FACTUAL GESTION: Luhat ae te brely 0 Hee ve jeat fee 2 1 Lt ere anost significant. WASTES Some mort are eaplerced nthe baxt (ecg em be lhe 2 ta50-yaa0~, | the Urthong infec Sed aly pep The ~Poited of ten ond bidich were Uoagete Hauer ark bran trend ond Pret “Sui hd senshi ad Man Cte fey ot toe atbacslne Git end Aro 5, aca vhdit 5 Wat wkphes Rennie che Fen S05 16008, Me Sb Silt Aap, or eajony’ Toe Ci pesurhal, sategt tan APES Bathe Trainin fomvonly — edt ovad burlh ohung vil, pode flag) ae, efhoctl wh fda ont. Sayes, with wale b \200 BCE-SoO cE ‘ é , ge tyres, ' Prdashete ween dake br op “FQ tadly athe fa) ladgyy Sen dhl Be ee tebcontee Sy UE Ha agi relay vet wily ded Mae anf Alan AM tated in SE Age +4 tmnt ompiaict tal Gon : YS ols fe Stes Tae Te S Whe Bernas! wed | orwell — s \ tye, ral 68 coe gobotingg. Tre wast yell oases Bere » * . Deacaval Chive Gterdid 10 (un Gand damn be EM [etionnt Homo ogee B ending pet wlemced Lay oven evtihncks oud ricer of te Tang Clune. Avtt past He hal of Bae slahtag” gels, beings atesile D bona, tea cid dons Sloving gudes st Ne lndia® loth CEneRiEs > An (ath denn, He cinh rok Tart teda Haighanchad ues ; Slat cn a OF pec junc wertalls full fe the Lenn. Bh Ith ws oeoenah sand cocmtooly Waleana ait Si Kottabeon # aera i Sik . Peele en lndianied binghanstn mederr deg Nath eee tins (Soon gad cunbon, Loot Srivijaya A difeccact ort Styl developed 0» Southern Thai lang). Pepbriteeturt. ound solphwe show ie fluence from Gupte onel Avant Nadim, Vithreomede cua Toner Styled Malrapanan. BaliSublnethed wos te Ast Corsifal ety. bing Sa peed 18 Inhenbtges caeblideed » ' Meee “Bhar -govavs “lalla! . poo 2 syfhun cre argon ol Sd did | Pres Haar poHos ffl ' een, bing Fai? oo Wad Stang. Tee Te fla ' met ragenhad. The shins aljuel ‘ é Lownney amet dled real | folouiles bry Row amb eeng'r a ew dutta Eze wolf om ae queen ied . fgling Team Fler thu: barn onech te ae inaedt| ¥ fat ink, “hi Cl ee ne ned poe) WI eosin CENTRES th Vth stk «iBthS1 th Doth 2b | T Trtinda BuddluSem wae exterblerreal E ) 0 Aanobfiid align by Mab thang, the Ast i ler Ayla oat trgrgiin wbernnsfonal fede ) ! ) we Hae Doth, Frncla, Chintdtand Tryarnetty ab one poibtatunal (OOCE bteemminy arneit uf hy Mang teliedy enested je Wedron ¢. rh ‘ i befere: thems delat acagitl. Mang t . adiomcdiuinks dy meslieine, Me rrwele \ frelufectur qracpmarevlaberabe cefludtey 4 f ee gomirg by, Shaan hierar | ; ; ( Baored ed qwiging ond fyvag began to eT Ganghol/Pathnakoing S lihusbin Mnecrinstagly tp aire The Bella GRR eee tall (MIR a Sg gn Buvmisttinainn 1462, lasing endl af fn ; ciwinc, rtern wile wien intreduced hs ohm Tae ammeliel evel Lined oh, nk art gab mare rualishi. Mocs Se Pe iS fapicheg beeracas voit goals Oger were 4 sr nna. Again increasingly ovate, abt se Fa bake at bl dpe i | Bom tve saitibelity, “Kiran Chas, ip Sin Mar ema eveblishucl: Hae 0 Mad of axihing corftin Thalland Bye reclig, bending or boqverng| awl, peold be ret pete fof Ke ptr ae rypird ty tatired Bent, but | ae ee Maybe Aaedecwrettvon Aor sot fk fe ale walle, He arelnt bakeel syrteae? bthent a parpae TR Sela Hoh (words fe nackte madd 2ffrtrsselel 1 Air bone bean phon tee oterneag 1A went ngatneat ark pasties Thailand a(t teboductd Aa clule and caligons expects all shee hey perios balt oF of lumder lye Joly, mecate Ha ati Thestemal tute by he atl Inelin? Labs werder have tradifiees! lub, ast ed chevy est geeeth way spree! fv Tenland 15 te, the of ohyle poreteecis (roloe * Gai May j fey Leen lows at day t . ys 7 ) - : Nan, Si pyprortombinel aly, tag be Heute Ss 0 cafe | soos alae sy ete ie | Euan ulck | aac uped tM of fe y fhe nh eamagal ek Pir —croitmet the laltvrabasty spered leach, tnd nk arg eb ey sent Pealica artikel gt og cnn wold be g@upeg into Y gir: iF he ball Sates ba tintin Hou Ge Pa arhoh rocaadel Suiais owing Ne Raby ogling f dhe al: He clits buf cud Ber Siddlar v0 “OO develope Uafluunce. Guntel’y wh Vee Haan dena! | Nita ch Peacock eapecialla ye, Tas hak taflocece . Keinngaltcr re dhe: Ant autos covinhry, a leodt by Hoe Hen ted. tm Ha alt? bai hon, Baste twa, VFotnds ‘ede tae a MAM, Ch todifloriit Wigdorns covid, howe. ace tel wl adie te hin constibered frarromsiparnke: Mie ais Rid pltwin te saunas. Loplo ot bad lege hing Meets pt Thal Witlory anid 2 hace To Lerge munber of fomslusondl ota2e religree arihiteetornd shea Sadly, iF row atsociehal ile 2 Duedting yuowluuys, wel om sh be tdlerenting tra curtonin {iglet. * q éS ak Vehed at was mee! Lan teoit fet CSTHS fo The Washo, eathiag oot tae fel of the alert Magdonn, Ind iced mia ‘ Py neler uyhee large cus, Bacledring 260 esd, ios > cattwily balls, 5 perolt ane ane e/ehinedeen fal - Terotee mann star of chads Is om Hs = ate: Alar Completion, eames waeolfel he baube celles 9 of be Qudilba, Svein as pig clothing anh garments Odd nike vache the feoriontins layout mg 3 Cepttont the Bidet uw of Hae oe “ahattod! es Grad Bulle, ituens contineha Soe Sie hchetin \D& ae! Hb WaT MaNaTH aT CTH) Fig temple 6 Ayaan Fines amd princesses were cxpmubeal Aure. Teal sewrns dn temple. ene MS baled a ole ‘ THs Homylc had existed A WAT CHAM ATTHANAR ALY Stee the Ayvtiowm pred. ibis dgitenwd Qe Buna the coed der foe win ag Tadeo THE GRAND Darace, oe ond iy 6 Hignst Gre Regal Saad, Wat Matron flan Not 4, the Gi Panag, beoliting at Sot Gomgias Lael a Pst tab) aie Wh Phe Ph abt Plog tea!) FINDS aw eieieg te Lictwalnet rn Ih lad seumeed te legen weltin toe weld © tdocnhion cal Ten ble peotaye, Te finds thayoh ed tmesheel chevider bones ors) coud oil ef che Aeplanets fe eS thes (3 Hu ore f baw aceal, Buin by ried hoe bach sipellcond ectaeeable ting. Fs io A YO Ter 2 nd ros Turrted by HL Sides WAT 0) suTHep. a eee met WAT PHo, ANID THE PELINING BUaDHA Coanesh, Tac tanland auihe mies. narcbelesChing Rosy a shovtingl Contoinprinvy wetenel notof ot, Ih by Cholrrmétini botit iat rhe renombiel fu engines = Lint fain take oat th ®rew. The project Settee M44, onnol d | pote. Te timp 6 all ckthe with pees of mrvor suck Once” a : oageg, Te ps of wentoesadk UNG UA Shee nals tall matt a Bo wth Th testo Aclllrow is themnst snerel Thai Budell Fw Fess encanrtd in 636, wile Sim seyashes (Fives eootelar the Laman afyle. Lawl clos Nak ood crodid in lucia, te LIURC, Tatagehad Leon thin fom, Cirang Rad fb Lampang, ond oad evra Werhiqae Far Z14 genet 8 befor Chao Sharyn Grobe heaul Fin Ink Pham eatin, tn bis reyat olce ! ta Gade sulghee Cpr the vole cf telhleg attefl, ameavrel aul fuluddle ae ©2229 25 9.2 2.0.3.4.4.0:3.2.d.d.BdDADaD 2d ded neOOO OOP ORS POSS CEO SCOTCH SOSH SEH OP ORSC VSO COEOCSSPCC SCC CeCe CCC eee Oe eee eee eee eee eee TES ESS SSS HOHE Seve sssseysay L i Yer eCOMPOSITION PLANNING Line Dawg S posed tebeta the. foregcovne THAN ‘Sua GARUM (suehordar) aROUGH Compo SITION 3B COLORING ooFEED-FORWARD FORM NIST VISUAL ARTS student Name: Tac, pate: 16 Sept Unive Levee) ris 1/ cx LWARMe Strengths, postive experiences ane observations. COOL Areas that could be imaroved. “Student Se-Bvatuaton “Teacher Feedback Considering the criteria and learning goals of ‘heassignment what level of suecess do you ‘think you have echieved so far? What do you need to improve on and what have done well? This foedbsck's intended to serve asa response to your self-evaluation and to guide Yyouon what you can do to improve your assessments and excerience In art class. Yost nat wetueslltgy # bokeh Re sud Crahlen Sher aecvalion cennitags dan | EXE foxrol dba lle oot cali tle eee Roe eee tingid os whol cab. a jecagoree “Yo shape tien aseicky af seuruag ind Arman, ale small de tts aegis Sept veeladgt, cia 4 lenders ves, well read weome a> evade, cpa cool: ea a naglaarlead sumal Pde He sero 4 Ho ePID. Digetace wat color ancl tome te deo oingr> fon te Suet dip ~ Rotel plebeepha Seca Bron ad tdene mile. ‘What can the teacher do for YOu? ‘Teacher Signature Alp dicate ln fares Role enfieuctivvanid MYDS. te sexaly ubch ahh Selle gages ~ Lest Henle TR sey &Criteria A; knowing & Understanding [Tasks y 12 3-4 | ‘Comments ‘Grade Exploring the | Demonstrates Demonstrates jemonstrates: influence of limited knowledge | adequate knowledge excellent inowedge > Ty i of the link between of the link between : = < Susdhianon suatism an Siam an aS Bes X ‘Traditional Thai art forms, Demonstrates ited knowledge Demonstrates aesthetics of traditional Thailand, Demonstrates limited use of acquired knowledge to inform his or her artwork, Demonstrates adequate use of acquired knowiedge to inform hisor her artwork Traditional Thai art forms and displays @ substantial use of appropriate language. ‘Traditional That art forms and displays excellent use of appropriate language ofthe aesthetics of traditional Thailand, Demonstrates substantial use of acquired knowledge to } Inform his or her vform his or her artwork, acquired knowledge to! P bo fol de oxout w 1, oF cones tw-le We ary Fee: A p bea poh ot fin fe Chanting OX a destino < S ®S,Year 11 ART CRITICISM ~ MOCA Fieldtrip ‘Produce # colour sketch of two pieces. Clearly label exch one with the artist's name, ‘year of production, medium, dimensions and the souree of the illustration. General Reaction ‘Waat do you see? Desoribe the image. ‘What docs it make you think of? How does it make you feel? Formal Relationships of Shapes and Images + Deseribe the use of the elements and principles of art, + Annotate your drawing with the clear and ebvious elements and principles, Formal Characterization + Is this realistic? Surreal? Expressive? Abstract? Explain. Contextual Examination ‘+ What was tie ARTIST'S POINT OR INTENTION? Application = ‘What ideas, echniques and processes would you take from this artist to apply to your own artwor? Hor & an oveatent parting tom Jat Tteanasomboor “x cantemperay Thal art. He fen fstures the narection macern vs raciions and East ve Wast nh pangs. Paitng deta ens on canvas 8.3:x80 echos"puppeitee Makes me think ofa chimera oF a sphinx in Greek mythology. wonder if Faso means the oversized head is supposed to asicus a riddle The covchehelh nc Peary for a holy man, so al people have some goodness inherently, but hee been put away and set over te shoulder. This aristhas mate macy ‘human-animal sculptures Itke this, often with other creatures on their ba instances are as straightforward as this, Zrtrakes me feel intimidated, this sa creepy sculpture, e makes me feel thatthe artist urgentiy wants to convey a message, J¢ts intended to be surreal and inhuman, understand his intention, ‘mostly to make the audience wonder and ‘This artist has done many human-animal hybrid and the way the decorated head is facing varies. only clue as to what is being depicted. | will take aspects of this piece, Dleces tke this, The animals used ‘They tite of the piece is really the ‘away the creepy and exaggerated{see a woman, Sitiira, posed in the middle of what appears to be a dramatic ceremonial dance, She has her halr tied up ina low bun, witha single pinkc flower fueled behind the ear, She wears a large elaborate gold necldace, bracelets, armlets, and ankle bracelets, light Blue shawl or breast cloth, and orange pants that resemble a more formal variation of a tational chong keabaen. A dark eclipse is Seen above, She Gancesin 2 circle of flame surrounded oy no less chan 3 skulls. Many sparics and splashes of paint are seen around and in front of her, characteristic of {his artist, and of which, have a purpese 1 still cannot decipher. The expression on the subject's face isa sure sly one, it makes me think the characteris a seductress, and the fiery ambiguous setting dces not help. All around her Is darieness, with « {aay light biue glow bebind her head and shoulders. This makes me feel tat this character fs supernatural. I don‘ think this charactor lines up with any ‘igure in mythology, but lam not sure, surely notall folktales are recorded, and Ido hope she dees, it gives the artist more ofa clear Intention if tat was the case ‘This appearance of the character is realistic, but the soft oi] paints and scenario ‘make ita bitsurreal. This artist has done many pieces like this starring a Tal Woman in traditional clothes and looking rather realistic, and the Thai spin is rather subtle, usually in the unnacurally curved fingers, chine {realy ike this idea itis remlalscentof the figures in lacquer from the Ayutthaya and Rattanakosin period. The clement of lin is seen tn the chaotic splashes seen encircling the woman, I'm stillnot sure what they are, most likely cinders, purple in color, bu then I don't {iow wiry there would be so much of. Some oft reminds me of daggers in shape, Hinting atthe character oftae woman, There is movement inthe lines following te ‘igure, The use of color shows darkness all around with the wean painted insane, colors as the subject, it emphasizes her very well t aces the picture stand ut ana a little indmidating, Value has be achieved with only the oil paints. am nat sure how it was done, but maybe with the paints we have, itcan be done through dy brushing, All forms are curved, the sparks and fire seem more rushed and fides, organle and irregular but stylized. The picture is focused in tne center, the flecks Jeaving ttle space tn the frame, These chutter the picture, lite too much, personally, but it may well be the artist's intention, The piece Is balancedAder 's pouncing a buffalo. The artist hau He cent caefilly shaped tobe forms on the antes. often inuseles, The paint looks Fatanca chalk some places and lke ink sn otherg te Use of the goid leaf Stands out on the page. Only he moon is gold ant, couple of s Thakes me think of the tiger melting into the fatimess to catch the buttalo, Iworder why by is other work I have seen features this Treo ‘was and why itwas left untied e¢ oll to the effect of wispy swipes, himals have 3 front limbs, none of der what the Inspiration for thie piece color ae B2CeFal isting tals an the tt thal ame patterns strongly with the biacle out weil as siripes on the onl Solors used are white, which contracte Baer, Yaneckme litle while to notice the gold, eens _iget. Values seen in the spreading ofa the picture as a whole, eis as if there is interesting around the animals, but limbe, sides, There is some space in between the pad Kept small so tha there is tension in he pare Thave bad rough idea for what he wanted the hace producttobe, svi whatever the paint happened to shape iifiess With nothing burt comm cures aud experience t help him. The tga Sete emphasis, atleast to me and I wonder ite ar i Some ofthe lacquer decorative figure'g Cr etarns had been transferred to animals, This vee ‘bot something I had thought Si before. realy Hike this tea, especialy ance ‘would normally prefer to draw animals, This piece is expressive ofa moment, t maybe. litie abstract in its styling See technique: Sento ‘>artist studies, Emphasis on extreme facial expressions = — ‘*Material, metal and o «3D plece with ‘raditional Influence_ lm nithoping Btos/crenhlag By Invaly h pln Aad dens. 6 dong Gryedion bag gotaren dl bette sP Toran | 2 rere’, tne oan Pee ap & dips tn i f + fT Cherecedur lanien,Pr on That TAS ong hg sdeadt and mechanic / 3) ath ang go ‘eleghs eroaa! 4lor otu- superhistlly ved product) alike fot deondup Me sean ay techs: gigtol efird abmage ext Gb, re deals tan pat MWg. sen clidisn : is ealtim Mega, y bi tant M be exupteeictel dt J red HOC de te eae yd Haas foobewtor, blue, tier wate Mae pe ater hotel rastl!, Lent : shleric bas tesa n CE Srya il A a i cr ct iret oa de did wahtsatpslote bon peah OS call } é 7 vel, Hie gurian denen 2x arin. Cald PPL ALG leu Pe| Image References for the Final Composition Khon Masks: ‘ htop: / svww.nongntt.cam/Khontnasklemynn0 10. mi hitp:/ /wwwataturethal.net/Thal-handicratts/K’ masics ie nsi//www fick com /photos /blahmnal /2798047 1 free-stock- iand-isolate- images photo-blackground-black-image3431.2489 ee ee (arieks and shoe provide some sense of scale). wil be painting 13 em tall people. He even adds shadows to his people. | will nees to make mine stand up on ene without leaning on a wall 4 ‘wll ier trae Fi Phe4 mit da edgeot the fable te suha 7 | brick Chk tbs mm leg Aine Henn onde) D tel gloved there fo jeter vilrustered stackable, lake fle | ben “Shan y 9 lve. rib te bis Thun [ sadid 2 pt len os iS Tikes Tg — eg — PT ae “a SS. — 4 / ~ sepia —— ped backth the mrorcuel otha [He = | whoutsteag of dsc buiglt (2 = (fhasachadl SHH S hast of oan) Mp rok sey mort hin ton anipec hel re taille the webirg gle, | pet bubs ayer fa > Yo Stucts ovw fe ipl fen fa — > Hecate Sree cont" bal ams fw pepe Sekccbopoed Garbled, 36 thet i bofh, Joona. | iss paninheal hall a Levee, aakiy Afbecitees dy 1 foahin be nate Weal yp Repeat Sfrehions on, We poli sah Le AA he haf bn fr eta ayeutt fag look rast fimredor (yf cath rvsbshakeg | soak Me aend sick Meapema whic Aacis re teres « Ufemgers fhecerghe, leowddict Ligh ty, nad bach va oe 10h Pcie fn kk ne hal eet tebe, Fasculll decide fo sak pt par oer bark sheet bedi era idedalioes, Bolg, Pr balp stad, but Baia pasar tot fae bom t shut Lenny side frapurcc bale, bf M tteachid bach cover siuel woul mal Avcbau nade el " Neoked be Hoops jit honk bud wfercived aad bani merghevsllee SS aller wal eed! haw jnthe sud t fanny Hagia fot shack alitrer foksia hes | ; t ovalil tae front couple fumes beceste = Aig tnt the arin cen-sagnal sicerd TSE) oh uote Hy. flint ck em fo snob _ PSRIPPPPII7I7F79999997939999F99VFF9VIVI9799999 hag wlble op cle bd clis tay daha - = = o * ~ o - o e = fondle Coe Aeasin on Nile lar Hor j Pacitns | Brome but fh seeding tt dan bow Sicha vee sfif d OS amin b Tt. ronal, thd ast coach fc am ete ef nea ery Honda lake daing calle eller bik fone prt be heeroel on the gays, but te lintancce ts Gvirdin sone plug, Un Outlined shapes ite calor WF commas Met bthnenriet sorting Insure a geod tng bowie leaded or Alferd we aswel bthwe 5 me Lz > | pilot the wivttaged once, G15 nn wduchuster sehr —— (eelde Awosthiea f, f coutd seta pointy a0 sale bc (ofel Frm Ay A vaolbe fhe (nid mr Hay wou’ mon nnare ote. ak iis, Wwe 19 soweduding om Tae lings LHe buted af Spa sald winded om Pha ath | ekepatten td ull tugnh 2 ocmnge-nbule / \ tlinads jt shed! over b Pras Hate wensh't on it, he wath wmynee! ty Hx cetbok Hg Nayrahy eng clare cle PU see nse Siles and bras outlines, ptheki F hashes by feasne. je cente adllinas sul Tt ceca Space Comprtel fe Hoa vests I High Hn Cr en Ma ein: dete dod ifa, ate fakung sul sg. Tree waite bos sendivy nile fitey vote colar pull so fat flelny = ee wher dalbedin with tecelor. The pallor AMD woe tect somthin trad cola Pon ton tbe merlitgs om A Aid wok iach vp well als the. color of he bemerliey om teed bled Kecowie a beta wins nebo engl, f aghast foo tego Paiateol tw ape set f hes, pile phos BD) alas * aw Z whe Bans Read 9 en La se O-@ 2-24 ~ sigan pretense deca BE ae 73 ww noise Pot TS, anni aletanen ce = ye ond ebbing oes shai Asay [vy be taauwieort a * iy 7h Jabalons Mee \ | \ ls off perp, lewry Hs pince hb al = the, eda shit inh te. Forcics off tha tl awd) shiek Hune gexgla i, stony ly foe Mle shtel hee nee sle/ ze) < ye nlysy Kab picceaima fo yrchic tummy pithy ferbansquen sterile, clon nahn wit! rconfite mah Arg whos ad awarpinhing, Cal gob bo caput wail, shoes ralicun b Ha prin Flsmrell harecags) ad ty a ypbsla. The proce Crnbinesl inAvanes fy meledleal poss hing the conte folie? (lhe Hoe spotle. There wer « geneil Nine LAP ly Some < inflery forme Hus by sry ; bod he Hawa Pie qa ty coe the Panes Aide ule Cony fo prutah BF Gust wacked oot ead {ebb Maan ot Hay mee. Thasre ond cals fo KHL puncel slewings Fo Fenture tae vin 4, ( oly tele the frat lak: toturuds Aside fom tus, Cohen netey npn proecs beter sulhles on he disor, 15 pod of remus cal Anns fit work thn ohesgs A te Grobe! mam om Aes myth culated for corre Fate Wil ua BP insti f tee Aang Raton Agthage. Uwe cooley flee gece | Alt that tha wittr Hectann natyet wet eran md tink tr NAS tat rafters. Hoare solvtima fo tony. barony: Mewar (Felt tat joa drybrcth lad call, cobrined fla cffeck tuna gorvy far (Felt he aerial Se pacha tn jeje a hascundicare all dapapetimta.. ity, Headly Fe TAD fas Ea ty tad, [tie Corsa fle sonia. fre bnbnticlent Haw peinhiny wl 1 teeatel the | af a Mein ‘pel paject m Gthane (ihe pekey lols 3p adda aaahen cae lamtel ty ting fe - | male tay, calhet mel bachcr, Le A= ig Terre of Me pieces flet in Bis als HOT Hertel ncn tomemereind filing arom Looby, Tis wet nflaanciel by AL phoby (dak 2 . J Mepis (Ak of strebusctoi® hey fre rcightyrtuadl. | thaubof bho aasld axe oy whshe trai em = bastnl, adscoh i 4 S dtd, 0 bed aad ome that wielhineur be ae fe SPUN, Etnies mihi ot iyaching fhe vigeee Thr ben Ly Redhill coulel tiller be Hai feller or the be yar abich gue sn fe lien of comagey brow Ban: pooer copes far selluy or Cr samilag Padohoe file a Cormeoctshy py ‘you! Ladey, tae Kev ot ts "gow a i ea Ustad cells emcee Fog step wer jafheew eel & Ine hp fb Asta Mak ows amresr aille You dashe bay em bur bancl Beflbar divd tha teow of dnd, fratibon, A par of anal oad build waht cm hating toler ancl Retr’ Shans 0 diets wa onus over sashes bh the nek he phwiy fe elhwe week ley thigh flee fone, we TEES Bak Seruilan, baer ty egprtioce By biny, The Clephgt parting sebphrel cvarh of Sasykpraseh ancl the photos oF fi ehses thy be nahn biliyue! rm alycle Kem fomul oly by alight abe allales ty wih ne beemie of lms wrlicel teed cess anblveneal by fhe. Cis sg puis lab broel, hescliy tug tal fo Ankpraject Later (bis ritreed heat Maly lends wachimect caine (Ma Krad of ts hace oc ral, honto wert sch on mpl algal or ary ole clephantt hot mf), tha Hcy Beal Gewintth ancl Pau, pdt ‘elated aur Rei! Near ent ta soit nolenble pitt of the pitty ape tine masks, Wlycls ['sheleusht Hamtnmg ad Ah amnnn bey te wail rcosie Rameryane clamahy ont ten avis! hichity arebulye Prpthe Sect Iu repre Prat faa of tm bhune, acct, one! avipinsfactdly. trade tn prmeeYear 11 Comparative journey 1) ‘Takea photograph of your first painting study 2) Take photograph of your most recent project 3) Explain the experience you had creating each pec. Describe your Intent, GaP hallenges that you had, explain hw you overcame challenges, describe the emotions that were present and may stil be present. Explain the process ‘you undertook to review and refine each artwork. 4 To what extent did the taking of photographs n your communi infuence your art making process. 5) “he lemming journey that you have undertaken from one work to the other gneonpasses the following questions, Choese the questions and explain how these relate to each particular artwork you have made, Concepasal Question: Frew chatlenging Is it to matneatn traditional eulcure in a modern, urban vovronment? How has the traditional Thai aesthetic been Influenced by globalization? Debatable Question: “hat aesthetic culture come and gone? Has Thailand's tourism industry diminished the integrity of That aré and culture? “9 (AoW bos been prtlocnrced fon 9 3 of traclin me mfloen sabrth Hoe 4h flus Auer KR A by 2 onnidinel arefare plicit the evelidrref olatundulyiiy tact: fio rupet ah fect ibe honed aid ada plceoh wun badglela, yulved.” Mglding tt Arca bhiid ane ntotovee ot ethos The first pice