CONTENTS
PROJECT INFORMATION //////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// 05
> project background
> project timeline
COMMUNITY INPUT ////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// 11
> citizen advisory committee
> public workshops
> neighborhood walks
ARTIST PARTICIPATION PLAN/////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// 17
> artist participation model
> commissions
> east ninth artists
> integrated art collaborations
> associate artists
STREET ANALYSIS ///////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// 21
> site locator
> neighborhood connections
> existing streetscape
> bus routes and stops
> vehicular movement
> pedestrian movement
> traffic counts
URBAN DESIGN FRAMEWORK ////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// 37
> urban fabric, common thread
EAST NINTH COMPLETE STREET /////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// 41
> complete street objectives and recommendations
> east ninth complete street plan
> block plans and perspective renderings
> landscaping plan
> stormwater management plan
> power and lighting plan
> demolition and repair plan
> artist integration plan
> derek porter
> james woodfill
> jarrett mellenbruch
> east ninth artist update
BUDGET ANALYSIS //////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// 79
> east ninth complete street cost estimate
PROJECT BACKGROUND
PROJECT INFORMATION
3 PUBLIC WORKSHOPS
OTHER MEETINGS/PRESENTATIONS:
May 4, 2015:
August 3, 2015:
September 8, 2015:
September 10, 2015:
October 8, 2016:
January 10, 2016:
February 2, 2016:
February 8, 2016:
February 12, 2016:
February 16, 2016:
February 19, 2016:
March 7, 2016:
March 9, 2016:
March 21, 2016:
March 18, 2016:
March 24, 2016:
March 28, 2016:
ELNA Update
ELNA Artist Introductions
ELNA Update
City Staff Update
City Staff Update
Lawrence Cultural Arts Commission Update
City Staff Update
Bicycle Advisory Committee (BAC)
City Staff Update
Healthy Built Environment Work Group Update
Downtown Lawrence Inc.
ELNA update with CAC Reps
Lawrence Cultural Arts Commission Update
Bicycle Advisory Committee (BAC)
Downtown Lawrence Inc.
Historic Resources Commission
Design Team meeting with Public Works
ELNA Update
City Staff Update
Lawrence Cultural Arts Commission
LiveWell Healthy Built Environment Work Group
Historic Resources Commission
City Commission (targeted)
PROJECT INFORMATION
2015
2016
10
EMILY PETERSON
co-owner, Merchants Pub & Plate
DOWNTOWN
LAWRENCE, INC.
East N
CITIZEN ADVISO
6TH STREET
TIM HERNDON
RLA, LEEDap, Landscape Architect & Urban Planner
LIVEWELL
LAWRENCE
MEETING SCHEDULE:
2016
1. January 27: 6:30 PM
2. March 2: 6:30 PM
3. March 30: 6:30 PM
For nearly 25 years, I have practiced master planning and community design in
Lawrence, including Downtown 2000, Scotch Plaza, The Winter Block (formerly
Borders Books), Pachamamas (formerly Midwest Graphics), Delaware Commons
and numerous other Downtown/East Lawrence projects, providing development
consultation and facilitating stakeholder involvement. Representing the LiveWell
Lawrence Healthy Built Environment work group on the 9th Street Corridor Citizens
Advisory Committee, I am most interested in promoting the greatest good for the
greatest number in a safe, culturally rich and genuinely connected community for
all neighbors and residents to use and enjoy.
7TH STREET
DAVE LOEWENSTEIN
artist, writer and community-arts organizer
My life is deeply woven into the life and culture of East Lawrence and especially 9th
Street. Since 1997, I have maintained my studio at 411 East 9th Street. Over the
years it has served and supported many purposes and people in addition to being
the place where I work on my mural designs and prints. The Lawrence Percolator
began in this space in 2006 and used it until it found its current home in 2008. In
addition to the Percolator, it has been venue for many art exhibitions including Art
from the Eastside, Freedom Unbound, and the Red Balloon To-Do. The studio is
also the place where many workshops and meetings have been held to organize
marches and other socially and politically engaged actions. Examples include SOS
(Save Our Schools), 2&3 For the T (in support of our bus system), marches and other
art-infused actions in opposition to the invasion of Iraq , and is currently home to the
Lawrence Field Ofce of the U.S. Department of Arts and Culture.
EAST LAWRENCE
NEIGHBORHOOD
ASSOCIATION
8TH STREET
JOHN SEBELIUS
artist and lmmaker
I am a recent homeowner at 9th and Connecticut and represent the next generation
of families, artists, and business owners that are planting their roots in Lawrence. I
am invested in the artistic and historical integrity of East Lawrence.
PHIL COLLISON
retired IT Manager at the State of Kansas
I have lived in East Lawrence for the past 11 years on Pennsylvania Street. I own
property along 9th street, and I have been aligned with East Lawrence and its
residents for the 38 years that I have lived here in Lawrence, KS.
9TH STREET
Ive been involved in the arts community in Lawrence for 10 years. I am an active,
exhibiting artist. I live in East Lawrence.
BEN AHLVERS
Director of Exhibitions at the Lawrence Arts Center
10TH STREET
LAWRENCE ARTS
CENTER
I have been on the Lawrence Arts Center Board of Directors for 5 1/2 years and
Im currently serving as Chairman of the Board. Additionally, my companys lm
production headquarters and studio for the lm The Only Good Indian was located
in East Lawrence just off the proposed 9th Street Corridor at 512 East 9th St. from
2007-2010.
MASSACHUSETTS STREET
TOM CARMODY
President, Prairie Fire Entertainment LLC. also, Partner, 715 & Ladybird restaurants
located downtown Lawrence
VERMONT STREET
2015
4. February 3, 7:00 PM
5. March 23, 7:00 PM
6. April 22, 7:00 PM
7. May 27, 7:00 PM
8. June 3, 6:30 PM
9. June 24, 5:30 PM
10. July 29, 6:30 PM
11. August 26, 6:30 PM
12. October 28, 6:30 PM
13. December 16, 6:30 PM
Mike Amyx is a lifelong resident of Lawrence, KS. At 61 years old, he and wife
Marilyn have one son, Chris. Commissioner Amyx is owner of Amyx Barber Shop,
Inc., a family owned and operated business since 1942. Mike has served as Mayor
ve times. He is a former member of the Kansas Board of Barbering and is also the
former Chair of this organization.
KENTUCKY STREET
COMMUNITY INPUT
DVISORY COMMITTEE
Ninth
will serve as a constructive sounding board for the 9th Street project for the Design
cials with input from the Lawrence Arts Center and the East Lawrence Neighborhood
pointments by the Mayor, stakeholder groups identified by the City of Lawrence
epresent a diverse set of perspectives. The role of the Citizen Advisory Committee is,
n concepts on a regular basis.
ORY COMMITTEE
KATHERINE SIMMONS
Planner, The City of Lawrence
Chair of the Lawrence Cultural Arts Commission and member of the Cultural Plan Steering Committee
which is the oversight committee for the Cultural Plan for the City of Lawrence. I am also a neighbor to
the project and have had a lifelong interest in Arts and Cultural. I have been an avid painter since I was
very young. My educational and professional background is Architecture.
LAWRENCE
CULTURAL ARTS
COMMISSION
MARGENE SWARTS
Retired - 2013, City of Lawrence, Assistant Director of the Development Services Division in the
Planning and Development Services Department
During my 33 year tenure with the City of Lawrence, my responsibilities included administration of
several federal grant programs the City received for housing, community development, and addressing
homelessness. In particular these were the Community Development Block Grant Program (CDBG),
HOME Investment Partnerships Program (HOME), Emergency Shelter Grant (ESG), as well as some
lesser known (and now defunct) programs such as the Rental Rehabilitation Program and the 312
Loan Program. Since the inception of the CDBG program in 1975, the City has received millions of
dollars in grant funds that have been expended throughout the City. In the years I was charged with
administration of the grants, thousands of dollars were spent in the East Lawrence neighborhood
on housing, parks and recreation projects, and infrastructure such as water and sewer lines, street,
and sidewalk improvements. As a result, I am familiar with this neighborhood and know many of the
residents personally.
BURDETT LOOMIS
political science professor at KU (since 1979)
04.22.2015
CITY-AT-LARGE
I'm connected to the East 9th St. project in several ways. First, we own a property, which we have
renovated, at 908 Rhode Island. Second, I've been actively involved with the Lawrence Arts community
-- the LAC, the Spencer, VanGo-- for many years. And third, I'm extremely interested in Downtown
Lawrence, desiring to see it thrive. In that vein, I was the chair of the Downtown Improvement
Committee in 1987-8.
REV. VERDELL TAYLOR
Pastor, St. Lukes AME Church
My relationship to the 9th Street Project is connected to The Historic St Luke A.M.E Church. I have
been Pastor for the past 20 years and charged with the responsibility of administering and safeguarding
the Church and physical property at 900 New York St. Our relationship with New York School and the
neighborhood is very special. We respect our neighbors and want to see the best possible outcome.
We are also the Church connected to Langston Hughes.
TOM LARKIN
Vice President - Development, Flint Hills Development Group, LLC
I am thrilled to contribute to the Citizen Advisory Committee as a representative property owner
and commercial tenant along the 9th Street Corridor. I intend to apply my experience in design and
development to ensure East Lawrence, the Warehouse Arts District, and further, the City of Lawrence
and Douglas County take full advantage of this extremely unique and exciting opportunity.
WAREHOUSE
ARTS DISTRICT
03.23.2015
My connection to 9th Street runs back four generations. Myself(Christopher William Ogle) being the
fourth generation to live(I live in Poehler Lofts) and work in East Lawrence right off of 9th St. It all
started with my great grandfather, Carson Waldo Ogle, who had a fur shop way back in the 1930's. He
lived at 901 New York St. and had his fur shop behind his house, simply named, Ogle Furs. His son,
Duane Ogle(my grandfather), grew up at 901 New York and attended school across the street at New
York School. My grandfather(Duane Ogle) grew up in that same house throughout his childhood and
I believe into his early 20's. He founded the Lawrence Bus Co. back in 1957 and grew the company
from the ground up for the next 30 years. My grandfather(Duane Ogle) then sold the business to my
father(Christopher Wayne Ogle) in 1987. My father took over as owner/president of Lawrence Bus Co.
and the business continued to grow and prosper, and was able to help the City of Lawrence & Kansas
University, not only with the bus business, but also started the Safe-Ride program, which is a free ride
for college students who had too much to drink. I know Safe-Ride saved many students from driving
home drunk and possibly saved some lives in turn, I know it saved thousands of students from getting
DUI's, that is for sure. My father retired and sold the business in 1999, but retained the real estate, that I
manage to this day.
DELAWARE STREET
PENNSYLVANIA STREET
CONNECTICUT STREET
WILL OGLE
I am a property manager & landlord for a few commercial buildings right here in East Lawrence, a
couple of them directly on the proposed 9th St. Corridor, those directly facing 9th St. would be, Parker
Landscape and Potter's Automotive Repair Shop.
9TH STREET
BUSINESS
MARCIA HILL
property manager
Our family has owned the property on the northwest corner of 9th and New Jersey for well over three
decades. Over that time period, our emphasis has been to improve the property while keeping the
rents affordable. We have seen it morph from a purely commercial/industrial entity in a center for
health, boutique entertainment and vibrant arts creation.
12.16.2015
13
14
COMMUNITY INPUT
15
16
18
> UP TO 4 ARTISTS SELECTED IN THE FOLLOWING FIELDS: FILM-MAKING, PHOTOGRAPHY, VISUAL ART, & MUSIC
> FEE: UP TO $10,000 + $5000 PRODUCTION BUDGET
> DEADLINE: JULY 24, 2015
> 3 ARTISTS SELECTED TO EXPLORE ONE OF 3 ISSUES: LIGHTING, PUBLIC GATHERING SPACE, & MOVEMENT
> BUDGET: UP TO $100,000
> DEADLINE: JULY 24, 2015
EASTEAST
NINTH
NINTH
STREETSCAPE
STREETSCAPE
- LAWRENCE,
- LAWRENCE,
KS KS
In June, 2014, The Lawrence Arts Center won an ArtPlace America grant to support a renovated 9th Street connecting
Downtown Lawrence and the Warehouse Arts District. With the grant, the Lawrence Arts Center and the City of Lawrence
agreed to do the following: Revitalize and activate a six block stretch that connects a warehouse arts area with downtown
Lawrence. Multi-modal paths, upgraded amenities, and new models of urban infrastructure will enable local artists to engage
their communities and will be inspired by Lawrences rich artistic tradition.
In June, 2014, The Lawrence Arts Center won an ArtPlace America grant to support a renovated 9th Street connecting
Downtown Lawrence and the Warehouse Arts District. With the grant, the Lawrence Arts Center and the City of Lawrence
agreed to do the following: Revitalize and activate a six block stretch that connects a warehouse arts area with downtown
Lawrence. Multi-modal paths, upgraded amenities, and new models of urban infrastructure will enable local artists to engage
their communities and will be inspired by Lawrences rich artistic tradition.
An Urban Design Team assembled by el dorado inc was selected to design the project. El dorado is under contract with the
City to lead this design with Bartlett & West as Civil and Landscaping Engineer; Sans faon as Lead Artist; Coen + Partners as
Landscape Designer, and Dennis Domer as Project Historian.
An Urban Design Team assembled by el dorado inc was selected to design the project. El dorado is under contract with the
City to lead this design with Bartlett & West as Civil and Landscaping Engineer; Sans faon as Lead Artist; Coen + Partners as
Landscape Designer, and Dennis Domer as Project Historian.
Selected artists will build relationships with the people of Lawrence and it is expected that this reciprocal exchange will be
integrated as part of the overall concept - a new work to be displayed, presented, or installed publicly. Some iteration of the
works must have a manifestation on East 9th Street.
At a Complete Street Design workshop in Lawrence, three issues were highlighted as an important part of the East 9th
streetscape: Lighting, Public Gathering Places and Movement. These elements are usually seen as a simple part of
the infrastructure; however, this is an opportunity for artists specializing in these fields to respond to the issues, further
developing them in order to create new works relevant to the unique context of East 9th Street and Lawrence.
SELECTED ARTISTS:
INTEGRATED ARTISTS
CALL
CALL
FOR:
FOR:
EAST
EAST
NINTH
NINTH
ARTISTS
ARTISTS
ASSOCIATE ARTISTS
Kate Dinneen
John Sebelius
TBD
lighting
19
20
STREET ANALYSIS
KAN
SAS
DOWNTOWN
LAWRENCE
EAST LAWRENCE
22
RIV
ER
STREET ANALYSIS
SAS
RIV
ER
23
EAST NINTH
East 9th Street has long served as a central connection spine for Downtown Lawrence and East Lawrence. The street provides a dynamic connection between a major business district, a
mixed-use residential district, several cultural institutions, a neighborhood school, and neighborhood church, a city park system, and a city-wide pedestrian and biking trail system.
24
DELAWARE
PENNSYLVANIA
NEW JERSEY
NEW YORK
CONNECTICUT
RHODE ISLAND
NEW HAMPSHIRE
MASSACHUSETTS
STREET ANALYSIS
VAN GO
FARMERS MARKET
DOWNTOWN
25
DOWNTOWN
BUSINESSES
26
SEATING WALL
AND BENCHES
PARKING
GARAGE EXIT
DAMAGED STREET
DAMAGED SIDEWALKS
CONNECTICUT
RHODE ISLAND
NEW HAMPSHIRE
MASSACHUSETTS
TURNHALLE
GUTTER
TREE MEMORIAL
SMALL BUSINESSES
NARROW SIDEWALK
DELAWARE
NEW YORK
NEW JERSEY
PENNSYLVANIA
STREET ANALYSIS
ARTIST STUDIO
LIGHT INDUSTRIAL
BUSINESSES
ABSENCE OF
SIDEWALK
27
6
7
East 9th Street hosts a bus stop for Route 11 and is crossed by two other routes. There is currently no
bus route that runs the length of East 9th Street.
28
CONNECTICUT
RHODE ISLAND
NEW HAMPSHIRE
MASSACHUSETTS
11
15
1
DELAWARE
PENNSYLVANIA
NEW JERSEY
NEW YORK
STREET ANALYSIS
29
MASSACHUSETTS
NEW HAMPSHIRE
RHODE ISLAND
CONNECTICUT
8130/day
no data available
360/day
no data available
Intersections along East 9th street experience a great variety of traffic volumes, along Delaware, traffic types and speeds.
*Data from the City of Lawrence website, Interactive Map section: http://lawrenceks.maps.arcgis.com/apps/webappviewer/index.html?id=576ac2f2c4214bf6ad0f67c185b459f3.
30
DELAWARE
PENNSYLVANIA
NEW JERSEY
NEW YORK
STREET ANALYSIS
2524/day
no data available
no data available
occasional
truck traffic
1380/day
occasional
truck traffic
CONNECTICUT
RHODE ISLAND
NEW HAMPSHIRE
MASSACHUSETTS
Pedestrians currently enjoy a rich texture of urban fabric, sidewalk paving materials, and landscaping variety. Sidewalks that do not exist or that have fallen into disrepair do present challenges for pedestrians and,
particularly, disabled pedestrian navigation. There are currently no bike lanes along East 9th Street for bicycle navigation.
*Current sidewalk conditions require east/west pedestrian traffic to cross back and forth across East Ninth to travel on existing, unobstructed, level
sidewalks.
DELAWARE
PENNSYLVANIA
NEW JERSEY
NEW YORK
STREET ANALYSIS
33
CONNECTICUT
RHODE ISLAND
NEW HAMPSHIRE
MASSACHUSETTS
no data available
no data available
*According to similar non-motorized traffic counts conducted by public works departments across the country, bicycle traffic between 4:00-6:00 pm is
estimated to be 20% of daily traffic, and pedestrian traffic between 4:00-6:00 pm is estimated to be 18% of daily traffic.
34
no
DELAWARE
NEW YORK
NEW JERSEY
PENNSYLVANIA
STREET ANALYSIS
o data available
1100
0
100
0
10,000
no data available
no data available
no data available
35
36
RESIDENTIAL FABRIC
A singular design solution spanning all blocks of East Ninth Street is not appropriate for this project. During our Complete Street Public Workshop, the Design Team asked workshop participants Whats happening
along East Ninth Street, and later asked what could or should happen in the future. The reported happenings varied a great deal in some cases from one block to the next. Our History Public Workshop, through
stories and research, revealed a continuity of these diverse conditions along East Ninth Street, spanning back to the establishment of East Ninth Street as a small-business commercial and residential corridor
connecting Downtown merchants, working class communities, and an industrial manufacturing district serving the rail line.
Foundational to this project is the necessity for the design of the street and integrated artworks to respond sensitively to its surroundings on a block-by-block basis. While East Ninth will ultimately aspire to be a
distinct and special place unto itself, its urban framework as a street needs to embrace a flexible model that specifically addresses the varying urban conditions it engages. Throughout conversations with the City
and project stakeholders, the desire for all of East Ninth Street to feature a multi-modal connection to the Borroughs Creek Trail System emerged as a common thread for the project -- a symbolic linear park system
that serves to connect a diverse set urban conditions, communities and perspectives.
38
DOWNTOWN
RESIDENTIAL
LIGHT INDUSTRIAL
39
40
The design process for East Ninth has been an intensive, leveraging municipal and community input for the past 15 months to arrive at a proposed Complete Street design solution that is culturally sensitive
and responsive to Downtown Lawrence and East Lawrence. During the design process, and through many conversations with stakeholders, city engineers, local businesses and a city-appointed Citizen Advisory
Committee, specific themes and objectives came into clear focus. The Design Team allowed these themes to shape the project process and the proposed design solution.
1. LIGHT TOUCH
Throughout the design process, a diverse set of stakeholder groups have communicated a consistent theme: though in need of infrastructure improvements, East 9th Street is already a great place. The Design Team
responded to this feedback during the Concept Design phase by establishing a light touch for the project, seeking opportunities to quietly celebrate what is already special about the the street and the neighborhood.
This approach explores a Complete Street design strategy that, where possible, preserves existing sidewalks and circulation patterns in order to create intimate opportunities to relax and visit within the context of
historic architecture, memorialized trees, and artwork created by neighborhood schoolchildren.
2. AN EAST LAWRENCE COMPLETE STREET
During Public Workshops, many stakeholders and residents expressed a desire to resist formulaic Complete Street design solutions. In response, the Design Team created an Urban Design Framework that identifies a
diverse set of conditions within the urban fabric fronting East 9th Street. The proposed Complete Street design for East Ninth carefully considers each block of the street as a unique condition, allowing the rich variety
of surrounding context to inform the design of the street itself. Multi-model transportation strategies were crafted around a commitment to preserve historic brick sidewalks and maximize parking opportunities and
green space. Working in concert with historic sidewalk alignments, a proposed neighborhood-scaled shared path provides a safe route for family biking outings and wheelchair accessibility, connecting Downtown and
East Lawrence to future linkages to the Burroughs Creek Trail.
3. BALANCED AMENITIES
Successful design for public space involves a careful balance of diverse values, even when these values are, at times, in conflict. Stakeholders surrounding East 9th Street have articulated a strong value for many design
components, including continuous and safe bike circulation, comprehensive ADA accessibility, preservation of existing trees and existing historic sidewalks, maximized parking opportunities, maximized green space
and sustainable design strategies. The proposed Complete Street Design for East Ninth balances these considerations. A proposed share path provides bike safety and ADA accessibility while preserving historic brick
sidewalk circulation and eliminating safety conflicts associated with bike lanes and parallel parking. Minimized street widths allows for more green space within residential blocks and parallel parking locations carefully
consider existing trees and contours within the right of way. Indigenous landscaping and pervious paving stormwater management provide sustainable design strategies that are resource-friendly and
low maintenance.
4. INTEGRATED ART
Made possible by a major Artplace America grant, East Ninth has leveraged art commissions as an integral part of the design process. Through a city-adminstered selection process, three major commissions were
awarded, allowing selected artists and the Design Team to explore and analyze light, movement and gathering along East 9th Street. Through an innovative Associate Artist initiative, the selected artists were given the
opportunity to team with Lawrence based artists and have spent a great deal of time at the site, walking the street and the neighborhood. The result of the this process has yielded proposed installations that are at
once art and infrastructure, a new model of public art that works across disciplines to achieve a fully integrated streetscape design.
42
5. SUSTAINABLE INFRASTRUCTURE
Designing an environmentally friendly Complete Street has been an important focus for the City of Lawrence. Culturally and geographically, Downtown Lawrence and East Lawrence enjoys a strong and immediate
relationship to the Kansas River. The Design Team quickly identified storm water management as an important consideration for the future health of the rivers ecology. Pervious paving installations at intersections and
at street parking stalls direct stormwater run-off to the root systems of indigenous, low maintenance plantings fronting East 9th Street. Narrowing street widths and balancing vehicular, bicycle and pedestrian traffic on
East Ninth Street will, over time, reduce emissions along the corridor and promote a healthier street environment.
During the design process, the Design Team engaged conversations that framed a larger context a context that was, at times, outside the scope and project parameters of East Ninth. The project was influenced by
these considerations and, as a result, the Design Team offers the following recommendations to be considered during the next phases of the project:
1. CONSERVE THE NEIGHBORHOOD
During the design process for East Ninth, increasing concerns about future zoning and preservation became a central point of discussion. During these conversations, the East Lawrence Neighborhood Association and
the City of Lawrence specifically explored the implementation of a Conservation Overlay for East Lawrence. The Design Team supports this as a viable and engaging endeavor to preserve the distinct character and
qualities that comprise East Lawrence.
2. PRESERVE AND REUSE HISTORIC INFRASTRUCTURE
Infrastructural upgrades for East Ninth will involve the removal of historic limestone curbs. The Design Team recommends stockpiling these curbs at a safe location for future use. Depending on the condition of the
curbs themselves, The Design Team may propose re-use strategies for these curbs. Historic brick sidewalk pavers will need to be removed to accommodate ADA accessibility on the north side to the street. The
Design Team proposes to re-use the pavers to repair and extend the historic brick sidewalks on the south side of the street
3. SLOW DOWN, BE SAFE
There are currently several intersections along East Ninth that host wide street widths and 2-way stops. The Design Team strongly represents a 4-way stop intersection at East Ninth and Delaware and additionally
recommends all stops along East Ninth to transition to 4-way stops. The Design Team also recommends consideration for narrower street widths, especially through the blocks between Connecticut and Delaware.
Regarding traffic safety signage, the Design Team recommends special and unique consideration for bike caution signage at alley and shared path intersections.
4. INTERWEAVE
East Ninth proposes an indigenous landscaping palette that is fully integrated into a stormwater management plan. As a way to weave sustainable landscaping strategies into the existing urban fabric, the Design
Team recommends a selection of north-south running streets to additionally receive indigenous planting installations (see Landscaping Plan)
5. CONNECT AND CONTINUE
The proposed design for East Ninth creates a strong link for cyclists of all ages, connecting Downtown to Delaware Street. The Design Team recommends the completion of the planned trail link, connecting Delaware
to the Boroughs Creek Trail System. The Design Team also recommends consideration for multi-modal transportation strategies and potential Complete Street design implementation along West 9th Street.
43
BIKE BOX
BIKE CORRAL
PERMEABLE PAVERS
BUS SHELTER
NEW HONEY
LOCUST TREES
INDIGENOUS
PLANTING
LANDSCAPING PASSTHROUGH
EPP
EPP
ELP
EPP
ELP
ELP
S
C2
C2
C2
C2
C2
C2
C2
C1
ELP
ELP
ELP
ELP
ELP
ELP
ELP
ELP
C1
ELP
E
C1
ELP
ELP
EPP
ELP
44
COLORED CROSSWALK
CAUTION STRIPING
EFH
SHARED PATH
RHODE ISLAND
EFH
NEW HAMPSHIRE
MASSACHUSETTS
TREE WELLS
EFH
EPP
S
S
EPP
EPP
WALL SEATING
CONNECTICUT
C1
ELP
TURNHALLE
TREE MEMORIAL
PERMEABLE ROCK
HARDSCAPE
DEMONSTRATION GARDEN
EXISTING SMALL
BUSINESSES
EDUCATIONAL GRAPHICS
ELP
EPP
EPP
EFH
EFH
ELP
ELP
EPP
C2
C2
ELP
C2
EPP
EPP
EPP
C1
C1
ELP
NEW JERSEY
PENNSYLVANIA
ELP
C2
EPP
EPP
EPP
C2
C2
ELP
C1
NEIGHBORHOOD MURAL
DELAWARE
NEW YORK
C2
45
ELP
ELP
1
2
C2
C2
ELP
C1
ELP
ELP
ELP
ELP
ELP
5
S
EFH
EFH
EPP
EPP
C2
C2
ELP
C1
NATIVE PLANTINGS
ELP
EPP
1 BIKE CORRAL
2 BIKE BOX
EXISTING TREE
MANICURED LAWN
EPP
EPP
EFH
BIKE ZONE
CROSSWALK
EPP
EPP
STOP SIGN
TRASH CAN
4 TREE WELLS
WATER FOUNTAIN
S
ROCK SEATING
BENCH/WALL SEATING
SHARROW DESIGNATION
TRANSFORMER BOX
NATIVE SYCAMORE
HONEY LOCUST TREE
ELP
S
ELP
EPP
C2
C2
ELP
SIDEWALK/SHARED PATH
ELP
ELP
S
C1
PARKING STALLS: 7
HARDSCAPE AREA: 91%
PLANTED AREA: 4%
PERMEABLE PAVING AREA: 5%
ELP
ELP
ELP
ELP
46
PERMEABLE PAVING
ELP
ELP
PERMEABLE STONE
S
S
HISTORIC BRICK
EFH
EAST NINTH
50'
C2
47
EPP
C2
C2
ELP
ELP
ELP
ELP
C1
EPP
EPP
S
S
EFH
EFH
EPP
EPP
ELP
This block of East 9th Street begins a transition from downtown urban
fabric to a residential neighborhood fabric. The traffic lanes transition
S
C2
from three lanes
to two lanes. The area of planted area begins
to
increase, as do stormwater management opportunities. Permeable
pavers within parallel parking stalls at the north side of the street
C1continue, with the exception of a dedicated area for a future bus
shelter just east of the north alley intersection.
EFH
NATIVE PLANTINGS
EXISTING TREE
2 LANDSCAPING PASS-THROUGHS
NATIVE SYCAMORE
MANICURED LAWN
EPP
EPP
BIKE ZONE
CROSSWALK
EPP
EPP
ELP
ELP
STOP SIGN
TRASH CAN
EPP
C2
C2
ELP
SIDEWALK/SHARED PATH
WATER FOUNTAIN
S
ROCK SEATING
BENCH/WALL SEATING
SHARROW DESIGNATION
TRANSFORMER BOX
ELP
ELP
S
C1
PARKING STALLS: 7
HARDSCAPE AREA: 81%
PLANTED AREA: 11%
PERMEABLE PAVING AREA: 8%
ELP
ELP
ELP
ELP
48
PERMEABLE PAVING
ELP
ELP
PERMEABLE STONE
S
S
HISTORIC BRICK
EFH
EAST NINTH
50'
C2
49
2
S
S
S
C2
C2
C1
S
ELP
EPP
S
S
S
EFH
EPP
EPP
C2
C2
EFH
ELP
C1
As East 9th Street progresses east from Rhode Island, a small linear
resting area is framed by simple seating walls just north of the historic
S
C2
Turnhalle structure.
Permeable pavers within parallel parking
stalls
on both sides of the street maximize parking opportunities andS
provide increased opportunities for storm water management. The
C1shared path acts in concert with historic brick sidewalks to respect
historic circulation patterns while also accommodating reliable ADA
accessibility.
NATIVE PLANTINGS
ELP
EPP
EXISTING TREE
MANICURED LAWN
EPP
EPP
EFH
BIKE ZONE
CROSSWALK
EPP
EPP
NATIVE SYCAMORE
HONEY LOCUST TREE
ELP
S
ELP
STOP SIGN
TRASH CAN
EPP
C2
C2
ELP
SIDEWALK/SHARED PATH
WATER FOUNTAIN
S
ROCK SEATING
BENCH/WALL SEATING
SHARROW DESIGNATION
TRANSFORMER BOX
ELP
ELP
S
C1
PARKING STALLS: 15
HARDSCAPE AREA: 71%
PLANTED AREA: 13%
PERMEABLE PAVING AREA: 16%
ELP
ELP
ELP
ELP
PERMEABLE PAVING
ELP
ELP
PERMEABLE STONE
S
S
HISTORIC BRICK
EFH
25'
EAST NINTH
Sa
50'
C2
C2
2
S
C2
C2
S
C1
1
ELP
EPP
S
S
EFH
EFH
EPP
EPP
C2
C2
ELP
C1
NATIVE PLANTINGS
ELP
EPP
2 LANDSCAPING PASS-THROUGH
EXISTING TREE
MANICURED LAWN
EPP
EPP
EFH
BIKE ZONE
CROSSWALK
EPP
EPP
NATIVE SYCAMORE
HONEY LOCUST TREE
ELP
S
ELP
STOP SIGN
TRASH CAN
EPP
C2
C2
ELP
SIDEWALK/SHARED PATH
WATER FOUNTAIN
S
ROCK SEATING
BENCH/WALL SEATING
SHARROW DESIGNATION
TRANSFORMER BOX
ELP
ELP
S
C1
PARKING STALLS: 6
HARDSCAPE AREA: 74%
PLANTED AREA: 17%
PERMEABLE PAVING AREA: 9%
ELP
ELP
ELP
ELP
PERMEABLE PAVING
ELP
ELP
PERMEABLE STONE
S
S
HISTORIC BRICK
EFH
25'
EAST NINTH
San
50'
C2
C2
53
4
EFH
EP
C2
C2
C1
E
EPP
ELP
ELP
S
S
EFH
EPP
EPP
C2
C2
ELP
C1
NATIVE PLANTINGS
ELP
EPP
EXISTING TREE
MANICURED LAWN
EPP
EPP
EFH
BIKE ZONE
CROSSWALK
EPP
EPP
NATIVE SYCAMORE
HONEY LOCUST TREE
ELP
S
ELP
STOP SIGN
3 BIKE CORRAL
TRASH CAN
EPP
C2
C2
ELP
SIDEWALK/SHARED PATH
WATER FOUNTAIN
S
ROCK SEATING
BENCH/WALL SEATING
SHARROW DESIGNATION
TRANSFORMER BOX
ELP
C1
PARKING STALLS: 0
HARDSCAPE AREA: 75%
PLANTED AREA: 22%
PERMEABLE PAVING AREA: 3%
ELP
ELP
ELP
ELP
PERMEABLE PAVING
ELP
ELP
PERMEABLE STONE
S
S
ELP
HISTORIC BRICK
EFH
25'
50'
C2
C2
EAST NINTH
Sa
S
EPP
2
EFH
S
EPP
S
C2
C2
S
S
EPP
ELP
EPP
C1
S
S
EFH
EPP
EPP
C2
C2
ELP
C1
NATIVE PLANTINGS
ELP
EPP
2 LANDSCAPING PASS-THROUGH
EXISTING TREE
MANICURED LAWN
EPP
EPP
EFH
BIKE ZONE
CROSSWALK
EPP
EPP
NATIVE SYCAMORE
HONEY LOCUST TREE
ELP
S
ELP
STOP SIGN
TRASH CAN
EPP
C2
C2
ELP
SIDEWALK/SHARED PATH
WATER FOUNTAIN
S
ROCK SEATING
BENCH/WALL SEATING
SHARROW DESIGNATION
TRANSFORMER BOX
ELP
ELP
S
C1
PARKING STALLS: 2
HARDSCAPE AREA: 70%
PLANTED AREA: 25%
PERMEABLE PAVING AREA: 5%
ELP
ELP
ELP
ELP
PERMEABLE PAVING
ELP
ELP
PERMEABLE STONE
S
S
EW JERSEY - PENNSYLVANIA
56
HISTORIC BRICK
EFH
25'
EAST NINTH
San
50'
C2
C2
EPP
EFH
ELP
ELP
S
C2
C2
S
EPP
EPP
ELP
EPP
C1
S
S
EFH
EPP
EPP
C2
C2
ELP
C1
NATIVE PLANTINGS
ELP
EPP
1 DEMONSTRATION GARDEN
2 LANDSCAPING PASS-THROUGH
EXISTING TREE
MANICURED LAWN
EPP
EPP
EFH
BIKE ZONE
CROSSWALK
EPP
EPP
STOP SIGN
TRASH CAN
4 BIKE CORRAL
5 SUSTAINABLE INFRASTRUCTURE
WATER FOUNTAIN
S
ROCK SEATING
BENCH/WALL SEATING
SHARROW DESIGNATION
TRANSFORMER BOX
NATIVE SYCAMORE
HONEY LOCUST TREE
ELP
S
ELP
EPP
C2
C2
ELP
SIDEWALK/SHARED PATH
INFOGRAPHICS
ELP
ELP
S
C1
PARKING STALLS: 7
HARDSCAPE AREA: 74%
PLANTED AREA: 16%
PERMEABLE PAVING AREA: 10%
ELP
ELP
ELP
ELP
PERMEABLE PAVING
ELP
ELP
PERMEABLE STONE
S
S
NSYLVANIA - DELAWARE
58
HISTORIC BRICK
EFH
25'
50'
C2
C2
EAST NINTH
Sans f
59
CONNECTICUT
RHODE ISLAND
NEW HAMPSHIRE
MASSACHUSETTS
Landscaping strategies for East Ninth extend from a native palette and serve as an integral part of sustainable design initiatives for the project.
In collaboration with a local prairie ecologist, the team studied a collection of native prairie plants that will both thrive in urban conditions and establish a deep root system. This addressed the desire to clean
stormwater below-grade, as well as on the surface, and also addressed a desire to minimize the necessity for extensive irrigation systems. Using a palette of perennials and grasses that fit the functional criteria of
stormwater management, the Design Team defined a broad landscape concept for the street that focuses on prairie monocultures.
Linear bands of grasses contain only a single variety within a bed, creating a uniform texture
Bands are layered side-by-side with varying species to create visual interest and seasonal variety
Robust, salt-tolerant Little Bluestem is planted adjacent to the street
Switchgrass is planted adjacent to the sidewalk, providing a softer, wispier texture in the pedestrian zone
Shade grasses and perennials are proposed in the pockets of shade created by existing and proposed trees
Emphasis is placed on native, endemic plants that will thrive in an urban setting
Underground drywells will facilitate deep root growth by plants accustomed to reaching deep to find water.
Strategies are being explored to grow the plants in a distributed way throughout the neighborhood and invite paid installation services from East Lawrence residents.
In order to maintain the simplicity of a new street design, the Design Team has worked to streamline the hardscape material palette, while continuing to reinforce the concept of an innovative Complete Street.
East 9th Street is proposed as a concrete street with bold markings indicating the street is uniformly shared with cyclists
The parallel parking spaces are designed to be paved in a pervious unit-paver with a pervious base, allowing water to infiltrate directly into the paving
The shared-use path and new, proposed sidewalks are designed to be concrete as well, with alternate, integral-color concrete markings at intersections
The existing brick sidewalks and selected existing concrete sidewalks will be repaired in-place and preserved as an historically significant circulation route
Gathering nodes from Turnhalle to the mural on New Jersey Street will be identified by a change in ground material to a compacted crushed granite surface.
60
PERMEABLE STONE
MANICURED LAWN
NATIVE SYCAMORE
SWITCHGRASS
SIDE-OATS GRAMA
GINGKO TREE
BOTTLEBRUSH GRASS
DELAWARE
NEW YORK
NEW JERSEY
PENNSYLVANIA
PERMEABLE PAVING
SWITCHGRASS
SIDE-OATS GRAMA
BOTTLEBRUSH GRASS
STORMWATER INLET
POSSIBLE LANDSCAPE EXTENSION
61
CONNECTICUT
RHODE ISLAND
NEW HAMPSHIRE
MASSACHUSETTS
Downtown Lawrence and East Lawrence both enjoy a rich historical and cultural relationship to the Kansas River, and both sit in close proximity to the Kaw. The stormwater from East 9th Street is piped directly
from the street to the river. From the onset of the project, the Design Team has focused on stormwater management and stormwater filtration as primary goals for sustainable design.
Rather than starting with broad strokes, the Design Team explored finer-grain solutions to consensus problems. A kit-of-parts was established to address stormwater management from one end of the street to
the other. Each of these solutions is designed to capture point-source pollutants through permeable hardscaping, filter, and directed back to existing hard infrastructure. This strategy results in a slower, cleaner
downstream release while avoiding maintenance issues associated with above grade bioswale inlet systems.
Conceptually, the mechanics and components of the system are proposed as follows:
Existing stormwater infrastructure is substantially preserved, altering only the inlet locations
Each inlet is converted to an overflow drain, rather than a primary collection point
Along the entire length of the street, stormwater is directed to hardscaped areas: either installations of native flagstone or pervious paving (parking zones)
The water is allowed to infiltrate through a high-void aggregate sub-base; it is then directed to the aggregate root zone of adjacent planting zones
Deep-rooted native prairie plants filter the stormwater and water infiltrates back into the ground
Excessive flow is collected with a perforated underdrain and is piped substantially cleaner back to the hard-piped stormwater infrastructure
In the next phase of the project, this collection will be quantified and overflows will be located and sized for appropriate rain events
62
DELAWARE
PENNSYLVANIA
NEW JERSEY
NEW YORK
PROVIDE LED TAPE LIGHT LIGHT TO ILLUMINATE GROUND BELOW CONCRETE BENCHES
PROVIDE LED TAPE LIGHT FIXTURE TO ILLUMINATE GROUND BELOW CONCRETE BENCHES
PROVIDE (1) ABOVE GROUND POWER JUNCTION CABINET
PROVIDE (1
PROVIDE LED TAPE LIGHT FIXTURE TO ILLUMINATE GROUND BELOW CONCRETE BENCHES
65
NEW
HAMPSHIRE
STREET
NEW
HAMPSHIRE
STREET
NEW
HAMPSHIRE
STREET
CONNECTICUT STREET
EXISTING PAVEMENT
TO REMAIN
The primary demolition and repair strategies for East Ninth involve the removal and replacement of aged and
damaged
the DESIGN PHASE.
LOCATION
TO BE infrastructure,
DETERMINED IN FINAL
removal of replacement of non ADA compliant sidewalks on the north side of the street, the careful removal of 1/2 block of historic brick
sidewalk on the north side of the street to be reused for repair and extensions of historic brick sidewalks on the south side of the street and the
careful removal and stockpiling of historic limestone curbs, primarily located between New Jersey and Pennsylvania Street.
During the design process, the Design Team discovered that Westar Energy is willing to work with the City of Lawrence to bury utility lines along
East 9th Street at a reduced rate. Placing utility lines underground allows the construction of a shared path that provides ADA accessibility while
preserving historic brick sidewalks and circulation routes on the south side of the street.
STREET PAVEMENT REMOVAL
STREET PAVEMENT REMOVAL
Selected demolition of the street and sidewalks will be performed within the blocks of Massachusetts/ New Hampshire and Pennsylvania/
Delaware with efforts to preserve and re-use street infrastructure that is still viable. Historic brick street pavers located at the New York Street
STREET BRICK PAVER REMOVAL
intersection will be preserved, and repaired where necessary.
Through careful placement of circulation routes and parallel parking stalls, the Design Team went to great lengths to preserve existing trees.
SIDEWALK REMOVAL
66
SIDEWALK REMOVAL
BE DETERMINED
SIDEWALK
REMOVAL
SIDEWALK
REMOVAL
SIDEWALK
REMOVAL
SIDEWALK
BRICK
PAVER REMOVAL
SIDEWALK REMOVAL
SIDEWALK
BRICK
PAVER
SIDEWALK BRICK PAVERREMOVAL
REMOVAL
LIMESTONE CURB TO BE R
LIMESTONE
CURB&TO
BE
DEMOLITION
REPAI
LIMESTONE
CURB
TO
BE
R
1.
STREET BRICK
DEMOLITION
& REPP
2.1. STREET
PAVEME
STREET
BRICK
3. 2. LIMESTONE
CUR
STREET PAVE
SIDEWALK
BRICK
REMOVAL
AND RESETTING
SIDEWALK
BRICKPAVER
PAVER REMOVAL
AND RESETTING
4. 3. BRICK
SIDEWAL
LIMESTONE
C
5. 4. BRICK
SIDEWAL
SIDEWALK BRICK PAVER REMOVAL AND RESETTING
BRICK
SIDEW
6. 5. BRICK
SIDEWAL
BRICK
SIDEW
LIMESTONE CURB TO BE REMOVED AND STOCKPILED
7. 6. CONCRETE
SIDE
BRICK SIDEW
LIMESTONE CURB TO BE REMOVED AND STOCKPILED
7. CONCRETE SI
LIMESTONE CURB TO BE REMOVED AND STOCKPILED
DELAWARE STREET
PENNSYLVANIA STREET
67
signals
sig
signals
sound
signals
sign
nals
CONNECTICUT
RHODE ISLAND
NEW HAMPSHIRE
MASSACHUSETTS
sound/signals
sou
s
ound/signals
sign
gnals
signals
Made possible by a major Artplace America grant, an innovative art process has been a core aspect of East Ninth, allowing artists to participate in the urban design process from the onset of the project. Under
the guidance of lead artist Sans faon and the City of Lawrence, a selection committee was assembled and, after a comprehensive interview process, commissioned three Integrated Artists to work with the
Design Team to in fully integrate artwork into the streetscape of East 9th Street. During the selection process, the Citizen Advisory Committee recommended and the Design Team adopted an Associate Artist
program, allowing an opportunity for each Integrated Artist to work with a Lawrence based associate artist to realize their commissions. After repeated visits to the site and conversations with the City of Lawrence and stakeholder groups, these artist teams have worked across disciplines to explore light, movement and gathering as major design considerations for the project. As a result, each Integrated Artist has
proposed an installation that is at once art, utility, and infrastructure. As the project moves forward, these artists will continue their work with the Design Team, stakeholders, and the City of Lawrence to realize
artwork that is fully integrated into the street design of East 9th.
68
signals
sign
s
signals
signal
nals
signals
signa
als
sound/signals
so
JAMES WOODFILL
JARRETT MELLENBRUCH
PENNSYLVANIA
NEW JERSEY
NEW YORK
g
DEREK PORTER
DELAWARE
sound/signals
ignals
sound/signals
sou
und/signals
Derek Porter, a practicing lighting designer and artist, is based in New York City and the Hudson River Valley and holds an associate professor faculty position at the Parsons
School of Constructed Environments. His work balances art and science, often deploying technical rigor to reveal poetic aspects of light and darkness. His proposed installation
for East Ninth re-imagines street lighting as slender, almost invisible, yet delightfully site-specific lighting instruments that respond sensitively to surrounding circulation patterns
and urban context. See pages 70-71 for a detailed description of Dereks proposed Integrated Art Commission.
James Woodfill has practiced as a public artist for over 20 years and currently holds an associate professor faculty position with the Kansas City Art Institutes Painting Department. James work in the public realm often reveals art and infrastructure as symbiotic systems that embody overlapping expressions of utility, discovery and beauty. His proposed installation for the project introduces the concept of Crosshatching a conceptual strategy that resists East 9th Street as a linear site, and through discovery-based tactics,
draws nuanced connections between the street and its surrounding context. See pages 72-73 for a detailed description of James proposed Integrated Art Commission.
Jarrett Mellenbruch emphasizes social practice as a public artist and currently holds a lecturer faculty position with the Kansas City Art Institutes Sculpture Department. Jarretts
work in public space is human-centric, often drawing inspiration from how people share space to gather, converse, work, recreate, and relax with one another. His proposed
installation for East Ninth introduces a careful arrangement of large rocks in the right of way as a flexible series of intimate gathering spaces. Taking an reductive and rugged
approach to street furniture, Jarretts spare and elemental installation invites a diverse set of activities, ranging from child-like play to porch-like lounging. See pages 74-75 for a
detailed description of Jarretts proposed Integrated Art Commission.
69
LINEAR PATHWAY
70
CORNER PATHWAY
GATHER
16
3
16
24
4
18
60
14 fixture.
60 bollard.
Lighting has been a central focus for Derek since the onset of his integrated art commission-- specifically, artful lighting that is appropriate for the varying conditions along East 9th Street. Derek started his work
by studying and measuring light levels along the corridor, carefully balancing safety concerns and navigation with an appreciation for a peaceful nighttime darkness that currently exists within the East Lawrence
Neighborhood.
Dereks proposed lighting installation establishes a playful, yet highly controlled, low-level lighting strategy for East 9th Street. His pedestrian-scaled fixtures are slender and tread lightly within the shifting urban
context of East 9th Street. As a departure from typical street lighting, Dereks fixtures are capable of creating a variety of light pools for a diversity of street and sidewalk conditions. As a work of art, a carefully
choreographed sequence of light displays on the sidewalk and surrounding landscape will respond sensitively to the pedestrian experience without emitting light pollution or disturbing nearby residents.
71
sig
signals
signals
sound
signals
signal
nals
signals
signa
als
sound/signals
sou
s
ound/signals
sign
nals
signals
sound/signals
so
sound/signals
sou
und/signals
sound/signals
ignals
signals
sign
gnals
Signal locations.
During the early phases of the urban design process, James introduced the idea of cross-hatching as a careful analysis of movement occurring along East 9th Street. Working with closely associate artist John
Sebelius, James has documented movement surrounding the East 9th Corridor through an extensive series of video surveys and animations. His documentation establishes transverse intersections along the corridor,
both streets and alleys, as an important aspect of understanding East 9th Street as a nonlinear site that is deeply connected to Downtown and the East Lawrence neighborhood.
James proposed installation, dispersed across all seven blocks of East 9th Street, deploys a subtle game of discovery that leverages new and existing elements within the neighborhood fabric to promote deeper
and more nuanced relationships with surrounding context. Through the arrangement of directionally and precisely focused light and sound signals, James will introduce a series of sweet spots along East 9th a
convergence of fleeting signals along the street connecting us to other signals mounted on alley utility poles, on nearby buildings, or attached to new and existing infrastructure. His work asks us to look closely and
notice details. As a comprehensive installation, Crosshatching delightfully resists East 9th Street as a linear site that connects Point A to Point B. Rather, James offers intuitive cues that perceptually take us off the
beaten path.
72
Signal mock-ups.
73
Jarrett began his work by walking the streets of Downtown Lawrence and East Lawrence, day after day. He was drawn to the way people casually and spontaneously gather, particularly on front stoops and front
porches. His installation utilizes organic elements to create porch-like gathering opportunities within East 9ths right of way in close proximity to St. Luke AME Church, the New York Elementary School, and the small
neighborhood orchard on the north edge of the school yard.
Working with a site on the south side of East 9th between New York Street and New Jersey Street, Jarrett has taken a rugged and reductive approach to street porch furniture. His proposed installation introduces
shade trees and large rocks within a carefully considered space, encouraging meandering circulation patterns and irresistible places to stop, lean against, sit down, lay across, converse, climb, daydream, play and relax.
Jarrett asks us to pick the right rock and make ourselves at home. As the project unfolds, Jarrett will be working with associate artist Kate Dinneen to select rocks from regional sources and have them delivered to
the site and arranged perfectly so.
74
75
STEPHEN JOHNSON
NICK CARSWELL
ZIA
STEPHEN JOHNSON
NICK CARSWELL
2016
JAN
ZIA
FEB
MAR
APR
MAY
JUNE
Engaging East Ninth as an investigation of the unseen connections that result from common gestures that link people together, Zia is interested in the loose ties which link communities. In network theory, it is
suggested that densely connected clusters with strong ties are linked to other dense clusters through looser ties. These weak ties are crucial in connecting us with our larger world. The self is the starting point for
every link and connection that creates ones network, and the generative force behind newly formed, unseen networks.
In his book, Linked, Barabasi observes the construction of networks is the key to understanding the complex world around us. Small changes in the topology, affecting only a few nodes or links can open up
hidden doors, allowing new possibilities to emerge.
In exploring small changes in topology that open hidden doors to new possibilities Zia is intrigued by how individuals make choices/changes that affect the larger network, exploring the concept that new
possibilities take place at the edge where new nodes or links are added or created.
The East 9th St corridor lies at the intersection of residential, commercial and industrial interests of Lawrence. Its interest as a place derives from it being at the edge of all three rather than belonging exclusively
to any of them. Overlapping areas reveal potential for a deeper richness as various elements interact.
Zia plans to explore and highlight the sense of new possibilities at these intersections. Over the next three months, Zia aims to bring the above three themes together to create a metaphor for connection that
not only highlights people, place and the community they live in, but the larger world to which they are linked. Zia is plans to design an event on East 9th Street that invite the residents of Lawrence to explore
these themes with her, in the hopes of creating more awareness of the interconnected lives we share and live.
RACHAEL PERRY
Rachael Perry is a community-based artist whose work infuses art into the public sphere and inspires playful interactions. Exploring issues of class, gender, and race through the development of positive, inclusive
art-making practices, Rachels public art projects encompass a range of mediums including photography, wheatpaste, digital projections and large-scale installations. Rachel cultivates an open approach to
project design, asking questions and creating a framework for participation. Her process includes making contact with a range of local agencies, organizations, neighbors, and community leaders. How can we
best foster diverse narratives and dialogue? What circumstances promote connectedness, happiness, and understanding? How do we transform public space and interaction for the benefit of all? These questions
form the tenets of her public art practice and the beginnings of Rachels process and points of departure for her role as an East Ninth artist.
76
RACHAEL PERRY
RACHAEL PERRY
MEREDITH MOORE
MEREDITH MOORE
2017
JULY
AUG
SEPT
OCT
NOV
DEC
STEPHEN JOHNSON
Stephen Johnson is fascinated by the overlooked and presumably unremarkable aspects of the East Ninth Street neighborhood which include meandering cracks in sidewalks, the variegated coloring of historic
brick walls, the incongruous architectural details of the individual homes, the vegetation and trees, wires on buildings, the graphic shadows they cast, and the like. All are readily accessible to anyone who looks
carefully at this Lawrence area at various times of day, and during the cycle of the seasons.
Stephen proposes to create a series of drawings and paintings in graphite, pastel, oil, and watercolors based on his visual exploration of East Ninth Street neighborhood. His aim is to inspire the viewer and
future visitors to look at East Ninth Street as well as their own surroundings in a fresh and playful way. In doing so, they will discover for themselves juxtapositions of scale, harmonies of shadows, rhythms, colorful
patterns in surface textures, and joy in the most sombre aspects of a city, by transcending the mundane and unearthing its hidden beauty.
NICK CARSWELL
Nick Carswells project will include music and audio recordings that reflect the sounds and voices of the East Ninth neighborhood, as well as multimedia compositions inspired by these interactions. In the
research and development phase, Carswell explores how the sounds of the neighborhood can intermingle and interact, using the street design and topographical information as a conceptual starting point. One
of the questions Carswell is pursuing is: what does/what can East Ninth sound like?
Over the coming months, project phases will include on-site, in situ, and on the move recordings at various locations along East Ninth. Recording audio in response to the activity of East Ninth, recordings will
make up a catalog of found sounds documenting the sounds, movement and people that inhabit the neighborhood. These explorations will then create the basis for electro-acoustic compositions and sound
design that will cross-germinate future project phases of songwriting and multimedia composition. Over Summer and Fall 2016, Carswell plans to collaborate with local songwriters and performers to create
music that can join these experimental sound sketches and multimedia design, to form a body of work that explores how sound, space and people converge on and around East Ninth.
MEREDITH MOORE
A project led by Wonder Fair art collective, under the auspices of the Secret Order of the Black Diamond, will initiate a temporary art installation and interactive series of events exploring the themes of
communication, esoteric knowledge, and secrecy. At project launch, members of the Secret Order of the Black Diamond and associated artists will open a public branch office location adjacent to East Ninth
Street. For a period of four months, the branch office will serve as a public meeting space for interactive artist-led courses that, taken proper advantage of, will give members of the public the skills and insights
they need to seek and to find the Secret Orders 9th letterbox.
77
78
BUDGET ANALYSIS
80
EAST NINTH
DESCRIPTION
QUANTITY
DEMOLITION AND REMOVAL
1
CLEARING & GRUBBING
1
PAVEMENT REMOVAL
11,069
LIMESTONE CURB REMOVAL & STOCKPILE
452
BRICK SIDEWALK REMOVAL & STOCKPILE
171
UNCLASSIFIED EXCAVATION
2,000
EMBANKMENT
1,000
STRAIGHT CURB (TYPE C-1)
8,520
BRICK SIDEWALK REMOVE & RESET
59
SIDEWALK REPAIR
185
SIDEWALK RAMP (6")
234
CONCRETE SIDEWALK (4")
2,040
6" AGGREGATE BASE (AB-3)
7,502
6" CONCRETE PAVEMENT
2,124
6" CONCRETE PAVEMENT COLOR/STAMPED
728
8" CONCRETE PAVEMENT
1,087
8" CONCRETE PAVEMENT COLOR/STAMPED
216
10" CONCRETE PAVEMENT
5,095
10" CONCRETE PAVEMENT COLOR/STAMPED
745
PERMEABLE PAVERS
1,126
4"CRUSHED GRANITE SURFACE
234
RETAINING WALL
1,500
CURB INLETS
10
DOME INLET OVERFLOW
16
STORM SEWER PIPE
230
STONE INFILTRATION PAVERS
478
STONE INFILTRATION SUBGRADE AGGREGATE
637
ADJUST SANITARY MANHOLE TOP
4
EROSION CONTROL
1
LANDSCAPING
1
NEIGHBORHOOD LANDSCAPING INITIATOR
1
TEMPORARY TRAFFIC CONTROL
1
LIGHTING SYSTEM
1
INTEGRATED STREET FURNITURE (SEATIN WALLS)
408
PAVEMENT MARKING & SIGNING
1
FIBER OPTIC CONDUIT
2,250
WESTAR ENERGY RELOCATION OF POWER UNDER GROUND
1
UNDER GROUND POWER TRENCHING
1
UNIT
LSUM
LSUM
SQYD
LNFT
SQYD
CUYD
CUYD
LNFT
SQYD
SQYD
SQYD
SQYD
SQYD
SQYD
SQYD
SQYD
SQYD
SQYD
SQYD
SQYD
SQYD
SQYD
EACH
EACH
LNFT
SQYD
CUYD
EACH
LSUM
LSUM
LSUM
LSUM
LSUM
SQYD
LSUM
LNFT
LSUM
LSUM
UNIT PRICE
$50,000.00
$50,000.00
$10.00
$7.00
$7.00
$25.00
$35.00
$27.00
$40.00
$40.00
$210.00
$55.00
$14.00
$55.00
$120.00
$60.00
$128.00
$65.00
$135.00
$160.00
$20.00
$150.00
$3,000.00
$2,000.00
$80.00
$55.00
$50.00
$500.00
$50,000.00
$150,000.00
$75,000.00
$65,000.00
$300,000.00
$150.00
$100,000.00
$12.00
$250,000.00
$80,000.00
SUBTOTAL
10% CONTINGENCY
CONSTRUCTION BUDGET
AMOUNT
$50,000.00
$50,000.00
$110,694.11
$3,165.40
$1,195.58
$50,000.00
$35,000.00
$230,031.90
$2,346.18
$7,403.96
$49,140.00
$112,217.72
$105,027.07
$116,806.56
$87,401.33
$65,211.33
$27,690.67
$331,165.03
$100,544.70
$180,135.11
$4,680.67
$225,000.00
$30,000.00
$32,000.00
$18,400.00
$26,277.78
$31,851.85
$2,000.00
$50,000.00
$150,000.00
$75,000.00
$65,000.00
$300,000.00
$61,200.00
$100,000.00
$27,000.00
$250,000.00
$80,000.00
$3,243,586.95
$324,358.69
$3,567,945.64