_P? 2 Bb Ene a teat ee (2) My you, NT 248Pm Gettin’ Sentimental Over You Wordaby Ned Washington Additional Worda by Reg Howard ™ ‘Niasicby Goo. Saasman = Y® Very slowly 1 was just an-oth -er who Never masa dreamer “un es Fra? F6 cry = Sr ‘Then youmade your en-trance knd So was not for Fun-ny how one gets that way. right ata glano T knew this was meant forme, — Gee | T nev-er knew, Now I'm dream-ing dreamsall day. y oe $aEy, Ants) tet af But now I hear love call Ym getting sen - ti - mental ov- er ? amis) bd thrill me thro’ and thro, gn on izes obs] Dv § I'm get ting sen- ti - thought 1 py, I could live with 250amiss) Eu o Sy He si that love is all I'm think-ing x, Zz Fr ae Ea Fy, Anttbs) £4 of Won't you please be kind, And just make up your 2 D7 é cot F CIE cmo/eh_ Or ohn as you'll be sweet and gen-tle, Be gen-tle. with me?__ pi [A fopt DE. aa ABE "Hem Cause I'm sen -ti = men-tal ov-er you. FrPritr tf. OO 251The Lonesome Road Words by Gene Austin susie by Nathaniel Shilerot Moderately Look down, look down that Jone - some road, — (True) love, true love, what have doo That bs pbis abe Hf a = = = ———- up and seek yo" mak-er Fore - pack -age of sunshine and flow -you must have show when you there be pen- nies from hea - ven _for I i le Bis ANG ¢ mt aes ay ES BeMedium beat cmt fT ca cm? ao. a8 7) A tia T look for— my heart, it’s per- Bim? ag Bima? Bhi? yg Cm? i. Ea fe Ga EB. a ai - do, lost it "waydownin Tor -1i - do, 247 cot gy mg Bh Bhs. GA Be Ey i ay Eo ee a Be kissed ‘neath. a list - ing som-bre -ro_ ‘And that’swhen my heart —— iaende = 8b Abs 88 he Be, caim G9 was the sin when I held = REEL close, — 275a coim iB reich F369) Low was the moonwhen we said acaaal cmt FT Cmte ij GE a BE fiat) py | a ist Per = i do My et ev = erin is er Bbmal7 Bis 6 a fe Gh me Gi Gp. ae e 1 knowl raustgo to Tor = ri = do__ ® Bie om? a a aa ae find what I lost, Per - di - do!__Summertime Blues Words & Music by Eddie Cochran & Jerry Capehart somagsighanen tesrerieecs vtec Moderately —=— workin’ all sum-mer just. to try toeam a dol - lar, Every tacet fe Spoken time I call my Ba-by, Try to get a date, My boss says, “te Some-times I wonder what I'm a-gon-na do,—But there ain’t no cure for the Sum-mer-time-Blues, A well my ('m “gon -na) ae ae Mom ‘n’ Pa-pa told me, “Son, you got-ta make some mo ney, take two— weeksGon-na have a fine va- ca - tion, want-ta use the car to goa - rid-in’ next Sun - day,” take my prob-lem to the U - nited Na~ tions!5 facet... Spoken ee Told the boss I was sick “Nowyou cant__use the car ‘cause you | my Con-gress-man and he said (quote) “Td like. to help you, Son, but youre BB ae t work a lick See se Some-times 1 won-der what I'm a-gon-na do, But there ae a aint no cure for the Sum-mer-time.Blues. || HEe 29Sunny Words & Music by Bobby Hebb SST ome Moderate rock Am FD ee) a yes-ter-day my life was filled with rain— thankyou for the sun - shine bou- quet— yousmiled at me and thank you for the fa E7 am. Be ae real - ly eased the pain. Oh, the dark days are OTE, Jove you've brought my way. You give to me Ph 280é 7 ‘ i a as ee : = F ose - J) Sun - ny one sot 1 love 70% thank you for the thank you for that truth you've let ome see, smile “up - on your face. 281=> sa = a thank youfor the facts from A wy thankyou for that gleam that flows = formed. when we. sweet— com” - plete de - After Repeat D.C. and fadeThe Touch Of Your Lips feerasaineets teres cet ae Moderately a ©, , (Freely) oe mai? ct ck ee oer ey ff a iP EBay Ge He ef tou bles get me, cares bes set_me and won't let me £0, T tum % you. Nett * RF i ai i nc é re SSS SS SSS There I find new peace of minds 0 for ona ton sasgisaeg cay? o ee ame leave behind my woe 1 tum % you, Zo ey as I shall al - waysrs. CHORUS: iat or ae mt atlll oes ep The touch of your lips —3I— Spa tempo lips that _afe cool z Me by if ——— = der ness. lies in their —3—— AF b F065) touch of your hands —I— tet Abe Fm fags 2 the moment di - roi Be ¢ —— Jove in your eyes. ig 3:T, Longas there is chicken gravy onyour rice, 2. Nev-er im mylife seen such alszy- bones, — fO a D c BHIETSSAT & Long astheresa wa-ter-mel-on on the vine, Ev-ry¢hingis Nev-er seen a fellow who just sighs and moans When work comes his ——— oo PP F BbTETbS AT Po pf > e BOTETDSAT # BbTETb5A7 ‘Yougot notime to work, ySu fot no time toplay,— Bus-y do- in'noth-in' all the Why 'ev-en Farm-er Brown turn you down, —Goodfor youyourenct re-sid-inglive long day. Youwon't ever changeno matter what aj ‘You'rejust madethat way. in the fown, Where they have tohusttetill the day isthro———They ‘can'tshitk like you. arrtoct ae D 6 sirensar * ain ens ar bo F REFRAIN Slowly and Drowsy La -2y bones, Sleep-in’ in thesun, Howyou'spee'to get your day'swork done? i oe Nev-er getyour day's work done, Sleep-in’ inthenoon-day sun. ‘La- zybones, a] = "e BoA? ET Am Em EBS arg oD Dog Sleepin’ inthe shade,How youspectoget your cornmeal made? — Nev-er get your cornmeal made = ye 287‘Sleep-in'intheeve-nin’ shade, —_When'taters need sprayin, I bet youkeep prayin'the slugsfall off of the = fe RIS ‘Andwhen you go fish-in’ I betyoukeepwish-in' The fish won't grabat your line. ee); 7: wr ‘La - zybones,loafin' thruthe day, Howyou spec'tomakea dimethat way? Nev-ermakea dimethat DGD oc oD Ga D pT F®A®_ET_ Am (Spoken.gr sung) | way(well looky here,) He neverheareda word I say! ai 288Basin Street Blues Words & Music by Spencer Witlarne AINE ad i come a long with me, To the Mis = sis sip p? a SS SSS SSS Well take the boat to the lan’ of dreams, Steam down the rv - er down to New Or - leans. The ae 2Sgee 1 anne tere to meet 2 BPThat Ole Devil Called Love Words & Music by Doris Fisher & Allan Roberts 2S Medium Slow Blues Tempo — TIF 5 VERSE Some - ones whis - prin’ — Ad Lib Tempo Pollo Voice 2 go a-way but he dost hear, s Bc | eh fi up— tears me down,I “try my best to shake him but 3 292 Bb"i Si CHORUS Fat ait.» ae . ea F sak 2 iy & 5 Put-ting rain in my_ eyes, He Tears in my dreams, and rocks in my heart. Irs that He keeps tell-ing me that Tim the luck - yone a- gain But I still___have the rain, Suit] __ have those tears. and those Z NEE a ; 5 ean oe ia rocks in my heart Sup-pose I did- at stay, Z B60) sf as 9) ran a - way. would - nt play, that’ dev il what a po- tion he would 2 3 Hed fol-low me a sound,-build me up tear me down,TH z A 2 : _ 294BAe EBs 2) V4 be so be-wil-dered, I would-sit kuowwhat to do, Might as well gise up the 3 = fight a-gain, [know darnwell hell con- vinceme that he's right a- gain, When he * __ ae a sings that si- ren song I just got-ta tag a - long with That Ole Dev- il Called 2 es thatHit The Road Jack ‘Worde & Music by Percy Mayfield Se en en te, Moderato ont’ you come back no more, _no_more, a ee 7 = s— more, no, more, Hit the rout Jick ad dort youcome back 9 more ————— a ‘Woo! _Wo_man,Oh! Wo- man dont treat ne so_mean yout the * FEF Ff OF a“ or — + rmean-est old _wo-man that Ive _ev- er seem T_guess if _you said 30. OFF t ise rr = 296— ae a ‘to pack my things. and 20 ( Hix_the road __Jack_an_ dont you come back no t PR Ter] OR ee Po more, no _-moft, ng more, Hit the Jick _ahd_dont yo come buck mo leeat me this er way For _Tll_be_back on my feet some day Dont care if youdo, Case its eee ae eee F a o cm © [ig user soni you dot gol_s0- mo omy You jut acto pool Wal T ‘Ee 297oe Fé__have to pack my things and 20 (iy vigy Hit__the iE s oe and dont you come back no more, no more, no a aBill Bailey Won't You Please Come Home ‘Teditional roo ee % SSS == a E === Ts ge ce ese Wace eh cee = ea Wee 2° GINO” braleman thet went and daew ne Sm 2. BIL drove fy at door ga ate mo - Mek foll-eredinrau that Goer Bit pan -ty ate yok Dm? Gm? CT F Dm? Gm? cr (sus 4) |" ts ~ ay love of old BM alley wal —hang-ing clothes on the | Hol-ter-ing like 2 prune-fed calf with a Big gang. hang ing | great big dia -moné coach and foot - man hear that big girl | op “a min="wte = won't you Ue ~ ten wont, ‘I see you ‘no | “time in her back - yard and crying hard 2. She | ‘round and to that crowd shed _yell out loud_— 4. She | “Squeai wes all ‘a - Tone" Toheard her groan |, more? Billwinkedhis eye as heheard her ry—— ; t Gmt ct F Do Gm? 299_ [Ss == TM — do the cook-ing dar-ling I'll pay the rent 1 know I've ct F Dm? cmt cr F 300= Fron __ @bbass) please 301Lonesome (Si Tu Vois Ma Mére) Composed by Sydney Bechet SS ae enn, Slowly CLARINET p23. IN, Bh PITCH PIANO |En? [SPB at g cose s—— == a Var Gz © Chim G7 Chaim c fe oF 303Is You Is, Or Is You Ain’t (Ma’ Baby) ‘Words & Music by Billy Austin & Louls Jordan ‘oreceaetae tterresemceee eater pn rane eg rac Pm or Pm (Tacet) Is YOU IS, OR IS YOU AIN'T, ma ba - Bh Bb Ab biz or way youre act-ing late-ly makes me doubt. Pm crm or Fo (Tacet) is til my bendy, ey Bi A wires Ab abe Seems my flame in your hearts done gone out. — Db Dem Ab Abr ae ee, 308Db o ats P7 Bim Gm7_¢7 when youre sure of one you find {SMS gone and made a change, hes Pm cr Pm or Pm cracet) Is YOU IS, OR IS YOU AIN'T, ma’ ba aby Bs? ow Py Maybe ba- by’ found some-bod-y new, Bb Ebr a Dir o is mal ba- by, still ma? ba-by true.— A (ace) still ma’ ba - by 305Moderate Bounce (J ='J'3) é or Ee) ceBhatm Fm? abo When they start to play ~ in’ leaves me onthe rocks, When they start to play ~ in? sweet songs — it beats me to. my socks. (Spoken) How Ya 307rat i oY tt eo ee aie a Ge (Sung:) How's a ~ bout feel like peck - in’, come on, let's move. Ya ike swing — mu ~ sic? 308All Or Nothing At All Worde & Music by Arthur Altman &iJack Lawrence Moderato ————— c std tiie pe : Ag? Amen Ag? Ane s& = = 2 = ved viet 309or On? G7 G7s5 cE a & & g | = d = BO ee jut please don’t bring your lips so closet my = a : ; = bet ne Re BT bot o » 2 = S ae 8 E s 8 Don't smile BE BT Bom 57 Bim BT e Ss cy s & a SB = Ps SEs (eS The kissin your eye, the touch _of_your hand maker me i ae ee 7 Fm? DT 310Ag? fa under the spell = == We got ty Noth: ing At Eko. atcods Elia Repeney an 93 (1480),Sng Prat simon Eneeupeon Paes be and Music Sales’ complete catalogue lists thousands of titles and is available free from your local music shop, or direct from Music Sales Limited. Please send a cheque or postal order for £1.50 (for postage) to: F Music Sales Limited Newmarket Road, Bury St Edmunds, Suffolk 1P33 3YB ia Bringing you di words New avons Bick AIL the latest in rock and pop. Plus the brightest and best in West. End show scores. Music books for every instrument under the sun. And exciting new teach-yourself ideas like “Let’s Play Keyboard” - in cassette/book packs, or on video. Available from all good music shops. Enon one Thre Freon Ore opr Showa Bringing you the world’s best mu:100 Jazz & Blues Greats, re ane eee Jazz and blues favourites of this century. Includes tifes such as Slue And Sentimental, Caravan. "The Lady Sings The Bluos" ‘Lots Got Away From lt All Bee ee ee ee ae ore Lon eed ee eee te a eat tet enter Dak a) Ape ca 5 ‘A Taste Of Honey Adios yeas PT rote aati H ene aa ey reed Ctra dO) weeny Coen = J Cy Ud Yi Ceo Datars = Sel Ce rea h oy Pein Ce Rey Cr ae) Tent ; At » The Moon (in Other Words) reer a eis ta BT te et et erties) Pend fo hid Pera Grad Demers brace rors Coeaclsd Peers ee ORO et et ed Ute laa i'm Beginning To See The Light RC eee ogee Cee) Dt Dee eto ee io) UP Crag Bw ete ig Reed Pe eu ey mtd ar Petr Pe Rh ed fe eel Pe aR eK aoe Perey eto eur Dreold Deemed Leer ee rand POE erae os Cao Eka Soh teatal per ierirty reunion Bets n ard Da ego ee Raed Ret et Nina Never Knew Cte cd Bitte ea og One Note Samba (Samba De UnaNota So) Opus One : Ceo eed Polka Dots And Moonbeams Perera ear Pee September Song Se Lor Lo) Crete eer Ee Eee ees Ee eae Eee eto ag = Chr ered Deel eee br sia) Bley te te he oa Behe oa) \ a Re tard i A apa! Beat a rd ete ohne Sr Te)