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PhotoReading

Paul R. Scheele, M.A.

Exciting N e w 3rd Edition


• Double your reading speed immediately • R e m e m b e r m o r e of what you read
• A b s o r b c o m p l e t e b o o k s in m i n u t e s • Excellent for t e c h n i c a l m a t e r i a l
• Q u i c k l y r e a d e m a i l , w e b p a g e s , a n d e l e c t r o n i c files

Over 2 0 0 , 0 0 0 in print!
The PhotoReading Whole Mind System
Read this B o o k in 25 Minutes

T h i s b o o k is uniquely d e s i g n e d so that y o u can easily read


it in w h a t e v e r a m o u n t of time y o u can c o m m i t right n o w .

2 5 M i n u t e s ( L e v e l 1 ) - G e t t h e gist o f t h i s b o o k i n j u s t 2 5
m i n u t e s . First, page through the entire b o o k and read the
table of contents, chapter titles, and subtitles. Page through
t h e b o o k t h e s e c o n d t i m e a n d s c a n for i c o n s o f E i n s t e i n r i d i n g
a bicycle. R e a d the p a r a g r a p h next to each b i c y c l e icon. If y o u
have more time, continue to Level 2.

30 Additional M i n u t e s (Level 2) - Absorb the core


concepts of this b o o k well enough to discuss t h e m in just
thirty m i n u t e s m o r e . P a g e t h r o u g h the b o o k again. This
t i m e s c a n for i c o n s o f E i n s t e i n j o g g i n g . R e a d t h e p a r a g r a p h
next to each j o g g i n g icon.

4 5 - 9 0 A d d i t i o n a l M i n u t e s (Level 3) - Fully >\ /


A
u n d e r s t a n d the P h o t o R e a d i n g skills by s p e n d i n g up to < - -B

n i n e t y m o r e m i n u t e s . P a g e t h r o u g h t h e b o o k s c a n n i n g for
icons of Einstein w i t h a light b u l b . R e a d the p a r a g r a p h
n e x t t o e a c h i c o n . A s y o u s e a r c h for i c o n s , r e m e m b e r w h a t
y o u h a v e read before by r e v i e w i n g titles and subtitles.

W h e n i c o n s a r e c o n n e c t e d b y l i n e s , r e a d all t h e p a r a g r a p h s .
O c c a s i o n a l l y a n o t e u n d e r a n i c o n m a y say " R e a d B u l l e t s ; " t h i s
m e a n s y o u s h o u l d r e a d u p c o m i n g t e x t t h a t start w i t h a b u l l e t ( • ) .
R e s i s t t e m p t a t i o n t o r e a d all p a r a g r a p h s n e x t t o all i c o n s
d u r i n g t h e first t i m e y o u s c a n t h r o u g h t h e b o o k . C o m p r e h e n s i o n
will be higher if y o u go through the b o o k m o r e than once.
Y o u m a y d e s i r e t o r e a d t h i s b o o k w o r d - f o r - w o r d t h e first
t i m e . T h a t i s all r i g h t . Y o u m a y c h o o s e different l e v e l s for
s u b s e q u e n t r e a d i n g s t o h e l p y o u get m o r e o u t o f y o u r i n v e s t m e n t .
What Authors Say A b o u t PhotoReading..

PhotoReading combines all the most efficient reading strategies—


proven in university studies over many years—with what is now known about
the phenomenal perceptive capabilities of the human brain
It is undoubtedly the best accelerative reading improvement program
available today
A n d , it is presented so that the average person can benefit immediately,
and for a lifetime
Dr J Michael Bennett, University of Minnesota
author of Efficient Reading for Managers

This is the best book for reading improvement ever written Finally, one
written by someone w h o truly understands the learning process
Eric Jensen, author of The Learning Brain and Super Teaching

By following the PhotoReading Whole M i n d System, you can enhance


your learning and greatly reduce the time you spend regular reading You can
automatically single out the information you value and mentally highlight those
passages you want to savor
Charlotte Ward writing in Simply Live It UP

PhotoReading has helped many, including myself, to blast through


materials at rates up to 25,000 words a minute
Bryan Mattimore writing in Success Magazine

It's not just the fact that PhotoReading can transform your life in
unexpected ways that excites me It's also that Paul Scheele's book serves as a
model for how to present new ideas well and forge new territory
Peter Kline, author of The Everyday Genius

PhotoReading is a gem It contains powerful tools for excelling in life I


thoroughly recommend it
David McNally, author of Even Eagles Need a Push

PhotoReading appears to be a natural step forward in the evolution of


human reading skills
Win Wenger, Ph D, writing in The Einstein Factor

PhotoReading is literally eye-opening The goal Let your unconscious


take a snapshot, imbibing a whole page in a glimpse It may well be the
standard equipment for 21st Century SuperLearners
Sheila Ostrander and Lynn Schroeder writing in SuperLearning 2000

PhotoReading has amazing potential for helping people use more of


their brain to accelerate learning
Paul McKenna, Ph D, author of The Hypnotic World of Paul McKenna
W e live i n t h e a g e o f t h e a c c o u n t a n t ,
not the poet...

in the age of the politician, not the singer, in the age of the
administrator, not the explorer We thus live in an unbalanced w o r l d Any
development which redresses this imbalance is to be welcomed and applauded
The PhotoReading Whole Mind System, initially developed by and now
presented in written form by Paul R Scheele, represents an excellent advance
in redressing this imbalance Paul's contribution has a number of noteworthy
aspects to it In particular, his w o r k represents
• a practical system for achieving an important class of accelerated
learning skills
• a significant refinement in the extremely important and ubiquitous
activity of reading — in particular, Paul has decomposed reading into a
continuum of choices By so doing he has, in effect, identified and charted a
continuum of cooperation between the two cerebral hemispheres This places
within the grasp of the well intentioned and disciplined practitioner a set of
choices which are the natural (and largely unrecognized) heritage of every
member of our species
• the presentation of a highly learnable system which both delivers what
it proposes and simultaneously opens a huge door to achieving a new balance
between unconscious and conscious processes within the user
1
Well done, Paul Scheele
John Grinder
Co-Developer, Neuro-Linguistic Programming

I received the highest grade on every t e s t !

I w a n t e d to get my master's degree I tried taking a course eighteen


months ago I was not able to complete it, because it took so much time and
my grades were not good (C or D before I dropped the course)
I tried the PhotoReading method on some Navy correspondence courses,
and it seemed to w o r k well I needed to test it for real, t h o u g h I enrolled in
t w o courses at the local junior college in business law and marketing I used only
the PhotoReading whole mind system
The results were astounding With no more effort than just going to
class, I received not just A's, but I received the highest grade on every test in both
classes The best part w a s that I still had plenty of time w i t h my family
People at work and my family all say that what I am doing is impossible
I w o u l d have agreed w i t h them one year ago, but instead I show them the
transcripts to prove my progress A n d still they do not believe
I certainly am impressed
Randy Now
North Highlands, California
I u s e d P h o t o R e a d i n g to b e c o m e a s p e c i a l i s t in
rheumatology and physiotherapy

I had thousands of pages to study for a critical e x a m . I PhotoRead and


activated daily over a m o n t h , and I mind mapped the rheumatology textbook.
W h e n I took the written test, I both knew and felt the correct answers.
My score was the second highest. I also did very well in the three-day, practical
part of this medical exam, and I was the top student on the oral exam.
Ildiko Kiss, M.D., Zalaegerszeg, Hungary

W h a t used t o t a k e m e t w o hours,
I can n o w do in t e n m i n u t e s

As a tax consultant, I use PhotoReading to slash the time it takes to dig


information from the 33-volume IRS code. I find the section I want in the index.
Then I PhotoRead that section—30-40 pages. Immediately the answers appear
to j u m p off the page.
Fred Fredricks, Hong Kong

I'm more productive at w o r k

I PhotoRead my software manuals. Now, w h e n I program, the code


seems to come out of my head, and I hardly ever stop to look in the manuals
as before. I intuitively know the program will w o r k , and it does. Previously I
w o u l d have written a bit, tested it, tweaked it, referred to the manual...
Lou Wilson, Middlesex, England

I got a 100% salary increase

After learning PhotoReading, I lowered my reading backlog by 40 books


in the next 28 days. I applied the PhotoReading techniques to a business
presentation and got a job offer with a 1 0 0 % salary increase.
Joan Jimenez, General Council of Education, Rio Piedras, Puerto Rico

My business doubled

As a business owner, I am always looking for ways to increase my sales.


I PhotoRead marketing books that I hadn't found time to read, and then put
together a new sales piece that yielded twice what I had done before.
John DuCane, St. Paul, Minnesota

I w r o t e 20 pages of notes
without opening the book again

Yesterday I PhotoRead a law book. This morning I activated it. I then


dedded to make just a few notes... I am a s t o u n d e d !
Ray Simons, Las Vegas, Nevada
The
PhotoReading
Whole Mind System

by Paul R. Scheele
Published by
Learning Strategies Corporation
900 East Wavzata Boulevard
Wavzata, Minnesota 55391-1836 USA
952-476-9200 • FAX 952-475-2373
Info@LearningStrategies.com
www.LearningStrategies.com

Learning Strategies Corporation is a Private Vocational School licensed by the


Higher Education Services Office of the Minnesota Department of Education.

Board of Directors and Corporate Officers:


Paul R. Scheele, Chairman; Peter Bissonette, President;
William J. Erickson, General Counsel, Secretary; David A. Heit, CEO, Treasurer

"PhotoReading," "Paraliminal," "Personal Celebration," "EasyLearn,"


"Natural Brilliance" and "Accelements" are worldwide trademarks of
Learning Strategies Corporation.

"Mind Mapping" is a trademark of Tony Buzan

Cover design by MartinRoss Design

"The whole mind is represented on the cover. The analytical left brain is depicted
in the 19th Century French diagram of the planets revolving around the sun and
by the eyes of Albert Einstein. The creative right brain is expressed in
Michaelangelo's eye of David. Einstein's eyes suggest a want to look upward, to
search further. The type going off in space reflects the new learning strategies of
the PhotoReading whole mind system."

Photograph of Paul R. Scheele by


Sonia Katchian / Photo Shuttle: Japan Copyright 1996

Illustrations by Jillian Walz

Library of Congress Catalog Number: 99-066760

ISBN 0-925480-53-3

Third Edition
Copyright 1999 by Learning Strategies Corporation
(First Edition: Copyright 1993)

ALL RIGHTS RESERVED WORLDWIDE.

Printed in the United States of America

10 9 8 7 6 5 4 3

PhotoReading
Table of Contents

R e a d this B o o k in 25 M i n u t e s • F o r e w o r d
Acknowledgments • About the Author

1 - Increase Your Choices


1. T h e O r i g i n s of P h o t o R e a d i n g 2
2. Old R e a d i n g Habits or N e w Reading Choices 10

2 - Learn the PhotoReading Whole Mind System


3. Prepare 24
4. Preview 32
5. P h o t o R e a d 40
6. Activate *. 53
7. Rapid R e a d 71

3 - Develop and Integrate Your Skills


8 . M a k e P h o t o R e a d i n g P a r t o f Y o u r D a i l y Life 80
9. Share Information Through Group Activation 91
10. E n r i c h Y o u r P h o t o R e a d i n g E x p e r i e n c e 98
1 1 . U s e S y n t o p i c R e a d i n g for L i f e - L o n g E x p l o r a t i o n 109
12. Q u e s t i o n s a n d A n s w e r s for t h e B e g i n n i n g P h o t o R e a d e r 118
1 3 . D i s c o v e r Y o u r G e n i u s P o t e n t i a l w i t h D i r e c t L e a r n i n g ... 135
14. T h e S e c r e t o f t h e P h o t o R e a d i n g W h o l e M i n d S y s t e m .... 142

Q u i c k Reference Guide. 146


Bibliography 150
Index 154
B o o k s , Tapes, & Courses by Learning Strategies Corporation... 159
S p e c i a l Offer C e r t i f i c a t e 166
Foreword

W e l c o m e to the most innovative reading p r o g r a m available.


PhotoReading goes b e y o n d mere speed reading. It is an educational
experience that taps y o u r m i n d ' s vast r e s o u r c e s . It explores and
expands your o w n potential.
W e l i v e i n a n a g e w h e n t o o little t i m e a n d t o o m u c h i n f o r m a t i o n
c o m p e t e . I f w e a r e t o s u c c e e d , w e r e q u i r e n e w s k i l l s for p r o c e s s i n g
and learning from information. P h o t o R e a d i n g is about w o r k i n g
with the greatest information processing device k n o w n to mankind:
the h u m a n m i n d .
I n t h i s b o o k y o u w i l l l e a r n t e c h n i q u e s for u s i n g t h e p o w e r s o f
your whole mind. PhotoReading will teach y o u notjust how to read
f a s t e r b u t learn a t s p e e d s m a n y t i m e s f a s t e r t h a n b e f o r e .
W h e n y o u learn P h o t o R e a d i n g , y o u will experience w h a t
might sound impossible. Y o u will P h o t o R e a d the written page at
rates exceeding a page per second, directing information into the
expanded processing capabilities of your brain. There the
i n f o r m a t i o n c o n n e c t s t o y o u r prior k n o w l e d g e and b e c o m e s useful
to a c c o m p l i s h i n g y o u r p u r p o s e s . Y o u get y o u r reading done in the
time y o u have available, at a level of c o m p r e h e n s i o n you need.
W i t h the P h o t o R e a d i n g w h o l e m i n d system, y o u will develop
extraordinary c o m m u n i c a t i o n with the y o u r brain. P h o t o R e a d i n g
b y p a s s e s the limited capabilities of the conscious m i n d and helps
y o u find y o u r p e r s o n a l g e n i u s .
The book contains three parts. In Part One, y o u will overview
the P h o t o R e a d i n g w h o l e m i n d system and the n e w choices y o u
have available as a reader. Part T w o guides you step-by-step to
learn the P h o t o R e a d i n g w h o l e m i n d system. Part T h r e e helps y o u
i n t e g r a t e y o u r n e w k n o w l e d g e a n d skills s o y o u c a n successfully
use them every day.
P h o t o R e a d i n g i s a t r i u m p h o v e r i n f o r m a t i o n o v e r l o a d for
t h o u s a n d s P h o t o R e a d i n g course participants w o r l d w i d e . N o w , the
details of this s y s t e m are e x p l a i n e d in an easy-to-read format.
Acknowledgments

As this Third Edition of The PhotoReading Whole Mind


System g o e s t o p r e s s , P h o t o R e a d i n g c o n t i n u e s t o e v o l v e t h a n k s t o
the c o n t i n u i n g w o r k of o v e r a h u n d r e d d e d i c a t e d p e o p l e . T o them,
I dedicate this book.
I a c k n o w l e d g e the spirit a n d c o m m i t m e n t of the certified
P h o t o R e a d i n g instructors. T h e y are today's p i o n e e r s , forging a
n e w form of e d u c a t i o n . T h e y significantly influence P h o t o R e a d i n g
by creatively exploring new w a y s to teach and use PhotoReading.
The most important contributor to P h o t o R e a d i n g is the
P h o t o R e a d i n g student, w h o s e insights and b r e a k t h r o u g h s are
invaluable to PhotoReading's continued evolution.
K u d o s to the people of Learning Strategies Corporation and
o u r w o r l d w i d e m a r k e t i n g a s s o c i a t e s for t h e i r d i l i g e n t w o r k i n
helping spread the w o r d about P h o t o R e a d i n g . Thanks to them,
we have tens of thousands of additional PhotoReaders around
the w o r l d .
I s a l u t e all t h o s e w h o c o n t r i b u t e d t o t h e e a r l y d e v e l o p m e n t
of PhotoReading. T h e n a m e s of these talented and insightful
associates are on p e r m a n e n t r e c o r d in the First a n d S e c o n d
Editions of this b o o k .
I also thank Dr. J. M i c h a e l Bennett, Professor E m e r i t u s from
the University o f M i n n e s o t a D e p a r t m e n t o f R h e t o r i c for h i s
excellent contributions. H i s insightful additions of rhythmic
perusal and skittering to the P h o t o R e a d i n g whole m i n d system
h a v e p r o v e n v a l u a b l e a c t i v a t i o n t o o l s for t h e m a n y P h o t o R e a d e r s
now using them.
F i n a l l y , I a c k n o w l e d g e y o u , t h e r e a d e r , for r e c o g n i z i n g y o u
have the p o w e r within to a c c o m p l i s h most anything y o u desire.
Y o u make breakthroughs such as P h o t o R e a d i n g a reality. Please
write me of your successes.

Paul R. Scheele
About the A u t h o r

Paul R. Scheele, M.A., co-founder of Learning Strategies


Corporation, is the principal developer of the P h o t o R e a d i n g
whole mind system.
His education has focused on adult learning, psychology,
biology, neuro-linguistic programming, accelerative learning,
preconscious processing, and educational kinesiology. He
received his B a c h e l o r of Science degree from the University of
M i n n e s o t a and his M a s t e r s of A r t s d e g r e e from St. T h o m a s
University.
Paul is the developer of Paraliminal and Personal Celebration
tapes. These audio programs use advanced recording technology
to access the whole brain and enhance personal performance.
P a u l a l s o d e v e l o p e d Natural Brilliance, a f o u r - s t e p m o d e l to
h e l p p e o p l e m o v e f r o m f e e l i n g s t u c k t o r e l e a s i n g g e n i u s for
achieving success. Natural Brilliance is key to Direct Learning, an
application of P h o t o R e a d i n g that involves learning behaviors
directly from printed p a g e s .
Paul authored the highly acclaimed teacher development
course t i t l e d Accelements. And for l e a r n e r s of all ages, his
innovative, self-study, personal learning courses include
PhotoReading, Natural Brilliance, Ideal Mindset, and Decisive Action.
He is an insightful public speaker and consultant to
companies and organizations worldwide.
Paul lives w i t h his wife L i b b y and their three sons, B e n ,
John, a n d Scott, in a suburb of M i n n e a p o l i s , M i n n e s o t a .
He may be reached by writing Learning Strategies
Corporation, 900 East W a y z a t a Boulevard, Wayzata, Minnesota
55391-1836 or email info@LearningStrategies.com

Paul lovingly dedicates his work to his family.


Their passion for reading and zest for life inspires and
motivates him every day.
Part One:

Increase Your Choices


1

The Origins of P h o t o R e a d i n g

PhotoReading at 25,000 words per minute means you could


"mentally p h o t o g r a p h " this b o o k in fewer t h a n three m i n u t e s .
A l t h o u g h this m a y sound like a radical n e w idea, the concept
existed hundreds of years before I coined the term PhotoReading.
Y o u c a n find e v i d e n c e t h a t s u c h m e n t a l p r o c e s s i n g i s p o s s i b l e
and has b e e n u s e d in diverse settings from military training and
m a r t i a l arts to a n c i e n t religious t r a d i t i o n s .
The challenge is not in deciding whether PhotoReading is
possible. The challenge is how to teach you, as an individual
r e a d i n g this b o o k , to effectively transfer this natural ability into
d a i l y a p p l i c a t i o n s for r e p o r t s , j o u r n a l s , n e w s p a p e r s , b o o k s , w e b
pages, or whatever you want to read.
My background in neuro-linguistic programming and
accelerative learning gave me a w a y to m e e t that challenge. T h e
P h o t o R e a d i n g whole mind system has b e e n learned by others
a r o u n d t h e w o r l d , a n d n o w t h e t i m e i s r i g h t for y o u t o l e a r n i t t o o .
T h e s t o r y t h a t f o l l o w s e x p l a i n s h o w i t all s t a r t e d .
S e v e n y e a r s after g r a d u a t i n g w i t h a s c i e n c e d e g r e e f r o m t h e
U n i v e r s i t y of M i n n e s o t a , I t o o k a s p e e d r e a d i n g test. I s c o r e d 1 7 0
w o r d s per minute at 70 percent comprehension. I w a s embarrassed
w h e n I r e a l i z e d m y 1 6 - p l u s y e a r s i n p u b l i c s c h o o l s left m e b e l o w
average in reading skills and an expert at putting off
reading.
I t h o u g h t t h a t t o r e a d p r o p e r l y I m u s t s t a r t o n t h e first w o r d
of a text and slog t h r o u g h to the end. I m u s t concentrate on seeing
all t h e w o r d s c o r r e c t l y , m a k e s e n s e o f t h e m a s I w e n t a l o n g , a n d
r e m e m b e r w h a t they said. I also b e l i e v e d the u l t i m a t e m e a s u r e of
The Origins of PhotoReading 3

my reading effectiveness w a s total recall and critical analysis


of meaning.
I d i d n o t q u e s t i o n m y d e f i n i t i o n o f r e a d i n g . I felt s t u c k a t
slow s p e e d s . I k n e w that the faster I read, the w o r s e my
c o m p r e h e n s i o n b e c a m e . A f t e r s e v e n y e a r s o f p r o f e s s i o n a l life
as a h u m a n resource d e v e l o p m e n t consultant, I h a d m a d e no
i m p r o v e m e n t in my reading skills.
In 1984, the logical solution m e a n t enrolling in a speed
r e a d i n g c o u r s e . A f t e r five w e e k s o f t r a i n i n g , m y s p e e d r e a d i n g
scores averaged 5,000 words per minute at 70 percent
comprehension.
D u r i n g one of the class sessions, a y o u n g w o m a n sitting
next to me l a m e n t e d b e i n g stuck at 1,300 w o r d s p e r m i n u t e
t h r o u g h ten w e e k s of c l a s s e s . I s u g g e s t e d to her, " I m a g i n e w h a t
it w o u l d be like if y o u could b r e a k t h r o u g h to h i g h e r speeds
n o w . " On her next book, her speed reading reached over 6,000
w o r d s per minute w i t h h i g h e r c o m p r e h e n s i o n test scores than
ever before.
As great as that sounds, speed reading did not appeal to m e .
P u s h i n g m y eyeballs d o w n the p a g e soon b e c a m e u n r e w a r d i n g
d r u d g e r y . T h r e e m o n t h s after l e a v i n g t h e c o u r s e , I r a r e l y u s e d t h e
techniques but remained intrigued about the mind's potential
for p r o c e s s i n g w r i t t e n w o r d s .
I b e g a n r e a l i z i n g m y p r o b l e m — I felt t r a p p e d b e t w e e n t w o
o p p o s i n g belief s y s t e m s . O n e belief c a m e from the elementary
education m o d e l of reading. An opposing belief c a m e from
k n o w i n g t h a t t h e h u m a n m i n d c a n a c h i e v e far m o r e m a g n i f i c e n t
results. T h e same trapped and confusing feeling grabbed me
once during private pilot's training.
I r e m e m b e r w h e n my instructor took me up to eight
t h o u s a n d feet a n d t o l d m e t o fly a t a m i n i m u m a i r s p e e d j u s t a s I
w o u l d w h e n l a n d i n g . To do so, I s l o w e d d o w n the e n g i n e and
pulled back on the control y o k e to maintain my altitude.
Soon, the nose of my plane pointed almost straight up. The
w i n d f l o w i n g o v e r m y w i n g s n o l o n g e r c r e a t e d e n o u g h lift t o
h o l d u p t h e a i r p l a n e . I t c o u l d n o t fly s o i t d r o p p e d o u t o f t h e s k y
like a rock, diving straight d o w n t o w a r d the g r o u n d .
Terrified, I i m m e d i a t e l y b e g a n pulling b a c k on the control
y o k e , t r y i n g d e s p e r a t e l y t o g e t t h e n o s e u p a n d fly t h e p l a n e .
The PhotoReadittg Whole Mind System

This made things m u c h worse. My


instructor s e e m e d to enjoy w a t c h i n g
my panic.
Why wasn't it working? Why
w o u l d n ' t the plane fly? D i v i n g t o w a r d
the g r o u n d at an accelerating rate, my
instructor calmly said, "Push
forward."
I k n e w he did not h a v e a clue
a b o u t o u r p r o b l e m . W h i l e I t r i e d t o lift
the plane up by the control y o k e , he
w a s telling me to dive d e e p e r into the
g r o u n d ? Clearly he h a d lost his m i n d .
T h e p l a n e e n t e r e d a tail spin,
and the earth b e c a m e a spinning blur
rushing toward us. Every part of me
resisted his c o m m a n d as he insisted
m o r e firmly, " P u s h into the spin!"
Finally, my instructor broke my
white-knuckled grip and p u s h e d the
control yoke forward. This push
i m m e d i a t e l y s m o o t h e d out the w i n g s and elevator section of the
t a i l , w h i c h c o r r e c t e d t h e a i r f l o w o v e r t h e m a n d g e n e r a t e d lift.
The plane stabilized and slowly he pulled b a c k the control y o k e
to regain altitude, leaving my heart in my throat. W o w .
W h a t connection does this have to reading? T h r o u g h o u t
m y life I r e a d o n l y a s fast a s I c o u l d c o m p r e h e n d t h e w o r d s o n t h e
p a g e . E v e r y t i m e I w e n t t o o fast t o c o m p r e h e n d , I g r a b b e d c o n t r o l
a n d p u l l e d b a c k as a fear r e a c t i o n . I w a s afraid I w o u l d fail as a
r e a d e r if I did not u n d e r s t a n d everything. My a t t e m p t e d strategies
to read b e t t e r a n d faster only m a d e t h i n g s w o r s e . I w a s c a u g h t in
the spin, a n d r e a d i n g felt l i k e n o s e d i v i n g m y a i r p l a n e i n t o
the ground.
H a v e y o u e v e r w i s h e d for a m e n t o r t o c o m e a l o n g a n d p u l l
y o u o u t of a n o s e d i v e ? I d i d . U n f o r t u n a t e l y , I d i d n o t r e a l i z e a
larger, m o r e powerful capacity of m i n d could solve my reading
p r o b l e m . Fortunately, miracles h a p p e n . Several events in the
n e x t f e w y e a r s s h a p e d a n e w d i r e c t i o n for m e .
I n t h e fall o f 1 9 8 4 , 1 e n t e r e d g r a d u a t e s c h o o l t o s t u d y a d u l t
The Origins of PhotoReading 5

learning and h u m a n development technologies. I wanted to


k n o w h o w p e o p l e learn m o s t effectively. M y c o m p a n y , L e a r n i n g
Strategies Corporation, w a s over three years old with m a n y
clients w h o c o u l d benefit from my studies. I w a s also strongly
m o t i v a t e d to i m p r o v e my o w n skills as a learner.
W h i l e a t t e n d i n g different s e m i n a r s a n d c o u r s e s , I h e a r d
about an instructor from a speed reading school in P h o e n i x ,
Arizona. The instructor had suggested a bizarre experiment to
one of his classes. After flipping p a g e s upside d o w n and
backwards to learn eye-fixation patterns, he instructed the
s t u d e n t s t o t a k e a c o m p r e h e n s i o n t e s t o n t h e b o o k , j u s t f o r t h e fun
o f it. T h e i r s c o r e s t u r n e d o u t t o b e t h e h i g h e s t t h e c l a s s h a d e v e r
achieved. W a s it a fluke? T h e instructors at the school h y p o t h e s i z e d
that m a y b e they w e r e turning the page into a stimulus that is
processed subliminally.
A b o u t the same time I heard that hypothesis, I attended a
workshop with Peter Kline, an expert in accelerative learning.
W h e n I told h i m about my interest in researching b r e a k t h r o u g h s
in r e a d i n g , he offered me a c h a l l e n g e . A client of his, I D S /
American Express, wanted a speed reading application of
accelerative learning. Suddenly, a consulting j o b , my master's
d e g r e e w o r k , a n d m y p a s s i o n for l e a r n i n g l a n d e d i n o n e n i c e
package on my lap.
I n t h e fall o f 1 9 8 5 , 1 b e g a n b a c k g r o u n d r e s e a r c h i n t o s t u d i e s
of subliminal perception and preconscious processing. Significant
research evidence suggested humans possess a preconscious
processor of the m i n d that can absorb visual information without
involving the conscious mind. I experimented with using the
eyes and the p r e c o n s c i o u s processor in special w a y s on written
materials. I dubbed this concept of "mentally p h o t o g r a p h i n g "
the printed page PhotoReading.
I d e v o t e d m y full t i m e t o d e s i g n i n g a s e m i n a r b a s e d u p o n
the accelerative learning m o d e l , expert strategies of rapid reading,
the human development technology of neuro-linguistic
p r o g r a m m i n g , and studies on preconscious p r o c e s s i n g . S o o n the
PhotoReading seminar was born.
O n e of my experiments involved returning to the speed
r e a d i n g s c h o o l I h a d a t t e n d e d . I a s k e d t h e t e a c h e r for s e v e r a l
b o o k s a n d t e s t s . After P h o t o R e a d i n g o n e o f the b o o k s a t 6 8 , 0 0 0
The PhotoReading Whole Mind System 6

words per minute, I demonstrated 74 percent comprehension on


the s a m e t y p e of w r i t t e n test I h a d u s e d a few y e a r s earlier.
Too good to be true? M a y b e . C o m p a r e d to reading or speed
reading, it w a s too good to be true. P h o t o R e a d i n g , however, w a s
neither. Something powerful w a s happening, and the school
confirmed the results.
I n J a n u a r y a n d F e b r u a r y o f 1 9 8 6 , I t a u g h t t h e first s i x
e x p e r i m e n t a l s e m i n a r s — o n e t o I D S a n d five t o c l i e n t s o f m y
c o m p a n y . Participants stood up during class to describe many
immediate payoffs including reduced stress, startling
i m p r o v e m e n t s i n m e m o r y , fluid r e a d i n g s k i l l s , t o p g r a d e s o n
s c h o o l t e s t s , i n c r e a s e d w i n s for s a l e s p e o p l e a n d t r i a l a t t o r n e y s ,
and m o r e .
Inspired by participants' excitement, I w o r k e d on refining
the curriculum design and teaching materials with my business
associates. On May 16, 1986, the M i n n e s o t a D e p a r t m e n t of
E d u c a t i o n licensed Learning Strategies Corporation as a private
vocational school after r e v i e w i n g t h e P h o t o R e a d i n g s e m i n a r
curriculum and our business practices.
W h e n the President of the United States of A m e r i c a declared
the 1990s the " d e c a d e of the brain," he invited an explosion of
new research in cognitive science. The resulting breakthroughs
in our understanding of how the brain processes information
have offered unprecedented s u p p o r t for t h e pursuit of new
approaches to learning. PhotoReading has earned international
r e c o g n i t i o n for its i n n o v a t i o n s t o e d u c a t i o n .
Instructors specially trained and certified by Learning
Strategies Corporation, continually u p g r a d e P h o t o R e a d i n g into
a life-transforming human development experience that
incorporates the latest in b r a i n r e s e a r c h to help achieve success.
I t i s offered w o r l d w i d e t h r o u g h l i v e s e m i n a r s a n d a s e l f - s t u d y
course, and is supported with telephone and online coaching.
P h o t o R e a d i n g h e l p s y o u a c q u i r e n e w skills t o i n c r e a s e
reading efficiency. As most PhotoReaders admit, however,
PhotoReading transforms more than reading skills. The
P h o t o R e a d i n g w h o l e m i n d s y s t e m directs y o u to " p u s h into the
spin" and discover the natural genius residing within y o u . This
m e a n s y o u fly s m o o t h l y t h r o u g h i n f o r m a t i o n i n s t e a d o f s p i n n i n g
out of control. This b o o k will help deliver the system to y o u in
The Origins of PhotoReading 7

clear, step-by-step instructions.

A preview of what is to come

T h e five s t e p s t o t h e P h o t o R e a d i n g w h o l e m i n d s y s t e m
include preparing, previewing, PhotoReading, activating, and
rapid reading.
T h e s y s t e m a p p e a r s a s a set o f s t e p s i n s e q u e n c e , a l t h o u g h
i t i s a c t u a l l y a set o f o p t i o n s t h a t c a n b e u s e d i n a n y o r d e r
appropriate to y o u r n e e d s . It m o d e l s the strategies u s e d by highly
skilled readers.
The secret p o w e r in the system is not in the techniques, but
i n t h e shift i n p e r s p e c t i v e t h e t e c h n i q u e s e n g e n d e r . T o u s e t h e
system and achieve y o u r goals, y o u must confront the c o m p u l s i o n
to h a b i t u a l l y apply inefficient strategies.
In the p a g e s that follow, y o u will e x a m i n e the limitations
that bind y o u to y o u r present capacities. Y o u will gain w a y s to
b y p a s s the limited p r o c e s s i n g capabilities of the conscious m i n d
and connect w i t h the e x p a n d e d processing capabilities of y o u r
brain in which y o u r natural genius resides. The simple behaviors
y o u learn can be u s e d right a w a y .
Right now, you can only
Throughout this book I refer to i m a g i n e the g o o d that can take place
the other-than-conscious mind I
as you use more of your innate
use this term interchangeably
with the terms nonconscious
talents. Over the years of teaching
mind, inner mind, paraconscious P h o t o R e a d i n g to t h o u s a n d s w o r l d -
mind, preconscious mind, more- wide, I have witnessed many
than-conscious mind, and p e r s o n a l and professional transform¬
expanded brain. Also, sub¬
ations. H e r e are a few e x a m p l e s :
conscious mind or unconscious
• A high school student
P h o t o R e a d the dictionary repeatedly and dramatically improved
her vocabulary score on S A T e x a m s .
• An attorney uses P h o t o R e a d i n g to quickly locate vital
facts i n h u g e l a w b o o k s . N o w , i n s t e a d o f s p e n d i n g h a l f - a n - h o u r
i n a t y p i c a l v i s i t t o t h e l a w l i b r a r y , h e s p e n d s five m i n u t e s .
• A technical writer P h o t o R e a d a client's software s y s t e m s
m a n u a l before his initial m e e t i n g w i t h the project e n g i n e e r s . He
w a s able to talk k n o w l e d g e a b l y about the system with only
fifteen m i n u t e s o f p r e p a r a t i o n t i m e .
The PhotoReading Whole Mind System 8

• A computer service technician consistently locates key


information in reference manuals within seconds.
• An attorney took three m i n u t e s to read a three h u n d r e d
p a g e legal m a n u a l from the D e p a r t m e n t of Transportation. He
instantly turned to the one p a r a g r a p h in the text that included the
information he n e e d e d to w i n a case. The state's expert witness,
w h o h a d b e e n u n a b l e t o find this p a r a g r a p h w a s s t u n n e d a s h e
s a w the attorney p e r f o r m this feat.
• A w a s t e w a t e r s p e c i a l i s t for E . I . D u p o n t h a d t o r e a d a
three-inch stack of federal regulations from O S H A in p r e p a r a t i o n
for a m e e t i n g . D u r i n g a 3 5 - m i n u t e f l i g h t t o t h e m e e t i n g , h e
P h o t o R e a d the documents. D u r i n g the meeting, he correctly
stated that O S H A w o u l d no longer accept w a t e r treatment data
that w a s more than three years old—a technical point buried in
the regulations he had just P h o t o R e a d .
• A b u s i n e s s c o n s u l t a n t v i s i t e d t h e city l i b r a r y t o P h o t o R e a d
industry trade journals before the initial meeting with a
p r o s p e c t i v e corporate client. H e r k n o w l e d g e on industry trends,
key problems, and innovative practices gave her the edge over
other consultants b e i n g interviewed. She w o n the contract.
• A c o l l e g e s t u d e n t u s e d P h o t o R e a d i n g to successfully
c o m p l e t e h i s d e g r e e , g a i n e m p l o y m e n t a t a h i g h - t e c h firm, t h e n
rise in the ranks of n e w hires. He c l a i m e d he o w e d his s u c c e s s to
the a d v a n t a g e s P h o t o R e a d i n g gave him.
• A g r o u p of h i g h school students from Puerto R i c o u s e d
PhotoReading to win medals in an international Mental Olympics
contest.
• In his a c c e p t a n c e s p e e c h for t o p h o n o r s , a short story
writer a n n o u n c e d that P h o t o R e a d i n g w a s the secret ingredient
for h i s e x c e l l e n c e i n c r e a t i v i t y a n d w r i t i n g s t y l e .
These e x a m p l e s only b e g i n to e x p r e s s the benefits. O u r
clients also say that P h o t o R e a d i n g h e l p s t h e m to w r i t e r e p o r t s ,
p a s s c r i t i c a l e x a m s , e x c e l i n s c h o o l c o u r s e s , f i n i s h d e g r e e s , sail
through meetings, earn promotions, and do more of the reading
t h e y r e a l l y w a n t t o d o for e n j o y m e n t .
T h e o n l y r e q u i r e m e n t s for P h o t o R e a d i n g a r e a w i l l i n g n e s s
t o e x p e r i m e n t , u s e n e w i d e a s , r e l a x , a n d p l a y . T h e n t h e full g e n i u s
within y o u will be released. B e c o m e like a child naturally curious,
wondering, experiencing, discovering—and a whole new world
The Origins of PhotoReading 9

of easy reading will unfold.


Reading will become a new source of personal and
professional power. Y o u will explore written materials with new
levels of effectiveness. T h e b e n e f i t s offered b y t h e P h o t o R e a d i n g
w h o l e m i n d s y s t e m w i l l h e l p y o u c r e a t e a q u a l i t y o f life t h a t w i l l
delight and surprise you.

T h e n e x t c h a p t e r g e t s y o u set a n d r e a d y t o g o .

A student improved his high school math grade from a D to a B in one semester.
He said that PhotoReading math books must have given him ways to do
problems better. Another student PhotoRead a variety of books before preparing
a theme paper. The teacher wrote on her paper, "A+ Your writing style
improved overnight. What did you d o ? ! "

Several musicians have reported uses of PhotoReading music. They find that
PhotoReading musical scores a day before first playing the music makes the first
run through much easier—as if they have already practiced the piece.

A doctor of psychology from Mexico was asked to present her twenty-page


research paper to a conference in California. Because it was written in Spanish,
she w o u l d have to translate the paper as she spoke. Although she was bilingual,
she had always f o u n d it difficult to speak English from Spanish w r i t i n g . She
PhotoRead the Spanish-English dictionary several times the day and night
before her presentation. During her speech, she spoke fluently w i t h o u t any
confusion whatsoever. She reported being relaxed and completely comfortable
the entire time.

A gardener found it easier to recognize plants after PhotoReading a guide.

A high school English teacher used the PhotoReading whole mind system to
prepare for an American literature unit on Hemingway. She PhotoRead all the
commentaries on Hemingway's w r i t i n g , plus all books he wrote including the
two the class unit w o u l d cover. In addition, she rapid read the two books. She
surprised herself as the material activated spontaneously during her lectures.
Her knowledge of the subject contained rich examples giving the class depth
that surpassed any unit she had ever taught.
2

Old R e a d i n g Habits or
N e w R e a d i n g Choices

T a k e a m o m e n t to paint a vivid m e n t a l picture of the kind


of reading materials you encounter regularly. A m o n g the
possibilities are:

• W e b s i t e s a n d e l e c t r o n i c files
• M a g a z i n e s or trade j o u r n a l s
• Newspapers
• Mail and email
• Memos
• O w n e r ' s m a n u a l s or reference guides
• Training materials
• Reports
• P r o p o s a l s or s a l e s literature
• Specification sheets
• Nonfiction books
• Novels, poetry, and short stories

Quickly answer the following questions in y o u r mind:

• H o w well do y o u comprehend what y o u read?


• H o w well do you r e m e m b e r what y o u read?
• W h a t are y o u r strong points as a reader?
• W h a t is the one t h i n g y o u w o u l d m o s t like to change
about the way y o u read?
Old Reading Habits or New Reading Choices 11

P l a y w i t h t w o p o s s i b l e s c e n a r i o s for y o u r f u t u r e , b a s e d o n
how you read today.
H e r e is one we call the plight of the e l e m e n t a r y reader:

You enter your office greeted by stacks of unread memos, reports,


manuals, and journals. Thosepiles of paper feel like a reprimand. Rather
than face them, you stash them. But you cannot help worrying that you
have buried a vital idea or fact—some critical insight that could lead
to a promotion or help you avoid an embarrassing
mistake. As you plod through your daily round of
meetings and phone calls, you tell yourself that
you will get to all that reading...tomorrow.
The situation at home is similar. Piles of
untouched magazines, newspapers, and mail
clutter your living space. The prospect of hacking
your way through it seems distant, at best.
How about your chance to read for pleasure—to enjoy those novels,
biographies, and motivational books you have been saving for a
special day? That day just keeps retreating behind everything else
that comes along.
The idea of further professional training or education seems to
make sense. You get excited thinking about the career advances and
extra income that you stand to gain. A question that stops you cold: How
would I ever get all that reading done?
Even if, by some miracle, you conquered all of those unread stacks,
you still face the challenge of remembering, explaining, and applying
what you read. So, you put off reading another day and live in a state of
confusion, chaos, and quiet desperation.

Is this scenario familiar to y o u ? A r e y o u trying to c o p e in the


i n f o r m a t i o n age u s i n g r e a d i n g skills l e a r n e d in e l e m e n t a r y s c h o o l ?
N o w c o n s i d e r scenario n u m b e r t w o , w h i c h w e will call the
joy of the PhotoReader:

You begin each work day feeling on top of the information needed
to make effective and timely decisions. Whenever you read, you do so
with a sense of effortlessness and relaxation. You find it easier to win
approval for your proposals because your recommendations are backed
by solid evidence.
The PhotoReading Whole Mind System 12

Reading technical reports, a task that used to consume hours,


nozv requires only minutes per document. At the end of your day you
look at a clear deskfeeling ready for the following day.
This quality extends to your home life as well. Gone are the piles
of untouched books, magazines, newspapers, and mail that once crowded
your living space. You keep up with the latest daily news in 10-15
minutes a day. In a single sitting you pare down or eliminate
* your "to be read" piles. And with the extra time, you
c P\f\ consistently complete the top-priority tasks on your to-do

f
lists.
Your advanced reading abilities enable you to take
courses, complete degrees, gain promotions, learn new skills,
expand your knowledge, and satisfy your
general curiosity. The ease of it all makes learning fun.
Now you create time for novels, magazines, and pleasure
reading which go beyond the immediate demands of your job.
In the process, you create free time to play as well.

H o l d t h i s s c e n a r i o i n m i n d for a f e w m o r e s e c o n d s . S a v o r
the resulting feelings of mastery and pleasure. Enjoy the extra
time, money, and pleasure that reading adds t o y o u r life.
Isn't that nice?

Decide your future now

O n e m e s s a g e I h o p e y o u w i l l t a k e f r o m t h i s b o o k , a b o v e all
o t h e r s , i s t h a t y o u c a n c h o o s e w h i c h s c e n a r i o i s t r u e for y o u .
Y o u can place yourself on a path to either of these worlds in a
m o m e n t . Y o u already possess the p o w e r to create either scenario,
a n d it is i m p e r a t i v e to d e c i d e a n d s h a p e the future y o u w a n t .
If this appeal to shape y o u r destiny as a reader seems
o v e r l y d r a m a t i c o r silly, t h e n c o n s i d e r a s t a t i s t i c : f e w e r t h a n t e n
p e r c e n t o f t h e p e o p l e w h o b u y a b o o k e v e r g e t b e y o n d t h e first
c h a p t e r . ( C o n g r a t u l a t i o n s ! Y o u a r e a l r e a d y i n t o C h a p t e r 2.)
M a n y p e o p l e w h o e n r o l l i n o u r P h o t o R e a d i n g s e m i n a r say
they typically never make it b e y o n d the cover of the b o o k s they
buy. Instead, they simply accumulate or circulate books,
magazines, brochures, mail, m e m o s , and reports. The information
i n t h e s e m a t e r i a l s c o u l d j u s t a s w e l l b e w r i t t e n i n d i s a p p e a r i n g ink.
Old Reading Habits or New Reading Choices 13

As y o u go b e y o n d the o p e n i n g of this b o o k , y o u will


d i s c o v e r a set o f t o o l s for g a i n i n g a n e w e x p e r i e n c e o f r e a d i n g .
U s e the tools, a n d y o u will find i t w i t h i n y o u r p o w e r t o m a k e the
i d e a l r e a d i n g s c e n a r i o c o m e t r u e for y o u . I f y o u d o n o t g o b e y o n d
this c h a p t e r , y o u r e x p e r i e n c e of r e a d i n g w i l l stay t h e s a m e as it
is today.

Break old reading habits

I k n o w y o u w a n t results, a n d y o u will p r o b a b l y try m a n y of


the techniques I suggest. H o w e v e r , achieving n e w results m e a n s
more than trying new reading behaviors. Y o u must adopt an
alternative view of what reading can be.
Take everything you know about reading and you have
just defined the barriers to getting n e w results. Elementary
s c h o o l r e a d i n g i m p r i n t s u s all w i t h a m o d e l o f r e a d i n g t h a t l i m i t s
our minds. This m o d e l or "paradigm" exerts t r e m e n d o u s p o w e r
over y o u r actions and y o u r potential results.
E l e m e n t a r y r e a d i n g i s a fairly p a s s i v e affair, o f t e n d o n e
without a clear sense of purpose. H a v e y o u ever spent ten
m i n u t e s r e a d i n g a n e w s p a p e r article to d i s c o v e r it w a s a w a s t e of
time? That happens w h e n you read passively.
O n e - s p e e d fits all i s t h e e l e m e n t a r y r e a d i n g m a x i m ; g e n e r a l l y
we plow through every type of reading material—from comic
b o o k s to t e x t b o o k s — a t the s a m e rate. It m a k e s m o r e sense to get
the facts from a t r a d e j o u r n a l w i t h a different s p e e d t h a n we
w o u l d u s e r e a d i n g a n o v e l for p l e a s u r e .
W e f e e l p r e s s u r e t o g e t i t r i g h t t h e first t i m e w i t h e l e m e n t a r y
reading. We expect to c o m p r e h e n d everything in one pass
t h r o u g h t h e m a t e r i a l . I f w e d o n o t , w e feel i n a d e q u a t e a s r e a d e r s .
M u s i c i a n s do not pressure t h e m s e l v e s to play m u s i c from a
s c o r e p e r f e c t l y t h e first t i m e . W h y m u s t w e b e p e r f e c t a s r e a d e r s ?
T h i n k a b o u t all the t a s k s w e are s u p p o s e d t o a c c o m p l i s h i n
that single pass t h r o u g h a d o c u m e n t : c o m p r e h e n d the structure,
grasp the key terms, and follow the m a i n a r g u m e n t s or plot
e v e n t s . O n t o p o f t h a t , w e m u s t r e m e m b e r i t all, c r i t i q u e it, a n d
quote it accurately.
Faced with these kinds of d e m a n d s , the conscious m i n d
often b e c o m e s o v e r w h e l m e d a n d c a n literally shut d o w n . T h i s is
The PhotoReading Whole Mind System 14

c o m p o u n d e d w h e n w e feel a n x i e t y , w h i c h h a p p e n s w h e n w e
c o m e to the end of a p a r a g r a p h and have no idea w h a t we j u s t
read. H a s this h a p p e n e d to y o u ?
B e c o m i n g o v e r w h e l m e d by too m u c h information is easy in
this age of information overload. H a v e y o u ever found y o u r eyes
m o v i n g d o w n t h e p a g e w h i l e y o u r m i n d w e n t off t o a far a w a y
l a n d ? It is as if the lights are on, b u t n o b o d y is h o m e .
This leads to document shock—a short-circuit in y o u r
interna] connections. Too m u c h current c o m i n g over the lines
sends the w i r i n g up in smoke.
This b r e a k d o w n at the c o n s c i o u s level s l o w s the flow of
i n f o r m a t i o n to a trickle w h e n we read. T h e m o r e facts, details,
a n d o t h e r d a t a w e t r y t o c r a m in, t h e l e s s w e r e c a l l .
I n t h i s a g e o f i n f o r m a t i o n o v e r l o a d , i t i s e a s y t o feel l i k e a
starving person with a can of soup but no can opener. With
e l e m e n t a r y r e a d i n g skills, w e often l e a v e h u n g r y . We plow
t h r o u g h b o o k s , p e r i o d i c a l s , m a n u a l s , a n d m a i l , only t o find that
w e are c r a v i n g s o m e t h i n g w e c a n n o t s e e m t o get. Anything
useful from t h e s e piles of i n f o r m a t i o n r e m a i n s sealed from us.
Will elementary reading habits deliver what we need? If
y o u r answer is "no," y o u k n o w the p r o b l e m exists—and that is
great. Y o u have entered a powerful place, one w h e r e y o u are
p o i s e d for c h a n g e .

Embrace new reading choices

R e a d e r s w h o thrive t o d a y t a k e a different a p p r o a c h t h a n
the e l e m e n t a r y school m o d e l of reading. T h e y are flexible in their
reading. T h e y adjust their s p e e d to the t y p e of material at hand.
They know what they w a n t from the written piece. They
c o n s i s t e n t l y find g e m s o f i n f o r m a t i o n t h a t d e l i v e r r e a l b e n e f i t .
A c t i v e , p u r p o s e f u l , q u e s t i o n i n g , a n d fully e n g a g e d — t h a t
describes the b e s t readers. T h e s e effective r e a d i n g strategies
b e c o m e a part of y o u r repertoire as y o u learn the P h o t o R e a d i n g
whole m i n d system. In the process, y o u will discover e n h a n c e d
retention, recall, and enjoyment.
PhotoReading shifts you away from the prevailing
e l e m e n t a r y reading m o d e l into w h o l e m i n d reading and m a k e s
Old Reading Habits or New Reading Choices 15

you a b l a s p h e m e r of traditional reading theory. As such you will


encounter many people w h o will say PhotoReading cannot
possibly work. T h e next story illustrates w h a t I m e a n .
A colleague at L e a r n i n g Strategies Corporation discovered
that even college professors resist new
With the PhotoReading
PhotoReading p a r a d i g m s . Faculty m e m b e r s at a college in
whole mind system, you
M i n n e s o t a tried to b l o c k us from offering the
use the creative-intuitive
mind as w e l l as the P h o t o R e a d i n g seminar on the grounds that
critical-logical mind to PhotoReading is impossible.
accomplish your goals. The P h o t o R e a d e r a g r e e d to offer a
demonstration. A v o l u m e of U . S . patent law
w a s projected, page by page, onto a video monitor. My colleague
P h o t o R e a d this material as it w a s displayed at a p p r o x i m a t e l y 30
pages a second (over 690,000 words per minute). Afterwards, he
scored 75 percent comprehension. In addition, he drew
a p p r o x i m a t i o n s of six p a t e n t illustrations and correctly identified
their numeric sequence.
T h e p a r a d i g m h a d shifted right b e f o r e t h e i r e y e s . D o y o u
suppose they supported the seminar? N o . Seeing is not believing.
T o shift y o u r p a r a d i g m y o u m u s t b e l i e v e i t b e f o r e y o u s e e it.
T h i n k o f P h o t o R e a d i n g a s a p a r a d i g m shift, a n d y o u w i l l d o t h e
"impossible."

You cannot "read" at 25,000 words per minute

Before learning PhotoReading, many people hear such


stories as above and respond with, "That is nuts! There is no w a y
y o u c a n r e a d t h a t fast."
T h e y are right. No o n e ' s " c o n s c i o u s m i n d " c a n read that
fast. P h o t o R e a d i n g i s n o t " r e a d i n g " a s w e k n o w it. T h i s k i n d o f
information processing is possible only w h e n we temporarily
b y p a s s the critical, logical, analytical mind. We do not P h o t o R e a d
with the conscious mind. Instead, we draw on vast layers of the
m i n d that r e m a i n largely u n u s e d during conventional reading.
This literally m e a n s u s i n g the b r a i n in a n e w w a y .
W e still h a v e t o f a c e e v e r y d a y r e a d i n g c h a l l e n g e s , s o let u s
employ an approach to reading that uses b o t h hemispheres
of the brain. F r o m the left h e m i s p h e r e we draw u p o n the
abilities to analyze, s e q u e n c e information, and reason logically.
The PhotoReading Whole Mind System 16

F r o m the right h e m i s p h e r e we obtain the abilities to synthesize,


comprehend, create internal images, and respond intuitively.
W h e n y o u learn to mentally p h o t o g r a p h a b o o k at a rate of
one page a s e c o n d — a b o u t 2 5 , 0 0 0 w o r d s per m i n u t e — y o u are
taking a new approach to processing information. At such rates,
the old left-to-right, word-by-word, line-by-line method of
elementary reading cannot operate. Instead, you meet the
printed p a g e using abilities ascribed to the right h e m i s p h e r e
of the brain.
After P h o t o R e a d i n g a b o o k , the next step is to stimulate
a n d a c t i v a t e y o u r b r a i n . T h i s s t e p o f " a c t i v a t i o n , " a s w e c a l l it,
lets you extract information you need from the book to
a c c o m p l i s h y o u r g o a l s for r e a d i n g .
A c c e p t i n g that y o u can process the written w o r d at an
o t h e r - t h a n - c o n s c i o u s l e v e l shifts t h e r e a d i n g p a r a d i g m . M a k e
this shift, and you can make your experience of reading
powerful, effective, a n d easy.

Take an unexpected path to success

S o m e a s p e c t s o f P h o t o R e a d i n g m a y s e e m w h i m s i c a l a t first.
Instead of learning the expected techniques of speed reading,
y o u learn about the tangerine technique, cocktail weenies,
lucid dreaming, and other unusual processes. I purposefully
guide you through experiences that you have not had,
possibly do not want, and m a y not think y o u need.
Sound odd? It is no more odd than discovering the
p r i n c i p l e s o f p h y s i c s b y l e a r n i n g h o w t o d o w n h i l l ski. W h y n o t
d o i t t h a t w a y ? T o h e l p t h e p a r a d i g m shift, w e m u s t t a k e a n
unusual, u n e x p e c t e d path. Otherwise, we tend to solve our
r e a d i n g p r o b l e m i n w a y s t h a t fit o u r c u r r e n t v i e w o f t h e p r o b l e m .
F o r e x a m p l e , w h e n we h a v e a lot to read, we t e n d to s p e e d
up—but our comprehension drops. We then slow d o w n and
overload the c o n s c i o u s mind. T h e net result is no increase in
speed or comprehension but an enormous increase in internal
conflict. This conflict r e c r e a t e s the p r o b l e m s we a t t e m p t e d to
s o l v e . A n d w e still h a v e a l o t t o r e a d .
Old Reading Habits or New Reading Choices 17

It takes away our excuses

It t h e t h o u g h t of z i p p i n g t h r o u g h a b o o k at a p a g e a s e c o n d
sounds unlikely, r e m e m b e r that a n e w approach always seems
outlandish w h e n we v i e w it t h r o u g h the lenses of the old m o d e l .
W h e n a p a r a d i g m shifts, e v e r y t h i n g b e g i n s a g a i n . O l d r u l e s m a y
n o l o n g e r apply. E v e n so, p r o f o u n d c h a n g e s c a n h a p p e n painlessly,
i n a n i n s t a n t , a n d h a v e f a r - r e a c h i n g effects.
I like the w a y one of o u r P h o t o R e a d i n g g r a d u a t e s , a
m e c h a n i c a l e n g i n e e r , p u t it: "It i s s c a r y t o t h i n k t h a t o u r m i n d s a r e
u n l i m i t e d . I t t a k e s a w a y all o u r e x c u s e s . " I f y o u feel u n e a s y w i t h
t h e p r o s p e c t o f a p a r a d i g m shift, c o n s i d e r t h e w o r d s o f a n o t h e r
graduate: " S t e p i n t o t h e u n k n o w n . D o n ' t b e afraid. Y o u w i l l
either find solid g r o u n d , or y o u will be t a u g h t to fly."
W e m u s t try n e w attitudes a n d e x p e r i m e n t w i t h n e w a c t i o n s .
Otherwise, h o w can we produce n e w results in our lives? A
p e r s o n i n o n e o f o u r s e m i n a r s o v e r c a m e his fear o f s u c c e s s a n d
said, "I finally u n d e r s t a n d . T h i s s e m i n a r c a n t r a n s f o r m my l i f e —
but I have b e e n acting as t h o u g h I can do it without c h a n g i n g any
of my beliefs or my behavior!"

What you have to give up

To master PhotoReading you must give up:


• l o w s e l f e s t e e m as a l e a r n e r
• self-defeating habits like p r o c r a s t i n a t i o n a n d self-doubt
• perfectionism, "all or n o n e " thinking that dwells on
failure rather t h a n feedback and learning
• distrust in the other-than-conscious m i n d and intuitive
abilities
• the need to k n o w everything right a w a y
• performance anxiety
• a s t r e s s f u l s e n s e of u r g e n c y
M o r e than anything else, y o u m u s t give up negative attitudes
that get in the w a y of y o u r success. F o r e x a m p l e , one participant
in a P h o t o R e a d i n g s e m i n a r never considered himself m u c h of a
reader, and his belief b e c a m e a personal barrier: "I j u s t don't
think I am going to be able to learn this." A n o t h e r participant in
the s a m e s e m i n a r also c l a i m e d p o o r reading skills, b u t her
The PhotoReading Whole Mind System 18

approach was more open to giving up her limitations: "I am just


going to do w h a t e v e r it takes to master this."
B o t h p e o p l e l e a r n e d t o P h o t o R e a d . T h e first o n e , w h i l e
c l i n g i n g t o a n e g a t i v e belief, f o u n d i t m u c h m o r e difficult t o
discover the true abilities he p o s s e s s e d . W h e n he m a d e the
important internal change, the P h o t o R e a d i n g whole mind system
h e l p e d c h a n g e h i s r e s u l t s i n life.
A s p r o f o u n d a s P h o t o R e a d i n g c a n b e t o y o u r life, t h e r e i s a n
added reassurance: y o u do not have to give up any pleasure in
r e a d i n g . I n fact, y o u g e t t o k e e p y o u r r e g u l a r r e a d i n g s k i l l s . A
woman who loved reading novels exclaimed after t a k i n g
PhotoReading, "I've rediscovered the joy of reading!" H e r pleasure
r e a d i n g b e c a m e a r i c h e r , fuller e x p e r i e n c e .

Here is the system

The d e m a n d s placed on y o u as a reader in our age of


i n f o r m a t i o n are t r e m e n d o u s . The PhotoReading whole mind
system can help y o u meet any challenge. It w o r k s w i t h any
subject m a t t e r a n d flexibly a d a p t s to different p u r p o s e s , print
formats, rates of speed, and levels of c o m p r e h e n s i o n .
T h e five s t e p s o f t h e P h o t o R e a d i n g w h o l e m i n d s y s t e m u s e
the abilities of y o u r w h o l e m i n d with p o w e r and effectiveness.
L e t u s o v e r v i e w t h e s t e p s n o w . I n t h e n e x t five c h a p t e r s y o u w i l l
d e v e l o p skills to apply e a c h step effectively.

Step 1: Prepare

R e a d i n g e f f e c t i v e l y b e g i n s w i t h a c l e a r s e n s e o f purpose.
Read t o T h i s m e a n s c o n s c i o u s l y s t a t i n g a d e s i r e d o u t c o m e for r e a d i n g ,
end o f F o r e x a m p l e , w e m i g h t w a n t a b r i e f o v e r v i e w o f m a i n p o i n t s . W e
Chapter m i g h t w a n t t o g a i n c e r t a i n d e t a i l s s u c h a s t h e s o l u t i o n s t o s p e c i f i c
problems. Perhaps we want to complete a task and
seek only the ideas that will h e l p us do so. P u r p o s e
acts like a radar signal to the inner m i n d a l l o w i n g it
to p r o d u c e the results we seek.
E m p o w e r e d with a clear purpose, we then
enter a state of relaxed alertness—the accelerative
learning state. W h i l e in this state, neither b o r e d o m
Old Reading Habits or New Reading Choices 19

n o r a n x i e t y e x i s t . W e a r e e x e r t i n g effort, b u t w e a r e n o t w o r r i e d
about results. H a v e y o u ever w a t c h e d y o u n g children as they
play? They m o d e l the s a m e r e l a x e d y e t purposeful state w e
seek here.

Step 2: Preview

P r e v i e w i n g i s b a s e d o n a n i m p o r t a n t p r i n c i p l e : effective
l e a r n i n g o f t e n t a k e s p l a c e " f r o m w h o l e t o p a r t s . " T h a t is, w e s t a r t
with the big picture and proceed to the smaller, more
detailed parts.
F i r s t w e survey t h e w r i t t e n m a t e r i a l . O u r a i m i s n o t t o g r a s p
t h e c o n t e n t i n d e t a i l , b u t t o g e t a s e n s e o f its s t r u c t u r e . T h e n w e
g a t h e r a list o f k e y t e r m s , o r trigger words, w h i c h e m b o d y t h e c o r e
c o n c e p t s or events. T r i g g e r w o r d s alert our m i n d s to the details
w e m i g h t w a n t t o e x p l o r e m o r e t h o r o u g h l y later.
W h e n d o n e effectively, p r e v i e w i n g is short
a n d s w e e t — a b o u t five m i n u t e s for a b o o k , t h r e e
m i n u t e s for a r e p o r t , a n d a s little a s 3 0 s e c o n d s
for a n a r t i c l e . D u r i n g t h a t t i m e , w e clarify a n d
r e f i n e o u r p u r p o s e , review t h e t r i g g e r w o r d s , a n d
d e c i d e w h e t h e r to c o n t i n u e r e a d i n g or call it
quits. If we c h o o s e not to read s o m e t h i n g that
d o e s n o t m e e t o u r n e e d s o r i n t e r e s t s , i t i s all r i g h t .
P r e v i e w i n g is like x-raying a b o o k — g e t t i n g a b r o a d sense of
its underlying structure. Understanding structure gives us
s o m e t h i n g that learning theorists call a schema, a set of
expectations about w h a t i s c o m i n g u p next. W h e n w e k n o w the
structure of w r i t t e n text, we b e c o m e m o r e a c c u r a t e at p r e d i c t i n g
its content. As a result, our comprehension and reading
p l e a s u r e soar.
In summary, previewing gives us the skeleton of a b o o k or
a r t i c l e first. D u r i n g t h e n e x t s t e p s o f t h e P h o t o R e a d i n g w h o l e
mind system, we add b o d y to the skeleton.

Step 3: PhotoRead

The PhotoReading technique begins with placing ourselves


m o r e fully i n t o t h e r e l a x e d , a l e r t s t a t e o f m i n d a n d b o d y c a l l e d t h e
The PhotoReading Whole Mind System 20

accelerative learning state. In this state,


d i s t r a c t i o n s , w o r r i e s , a n d t e n s i o n s s e e m t o fall f .
away.
A
Then we adjust our vision for the
PhotoFocus s t a t e . H e r e t h e a i m i s t o u s e o u r e y e s * *
in a n e w w a y : instead of b r i n g i n g individual w o r d s into sharp
focus, we soften our eyes so that our p e r i p h e r a l v i s i o n e x p a n d s
and the w h o l e printed page c o m e s into view.
PhotoFocus creates a physical and mental window—
allowing direct exposure of the i n c o m i n g visual stimuli to the
brain. In this state, we mentally p h o t o g r a p h the entire p a g e ,
exposing it to the preconscious processor of the mind. The
exposure of each page stimulates a direct neurological response.
The brain performs its function of pattern recognition,
u n e n c u m b e r e d by the critical/logical thought process of the
conscious mind.
At a rate of o n e p a g e a second, we c a n P h o t o R e a d a w h o l e
b o o k i n t h r e e t o five m i n u t e s . T h i s i s n o t t r a d i t i o n a l r e a d i n g . A f t e r
P h o t o R e a d i n g , we m a y h a v e little if any of the m a t e r i a l in
conscious awareness, which means we may consciously know
nothing. T h e n e x t steps create the c o n s c i o u s a w a r e n e s s we need.

Step 4: Activate

During activation we restimulate the brain—


probing the mind w i t h q u e s t i o n s and exploring
p a r t s o f t h e t e x t t o w h i c h w e feel m o s t a t t r a c t e d .
W e t h e n super read t h e m o s t i m p o r t a n t p a r t s o f t h e t e x t b y
scanning quickly d o w n the center of each page or c o l u m n of type.
W h e n w e feel i t i s a p p r o p r i a t e , w e dip i n t o t h e t e x t f o r m o r e
focused reading to c o m p r e h e n d the details. In dipping, we allow
o u r intuition to say, " H e y , t u r n to the last p a r a g r a p h on p a g e 147!
Y e s , that is the one. T h e ideas y o u w a n t are right there."
Other activation techniques d e v e l o p e d while reading this
b o o k i n c l u d e rhythmic perusal, skittering, and mind mapping. These
also help us gain access to the d e e p e r i m p r e s s i o n s established by
PhotoReading. W h e n we activate, we involve our whole brain,
c o n n e c t the text w i t h our conscious a w a r e n e s s , and achieve our
g o a l s for reading.
Old Reading Habits or New Reading Choices 21

Step 5: Rapid Read

T h i s final step o f t h e P h o t o R e a d i n g w h o l e
mind system is closest to conventional reading
and speed reading. While rapid reading, we
m o v e o u r eyes quickly t h r o u g h the text, starting
at the b e g i n n i n g and going straight through to the end. We take
a s m u c h t i m e a s w e n e e d , f e e l i n g free t o a d j u s t o u r r e a d i n g s p e e d
depending upon the complexity, prior knowledge, and
importance of the material. Flexibility is key.
R a p i d r e a d i n g is significant,
b e c a u s e it d i s p e l s the p r i m e fear
Reading is really learning from written
of many beginning PhotoReaders pages. W h e n first learning to play a
that they will forget w h a t they new piece of music or a new golf
have read, or that they never course, you do not expect to do it
a b s o r b e d any of the text in the perfectly the first t i m e . You will learn
as you go through each part several
firstplace. R a p i d reading directly
times. The "multiple r e a d " approach
involves the conscious m i n d and of the PhotoReading whole mind
satisfies our need for clear system duplicates the appropriate way
c o m p r e h e n s i o n of the content. to learn anything new.

R e m e m b e r , this step takes


p l a c e after t h e o t h e r s t e p s o f t h e s y s t e m . T h o s e s t e p s m a k e u s
increasingly familiar w i t h the text. T h e r e will b e t i m e s w h e n w e
c h o o s e n o t t o r a p i d r e a d , b e c a u s e w e h a v e a l r e a d y fulfilled o u r
needs.

W i t h t h i s o v e r v i e w i n m i n d , y o u a r e r e a d y t o d o it.

An executive said that PhotoReading dozens of books on management


principles has improved his job performance. Another received an unusually
large pay raise a year after the PhotoReading class—she said she developed
such an increased understanding of the industry through PhotoReading that it
dramatically improved her productivity.
The PhotoReading Whole Mind System 22

A salesperson from London PhotoRead a selection of books on self-esteem and


confidence building, because his sales were low. He noticed an immediate
change in his confidence, attitude, and sales.

A graphic artist routinely PhotoRead design books. He said it heightened his


creative ability.

A mother PhotoRead her children's homework to better help them with their
studies.

A proofreader discovered that, after PhotoReading documents first, she missed


fewer mistakes.

A public relations specialist found himself in a toy store after learning to


PhotoRead. He said, "I became very playful after learning PhotoReading."

A 13-year-old PhotoRead his mom's college text book hoping to help her w i t h
her homework. He immediately understood the problem. His mom then
pledged to learn PhotoReading.

An amateur chef found himself creating delicious new recipes after PhotoReading
his library of cook books.

A PhotoReader PhotoRead 23 books on Shakespeare over a several week period


hoping to build a foundation so that he could appreciate Shakespeare. Then he
sat back with one of Shakespeare's plays. For the first time in his life he
understood why so many people have enjoyed Shakespeare's work. He found
the play easier to read, fascinating, and enjoyable.

A new homeowner PhotoRead all the home-improvement books he could f i n d .


Friends who helped him on his projects were amazed at how much he knew and
began calling him for advice.

A high school defensive football coach repeatedly PhotoRead football play


books prior to the start of the season. He discovered during game situations he
could predict the opposing team's offensive strategy and respond w i t h the ideal
defensive play. His thinking speed and mental alertness were dramatically
improved.

A PhotoReader lost his job after learning PhotoReading. He credits his higher
paying, new job to PhotoReading and learning a new industry quickly.

An entrepreneur had difficulty understanding the advice of his legal counsel. He


PhotoRead several books on the subject in a bookstore. As he was leaving, a
flash of insight streaked through his m i n d , drawing him back to the books. He
intuitively grabbed one from the shelf, and opened the book automatically to
the page that offered a clear explanation of the advice.
Part Two:

Learn the
PhotoReading
Whole Mind System

lAole T*lm«l System


3

Step 1: Prepare

I perform better at any activity, from public s p e a k i n g to


fishing, if I am well p r e p a r e d . Y e t , I u s e d to p i c k up a b o o k or
m a g a z i n e a n d j u s t start r e a d i n g w i t h n o p r e p a r a t i o n a t all.
N o w I treat r e a d i n g as a g o a l - o r i e n t e d activity. P r e p a r i n g
for a f e w m o m e n t s i n c r e a s e s m y c o n c e n t r a t i o n , c o m p r e h e n s i o n ,
and retention of w h a t I read. P r e p a r i n g may s e e m simple, but it
i s t h e f o u n d a t i o n o f effective r e a d i n g . A l l s t e p s o f t h e P h o t o R e a d i n g
w h o l e mind system actually revolve around preparation.
Being prepared to P h o t o R e a d is m u c h more than getting the
b o o k o u t t o r e a d it. I t i n v o l v e s s t a t i n g y o u r p u r p o s e a n d f i x i n g
y o u r p o i n t of attention to e n t e r the ideal state of mind.
Prepare 25

1. State your purpose

Establishing p u r p o s e is hardly a n e w idea. Francis B a c o n ,


the sixteenth-century E n g l i s h p h i l o s o p h e r , said it well, "Some
b o o k s are to be tasted, others to be s w a l l o w e d , and s o m e few to
be c h e w e d and digested; that is, s o m e b o o k s are to be r e a d only
in parts, others to be read b u t not curiously, and s o m e few to be
read wholly, and with diligence and attention."
All reading ultimately serves a purpose, either consciously
or unconsciously. W h e n we state o u r
Example of purpose A purpose explicitly, we greatly increase
human resource consultant the odds of attaining it. Purpose
went to the library to
u n l e a s h e s ability. A l m o s t a n y t h i n g can
PhotoRead the corporate
report on a prospective client
be a c c o m p l i s h e d w i t h a strong sense of
before their initial meeting purpose. Purpose is the engine that drives
Her purpose for the eight the P h o t o R e a d i n g whole mind system.
minutes she invested was to
Establishing purpose is power
get a feel for the trends of
which can be felt emotionally and
the company where they
had come from and where physically. R e a d e r s w i t h a firm sense of
they were headed Her goal purpose acquire n e w feelings about the
was to get in sync with the a c t o f r e a d i n g . T h e y sit a s i f t h e y m e a n
corporate executives and
business. W h e n y o u have strong purpose,
relate her skills effectively to
y o u r b o d y b e c o m e s s t r o n g a n d alert.
their present and future
needs Set your purpose by asking
questions such as:
Example of purpose A • What is my ultimate application of
banker w a n t e d to interface
this material? W h a t will I e x p e c t to do or
his new computer w i t h his
s a y d i f f e r e n t l y after r e a d i n g it? M a y b e I
new printer After hours of
trying, he remained simply want to pass time or savor the
unsuccessful Before going experience of reading.
to bed, he PhotoRead both • How important is this material to
manuals His purpose was
me? I n t h e l o n g r u n , h o w w o r t h w h i l e i s
to let his other-than-
it? D o e s r e a d i n g t h i s m a t e r i a l c r e a t e v a l u e
conscious mind work out the
details of the problem and for m e ? I f s o , w h a t s p e c i f i c a l l y i s t h a t
solve it upon awakening value?
Within the first half-hour • What level of detail do I want?
after awakening, he had the
Do I w a n t to e m e r g e from reading it with
printer working perfectly
the big picture? Do I w a n t to understand
only the m a i n points? Do I w a n t to recall
The PhotoReading Whole Mind System 26

specific facts a n d o t h e r d e t a i l s ? Is r e a d i n g the entire d o c u m e n t


relevant to my p u r p o s e ? C o u l d I gain w h a t I w a n t by r e a d i n g a
single chapter or section instead?
• How much time am I willing to commit right now to satisfy my
purpose? M a k i n g a t i m e c o m m i t m e n t g e n t l y f o r c e s a t t e n t i o n o n
the task. I am increasing the i m p o r t a n c e of reading, b e c a u s e it is
the only thing I c h o o s e to do right now.
In summary, do y o u want a general understanding of
information, or do y o u need subtle details? Do y o u w a n t to study
something, or just gain pleasure and relaxation?
T o o m a n y p e o p l e are on a trip w i t h no destination. T h e y
a p p r o a c h reading with no sense of w h e r e they w a n t to go. If I do
not get value from w h a t I am reading, I ask, " W h a t is my
p u r p o s e ? " Invariably the a n s w e r is a r e s o u n d i n g " H u h ? " If I do
n o t h a v e p u r p o s e , m y r e a d i n g i s p a s s i v e a n d often wasteful.
Purpose and time m a n a g e m e n t are inseparable. In the
information age, we can no longer presume to read every
d o c u m e n t at the same speed or level of c o m p r e h e n s i o n . N o t only
is this impossible given the a m o u n t of material we need to read,
i t i s n o t e v e n d e s i r a b l e . A s F r a n c i s B a c o n p u t it, s o m e t h i n g s a r e
w o r t h r e a d i n g in great detail; others are not w o r t h r e a d i n g at all.
K e e p in m i n d that y o u r p u r p o s e can be quite inventive. F o r
i n s t a n c e , y o u r m a i n p u r p o s e for r e a d i n g i n t h e d e n t i s t ' s office
may be distraction: y o u simply w a n t to avoid thinking about the
s o u n d of the drill in the n e x t r o o m . T h a t is a l e g i t i m a t e p u r p o s e
and p r o m p t s a distinctive experience of reading.
State y o u r p u r p o s e e v e r y t i m e y o u read. This habit e n g a g e s
the m i n d and increases concentration. W h e n y o u establish y o u r
p u r p o s e , t h e full p o w e r o f y o u r m i n d c o m e s i n t o p l a y .
In addition, p u r p o s e l o o s e n s the grip of guilt, a w o r d that
frequently arises w h e n people talk about their reading habits.
M a n y o f u s w e r e i m p r i n t e d w i t h strict rules a b o u t h o w w e w e r e
" s u p p o s e d to read." O n e m a n said, "I b o u g h t the d a r n m a g a z i n e ,
so e v e n if I d o n ' t w a n t to r e a d all the articles, I am c o m p e l l e d to
finish the w h o l e t h i n g . "
W i t h a sense of purpose, y o u can justify putting aside the
material y o u do not n e e d to read. Simply w e e d out the publications
t h a t fail t o c r e a t e v a l u e for y o u .
E s t a b l i s h i n g p u r p o s e t a k e s a s little a s t w o s e c o n d s , y e t t h e
Prepare 27

payoffs can save y o u h u n d r e d s of hours over the course of y o u r


lifetime. This technique is so far-reaching that it c a n instantly and
permanently change the effectiveness of y o u r reading.

2. Enter the ideal state for reading

W h e n I r e a d m o s t efficiently, my b o d y is r e l a x e d and my
m i n d is alert. If I m a i n t a i n r e l a x e d alertness, I am m o r e able to
c o m p r e h e n d , retain, and recall w h a t I read.
To h e l p y o u q u i c k l y a n d easily e s t a b l i s h the ideal state of
relaxed alertness, y o u can use the "tangerine technique." This
simple technique automatically directs your attention and
immediately improves reading performance.
Studies show that b o t h reading and memory require
attention. Y o u can consciously attend to seven, plus or minus
t w o , different bits o f i n f o r m a t i o n a t o n e t i m e . (That i s w h y M a B e l l
originally m a d e p h o n e n u m b e r s s e v e n digits long.) In other
words, you have approximately seven units of attention available
at any m o m e n t .
A
R e s e a r c h also indicates that fixing one unit of attention
on a single p o i n t h e l p s y o u effectively focus y o u r other available
units of attention w h e n reading. W h e r e y o u fix y o u r p o i n t
o f a t t e n t i o n i s i m p o r t a n t . F o r e x a m p l e , w h e n d r i v i n g a car, t h e
best point of attention is d o w n the road—not on your hood
o r n a m e n t o r t h e b u m p e r o n t h e car i n front o f y o u . F o r the
efficient r e a d e r , t h e ideal p o i n t o f a t t e n t i o n i s j u s t b e h i n d a n d
above the head.
v A
The tangerine technique helps locate and maintain the ideal
point of attention a n d instantly creates the relaxed, alert state of
body and mind we desire for r e a d i n g . Here are the steps
to follow: Read
A u e
• Hold an imaginary tangerine in your hand. Experience "
the weight, color, texture, and smell of the tangerine. N o w toss it
i n t o t h e o t h e r h a n d a n d c a t c h it. T o s s t h e t a n g e r i n e b a c k a n d f o r t h
between your hands.
• N o w catch the tangerine in your d o m i n a n t h a n d and
bring it to the top b a c k part of y o u r head. T o u c h that area gently
with y o u r hand. I m a g i n e feeling the tangerine resting there while
y o u bring y o u r a r m d o w n and relax y o u r shoulders. Y o u can
The PhotoReading Whole Mind System

p r e t e n d this is a m a g i c tangerine, and


it will stay in p l a c e no m a t t e r w h e r e
y o u p u t it.
• Gently close y o u r eyes and let
the tangerine balance on the back of
your head. Notice what happens to
y o u r p h y s i c a l a n d m e n t a l state a s y o u
d o this. Y o u w i l l feel r e l a x e d a n d alert.
W i t h y o u r eyes closed, imagine y o u r
field o f v i s i o n o p e n i n g u p .
• M a i n t a i n the relaxed feeling
of alertness as y o u open your eyes and
b e g i n reading.
Here is an experiment you can
d o n o w t o d i s c o v e r t h e p o t e n t i a l effects
of the tangerine technique. Take any
p a g e o f this b o o k y o u h a v e not y e t read. W i t h o u t the t a n g e r i n e i n
p l a c e , read t w o o r three p a r a g r a p h s . A f t e r w a r d s , reflect o n y o u r
experience. Then, put the tangerine in place, using the m e t h o d
described above, and read two or three new paragraphs. Compare
your experiences.
D u r i n g the experiment, y o u m i g h t be overly self-conscious
o f d o i n g s o m e t h i n g d i f f e r e n t . I f s o , y o u m i g h t find t h e effect h a r d
t o d e t e c t . M a n y p e o p l e r e p o r t a w i d e r v i s u a l field, fluid m o v e m e n t
of the eyes w i t h less staccato or j u m p y m o v e m e n t s , a n d the ability
to read w o r d phrases or e v e n w h o l e sentences at a glance.
P l a y i n g w i t h this t e c h n i q u e lets y o u flow t h r o u g h r e a d i n g
m a t e r i a l w i t h i n c r e a s e d speed a n d ease. Y o u r ability t o c o n c e n t r a t e
on the information improves, and reading b e c o m e s more relaxing.
A t first y o u w i l l c o n s c i o u s l y p l a c e t h e t a n g e r i n e o n t h e b a c k
of y o u r head. S o o n it will b e c o m e a u t o m a t i c so that, w h e n e v e r
you approach reading materials, o n e u n i t o f a t t e n t i o n fixes
into place.
T h i s p h y s i c a l l y relaxed a n d m e n t a l l y alert state is also
p e r f e c t for o t h e r i m p o r t a n t a c t i v i t i e s . I t i s w i d e l y r e s e a r c h e d a s a
state of p e a k h u m a n p e r f o r m a n c e . This state is similar to
c o n t e m p l a t i o n , meditation, a n d p r a y e r i n w h i c h y o u are a b s o r b e d
in the present moment.
W h i l e this is a state of relaxation, it is not the s a m e as g o i n g
Prepare 29

to sleep or b e c o m i n g d r o w s y . Rather, y o u focus y o u r m i n d w i t h


a n i n n e r c a l m n e s s . Y o u h a v e a c c e s s t o all y o u r natural, i n n e r r e s o u r c e s .

Put it all together

T h e f o l l o w i n g p r o c e d u r e c a n h e l p y o u p r e p a r e for r e a d i n g
i n 3 0 s e c o n d s . Y o u m a y w i s h t o h a v e a friend g u i d e y o u t h r o u g h
it or r e c o r d it on tape so that y o u c a n play it b a c k later.
• P l a c e y o u r r e a d i n g m a t e r i a l s i n front o f y o u . D o n o t r e a d
Read
t h e m e t
y Bullets
• Begin to relax by closing your eyes. B e c o m e aware of
y o u r s e l f from h e a d to toe. Y o u r spine is erect, y o u r p o s t u r e is
comfortable, and your breathing is relaxed.
• M e n t a l l y s t a t e y o u r p u r p o s e for r e a d i n g . ( F o r e x a m p l e ,
" D u r i n g t h e n e x t t e n m i n u t e s , I w i l l r e a d t h i s m a g a z i n e a r t i c l e for
ideas to help me i m p r o v e my time m a n a g e m e n t skills.")
• Place the imaginary tangerine at the top b a c k part of
your head.
• B e c o m e a w a r e of y o u r s e l f as r e l a x e d a n d alert. B r i n g a
slight hint of a smile to the corners of y o u r eyes and the corners
o f y o u r m o u t h t o relax y o u r face. E v e n w i t h y o u r eyes closed, y o u
c a n i m a g i n e y o u r v i s u a l field o p e n i n g u p . Y o u h a v e a d i r e c t e y e -
mind connection.
• N o w , at a rate that is c o m f o r t a b l e for y o u , m a i n t a i n i n g
this state of relaxed alertness, gently open your eyes and
begin reading.

More on the tangerine technique

T h e i d e a l s t a t e for r e a d i n g i s t y p i c a l l y i n s h o r t s u p p l y for
m a n y people, especially at work. W h e n we read at work, the
p h o n e is often r i n g i n g , s o m e o n e in the d o o r w a y is talking, we
have to hurry to m a k e a meeting, and extraneous thoughts about
g r o c e r i e s o r c a r r e p a i r s k e e p a traffic j a m i n o u r h e a d s . W i t h s u c h
a morass of mental events, where does our attention end up? All
over the place. R e a d i n g is next to impossible.
I n c o n t r a s t , t h e i d e a l s t a t e for r e a d i n g i s t h e f l o w s t a t e , w h e n
y o u are totally a b s o r b e d in the task at hand. That is w h e r e the
t a n g e r i n e t e c h n i q u e c o m e s into play.
The PhotoReading Whole Mind System 30

In t h e m i d 1 9 8 0 s , I r e a d a f a s c i n a t i n g a r t i c l e in Brain/Mind
Bulletin a b o u t R o n D a v i s , a r e a d i n g s p e c i a l i s t . D a v i s h a d d y s l e x i a ,
a r e a d i n g d i s a b i l i t y . W h i l e s e a r c h i n g for a s o l u t i o n t o t h i s p r o b l e m ,
he m a d e a discovery.
People with dyslexia, he found, have a roving point of
attention, one that w a n d e r s through space without c o m i n g to a
fixed point. Skilled readers, on the other hand, h a v e a fixed point
of attention located just b e h i n d and above the top of the head.
By training himself to redirect his attention, he raised his
reading, writing, and spelling skills from an e l e m e n t a r y to a
college level in fewer than three years. Today, Davis runs a
p r i v a t e clinic for p e o p l e w i t h l e a r n i n g disabilities. H i s e x c e l l e n t
b o o k , The Gift of Dyslexia, d e s c r i b e s h i s m e t h o d in d e t a i l . H i s
s e s s i o n s b e g i n by t r a i n i n g his clients to find the ideal p o i n t of
attention, w h i c h he calls the " v i s u o - a w a r e n e s s epicenter."
I tried his t e c h n i q u e m y s e l f and i m m e d i a t e l y noticed an
increase in my concentration and ease in reading. If this technique
h a d w o r k e d o n d y s l e x i c s , I s p e c u l a t e d , w h a t m i g h t t h e effect b e
on a normal adult reader w h o has b e e n too scattered to read
efficiently.
Davis's w o r k had provided me with a creative leap. To
a c c o m p l i s h t h e effect o f h i s "visuo-awareness epicenter," I
d e v e l o p e d the tangerine technique.
M o s t p e o p l e find that s e v e r a l b e n e f i t s flow i m m e d i a t e l y
from the tangerine technique. To begin, they quickly and easily
enter a r e l a x e d state of a l e r t n e s s . In addition, t h e y c a l m their
m i n d s and automatically focus their attention. The result is an
instant i m p r o v e m e n t in r e a d i n g skills.
Historically, the tangerine technique has come d o w n to us
in a variety of forms. The Chinese thinking cap, the wizard's cap,
a n d e v e n t h e o r i g i n a l c o n c e p t for t h e " D u n c e c a p , " b e l i e v e i t o r
n o t , w e r e all d e v i c e s for f o c u s i n g a t t e n t i o n . E a c h c a u s e s p a r t o f
y o u r a t t e n t i o n to fixate at a p l a c e a b o v e a n d b e h i n d y o u r h e a d .
E x p e r i m e n t w i t h this t e c h n i q u e . If the i m a g e of a tangerine
d o e s n o t w o r k for y o u , t h e n try a n o t h e r w a y of fixing y o u r
attention to the place above and b e h i n d y o u r head. Imagine
w e a r i n g a s o m b r e r o , w i t h a b i r d s i t t i n g o n t o p o f it. F e e l t h e
s o m b r e r o resting on y o u r h e a d and focus y o u r attention on the bird.
Another way is to imagine standing outside of your body,
Prepare 31

looking over the top of y o u r head, as y o u read. As y o u do this,


n o t i c e t h e shift i n t h e w a y y o u feel.
W h e n y o u fix y o u r p o i n t o f a t t e n t i o n w i t h a n y o f t h e s e
techniques and open your eyes, a curious thing happens.
S u d d e n l y , the m a t e r i a l y o u are r e a d i n g s e e m s m o r e m a n a g e a b l e .
Y o u r v i s u a l h e l d enlarges, a n d y o u c a n e v e n see y o u r h a n d s
h o l d i n g t h e p a g e s . I n t h i s s t a t e , y o u a r e p r e p a r e d t o t a k e i n far
more visual information than before.
A A
Adjusting y o u r state of m i n d is the goal. Y o u are not trying -
to hold the feeling of a tangerine the entire time y o u read. Getting <=£c?j
a fixed p o i n t of attention is m u c h like setting a k e y s t o n e at the top
o f a s t o n e a r c h w a y . T h e o n e s t o n e a t t h e t o p h o l d s all t h e r e s t o f
the stones in place.
Similarly, the one fixed point of attention s e e m s to gather
and focus the other units of attention to the task of reading. O n c e
y o u h a v e p l a c e d i t t h e r e , f o r g e t a b o u t it. W h e n y o u p a s s t h r o u g h
a doorway, y o u do not have to carry the d o o r w a y w i t h you. Just
go ahead and b e g i n your reading—your mind will take care of
t h e rest.
Take a m o m e n t to think of how you can use what y o u have
learned in this chapter:
• Preparing is the foundation to the w h o l e m i n d system.
• The two components to p r e p a r i n g are stating y o u r R e a d

p u r p o s e a n d g e t t i n g i n t o t h e i d e a l s t a t e o f m i n d w i t h a fixed p o i n t gullets
of attention at the top, b a c k part of y o u r head.
• R e a d i n g purposefully m e a n s reading with power.
• T h e t a n g e r i n e t e c h n i q u e i s o n e w a y t o fix y o u r a t t e n t i o n
w h i c h a u t o m a t i c a l l y leads to the ideal state of mind.
Give y o u r s e l f a few m o m e n t s n o w to apply this t e c h n i q u e
to the r e m a i n i n g chapters of this b o o k . Visualize y o u r s e l f reading
the rest o f this b o o k w i t h strong p u r p o s e . I m a g i n e shifting y o u r
attention to a point just behind you and on top of your head.
A g a i n , n o t i c e t h e shift i n y o u r p h y s i c a l s t a t e w h e n y o u d o s o . A s
y o u r e a d , y o u feel m o r e r e l a x e d , c e n t e r e d , a t t e n t i v e , a n d fully
a b s o r b e d . N o w y o u are p o i s e d at the flow state, r e a d y to learn.
Y o u r next step is to...
4

Step 2: P r e v i e w

W e c a n only read w h a t w e already k n o w ; that is, the h u m a n


b r a i n c a n only c o m p r e h e n d patterns that are familiar. T h e m o r e
y o u k n o w a b o u t a t e x t b e f o r e y o u a c t u a l l y r e a d it, t h e e a s i e r i t w i l l
be to read.
The fast t r a c k t o discovering patterns within text is
p r e v i e w i n g . It speeds y o u r c o m p r e h e n s i o n and only takes a few
m i n u t e s or, i n s o m e c a s e s , a f e w s e c o n d s . T h e r e a r e t h r e e s t a g e s
to previewing:
1. Survey the written material
2. Pull out trigger w o r d s from the text
3 . R e v i e w a n d d e c i d e y o u r g o a l s f o r going further
Preview 33

1. Survey the material

W h e n my wife and I considered p u r c h a s i n g our h o m e , we


first e x p l o r e d t h e n e i g h b o r h o o d . W e w a l k e d t o t h e l a k e f r o n t a n d
around the block, and we drove to the e l e m e n t a r y school and into
town. We looked at a m a p and explored the nearby county and
regional parks. In other w o r d s , we surveyed the territory.
As you consider reading a book, magazine, or other
p u b l i c a t i o n , s u r v e y i t t o o . Y o u w i l l l e a r n its s t r u c t u r e a n d k n o w
h o w to proceed. W a l k around the written material to notice:
• titles a n d subtitles
• t e x t on t h e front a n d b a c k c o v e r s
• t a b l e of c o n t e n t s
• copyright date
• index
• first a n d l a s t p a g e s o f b o o k s , o r i n o t h e r d o c u m e n t s t h e
first a n d l a s t p a r a g r a p h s o f a n y s e c t i o n s
• text p r i n t e d in b o l d f a c e or italic print, i n c l u d i n g h e a d i n g s
and subheadings
• m a t e r i a l set off a s b o x e s , f i g u r e s , o r c h a r t s
• s u m m a r i e s , previews, or review questions
Y o u may be a m a z e d at h o w m u c h y o u can gain through this
strategy. I n s o m e c a s e s , y o u will find e v e r y t h i n g y o u w a n t t o
know—just through surveying.
Surveying allows y o u to k n o w w h a t the text seems to be
about and can help y o u predict w h a t to expect. It can help direct
y o u w h e r e t o l o o k for i m p o r t a n t i n f o r m a t i o n .
" H o w t o " b o o k s , for e x a m p l e , u s u a l l y p r e s e n t y o u w i t h a
n u m b e r of tasks to perform in a certain order. A "what is" b o o k
o f t e n p r e s e n t s a p r o b l e m a n d offers a s o l u t i o n .
Do not spend m u c h time surveying: a short article, thirty
s e c o n d s ; a l o n g e r article or report, t h r e e m i n u t e s ; a n d a b o o k , five
to eight m i n u t e s . T h a t is all. If it takes any m o r e t h a n that, t h e n
y o u are probably reading in a conventional sense—not surveying.
Surveying has an added advantage. It promotes long-term
m e m o r y , b e c a u s e it helps y o u c o m p r e h e n d and categorize the
material y o u read. It encourages y o u to build a mental structure
of w h a t y o u read. A n y material y o u actively organize, y o u will
r e m e m b e r longer.
The PhotoReading Whole Mind System 34

2. Pull out trigger words

H a v e y o u e v e r felt w h i l e r e a d i n g t h a t c e r t a i n w o r d s w e r e
l e a p i n g off t h e p a g e a n d b e g g i n g for s p e c i a l a t t e n t i o n ? C h a n c e s
are t h o s e i m p o r t a n t w o r d s are the focal p o i n t s of the a u t h o r ' s
message. Those w o r d s have an urgency. "Hey, look at me," they
s e e m t o say. T h o s e w o r d s are t r i g g e r w o r d s .
T r i g g e r w o r d s are key w o r d s — t h e h i g h visibility, repeatedly
u s e d terms that present central ideas. T h e y are the h a n d l e s w h i c h
will h e l p y o u g r a s p the m e a n i n g of a text.
Trigger w o r d s help the conscious m i n d formulate questions
for t h e i n n e r m i n d t o a n s w e r . T h e y b e c o m e t a r g e t s for y o u r b r a i n
during P h o t o R e a d i n g and activation. Y o u r brain will highlight
t h e m i n its s e a r c h t h r o u g h t h e t e x t , h e l p i n g y o u q u i c k l y f i n d
meaning and accomplish your purpose.
Locating trigger words is simple. For example, in Chapter
2 , 1 m e n t i o n e l e m e n t a r y r e a d i n g , p a r a d i g m shift, p u r p o s e , a n d
b e l i e f s . T h o s e t e r m s qualify a s t r i g g e r w o r d s . S p o t t i n g t h e m h e l p s
y o u d e v e l o p curiosity, a n e s s e n t i a l i n g r e d i e n t i n effective l e a r n i n g
a n d efficient r e a d i n g
M o s t people locate trigger w o r d s with ease w h e n it c o m e s
to nonfiction. T h e y m i g h t d r a w a b l a n k w h e n p r e v i e w i n g fiction
s u c h a s s h o r t s t o r i e s , p l a y s , n o v e l s , a n d p o e t r y . F i c t i o n offers u s
trigger w o r d s in the n a m e s of persons, places, and things.
L o c a t i n g t r i g g e r w o r d s i s a fun w a y t o t e s t t h e w a t e r s b e f o r e
d i v i n g for m e a n i n g . J u s t flip t h r o u g h e v e r y 2 0 p a g e s o r s o o f a
b o o k and notice what words catch y o u r attention.
All places y o u survey will aid y o u r search: b o o k covers,
t a b l e o f c o n t e n t s , h e a d i n g s , a n d t h e i n d e x . I n a n i n d e x , l o o k for t h e
w o r d s that are followed b y the m o s t p a g e n u m b e r s . T h e s e are
b o u n d to be important trigger words.
A t first I s u g g e s t t h a t y o u m a k e a m e n t a l n o t e o f five t o t e n
t r i g g e r w o r d s for a n a r t i c l e a n d w r i t e a l i s t o f 2 0 - 2 5 t r i g g e r w o r d s
for b o o k s . Y o u s h o u l d b e a b l e t o r e a c h t h o s e n u m b e r s i n t w o
minutes or less.
Be playful and relaxed, and it will be easier to spot h i g h
powered terms.
Preview 35

3. Review

T h e last part of p r e v i e w i n g helps assess w h a t y o u h a v e


g a i n e d f r o m y o u r s u r v e y a n d list o f t r i g g e r w o r d s . T a k e a m i n i -
inventory. D e t e r m i n e w h e t h e r y o u w a n t to go farther w i t h the
d o c u m e n t a n d e x t r a c t m o r e o f its c o n t e n t . T h i n k a b o u t w h e t h e r
y o u c a n m e e t y o u r p u r p o s e for r e a d i n g o r w h e t h e r y o u n e e d t o
redefine that purpose. R e m e m b e r the 8 0 / 2 0 rule? A s k yourself
w h e t h e r this b o o k or article relates to y o u r "top 20 percent."
After p r e v i e w i n g , y o u m i g h t e v e n
T h e 8 0 / 2 0 R u l e :
decide not t o read the document. That i s
If all items are arranged in .
o n e o f t h e k i n d e s t t h i n g s y o u c a n d o for
order of value, 80 percent of
the value w o u l d come from y o u r s e l f i n t h i s a g e o f i n f o r m a t i o n

only 20 percent of the items, o v e r l o a d . S a v e y o u r s e l f t h e t r o u b l e of


w h i l e t h e r e m a i n i n g 2 0
ingesting information y o u d o not need.
p e r c e n t o f t h e v a l u e w o u l d
Y o u have other things t o do. Save time
come from 80 percent of the
for t h e m .
After previewing, you might
decide y o u only need to k n o w the d o c u m e n t in a general way.
Later, i f y o u w a n t m o r e specific information, y o u will k n o w
w h e r e t o f i n d it. I t i s l i k e u s i n g a set o f e n c y c l o p e d i a s : y o u d o n o t
have to m e m o r i z e the contents of e a c h v o l u m e . Y o u only need to
k n o w e n o u g h t o p u l l t h e c o r r e c t v o l u m e off t h e shelf.

Read as you would shop for groceries

Y o u r brain excels at classifying perceptions and r e c o g n i z i n g


patterns. Previewing helps accomplish both. It allows y o u to
build meaningful categories, establish patterns, and locate the
core c o n c e p t s w h i c h lead t o u n d e r s t a n d i n g . Y o u start t o d i s c o v e r
t h e 4 - 1 1 p e r c e n t o f t h e t e x t t h a t i n c l u d e s its k e y m e s s a g e a n d
satisfies y o u r p u r p o s e .
W i t h o u t categories, the text w o u l d appear as the w o r l d
does to a n e w b o r n — a constant parade of unrelated sights, sounds,
and other sensations, a "blooming, buzzing confusion," as
p s y c h o l o g i s t W i l l i a m J a m e s d e s c r i b e d it.
T h e secret to successful p r e v i e w i n g is to avoid getting into
a t e x t t o o d e e p l y t o o s o o n . Y o u m a y find y o u r s e l f t e m p t e d t o s t o p
p r e v i e w i n g a n d s t a r t r e a d i n g for d e t a i l s . N o t i c e y o u r u r g e t o
The PhotoReading Whole Mind System 36

focus on the particulars, let that u r g e go, a n d r e t u r n to p r e v i e w i n g .


Y o u w a n t to get the m a x i m u m benefit from every m i n u t e
y o u i n v e s t i n r e a d i n g . I f y o u s t a r t r e a d i n g for d e t a i l s t o o s o o n , y o u
could easily end up slowing down, p l o d d i n g t h r o u g h p a r a g r a p h s
and pages that have no relevance to y o u r purpose. That could
lead to the loss of m o m e n t u m , w a n i n g interest, and e v e n a
wonderful nap.
T o a v o i d t h i s , h o l d b a c k a little o n t h e d e t a i l s . T h i s s t r e n g t h e n s
y o u r m o t i v a t i o n . I t c r e a t e s a d e s i r e i n y o u t o f i n d o u t m o r e , t o fill
in the general structure that y o u are b u i l d i n g in y o u r mind.
O n e o f t h e j u i c i e s t p a r t s o f p r e v i e w i n g i s g e t t i n g h u n g r y for
information and ideas. That hunger increases y o u r c o m m i t m e n t
to reading and energizes the w h o l e m i n d to achieve y o u r desires.
Preview every time y o u read. R e a d i n g a longer or m o r e
c o m p l e x d o c u m e n t without p r e v i e w i n g is like going to the
grocery store to b u y an apple and s e a r c h i n g every i t e m on every
s h e l f u n t i l y o u f i n d it. I n s t e a d , l o o k for t h e fruit s e c t i o n a n d w a l k
directly to w h a t y o u want. W h e n reading, this m e a n s taking a
d i r e c t p a t h t o t h e p a s s a g e s t h a t m o s t d i r e c t l y satisfy y o u r p u r p o s e .

Beware of traps

P r e v i e w i n g m a y b e a t r a p , b e c a u s e u p o n first e n c o u n t e r t h e
step of p r e v i e w i n g s e e m s a lot like r e g u l a r r e a d i n g . S i n c e y o u
w a n t to k n o w w h a t a b o o k or article contains, y o u m i g h t be
t e m p t e d t o g o a h e a d a n d r e a d i n t e r e s t i n g a r e a s o f t h e p i e c e for 2 0
or 30 m i n u t e s . B e w a r e of falling into that t e m p t i n g trap! That is
not p r e v i e w i n g . Placing such a large a m o u n t of information into
y o u r c o n s c i o u s m i n d , t e n d s t o s w i t c h off y o u r b r a i n ' s a c c e s s t o its
o w n larger database in favor of the p r i m a r y w o r k i n g m e m o r y
typically used for traditional reading. That means after
P h o t o R e a d i n g , the b r a i n references only the information y o u
previewed.
If a b e g i n n i n g P h o t o R e a d e r e x p e r i e n c e s a p r o b l e m , the
most typical p r o b l e m results from misuse of previewing. They
say, "I'm not sure I'm getting a n y t h i n g from the P h o t o R e a d i n g
step." W h e n asked h o w they used the P h o t o R e a d i n g whole m i n d
s y s t e m , t h e s e p e o p l e s a y t h e y s p e n t fifteen m i n u t e s o r m o r e o n
the preview step.
Preview 37

W h e n previewing shuts d o w n access to the expanded


database of the brain, we r e c o m m e n d an immediate cessation of
previewing. In this case, we suggest no m o r e than one minute to
p r e v i e w a b o o k or l o n g a r t i c l e — o n l y e n o u g h time to say, " Y e s ,
this is s o m e t h i n g I w a n t to read." T h e n the ideal strategy b e c o m e s
PhotoRead then "postview."
P o s t v i e w i n g follows a similar form to previewing: survey,
trigger words, review. Only with postviewing, you perform
t h e s e s t e p s after P h o t o R e a d i n g . Y o u c a n p r e v i e w a t e x t b e f o r e
P h o t o R e a d i n g o r p o s t v i e w a t e x t i m m e d i a t e l y after P h o t o R e a d i n g .
E d u c a t i o n a l p s y c h o l o g i s t D r . W i n W e n g e r , a u t h o r o f The Einstein
Factor, prefers p o s t v i e w i n g over previewing. This keeps the
e x p a n d e d p r o c e s s i n g c a p a b i l i t i e s o f t h e b r a i n " o p e n for b u s i n e s s . "
Y o u will find a c o m p l e t e d e s c r i p t i o n of p o s t v i e w i n g in
Chapter 6.

Preview or postview?

I continue to recommend the preview step before


P h o t o R e a d i n g b e c a u s e it performs an important role, one that
r e a d i n g specialists call "an a d v a n c e o r g a n i z e r . " P r e v i e w i n g h e l p s
t h e b r a i n i d e n t i f y c a t e g o r i e s for t h e c o m i n g i n f o r m a t i o n , l i k e
preparing file cabinets into which you will sort the
i n c o m i n g data.
In addition, I find that m o s t p e o p l e c a n q u i c k l y g r a s p t h e
n e w p a r a d i g m o f r e a d i n g and use p r e v i e w i n g effectively. W h e n
they do, they recognize the i m m e d i a t e benefit from the preview-
PhotoRead combination.
C h i l d r e n s h o u l d l e a r n t o p r e v i e w for its v a l u e i n d i r e c t i n g
the novice mind. It ensures that the material g o i n g in with
P h o t o R e a d i n g will be in the reader's best interests. The b e g i n n i n g
P h o t o R e a d e r t a k e s five t o e i g h t m i n u t e s t o p r e v i e w a b o o k , b u t
the skilled P h o t o R e a d e r almost never takes m o r e t h a n one to
three m i n u t e s to d e t e r m i n e w h e t h e r they w a n t to go further w i t h
the rest of the s y s t e m .
W h e n i t c o m e s t o r e a d i n g for e n h a n c i n g c r e a t i v i t y , i n s i g h t
into a n e w subject area, or personally d e v e l o p i n g k n o w l e d g e or
skills to c h a n g e a p r e v a i l i n g p a r a d i g m , p o s t v i e w i n g w o r k s best.
The PhotoReading Whole Mind System 38

T h i s a l l o w s t h e P h o t o R e a d e r t o k e e p t h e c o n s c i o u s m i n d ' s filters
out of the way. Postviewing accelerates the activation process
as well.

In summary

In this chapter y o u learned:


• P r e v i e w i n g lets y o u r m i n d create patterns to i n c r e a s e
speed and comprehension while reading.
• To preview y o u must survey, pull out trigger words,
and review.
• S u r v e y i n g is a w a l k a r o u n d the outside edges of w h a t
y o u a r e r e a d i n g i n o r d e r t o u n d e r s t a n d its s t r u c t u r e a n d h o w t o
proceed.
• T r i g g e r w o r d s are k e y t e r m s that h e l p y o u formulate
q u e s t i o n s that y o u r i n n e r m i n d will w o r k t o a n s w e r later.
• R e v i e w i n g is a mini-inventory that helps y o u m a k e sure
y o u are r e a d i n g w h a t m e e t s y o u r p u r p o s e .
• P r e v i e w i n g c a n s w i t c h off a c c e s s t o t h e b r a i n ' s l a r g e r d a t a
base if misused.
• P o s t v i e w i n g provides an ideal alternative to p r e v i e w i n g
for t h e n o v i c e P h o t o R e a d e r , e s p e c i a l l y for t h o s e w h o t r y t o r e a d
and understand an entire b o o k while previewing.
To apply the technique of p r e v i e w i n g , take a m o m e n t to
i m a g i n e the t y p e s o f r e a d i n g m a t e r i a l s y o u m i g h t face i n t h e
coming week. Imagine previewing those various sources of
information. N o t i c e h o w a few m o m e n t s of p r e v i e w i n g c a n save
y o u hours of time this w e e k , b e c a u s e y o u quickly tune into
information you want and eliminate redundant and unnecessary
reading.

Chapter 5 brings y o u to the next step, P h o t o R e a d i n g , the


m o s t p r o v o c a t i v e a n d e x c i t i n g o f all.
Preview 39

A businessman was asked to speak at a conference. He was unable to prepare


for the presentation in the traditional sense of reading books, taking notes, and
writing his speech. He was only able to PhotoRead several books, so he figured
he could w i n g it. To his surprise his presentation flowed with aplomb. He even
presented statistics which just popped into his head—apparently provided by
his other-than-conscious mind. He received excellent feedback from his
audience and later verified every fact w i t h the books.

A computer programmer learned that by PhotoReading pages of code he


quickly discovered program bugs. Another programmer said his ability to write
effective code improves w h e n he PhotoReads pages of code written by other
programmers.

A mystery writer PhotoRead dozens of mystery books to assimilate styles,


techniques, dialogs, descriptions, etc. Immediately his writing flowed more
easily. He began sending the first or second drafts of chapters to his agent
instead of his usual fifth or sixth draft.

The technical director of the virtual reality department of a supercomputer


company PhotoRead all the literature he could find on his industry. Since class,
he has become a prolific writer, presenting professional papers to conferences
around the country. He receives high professional acclaim from his colleagues.

A PhotoReader forgot someone's name. He PhotoRead the telephone book


and the name immediately came to him seconds after PhotoReading the page
it was o n .

An actress is better able to memorize her lines by PhotoReading the script first.
She also says this helps create a better understanding of her characters.

A bookkeeper said her ability to manipulate data in spreadsheets increased


significantly. She found it easier to remember the programming commands
and to detect errors.

An attorney found himself challenging an expert witness during cross-


examination w i t h o u t a clear sense of why he was asking the questions. It
became obvious as the expert witness' testimony unraveled. The attorney had
PhotoRead books the evening prior which contained facts contradicting those
of the witness. At a conscious level, the attorney did not know the facts. From
an other-than-conscious level, his mind had given him the guidance necessary
to achieve his goal.
5

Step 3: PhotoRead

P h o t o R e a d i n g rockets y o u to success at the speed of light.


In today's information deluge, why drown with regular reading
or barely survive with speed reading? N o w y o u can thrive and
s u c c e e d w i t h P h o t o R e a d i n g . T h i s c h a p t e r d e s c r i b e s h o w t o start
u s i n g the m o s t p r o v o c a t i v e step of the P h o t o R e a d i n g w h o l e m i n d
system. To master PhotoReading, k e e p a playful and o p e n -
minded attitude.
P h o t o R e a d i n g relies on the b r a i n ' s natural ability to process
i n f o r m a t i o n at a p r e c o n s c i o u s level. F o r t h o s e w h o let go a n d trust
their mind to do the work, P h o t o R e a d i n g provides a p h e n o m e n a l
o p p o r t u n i t y t o d i s c o v e r t h e i r t r u e p o t e n t i a l for l e a r n i n g .
Through PhotoReading, you expose your brain to patterns
of text by mentally p h o t o g r a p h i n g the printed p a g e . This is not a
technique to w o r k hard at nor is it s o m e t h i n g that the c o n s c i o u s
m i n d has to figure out in o r d e r to perform it better. To strain at
PhotoRead 41

practicing and perfecting it m a y be counterproductive. U s e it and


explore the results.
D u r i n g the next few p a g e s y o u will learn the w a y s to
perform each step of the P h o t o R e a d i n g process. After learning
t h e m , play with P h o t o R e a d i n g this b o o k .

1. Prepare to PhotoRead

P r e p a r i n g y o u r s e l f for P h o t o R e a d i n g i s a m a t t e r o f m a k i n g
a few d e c i s i o n s . W h a t is it y o u w a n t to P h o t o R e a d ? Place y o u r
r e a d i n g m a t e r i a l i n front o f y o u a n d a s k y o u r s e l f i f y o u c a n s p a r e
t h e f e w m i n u t e s r e q u i r e d t o P h o t o R e a d it.
The six steps to the
W h y do y o u want to take the time to
PhotoReading process are
1 Prepare t P h t R d o o o e a P h o t o R e a d this material? Clearly state to
2 Enter the accelerative y o u r s e l f w h a t y o u e x p e c t to get f r o m t h e
l e a r n i n g s t a t e
materials. This act of establishing your
y o u r c o n c e n t r a
3 Affii-m - purpose will be repeated m o r e precisely later
tion, impact, and purpose „ .. ,
in the process. Purpose is essential.
4 Enter the PhotoFocus
s t a t e Choose to remain attentive to this
5 M a i n t a i n a steady state experience and let go of any outside
while PhotoReading interferences. Be in an o p e n p o s t u r e ,
e
6 Clos comfortable, upright, relaxed, and ready to
enter the accelerative learning state.

2. Enter the accelerative learning state

Earlier in the P h o t o R e a d i n g whole m i n d system, y o u entered


a state of relaxed alertness before p r e v i e w i n g . Y o u r aim n o w is to
e x p e r i e n c e a similar, b u t m o r e r e c e p t i v e , b r a i n s t a t e — a state in
w h i c h y o u h a v e access to e x p a n d e d capabilities of m i n d and
increased readiness to learn.
H e r e i s a p r o c e d u r e for e n t e r i n g t h i s s t a t e , a l s o c a l l e d t h e
a c c e l e r a t i v e l e a r n i n g s t a t e . A t first, t h i s p r o c e d u r e m i g h t t a k e
several m i n u t e s to c o m p l e t e . Eventually, h o w e v e r , y o u will reach
t h e d e s i r e d s t a t e i n t h e t i m e i t t a k e s for o n e d e e p i n h a l e f o l l o w e d
by a g e n t l e e x h a l e .
• M a k e y o u r s e l f c o m f o r t a b l e . W h e n y o u a r e first l e a r n i n g
this technique, lie d o w n . A f t e r t h a t , sit b a c k c o m f o r t a b l y i n
a chair.
The PhotoReading Whole Mind System 42

• Take in a deep breath. Exhale, and then close y o u r eyes.


• E x p e r i e n c e full p h y s i c a l r e l a x a t i o n . T a k e i n a d e e p b r e a t h
a n d h o l d it for a m o m e n t . As y o u e x h a l e s l o w l y , t h i n k of the
n u m b e r " 3 " a n d m e n t a l l y r e p e a t t h e w o r d Relax. This is y o u r
physical relaxation signal. T h e n progressively relax the major
muscle groups of y o u r b o d y from head to toe. Imagine a w a v e of
relaxation flowing throughout y o u r entire body. Let each m u s c l e
m e l t u n t i l i t i s p l e a s a n t l y r e l a x e d a n d free f r o m t e n s i o n .
• N o w calm y o u r mind. Take in a deep breath and hold it
for a m o m e n t . E x h a l e s l o w l y . T h i n k of the n u m b e r "2" a n d
m e n t a l l y r e p e a t t h e w o r d Relax. This is your mental relaxation
signal. L e t g o o f t h o u g h t s a b o u t the p a s t o r future. F o c u s y o u r
a w a r e n e s s o n the p r e s e n t m o m e n t . A s y o u b r e a t h e out, let any
t e n s i o n s , a n x i e t i e s , o r p r o b l e m s f l o a t a w a y . A s y o u b r e a t h e in, let
p e a c e and tranquillity flow into every part of y o u .
• T a k e i n a n o t h e r d e e p b r e a t h a n d h o l d i t for a m o m e n t .
Slowly exhale; mentally h e a r the sound o f the n u m b e r " 1 . " A s
y o u do so, p i c t u r e a beautiful f l o w e r in y o u r m i n d ' s e y e . T h i s
signals that y o u have focused y o u r awareness and entered the
r e s o u r c e level of m i n d — a state of e x p a n d e d creativity a n d ability
to learn.
Imagine yourself in a beautiful, quiet place. B e c o m e aware
of the soothing sights, sounds, and feelings y o u experience there.
Imagine that an hour of time is elapsing. L e t y o u r s e l f rest
c o m f o r t a b l y t h e r e for a f e w m o m e n t s .
Before y o u proceed to the next steps, gently r e m i n d yourself
to release any r e m a i n i n g t e n s i o n or distractions. R e m i n d y o u r s e l f
to m a i n t a i n this state of p h y s i c a l and m e n t a l r e l a x a t i o n as y o u
PhotoRead.
Brain states are characterized by
The above process of entering
subjective experiences and electro-
the accelerative learning state
encephalagraph (EEG) frequency
a l l o w s y o u to e s t a b l i s h c o n t a c t w i t h measures (Hz stands for Hertz or
your other-than-conscious cycles per second)
W a k i n g 1 2 - e t a
resources of mind. Entering this • state = Z 3 hH^ B
physical and mental state turns on • Relaxed alertness, optimal for
learning = 8-12 Hz, Alpha
the brain's right h e m i s p h e r e and
• Deeply relaxed, good for internal
o p e n s i t t o i n p u t . I t a l l o w s y o u t o b e
imagery, associated w i t h creativity
m o r e r e s p o n s i v e to y o u r o w n = 4-8 Hz, Theta
positive ideas. W h i l e in this highly
PhotoRead 43

attuned state, y o u o p e n up access to the d e e p e r "data b a s e " of


your long-term memory.
M a n y classes, b o o k s , and tapes on relaxation and meditation
c a n h e l p y o u g a i n skill a t e n t e r i n g the ideal l e a r n i n g state. T h e
Learning Strategies Corporation Paraliminal tapes guide y o u
through similar relaxation techniques used in P h o t o R e a d i n g
seminars.

3. Affirm your concentration, impact, and purpose

T h o u g h t s either support or derail the learning process.


Positive, affirmative thoughts assist learning, and negative
t h o u g h t s n e g a t e o r p r e v e n t it.
Placing positive thoughts in your mind canhelp you develop
skills and achieve desired results. These thoughts, called
affirmations, help direct the material y o u P h o t o R e a d to y o u r
inner mind. The m o s t useful a f f i r m a t i o n s for P h o t o R e a d i n g
include:
• " A s I P h o t o R e a d , my c o n c e n t r a t i o n is a b s o l u t e . "
• "All that I P h o t o R e a d m a k e s a lasting i m p r e s s i o n on my
inner mind and is available to me."
• " I d e s i r e t h e i n f o r m a t i o n i n t h i s b o o k , (say t h e t i t l e h e r e ) ,
to a c c o m p l i s h my p u r p o s e of (restate y o u r p u r p o s e ) . "
Affirmations give direction to your brain by clearly
establishing goals. T h e p r o c e s s of affirming also b y p a s s e s the
limitations i m p o s e d by the conscious mind. It redirects any
negative internal dialog and opens y o u to the possibility of
success.
It is important that y o u r goal or purpose be one y o u can
achieve. A poorly formed goal would be: "I w a n t to have
p h o t o g r a p h i c recall of everything I P h o t o R e a d . " Since that is not
the purpose of the P h o t o R e a d i n g step and perfect recall of
everything is not reasonable, such an ill-formed goal could lead
to undue frustration and non-performance.
A w e l l - f o r m e d g o a l w o u l d b e : " T o fully a b s o r b t h i s m a t e r i a l
and to speed my application of these techniques and concepts in
my life." T h e a c h i e v e m e n t of s u c h a goal is w i t h i n y o u r c o n t r o l
and leads to greater ease and success.
The PhotoReading Whole Mind System 44

4. Enter the PhotoFocus state

T h e P h o t o F o c u s state uses y o u r sense of sight to input


visual information directly into the other-than-conscious mind.
In this step, y o u learn to use y o u r visual s y s t e m differently t h a n
with regular reading. Rather than hard focusing on individual
w o r d s a n d w o r d g r o u p s , y o u a c h i e v e a "soft g a z e " t o n o t i c e t h e
entire page at once.
When I first developed
Y o u s t r e n g t h e n t h e e y e - m i n d
PhotoReading, I k n e w that hard focusing
,, , . £ .. , ,, connection w i t h PhotoFocus.
the eyes sent information t h r o u g h the
This shifts the emphasis of
conscious mind. PhotoReading required
reading away from the page in
sending information through the front o f your eyesto its meaning
p r e c o n s c i o u s p r o c e s s o r into the brain. w h i c h i s stored behind your eyes
( i n y o u r m i n d ) .
My question b e c a m e "How can I look at
something without using hard focus to
look at it?"
De-focusing the eyes w a s not the answer. That only m a d e
m e feel s p a c e y a n d l e t h a r g i c . M y feelings o f r e l a x e d a l e r t n e s s
v a n i s h e d as if my p h y s i c a l and m e n t a l clarity w a s c o n n e c t e d to
my visual clarity.
O n e afternoon I m u l l e d o v e r this p a r a d o x . I read an article
a b o u t a n art t e a c h e r n a m e d B e t t y E d w a r d s . I n h e r b o o k Drawing
on the Right Side of the Brain, s h e s a i d , " I f y o u w a n t to d r a w my
t h u m b , d o n ' t d r a w m y t h u m b , " b e c a u s e y o u w i l l u s e t h e left
b r a i n — t h e analytical, non-artistic side of the brain. She said, "To
draw my thumb, draw the space around my thumb." That
strategy u s e s the right b r a i n — t h e creative side of the brain.
U s i n g her advice, I b e g a n looking at the two pages of an
o p e n b o o k . I t o o k i n all t h e w h i t e s p a c e i n o n e e x p a n s i v e g a z e , n o t
l o o k i n g at the w o r d s . Suddenly, the p a g e s t o o k on a clarity and
depth, appearing almost three-dimensional. In the center of the
p a g e there e m e r g e d a third, r o u n d e d n a r r o w p a g e .
This r e m i n d e d me of experiences I had as a child. My m i n d
t e n d e d t o w a n d e r i f I h a d t o sit a n d w a i t . O c c a s i o n a l l y , i f I
h a p p e n e d t o b e s i t t i n g i n a r o o m w i t h a t i l e floor, I b e c a m e a w a r e
that the floor a p p e a r e d as a t h r e e - d i m e n s i o n a l g r i d — a s if there
w e r e t w o l a y e r s of lines, a b o u t six i n c h e s d e e p . If I tried to l o o k at
it, i t w o u l d d i s a p p e a r . T h e effect w o u l d o n l y l i n g e r i f I m a i n t a i n e d
PhotoRead 45

a relaxed, divergent gaze, as if l o o k i n g into the d i s t a n c e .


T h e r e c o g n i t i o n of this u n i q u e visual state w a s the b e g i n n i n g
of P h o t o F o c u s . In the years since then, m a n y discoveries h a v e
connected PhotoFocus to ancient traditions of seeing with the
whole brain rather than the limited conscious m i n d .
The essence of P h o t o F o c u s is using y o u r eyes in a n e w way
w h i c h i s c a l l e d " s e e i n g w i t h soft e y e s . " T h i s c o n t r a s t s h a r d f o c u s
w h i c h is our n o r m a l practice of getting a sharp, clear i m a g e of a
single w o r d , p h r a s e , or line of print. W i t h P h o t o F o c u s , we o p e n
up our peripheral vision and prepare to mentally photograph
entire pages at o n c e . In so doing, we process visual information
a t a p r e c o n s c i o u s l e v e l a n d feed i t d i r e c t l y i n t o y o u r b r a i n ' s
nonconscious m e m o r y storage system.
A c l e a r d e s c r i p t i o n of soft
Seeing w i t h "soft eyes" i s hardly new. eyes comes from Miyamoto
Taoist literature from China refers to an M u s a s h i , a l e g e n d a r y fifteenth-
a l l - s e e i n g g a z e . S o d o e s C a r l o s
" " century s w o r d s m a n and author
Casteneda, author of a popular series of
o f T h e B o o k o fF i v e R i n g s . I n t h a t
books about the practices o f Don Juan, a
Mexican shaman. book, Musashi refers to two
types of vision. O n e he calls
ken, a n o b s e r v a t i o n o f s u r f a c e a p p e a r a n c e a n d e x t e r n a l m o v e m e n t .
Kan, i n c o n t r a s t , i s s e e i n g i n t o t h e e s s e n c e o f t h i n g s . U s i n g t h e
p e r i p h e r a l vision of kan, said M u s a s h i , a w a r r i o r could spot an
enemy and detect an impending attack before it h a p p e n e d .
T h o u g h w e h a v e n o e n e m i e s t o attack, w i t h P h o t o R e a d i n g w e can
use the other benefits of kan: c a l m n e s s , concentration, creativity,
intuition, and the ability to greatly e x p a n d our visual field.
T h e p h y s i o l o g y b e h i n d k a n — o r P h o t o F o c u s , a s w e call i t —
is fascinating. The retinas of our eyes can be divided into t w o
r e g i o n s . O n e is the fovea w h i c h is densely p a c k e d with cells
called c o n e s . T h e s e cells bring i m a g e s into hard focus. E a c h cone
h a s a single n e r v e c o n n e c t i n g it to the brain. Information entering
the fovea is p r o c e s s e d by the conscious m i n d .
As we m o v e into the periphery of the retina, the second
a r e a , w e find different c e l l s c a l l e d r o d s . E v e n t h o u g h s e v e r a l
h u n d r e d r o d s are c o n n e c t e d to the s a m e n e r v e , t h e s e cells are
e x t r e m e l y s e n s i t i v e . I n fact, t h e y c a n d e t e c t t h e l i g h t o f a s i n g l e
c a n d l e ten m i l e s a w a y . W h i l e in the P h o t o F o c u s state, we are
drawing m u c h m o r e upon rod vision than cone vision. The
The PhotoReading Whole Mind System 46

p e r i p h e r y o f o u r v i s u a l field i s p r o c e s s e d n o n c o n s c i o u s l y .
Using PhotoFocus, you reduce interference from the
conscious m i n d . This interference includes "perceptual defenses"
w h i c h filter i n c o m i n g i n f o r m a t i o n . R e d u c i n g t h a t i n t e r f e r e n c e
will help y o u gain m o r e of y o u r brain's expansive processing
capability.
Interference also p r o d u c e s the c o m m o n p h e n o m e n o n of
t u n n e l v i s i o n . I t c a n h a p p e n w h e n y o u a r e l o o k i n g for s o m e t h i n g
i n t h e k i t c h e n , for e x a m p l e . I t m a y b e r i g h t t h e r e i n front o f y o u ,
but y o u do not see it b e c a u s e y o u are e x p e c t i n g it to be in a d r a w e r ,
not on the counter. P h o t o F o c u s trains y o u r brain to open up and
p e r c e i v e m o r e of the information available to y o u .
A s a p r e p a r a t i o n for e n t e r i n g t h e P h o t o F o c u s s t a t e , p l a y
with the following exercise. T h e aim is to experience a visual
p h e n o m e n o n I call t h e " c o c k t a i l w e e n i e e f f e c t . "
T o s e e t h e c o c k t a i l w e e n i e effect, find a s p o t o n t h e w a l l t o
l o o k at. N o w , w h i l e c o n t i n u i n g t o l o o k a t t h e spot, h o l d y o u r
h a n d s a b o u t 1 8 i n c h e s i n front o f y o u r e y e s . T h e n b r i n g t h e t i p s
of y o u r index fingers together.
As y o u gaze at the spot just a b o v e the top of y o u r i n d e x
f i n g e r s , n o t i c e i n y o u r v i s u a l field w h a t i s h a p p e n i n g t o y o u r
index fingers. K e e p y o u r eyes relaxed and do not worry about
b r i n g i n g anything into sharp focus.
Y o u m a y n o t i c e a ghost i m a g e that l o o k s like a third finger,
as in the following diagram:

That ghost i m a g e looks like a cocktail w e e n i e .


This m i g h t seem like child's play, but in reality it signals a
significant c h a n g e in y o u r v i s i o n . S e e i n g the cocktail w e e n i e
d e m o n s t r a t e s y o u are d i v e r g i n g y o u r e y e s instead o f c o n v e r g i n g
t h e m on a fixed p o i n t of hard focus. W h e n y o u do this, y o u r visual
field softens, a n d y o u r p e r i p h e r a l a w a r e n e s s e x p a n d s . I t i s s t r a n g e
t h a t y o u w i l l s e e t h e effect o n l y w h e n y o u d o n o t l o o k d i r e c t l y a t
PhotoRead 47

y o u r f i n g e r s . I a m a s k i n g y o u t o s e e i t w i t h o u t l o o k i n g a t it. T h a t
s o u n d s like s o m e t h i n g a Z e n m a s t e r w o u l d say.
Y o u c a n a p p l y t h e s a m e effect t o t h e p a g e s o f a b o o k . T o
e x p e r i e n c e t h i s , fix y o u r g a z e o n a p o i n t c o m f o r t a b l y b e y o n d t h e
top of the b o o k . N o t i c e the four e d g e s of the b o o k and the w h i t e
space b e t w e e n the paragraphs while gazing just over the top of
the b o o k at y o u r spot on the wall. B e c a u s e y o u r e y e s are d i v e r g i n g ,
y o u will see a d o u b l i n g of the crease b e t w e e n the left-hand and
r i g h t - h a n d p a g e s . B e g i n t o n o t i c e a little r o u n d e d s t r i p o f a
p h a n t o m page (cocktail weenie p a g e ) b e t w e e n the crease lines. I
call that p a g e the "blip p a g e . "

S e e i f y o u c a n m o v e y o u r g a z e d o w n from o v e r t h e t o p o f t h e
b o o k , so that y o u are l o o k i n g right t h r o u g h the c e n t e r of the b o o k
as if y o u h a d x-ray vision. C a n y o u m a i n t a i n divergent eyes and
still n o t i c e t h e b l i p p a g e ?
In the early stages of learning P h o t o F o c u s , m a n y people
d i s c o v e r t h a t t h e i r e y e s try t o f o c u s o n t h e b o o k . T h i s c a u s e s t h e
crease lines to converge, and the blip to disappear. That is the
p o w e r o f h a b i t . D o n o t fight it. J u s t r e l a x a n d p l a y w i t h it. Y o u m a y
w a n t to leave it and play with it again later.
W h e n in P h o t o F o c u s , the print on the page is probably
b l u r r e d . That is o k a y , b e c a u s e to see the blip, y o u m u s t p l a c e y o u r
focal p l a n e a t s o m e d i s t a n c e a w a y . T o h a v e c l a r i t y u p c l o s e , y o u
w i l l n e e d t o r e l a x y o u r e y e s a n d h a v e t h e focal p l a n e m o v e i n .
W h e n y o u d e v e l o p P h o t o F o c u s , there is a u n i q u e clarity
and depth to the w o r d s on the p a g e . They are not in focus, b e c a u s e
y o u are n o t l o o k i n g a t t h e m . B u t , t h e r e i s a c l a r i t y t o t h e p r i n t t h a t
The PhotoReading Whole Mind System 48

y o u can notice as you relax m o r e .


H e r e i s a n o t h e r w a y t o s e e t h e b l i p p a g e . Sit b a c k f r o m a
t a b l e j u s t a bit. P l a c e y o u r o p e n b o o k o n t h e t a b l e n e a r t h e e d g e .
L o o k p a s t t h e b o t t o m e d g e o f t h e b o o k a n d s e e y o u r feet o n t h e
floor. S l o w l y m o v e t h e b o o k i n t o y o u r v i s u a l h e l d s o t h a t i t a l m o s t
c o v e r s y o u r l i n e o f s i g h t t o y o u r feet. I f y o u n o t i c e t h e b o o k i n y o u r
visual held, y o u will probably realize that there is a doubling of
the crease in the b o o k . B e t w e e n the two crease lines, something
appears. That is the blip p a g e .
Play with m o v i n g yourself m o r e toward the b o o k (and the
b o o k m o r e t o w a r d y o u ) until y o u r line of sight is right t h r o u g h
t h e c e n t e r o f t h e b o o k , a n d y o u still h a v e t h e d o u b l e l i n e . C a n y o u
d o it? I f i t i s t o u g h , d o n o t w o r r y . A f t e r y e a r s o f h a b i t u a l l y
f o c u s i n g o n t h e p r i n t e d p a g e , y o u r first e x p o s u r e t o P h o t o F o c u s
m i g h t b e c h a l l e n g i n g . T h e n a g a i n , y o u m i g h t find t h i s t o b e e a s y .
No blip? No p r o b l e m ! If y o u do not see the blip p a g e , y o u
c a n still b e a p r o f i c i e n t P h o t o R e a d e r . R e m e m b e r , t h e g o a l o f
P h o t o F o c u s is to m i n i m i z e conscious processing and m a x i m i z e
preconscious processing. Seeing the blip page signals y o u have a
divergent gaze, which is one way of preventing conscious
processing. But there is another w a y :
Looking at an open book—right at the center crease—open
u p y o u r field o f v i s i o n s o t h a t y o u s e e all f o u r c o r n e r s o f t h e b o o k .
Soften y o u r gaze so that the lines of print are not in h a r d focus.
Notice the empty margins and the white space between
p a r a g r a p h s . I m a g i n e a n " X " c o n n e c t i n g t h e four c o r n e r s o f t h e
b o o k . (Use this t e c h n i q u e if y o u are sighted in only o n e eye.)
As you experiment with these techniques, go easy.
R e m e m b e r , hard w o r k does not h e l p . R e l a x i n g and noticing y o u r
e x p e r i e n c e a r e t h e m a i n i n g r e d i e n t s o f s u c c e s s . After p l a y i n g
w i t h y o u r v i s u a l s y s t e m for t w o o r t h r e e m i n u t e s , j u s t c l o s e y o u r
e y e s a n d r e s t for a f e w m i n u t e s b e f o r e y o u p l a y a g a i n .
M a n y of these exercises can help strengthen and balance
y o u r v i s u a l s y s t e m . S i n c e all n a t u r a l e y e i m p r o v e m e n t m e t h o d s
are b a s e d on relaxation, it is i m p o r t a n t to give y o u r s e l f the c h a n c e
to rest y o u r e y e s .
The point of these exercises is not to hallucinate but to
t e a c h y o u r s e l f h o w t o d i v e r g e y o u r e y e s . A c h i e v i n g "soft e y e s "
and maintaining PhotoFocus while PhotoReading will
PhotoRead 49

take time, so be patient.


T h e i d e a l p o s t u r e for P h o t o R e a d i n g i s
sitting upright, with the b o o k p r o p p e d up
at a 45 d e g r e e a n g l e to the table (90 d e g r e e s
to your eyes). If you tuck your chin in
slightly you straighten your spine,
p e r m i t t i n g better energy flow to y o u r brain.
Y o u r gaze will be through the center of the
b o o k , b u t a t first, i t i s o k a y i f y o u g a z e o v e r
the t o p in o r d e r to see the blip. If y o u c a n n o t
m a i n t a i n t h e b l i p a t first, s i m p l y n o t i c e t h e f o u r c o r n e r s a n d t h e
" X , " rather than struggle with divergence.

5. Maintain a steady state while flipping pages

Y o u r accelerative l e a r n i n g state a n d P h o t o F o c u s state m a y


b e f r a g i l e a t first. D i s t r a c t i n g a n d self-critical t h o u g h t s m a y
d i s r u p t y o u r attention, a n d y o u m i g h t find y o u r s e l f t e m p t e d t o
b r i n g the printed p a g e into hard focus again. If this h a p p e n s ,
simply r e m i n d yourself that y o u r purpose right n o w is to m a i n t a i n
a n i d e a l s t a t e for l e a r n i n g . P l a c e t h e i m a g i n a r y t a n g e r i n e o n t h e
b a c k o f y o u r h e a d (refer b a c k t o C h a p t e r 3 ) , a n d n o t i c e t h e b l i p
page again.
Y o u can use two additional techniques to maintain your
state w h i l e P h o t o R e a d i n g . First, k e e p y o u r b r e a t h i n g d e e p a n d
even. Second, chant to the r h y t h m of the turning pages. These
actions occupy your conscious mind, k e e p i n g i t free from
distractions while your other-than-conscious mind continues
PhotoReading. The chant—a rhythmic internal statement of
supportive words—is particularly important, because it focuses
y o u r m i n d and b l o c k s negative thoughts that might otherwise
occur.
M a i n t a i n i n g a steady state will e n a b l e y o u to b r e e z e t h r o u g h
b o o k s quickly a n d effectively. T h e steady r h y t h m is wonderful
for k e e p i n g t h e b r a i n r e l a x e d a n d o p e n w h i l e y o u m e n t a l l y
p h o t o g r a p h the p a g e s .
The PhotoReading Whole Mind System 50

H e r e is h o w to m a i n t a i n the accelerative learning state


while PhotoReading:
• R e m a i n i n a n o p e n p o s t u r e . R e s t y o u r feet o n t h e f l o o r
w i t h y o u r legs u n c r o s s e d .
• K e e p your breathing deep and even.
• T u r n the p a g e s of the b o o k in a steady r h y t h m — o n e p a g e
e v e r y s e c o n d o r t w o . S e e e v e r y t w o - p a g e s p r e a d w i t h "soft e y e s . "
Y o u r gaze is through the center of the book, noticing the blip
p a g e . I f y o u c a n n o t see the b l i p , n o t i c e the four c o r n e r s o f the
b o o k , the white space on the pages, and an imaginary "X"
c o n n e c t i n g the four c o r n e r s .
• C h a n t to the r h y t h m of y o u r t u r n i n g p a g e s . T a k e o n e flip
for e a c h s y l l a b l e o f t h e f o l l o w i n g c h a n t a s y o u m e n t a l l y r e p e a t :
Re-lax... Re-lax...
Four-Three-Two-One...
Re-lax... Re-lax...
K e e p the state.. .See the p a g e . . .
• D o not c o n c e r n y o u r s e l f w i t h m i s s i n g p a g e s . J u s t let t h e m
go. Y o u can always c o m e b a c k to t h e m on a second pass t h r o u g h
the book.
• Continue the chant to the r h y t h m of y o u r page turning.
Let y o u r conscious m i n d follow the w o r d s of the chant.
• Let go of distracting thoughts by bringing your conscious
m i n d gently b a c k to the activity at hand.
PhotoRead 51

6. Close the process with a sense of mastery

The conscious m i n d has a natural tendency to question


w h a t it gains from P h o t o R e a d i n g . If y o u tell s o m e o n e y o u just
P h o t o R e a d a b o o k i n t h r e e m i n u t e s , t h e first q u e s t i o n a s k e d i s
" W h a t c a n y o u tell m e a b o u t i t ? " C o m e d i a n W o o d y A l l e n j o k e d
a b o u t s p e e d r e a d i n g , " I j u s t r e a d War and Peace. I t ' s a b o u t R u s s i a . "
S u c h a s t a t e m e n t s i m p l y i n d i c a t e s that y o u r e c e i v e little or
nothing at a conscious level while P h o t o R e a d i n g , w h i c h is largely
true. Unfortunately, it also implies that n o t h i n g w a s g a i n e d at a
d e e p e r , n o n c o n s c i o u s l e v e l . T h i s e a s i l y b e c o m e s a n e g a t i v e , self-
fulfilling p r o p h e c y . Statements such as "I w o n ' t r e m e m b e r a
t h i n g " o r " T h i s can't p o s s i b l y w o r k " act like c o m m a n d s t o y o u r
b r a i n to forget w h a t it gained while P h o t o R e a d i n g . If y o u
continually make such statements, you will find t h a t t h e y
b e c o m e fulfilled.
PhotoReading downloads information directly onto the
neural networks of your brain, which immediately begins
p r o c e s s i n g it, s p o n t a n e o u s l y , a t a l e v e l b e l o w t h e t h r e s h o l d o f
conscious awareness. To ensure y o u r brain will have access to
information y o u PhotoRead, close y o u r P h o t o R e a d i n g session by
t a k i n g c h a r g e o f y o u r t h o u g h t s a n d s e t t i n g t h e s t a g e for a c t i v a t i o n .
N o w is the time to request that y o u r m i n d integrate the information
a n d m a k e i t a v a i l a b l e for f u t u r e u s e .
Y o u instruct y o u r brain on w h a t to do with that information
using affirmations. Affirmations w h i c h we use in our seminars
include:
• I a c k n o w l e d g e the feelings I h a v e received from this
book...and...
• I release this i n f o r m a t i o n for my b o d y and m i n d to
process.
• I am curious as to h o w many ways my mind and b o d y
c a n d e m o n s t r a t e that this information is available to m e .
Y o u r response to the material y o u P h o t o R e a d occurs within
you. These affirmations invite y o u r n o n c o n s c i o u s m i n d to help.
I t i s fun t o c o n s c i o u s l y r e c o g n i z e t h e m a n y w a y s t h i s i n f o r m a t i o n
can b e c o m e available.
The PhotoReading Whole Mind System 52

I f y o u like, y o u c a n i m a g i n e a b r i d g e b e t w e e n y o u r c o n s c i o u s
a n d i n n e r m i n d a l o n g w h i c h the i n f o r m a t i o n flows. A s y o u let g o
and relax e v e n m o r e , y o u can m o r e easily notice w h a t e v e r flows
into y o u r conscious a w a r e n e s s .
T h e six steps o f the b a s i c P h o t o R e a d i n g p r o c e d u r e are easy
t o p u t t o g e t h e r . D o n o t let t h e i r s i m p l i c i t y d e c e i v e y o u . T h i s
technique can have a profound impact on you.

Consider PhotoReading before sleep

With PhotoReading, you blast information through your


nervous system in a powerful way—like drinking water through
a fire h o s e . B e o p e n , let i t d i g e s t a n d a b s o r b a t a n o n c o n s c i o u s
level. To do so, r e l a x and let g o .
T h e m i n d r e v i e w s i n f o r m a t i o n d u r i n g the sleep state that
has b e e n t a k e n in b e l o w the conscious level of a w a r e n e s s . Studies
dating b a c k to the early 1900s s h o w that such information can
h a v e q u i t e a n effect o n o n e ' s d r e a m s . Since this is g o i n g to
happen, y o u may as well m a k e sure y o u P h o t o R e a d b o o k s that
are emotionally gentle and comforting before going to sleep.

Y o u n o w h a v e learned the six steps t o the P h o t o R e a d i n g


process. In order they are:
1. P r e p a r e
2. E n t e r i n g the accelerative l e a r n i n g state
3. Affirm y o u r concentration, impact, and process
4. E n t e r the P h o t o F o c u s state
5. M a i n t a i n a steady state w h i l e P h o t o R e a d i n g
6. C l o s e
If y o u have not tried it yet, take a few m i n u t e s to P h o t o R e a d
t h i s b o o k , or, b e f o r e y o u g o t o s l e e p t o n i g h t , P h o t o R e a d a n o t h e r
positive and uplifting b o o k .
After y o u have p r e p a r e d , p r e v i e w e d , and P h o t o R e a d , y o u
are ready to b r i n g the k n o w l e d g e y o u desire into y o u r c o n s c i o u s
awareness as y o u learn to activate in Chapter 6.
6

Step 4: Activate

A p r o f e s s o r at a state u n i v e r s i t y in M i n n e s o t a h a d b e e n
asked to give a speech. M o s t of w h a t he w a n t e d to present w a s
contained in two books, so he PhotoRead them at bedtime,
expecting to activate them the next day.
That night, he d r e a m e d of delivering his speech. As he
a w o k e from h i s d r e a m , h e g r a b b e d a p e n c i l a n d p a p e r a n d j o t t e d
d o w n everything he could r e m e m b e r of his d r e a m / s p e e c h .
In the morning, he reviewed his dream notes and realized
his speech w a s c o m p l e t e d , save a few transitions w h i c h he a d d e d .
Later that day he e x a m i n e d the b o o k s and d i s c o v e r e d his n o t e s
c o n t a i n e d all t h e r e l e v a n t p o i n t s h e n e e d e d .
I love hearing such stories from P h o t o R e a d e r s . Those
examples are great w h e n they happen. For most beginning
P h o t o R e a d e r s those e x p e r i e n c e s are the e x c e p t i o n rather than the
rule. This chapter explores w a y s to k n o w that we can consciously
The PhotoReading Whole Mind System 54

access the information we need from materials we P h o t o R e a d . I


do not advocate merely sitting b a c k and h o p i n g to d r e a m about
information at night and then expecting to be ready to speak
b e f o r e a g r o u p o r p e r f o r m o n a s c h o o l test. B e c o m i n g a c t i v e w i t h
the information makes c o m p r e h e n s i o n occur.
Four levels of
Activation, the next step in the P h o t o R e a d i n g
comprehension:
whole mind system, gives y o u the c o n s c i o u s 1 Awareness
a w a r e n e s s n e e d e d t o fulfill y o u r p u r p o s e . T h r o u g h 2 Familiarity
the process of activation, we build increasing levels 3. Knowledge
4 Expertise
p
of conscious comprehension. Y o u begin gaining
a w a r e n e s s , m o v e to a sense of familiarity, a n d finally a c h i e v e the
k n o w l e d g e y o u desire.
A c t i v a t i o n after P h o t o R e a d i n g i s q u i t e d i f f e r e n t t h a n t r y i n g
to recall w h a t y o u read in a regular manner. Activation techniques
are d e s i g n e d to restimulate the n e w neural c o n n e c t i o n s y o u
c r e a t e d by P h o t o R e a d i n g , rather t h a n t r y i n g to force recall t h r o u g h
the critical/logical conscious mind.
B e i n g a c t i v e a n d p u r p o s e f u l i s e s s e n t i a l for g a i n i n g c o n s c i o u s
comprehension. D u r i n g activation y o u are attracted to text
r e l e v a n t t o y o u r p u r p o s e . I f y o u h a v e n o p u r p o s e for r e a d i n g a
d o c u m e n t , g e n e r a l l y little b e n e f i t c a n b e g a i n e d f r o m a c t i v a t i o n .
T h e t w o types of activation are: spontaneous and m a n u a l .
Spontaneous activation occurs without conscious effort on our
part. P e r h a p s y o u h a v e h a d the k i n d o f "aha!" e x p e r i e n c e that
happens w h e n y o u suddenly solve a problem thathas preoccupied
y o u for w e e k s , o r s e e t h e face o f a f r i e n d i n a c r o w d , o r r e m e m b e r
the n a m e of s o m e o n e y o u met m o n t h s ago.
Such activation is an automatic connection to past
experiences, to neural patterns already existing in your brain.
Stimuli in our environment, cues we may have not b e e n looking
for, spontaneously trigger a flood of p r e v i o u s associations.
S p o n t a n e o u s a c t i v a t i o n feels s i m i l a r t o a f l a s h o f c r e a t i v e i n s i g h t —
sudden and unexpected.
A l t h o u g h P h o t o R e a d e r s report m a n y stories of spontaneous
activation, they r e m a i n the cherry on top of the ice c r e a m and are
not the m a i n entree of the P h o t o R e a d i n g w h o l e m i n d system.
Manual activation, w h i c h we will d e s c r i b e in this chapter,
m e a n s t o a c t i v a t e b y d e s i g n . I t u s e s t h e a c t u a l t e x t a s a c a t a l y s t for
Activate 55

r e s t i m u l a t i n g the brain, b r i n g i n g the i n f o r m a t i o n y o u n e e d into


consciousness.
As y o u learn to activate, notice w h a t y o u are feeling, doing,
and thinking w h e n experiences of awareness, familiarity, or
knowledge occur. This careful o b s e r v a t i o n will help you
understand your own intuitive signals and further your
activation skills.

Jump start activation with postviewing

After y o u P h o t o R e a d , postviewing makes an excellent


transition step into activation. Postviewing is similar to the
p r e v i e w step d e s c r i b e d in C h a p t e r 3, w i t h an additional p u r p o s e
to formulate questions. First y o u survey the material to e x a m i n e
its s t r u c t u r e a n d u n d e r s t a n d t h e e s s e n c e o r m a i n p o i n t . T h e n
m a k e note of trigger w o r d s , those key terms u p o n w h i c h the
author built the presentation. Finally, playfully explore
throughout the text to locate areas in w h i c h y o u w a n t to delve
into m o r e detail.
D u r i n g y o u r postview, w h e n y o u notice areas within the
text that interest you, b e g i n to formulate questions y o u w a n t to
answer. But, do not read to a n s w e r those questions yet. U s e this
t i m e t o b u i l d c u r i o s i t y a n d s t r e n g t h e n y o u r desire t o find out
more. This increases motivation and directs y o u r brain to build
neural connections. Playing with the physical text to formulate
questions is the b e g i n n i n g of "mind probing," e x p l a i n e d in detail
in a l a t e r s e c t i o n .
How m u c h time should you take when postviewing?
Generally I r e c o m m e n d that y o u take 5 to 15 m i n u t e s . Be flexible.
K e e p in m i n d that y o u r goal is to learn e n o u g h about the written
materials to plan your activation. I usually take more time
p o s t v i e w i n g (up to 15 minutes) if my preview w a s short (one to
t w o m i n u t e s ) . I f m y p r e v i e w w a s l o n g (five t o e i g h t m i n u t e s ) , I
gained e n o u g h u n d e r s t a n d i n g about the structure and essence of
the materials to focus my postviewing time on formulating
q u e s t i o n s . I n that c a s e , p o s t v i e w i n g m i g h t o n l y t a k e five m i n u t e s .
The PhotoReading Whole Mind System 56

Let it incubate

After P h o t o R e a d i n g a n d p o s t v i e w i n g , y o u m u s t d i s m i s s
the information from y o u r c o n s c i o u s mind. That's right. Get
a w a y f r o m i t for a w h i l e . T h i s a c t o f c r e a t i v e p r o c r a s t i n a t i o n h e l p s
y o u let it go w h i l e it i n c u b a t e s in y o u r m i n d . It is p a r a d o x i c a l : in
order to comprehend your reading you must give it over to your
b r a i n t o w o r k o n . W a i t a t l e a s t t e n t o t w e n t y m i n u t e s , or, i f y o u c a n
afford t h e l u x u r y , o v e r n i g h t .
T h e c o n c e p t o f " i n i t i a l effort f o l l o w e d b y a p e r i o d o f
i n c u b a t i o n and rest" is well k n o w n to writers, artists, m u s i c i a n s ,
and scientists. The secret is to distinguish incubation from
i n a c t i v i t y . Y o u r b r a i n n e v e r s h u t s off. I t i s o n t h e j o b 2 4 h o u r s e a c h
day. W h e n y o u sleep, it creates dreams, generates solutions to
g n a w i n g p r o b l e m s y o u face a t w o r k , connects your current
thoughts to a vast n e t w o r k of associated prior k n o w l e d g e , and so
on.
L e t w h a t y o u P h o t o R e a d t a k e its p l a c e i n y o u r b r a i n ,
b e c o m i n g integrated as part of the neural network. Activation
will then cue up the associations y o u r brain has constructed. Y o u
c o n s c i o u s l y c o n n e c t a n d satisfy y o u r p u r p o s e for r e a d i n g .
A P h o t o R e a d i n g instructor told me a story of h o w easily the
mind can use activation to accomplish reading goals. "I was
t e a c h i n g i n t h e city w h e r e m y d a u g h t e r l i v e s w h e n a p a r t i c i p a n t
s h a r e d a p o e m w i t h t h e w o r d s e r e n d i p i t y i n it. T h a t e v e n i n g a t m y
daughter's house, I w a n t e d to look up the word. I w a l k e d into her
d e n a n d w e n t into P h o t o F o c u s as I a s k e d myself, ' W h a t is h e r e
that will help m e ? ' I hadn't e v e n finished stating the question
w h e n my arm reached toward the b o o k s h e l f and grabbed a book.
The b o o k h a p p e n e d to be one my daughter had b o r r o w e d from
m e five m o n t h s e a r l i e r . I h a d o n l y P h o t o R e a d it.
"It s e e m e d l i k e a n o d d c o i n c i d e n c e , s o I j u s t l e t t h e b o o k
o p e n to a p a g e . A n d there on the b o t t o m right corner of that p a g e
w a s W e b s t e r ' s definition of the w o r d serendipity."
O b v i o u s l y the e x p a n d e d p r o c e s s i n g capability of the b r a i n
can w o r k in w o n d r o u s w a y s . W h a t m o r e perfect w a y to explain
what serendipity means than by offering a serendipitous
e x p e r i e n c e ? T h e p o i n t is, i f y o u a s k t h e m i n d p r o p e r l y , i t w o r k s
to give you what you want.
Activate 57

Probe your mind

After y o u r b r i e f hiatus, be it t w e n t y m i n u t e s or 24 h o u r s ,
activate the material by, o n c e again, asking questions. F o r e x a m p l e :
W h a t is i m p o r t a n t to me in this b o o k , article, or report? W h a t are
the m a i n points? W h a t is in here that can help m e ? W h a t do I need
t o k n o w t o p e r f o r m w e l l o n t h e n e x t test, t o w r i t e m y report,
c o n t r i b u t e in the next m e e t i n g , and so on. Q u e r i e s like t h e s e s e n d
a probe into y o u r deeper, n o n c o n s c i o u s m e m o r y storage system,
opening a channel to the information and answers y o u desire.
They stimulate a sense of curiosity. This activity of m i n d p r o b i n g
c a u s e s t h e b r a i n t o find t h e b e s t w a y s a n d m e a n s t o a c h i e v e y o u r
p u r p o s e for t h e p a r t i c u l a r m a t e r i a l s y o u a r e e x p l o r i n g .
It is important, as y o u ask questions of y o u r mind, that y o u
not expect an i m m e d i a t e answer. E x p e c t i n g recall at this stage in
activation creates frustration. W h e n trying to recall information
after P h o t o R e a d i n g , t h e c o n s c i o u s m i n d m e r e l y s e a r c h e s r e c e n t
m e m o r y . F i n d i n g n o t h i n g , t h e c o n s c i o u s m i n d t e n d s t o s h u t off
access to the v a s t n o n c o n s c i o u s data b a s e of the brain. M i n d
p r o b i n g h e l p s y o u stay o p e n b y s t a y i n g c u r i o u s . It initiates
c o m p r e h e n s i o n as it builds bridges to the expansive data base of
y o u r b r a i n w h e r e i n f o r m a t i o n r e s i d e s after P h o t o R e a d i n g .
Another powerful mind probing technique is discussing
what y o u have read. O n c e y o u start s u m m a r i z i n g a b o o k o r
article, o t h e r p e o p l e m i g h t get c u r i o u s . T h e y will often ask y o u
questions about y o u r reading—questions that encourage you to
articulate the core concepts.
W h e n y o u p o s e q u e s t i o n s , m a k e lists, o r e n t e r d i s c u s s i o n s
regarding w h a t y o u have read, y o u b e c o m e active. This is the
s t a r t o f w h a t a c t i v a t i o n i s all a b o u t — a c t i v e l y p u t t i n g y o u r b r a i n
to w o r k w i t h the information. S u c h activities initiate a search
t h r o u g h the vast data b a s e that lies j u s t b e l o w y o u r e v e r y d a y
a w a r e n e s s . W h e n y o u formulate questions, be sure to h e i g h t e n
the importance of the answers. The more y o u desire a response to
y o u r questions, the better.
A s k y o u r s e l f q u e s t i o n s in a state of relaxed alertness. Be
genuinely curious and confident that answers can c o m e . The
results m a y pleasantly surprise you. The bridge b e t w e e n y o u r
conscious and preconscious data base b e c o m e s sturdier w h e n
y o u consistently probe y o u r m i n d in this way.
The PhotoReading Whole Mind System 58

Super read and dip

After p r o b i n g y o u r m i n d , y o u go to the w r i t t e n m a t e r i a l s
and actively m o v e t h r o u g h the text to retrieve the answers y o u
s e e k . W h a t d o y o u w a n t t o k n o w from t h e t e x t y o u are e x p l o r i n g ?
W h e r e i n t h e t e x t c a n y o u g o t o find i t ? W h e n s u p e r r e a d i n g , t h e
next step of activation, y o u quickly look through large b l o c k s of
information and locate the place w h e r e y o u r answers reside.
First, y o u will turn to sections of the text w h i c h attract y o u
i n s o m e w a y , b a s e d o n y o u r p u r p o s e for r e a d i n g . "Visual cues"
or clues in y o u r m a t e r i a l s give y o u a sense that certain sections are
more important to y o u than other sections. These clues may be
c h a p t e r titles or subheadings in the text that carry relevant
information.
Then super read by rapidly m o v i n g y o u r eyes d o w n the
center of each p a g e in the section y o u h a v e chosen. N o t i c e that
parts of the text attract y o u as b e i n g m o r e i m p o r t a n t . At t h o s e
s e n t e n c e s or p a r a g r a p h s , y o u will "dip" into the text, r e a d i n g a
sentence or two until y o u sense that y o u h a v e received w h a t y o u
w a n t from the p a s s a g e . T h e n r e s u m e super r e a d i n g .
In the P h o t o R e a d i n g course, we
often explain super reading with a
v i s u a l i z a t i o n that is straight from t h o s e
sacred bastions of American literature—
comic books. Imagine that y o u are
S u p e r m a n c o m i n g t o E a r t h for t h e first
time.
From an aerial distance of one
h u n d r e d t h o u s a n d m i l e s , y o u see E a r t h
a s a s w i r l i n g b l u e b a l l . Y o u set a flight p a t h s t r a i g h t t o w a r d t h e
p l a n e t . F r o m t e n t h o u s a n d m i l e s a w a y , y o u c a n start t o m a k e o u t
the outlines of continents. Y o u also notice h o w m u c h of the planet
is covered by water. Z o o m i n g in closer, y o u notice the variegated
land surfaces: deserts, rain forests, prairies, and m o u n t a i n s .
S u d d e n l y , y o u are attracted to a lush, green island w i t h a
sandy beach and a magnificent ocean view. Y o u touch down,
spend a short t i m e e x p l o r i n g the terrain, and take a quick dip in
t h e w a t e r . S a t i s f i e d , y o u t a k e t o t h e s k i e s a g a i n , s e a r c h i n g for
another place to land.
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T h i s is a perfect m e t a p h o r for s u p e r r e a d i n g a n d d i p p i n g .
Super reading allows y o u to soar over the w h o l e printed landscape.
D i p p i n g allows y o u to touch d o w n on the parts of text that
directly serve y o u r purpose.
To super read, y o u r gaze must r e m a i n open, not trying hard
t o f i n d s p e c i f i c i n f o r m a t i o n . W i t h a soft, o p e n g a z e , y o u r e y e s c a n
m o v e m o r e s m o o t h l y d o w n t h e t e x t . A t first, y o u r v i s u a l field
may be rather narrow. As you continue experimenting with
n o t i c i n g m o r e , y o u r v i s u a l field o p e n s u p .
Try this: as you read these words, notice whatever y o u r
peripheral vision picks up at the sides of you. Y o u m i g h t lose the
f l o w o f t h e t e x t t e m p o r a r i l y , b u t d o n o t let t h a t d i s t r a c t y o u f r o m
the experiment. The m o m e n t y o u o p e n your visual awareness,
y o u r g a z e for t h e t e x t i n f r o n t o f y o u b e c o m e s softer, l e s s h a r d -
focused. This permits y o u to relax and notice w h a t e v e r catches
y o u r attention—that is w h e r e y o u dip.
H o w d o y o u k n o w w h e r e t o dip? Just follow y o u r h u n c h e s .
Y o u r brain has b e e n e x p o s e d to the entire text by P h o t o R e a d i n g ,
so let y o u r internal signals at the p e r i p h e r y of y o u r a w a r e n e s s be
your guide. Do not worry about justifying your decision every
t i m e y o u d e c i d e t o t o u c h d o w n for d i p p i n g ; t h o s e s i g n a l s a r e
prelogical and pre-verbal. M o n i t o r e d at the periphery of y o u r
conscious a w a r e n e s s , the signals c o m e from c o n n e c t i o n s m a d e in
the n o n c o n s c i o u s data b a s e of y o u r brain. Notice and heed them.
Follow these hunches and discover where they lead you.
Y o u can use the same technique w h e n locating anything, by
the w a y — n o t j u s t places to dip. Y o u can draw u p o n the vast
k n o w l e d g e within y o u in m a n y situations.
My wife L i b b y w e n t to an estate sale in w h i c h a roomful of
o l d b o o k s w e r e b e i n g s o l d . A s s h e w a l k e d in, s u r r o u n d e d b y f l o o r
t o c e i l i n g s h e l v e s full o f b o o k s , s h e e n t e r e d P h o t o F o c u s . S h e
a s k e d h e r s e l f "Is t h e r e a n old o r rare b o o k i n h e r e that P a u l w o u l d
w a n t ? " H e r eyes instantaneously flashed over to one b o o k w h i c h
s h e w a l k e d a c r o s s t h e r o o m t o p i c k u p . I t w a s t h e p e r f e c t b o o k for
m e . A l t h o u g h h e r m i n d told her there w e r e no others, she spent
the next t w e n t y m i n u t e s l o o k i n g at every title, only to d i s c o v e r
her mind was right—there were no others.
W h e n super reading and dipping, follow y o u r intuitive
signals about w h e r e to look. S o m e t i m e s it is as simple as noticing
The PhotoReading Whole Mind System 60

where your eyes are pointing and choosing that direction.


S o m e t i m e s y o u will find y o u r h a n d j u s t o p e n s the b o o k t o the
exact page. Pay attention. Notice whatever signals your
m i n d offers.
S u p e r r e a d i n g a n d d i p p i n g , l i k e all s t e p s i n t h e w h o l e m i n d
system, are strategies that k e e p y o u active, q u e s t i o n i n g , and alive
to your purpose. Y o u end up with enough information to make
crucial decisions: w h e r e is the sentence or p a r a g r a p h that sums
up the essential point of this d o c u m e n t ? H o w m u c h of this text is
relevant to y o u r p u r p o s e ? Do y o u w a n t to continue r e a d i n g this
or go to another source?
While dipping, you might experience a c o m m o n problem.
Y o u r tendency, because of years of schooling, is to think y o u
should dip into everything. If this h a p p e n s , y o u are r e a d i n g
unnecessary details that do not serve y o u r purpose. For e x a m p l e ,
y o u dip to read an illustration the author is m a k i n g about an
important point. That works. The next several paragraphs give
additional, but redundant, illustrations. If y o u dip into those, y o u
may just be wasting y o u r time. If y o u waste too m u c h time, y o u
b o g d o w n i n d e t a i l s a n d p o s s i b l y v e e r off c o u r s e i n t o m o r e
irrelevant material.
T h a t i s w h e n t h e o l d r e a d i n g p a r a d i g m i s o f t e n r e a r i n g its
head. Y o u r conscious m i n d m a y be on a guilt trip. F o r some of us
it is as if our second or third grade teacher is r e p r i m a n d i n g us by
saying "Stop! You missed a word. Go b a c k over that m o r e
carefully. Y o u are not really r e a d i n g that. N o w do it right!"
W h e n y o u get these kind of signals, thank that part of y o u
for its c o n c e r n . L e t g o o f t h e w o r r y t h a t y o u a r e m i s s i n g t h i n g s a s
y o u super read. Y o u r grade school trained conscious mind wants
y o u to read, c o m p r e h e n d , r e m e m b e r , and critique everything as
y o u g o . B u t r e a d i n g e x p e r t s for o v e r fifty y e a r s h a v e s a i d t h a t i s
the w o r s t w a y to read. K e e p in m i n d that c o m p r e h e n s i o n c o m e s
in layers. E a c h time y o u super read and dip, y o u peel b a c k
another layer of "not-knowing" to reveal w h a t y o u need at the
core of y o u r text.
T r u s t y o u r i n t u i t i o n a n d d i p w h e n y o u feel s t r o n g l y m o v e d
to do so. If y o u dip into i n f o r m a t i o n y o u do not need, r e m e m b e r
t h e p u r p o s e for y o u r r e a d i n g . T e l l y o u r s e l f t o l o o k for t h e s p o t
w h e r e that i n f o r m a t i o n is c o n t a i n e d and dip there. W i t h a firm
Activate 61

p u r p o s e , y o u r b r a i n i s free t o u s e its n a t u r a l a b i l i t y t o b r i n g y o u
to the information y o u need.
As Frank Smith points out in Reading Without Nonsense,
m a k i n g t h e effort t o m e m o r i z e t h e c o n t e n t a s w e r e a d a c t u a l l y
interferes w i t h c o m p r e h e n s i o n . As we worry about forgetting
details, we create anxiety w h i c h b l o c k s c o m p r e h e n s i o n .
W h e n i n doubt, r e m e m b e r the vital statistic g i v e n b y R u s s e l l
Stauffer in his b o o k Teaching Reading as a Thinking Process. He
claims that only 4-11 percent of the text carries the essential
m e a n i n g . I n fact, a c o m m o n w a y t o t e s t t h e r e a d a b i l i t y o f a t e x t
for a p a r t i c u l a r a u d i e n c e i s t o c r o s s o u t f o u r o u t o f e v e r y five
w o r d s . T h e n ask m e m b e r s of the intended a u d i e n c e to see if they
c a n still s u m u p i n a g e n e r a l w a y w h a t t h e p a s s a g e i s a b o u t . I f t h e
text is written at an appropriate reading level, m o s t audience
m e m b e r s will be able to do this.

The best way to dip

H e r e i s a g u i d e l i n e for s u p e r r e a d i n g a n d d i p p i n g . W h e n
y o u stop to dip, limit y o u r dipping to a p a r a g r a p h or t w o at a time
for a r t i c l e s a n d a p a g e o r t w o for b o o k s . G o i n g b a c k t o o u r c o m i c
book analogy, as S u p e r m a n y o u can savor the scenery and
m i n g l e w i t h the locals later. R i g h t n o w y o u r o v e r r i d i n g p u r p o s e
is to k e e p e x p l o r i n g the planet, n o t to settle on the island a n d live
out the rest of y o u r d a y s .
Dipping closely resembles regular reading, w i t h a few
i m p o r t a n t distinctions. T h i n k of it as r e a d i n g w i t h a light, easy,
a n d fluid m o v e m e n t . D r . J . M i c h a e l B e n n e t t , P r o f e s s o r E m e r i t u s
from the University of M i n n e s o t a calls it " r h y t h m i c perusal." In
his Pour Powers for Greatness Personal Learning Course, published
by Learning Strategies Corporation, he describes the process as
follows.
• L o c k i n t o y o u r m i n d y o u r p u r p o s e a n d t h e title o r s u b t i t l e
of the materials y o u are reading
• R e l a x y o u r face a n d e y e s a n d l i g h t l y f o c u s i n a w a y t h a t
allows y o u to m o v e y o u r gaze across the upper half of each
sentence
• T r a v e r s e e a c h line in a single, s m o o t h m o v e m e n t
• L o o k for m e a n i n g u n i t s s u c h a s p h r a s e s
The PhotoReading Whole Mind System 62

• R e a d for t h o u g h t s , f e e l i n g s , a n d i d e a s — n o t w o r d s
In the s c h e m e of the P h o t o R e a d i n g w h o l e m i n d system,
each time y o u super read and dip, y o u increase y o u r familiarity
w i t h the text. Y o u enter an intensive conversation with the
author; posing questions, and discovering the answers as y o u
super read and dip. This is one of the m o s t playful steps in the
PhotoReading system.
A s a P h o t o R e a d e r , y o u a r e o n a c r u s a d e for i d e a s t h a t c a n
h e l p s o l v e p r o b l e m s a n d r a i s e t h e q u a l i t y o f y o u r life. T h i s i s a
dramatic quest w o r t h y of any super hero.
A s y o u m a k e s u p e r r e a d i n g a n d d i p p i n g p a r t o f y o u r life,
y o u m a y find w a y s t o a p p l y i t b e y o n d the w r i t t e n p a g e . A j e w e l e r
w h o attends trade shows annually to purchase inventory decided
to use the P h o t o R e a d i n g w h o l e m i n d system to a c c o m p l i s h his
goal at the trade show.
He stood at one end of the a u d i t o r i u m to get a p a n o r a m i c
v i e w of the exhibits. He " P h o t o R e a d " the entire place by w a l k i n g
quickly d o w n e a c h aisle in a P h o t o F o c u s state. He called to m i n d
t h e k i n d o f s t o n e s h e w a s l o o k i n g for t o fill h i s s t o r e ' s i n v e n t o r y
and b e g a n "super r e a d i n g " as he w a l k e d d o w n one aisle at a time.
W h e n e v e r he got a clear intuitive signal to go to a certain b o o t h ,
he obeyed it and "dipped" in there.
F o l l o w i n g t h i s m e t h o d , h e m a n a g e d t o f i n d all h e n e e d e d i n
t w o hours. In p r e v i o u s years, his old m e t h o d of methodically
s e a r c h i n g a i s l e s u s u a l l y t o o k five d a y s t o a c c o m p l i s h t h e s a m e
e n d result.
As y o u integrate the P h o t o R e a d i n g w h o l e m i n d system into
y o u r life, y o u w i l l a u t o m a t i c a l l y d o a s t h e j e w e l e r d i d . I n t h i s w a y ,
P h o t o R e a d i n g b e c o m e s an all-purpose tool. It is m o r e than a
t e c h n i q u e for g a t h e r i n g i n f o r m a t i o n f r o m b o o k s .

Search for the train of thought

W h e n y o u super read and dip, go into the places w h e r e the


value is greatest. Y o u r b r a i n is well trained by the time y o u are in
ninth grade to k n o w w h e r e to go in a text. It is skilled at s e a r c h i n g
for c u e s t h a t l e a d t o m e a n i n g .
For example, y o u r brain k n o w s that m o r e visual cues occur
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i n t h e u p p e r h a l f o f o u r a l p h a b e t t h a n i n t h e l o w e r half. T a k e a
look at the following sentences:
V _ C U L V Li Q C C V V 1 L LI L L1 i LL_ LI 1 I Q L / U U L V 13 LI LI 1

See? It is easier to m a k e sense of the w o r d s w h e n y o u see the


u p p e r half. S i m i l a r l y , m o r e c u e s for m e a n i n g s h o w u p i n t h e t o p i c
sentence of a paragraph, t h a n in the rest of the p a r a g r a p h . A n d ,
i n a five p a r a g r a p h t h e m e , m o r e c u e s a p p e a r i n t h e first a n d
last p a r a g r a p h s .
W h e n a c t i v a t i n g a n a r t i c l e o r b o o k , l o o k for t h e c u e s t h a t
will give y o u the most meaning. L o o k at the structure of the
w r i t t e n p i e c e a n d d e t e r m i n e t h e a u t h o r ' s s c h e m e for w r i t i n g .
T h e n super read and dip to follow the author's s c h e m e .
H e r e i s w h a t I m e a n . P e r h a p s y o u k n o w t h a t t h e a u t h o r first
describes a problem, then later in the text explains h o w to solve
t h e p r o b l e m . L e t u s s a y y o u w a n t t h e a u t h o r ' s s t e p s for s o l v i n g
the problem. B e c a u s e
you understand the
author's s c h e m e for
writing, you can
bypass what you do
not need and move
quickly to the place C.? S
for dipping and
achieving y o u r goal.
We call this
"following the author's train
of thought." In the P h o t o R e a d i n g seminar
I use an illustration to r e p r e s e n t this:
• The problems the author grapples with
drive the train.
• The main argument or arguments about where
the p r o b l e m s c o m e from is the m a i n " c a r g o " in the flow of
information. This cargo is built u p o n certain propositions the
a u t h o r i s t r y i n g t o sell y o u a n d i s c o m p o s e d o f key t e r m s .
• The solutions e m e r g e to suggest a remedy for t h e
problems.
The train of thought is one scheme used by authors to
present information. D i s c o v e r other structures within articles or
The PhotoReading Whole Mind System 64

books. T h e s e s t r u c t u r e s for p r e s e n t i n g i n f o r m a t i o n s h o w y o u
w h e r e to super read and dip to quickly get the information
y o u need.
One more point about super reading and dipping: though
these strategies m a y sound like c o n v e n t i o n a l speed reading, they
are not. Super reading and dipping take place after y o u
PhotoRead—after exposing the entire text to y o u r b r a i n and
d o w n l o a d i n g it into y o u r n o n c o n s c i o u s m e m o r y storage system.
So super reading and dipping help you consciously connect to
the vast data base already within and recognize w h a t y o u k n o w
to be important.
In addition, the goal is not to m e m o r i z e the material or m a k e
i t all a v a i l a b l e t o t h e c o n s c i o u s m i n d . I n s t e a d , s u p e r r e a d i n g a n d
dipping help y o u sense structure, retrieve essential information,
categorize the material in a meaningful w a y , and b u i l d a m e n t a l
summary. As a result, your comprehension and long-term
retention of the material increases.

Skittering your way to success with text

P h o t o R e a d e r s w h o h a v e s t r o n g p r e f e r e n c e for a n a l y t i c a l
t h i n k i n g find that a n a l t e r n a t i v e t o s u p e r r e a d i n g a n d d i p p i n g
w o r k s well. "Skittering," a technique developed by Dr. J. M i c h a e l
Bennett, gives analytical m i n d s a feeling of greater security w h i l e
still a l l o w i n g for r a p i d m o v e m e n t t h r o u g h t e x t . B e n n e t t p r e s e n t s
skittering in the Four Powers for Greatness Personal Learning Course
as a technique that exceeds the performance of speed reading
techniques. W h e n used as an activation technique, skittering
offers a v a l u a b l e a l t e r n a t i v e t o s u p e r r e a d i n g a n d d i p p i n g .
S k i t t e r i n g a c h i e v e s v e r y fast a n d surprisingly accurate
understanding of lengthy material that is informative or
instructional in nature. T h e steps in the skittering process are
u s e d to cover an entire text or section of a book, and it w o r k s
e q u a l l y w e l l for j o u r n a l s , r e p o r t s , a n d l e n g t h y w e b - b a s e d r e a d i n g .
O n e of the steps of the process involves the rapid, erratic eye
m o v e m e n t s referred to as skittering, p e r se, a n d m a k e s a h u g e
difference.
The term skittering describes a wild, dancing-about
m o v e m e n t like that of a w a t e r b u g on the surface of a pond. This
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m o v e m e n t o f t h e e y e s g i v e s t h e b r a i n a n o p p o r t u n i t y t o l o o k a t all
o f t h e w o r d s i n a p a r a g r a p h t h a t s u p p o r t its m a i n p r e m i s e .
C o n s i s t e n t w i t h the idea that only 4 to 11 p e r c e n t of a text carries
m e a n i n g , s k i t t e r i n g o v e r all t h e w o r d s l e t s y o u r b r a i n c a p t u r e t h e
i m p o r t a n t o n e s a n d feel s e c u r e i n p a s s i n g o v e r t h e r e s t o f t h e m .
In the steps of skittering that follow, "read" m e a n s r h y t h m i c
p e r u s a l — t h e style of reading u s ed earlier to describe dipping.
• E n t e r y o u r i d e a l s t a t e for r e a d i n g ; r e l a x e d a l e r t n e s s
• Review your purpose
• R e a d t h e t i t l e , s u b t i t l e a n d p r e f a c e (if t h e r e i s o n e )
• R e a d t h e first f e w p a r a g r a p h s o f t h e w r i t t e n p i e c e
• R e a d t h e first s e n t e n c e ( a l s o k n o w n a s t h e t o p i c s e n t e n c e )
of the p a r a g r a p h y o u are g o i n g to b e g i n skittering on
• M o v e y o u r e y e s i n a r a p i d p a t t e r n o v e r all t h e w o r d s i n t h e
p a r a g r a p h , e x c e p t t h o s e i n t h e first a n d l a s t s e n t e n c e , n o t i c i n g
those words that seem to carry meaningful support to the premise
i n t h e first s e n t e n c e . D r . B e n n e t t u s e s t h e p h r a s e " s k i t t e r t h e
augmentation." The m o v e m e n t of y o u r eyes can follow a zigzag
from top to b o t t o m or b o t t o m to top. It c a n follow circular pattern
clockwise or c o u n t e r c l o c k w i s e and m o v e from the center out or
f r o m t h e e d g e s i n t o t h e c e n t e r . T h e r e i s n o set p a t t e r n , b u t y o u w i l l
d i s c o v e r a p r e f e r e n c e for o n e o f t h e m . P l a y w i t h t h e m a l l t o f i n d
w h a t w o r k s b e s t for y o u . This m o v e m e n t gives your brain a
chance to spot ideas that a u g m e n t or add to the m a i n c o n c e p t in
a paragraph.
• If the m e a n i n g of the p a r a g r a p h remains unclear, read the
last sentence. C o n t i n u e this process t h r o u g h e a c h s u c c e e d i n g
p a r a g r a p h until y o u near the end of the reading selection.
• R e a d the last few p a r a g r a p h s c o m p l e t e l y .
• R e a d the s u m m a r y if there is one.
• R e v i e w a n d reflect.
• Create a brief m i n d m a p of y o u r o w n w o r d s to describe
the piece.

Create a mind map

While looking through a b o x of my old graduate school


materials, I discovered a wonderful contrast b e t w e e n two types
of class notes. O n e type of notes w a s the traditional linear outline
The PhotoReading Whole Mind System 66

of e v e r y t h i n g the professor s a i d — a n endless series of unintelligible


scratching. I r e m e m b e r e d trying to decipher those notes while
r e v i e w i n g for t e s t s ; w h a t a h o r r i d c h o r e .
T h e second type of notes w a s an alternative, highly visual
set o f c o l o r f u l d i a g r a m s c a l l e d " m i n d m a p s . " T h e y r e m i n d e d m e
h o w fun i t w a s t o c r e a t e a n d r e v i e w c l a s s i n f o r m a t i o n . L o o k i n g
t h e m over b r o u g h t b a c k a flood of vivid details. M i n d m a p p i n g ,
as it is called, h a d transformed my c l a s s r o o m experience forever.
M i n d m a p p i n g i s fast a n d h i g h l y efficient. I n a d d i t i o n , i t
p r o m o t e s long-term retention. It is an excellent w a y to activate
a n d s y n t h e s i z e i n f o r m a t i o n after s u p e r r e a d i n g a n d d i p p i n g .
F o l l o w i n g i s a m i n d m a p t h a t s u m s u p t h e five s t e p s o f t h e
PhotoReading whole mind system.

After l o o k i n g a t this m i n d m a p , y o u m i g h t d e d u c e the b a s i c


•g| 0 g u i d e l i n e s for t h e t e c h n i q u e :
• Put the core concept in the center of the page.
BuNets ^ W r i t e s u p p o r t i n g c o n c e p t s on c o n n e c t i n g lines radiating
Activate 67

from the center.


• Use key terms only—often they will be trigger words
identified in y o u r preview. E x p r e s s e a c h concept in three w o r d s
or less.
• Include visual elements—cartoons, images, symbols,
i c o n s — w h e r e v e r they seem appropriate.
• A d d c o l o r . I n t h e a b o v e m i n d m a p , for e x a m p l e , a l l t h e
w o r d s p e r t a i n i n g t o S t e p 1 c o u l d b e w r i t t e n i n o n e c o l o r , all t h o s e
for S t e p 2 in a s e c o n d c o l o r , a n d so o n .
T w o of the b e s t b o o k s on m i n d m a p p i n g explain this
t e c h n i q u e in m o r e d e t a i l . T h e y a r e The Mind Map Book by T o n y
Buzan a n d Mind Mapping by J o y c e Wycoff.
W h e n m i n d m a p p i n g , y o u m a y also find i t h e l p s t o u s e
sheets of p a p e r that are larger t h a n the standard 8 - 1 / 2 by 11
inches. If y o u do stick to standard-sized paper, at least turn the
p a p e r s i d e w a y s so that y o u are writing on a horizontal frame.
M o s t p e o p l e find t h i s g i v e s t h e m m o r e r o o m t o r e c o r d i d e a s .
M i n d m a p s are highly individual. Y o u r m i n d m a p s will
l o o k different from a n y o n e e l s e ' s , e v e n i f y o u are m a k i n g n o t e s o n
the s a m e material. T h a t i s okay. Ideally, y o u r m i n d m a p reflects
y o u r experience. The images and associations that p r o m o t e y o u r
long-term m e m o r y are u n i q u e to you.
E v e n i f i t f e e l s a w k w a r d a t first, p l a y w i t h m i n d m a p p i n g a s
an activation exercise. Because mind mapping uses visual m e m o r y
and spatial intelligence, it accesses the m o s t powerful m e m o r y
centers of the brain. M o r e o v e r , m i n d m a p p i n g mirrors the w a y
the m i n d w o r k s — l i n k i n g ideas t h r o u g h b r a n c h e s of association
rather than linear logic. Perhaps that is w h y m i n d m a p s b e g i n to
feel s o n a t u r a l s o s o o n .
On the next p a g e is another m i n d m a p of the P h o t o R e a d i n g
w h o l e m i n d r e a d i n g s y s t e m , illustrating a different format:
The PhotoReading Whole Mind System 68

Gain a new experience of memory

This b o o k is a b o u t shifting y o u r p a r a d i g m of r e a d i n g as a
w h o l e . To aid that process, we need to reconsider the role of
memory.
I have b e e n fascinated by the w o r k of Gerald E d e l m a n , M D ,
a N o b e l p r i z e w i n n i n g n e u r o l o g i s t a n d a u t h o r o f The Remembered
Present and Bright Air, Brilliant Fire. Edelman's ideas offer the
m o s t c o n v i n c i n g e x p l a n a t i o n I h a v e y e t f o u n d for w h a t m a y b e
happening w h e n we activate material we have PhotoRead.
E d e l m a n ' s theory claims that m e m o r i e s are not stored in a
localized fashion in the b r a i n b u t are reinvented each time we
access them. W h a t happens w h e n we r e m e m b e r is that we create
a m e n t a l c o n t e x t for a n i d e a , r e - e n t e r i m p o r t a n t c u e s o r b i t s o f
related information, and follow neural "tracks" that have b e e n
Activate 69

laid b y p r e v i o u s e x p e r i e n c e . W h e n e n o u g h c u e s are e n t e r e d a n d
the correct neural p a t h w a y s are stimulated, the ideas a n d i m a g e s
we want to "remember" are not recalled from storage b u t are
recreated right on the spot.
A p p l y i n g this v i e w to P h o t o R e a d i n g and activating, we
begin to understand what might be happening to produce such
remarkable results. W h e n we P h o t o R e a d , the brain processes
written materials more physiologically than cognitively. That
physical exposure to the brain opens neural networks inside the
b r a i n that can lead to later mental connections.
The result is increased speed, familiarity, and ease of
c o m p r e h e n s i o n . Y o u will have the ability to connect w i t h the
most important information almost instantly, rather than trying
to figure it out as y o u read. Y o u do not h a v e to w a s t e t i m e
investing hours in a b o o k to get the k n o w l e d g e y o u want.
T h i s i s m u c h l i k e l a y i n g a set o f r a i l r o a d t r a c k s for a t r a i n t o
travel o n later. P h o t o R e a d i n g lays i n the t r a c k s . W h e n w e activate
the material, we re-enter the original information t h r o u g h super
reading and dipping, and the conscious mind follows the tracks
t o t h e d e s t i n a t i o n o f full c o m p r e h e n s i o n .
I admit I cannot do j u s t i c e to E d e l m a n ' s theory of m e m o r y
i n a f e w s h o r t p a r a g r a p h s . I t i s far m o r e i m p o r t a n t for y o u t o
e x p e r i e n c e t h i s p r o c e s s r a t h e r t h a n h a v e m e t r y t o e x p l a i n it. T h e
activation techniques of mind probing, super reading, dipping,
a n d m i n d m a p p i n g are all g a t e w a y s t o t h a t e x p e r i e n c e .

In review of the ideas of this chapter, y o u learned:


• There are t w o types of activation: spontaneous and
manual. This b o o k is concerned with manual activation.
• C l e a r p u r p o s e i s e s s e n t i a l for a c t i v a t i o n .
• M i n d p r o b i n g , t h e first s t e p i n a c t i v a t i o n , m e a n s a s k i n g
q u e s t i o n s t h a t y o u w a n t t o a n s w e r . T a k e five t o t e n m i n u t e s
i m m e d i a t e l y after P h o t o R e a d i n g t o e x p l o r e t h e t e x t a n d f o r m u l a t e
questions you want to answer.
• I t i s b e s t t o w a i t after P h o t o R e a d i n g b e f o r e a c t i v a t i n g —
at least twenty m i n u t e s , b u t ideally 24 hours.
• Super reading and dipping involve moving quickly over
sections of text that attract you, then reading selected passages
that a n s w e r y o u r questions.
The PhotoReading Whole Mind System 70

• An u n d e r s t a n d i n g of the author's scheme or structure


will help guide your super reading and dipping.

f
» M i n d m a p p i n g is a highly visual and spatial w a y to take
notes. It helps activate materials b e c a u s e it uses the w h o l e mind.
• Activation stimulates the brain giving cues to the
Reacj associations y o u r brain has constructed. As a result, you
Bullets c o n s c i o u s l y c o n n e c t , m e e t y o u r n e e d s , a n d s a t i s f y y o u r p u r p o s e
for reading.

T h e final step o f the P h o t o R e a d i n g w h o l e m i n d s y s t e m i s t o


rapid read w h i c h is presented in Chapter 7.

A thirteen year old boy attended the first PhotoReading course in Mexico.
Although he has been sighted in only one eye since birth, he applied the skills
of PhotoReading eagerly. A month after the course, one of his teachers asked,
"Does PhotoReading really work for y o u ? " His response was to hand her his
dictionary, which he had PhotoRead several times. He told her, "Give me any
w o r d , and I will tell you where the w o r d is positioned on the page." He correctly
identified the position of nine out of ten w o r d s , to which the teacher
responded, " H m m m , maybe it does w o r k ! "

An electrical engineer at a large power generating utility found himself


contributing in a meeting—actually leading the g r o u p — o n a topic for which he
had almost no experience. He was baffled by his obvious expertise. W h e n back
in his office, he wondered where his sudden influx of knowledge came f r o m .
Then he noticed a stack of trade journals on his shelf that he had recently
PhotoRead. Sure e n o u g h , the most recent journal contained an in-depth
analysis of the meeting's topic.

A postal employee entered zip codes into a computer while in the accelerative
learning state. He became more relaxed and made fewer mistakes
than before.

A home-brewer PhotoRead a new book on beer-making. That night he


dreamed of a new recipe which he later tried. It was his best batch to date.
7

Step 5: Rapid Read

D u r i n g the P h o t o R e a d i n g seminar, I ask participants a


q u e s t i o n after w e h a v e p r e p a r e d , p r e v i e w e d , P h o t o R e a d , s u p e r
r e a d , a n d d i p p e d i n a b o o k : " H o w m a n y o f y o u w o u l d still l i k e t o
get m o r e out of this b o o k ? " Usually, 40 p e r c e n t of t h e m will raise
their h a n d s . T h e n I ask, " W h a t specifically w o u l d y o u like to get
o u t o f the b o o k ? "
To this question, several reply precisely. They k n o w exactly
w h i c h parts of the b o o k they m a y w a n t to study in m o r e detail.
F o r them, the next step is additional super reading and d i p p i n g
to complete their goal.
O t h e r s shrug their s h o u l d e r s and say, "I don't k n o w ; I j u s t
w a n t m o r e . " T h i s u n s p e c i f i e d " m o r e " i s a s i g n a l for t h e final s t e p
of the system, rapid reading. The choice to rapid read is made
w h e n y o u k n o w y o u w a n t m o r e from the text, and the laser-like
precision of super reading and dipping will not bring y o u there.
The PhotoReading Whole Mind System 72

I t a l s o s e r v e s y o u b e s t for p l e a s u r e o r l e i s u r e r e a d i n g w h e n y o u
desire to i m m e r s e yourself in the feelings an author evokes
in you.
Rapid reading is similar to accelerated conventional reading
w i t h t w o s i g n i f i c a n t d i f f e r e n c e s . F i r s t , r a p i d r e a d i n g c o m e s after
all the o t h e r steps o f the P h o t o R e a d i n g w h o l e m i n d s y s t e m .
Second, the speed of rapid r e a d i n g is highly flexible.
To rapid read, m o v e swiftly t h r o u g h the text, t a k i n g as
m u c h t i m e as y o u need. Go from start to finish w i t h o u t s t o p p i n g .
D e p e n d i n g on the c o m p l e x i t y and i m p o r t a n c e of a particular
passage, vary your speed.
Y o u will r e a d faster w h e n :
• Y o u have already read that paragraph or page during
o n e o f t h e o t h e r s t e p s . Y o u z i p p a s t it.
• Y o u recognize that the information is simplistic or
r e d u n d a n t . S i n c e y o u a l r e a d y u n d e r s t a n d it, y o u z o o m p a s t i t a t
super reading speeds.
• Y o u quickly see that the section y o u are r e a d i n g is
unimportant to your purpose so you can flash past at
P h o t o R e a d i n g speeds k e e p i n g y o u r intuition o p e n to stop y o u if
it tells y o u to c h e c k s o m e t h i n g out.
Y o u will read slower when:
• T h e text contains n e w information with w h i c h y o u are
unfamiliar.
• Y o u sense c o m p l e x i n f o r m a t i o n that n e e d s m o r e careful
consideration.
• Y o u recognize an extremely important passage you want
to explore in m o r e detail.
The end result is that y o u m o v e at v a r y i n g speeds t h r o u g h
the text: s o m e t i m e s faster, s o m e t i m e s s l o w e r d e p e n d i n g u p o n
importance, complexity, and your prior knowledge of the
information.
An essential point in rapid reading is that y o u keep moving.
Never pause to struggle with information you might not
understand. It is c o m m o n to stop w h e n you do n o t fully
u n d e r s t a n d w h a t y o u are reading. T h a t is part of the old p a r a d i g m .
Instead, just keep reading.
If y o u stop a n d try to w r e s t l e w i t h w h a t y o u do not k n o w ,
y o u c a n get s i d e t r a c k e d a n d n e v e r finish. I f y o u k e e p g o i n g , s o o n
Rapid Read 73

y o u will come to information y o u do understand—discovering


clues in the text w h i c h a n s w e r the questions y o u were stuck on
p r e v i o u s l y . By s t a y i n g in a relaxed, alert state w i t h r a p i d r e a d i n g
y o u keep extracting the information y o u want—information that
relates directly to y o u r purpose.

Rapid read or super read?

A c o m m o n q u e s t i o n i s , h o w d o e s r a p i d r e a d i n g differ f r o m
s u p e r r e a d i n g ? A t first g l a n c e , t h e t w o s t e p s m i g h t s e e m s i m i l a r .
Rapid reading, h o w e v e r , proceeds straight t h r o u g h the text from
b e g i n n i n g to end of an important chapter or the entire book.
Super reading, a step of activation, seeks out sections of the text
y o u are attracted to a n d zips lightly d o w n the c e n t e r of the p a g e .
Rapid reading might involve slowing d o w n to a more
conventional reading speed; you
m i g h t do this to c o m p r e h e n d a
technical drawing or mathematical
formula, or to s a v o r a line of poetry.
In contrast, super reading m e a n s
maintaining a brisk speed and
dipping into the text at any point;
there is no requirement to m o v e
t h r o u g h the pages in order.
Super reading has been
compared to the actions of a
S u p e r m a n s c a n n i n g the Earth from outer space and deciding to
t o u c h d o w n o n c e r t a i n c o n t i n e n t s . W e n e e d a n o t h e r a n a l o g y for
rapid reading—perhaps that of taking a river k a y a k trip.
Sometimes y o u careen over white water rapids, then paddle
leisurely on placid waters. T h e n y o u might be b a c k to rapids
a g a i n . T h e p o i n t i s t h a t w e s t a y a c t i v e a n d alert, a n d o u r s p e e d
varies depending on the material b e i n g covered.
Rapid reading is not always necessary. At times, previewing,
P h o t o R e a d i n g , a n d a c t i v a t i n g m a y b e all y o u n e e d t o a t t a i n y o u r
desired reading outcome. M a n y business people never need to
use the step of rapid reading. W h e n reading b u s i n e s s related
information, such as reports and m a n u a l s , they achieve their
purpose using the other steps of the system.
The PhotoReading Whole Mind System 74

Students studying a textbook and people r e a d i n g for


p l e a s u r e w i l l u s e r a p i d r e a d i n g q u i t e often, b e c a u s e i t g i v e s t h e
conscious mind more to explore.
P h o t o R e a d e r s w h o enjoy reading novels will preview,
P h o t o R e a d , then m o v e directly into rapid reading, b y p a s s i n g the
activation steps altogether. Play with the wonderful options the
P h o t o R e a d i n g w h o l e m i n d s y s t e m p r o v i d e s y o u . Y o u w i l l find
t h e b e s t p a t h t o a c h i e v e y o u r p u r p o s e for r e a d i n g .

Demonstrate how the system worksfor you

The rapid reading technique is reassuring, because it builds


full c o n s c i o u s c o m p r e h e n s i o n o f t h e m a t e r i a l s y o u a r e s t u d y i n g .
Like the manual activation techniques from the previous chapter,
rapid reading w o r k s mostly w i t h the conscious mind.
As y o u achieve y o u r reading goals using the P h o t o R e a d i n g
w h o l e m i n d system, y o u m i g h t w o n d e r w h i c h step is having the
greatest impact u p o n y o u r success. It will be easy to assume that
the techniques i n v o l v i n g the conscious m i n d are the biggest
contributors, because y o u gain conscious comprehension w h e n
y o u u s e t h e m . I t m a y b e difficult t o t h i n k t h e n o n c o n s c i o u s s t e p
o f P h o t o R e a d i n g r e a l l y d i d a n y t h i n g a t all.
T h e s y s t e m w o r k s b e c a u s e it is a whole mind s y s t e m . B o t h t h e
conscious m i n d and the other-than-conscious m i n d participate.
B y all m e a n s , e n j o y t h e b e n e f i t s y o u r e c e i v e c o n s c i o u s l y . A t t h e
s a m e t i m e , k e e p n o t i c i n g o t h e r p o s i t i v e effects i n y o u r life t h a t w e
might assign to the d o m a i n of the nonconscious mind.
The m o s t stunning d e m o n s t r a t i o n s of the P h o t o R e a d i n g
step often c o m e as s p o n t a n e o u s activation. Stories of s p o n t a n e o u s
activation from PhotoReading graduates are wonderful
e n c o u r a g e m e n t t o a l l b e g i n n i n g P h o t o R e a d e r s . T h e y all h a v e
similar characteristics.
T h e r e p o r t s s o u n d like this: " I w a s i n the s i t u a t i o n i n w h i c h
I n e e d e d or w a n t e d s o m e information, and it s h o w e d up. I w a s
n o t e v e n t r y i n g a t t h e t i m e t o r e m e m b e r it. I t j u s t h a p p e n e d . T h e
information j u s t appeared, j u s t p o p p e d into mind, not b e c a u s e I
w a s t r y i n g t o r e c a l l it, b u t a l m o s t o n a w h i m . "
The "aha!" e x p e r i e n c e of s p o n t a n e o u s activation is a
convincing demonstration. I t h a s b e e n p r o o f for m a n y p e o p l e
Rapid Read 75

t h a t t h e P h o t o R e a d i n g s t e p o f t h e s y s t e m i s a c t u a l l y w o r k i n g for
t h e m . T h e p a r a d o x is, h o w d o y o u p l a n t o h a v e a s p o n t a n e o u s
experience? Y o u cannot—because it must be spontaneous.
Do not sit a r o u n d w a i t i n g for spontaneous activation
e x p e r i e n c e s . T h e r e are other w a y s to test the system. In my
original studies of P h o t o R e a d i n g , I had compelling evidence that
PhotoReading was working. Some evidence came from
spontaneous activation, but mostly it came from manual
activation techniques.
F o r t h e first y e a r o f m y g r a d u a t e s t u d i e s , I d i d n o t h a v e t h e
PhotoReading whole mind system. In the remaining eighteen
m o n t h s , I u s e d P h o t o R e a d i n g for e v e r y t h i n g . T h e c o n t r a s t w a s
e n o r m o u s . I k e p t on t o p of every subject, c o m p l e t i n g r e a d i n g
assignments and research reports with ease. The pressures of
keeping up with my studies vanished.
Since those early days of P h o t o R e a d i n g , I have consistently
seen that students in school have the best o n g o i n g demonstrations
that P h o t o R e a d i n g w o r k s . W h y ? B e c a u s e they are u s i n g a n d
t e s t i n g t h e s y s t e m all t h e t i m e , b o t h o b j e c t i v e l y a n d s u b j e c t i v e l y .
I f y o u a r e n o t i n s c h o o l , y o u n e e d t o set u p y o u r o w n
measures. I w a n t y o u to have a c o n v i n c i n g e x p e r i e n c e of
P h o t o R e a d i n g . H e r e a r e s o m e w a y s y o u m i g h t t e s t i t for y o u r s e l f :
• For one week, P h o t o R e a d everything and activate Read
anything that y o u n e e d to c o m p r e h e n d . The next week, go b a c k Bullets
to regular reading. Decide which week was most productive.
• W h e n y o u see a b o o k at a friend's h o u s e that he h a s
recently read, ask if it w a s w o r t h reading and h o w long it took to
read. B o r r o w the b o o k and spend one-tenth the time w i t h the
b o o k ( o r o n e - t h i r d t h e t i m e i f y o u a r e l e s s d a r i n g ) , u s i n g t h e five
steps of the P h o t o R e a d i n g w h o l e m i n d system. Then, get t o g e t h e r
w i t h y o u r friend a n d d i s c u s s t h e b o o k , w i t h o u t m e n t i o n i n g t h a t
t h i s i s y o u r o w n p r i v a t e test. A f t e r w a r d s , l e t y o u r f r i e n d d e c i d e
if y o u understood the book.
• F i n d a quiet time to notice the w a y y o u r b r a i n responds
to PhotoReading. Select a novel with high emotional content such
as a lusty r o m a n c e n o v e l or a s u s p e n s e thriller. T h e n , go in a r o o m
w i t h few d i s t r a c t i o n s . L i g h t only the b o o k s o y o u c a n see little
else, k e e p the r o o m quiet, w e a r comfortable clothing, a n d m a i n t a i n
a comfortable r o o m temperature. T h e idea is to m a k e it as easy as
The PhotoReading Whole Mind System 76

possible to notice w h a t e v e r c o m e s up from the n o n c o n s c i o u s


m e m o r y stores.
S p e n d m a y b e a m i n u t e getting into state and e n t e r i n g the
quiet scene w i t h i n y o u r mind. T a k e a few m o m e n t s to study the
i m a g e s and feelings within you. T h e n P h o t o R e a d notice any
t h o u g h t s (pictures, sounds, feelings, etc.) that c o m e into a w a r e n e s s .
If a picture or strong feeling pops into y o u r mind, y o u can turn
b a c k a few p a g e s a n d read the text. C o m p a r e h o w y o u r i n n e r
experience m a t c h e s the content of the b o o k .
After P h o t o R e a d i n g and u s i n g y o u r closing affirmations,
look around in y o u r inner quiet scene again. Notice any changes
in the images, sounds, or feelings within you. Take two minutes
to d r a w pictures that y o u see in m i n d or to r e p r e s e n t any
e m o t i o n s y o u feel. Y o u c a n t h e n g o b a c k t h r o u g h t h e b o o k t o s e e
h o w y o u r e x p e r i e n c e m a t c h e s the content of the b o o k . Or, b e t t e r
yet, tell s o m e o n e w h o k n o w s the b o o k w h a t y o u e x p e r i e n c e d a n d
t h e n let t h e m tell y o u a b o u t the story.
• B e f o r e a b u s i n e s s m e e t i n g , p r e v i e w a n d P h o t o R e a d five
b o o k s related to the topic y o u will discuss at the meeting.
A f t e r w a r d s c o n s i d e r h o w y o u r p e r f o r m a n c e m a y h a v e differed
from y o u r usual performance at such meetings.
All of those tests are easy and low-risk. They allow y o u to
explore uses of the P h o t o R e a d i n g whole m i n d system. Play with
them and have compelling demonstrations of your own.
Y o u do not have to stop here. There are m a n y w a y s to
e x t e n d t h e s t e p s i n t r o d u c e d s o far. U s e t h e s u g g e s t i o n s i n t h e
remaining chapters to discover more applications for
P h o t o R e a d i n g . M a k e i t a s k i l l y o u u s e d a i l y for a l l y o u r r e a d i n g
needs.

Take the five-day test

A revealing test y o u should consider reliably d e m o n s t r a t e s


t h e p o w e r o f P h o t o R e a d i n g a n d d o u b l e s a s a f i v e - d a y p l a n for
i m p r o v i n g activation. I n v e s t i n g thirty m i n u t e s or less p e r day,
the plan helps condition y o u to get w h a t y o u w a n t and need from
books you PhotoRead. W h e n you want a strong way to convince
yourself that y o u r b r a i n can P h o t o R e a d successfully, c o m m i t to
Rapid Read 77

following the plan.


D a y 1 - Select a b o o k y o u are interested in reading. P r e p a r e
and P h o t o R e a d the book.
D a y 2 - P r e p a r e , p r e v i e w for n o m o r e t h a n t w o m i n u t e s , a n d
P h o t o R e a d t h e b o o k . P o s t v i e w for 1 5 t o 2 0 m i n u t e s , i n c l u d i n g
w r i t i n g trigger w o r d s a n d q u e s t i o n s y o u are e a g e r t o a n s w e r .
D a y 3 - Prepare and P h o t o R e a d . T h e n super read and dip so
that y o u get t h r o u g h the entire b o o k in the thirty m i n u t e s . Do not
w o r r y about c o m p r e h e n s i o n . At the end, review y o u r trigger
w o r d s t o g e t a f e e l i n g for h o w m u c h r e c o g n i t i o n m a y b e c o m i n g
t o g e t h e r for y o u .
D a y 4 - P r e p a r e a n d P h o t o R e a d . S p e n d the rest of the thirty
m i n u t e s super reading and dipping or skittering the entire book,
at a pace that will get y o u t h r o u g h the b o o k by the end of the
session. Again, look at your trigger words, and formulate
additional questions following the mind probing technique.
D a y 5 - P r e p a r e and P h o t o R e a d . L o o k at the Table of
C o n t e n t s a n d g o t o t h e s e c t i o n s t h a t y o u feel y o u n e e d m o r e
information. S u p e r read a n d dip or skitter to a n s w e r specific
q u e s t i o n s . R a p i d read i f y o u d o n o t h a v e specific q u e s t i o n s b u t
w a n t m o r e information. Save ten minutes at the end to m i n d m a p
the b o o k . K e e p it simple, limiting the a m o u n t of detail. T h e goal
is not to mind m a p the entire contents of the book, but to m i n d
m a p t h e b o o k a s i t r e l a t e s t o y o u r p u r p o s e for c h o o s i n g t h e b o o k
i n t h e first p l a c e .
At this point y o u h a v e spent t w o h o u r s plus a bit. M o s t
p e o p l e w i l l s e e t h e b o o k c o m i n g t o g e t h e r for t h e m . M a n y feel
they have e n o u g h information and that they k n o w the book. T h e
g o a l i s n o t t o k n o w t h e b o o k 100 p e r c e n t — t h a t d o e s n ' t e v e n
happen with regular reading. Y o u may want to spend two more
" D a y 4 s , " b u t i t i s likely y o u will say that y o u k n o w e v e r y t h i n g
i n t h e b o o k y o u n e e d . Y o u m a y find i t fun t o r e v i e w y o u r m i n d
m a p after a f e w d a y s t o r e c o g n i z e y o u r g r a s p o f t h e m a t e r i a l .
Overall, y o u s h o u l d finish w i t h the b o o k in a b o u t one-third the
time it w o u l d take to read the b o o k in the traditional manner.
The PhotoReading Whole Mind System 78

A PhotoReader was giving a radio interview about PhotoReading. She


PhotoRead a book by an author w h o had just been interviewed. The author
asked her specific questions about the book and the PhotoReader spoke in
great detail precisely answering the questions.

On another radio show, the astounded host exclaimed after hearing the
PhotoReader's answer to a question, "You are almost rereading this page. That
is page 97 randomly pulled out of the book. That's exactly what it says t h e r e . "
Later in the show he said, "It sounds like I have the author o n . "

A man in his thirties w i t h a neurological disorder PhotoRead books at the


university's medical library hoping to find clues. He later woke from a nap w i t h
an unusual dream regarding the disorder. He called his doctor w h o said, "I
hadn't considered that. Let me consult a colleague."

A Systems Manager for the United States Air force used PhotoReading to get
his degree in Computer Information Systems Management. He took 15 credit
hours w o r t h of exams in humanities, social sciences and world religions within
one week having never attended classes on the subject matter. To graduate he
had to pass these tests, so his motivation was high. He PhotoRead six books on
each topic a couple days before each exam. Not only did he pass and get 15
credit hours, but he got a B plus average on the exams. This score was higher
than the average of the students w h o took the exams after attending a semester
of classes. He is now using PhotoReading to earn a commission as an officer.

A college senior used PhotoReading to prepare for the final exams. As a senior
working to secure a j o b for after graduation, he dropped his regular studies
hoping to get caught up at the minute. He phoned a PhotoReading coach at
Learning Strategies Corporation in a panic the night before the exams. After
the conversation, he got into a relaxed state and PhotoRead his class materials.
He ate dinner, worked out, and went to bed relaxed. The next day he
confidently took his exam and passed. PhotoReading put him at ease and
allowed him to prepare mentally for the test.

Before giving a presentation on peripheral development to a technical college


supervisory management t e a m , an instructor PhotoRead ten background
books. She activated the books using syntopic reading strategies. The
presentation went so well that the management team invited her to return as
the subject matter expert for another presentation.

An average student PhotoRead a novel for a literature exam and scored 100
percent.
Part Three:

Develop and Integrate Your Skills


8

Make the PhotoReading


W h o l e M i n d System
Part of Your Daily Life

$ N o w that y o u have b e e n e x p o s e d to the steps of the system,


y o u c a n certainly apply t h e m to this b o o k , if y o u h a v e not d o n e
so already. H e r e are my suggestions on h o w to proceed.
R e a d
• U s i n g this b o o k w h i c h y o u k n o w c a n support y o u i n y o u r
Bullets
c u r r e n t life g o a l s , e s t a b l i s h a c l e a r p u r p o s e for r e a d i n g i t a n d
enter the ideal state of m i n d .
• P r e v i e w t h e b o o k for five m i n u t e s , n o t i n g t r i g g e r w o r d s
as y o u g o .
• P h o t o R e a d the b o o k by following the steps of the
p r o c e d u r e in Chapter 5. Y o u can P h o t o R e a d this b o o k in fewer
than three minutes by flipping a page every two seconds. W h e n
finished, g i v e y o u r s e l f the c l o s i n g affirmations a n d relax for a
few m o m e n t s .
• I d e a l l y , g e t u p a n d t a k e a b r e a k for a s h o r t w h i l e . T h e n
come b a c k to activate.
• Activate by mind probing to formulate questions. Y o u
c a n p l a y w i t h t h e b o o k t o a c c o m p l i s h t h i s i n five m i n u t e s .
• Activate further by super reading and dipping, or
skittering. Concentrate on activating the r e m a i n i n g chapters of
t h i s b o o k . T a k e n o m o r e t h a n t w e n t y m i n u t e s for t h i s .
• R e v i e w a n d s u m m a r i z e all y o u g a t h e r e d d u r i n g y o u r first
activation session with a one page m i n d m a p of the entire b o o k .
• T a k e a m i n u t e to affirm y o u r ability to apply these
a d v a n c e d r e a d i n g s t r a t e g i e s i n y o u r d a i l y life. A s y o u d o s o , y o u
Make PhotoReading Part of Your Daily Life 81

are t a k i n g action that could c h a n g e the w a y y o u read forever.


• F i n i s h by rapid r e a d i n g the last section of this b o o k . This
i s y o u r c h a n c e t o d i s c o v e r h o w m u c h faster y o u r r e a d i n g has
b e c o m e b y u s i n g the t r e m e n d o u s l y flexible skills y o u h a v e learned.

Five instant time management strategies

Organizing y o u r time and reading materials can enhance


y o u r use of the P h o t o R e a d i n g w h o l e mind system. Use these
strategies and discover the benefits.
1. Prioritize y o u r r e a d i n g . Sort y o u r printed m a t e r i a l s into
t h r e e l e v e l s o f p r i o r i t y : " A " for m a t t e r s t h a t a r e u r g e n t , " B " for
i t e m s t h a t a r e i m p o r t a n t b u t n o t u r g e n t , a n d " C " for i t e m s t h a t
can be t h r o w n away. B e g i n using the P h o t o R e a d i n g w h o l e m i n d
system w i t h the "A" p r i o r i t y i t e m s .
2. H a n d l e papers only once. Decide h o w y o u will respond
t o e a c h p i e c e o f p a p e r t h e first t i m e y o u r e a d it. J o t y o u r d e c i s i o n
right on letters and m e m o s .
3. Always carry reading materials with you. Use waiting
t i m e for r e a d i n g . Y o u will be surprised h o w m u c h y o u can
a c c o m p l i s h i n t h e five o r t e n m i n u t e s b e t w e e n a p p o i n t m e n t s
using the whole mind system.
4. Preview everything that is important. If y o u do nothing
e l s e w i t h it, a t l e a s t p r e v i e w a d o c u m e n t for t h i r t y s e c o n d s b e f o r e
f i l i n g it.
5. Use the P h o t o R e a d i n g whole mind system at every
o p p o r t u n i t y . P h o t o R e a d e v e r y t h i n g y o u c a n get y o u r h a n d s on.
W h e n the quarterly trade j o u r n a l arrives or the w e e k l y n e w s
magazine is delivered, P h o t o R e a d them. Just take a m o m e n t to
d r o p i n t o s t a t e a n d flip t h e p a g e s b e f o r e y o u r P h o t o F o c u s e d e y e s .
E v e n if y o u do not activate, the exposure can serve y o u in
the future.

Use the PhotoReading whole mind system on all


kinds of materials

P h o t o R e a d i n g c a n a c c o m m o d a t e all p r i n t e d m a t e r i a l . T h i s
includes letters, email, m e m o s , w e b pages, n e w s p a p e r s , trade
journals, magazines, novels, textbooks, technical manuals—any
The PhotoReading Whole Mind System 82

d o c u m e n t s t h a t y o u e n c o u n t e r i n d a i l y life. A s y o u w o r k w i t h
t h e s e m a t e r i a l s , feel free t o a d a p t t h e s t r a t e g i e s o f t h e s y s t e m a n d
y o u will significantly reduce the time y o u spend on routine
reading.
• D a i l y n e w s — I n v e s t i n g a few m i n u t e s a day will b u i l d a
powerful m o m e n t u m that lets y o u blast t h r o u g h n e w s p a p e r s a t
t r e m e n d o u s rates. In many metropolitan newspapers, journalists
Read are r e q u i r e d to put 90 p e r c e n t of the relevant information in the
B u l l e t s
title, subtitle, a n d first p a r a g r a p h s o f t h e i r a r t i c l e s . Y o u c a n
l e v e r a g e t h i s fact t o k e e p o n t o p o f t h e n e w s .
Start by P h o t o R e a d i n g the entire newspaper. Try standing
u p a n d s e t t i n g t h e p a p e r o n a t a b l e i n front o f y o u s o t h a t y o u c a n
P h o t o F o c u s at the center of the o p e n paper. T h e n notice any
headlines that catch y o u r attention, b a s e d on y o u r purposes or
n e e d s . S e l e c t t h r e e t o five a r t i c l e s t h a t c a r r y t h e h i g h e s t v a l u e a n d
p r e v i e w e a c h for t h i r t y s e c o n d s . I f y o u d e s i r e m o r e i n f o r m a t i o n ,
super read and dip to capture the core concept. In m o s t cases,
today's news was previewed yesterday, and will conclude
t o m o r r o w . U s e the P h o t o R e a d i n g w h o l e m i n d system to spot
r e l e v a n t i n f o r m a t i o n , q u i c k l y g r a b it, a n d m o v e o n . A t t h e e n d o f
t h e d a y , s c a n t h e n e w s p a p e r for a n y t h i n g e l s e y o u m i g h t w a n t t o
read in m o r e detail. Y o u will d i s c o v e r a g r o w i n g confidence that
you have acquired what you need.
• M a g a z i n e s — B e playful. C o n s i d e r b r o w s i n g from b a c k to
front i f y o u like. G o t o t h e articles t h a t c o n t a i n i n f o r m a t i o n y o u
desire. P h o t o R e a d then postview each of those articles. Limit
y o u r p o s t v i e w i n g t o n o m o r e t h a n t h r e e m i n u t e s for t h e l o n g e r
articles. Super read and dip or skitter to get the core concepts y o u
want. Y o u can activate most ten-page articles in seven minutes.
Y o u c a n finish shorter articles m u c h m o r e q u i c k l y . After c o v e r i n g
all y o u n e e d , d e t e r m i n e i f y o u w a n t a n y t h i n g m o r e .
• J o u r n a l s — T h e s e should be read with a cross b e t w e e n
m a g a z i n e strategies and textbook strategies. My favorite technique
involves a brief preview of the table of contents. P h o t o R e a d the
entire j o u r n a l a n d follow it w i t h a few m i n u t e s of p o s t v i e w i n g to
determine w h i c h articles deserve more time. R a n k order the
articles by importance and b e g i n activation with the most
important one. If the publication provides an abstract or s u m m a r y
at the b e g i n n i n g of an article, read that a n d t h e n briefly p r e v i e w
Make PhotoReading Part of Your Daily Life 83

the article. Finish y o u r activation with a quick super read and dip,
or y o u m a y w a n t to skitter it to get w h a t y o u need. M i n d m a p p i n g
c a n s e r v e y o u i f y o u w a n t t o c a p t u r e a n d r e t a i n w r i t t e n n o t e s for
future use.
• N o v e l s — S o m e readers enjoy r e a d i n g a b o o k as m u c h or
more than going to the m o v i e s . I found out that w h e n my w h o l e
m i n d is engaged, reading a novel is m o r e exciting t h a n a m o v i e .
I p r e p a r e as usual by fixing my tangerine point and e n t e r i n g the
a c c e l e r a t e d l e a r n i n g s t a t e . N e x t , I p r e v i e w t h e s t o r y , l o o k i n g for
the n a m e s of significant persons, places, and things. T h e n I
P h o t o R e a d the b o o k , w h i c h , of course, does not spoil the ending.
Finally, I follow P h o t o R e a d i n g w i t h rapid reading. Super reading
a n d d i p p i n g serve little or no p u r p o s e for e n j o y m e n t of a story.
• T e x t b o o k s o r t e c h n i c a l m a n u a l s — A strategy o f p r e v i e w i n g
f o l l o w e d b y P h o t o R e a d i n g i s the ideal start. Determine the
c h a p t e r s o r m a j o r s e c t i o n s y o u w a n t t o a c t i v a t e first. C h o o s e y o u r
activation steps a c c o r d i n g to h o w m u c h of the content y o u w a n t
to recall at a c o n s c i o u s level. I u s u a l l y start w i t h s u m m a r y
questions at the e n d of a chapter to do my m i n d p r o b i n g . W i t h a
purpose clearly in m i n d and questions well formulated, y o u can
use super reading and dipping or skittering to gather the
information y o u need. Here y o u might choose to eliminate the
r a p i d r e a d i n g s t e p . I f y o u a r e a s t u d e n t n e e d i n g t o s t u d y for
s c h o o l o r a p r o f e s s i o n a l r e t u r n i n g t o c l a s s e s for p r o f e s s i o n a l
development and continuing education, read the section c o m i n g
up titled "Study w i t h y o u r w h o l e mind."

Email, web pages, and electronic files

One executive b e m o a n e d the deluge of information c o m i n g


t o h e r e a c h d a y . " I f I a m a w a y f r o m m y office for a d a y o r t w o , I
return to an email in-box with over one hundred emails!" Another
executive using the P h o t o R e a d i n g w h o l e mind system boasted
that in less t h a n ten seconds p e r p a g e he could digest email text
a n d e n t e r m e e t i n g s fully p r e p a r e d . " N o w I need a class on
PhotoTyping!"
Studies have s h o w n that people read from c o m p u t e r screens
at rates 25 p e r c e n t slower than w h e n reading printed materials.
Speed of t r a n s m i s s i o n across the internet used to be the b i g g e s t
The PhotoReading Whole Mind System 84

p r o b l e m in i n f o r m a t i o n transfer. N o w it a p p e a r s that getting the


i n f o r m a t i o n f r o m t h e s c r e e n a n d i n t o t h e m i n d for p r o c e s s i n g h a s
b e c o m e the biggest challenge. Related p r o b l e m s of low screen
resolution, p o o r writing quality, and inadequate organization of
material will not slow d o w n the P h o t o R e a d e r . T h e P h o t o R e a d i n g
w h o l e m i n d system trains the b r a i n to quickly locate units of
meaning and respond with purpose, without wasting time and
e n e r g y focusing on e a c h w o r d or sentence in an electronic text.
S h o r t e l e c t r o n i c files, w e b p a g e s , a n d e m a i l a r e b e s t h a n d l e d
w i t h p r e v i e w i n g followed b y rapid reading. L o n g e r p i e c e s are
b e s t h a n d l e d u s i n g t h e full s y s t e m . T h e s p e e d a t w h i c h e l e c t r o n i c
p a g e s c a n flash on the screen adds a thrilling d i m e n s i o n to
P h o t o R e a d i n g . It is not u n u s u a l for s o m e o n e to P h o t o R e a d at
s p e e d s from 1 0 0 , 0 0 0 to 1,000,000 w o r d s a m i n u t e .
T e n s of t h o u s a n d s of b o o k s are already available on the
I n t e r n e t for P h o t o R e a d i n g . Y o u c a n P h o t o R e a d m a n y b o o k s i n a
w e b browser while others require downloading onto a computer
to be v i e w e d in a w o r d processing p r o g r a m . A show p r o d u c e d by
a British television company and presented on The Learning
Channel showed the program's host Paul M c K e n n a PhotoReading
novels on the internet. His P h o t o R e a d i n g rate e x c e e d e d 2 5 0 , 0 0 0
words a minute, and he a n s w e r e d test questions at over 70
percent comprehension.
W h e n y o u w a n t t o r e a d e l e c t r o n i c files, y o u s h o u l d m a k e
<g|£j the s a m e decisions to preview, P h o t o R e a d , super read and dip,
A
skitter, and rapid read as y o u w o u l d w i t h regular b o o k s . H o w e v e r ,
Read the m e c h a n i c s of those steps will change due to the high speeds
Bullets pQssJbig i n g c o m p u t e r s . C o n s i d e r the following modifications.
us

• P h o t o F o c u s — B e c a u s e e l e c t r o n i c files a r e u s u a l l y n o t
presented on two side-by-side pages as is a book, y o u will not be
able t o see the b l i p p a g e . O n c e y o u h a v e m a s t e r e d P h o t o F o c u s ,
y o u w i l l b e a b l e t o u s e P h o t o F o c u s o n e l e c t r o n i c files w i t h o u t
n e e d i n g t h e b l i p p a g e for v e r i f i c a t i o n . Less experienced
P h o t o R e a d e r s should follow the alternate P h o t o F o c u s strategies
p r e s e n t e d i n C h a p t e r 5 . A soft g a z e a t t h e c e n t e r o f t h e c o m p u t e r
s c r e e n a s t e x t f l a s h e s s e e m s t h e b e s t s t r a t e g y for t h e P h o t o R e a d i n g
step.
• P a g e flipping—No p a g e s to turn on the computer, so this
b e c o m e s fast a n d e a s y . " S c r o l l i n g " t h r o u g h t e x t t e n d s t o b e m o r e
Make PhotoReading Part of Your Daily Life 85

confusing to the brain than using the "page d o w n " and "page u p "
functions on the k e y p a d . T r a n s f e r r i n g l a r g e files i n t o a w o r d
processing p r o g r a m and manipulating it w i t h these functions
m a k e s for e a s y P h o t o R e a d i n g . T h e n , u s e t h e s c r o l l i n g f u n c t i o n t o
m o v e t h r o u g h t e x t for t h e o t h e r s t e p s o f t h e s y s t e m .

Study with your whole mind

The P h o t o R e a d i n g w h o l e mind system naturally creates a


p e r f e c t s t r a t e g y for m o v i n g t h r o u g h a s e m e s t e r o f r e a d i n g . I m a g i n e
p r e v i e w i n g a n d P h o t o R e a d i n g e v e r y b o o k for t h e e n t i r e s e m e s t e r
o n t h e first d a y o f c l a s s . T h r o u g h o u t t h e n i g h t , i n y o u r d r e a m
state, the m a t e r i a l is r e v i e w e d and o r g a n i z e d a c c o r d i n g to y o u r
needs and purpose.
W h e n y o u r e c e i v e a r e a d i n g a s s i g n m e n t for a t e x t b o o k ,
p r e v i e w and P h o t o R e a d the chapters, plus P h o t o R e a d one or t w o
on either side of t h e m . F o r e x a m p l e , if y o u are a s s i g n e d C h a p t e r s
3 and 4, preview those and P h o t o R e a d Chapters 2 t h r o u g h 5. U s e
rhythmic perusal to read the chapter summary and study
questions at the end of the assigned chapters. Then, super read
a n d d i p t o find t h e a n s w e r s t o t h e q u e s t i o n s .
W h e n y o u attend class, y o u naturally and spontaneously
a c t i v a t e t h e c h a p t e r s . C r e a t e m i n d m a p s d u r i n g t h e l e c t u r e for all
y o u r class notes. F o r instant review of the entire lecture, take y o u r
multiple mind m a p s and combine t h e m into one. D e t e r m i n e if
y o u need a n y t h i n g else from the reading assignment. W h e n y o u
n e e d s p e c i f i c i n f o r m a t i o n , s u p e r r e a d a n d d i p t o find it. T o h a n d l e
v a g u e feelings of uncertainty, use skittering or rapid reading to
cover anything else y o u w a n t to study in the chapters. M i n d m a p
i m p o r t a n t points that y o u n e e d to m e m o r i z e , s u c h as specific
facts, f o r m u l a s , t h e o r e m s , a n d h i s t o r i c a l e v e n t s .
Before writing reports, use syntopic reading described in
Chapter 11. Y o u can preview and PhotoRead dozens of books on
the subject of y o u r report. T h e n super read and dip in the m o s t
i m po r t an t texts to get the core concepts y o u need. M i n d m a p y o u r
first draft a n d w r i t e y o u r r e p o r t f r o m y o u r m i n d m a p .
W h e n s t u d y i n g for t e s t s , look over your mind maps,
P h o t o R e a d y o u r a s s i g n m e n t s to get y o u r s e l f in the flow state,
t h e n u s e r a p i d r e a d i n g t o r e v i e w c h a p t e r s a s s i g n e d for t h e test.
The PhotoReading Whole Mind System 86

The night before an e x a m , listen to t h e Memory Supercharger


Paraliminal tape.
W i t h these potent study skills, the ease a n d pleasure of
learning will astound you. A P h o t o R e a d e r , attending a college
h u m a n i t i e s class, had nine b o o k s to study during the semester.
W i t h o n e b o o k o v e r six h u n d r e d p a g e s long, she i n v e s t e d f e w e r
than thirty minutes w h o l e m i n d reading in order to write a p a p e r
t h a t r e c e i v e d a n A g r a d e . S h e r e c e i v e d a n A for t h e s e m e s t e r a n d
c l a i m e d she h a d spent a b o u t t w o h o u r s total u s i n g the system.
I f y o u d o u b t the story, p r o v e it to yourself. E x p e r i m e n t w i t h
the following p r o c e d u r e as y o u study. T h e idea here is to study
in b l o c k s of thirty m i n u t e s , w h i c h c o n t a i n m e n t a l p r e p a r a t i o n
a n d p h y s i c a l b r e a k s . T h e effect i s a n i n c r e a s e i n c o n c e n t r a t i o n ,
r e t e n t i o n , a n d r e c a l l o f all y o u s t u d y .
1 . G a t h e r all t h e r e a d i n g m a t e r i a l s y o u i n t e n d t o u s e
d u r i n g t h e s t u d y s e s s i o n . L a y t h e m o u t i n front o f y o u .
2 . T a k e t h r e e t o five m i n u t e s t o state y o u r p u r p o s e a n d
enter the ideal state of m i n d . W h e n stating y o u r p u r p o s e consider
y o u r d e s i r e d o u t c o m e for t h i s s t u d y s e s s i o n . E n t e r t h e i d e a l s t a t e
for l e a r n i n g a n d r e p e a t a f f i r m a t i o n s . P h r a s e y o u r a f f i r m a t i o n i n
the present tense. For example:
• I am r e a d y to a b s o r b C h a p t e r s 5 a n d 6 of t h i s p h y s i c s t e x t
t o p r e p a r e for c l a s s t o m o r r o w a n d a n s w e r t h e q u e s t i o n s a t t h e
end of the chapter.
• A s I s t u d y for t h e n e x t t w e n t y m i n u t e s , I d o s o w i t h full
a l e r t n e s s a n d effortless c o n c e n t r a t i o n .
• W h e n I a m t h r o u g h s t u d y i n g , I feel r e f r e s h e d , r e l a x e d ,
and confident.
• W h e n I call u p o n this i n f o r m a t i o n in the future, I r e l a x
a n d l e t g o . T h e i n f o r m a t i o n f l o w s freely t h r o u g h m y m i n d . I
easily retrieve the information I desire.
3. B e g i n you r study in the flow state of relaxed alertness.
P r e v i e w t h e m a t e r i a l for a f e w m i n u t e s , t h e n f o r t h e r e m a i n d e r o f
the twenty minutes use w h a t e v e r c o m b i n a t i o n of P h o t o R e a d i n g ,
activating, or rapid reading suits y o u r purpose. G o for z e r o
distractions.
4. T a k e a five m i n u t e b r e a k . This is essential. Move
completely a w a y from y o u r study area, b o t h physically and
Make PhotoReading Part of Your Daily Life 87

m e n t a l l y . E v e n i f y o u a r e o n a r o l l a n d feel a s t h o u g h y o u c o u l d
s t u d y for h o u r s , t a k e t h e b r e a k ! Y o u a f f i r m e d a s p e c i f i c t i m e
commitment of twenty minutes. Keep your commitment, because
i t n o t o n l y b u i l d s self t r u s t , t h e b r e a k a l s o h e l p s y o u r b r a i n a b s o r b ,
retain, and recall information y o u study.
5. Go b a c k to Step 2 and repeat the cycle two m o r e times
f o r a t o t a l o f n i n e t y m i n u t e s . T h e n g i v e y o u r s e l f a fifteen m i n u t e
break b e t w e e n the ninety minute cycles.
P l a y i n g p l e a s a n t m u s i c softly i n t h e b a c k g r o u n d a s y o u
study may add to your relaxation. Studies have found that
classical and N e w A g e music can help m a k e a greater impact on
t h e b r a i n w h i l e l e a r n i n g . T h e P a r a l i m i n a l t a p e Personal Genius i s
extremely valuable prior to studying, because it boosts confidence
a n d trains y o u r b o d y / m i n d t o enter the ideal l e a r n i n g state. T h e
Memory Supercharger P a r a l i m i n a l tape helps after studying to
solidify l e a r n i n g a n d b e f o r e tests to aid in fluent recall.

Take tests with your whole mind

W h e n taking tests on materials y o u h a v e studied using the


w h o l e m i n d system, follow these tips:
• Get into the ideal state of r e l a x e d alertness.
• P h o t o R e a d all t h e q u e s t i o n s . T h e n r e a d t h e first q u e s t i o n .
• A n s w e r all t h e q u e s t i o n s t h a t c o m e e a s i l y first. S t a y
focused on the present m o m e n t . Let go of the previous question,
as well as any anticipation of the next question.
• If an a n s w e r does not c o m e to y o u after r e a d i n g a
q u e s t i o n , l e t i t g o a n d m o v e t o t h e n e x t q u e s t i o n . T h e r e q u e s t for
an answer to the earlier question has already b e e n given to y o u r
m i n d . W h e n y o u h a v e a n s w e r e d all t h e q u e s t i o n s t h a t c o m e
easily, go b a c k and reread those y o u passed up. The second
reading reinforces the request and helps the appropriate a n s w e r s
appear in your conscious mind.
• D i s c o v e r h o w y o u r d e e p e r m i n d signals you that it has
a correct or a p p r o p r i a t e a n s w e r to a test question. R a t h e r t h a n
o v e r a n a l y z i n g the test question, study the response y o u r b r a i n
offers a s y o u n o t i c e y o u r i n t u i t i v e s i g n a l s . F o r e x a m p l e , i m a g i n e
a traffic l i g h t w h i c h w i l l g i v e y o u d i r e c t i o n . G r e e n m e a n s g o .
Y e l l o w m e a n s m a y b e y o u k n o w the answer, but y o u should
The PhotoReading Whole Mind System 88

p r o c e e d cautiously. R e d m e a n s stop; do not a n s w e r this one.


• Release any need you m a y h a v e to perform well. The
r e s u l t s o f a n y s i n g l e t e s t fade i n i m p o r t a n c e o v e r t i m e . M o r e o f t e n
t h a n not, force only leads to frustration. G e t w h a t y o u n e e d by
l e t t i n g g o o f y o u r n e e d t o h a v e it.
• W h e n taking tests, pause m a n y times to relax deeply.
• T h e night before y o u r e x a m , listen to audio cassette
tapes such as Memory Supercharger and Personal Genius that
p r o m o t e relaxation, learning, a n d m e m o r y skills.

Integrate your skills

Y o u a r e b o r n w i t h a b r a i n e q u i p p e d for P h o t o R e a d i n g .
H o w e v e r , y o u a r e n o t b o r n w i t h all t h e s k i l l s o f t h e P h o t o R e a d i n g
whole mind system. The system—a cluster of learned skills—
must be used in order to integrate them and make them second
nature to you.
P h o t o R e a d i n g and the other steps in the system are learned
j u s t l i k e a n y o t h e r skill, s u c h a s p l a y i n g t h e p i a n o o r u s i n g a
p e r s o n a l c o m p u t e r . If y o u w a n t to t u r n a n e w skill into a habit,
follow the strategy of learning specialists D a v i d W. J o h n s o n from
the University of M i n n e s o t a and F r a n k P. J o h n s o n from the
University of Maryland. Y o u can apply their approach to learning
the skills o f the P h o t o R e a d i n g w h o l e m i n d s y s t e m :
• U n d e r s t a n d w h y t h e skills are i m p o r t a n t and h o w t h e y
w i l l b e o f v a l u e t o y o u . T o l e a r n a s k i l l , y o u m u s t feel a n e e d for
it. Y o u r d e t e r m i n a t i o n m e a n s e v e r y t h i n g . D e t e r m i n e t h a t y o u
w a n t these skills and the results they will p r o d u c e .
• U n d e r s t a n d the o u t c o m e o f u s i n g the skills a n d m a s t e r
its c o m p o n e n t b e h a v i o r s . U s i n g the P h o t o R e a d i n g w h o l e m i n d
system helps y o u to get y o u r reading d o n e in the time y o u have
a v a i l a b l e a t t h e l e v e l o f c o m p r e h e n s i o n y o u n e e d . T h i s l a r g e r skill
c o n s i s t s o f five s t e p s ; p r e p a r i n g , previewing, PhotoReading,
activating, and rapid reading. E a c h step contains a sequence of
c o m p o n e n t behaviors. Perform the behaviors according to the
instructions several times until y o u k n o w the sequence of steps
to perform.
Often it helps to observe s o m e o n e w h o has already m a s t e r e d
t h e skill p e r f o r m i t s e v e r a l t i m e s . A t t e n d i n g a l i v e P h o t o R e a d i n g
Make PhotoReading Part of Your Daily Life 89

seminar or listening to the PhotoReading Personal Learning Course


provides coaching as you examine and perform each component
b e h a v i o r in a step-by-step m a n n e r . O n c e y o u k n o w w h i c h skills
y o u w a n t to perform, w i t h mental rehearsal and skilled practice
y o u c a n q u i c k l y a c q u i r e t h e m . T h e P a r a l i m i n a l t a p e t i t l e d New
Behavior Generator can help remove barriers to learning and
guides y o u r m i n d to install the n e w skills i n y o u r o n g o i n g
behavior.
• Find situations in w h i c h y o u can u s e the skills. To m a s t e r
a skill, u s e i t a g a i n a n d a g a i n . U s e t h e s k i l l f o r a s h o r t t i m e e a c h
d a y i n a v a r i e t y o f s e t t i n g s . T h e Belief Paralimmal t a p e h e l p s y o u
develop your capabilities as a P h o t o R e a d e r and builds the
c o n f i d e n c e for s t r e t c h i n g b e y o n d p r e v i o u s c o m f o r t z o n e s .
• A s k s o m e o n e t o w a t c h a n d tell y o u h o w w e l l y o u are
p e r f o r m i n g . G e t t i n g f e e d b a c k i s n e c e s s a r y for s t a y i n g o n c o u r s e
to y o u r goal. In the P h o t o R e a d i n g seminar and personal learning
course, we guide y o u through PhotoReading books, explore
various forms of activation, and provide n u m e r o u s assessments
of y o u r progress that give y o u direct feedback.
• B e p e r s i s t e n t . K e e p d o i n g it! T h e r e i s a r h y t h m t o l e a r n i n g
m o s t s k i l l s : a p e r i o d o f s l o w l e a r n i n g f o l l o w e d b y a p e r i o d o f fast
improvement and then a period in w h i c h performance remains
a b o u t the s a m e . T h e s e p l a t e a u s are quite c o m m o n i n skill l e a r n i n g .
If y o u encounter one, just keep using the skill a n d r e m i n d
yourself that another period of rapid i m p r o v e m e n t is on the w a y .
T h e Automatic Pilot P a r a l i m i n a l t a p e f a c i l i t a t e s t h e e f f e c t i v e u s e o f
any skill. It h e l p s y o u e l i m i n a t e self-sabotage a n d a c c o m p l i s h
goals with greater ease.
• L o a d y o u r learning t o w a r d success. As y o u stretch y o u r
capacity, add refinements that y o u can easily master. F o r e x a m p l e ,
using a stopwatch, determine h o w long it takes to read the
m o r n i n g n e w s p a p e r in your usual manner. T h e n do same level of
r e a d i n g i n five m i n u t e s less t i m e t o m o r r o w . A c c o m p l i s h this b y
refining y o u r use of previewing, super reading and dipping, or
skittering.
• A s k f r i e n d s t o e n c o u r a g e y o u t o u s e t h e skill. W h e n y o u
take a P h o t o R e a d i n g seminar, y o u will have the opportunity to
exchange support with other PhotoReaders. The best support
n e t w o r k y o u w i l l e v e r find for y o u r u s e o f P h o t o R e a d i n g i s t h e
The PhotoReading Whole Mind System 90

people with w h o m y o u attend the seminar or w h o use the


PhotoReading Personal Learning Course. Share the PhotoReading
idea w i t h supportive friends and h a v e t h e m c h e e r y o u on.
• U s e the s k i l l s u n t i l t h e y feel real. T h e m o r e y o u u s e a skill,
t h e m o r e n a t u r a l i t b e c o m e s . W h i l e l e a r n i n g a skill, y o u m a y feel
self-conscious and a w k w a r d . It m a y s e e m as t h o u g h y o u are
simply going through the motions. D o n o t let this n o r m a l
a w k w a r d n e s s stop y o u from m a s t e r i n g the skill. P e o p l e d o not
l e a r n to t y p e by t y p i n g only w h e n it feels n a t u r a l . It is t h r o u g h
u s i n g the t e c h n i q u e s and w o r k i n g t h r o u g h the initial discomfort
that skills are learned.
In summary, it is up to y o u to apply the techniques presented
in this b o o k and apply t h e m in w a y s that achieve y o u r purposes.
If y o u w a n t to master w h o l e m i n d reading, then follow these
t h r e e s u g g e s t i o n s : u s e it, u s e it, a n d u s e it.
A v o i d c r e a t i n g a n artificial " p r a c t i c e t i m e . " T h i s c a n b e c o m e
drudgery. Y o u have reading y o u w a n t and need to do. Use the
system! Y o u may even consider enrolling in a PhotoReading
seminar or listening to the PhotoReading Personal Learning Course.
In the m e a n w h i l e , dig into those piles of b o o k s laying around
the house.

Choose how you will use the


PhotoReading whole mind system

As y o u finish this chapter, think of a specific r e a d i n g task


that y o u often face, s u c h a s r e a d i n g r e p o r t s a n d t r a d e j o u r n a l s ,
studying textbooks, or cruising the internet. U s e the P h o t o R e a d i n g
whole mind reading system in ways that will accomplish
y o u r goal.
Imagine h o w and w h e n y o u will use the techniques. For
e x a m p l e , y o u m i g h t see y o u r s e l f p r e v i e w i n g the m o r n i n g p a p e r
by scanning the headlines and photo captions. Determine the
specific t i m e and place y o u will u s e the t e c h n i q u e y o u c h o s e .
The P h o t o R e a d i n g w h o l e m i n d s y s t e m is a tool with
countless applications. Y o u have just seen yourself experiencing
some of them. Now, add another application to your reading
repertoire as y o u learn how to...
9

Share Information Through


Group Activation

I h e a r m a n y b u s i n e s s people c o m p l a i n about thick, ugly


documents they encounter at work—specification manuals,
r e q u e s t s for p r o p o s a l s , s t a c k s o f c o m p u t e r p r i n t o u t s , t e c h n i c a l
m a n u a l s for e q u i p m e n t , s o f t w a r e m a n u a l s , a n d s o o n . I s e e t h e s e
people's eyes sparkle w i t h anticipation, if not a m a z e m e n t , w h e n
I suggest an alternative that involves P h o t o R e a d i n g .
W h e n I first p r e s e n t e d P h o t o R e a d i n g a t I D S / A m e r i c a n
Express in Minneapolis, I worked with an information systems
and data processing group. After a class session, several
participants c a m e up to m e . The one holding a stack of reports
said, "This s e m i n a r h a s b e e n v e r y interesting. B u t h o w d o w e u s e
t h e t e c h n i q u e s o n these?" H e d r o p p e d t h e s t a c k o n t h e t a b l e w i t h
a thud. F e e l i n g a bit threatened, I told h i m we w o u l d c o v e r
applications of this sort d u r i n g the next session.
That afternoon, I cleared my desk and took the first
d o c u m e n t — a b l u e c o v e r e d , c o m p u t e r g e n e r a t e d r e p o r t — a n d set
i t i n front o f m e . I r e a d t h e front c o v e r w h i c h s a i d "CATS
Unscheduled Disbursements, Systems External Specifications."
M y b r a i n i n s t a n t l y o v e r l o a d e d a n d b l e w a fuse. M y h e a r t s t a r t e d
racing at the thought of teaching the next session. I could hear the
r i d i c u l e a n d feel t h e h u m i l i a t i o n . M y p a l m s g o t s w e a t y . N o d o u b t
a b o u t it, I w a s i n d o c u m e n t s h o c k .
I n u m b l y o p e n e d t h e front c o v e r a n d t r i e d t o r e a d t h e t a b l e
o f c o n t e n t s . N o t h i n g m a d e s e n s e . I t w a s all c o m p l e t e g i b b e r i s h .
N o w my panic was complete.
The PhotoReading Whole Mind System 92

A l m o s t instinctively, I s t o p p e d everything, t o o k in a d e e p
breath, a n d d r o p p e d into the accelerative learning state. I o p e n e d
my eyes, entered PhotoFocus, and P h o t o R e a d the report—once
right side up, once upside down and backwards. After
PhotoReading, I closed my eyes and gave myself the closing
affirmation.
T h e n c a m e the a m a z i n g part. I o p e n e d my eyes a n d looked
at the table of contents again. Miraculously, everything m a d e
sense. I w e n t on to p r e v i e w the report and c o u l d clearly see the
structure of the entire document, information covered, the purpose
for it, a n d t h e c o n c l u s i o n s d r a w n . I s u p e r r e a d a n d d i p p e d , a n d
in minutes I k n e w exactly what data processing managers needed
t o k n o w f r o m it. F a n t a s t i c !
I b o u n c e d t h r o u g h the o t h e r d o c u m e n t s like a kid in a c a n d y
store. It t o o k me b e t w e e n 11 and 13 m i n u t e s to read any one of
them well enough to understand and discuss.
I m a g i n e my confidence at the next session. I described h o w
to read the reports using the P h o t o R e a d i n g whole m i n d system.
O n e m a n a g e r c o m m e n t e d that I u n d e r s t o o d the reports b e t t e r
t h a n h e did, a n d his d e p a r t m e n t g e n e r a t e d similar d o c u m e n t s
quarterly.
R e a d i n g stacks of business or teacher generated papers is
simple using the P h o t o R e a d i n g w h o l e m i n d system. If y o u need
familiarity w i t h a d o c u m e n t , prior to a m e e t i n g or class, the
strategy that f o l l o w s is a w i n n e r .

Group activation

Say that y o u m a n a g e a group of three people, and that each


of t h e s e p e o p l e h a s differing d e g r e e s of e x p e r t i s e a b o u t w h a t
h a p p e n s i n y o u r c o m p a n y a s a w h o l e . O n e p e r s o n , for e x a m p l e ,
often w o r k s w i t h the h u m a n r e s o u r c e d e p a r t m e n t , a n o t h e r talks
frequently to systems analysts in the data p r o c e s s i n g department,
and the third person has responsibilities in marketing and product
development.
O n e d a y y o u a r e h a n d e d t h e s o f t w a r e m a n u a l for a n e w
c o m p a n y - w i d e c o m p u t e r system. L o o k i n g at the table of contents,
y o u find t h a t y o u h a v e s i x h u n d r e d p a g e s o f e x t r a r e a d i n g t o
c o m p l e t e i n t h e n e x t w e e k . O n e o p t i o n for h a n d l i n g t h i s s i t u a t i o n
Group Activation 93

is the traditional one: y o u and each of y o u r p e o p l e slog t h r o u g h


t h e m a n u a l f r o m s t a r t t o finish, r e l e a s i n g m u c h h o p e o f s l e e p f o r
the next few nights.
I n s t e a d , t r y t h i s : h a n d e a c h o f y o u r staff a c o p y o f t h e
m a n u a l . A s k e a c h o f t h e m t o t a k e t h e m a n u a l h o m e for o n e n i g h t ,
p r e v i e w i t for five t o e i g h t m i n u t e s , a n d t h e n s p e n d a n o t h e r f e w
minutes P h o t o R e a d i n g it before they go to sleep. D u r i n g the next
w o r k i n g day, meet as a g r o u p to activate and discuss the d o c u m e n t .
In the meeting, go a r o u n d the group and ask w h a t they
k n o w from p r e v i e w i n g the manual. This will insure everyone is
starting from a similar frame of reference. Next, give y o u r group
an activation assignment. Ask each person to spend seven to ten
m i n u t e s s u p e r r e a d i n g a n d d i p p i n g i n the m a n u a l t o find specific
information. G i v e t h e m specific t o p i c s to focus on w i t h specific
questions related to areas of personal or professional interest.
For example, ask y o u r h u m a n resource expert to super read
a n d d i p i n t o t h e m a n u a l t o j u d g e h o w t h i s n e w s y s t e m w i l l affect
t h e c o m p a n y ' s n e e d for n e w p e r s o n n e l o r t r a i n i n g p r o g r a m s . A s k
y o u r s y s t e m ' s m a n a g e r t o j u d g e t h e t e c h n i c a l fit w i t h e x i s t i n g
s y s t e m s , a n d so on.
After c o m p l e t i n g this assignment, the next step is to activate
t h e m a n u a l i n a g r o u p d i s c u s s i o n . H a v e e a c h p e r s o n s p e n d five
minutes describing w h a t they learned from super reading and
d i p p i n g into the text. Let one p e r s o n create a giant m i n d m a p that
pools the m a i n points described. Follow the mind m a p p i n g with
an open discussion, allowing y o u r employees to ask each other
q u e s t i o n s a b o u t the specific p o i n t s they h a v e m a d e .
E x p e r i m e n t w i t h this strategy, and y o u will be surprised at
the richness and value of the e n s u i n g discussion. As your
e m p l o y e e s ask and answer questions, they help each other activate
t h e m a t e r i a l t h e y h a v e r e a d . I n effect, t h i s i s P h o t o R e a d i n g
followed by group activation.
W a t c h i n g g r o u p s use this strategy, I h a v e seen t h e m reduce
reading chores from several hours of w a s t e d time to a matter of
a few h i g h l y effective m i n u t e s . W h a t ' s m o r e , this p r o c e s s p r o m p t s
people to share information across specialties—something that is
surprisingly rare in the information age. T h e payoff is concrete:
h i g h l e v e l p e o p l e a r e f r e e d f r o m p l o w i n g t h r o u g h m a n u a l s for
hours at a time; instead, they can return to w h a t they do best.
The PhotoReading Whole Mind System 94

G r o u p s turn into productive decision m a k i n g forces, using shared


i n f o r m a t i o n a n d l e a r n i n g t o b e c o m e e v e n m o r e effective a s t h e y g o .
T h i s i s o n e o f t h e m o s t p o w e r f u l t o o l s I k n o w a b o u t for
coping with information overload and d o c u m e n t shock. It is no
l o n g e r f e a s i b l e t o e x p e c t a n y o n e p e r s o n t o m a s t e r all t h e
information on a given topic. Instead, use the P h o t o R e a d i n g
whole mind system to create a regular process of sharing
information across departments and areas of expertise.
If y o u w i s h to use this process in a structured w a y , the
following format describes e a c h step. U s e it w h e n e v e r several
people need to share an u n d e r s t a n d i n g of a d o c u m e n t .

1. Pre-Session Assignment
The beginning of the process includes a m e m o from the
group leader with the reading assignment attached. The m e m o
states the purpose and intended o u t c o m e of the meeting.
2. Individual Preparation
C o m p l e t e the assigned reading in stages:
• P r e p a r e (one to t w o m i n u t e s ) .
• P r e v i e w the material (three to eight m i n u t e s ) .
• P h o t o R e a d (one to three m i n u t e s ) .
• Optional: super read and dip (ten m i n u t e s m a x i m u m ) .
• Before sleep, visualize activating the materials and
successfully a c c o m p l i s h i n g the group's o u t c o m e .
3. Group Activation
Restate the g r o u p ' s intent. S u m m a r i z e the reading by
describing the d o c u m e n t in general terms, discussing the type of
r e p o r t o r a r t i c l e , t h e m a i n p o i n t o f it, a n d q u e s t i o n s t h e a u t h o r
addresses.
Next, a s s i g n the sections to be a n a l y z e d a n d the specific
kind of analysis y o u w a n t from each person. For example, one
p e r s o n could look at the report from the position of a m a n a g e m e n t
expert. O n e p e r s o n could explore the p r o b l e m s raised. A n o t h e r
p e r s o n could e x a m i n e short range implications.
A s k e a c h group m e m b e r to rapid read the assigned section
o r s u p e r r e a d t h e e n t i r e t e x t for t h e k e y i d e a s t h e y a r e e x p l o r i n g .
R e m e m b e r t o s p e c i f y t h e t i m e for c o m p l e t i n g t h e t a s k . ( T r a i n e d
P h o t o R e a d e r s g e n e r a l l y a c t i v a t e a fifteen t o t h i r t y p a g e r e p o r t i n
seven to twelve minutes.)
Group Activation 95

4. Discussion—Analytical Format
Outline the structure and content of the entire d o c u m e n t :
• List trigger w o r d s . W h a t are their m e a n i n g s ? Do t h o s e
m e a n i n g s shift a t a n y p o i n t i n t h e t e x t ? ( R e f e r b a c k t o C h a p t e r 4
o n p r e v i e w i n g for i n f o r m a t i o n o n t h i s . )
• List the m a i n propositions. W h a t ideas capture the opinion
a n d facts p r e s e n t e d i n the d o c u m e n t ? A r r a n g e t h e s e o p i n i o n s
a n d facts in a l o g i c a l s e q u e n c e to d i s c o v e r the k e y a r g u m e n t s . If
y o u find t h e c o n c l u s i o n first, t h e n l o o k for t h e s u p p o r t i n g r e a s o n s .
I f y o u f i n d t h e r e a s o n s first, s e e w h e r e t h e y l e a d .
• Examine the defined problems and the proposed
solutions. W h a t p r o b l e m s does the author solve? Are there any
that r e m a i n u n s o l v e d ?
• Critique the text. D i s c u s s the merits and d r a w b a c k s of
the ideas presented. W h a t arguments do y o u agree with? W h a t
are the points of d i s a g r e e m e n t ?
Discussion—Creative Format
Y o u r group might choose to engage in a creative discussion
instead of an analytical one. If that is the case, this format will be
more appropriate.
• D e s c r i b e y o u r "feeling r e s p o n s e " to the written materials.
K e e p i n m i n d t h a t f e e l i n g s set a s t a g e for h o w i n f o r m a t i o n w i l l b e
interpreted.
• State the facts a n d i n f o r m a t i o n y o u h a v e r e c e i v e d from
the text.
• Conduct a brainstorming session about the meaning,
relationship, and r e l e v a n c e of this information to the group's
outcome.
• P l a n w h a t to do a b o u t all this i n f o r m a t i o n , a n d e s t a b l i s h
the group's next step.

The benefits of the P h o t o R e a d i n g whole mind system can


ripple t h r o u g h o u t y o u r o r g a n i z a t i o n and c h a n g e the w a y y o u get
things done at work. Shared decision-making occurs w h e n
everyone shares the same base of information. Using these
t e c h n i q u e s , i n d i v i d u a l s k e e p u p w i t h a l m o s t n o effort o r s t r u g g l e .
A few m i n u t e s d e v o t e d to p r e v i e w i n g a n d P h o t o R e a d i n g at
night is not a major project. T a k i n g ten m i n u t e s in a m e e t i n g to
turn on the whole m i n d and activate relevant information with a
The PhotoReading Whole Mind System 96

strong purposeful approach to p r o b l e m solving is enormously


productive. W h e n sharing the activated information, the group is
totally focused on decision-making.

Succeed in any group

A l t h o u g h this chapter has focused on b u s i n e s s applications


of g r o u p activation, y o u can use these skills w h e n e v e r sharing
information with others. Consider book clubs as an excellent
opportunity to use and refine your PhotoReading skills.
Community libraries and bookstores c a n often refer y o u t o
e x i s t i n g g r o u p s that w e l c o m e n e w m e m b e r s . I f y o u c a n n o t find
o n e , start y o u r o w n !
Many PhotoReaders attend study groups within their
religious c o m m u n i t i e s . U s e the strategy outlined in this chapter
to study scripture and discover h o w quickly y o u gain the benefits
you seek. PhotoReading may be o n e o f the b e s t things for
supporting y o u r spiritual growth.
I f y o u a t t e n d c o l l e g e c l a s s e s , s o o n e r o r later y o u will find
yourself in a group project where reading is involved. Use the
t e c h n i q u e s p r e s e n t e d here t o e n s u r e y o u are a l w a y s p r e p a r e d .
The other group members will recognize your leadership
capabilities b e c a u s e of your a m a z i n g grasp of the information
you study.
A n o t h e r type of group, called success teams, are groups of
t h r e e t o five P h o t o R e a d e r s w h o m e e t r e g u l a r l y t o h e l p e a c h o t h e r
accomplish personal and professional development objectives. It
is a big c o m m i t m e n t to meet every m o n t h to P h o t o R e a d with
o t h e r s , b u t i t h a s a l w a y s p a i d off for t h o s e w h o h a v e d o n e it. F o r
m o r e i n f o r m a t i o n o n s u c c e s s t e a m s , P h o t o R e a d Teamworks! b y
Barbara Sher and A n n Gottlieb.

Get your group involved

H o w d o y o u get y o u r group m e m b e r s started today using


P h o t o R e a d i n g ? B u y c o p i e s o f this b o o k for t h e m . Tell t h e m t o
p r e v i e w and P h o t o R e a d the w h o l e b o o k , then activate j u s t this
chapter. Do y o u think that will stimulate their curiosity?
Group Activation 97

Seriously, it is a g o o d idea that e v e r y o n e learn these skills.


Tell t h e m to use the guide at the b e g i n n i n g called " H o w to R e a d
This Book" and r e a d the b o o k to L e v e l 2. This is a o n e - h o u r
investment. Consider purchasing the PhotoReading Personal
Learning Course. In it I will guide you through learning the
PhotoReading whole mind system on audio tape. This b o o k is
included with the package.
A n o t h e r w a y to get others i n v o l v e d is to b r i n g a certified
P h o t o R e a d i n g i n s t r u c t o r i n t o y o u r c o m p a n y o r c o m m u n i t y for a
t r a i n i n g . C a l l L e a r n i n g S t r a t e g i e s C o r p o r a t i o n n o w for i n f o r m a t i o n
on sponsoring an in-company training.
Y o u c a n say g o o d - b y e t o w o r r y i n g a b o u t h o w t o c o n t r i b u t e
in m e e t i n g s b e c a u s e y o u did not read the report. G o n e are the
nights of lugging papers h o m e , only to ignore them, and then
s h a m e f u l l y let t h e m p i l e . N o w y o u can stand up and take a
p o w e r f u l l e a d w h e r e v e r y o u a r e . I n f o r m a t i o n i s p o w e r for t h o s e
w h o k n o w h o w to access it and share it in useful w a y s .
S i m p l y d o it. T h e d e m o n s t r a t i o n s o f s u c c e s s w i l l h a p p e n .
Y o u c a n take specific steps to s t r e n g t h e n y o u r a p p l i c a t i o n of t h e s e
ideas as y o u learn h o w to...

Needing to learn French, a business w o m a n PhotoRead the English/French


dictionary repeatedly for two weeks before attending French classes at the
Berlitz school in Brussels. Each night after class, she PhotoRead the course
manuals and the dictionary. Within three days, she had advanced to the second
book. School administrators told her she was performing two and a half times
better than their previous best student.

An insurance salesman didn't have enough time to study for his exams, which
have always been difficult for him. He used the PhotoReading whole mind
system saying, "The worst that can happen is that I fail and have to retake the
class." He passed.

An office manager said retrieving misfiled files became very easy." I get into the
state for PhotoReading, and the files seem to j u m p out of the drawer at m e . "
10

Enrich Your PhotoReading


Experience

Y o u b e c o m e more skilled at P h o t o R e a d i n g w h e n y o u put


t h e t e c h n i q u e s t o w o r k for y o u . P l a i n a n d s i m p l e : j u s t d o it. U n l i k e
speed reading instructors that insist on endless repetition of
perfunctory drills, P h o t o R e a d i n g instructors e n c o u r a g e t a k i n g
relaxed, playful, and explorative interactions with reading
m a t e r i a l s . D o i n g s o p r o m o t e s fast, c o n t i n u o u s s k i l l d e v e l o p m e n t .
The concept of "no pain, no g a i n " is absurd w h e n it c o m e s
to matters of the mind. Y o u simply cannot b e c o m e skilled at
P h o t o R e a d i n g while b e a t i n g yourself up. U s i n g the steps of the
P h o t o R e a d i n g w h o l e m i n d s y s t e m i n all r e a d i n g e n d e a v o r s h a s
p r o v e n to be the best route to b u i l d i n g skills.
I also enrich my use of the system w h e n I explore related
a r e a s o f self d e v e l o p m e n t . D i s c o v e r for y o u r s e l f t h a t b e c o m i n g
m o r e skilled with elements of P h o t o R e a d i n g actually i m p r o v e s
t h e q u a l i t y o f y o u r e n t i r e life.

Cultivate the eye-mind connection

E x t r e m e l y fast r e a d e r s a r e v i s u a l r e a d e r s . T h e y r e l y o n a
direct connection b e t w e e n the eye and the brain. They do not
n e e d t o s u b v o c a l i z e — t h a t is, m e n t a l l y h e a r t h e w o r d s o n t h e
page—in order to comprehend written materials. Studies indicate
that subvocalizing is not critical to c o m p r e h e n s i o n .
D e p e n d on y o u r eyes alone to deliver the information y o u
w a n t from reading. M a n y of us have spent years d e v e l o p i n g a
Enrich Your PhotoReading Experience 99

conflicting habit: receiving visual and auditory signals in order to


u n d e r s t a n d o u r r e a d i n g . Y o u r b r a i n m o s t likely w i l l not adjust t o
a t o t a l shift o v e r n i g h t . T o e n c o u r a g e y o u r d e v e l o p m e n t , r e l a x
w h e n y o u r e a d . D o n o t s w e a t t h e c o m p r e h e n s i o n o n t h e first o r
s e c o n d p a s s t h r o u g h m a t e r i a l . A n d p r a i s e y o u r s e l f for d o i n g a n y
a n d all t e c h n i q u e s o f t h e P h o t o R e a d i n g w h o l e m i n d s y s t e m .

Consider vision training

V i s i o n Therapy, also k n o w n as Functional V i s i o n Training


or Sensory Perceptual Training, may be a way to advance y o u r
r e a d i n g skills. Such training strengthens your eyes and y o u r
b r a i n ' s ability to p r o c e s s w r i t t e n information.
V i s i o n t r a i n i n g I r e c e i v e d i n c l u d e d e x e r c i s e s for c o n v e r g i n g
a n d d i v e r g i n g t h e e y e s , a c c o m m o d a t i n g m y f o c u s f r o m far t o
near, tracking m o v i n g objects smoothly, e x p a n d i n g short t e r m
visual memory storage, and enlarging my peripheral vision.
D e v e l o p i n g these skills results in a stronger, m o r e b a l a n c e d
v i s u a l s y s t e m . T h e p a y o f f i s t r e m e n d o u s e f f i c i e n c y i n all v i s u a l
tasks, especially reading.

Expand your peripheral awareness

Developing peripheral awareness involves looking at y o u r 31


v i s u a l field a n d n o t i c i n g w h a t e v e r i s not i n h a r d focus. The
objective is to pull in information that usually eludes the conscious
mind. T h e benefit is that information in this other 99 p e r c e n t of
t h e v i s u a l field c a n b e a t t e n d e d t o , and r e s p o n d e d to, w i t h
r e m a r k a b l e efficiency.
Pupil dilation increases peripheral vision. This occurs
naturally w h e n light intensity decreases or w h e n the eyes diverge,
as in the P h o t o F o c u s state. As an aid to this process, I r e c o m m e n d
t h a t y o u P h o t o R e a d i n w a r m e r , softer l i g h t .
P h o t o R e a d i n g i s d e s i g n e d t o o p e n o u r v i s u a l field. L i k e
removing the "flight b l i n d e r s " of a student pilot, p r a c t i c i n g
P h o t o R e a d i n g h e l p s y o u n o t i c e m o r e o f w h a t i s t h e r e i n front o f
you—for example, the edges of the b o o k rather than a single
word or word phrase.
The PhotoReading Whole Mind System 100

There are other applications for i n c r e a s e d peripheral


a w a r e n e s s . W i t h it, y o u i n c r e a s e y o u r r e s p o n s i v e n e s s t o v i s u a l
cues in the environment. T h e applications b e c o m e limitless. For
example, you can drive more defensively, increase your
proficiency in sports such as racquetball and tennis, respond
better w h e n playing cards, sing in choirs with greater ease,
f u n c t i o n i n a b u s y office e n v i r o n m e n t m o r e e a s i l y , f i n d i t e m s i n
stores m o r e quickly, and increase y o u r typing speed.
Here are some simple ways to work with peripheral
awareness:
• W h e n driving the car and looking d o w n the road, notice
the sides of the road, pick out m o v e m e n t s in the side v i e w
mirrors, and read billboards without looking at them.
• W a l k w i t h a soft g a z e , l o o k i n g a t a p o i n t o n t h e h o r i z o n ,
and take in the wide p a n o r a m a of the world around you.
• W h e n in conversation, notice w h a t items of clothing or
j e w e l r y p e o p l e are w e a r i n g w h i l e l o o k i n g only at their face.
• W h e n P h o t o R e a d i n g , pay attention to the edges of the
b o o k or the spaces b e t w e e n the paragraphs.
• W o r k w i t h a m a r t i a l arts expert. T h e s c h o o l s of T'ai Chi
a n d A i k i d o , w h i c h are c o n s i d e r e d the " s o f t e r " f o r m s , are ideal.
• P h o t o R e a d b o o k s that t e a c h this k i n d of open, relaxed
a w a r e n e s s . B o o k s o n Z e n and m e d i t a t i o n are excellent r e s o u r c e s .
T h e Inner Game b o o k s b y T i m G a l l w e y d e s c r i b e m a n y o f t h e
concepts of Zen meditation in an application-oriented,
Westernized way. T h e s e b o o k s suggest m a n y exercises that
b u i l d skills related to P h o t o R e a d i n g .
After PhotoReading books on meditation and open
a w a r e n e s s , d o n o t a c t i v a t e t h e m m a n u a l l y for a f e w d a y s a n d
notice what happens. Let y o u r magnificent brain surprise and
delight y o u w i t h i n c r e a s e d skills. N o t i c e y o u r e x p e r i e n c e and
discover that magical m o m e n t s b e c o m e more c o m m o n p l a c e as
t h e q u a l i t y o f y o u r life i m p r o v e s . S e e C h a p t e r 1 3 , " D i s c o v e r Y o u r
G e n i u s P o t e n t i a l W i t h D i r e c t L e a r n i n g , " for m o r e i n s i g h t i n t o
h o w this w o r k s .

Enter states of relaxed alertness

D e c a d e s of r e s e a r c h s h o w us that o u r best r e s o u r c e s for


Enrich Your PhotoReading Experience 101

learning a n d p e r s o n a l d e v e l o p m e n t are not available to us w h e n


w e c a l l o n o u r c o n s c i o u s m i n d , t h e p a r t t h a t u s e s t h e five s e n s e s
and focuses outwardly. An expanded range of brain resources
are a v a i l a b l e as we c h a n g e o u r state of c o n s c i o u s a w a r e n e s s to a
m o r e i n w a r d focus and rely on i n n e r senses to u n d e r s t a n d the
world. U s i n g the e x p a n d e d processing capabilities of the brain
we can accelerate learning, i m p r o v e sport performance, and
enhance personal development.
Y o u may k n o w that the h u m a n brain produces an electrical
frequency. The w a v e s of electrical energy can be m e a s u r e d in
Hertz (Hz) or cycles per second (cps) w i t h a device k n o w n as an
electroencephalograph (EEG). The brain normally operates in a
range of frequencies from 1 to 3 0+ cycles p e r second (cps).
S m a l l e r frequency r a n g e s w i t h i n the n o r m a l r a n g e are a s s o c i a t e d
w i t h a variety of b r a i n functions or capabilities.
D r . F. N o a h G o r d o n , in h i s b o o k Magical Classroom, d e s c r i b e s
the smaller frequency ranges as "brain channels," similar to radio
or television channels. At each frequency setting, different
information is available to us. As with changing channels on the
television, we can change our brain channels and access more of
t h e b r a i n ' s full p o t e n t i a l .
T h e four c h a n n e l s are major states of a w a r e n e s s that are on
c a l l f o r e a c h o f u s a t all t i m e s . T h e s e c h a n n e l s a r e :
C h a n n e l 1—Action C h a n n e l (16-30 cps), associated w i t h
o u t w a r d p e r f o r m a n c e , critical thinking, and stress.
Channel 2—Relaxation Channel (12-15 cps), a stress-release
gate o p e n i n g i n w a r d to physically and mentally alert states.
Channel 3—Learning Channel (8-12 cps), the h o m e of the
real learner w h e r e we p r o c e s s n e w learning, associated w i t h
c a l m , effortless, r e l a x e d i n n e r a w a r e n e s s .
C h a n n e l 4 — H i g h Creativity / P a t t e r n - M a k e r C h a n n e l (5-7
cps), the place of highest resources and super abilities, associated
w i t h r e v e r i e , i n t u i t i o n , c r e a t i v i t y , a n d t h e g e n i u s self.
I have conducted numerous EEG measurements on
P h o t o R e a d e r s u s i n g a device called the Interactive B r a i n w a v e
V i s u a l A n a l y z e r ( p r o d u c e d b y I B V A T e c h n o l o g i e s ) . A u n i q u e set
of frequencies are reliably p r o d u c e d w h e n someone enters
PhotoFocus and P h o t o R e a d s a book. This characteristic "brain
signature" appears almost instantaneously upon entering
The PhotoReading Wliole Mind System 102

P h o t o F o c u s , s u g g e s t i n g t h a t t h e i d e a l b r a i n s t a t e for P h o t o R e a d i n g
m a y be linked m o r e to the state of the e y e s t h a n to the p h y s i c a l
relaxation of the b o d y . H o w e v e r , those w h o learn to m a i n t a i n
states of relaxed alertness h a v e the easiest time d e v e l o p i n g their
P h o t o R e a d i n g skills.
F o l l o w the i n s t r u c t i o n s offered in C h a p t e r 5 and enter
a c c e l e r a t i v e l e a r n i n g state. N o t i c e that y o u c a n c h a n g e the quality
of t h i n k i n g and feeling at will. In turn, this state will influence
y o u r physiology such as the a u t o n o m i c nervous system, heart
rate, pupil dilation, perspiration, and adrenaline secretion. All
these functions are controlled at n o n c o n s c i o u s level. This m e a n s
that peaceful thoughts can register directly in the b o d y .
I t follows t h a t w h e n y o u are p h y s i c a l l y r e l a x e d a n d m e n t a l l y
alert y o u h a v e the m o s t flexibility a n d control o v e r the w a y y o u
t h i n k a n d feel. S i n c e l e a r n i n g i s a p r o c e s s o f c h a n g i n g t h e w a y y o u
t h i n k a n d feel, learning c a n take place m o s t easily in this
accelerative learning state.
T o s t r e n g t h e n y o u r skill a t a c h i e v i n g r e l a x e d a l e r t n e s s :
• Establish simple control over diet and exercise. A strong
and well nourished body and brain lead to a balanced and
h e a l t h y m i n d . E a t l o w fat, l o w s u g a r f o o d s . F o r P h o t o R e a d i n g ,
drink lots of w a t e r b e c a u s e w a t e r helps the b l o o d carry o x y g e n to
the brain.
• Take a m o m e n t n o w and then to breathe with deep
inhalations and slow exhalations. Notice the relaxation and
s o o t h i n g feelings w h i c h flow comfortably t h r o u g h y o u r b o d y .
• Listen to Paraliminal tapes and other relaxing audio
programs.
• P h o t o R e a d relevant b o o k s on autogenic training, self-
hypnosis, guided fantasy, Silva methods, meditation, and
contemplative prayer. R e m e m b e r , you do not have to activate
e v e r y b o o k i n o r d e r for t h e c o n c e p t s t o b e n e f i t y o u r life.
• Explore meditation. Y o u will discover countless varieties
including, Y o g a and Zen. M a n y reputable teachers and centers
throughout the world teach courses in meditation.
• Use Qigong (pronounced "chee gung"), the Chinese
s y s t e m o f f o c u s e d c o n c e n t r a t i o n a n d b r e a t h i n g . A n e x c e l l e n t self-
study course in these techniques is available t h r o u g h L e a r n i n g
Strategies Corporation.
Enrich Your PhotoReading Experience 103

Use supportive audio tapes

A p r o v e n w a y to reinforce and enrich w h o l e m i n d reading


skills is w i t h the use of a u d i o cassette t a p e s . T h e b e s t t a p e s affirm
y o u r abilities to learn, relax, and establish n e w b e h a v i o r s . U s e
t h e m often.
I developed Paraliminal tapes w h i c h combine progressive
relaxation with the technology of N L P . These tapes blend separate
tracks of narration. O n e track is m o r e analytical and "left-brained,"
guiding y o u in a step-by-step process to help y o u accomplish
y o u r goal. A n o t h e r track is m o r e "right-brained," u s i n g stories
and symbolic imagery to reinforce the tape's central message.
Paraliminal tapes contain no subliminal m e s s a g e s and are
not designed to induce hypnotic trances. Rather, they actually
b r e a k the negative or self-limiting trances that h a v e kept so m a n y
people stuck and unresourceful.
S e v e r a l of t h e s e t a p e s are specifically d e s i g n e d to support
the steps of the w h o l e m i n d system.
Personal Genius h e l p s y o u g e t i n t o t h e f l o w s t a t e a n d u s e t h e
full r e s o u r c e s o f y o u r i n n e r m i n d f o r l e a r n i n g .
Memory Supercharger g i v e s y o u a c c e s s t o t h e v a s t m e m o r y
storage of y o u r w h o l e brain. U s e this tape before a p r e s e n t a t i o n
or e x a m to help you perform at your best.
Automatic Pilot h e l p s y o u g e t i n t o t h e f l o w s t a t e a n d m o v e
toward your goals without self-
s a b o t a g e . T h i s t a p e is g r e a t if y o u Paraliminal Tapes and other
p r o d u c t s b y P a u l S c h e e l e a r e
habitually talk yourself out o f reading
available from Learning
things y o u want or need.
J
° Strategies Corporation at
Get Around To It h e l p s e l i m i n a t e 900 East Wayzata Boulevard,
procrastination and motivates y o u to Wayzata, Minnesota 5 5 3 9 1 .
F e e l f r e e t o c a N 8 0 0 - 7 3 5 ¬
t a k e a c t i o n n o w . I f y o u find y o u r s e l f
,. „ 8273 or 9 5 2 - 4 7 6 - 9 2 0 0 , and
p u t t i n g off r e a d i n g , t h e n t h i s t a p e c a n
ask for a free catalog.
r e a l l y h e l p .
Also visit our w e b s i t e :
New Behavior Generator helps www.LearningStrategies com
establish the habit of reading and
overcome resistance.
New History Generator h e l p s o v e r c o m e a h i s t o r y of b e i n g a
poor reader or of not being good at school.
Anxiety-Free helps overcome anxieties around reading,
The PhotoReading Whole Mind System 104

t a k i n g t e s t s , a n d t a k i n g r e s p o n s i b i l i t y for y o u r o w n s u c c e s s .
Beliefhelps change limiting beliefs which may keep you
f r o m e n j o y i n g all t h e b e n e f i t s o f t h e P h o t o R e a d i n g w h o l e m i n d
system.
Dream Play h e l p s y o u p r o g r a m a n d r e c a l l y o u r d r e a m s
w h i c h c a n b e a n e f f e c t i v e a c t i v a t i o n t o o l for P h o t o R e a d i n g .
Prosperity h e l p s y o u e n j o y t h e b e n e f i t s o f P h o t o R e a d i n g b y
attracting p r o m o t i o n s , h i g h e r productivity, b e t t e r grades, etc.
Deep Relaxation helps access the P h o t o R e a d i n g state of
relaxed alertness.
Self-Esteem Supercharger h e l p s b u i l d a p o s i t i v e self-concept.
10-Minute Supercharger h e l p s your mind become mentally
a l e r t a n d p h y s i c a l l y r e v i t a l i z e d . I t i s g r e a t for l o n g s t u d y s e s s i o n s .

Establish outcomes; raise commitment

H a v i n g clear, well-formed goals is essential to a c h i e v i n g


m e a n i n g f u l r e s u l t s i n life. T h e b r a i n i s a g o a l - s e e k i n g d e v i c e a n d
m u s t a i m at a specific t a r g e t in o r d e r to hit the m a r k . To a c h i e v e
significant benefit from P h o t o R e a d i n g , continually set c l e a r
targets. Establish a purpose each time y o u read. S o m e suggested
w a y s to support this activity are these:
• I n c l u d e a n o t e o n y o u r d a i l y "to d o " l i s t t o u s e t h e
P h o t o R e a d i n g w h o l e m i n d s y s t e m . I n t e g r a t i o n o f these skills
happens as y o u apply them. Do not worry about practicing them;
simply use t h e m w h e n e v e r you read. The word "practice" implies
artificially created t i m e to do s o m e t h i n g y o u h a v e to do. T a k e the
p r e s s u r e off a n d j u s t a d d t h i s w h o l e m i n d a p p r o a c h t o h a n d l e
y o u r everyday reading priorities.
• Set specific reading goals and share them with a
"PhotoReading buddy" who can review your progress. As you
e s t a b l i s h y o u r p u r p o s e for r e a d i n g , set y o u r s e l f u p t o w i n . R a t h e r
than pressuring yourself with goals y o u think you "should"
a c c o m p l i s h , set fun g o a l s w h i c h r e p r e s e n t w h a t y o u t r u l y w a n t .
S e t g o a l s w h i c h s t r e t c h y o u r c a p a b i l i t i e s ; a t t h e s a m e t i m e , set
goals you can reasonably accomplish.
• If you do not get the results you w a n t , go easy on
y o u r s e l f . K e e p p l a y i n g w i t h o p t i o n s . A f t e r all, i f y o u a l w a y s d o
w h a t y o u ' v e a l w a y s done, y o u will a l w a y s get w h a t y o u ' v e
Enrich Your PhotoReading Experience 105

a l w a y s gotten. Do things differently, confront old habits, a n d


affirm y o u r m i n d ' s p o t e n t i a l .
• N o t i c e y o u r progress. K e e p track of any concrete indicator
of success in the direction of y o u r goals. Let go of perfectionistic
t e n d e n c i e s that e x p e c t only total success or c o m p l e t e failure.
C e l e b r a t e all o f y o u r s u c c e s s e s , n o m a t t e r h o w s m a l l t h e s t e p m a y
be toward y o u r end goal.

Use memory techniques

T h e "tip o f the t o n g u e " p h e n o m e n o n i s a n e x a m p l e o f


k n o w i n g something but not being able to consciously articulate
it. F o r m a n y p e o p l e , t h i s i s c o m m o n w i t h r e m e m b e r i n g n a m e s .
The best technique of letting information b u b b l e up from
the o t h e r - t h a n - c o n s c i o u s m i n d into the c o n s c i o u s m i n d is to give
y o u r s e l f t h e s p a c e t o r e m e m b e r . F o r e x a m p l e , tell yourself: " I
k n o w this person's n a m e . His n a m e is c o m i n g to me n o w . " T h e n ,
d i s m i s s t h e i s s u e f r o m y o u r m i n d a n d a l l o w y o u r m i n d t o r e t r i e v e it.
C o n s i d e r t h i s r u l e : want it to h a p p e n ; expect it to h a p p e n ; g e t
o u t o f t h e w a y a n d let i t h a p p e n . T h i s i s t h e e s s e n c e o f a p o s i t i v e
attitude t o w a r d s yourself. It represents a basic trust that y o u r
m i n d is powerful and capable, ready to serve y o u w h e n e v e r y o u
want. A p o s i t i v e faith in the integrity of y o u r m i n d is the
cornerstone of successful w h o l e m i n d reading.

Play with your dreams

The brain naturally uses dreams to process information that


it received preconsciously. Noticing y o u r dreams help activate
books you have PhotoRead because w h e n you remember your
dreams, you build a bridge to your conscious and nonconscious
mind. In turn, this gives y o u m o r e c o n s c i o u s access to the vast
"data b a n k " of the brain.
P l a y w i t h n o t i c i n g y o u r d r e a m s . A t first, s i m p l y r e m e m b e r
y o u r d r e a m s w h e n y o u a w a k e n . A s y o u d o s o , y o u m a y find
yourself having lucid dreams—those in which you consciously
respond to the events of y o u r dream. The m o r e frequently y o u
r e m e m b e r d r e a m s , and the clearer and m o r e detailed y o u r d r e a m
i m a g e s , the m o r e likely y o u are to h a v e lucid d r e a m s .
The PhotoReading Whole Mind System 106

M o t i v a t i o n i s k e y . F o r t h e m o s t part, i f y o u w a n t t o r e m e m b e r
y o u r dreams, you will. For m a n y people, simply having the
intention to r e m e m b e r and reminding themselves of this intention
just before going to bed is enough.
To strengthen this resolve, k e e p p e n and p a p e r b e s i d e y o u r
bed, and create a mind m a p of y o u r dreams every time y o u w a k e
u p . T h i s activity h e l p s y o u r e m e m b e r m o r e d r e a m s i n the future.
A n o t h e r m e t h o d for r e m e m b e r i n g d r e a m s i s a s k i n g y o u r s e l f
each time you wake up: what was I just dreaming? This must be
y o u r first t h o u g h t u p o n a w a k e n i n g ; o t h e r w i s e , y o u m a y f o r g e t
s o m e o r all o f t h e d r e a m .
B e p a t i e n t a s y o u try t o r e m e m b e r d r e a m s . When you
a w a k e n in the morning, do not m o v e or think of anything else.
Pieces and fragments of the d r e a m will c o m e to you. E x a m i n e
y o u r t h o u g h t s a n d f e e l i n g s a s y o u lie i n b e d . T h i s o f t e n p r o v i d e s
t h e n e c e s s a r y c u e s for r e t r i e v i n g t h e e n t i r e d r e a m . K e e p a t it, e v e n
i f y o u r e c a l l n o t h i n g o f y o u r d r e a m s a t first.
I d e v e l o p e d t h e Dream Play P a r a l i m i n a l t a p e to a i d in
recalling d r e a m s . Y o u can also use this b o o k as a springboard
t o n i g h t . M u c h o f t h i s b o o k i s filled w i t h i n f o r m a t i o n t h a t w i l l
c h a n g e the w a y y o u look at printed p a g e s forever. This b o o k can
help y o u tap into the powerful reserves of y o u r brain. U s e it as
one of the m a n y tools at h a n d by P h o t o R e a d i n g it before y o u
sleep.

Take the PhotoReading seminar

E n r o l l in a P h o t o R e a d i n g seminar. T h e s e m i n a r is different
than the b o o k in that y o u will be assisted by a professionally
trained, L e a r n i n g Strategies C o r p o r a t i o n certified, P h o t o R e a d i n g
instructor w h o uses special student course material published by
us. E a c h instructor has guided the individual successes of m a n y
participants before you. Y o u r individual needs and questions can
be addressed as y o u think of them. M o r e in-depth illustrations
a n d e x a m p l e s are offered that m e e t y o u r l e a r n i n g style. P l u s ,
m a n y e x p e r i e n c e s d u r i n g t h e s e m i n a r c a n n o t b e fully d e s c r i b e d
i n b o o k form. T h e y b r i n g rich m e a n i n g t o the chapters y o u h a v e
read here.
Enrich Your PhotoReading Experience 107

In addition to learning the t e c h n i q u e s , y o u will learn:


• H o w to P h o t o R e a d and activate your brain to achieve
your reading goals with higher comprehension.
• H o w to reliably enter the a c c e l e r a t i v e l e a r n i n g state in a
matter of moments.
• H o w to o p e n y o u r p e r c e p t u a l field and see w i t h y o u r
mind what cannot be perceived by your eyes.
• H o w to instantly balance the hemispheres of y o u r brain
with simple physical movement, thereby making reading more
effective.
• H o w t o p r o g r a m y o u r m i n d for n e w h a b i t a c q u i s i t i o n
a n d help b r e a k the c o m p u l s i o n t o read w i t h inefficient r e a d i n g
techniques.
• H o w to use your dreams as an activation technique.
• H o w to m a k e friends w i t h y o u r inner mind, trusting
y o u r intuitive guidance to solve p r o b l e m s using the vast data
base of your nonconscious reserves of mind.
The biggest advantage to attending an intensive seminar
setting is the p o w e r of doing something and getting feedback.
D u r i n g the seminar, y o u will P h o t o R e a d and activate b o o k s
u s i n g all t h e t e c h n i q u e s d e s c r i b e d i n t h i s b o o k . W e e v e n t e a c h
y o u h o w to P h o t o R e a d a dictionary, think of a word, and k n o w
w h e r e it is on the page.
W h e n y o u meet others with like-minded attitudes in a
course, y o u gain the support needed to get y o u through the stages
of learning. Y o u m a y e v e n find s o m e n e w friends in the process.

Use the PhotoReading Personal Learning Course

I never enjoyed learning from "self-study" tape p r o g r a m s .


S o , w h e n i t c a m e t i m e for t o p r o d u c e o n e , i t h a d t o b e o n e I w a n t e d
t o h e a r . A f t e r e i g h t e e n m o n t h s o f d e v e l o p m e n t , t h e PhotoReading
Personal Learning Course w a s r e a d y to s h i p to o u r e a g e r c u s t o m e r s .
It t u r n e d out to be a smash-hit.
I r e c e i v e d a call from the h u m a n r e s o u r c e s d i r e c t o r at a l a r g e
Minnesota business w h o asked, "Would you be open to some
feedback on y o u r c o u r s e . " I g u l p e d o n c e and said, " S u r e . "
D r e a d i n g the worse, I was a m a z e d at the praise he lavished
u p o n m e . " I w a n t e d t o let y o u k n o w t h i s i s t h e b e s t t a p e l e a r n i n g
The PhotoReading Whole Mind System 108

program I have ever used, a n d I've o w n e d a lot of t h e m .


C o n g r a t u l a t i o n s o n e x c e l l e n t w o r k . " I s i g h e d i n relief.
" Y o u w o u l d n e v e r get me into a s e m i n a r , " he said. " I ' m j u s t
not comfortable w i t h the typical level of self-disclosure involved
i n public p r o g r a m s . Y o u r self-study p r o g r a m g a v e m e t r e m e n d o u s
p e r m i s s i o n to p r o c e e d at my o w n rate, w i t h explicit decision
p o i n t s t o g o o n o r s t o p . I f i n i s h e d t h e e n t i r e p r o g r a m i n five d a y s
by s p e n d i n g a f e w h o u r s e a c h a f t e r n o o n , I f i g u r e d a total of 15
hours."
I felt s i n c e r e l y a c k n o w l e d g e d . The diligent w o r k of the
g r e a t c r e w t h a t h e l p e d m e p u t t h e p r o g r a m t o g e t h e r h a d p a i d off.
N o t h i n g s u b s t i t u t e s for t h e p o w e r o f t h e l i v e s e m i n a r . B u t ,
the PhotoReading Personal Learning Course is an excellent alternative
i f s o m e o n e c a n n o t a t t e n d the P h o t o R e a d i n g s e m i n a r offered b y
certified instructors.
T h r o u g h o u t this b o o k I h a v e e n c o u r a g e d y o u to read other
b o o k s , enroll in the P h o t o R e a d i n g s e m i n a r or use the self-study
course, and listen to supportive audio p r o g r a m s such as my
Paraliminal tapes. I do this b e c a u s e , the m o r e information y o u
have, the m o r e a c c o m p l i s h e d y o u will be in truly using the innate
talents y o u possess. Explore the benefits y o u can achieve using
our p r o g r a m s listed at the b a c k of this b o o k .
B e free t o d i s c o v e r w h a t a u t h o r P e t e r K l i n e c a l l s "the
everyday genius" within you. I cannot convince anyone that they
p o s s e s s g e n i u s t a l e n t s . E a c h p e r s o n m u s t find this t r u t h w i t h i n .
M y s i n c e r e w i s h i s t h a t y o u d i s c o v e r t h i s t r u t h for y o u r s e l f .
As you strengthen your eye-mind connection, expand
peripheral awareness, cultivate powerful mental states, and
r e m e m b e r y o u r d r e a m s , y o u will d e e p e n and e x p a n d y o u r skills
at PhotoReading. Y o u will experience the culmination of y o u r
n e w skills a s y o u d i s c o v e r syntopic r e a d i n g i n C h a p t e r 1 1 .
11

Use Syntopic R e a d i n g for


Life-Long Exploration

My professor in graduate school told the class to pick a


s u b j e c t i n t h e field o f h u m a n r e s o u r c e m a n a g e m e n t . " G o r e a d all
t h e b o o k s y o u c a n find o n t h e s u b j e c t a n d w r i t e a t e n t o t w e n t y
p a g e report on w h a t y o u learn."
I found twelve b o o k s . U s i n g the P h o t o R e a d i n g w h o l e m i n d
s y s t e m I f i n i s h e d all t h e b o o k s a n d c o m p l e t e d a m i n d m a p o f m y
report—all in one afternoon. I w r o t e the report from t h e m i n d
m a p and turned it in.
W h e n the p a p e r w a s returned to me it h a d only t w o m a r k s
on it:" 1 0 0 % " and "Excellent!" N e v e r before in my u n d e r g r a d u a t e
or graduate w o r k had such a project ever b e e n so easy.
M y colleague Patricia D a n i e l s o n , w h o s e early c o n t r i b u t i o n s
to P h o t o R e a d i n g led me to call her c o - d e v e l o p e r , refined the idea
into an exercise called "syntopic reading." S h e originally tested
it in E u r o p e , and it p r o v e d wildly successful.
T h e syntopic reading exercise enriches the learning of
P h o t o R e a d i n g . T o s y n t o p i c a l l y r e a d , y o u m u s t d r a w u p o n all t h e
skills y o u h a v e d e v e l o p e d and go to the n e x t level of m a s t e r y .
I m a g i n e r e a d i n g t h r e e t o five b o o k s o n a s u b j e c t i n j u s t o n e
afternoon. Y o u can with the b a s i c steps of syntopic reading
described in this chapter.

How it works

L e t u s say y o u h a v e a n i n t e r e s t i n a s u b j e c t a n d find a b o o k
y o u really w a n t to read. By P h o t o R e a d i n g and activating three
The PhotoReading Whole Mind System 110

additional b o o k s o n the s a m e subject, y o u can k n o w the one b o o k


better. But here is the best n e w s : it takes less time to apply our
s y s t e m t o all f o u r b o o k s t h a n i t t a k e s t o r e a d o n e u s i n g y o u r o l d
reading techniques.
T h i n k of reading as a p a t h of lifelong exploration. As we
follow this path, we s o o n d i s c o v e r there are o p p o s i n g v i e w p o i n t s
o n e v e r y significant t o p i c . F o r the skilled reader, differing v i e w s
create a tension that invites the next level of resolution. Syntopic
reading provides a n e w v a n t a g e point and an easy route to the
synthesis of existing viewpoints.
P e o p l e w h o read well u n d e r s t a n d m a n y sides of a topic and
c o m e to their o w n conclusions. Syntopic reading ensures that
m o r e of y o u r ideas are b a s e d on y o u r o w n thinking. T h i s is d o n e
by exposing yourself to various viewpoints and choosing or
c o n s t r u c t i n g o n e t h a t u l t i m a t e l y r i n g s t r u e for y o u . Y o u r t r u t h
c o m e s from y o u r reasoning, overall k n o w l e d g e , and reflection on
e x p e r i e n c e — a n d not j u s t from the last b o o k y o u read. Often, i n
fact, y o u m u s t r e a d s e v e r a l b o o k s o n t h e s a m e s u b j e c t t o g a i n a
deeper understanding.
The experience of one PhotoReading student demonstrated
h o w easily she g a i n e d the a d v a n t a g e s of r e a d i n g multiple b o o k s
o n a s u b j e c t . S h e h a d r e t u r n e d t o s c h o o l 2 5 y e a r s after h i g h s c h o o l
to get her college degree in a local c o m m u n i t y college. Prior to
taking an essay e x a m in her history class, she P h o t o R e a d seven
b o o k s relating to the subject she w a s studying.
She b e a m e d as she d e s c r i b e d to me h o w the w o r d s flowed
during the exam. S h e h a d n e v e r felt s o r e l a x e d a n d c o n f i d e n t
during an essay e x a m , and she p r o u d l y added, "I got an A on the
exam!" She had naturally found the transition from P h o t o R e a d i n g
to syntopic reading.
S y n t o p i c r e a d i n g w a s first d e s c r i b e d fifty y e a r s a g o i n
M o r t i m e r A d l e r a n d C h a r l e s V a n D o r e n ' s c l a s s i c t e x t How t o Read
a Book. A d l e r c o n s i d e r e d the t h i n k i n g skills u s e d in syntopic
reading to be the ultimate goal of a well-read person. We added
the skills of the P h o t o R e a d i n g w h o l e m i n d s y s t e m to syntopic
r e a d i n g to h e l p s y n t h e s i z e ideas m o r e efficiently.
O n e m a n in a class of m i n e w a s in a university doctoral
program in education. Writing papers had always been a time-
c o n s u m i n g p r o b l e m for h i m . He w o u l d have to read several
Syntopic Reading for Life-Long Exploration 111

b o o k s , distill the information, g e n e r a t e his o w n ideas, a n d w r i t e


the p a p e r . After l e a r n i n g s y n t o p i c reading, he a p p l i e d his skills to
writing papers. He called me several m o n t h s later. "This is
unbelievable!" he exclaimed. "I c a n n o t tell y o u h o w easy
P h o t o R e a d i n g h a s m a d e i t for m e . I c a n finish, i n o n e a f t e r n o o n ,
a paper that used to take me two or three days."
H o w c a n i t b e ? I t i s all i n t h e b a s i c s t e p s o f w h o l e m i n d
syntopic reading w h i c h follow:

1. Establish a purpose

T h e first a c t i v e s t e p o f s y n t o p i c r e a d i n g i s t o s t a t e a p u r p o s e
pt I 0 1
t h a t h a s m e a n i n g a n d v a l u e for y o u . 3
?
^ , . • , „ Read,
Be clear a n d specific—it is crucial. S u p p o s e y o u r p u r p o s e is ,„,„„(
to l e a r n m o n e y m a n a g e m e n t strategies. An effective p u r p o s e all 1 0
statement could be: steps
• I w a n t to l e a r n effective m e t h o d s to save m o n e y and
invest wisely so I can build my financial i n d e p e n d e n c e .
T h a t statement is clear and specifies a p u r p o s e w i t h p e r s o n a l
m e a n i n g . M e a n i n g also increases long-term retention. N o t i c e
h o w m u c h m o r e kick it has t h a n a b r o a d e r s t a t e m e n t like "I w a n t
to learn m o r e about financial planning."

2. Create a bibliography

T h e s e c o n d active step is to create a b i b l i o g r a p h y — a list of


b o o k s that y o u p l a n to read. P r e v i e w y o u r b o o k s to d e t e r m i n e if
t h e y fit y o u r p u r p o s e . F o r t h i s e x e r c i s e , c h o o s e n o n f i c t i o n b o o k s
by different authors on a subject that you really want
to understand.

3. PhotoRead all materials the day before activating

The mind needs incubation time to create new connections.


P h o t o R e a d y o u r selected b o o k s the day before y o u plan to
activate them. P h o t o R e a d i n g m a k e s the difference in y o u r ability
t o p r o c e s s i d e a s a t h i g h s p e e d s . D u r i n g sleep, y o u r b r a i n finds
w a y s to categorize information exposed to it during PhotoReading.
The PhotoReading Whole Mind System 111

Keymnt
s related.
v to theme to theme
Title S
' l U e
Author j Keywtnt

/ tothfime.
KATwnt
retorted.
to theme Theme 1
iei
3>
to theme
\
A
Theme

TurpoSft

Ky-pxiit
A
4
related
b theme Theme 3 A to theme

re(Aie<± . Ttle
I Ltte \ YeLcded.
to theme. . AuhrjT
Author I to theme.

T
retaKed. Yetted.
to theme to theme

( W r i t e t h e w o r d s about t h e m a j o r thentes a n d c o n c e p t s
a r o u n d the e d g e s . T h e s e are y o u r o w n w o r d s t o describe the t o p i c
as a w h i l e . )
Syntopic Reading for Life-Long Exploration 113

4. Create a giant mind map

T a k e out y o u r b o o k s , a large sheet of paper, and colored


m a r k e r s for m i n d m a p p i n g . U s e m i n d m a p p i n g for m a k i n g n o t e s
during the remaining steps of syntopic reading. L o o k at the chart
s h o w n a s a s u g g e s t i o n for h o w t o o r g a n i z e y o u r m i n d m a p . Y o u r
initial statement of p u r p o s e t a k e s a p r o m i n e n t p l a c e in the center
of your sheet of paper. Leave e n o u g h r o o m to revise your
p u r p o s e statement later if y o u desire. T h e p u r p o s e statement in
the center will help remind y o u that y o u r m i n d m a p is about your
p u r p o s e , n o t a b o u t t h e b o o k s . U s e i t t o c a p t u r e m a t e r i a l f r o m all t h e
b o o k s that speak to y o u r purpose. T h e content of any i n d i v i d u a l
b o o k takes less priority over the i m p o r t a n c e of y o u r purpose.

5. Find relevant passages

Super read and dip through each of the b o o k s finding


p a s s a g e s relevant to y o u r purpose. In this step, y o u r p u r p o s e
reigns s u p r e m e o v e r the p u r p o s e s o f the a u t h o r s . T h e r e a s o n for
holding y o u r purpose as the guiding light is to pull out the
otherwise obscure passages that can serve y o u r purpose. Continue
m i n d m a p p i n g t h e p a s s a g e s y o u find.
Let go of y o u r desire to read in too m u c h detail at this point.
U s e only light dipping t h r o u g h o u t the b o o k s , and restrict y o u r
d i p p i n g t o r e l e v a n t p a s s a g e s . Y o u m a y find d u r i n g this step that
y o u r purpose statement will be refined as the complexities of the
topic b e c o m e clearer.
T h i n k of this as a discussion w i t h the authors of these b o o k s .
I m a g i n e these authors sitting a r o u n d in a circle with you. A s k
t h e m a q u e s t i o n a n d let t h e m s p e a k t o y o u r p u r p o s e . T h e o b j e c t i v e
is not to understand their b o o k s ; it is to understand y o u r purpose.

6. Summarize in your own words

If y o u step b a c k and look at y o u r m i n d m a p , y o u will notice


a number of important concepts being addressed. Briefly
s u m m a r i z e w h a t y o u t h i n k a b o u t t h e s u b j e c t s o far.
It helps to create neutral, jargon-free terminology of y o u r
The PhotoReading Whole Mind System 114

o w n . Different a u t h o r s m a y use different w o r d s to say the s a m e


things. Finding a neutral set of t e r m s creates meaningful
associations and m a k e s the concepts your own.

7. Discover themes

E x p l o r e y o u r m i n d m a p a n d y o u r b o o k s for s i m i l a r i t i e s a n d
differences a m o n g the various authors' v i e w p o i n t s . W h e n y o u
reach this stage, y o u will b e g i n to u n c o v e r the central t h e m e s that
all o r m o s t o f t h e a u t h o r s a r e a t t e m p t i n g t o a d d r e s s . M a k e n o t e
of these.

8. Define the issues

W h e n authors have o p p o s i n g v i e w p o i n t s , these differences


are p o i n t s o f c o n t e n t i o n o r i s s u e s . U n c o v e r differing v i e w p o i n t s ,
a n d y o u will e n h a n c e y o u r k n o w l e d g e a b o u t the subject.
I n t h i s s t e p , y o u s u p e r r e a d a n d d i p t o find k e y p o i n t s
related to these issues. Picture yourself as an investigative reporter
in a r o o m with y o u r authors. Pose the central questions to each
of them.
Go quickly from one b o o k to another, answering one
q u e s t i o n at a t i m e . As s o o n as y o u find it in o n e b o o k , l e a v e that
b o o k a n d start flipping t h r o u g h the n e x t o n e .

9. Formulate your own view

As y o u discover issues and explore various viewpoints,


you automatically begin to synthesize your o w n viewpoint. Look
a t all s i d e s a n d t a k e n o s i d e s a t first. M a k e a d e l i b e r a t e effort t o
r e m a i n objective and avoid b e i n g partial in y o u r analysis.
After gathering enough information, create your own
position. Formulate y o u r o w n opinion based on y o u r research.

10. Apply

After c h o o s i n g y o u r p o s i t i o n o n the subject, you must


create an argument to s u p p o r t y o u r v i e w , b a s e d o n specific
i n f o r m a t i o n from y o u r b o o k s .
Syntopic Reading for Life-Long Exploration 115

O r d e r the key issues in such a w a y as to throw m o r e light on


t h e s u b j e c t . B e s p e c i f i c i n c r e a t i n g a n y a r g u m e n t for y o u r p o s i t i o n .
To add credibility to your argument y o u should be prepared to
quote y o u r sources. In this case, it helps to a l w a y s a c c o m p a n y a
statement of an author's v i e w with an actual quotation from the
text, referenced b y the p a g e n u m b e r . C r e a t e a n o t h e r m i n d m a p o f
y o u r v i e w p o i n t before writing a formal report. This saves time
and helps y o u present y o u r ideas clearly.
M o s t b u s i n e s s p e o p l e a n d s t u d e n t s fulfill t h e i r n e e d s b y t h e
e n d o f t h e p r e v i o u s s t e p . T h a t m a y b e a s far a s t h e y w a n t t o g o
w i t h t h e i r s u b j e c t . B u t for t h e p e r s o n w r i t i n g a c o l l e g e l e v e l p a p e r
or detailed b u s i n e s s report, this additional step is important.

H o w m u c h time do y o u expect to invest in syntopic reading?


W e s u g g e s t y o u t a k e o n l y t w o 4 5 - m i n u t e p e r i o d s for a c t i v a t i o n .
T h a t is all. T h e i n v e s t m e n t b e f o r e is a p p r o x i m a t e l y 10 to 15
minutes p e r b o o k to preview, and P h o t o R e a d . W h e n finished,
most participants recognize that they have achieved 80 to 90
percent of w h a t they really w a n t and need.
W h e n y o u s y n t o p i c a l l y r e a d t h r e e t o five b o o k s , y o u m a y
find o n e w o r t h y of further study, one that s e e m s to c a p t u r e the
subject m o s t concisely. If y o u are interested, c o m p l e t e y o u r study
of that b o o k using the activation steps of the P h o t o R e a d i n g w h o l e
m i n d s y s t e m . P e r h a p s a q u i c k r a p i d r e a d will be sufficient to
gather the remaining information y o u need. D e p e n d i n g u p o n the
subject and the b o o k , y o u m i g h t finish this in t w e n t y m i n u t e s or
four hours.

The cumulative power of syntopic reading

W h e n y o u l o o k a t all the a u t h o r s listed i n the b i b l i o g r a p h y


to this b o o k , y o u will see that these are sources from my syntopic
reading. Similarly, the P h o t o R e a d i n g seminar is a product of
examining many authors and many researchers. Many authors
c i t e d h e r e a l s o r e f e r e n c e d m a n y a u t h o r s — s o m e t i m e s fifty t o o n e
h u n d r e d different b o o k s a n d j o u r n a l s .
Every time y o u syntopically read, y o u have the a c c u m u l a t e d
mental energies of hundreds of thinkers with thousands upon
thousands of hours of labor and experience backing you in
The PhotoReading Whole Mind System 116

a c h i e v i n g y o u r p u r p o s e . W h e n y o u feel t h e p o w e r o f t h i s , y o u
really u n d e r s t a n d the thrill of syntopic reading. Since y o u c h o o s e
the u n i q u e c o m b i n a t i o n of authors, y o u m a y stumble on a n e w
point of v i e w that has not b e e n considered by anyone.
A stunning example is reported by Patricia D a n i e l s o n about
one of her students. A physician from Brussels used syntopic
r e a d i n g i n h i s field o f h o m e o p a t h y . E v e r y q u a r t e r , a n u m b e r o f
h o m e o p a t h i c physicians from across E u r o p e gather to share
r e s e a r c h p a p e r s . I n p r e p a r a t i o n for a p r e s e n t a t i o n , h e s y n t o p i c a l l y
read and mind m a p p e d the major textbooks of h o m e o p a t h y .
W h e n he looked at his m i n d m a p s , they s e e m e d nonsensical. He
p u t t h e m i n a file for l a t e r r e v i e w .
T w o m o n t h s later, h e p u l l e d o u t his m i n d m a p s a n d laid
t h e m o n t h e f l o o r . A m a z i n g l y , t h e y all m a d e t o t a l s e n s e t o h i m . I n
fact, t h e n e w i d e a s t h a t c a m e t o h i m w e r e r e v o l u t i o n a r y . H e
quickly p r e p a r e d his p a p e r and a few w e e k s later p r e s e n t e d it at
the quarterly meeting.
D o c t o r s at the m e e t i n g w e r e a s t o u n d e d w i t h the insights
this m a n h a d revealed. One doctor c o m m e n t e d that never in
twenty years had he m a d e the connections explained in this
presentation. W h e n the assembly inquired h o w the P h o t o R e a d e r
had made such leaps in his thinking, he described the
PhotoReading process and syntopic reading. The next
PhotoReading seminar in Brussels had seven of those doctors in
attendance.

Visualize the process

Take a m o m e n t to integrate the ten steps of syntopic reading


with a quick visualization. T h i n k of a subject that y o u w o u l d like
t o s t u d y . W h a t p u r p o s e d o y o u d e s i r e t o fulfill? I m a g i n e g o i n g t o
the library a n d selecting a d o z e n b o o k s on the subject. Briefly l o o k
t h e m o v e r t o d e t e r m i n e w h i c h t h r e e t o five y o u w i l l t a k e h o m e
w i t h y o u . T h e s e a r e t h e o n e s y o u feel w i l l m e e t y o u r p u r p o s e .
Imagine that evening, previewing and P h o t o R e a d i n g the
b o o k s . The next day y o u a w a k e n raring to go. Y o u create a giant
m i n d map, establishing a clear purpose statement and writing it
at the center of the mind m a p .
Syntopic Reading for Life-Long Exploration 117

S u p e r r e a d a n d d i p t o find r e l e v a n t p a s s a g e s a n d m i n d m a p
t h e s e . A s y o u n o t i c e p a t t e r n s e m e r g i n g , a d d a list o f y o u r o w n
terms around the b o r d e r of y o u r m a p to s u m m a r i z e y o u r findings.
Explore the themes being addressed. M i n d m a p these along with
significant points of v i e w w h i c h relate to issues of c o n t e n t i o n
b e t w e e n authors. R e m e m b e r , y o u r objective is not to figure out
t h e b o o k s . Y o u r o b j e c t i v e i s t o fulfill y o u r p u r p o s e .
F e e l t h e c u m u l a t i v e p o w e r o f all this i n f o r m a t i o n . I t i s a s i f
the a u t h o r s w e r e all p r e s e n t , s p e a k i n g t o y o u r p u r p o s e . I m a g i n e
applying the valuable insights y o u gain in a most meaningful
w a y for y o u . A s y o u c o n c l u d e y o u r v i s u a l i z a t i o n , e x p e r i e n c e the
thrill of syntopic reading.

A successful real estate developer was a true self-made man. He dropped out
of school in the tenth grade and never looked back. In his entire life of fifty years,
he had read a mere three books. After learning PhotoReading, he r e p o r t e d , " It's
just w o n d e r f u l . I've read a dozen books in the last two weeks, and I'm loving
it. The PhotoReading course has been one of the most enjoyable experiences
of my life." For many years, he never considered himself a person w h o could
learn. Through PhotoReading, he demonstrated he could.

A minister PhotoRead a section of the Bible before sleeping one evening. He


dreamed about a Bible story and how it related to a problem in the life of one
of his parishioners. He was able to use his insights to counsel the parishioner.

Several PhotoReaders w i t h strong eyeglass prescriptions have reported a shift


in their vision impairment. Within a year of PhotoReading regularly, their annual
eye exams did not follow the usual course of increasing prescription intensity.
In fact, they reported a reversal to a lesser prescription. In each case, the
optometrists claimed such reversals were extremely rare.

A 17-year old high school student disliked reading. Now she reads more than
ever before. "It's turned my life a r o u n d . "

A certified public accountant was asked to serve on a panel of business


professionals discussing raising venture capital. Her hectic schedule, left only an
afternoon for preparation. She selected several books to PhotoRead and
activate. She felt as well prepared as if she had spent several days reading and
w r i t i n g . She presented the information concisely, and it was well received.
12

Questions and A n s w e r s
for the B e g i n n i n g P h o t o R e a d e r

S i m p l y k n o w i n g a b o u t the c o m p o n e n t skills and t e c h n i q u e s


of the P h o t o R e a d i n g whole mind system is not enough. Y o u must
d e v e l o p a n d u s e t h e s k i l l s i n r e a l life. T h a t i s w h e n q u e s t i o n s
arise.
The most c o m m o n question asks, " A m I doing it right?" To
k n o w t h e a n s w e r w i t h c e r t a i n t y , f o l l o w t h e i n s t r u c t i o n s for e a c h
step y o u perform. The instructions found in this b o o k have b e e n
d e v e l o p e d , refined, a n d e x p l a i n e d to h u n d r e d s of t h o u s a n d s of
p e o p l e before y o u . If y o u h a v e doubts about any of the steps,
reread the chapter and closely follow the instructions again.
E a c h step o f the P h o t o R e a d i n g w h o l e m i n d s y s t e m p r o d u c e s
a n effect w h e n y o u u s e it. F o r e x a m p l e , w h e n y o u h a v e p r e v i e w e d
a b u s i n e s s report, w i t h i n 3 minutes y o u will k n o w the structure
and format of the report, the key t e r m s b e i n g used, and w h e t h e r
investing any m o r e time in it will be w o r t h w h i l e to y o u . D i d y o u
a c h i e v e the results y o u e x p e c t e d w i t h the t e c h n i q u e ? If not, there
is a g o o d r e a s o n .
We have found that occasionally a course participant will
r e a d or h e a r o n e thing, t h i n k another, a n d p e r f o r m it differently
t h a n either. Are y o u performing the steps as explained in the
i n s t r u c t i o n s ? E v e n i f y o u d o n o t a c h i e v e y o u r final g o a l w i t h a
single technique, y o u will m o s t likely receive indicators that y o u
are on track a n d m o v i n g in the direction of y o u r goal. Pay close
attention to any concrete indicator of success, no matter
h o w small it may be. This will quickly reassure y o u that y o u
are on track.
Questions and Answers ng

If y o u have followed instructions and produce conflicting


r e s u l t s , t h e n y o u r a p p r o a c h t o t h e t a s k c o u l d b e t h r o w i n g y o u off
course. In the v a r i o u s sections of this chapter that follow, we
explore h o w to ensure y o u maintain the ideal mindset during the
use of the PhotoReading whole mind system. Use the ideas
presented here and y o u will charge ahead with confidence and
success.

How can I quickly learn to use PhotoReading?

Since the ninth grade, y o u have b e e n able to recognize


w o r d s instantly, w i t h o u t h a v i n g to s o u n d t h e m out. Y o u are
already well-versed in the exquisite array of visual patterns that
w e c a l l w r i t t e n w o r d s . W h y t h e n d o w e feel c o m p e l l e d t o s o u n d
o u t e v e r y w o r d ? L e a r n i n g t o r e a d i n s t a l l e d a set o f t r a i n i n g
w h e e l s w h i c h m a y h a v e n e v e r c o m e off. P h o t o R e a d i n g n o t o n l y
r e m o v e s t h e m ; it helps install rockets in their place.
L e a r n i n g a n e w skill will confront y e a r s of e s t a b l i s h e d
habitual b e h a v i o r . Y o u n e e d to go easy on yourself. L e a r n i n g can
be frustrating, especially if y o u h a v e g r e m l i n s .
G r e m l i n s are habits a n d d i s e m p o w e r i n g beliefs that create
negative feelings and stop us from learning. They are w o r r i s o m e
l i t t l e c r e a t u r e s a c c o r d i n g t o R i c h a r d C a r s o n i n h i s b o o k Taming
Your Gremlin.
H o w d o y o u deal w i t h g r e m l i n s ? I f y o u try t o e x t e r m i n a t e
them, says Carson, they only get bigger. Instead, play w i t h them.
L o v e t h e m t o death. M o r e specifically, call t o m i n d t h e " N O P S "
f o r m u l a : N o t i c e it, O w n it, P l a y w i t h it, S t a y w i t h it. W i t h N O P S ,
a n y f r u s t r a t i o n y o u m a y feel c a n b e e a s i e r t o h a n d l e a n d n e e d n o t
b e c o m e an o b s t a c l e to further l e a r n i n g .

" N " — N o t i c e y o u r f e e l i n g s . F e e l i n g s are not right o r w r o n g ;


they j u s t are.
"O"—Own your experience. Admit any frustration.
P r o b l e m s w e openly a c k n o w l e d g e are solvable; those w e deny
will only continue.
Y o u c a n call u p m a n y c o m f o r t i n g t h o u g h t s w h e n e v e r y o u
feel f r u s t r a t e d w i t h l e a r n i n g . T a k e a n e w t w i s t o n a n o l d s a y i n g :
i f a t first y o u d o n ' t s u c c e e d , y o u a r e n o r m a l . S o d o i t a g a i n .
The PhotoReading WJiole Mind System 120

" P " — P l a y w i t h your e x p e r i e n c e . P u s h into the tailspin and


see w h a t h a p p e n s . Go d e e p e r into y o u r confusion. A s k yourself
q u e s t i o n s . D o i n g s o m a y l e a d t o e v e n g r e a t e r c o n f u s i o n a t first. B e
childlike—it is okay to learn.
" S " — S t a y w i t h it. T o o often w e i n t e r p r e t f r u s t r a t i o n a s a
sign to give u p . I n s t e a d , see this e m o t i o n as an i n v i t a t i o n to forge
ahead. If you do, you will start producing new results
from reading.

With N O P S in mind, learning the PhotoReading whole


m i n d s y s t e m i s a fast a n d g e n t l e e x p e r i e n c e . I t h e l p s u s e n t e r t h e
m i n d s e t o f a c h i l d l e a r n i n g t o w a l k . F a l l i n g d o w n i s n o t a t i m e for
self-castigation or p u b l i c h u m i l i a t i o n . It is a signal to get u p ,
adjust y o u r a p p r o a c h , a n d try a g a i n . U s i n g t h e N O P S f o r m u l a ,
y o u can be y o u r best cheerleader and quickly m a s t e r the skills.

How can I measure my performance during the


PhotoReading step?

*- W h e n it c o m e s to the P h o t o R e a d i n g step, assessing y o u r


performance must be done in a nontraditional w a y . Because
during the P h o t o R e a d i n g step, the goal is to k e e p c o n s c i o u s
interference to a minimum. If you ask yourself while
P h o t o R e a d i n g , " A m I d o i n g this c o r r e c t l y ? " , it is already too late.
Y o u are n o t .
This is the same d i l e m m a created w h e n asking a sleeping
p e r s o n " A r e y o u s l e e p i n g ? " T h e v e r y act o f i n q u i r i n g i m m e d i a t e l y
pulls the subject out of the e x p e r i e n c e in w h i c h he is engaged. N o t
only does that stop one's i n v o l v e m e n t in the activity, it also
negatively influences the o u t c o m e of the very experiment being
performed.
W h e n the m i n d studies the mind, a traditional experimental
m o d e l does not w o r k . Any experiment w h e r e the e x p e r i m e n t e r
(or o b s e r v e r ) i s a l s o t h e s u b j e c t w i l l b e c o n t a m i n a t e d . T h e m i n d
w i l l a l w a y s i n f l u e n c e t h e o u t c o m e o f its o w n e x p e r i m e n t . S o , i f
y o u are P h o t o R e a d i n g and w o n d e r i n g if y o u are doing it correctly,
y o u cannot b e . P h o t o R e a d i n g requires that y o u i m m e r s e yourself
i n t h e f l o w o f t h e e x p e r i e n c e , s o t h a t t h e act o f P h o t o R e a d i n g
o c c u r s w i t h o u t self-conscious or self-critical a w a r e n e s s .
Questions and Answers 121

To study the effectiveness of y o u r P h o t o R e a d i n g , stay in the


flow a s y o u P h o t o R e a d . A f t e r w a r d s , t h i n k b a c k o n y o u r e x p e r i e n c e
and consider:
• Did I relax physically, mentally, and enter the accelerative
learning state?
• D i d I affirm m y c o n c e n t r a t i o n a n d p u r p o s e ?
• D i d I m a i n t a i n a steady state w i t h relaxed b r e a t h i n g ,
rhythmic page turning, and a chant in my conscious m i n d ?
• Did I m a i n t a i n P h o t o F o c u s , either with the blip p a g e
or w i t h a w a r e n e s s of the four corners a n d the w h i t e space on
the page?
• D i d I s t a t e my c l o s i n g a f f i r m a t i o n s ?
If y o u can a n s w e r yes, then y o u did the P h o t o R e a d i n g step
c o r r e c t l y . T o e x a m i n e t h e effects o f P h o t o R e a d i n g , y o u m u s t
p e r f o r m a t e s t o f s o m e k i n d after t h e fact. S u c h tests c a n be
subjective or objective. T h r o u g h o u t this book, I have printed the
stories given us by P h o t o R e a d e r s from around the world. Their
experiences c a n serve as e x a m p l e s of tests y o u might perform on
yourself. O t h e r tests that h a v e h e l p e d m a n y p e o p l e d e m o n s t r a t e
t h e i m m e d i a t e effects o f t h e P h o t o R e a d i n g t e c h n i q u e c a n b e
found at the end of Chapter 7.
D u r i n g the early stages of learning the P h o t o R e a d i n g w h o l e
m i n d system, I r e c o m m e n d y o u step up to challenges in w h i c h
y o u feel y o u c a n w i n . B u i l d y o u r c o n f i d e n c e a n d t a k e o n e v e n
b i g g e r c h a l l e n g e s . I f y o u d o n o t feel r e a d y t o p e r f o r m a t e s t o n
television like the one d e s c r i b e d next, pick one that works
for y o u .
A P h o t o R e a d e r in G e r m a n y w a s asked to a p p e a r as a test
s u b j e c t for a n e w s s t o r y a b o u t t h e P h o t o R e a d i n g w h o l e m i n d
system. U n d e r the watchful eyes of the interviewer, p r o d u c t i o n
c r e w , a n d c a m e r a , s h e s e l e c t e d a b o o k f r o m s e v e r a l offered. S h e
previewed, PhotoRead, and mind probed. T h e next day she
activated with super reading, dipping, and mind mapping,
s p e n d i n g a total of 45 m i n u t e s w i t h the b o o k . She w a s then asked,
w h i l e on c a m e r a , specific questions on the b o o k . She a n s w e r e d
every one correctly.
W h e n l e c t u r i n g i n M u n i c h , I s h o w e d a v i d e o o f t h e five
m i n u t e television story and h a d the P h o t o R e a d e r speak to the
g r o u p a b o u t h e r e x p e r i e n c e . She said, "I n e v e r b e l i e v e d I c o u l d
The PhotoReading Whole Mind System 122

h a v e d o n e that. B u t w h e n asked, I realized I faced an i m p o r t a n t


d e c i s i o n : e i t h e r I c o u l d l i v e t h e r e s t o f m y life b e l i e v i n g I c o u l d n o t
p e r f o r m s u c c e s s f u l l y , or, I c o u l d t a k e t h e c h a l l e n g e a n d find o u t
the truth." Interestingly, a m a n from the a u d i e n c e said it w a s too
u n b e l i e v a b l e to i m a g i n e that he c o u l d ever do such a thing.
Unfortunately, if he maintains that mindset he never will.

Can anyone learn to PhotoRead?

We have taught PhotoReading in dozens of countries, in


m a n y l a n g u a g e s , to people from ages 9 to 86 w h o c a m e w i t h very
diverse b a c k g r o u n d s and reading abilities. The secret to success
in every case rests in the m i n d s e t or attitude of the learner. T h e
ideal mindset to maintain is one that is determined, persistent,
and patient. This mindset has b e e n beautifully described
t h r o u g h o u t the ages as the " b e g i n n e r ' s m i n d . " It h e l p s us into a
new paradigm of reading.
O n e o f the great t r a p s w e face a s P h o t o R e a d e r s c o m e s from
already k n o w i n g h o w to read. O u r previous training gives us
certain notions about acceptable speed and levels of
comprehension. T h e n along comes PhotoReading w h i c h asks us
to change how we approach our reading problems.
O n l y a c o m p l e t e l y n e w p a r a d i g m will h e l p see us t h r o u g h
the pressures of deadlines and paper blizzards. S o m e t i m e s I hear
b e g i n n i n g P h o t o R e a d e r s say, "This is totally redefining w h a t it
m e a n s to read."
Maintaining the beginner's m i n d takes us to a place where
we can glimpse new options. This concept goes back to the
ancient school of Zen Buddhism. Shunryu Suzuki, a Z e n master,
said, "In the b e g i n n e r ' s m i n d there are m a n y possibilities, b u t in
the expert's there are few." A n d he added: "We must have a
beginner's mind, free f r o m p o s s e s s i n g a n y t h i n g , a m i n d that
knows everything is in flowing change. N o t h i n g exists but
m o m e n t a r i l y i n its p r e s e n t f o r m . . . "
T o d a y we live in a w o r l d that requires us to b e c o m e b e g i n n e r s
o v e r a n d o v e r a g a i n i n the face o f i m p e r m a n e n c e , c o n t i n u o u s
change, and chaos. Re-examining what we have b e e n taught
a b o u t r e a d i n g i s j u s t o n e e x a m p l e o f the n e e d for b e g i n n e r ' s m i n d ,
and the dizzying pace of change guarantees that we will
Questions and Answers 123

see m o r e .
Y o u do not have to study Z e n to learn PhotoReading. There
i s a p l a c e for r u l e s a n d for b e i n g t h e e x p e r t . T h e r e i s a l s o a p l a c e
for q u e s t i o n i n g e v e r y t h i n g . P h o t o R e a d e r s h a v e b o t h a t t i t u d e s .
W e h o n o r t h e c o n s c i o u s , r a t i o n a l m i n d , w i t h its a b i l i t y t o set
goals. We also a c k n o w l e d g e and use the e x p a n d e d capabilities of
t h e b r a i n w i t h its a b i l i t y t o f i n d c r e a t i v e w a y s t o r e a c h o u r g o a l s .
U s i n g P h o t o R e a d i n g , y o u k e e p y o u r p r e s e n t r e a d i n g skills
and gain new options. Y o u not only w i n a n e w relationship with
t h e p r i n t e d w o r d , y o u a l s o find o u t h o w t o r e s p o n d w h e n t h e
w o r l d c h a n g e s at a hectic pace. As an adult w i t h a b e g i n n e r ' s
mind, y o u will rediscover the j o y of continual learning.

How long will it take to learn this system?

As an automobile driver, I found learning to pilot an airplane


b o t h familiar and strange. A reader learning PhotoReading
e x p e r i e n c e s similarities and radical differences to regular reading.
It takes less time to learn the familiar and m o r e time to learn the
strange.
T h e r e are four stages to l e a r n i n g a n y t h i n g that is different
or unusual. The length of time it takes will depend on h o w you
m o v e t h r o u g h the stages of learning. Let me illustrate each stage
as it applies to learning P h o t o R e a d i n g .
I n t h e first s t a g e , y o u n o t i c e p i l e s o f u n r e a d m a t e r i a l a n d feel
a pervasive sense of information anxiety. E v e n so, y o u do not
r e c o g n i z e t h e s o u r c e o f t h i s p r o b l e m , let a l o n e h o w t o r e s p o n d .
S o m e t h i n g i n y o u r life i s b r o k e n , b u t y o u a r e n o t a w a r e o f w h a t
n e e d s fixing.
A t t h i s l e v e l i t i s c o m m o n t o feel fear, s o m e t i m e s p a i r e d w i t h
e x c i t e m e n t o v e r the possibility of solving the p r o b l e m . L a b e l this
step U n c o n s c i o u s I n c o m p e t e n c e .
Next, y o u sense that y o u r present reading habits are not
s e r v i n g y o u w e l l . T h o s e h a b i t s , i n fact, a r e a m a j o r s o u r c e o f
i n f o r m a t i o n a n x i e t y . Y o u l e a r n a b o u t P h o t o R e a d i n g a n d e v e n try
some of the techniques. These techniques seem unfamiliar. N o w
y o u k n o w w h a t is broken, y o u k n o w w h a t to do, b u t y o u are
unable to do it yet. Label this stage C o n s c i o u s I n c o m p e t e n c e .
This third stage represents a q u a n t u m leap. You use
The PhotoReading Whole Mind System 124

P h o t o R e a d i n g skills and e x p e r i e n c e success w i t h t h e m . E v e n so,


t h e s e s k i l l s a r e n o t fully i n t e g r a t e d i n t o y o u r life. Y o u still n e e d t o
r e m i n d yourself to use this n e w a p p r o a c h w i t h written materials.
L a b e l this level C o n s c i o u s C o m p e t e n c e .
Finally, y o u enter the stage of mastery. N o w P h o t o R e a d i n g
is so familiar to y o u that y o u use it automatically. The techniques
b e c o m e as natural as breathing. Y o u experience not only a new
r e l a t i o n s h i p w i t h t h e p r i n t e d w o r d , b u t a n e w q u a l i t y o f life. Y o u
r e d u c e o r e l i m i n a t e t h o s e u n r e a d p i l e s a n d c o n t i n u a l l y satisfy
y o u r p u r p o s e for r e a d i n g . L a b e l this stage E x c e l l e n c e .

fl.utorr*rtt»(J

frustration
vs.

excitei*er>t
L e a r n i n g m e a n s passing t h o u g h the stage of consciously
realizing our i n c o m p e t e n c e — k n o w i n g that we do not k n o w
something important or that we lack a desired skill.
Not surprisingly, certain emotions often accompany this
d i s c o v e r y : c o n f u s i o n , f r u s t r a t i o n , fear, a n d a n x i e t y .
Questions and Answers 125

M y s u g g e s t i o n i s s i m p l e : l o v e i t all. N o m a t t e r w h a t c o m e s Q3>
u p for y o u a s y o u l e a r n P h o t o R e a d i n g , e m b r a c e it. N o e m o t i o n jfjf
y o u e x p e r i e n c e i s w r o n g , a n d all y o u r f e e l i n g s s e r v e a p u r p o s e . *
Confusion can create curiosity. C h a o s can lead to clarity.
W h e n I t e a c h P h o t o R e a d i n g s e m i n a r s a t L e a r n i n g S t r a t e g i e s in¬
c o r p o r a t i o n , I love hearing people m o v e t h r o u g h such feelings.
A
W h e n p e o p l e say t h e y a r e c o n f u s e d , I c h e e r . W h e n t h e y s a y t h e y
are frustrated, I quickly do w h a t I c a n to m o v e t h e m into confusion.
B e h i n d this apparent craziness is a key insight: confusion is one
step we climb on the w a y to excellence. Confusion signals that
people are c o m m i t t i n g an act of learning.
In contrast, a p p r o a c h i n g p r o b l e m s w i t h a sense of certainty
a n d a n u n w i l l i n g n e s s t o let g o o f o l d b e l i e f s l e a d s t o f r u s t r a t i o n .
We get stuck in a state of l e a r n e d h e l p l e s s n e s s , a state of n o t
k n o w i n g . T h e s e t w o p a t h s are s u m m a r i z e d i n t h e f o l l o w i n g d i a g r a m :
The PhotoReading Whole Mind System 126

Unfortunately, our e d u c a t i o n often lead u s d o w n the p a t h


of frustration. In the traditional e d u c a t i o n a l m o d e l of reading,
confusion equals failure, and frustration equals i n c o m p e t e n c e .
For some, joy in reading never appears and learning stops.
Whatever feelings you experience while learning
P h o t o R e a d i n g a r e fine. D o n o t s u p p r e s s a n y e m o t i o n a l s t a t e , a n y
degree of confusion. Y o u may be t e m p t e d to c o m p a r e yourself
w i t h others: "I am not doing this right. E v e r y b o d y else can do
this. W h y can't I ? " I f y o u d e t e c t s u c h t h o u g h t s , let t h e m c o m e t o
full a w a r e n e s s a n d b e w i l l i n g t o l e t t h e m g o . R e m i n d y o u r s e l f t h a t
conscious competence is coming your way.
R e a d i n g gets right to the heart of self-image. O u r self-
c o n c e p t i s often b o u n d u p w i t h our s u c c e s s a s learners, a n d m u c h
o f o u r e x p e r i e n c e w i t h l e a r n i n g t i e s t o r e a d i n g . I find t h a t p e o p l e
label themselves as poor readers too r e a d i l y a n d t h u s feel
ineffective. S u c h frustration quickly tarnishes our self-image.
T h e alternative is to accept the e m o t i o n a l ups and d o w n s of
learning, to see t h e m as a natural and graceful d a n c e . If y o u do,
y o u will shorten the path to excellence.

What state of mind should I be in when using the


PhotoReading whole mind system?

Think about times w h e n you have b e e n absolutely absorbed


i n r e a d i n g . I t i s i m p o r t a n t for u s t o e x p l o r e t h o s e e x p e r i e n c e s i n
m o r e depth, b e c a u s e , at those m o m e n t s , y o u are transformed into
a skilled, powerful reader—effortlessly.
R e m e m b e r w h a t those times w e r e like. P e r h a p s y o u w e r e
e n g r o s s e d in a n o v e l . M a y b e y o u w e r e s a v o r i n g a love letter. Or
p e r h a p s y o u w e r e solving a m u r d e r mystery. In any case, a
curious thing h a p p e n e d : y o u w e r e u n a w a r e of a n y t h i n g else
going on around you. It w a s as if the pictures, images, and
f e e l i n g s i n s i d e y o u w e r e m o r e i m p o r t a n t t h a n t h e b o o k i n front o f
y o u . Y o u w e r e n o l o n g e r r e a d i n g w o r d s — y o u had s t e p p e d into
a n o t h e r r e a l i t y . W h a t w a s g o i n g o n b e h i n d y o u r e y e s w a s far
m o r e i m p o r t a n t t h a n w h a t a p p e a r e d i n front o f t h e m .
People describe these experiences with remarkably similar
l a n g u a g e . " I l o s t all t r a c k o f t i m e a n d p l a c e . " " I w a s n o t c o n s c i o u s
Questions and Answers 127

of words on a page." "I w a s just seeing m o v i e s in my mind." "I


a b s o r b e d t h e w o r d s w i t h o u t effort." " W o r d s j u s t flowed from the
page to my mind."
F l o w — t h a t i s a h a n d y w o r d for it. It captures the key
features of the e x p e r i e n c e s ease, fluidity, lack o f effort,
absorption, c o n c e n t r a t i o n , softness, relaxation, efficiency, a n d
enhanced productivity.
Although this experience
Stephen Mitchell, a translator
sounds like an altered state of
of the Tao, describes the flow
consciousness, it is not a b n o r m a l .
state: A good athlete can enter
a state of body-awareness in H u m a n beings have k n o w n about
which the right stroke or the t h e " f l o w e x p e r i e n c e " for h u n d r e d s
right movement happens by of y e a r s , u s i n g a variety of t e r m s to
itself, effortlessly, w i t h o u t any
describe it. The Tao te Ching, a
interference of the conscious
spiritual text from C h i n a by L a o Tsu,
will. This is a paradigm for
non-action: the purest and s p e a k s of effortless action, or n o n -
most effective form of action. action. Psychologist Abraham
The game plays the game; the M a s l o w spoke of "peak experiences,"
poem writes the p o e m ; we
describing t h e m in a similar way.
can't tell the dancer from
the dance. Mihaly Csikszentmihalyi, a
psychologist from the University of
C h i c a g o , r e v e a l e d that flow e x p e r i e n c e s c a n h a p p e n to a n y o n e .
H i s studies of this state h a v e i n c l u d e d clerks, assembly-line
w o r k e r s , athletes, e n g i n e e r s , a n d m a n a g e r s . He says flow states
bear a strong resemblance to other well-known p h e n o m e n a —
hypnosis and meditation.
A h , b u t i f w e c o u l d o n l y flip a s w i t c h a n d e n t e r t h a t f l o w
state w h e n e v e r w e read. W e w o u l d b e i n states o f d e e p attention,
free o f effort o r s t r a i n , w o r k i n g s m o o t h l y , q u i c k l y , a n d e f f i c i e n t l y .
W e w o u l d b e r e l a x e d , a c t i v e , a n d alert, all a t t h e s a m e t i m e .
R e a d i n g w o u l d be a b r e e z e — a s easy to flow t h r o u g h technical
i n f o r m a t i o n as a n o v e l .
The P h o t o R e a d i n g w h o l e mind system is that switch. The
flow state is y o u r birthright, o n e of y o u r p o t e n t i a l s as a h u m a n
being. T h r o u g h P h o t o R e a d i n g , y o u get a c h a n c e to choose this
e x p e r i e n c e instead of l e a v i n g it to c h a n c e . This state is not a fluke
or s o m e k i n d of out-of-body e x p e r i e n c e . Rather, it is a naturally
o c c u r r i n g e v e n t , a n d t h e s e c r e t i s t o m a k e i t h a b i t u a l d u r i n g all
your reading.
The PhotoReading Whole Mind Si/stem 128

What do accelerative learning and


PhotoReading have in common?

As a child, y o u naturally used strategies of accelerative


learning to a c c o m p l i s h the m o n u m e n t a l tasks of learning to walk
and talk. N o t h i n g we learn as adults will e q u a l the c o m p l e x i t y of
those tasks.
T h e s k i l l s o f a c c e l e r a t i v e l e a r n i n g a r e still w i t h u s f r o m
childhood, obscured as they might be from years of abuse,
misuse, and disuse. We simply need to r e a w a k e n our mastery
and apply it to the task of reading. The P h o t o R e a d i n g w h o l e
m i n d system d r a w s heavily from accelerative learning, m a k i n g it
e a s y a n d fun t o l e a r n a n d u s e .
O n e of the best k n o w n researchers in the study of accelerative
learning is Georgi L o z a n o v , a B u l g a r i a n psychologist. Dr. L o z a n o v
has written m a n y p a p e r s supporting the claim that we use barely
t e n p e r c e n t o f o u r b r a i n c a p a c i t y . H e a n d h i s staff o f r e s e a r c h e r s
believe that we can systematically learn to tap the h i d d e n
reserves—the other ninety percent—of the mind. He developed
h i s f i n d i n g s i n t o a n a p p l i e d s y s t e m for l e a r n i n g .
L o z a n o v ' s m e t h o d s allow b o t h h e m i s p h e r e s of the b r a i n to
w o r k together as an orchestrated team. W h e n that happens, our
capacity to learn increases exponentially.
Lozanov claimed you can expose yourself to vast amounts
o f i n f o r m a t i o n , a b s o r b i t e f f o r t l e s s l y , a n d u s e i t w h e n y o u n e e d it.
T h o s e are p r e c i s e l y the skills we n e e d to s u r v i v e in the age of
information overload and d o c u m e n t shock.
At the heart of L o z a n o v ' s l e a r n i n g m e t h o d s are three steps:
decode, concert, and activate. T h e s e steps p a r a l l e l the P h o t o R e a d i n g
whole mind system.
D e c o d i n g is a "once over lightly"—a quick overview of the
material to be learned.
D u r i n g the c o n c e r t session, l e a r n e r s enter a state of r e l a x e d
alertness to receive a m o r e c o m p l e t e e x p o s u r e to the material.
T h i s information is often p r e s e n t e d as a story or play and
a c c o m p a n i e d by classical music playing in the background.
Finally, learners activate the material, that is, call it to the
c o n s c i o u s m i n d a n d a p p l y it. I n s t e a d o f d r i l l s e s s i o n s a n d r o t e
m e m o r i z a t i o n , activation uses g r o u p discussion, g a m e s , skits,
Questions and Answers 129

and other nontraditional m e t h o d s .


See the connection? L o z a n o v ' s decode-concert-activate is
our preview-PhotoRead-activate. The P h o t o R e a d i n g whole mind
system incorporates many aspects of Lozanov's m e t h o d s as does
the teaching of the P h o t o R e a d i n g seminar.

I know I rely too heavily on my


conscious rational mind. What else can I do?

In the early 1980s, H o w a r d Gardner, a H a r v a r d psychologist,


d e v e l o p e d an idea that c o m p l e m e n t s L o z a n o v ' s work. Gardner
said that our s c h o o l i n g w o r k s mostly on t w o k i n d s of i n t e l l i g e n c e :
one that involves language and one that involves logic. Gardner
c o n c l u d e d that this w a s only a small part of the picture, h o w e v e r .
A m o r e a c c u r a t e v i e w o f i n t e l l i g e n c e i n c l u d e s all o f t h e f o l l o w i n g
capacities:
• L i n g u i s t i c I n t e l l i g e n c e — t h e a b i l i t y t o skillfully d e s c r i b e
the world with w o r d s .
• Logical-Mathematical Intelligence—the ability to
represent the world with n u m e r i c symbols and m a n i p u l a t e those
symbols according to the rules of logic.
• M u s i c a l I n t e l l i g e n c e — t h e ability to a p p r e c i a t e and u s e
the nonverbal " l a n g u a g e " of melody, rhythm, harmony, and
tone color.
• Spatial I n t e l l i g e n c e — t h e ability to p e r c e i v e the v i s u a l
world accurately and recreate it in the m i n d or on paper.
• B o d i l y - K i n e s t h e t i c I n t e l l i g e n c e — t h e ability to u s e the
b o d y for s k i l l e d s e l f - e x p r e s s i o n or as a t o o l for l e a r n i n g .
• Interpersonal I n t e l l i g e n c e — t h e ability to p e r c e i v e and
understand other people's feelings and desires.
• I n t r a p e r s o n a l I n t e l l i g e n c e — t h e a b i l i t y t o clarify p e r s o n a l
values and gain insight through solitude.
• Naturalist Intelligence—the ability to see patterns,
d i s t i n g u i s h , a n d classify t h i n g s i n t h e n a t u r a l w o r l d .
Think of a time y o u learned s o m e t h i n g masterfully. Consider
w h i c h of the eight intelligences y o u used. Y o u already k n o w h o w
to excel at learning and can do so again at any t i m e . U s e the
strengths y o u already possess.
I m a g i n e a p p l y i n g all e i g h t i n t e l l i g e n c e s p l u s i n t u i t i o n t o
The PhotoReading Whole Mind System 230

your reading. The PhotoReading whole mind system helps you


do e x a c t l y that. A l l y o u r i n t e l l i g e n c e s are i n v i t e d to the act of
reading. In this sense, P h o t o R e a d i n g is not a r e a d i n g p r o g r a m b u t
a l e a r n i n g p r o g r a m — a s e t o f s t r a t e g i e s for l e a r n i n g a n y t h i n g .
Anything.

How does activation tap into


the expanded processing capabilities of the brain?

A c c o r d i n g t o D r . W i n W e n g e r , a u t h o r o f The Einstein Factor,


the n o n c o n s c i o u s storage capacity of the brain exceeds the capacity
of the conscious m i n d by ten billion to one. These are the reserves
of the m i n d w h i c h we draw from during activation.
A n e x a m p l e o f a c t i v a t i o n i s t h e tip o f t h e t o n g u e p h e n o m e n o n
that often takes p l a c e i n r e m e m b e r i n g n a m e s . Y o u k n o w the
scene: y o u see a familiar p e r s o n at a party, b u t his or her n a m e
slips y o u r m i n d . Y o u try for a m i n u t e to recall t h e n a m e . T h i s
stimulates the neural circuitry of y o u r brain. Then, a few m i n u t e s
later, the n a m e s u d d e n l y flashes i n y o u r m i n d , often w h i l e y o u
are talking to s o m e o n e else a n d not consciously trying to r e m e m b e r
it. Y o u r b r a i n g e n e r a t e d t h e n a m e b a s e d o n t h e s t i m u l a t i o n o f
neural pathways established when you first learned the
person's name.
A c t i v a t i o n can also take place on a g r a n d e r scale. A writer
I k n o w practices meditation, w h i c h is another way of entering the
state of relaxed alertness we cultivate in P h o t o R e a d i n g . He says
that some of his best ideas c o m e during periods of meditation,
particularly w h e n he is struggling with the content or structure
o f a m a n u s c r i p t . F r e q u e n t l y , o u t l i n e s for e n t i r e b o o k s c o m e t o
h i m in this w a y .
A r t i s t s o f all t y p e s d e s c r i b e s i m i l a r e v e n t s i n t h e i r l i v e s .
A a r o n C o p l a n d , the d i s t i n g u i s h e d A m e r i c a n c o m p o s e r , said that
writing music begins with transcribing themes that b l o s s o m
spontaneously from within. As he p u t it in What to Listen for
in Music:

T h e c o m p o s e r s t a r t s w i t h h i s t h e m e , a n d t h e t h e m e i s a gift
from H e a v e n . He doesn't k n o w w h e r e it c o m e s from—has
n o c o n t r o l o v e r it. I t c o m e s a l m o s t l i k e a u t o m a t i c w r i t i n g .
Questions and Answers 131

T h a t is w h y he k e e p s a b o o k very often and w r i t e s t h e m e s


d o w n w h e n e v e r they come.

We do not have to be great composers or writers to draw on


these deep, creative reserves. We need a relaxed alertness along
w i t h a g e n t l e r e q u e s t for t h e i d e a s w e s e e k t o s u r f a c e i n t h e
conscious mind.
This has profound implications. The secret is to get out of
t h e w a y a n d let o u r s e l v e s P h o t o R e a d .

Will hard work help me develop my skills?

P h o t o R e a d i n g m a y seem like a b u n d l e of p a r a d o x e s , b e c a u s e
it is. T h i n k a b o u t w h a t I am s u g g e s t i n g : to get m o r e out of y o u r
r e a d i n g , s p e n d l e s s t i m e w i t h it; t o g a i n m o r e i n f o r m a t i o n , d o n o t
worry about conscious comprehension; to succeed at reading,
quit t r y i n g so h a r d and start p l a y i n g ; and to get w h a t y o u w a n t ,
let g o o f y o u r n e e d for r e s u l t s .
During one seminar I met a woman who understood
p e r f e c t l y t h e p a r a d o x i c a l n a t u r e o f P h o t o R e a d i n g . S o o n after w e
b e g a n P h o t o R e a d i n g b o o k s , the n u m b e r of her correct answers
on c o m p r e h e n s i o n tests c l i m b e d into the 90 percent range and
stayed there. I asked her h o w that happened. "I simply decided
u p f r o n t t h a t I h a v e n o t h i n g t o p r o v e . I f t h e t e c h n i q u e s w o r k , fine.
If they don't, fine. F o r me the i m p o r t a n t t h i n g is to simply
experience a n e w a p p r o a c h to reading."
W h e r e v e r I t e a c h P h o t o R e a d i n g , I find t h e s a m e a t t i t u d e s i n
s u c c e s s f u l P h o t o R e a d e r s . P e o p l e w h o "try h a r d t o d o r e a l l y w e l l "
with PhotoReading often strap themselves with a big
r e s p o n s i b i l i t y . R i g h t a w a y , t h e y feel a p e r s o n a l o b l i g a t i o n t o
p r o v e or disprove the w h o l e m i n d reading system. T h a t is like
w a n t i n g t o t a k e t h e final e x a m i n c a l c u l u s b e f o r e y o u h a v e
learned how to a d d — a n d then claiming that y o u are lousy
in math.
Y o u do not have to believe everything about P h o t o R e a d i n g
u p front. A little s k e p t i c i s m a b o u t t h e t e c h n i q u e i s fine. N o
n u m b e r of testimonials can replace the results y o u p r o d u c e with
y o u r o w n efforts. B e w i l l i n g t o g i v e P h o t o R e a d i n g a fair t r i a l a n d
r e m a i n o p e n for p l e a s a n t s u r p r i s e s . A r e q u i r e m e n t for s u c c e s s i s
The PhotoReading Whole Mind System 132

an open mind.
I urge people to ease into the experience of P h o t o R e a d i n g —
to play, embrace confusion, and tame the gremlins. Ironically, it
is w h e n we stop trying so hard to succeed that our intuition
flowers a n d w e r e k i n d l e o u r natural skill a t l e a r n i n g . W h e n w e let
go of s u c c e s s or failure, we start to get w h a t we w a n t .

When will I attain the levels of


comprehension I need?

R e m e m b e r that the P h o t o R e a d i n g w h o l e m i n d system is


based on multiple passes through printed material. First we
preview. That can be followed, as we choose, by P h o t o R e a d i n g ,
super reading, dipping, and rapid reading.
C o m p r e h e n s i o n c o m e s in layers. P r e v i e w i n g gives us a
sense of structure. By using the r e m a i n i n g steps of the system, we
build on that foundation, gaining a level of c o m p r e h e n s i o n that
i s c o n s i s t e n t w i t h o u r p u r p o s e . T h i s a p p r o a c h frees u s .
P e r h a p s t h i s feels l i k e full c o m p r e h e n s i o n i s d e l a y e d — t h a t
y o u are not getting the " g o o d i e s " from y o u r reading
as soon as y o u w a n t them. My suggestion is to Notice it.
O w n it.
greet this feeling w i t h the N O P S formula and
.. . ^ Play w i t h it.
discover what emerges.
Stay w i t h it.
For example, a PhotoReader took a seminar
during his doctoral p r o g r a m in w h i c h he had to read twenty
t h o u s a n d p a g e s . M o s t students i n that p r o g r a m take b e t w e e n six
a n d nine m o n t h s to finish the r e q u i r e d r e a d i n g and write the
necessary papers. For an entire week he previewed and
P h o t o R e a d . The next w e e k he tried to activate the b o o k s and
write his p a p e r s ; n o t h i n g c a m e to him. He e x p e c t e d to k n o w the
m a t e r i a l . I n f r u s t r a t i o n , h e let i t all g o , f e e l i n g h e h a d w a s t e d t h e
week.
T h e following w e e k the P h o t o R e a d e r e x p e r i m e n t e d w i t h
entering the "beginner's mind." He once again activated the
b o o k s , astonished that this time e v e r y t h i n g m a d e sense to him.
H i s w r i t i n g f l o w e d , a n d h e f i n i s h e d t h e c o u r s e , r e c e i v i n g a n A for
his w o r k . His total i n v e s t m e n t w a s only three w e e k s from the
time he started.
W a s the second w e e k of activation a w a s t e ? Or was it the
Questions and Answers 133

e s s e n t i a l p e r i o d o f i n c u b a t i o n a n d fine t u n i n g n e c e s s a r y t o a c h i e v e
the end result?
A P h o t o R e a d i n g student d e s c r i b e d his e x p e r i e n c e like this:
"I realized that w h e n using the P h o t o R e a d i n g whole mind
system, I am actually adding time to do extra things to my
reading. I naturally resisted. I c o u l d j u s t start r e a d i n g a n d
c o m p r e h e n d i n g as I go. Or, I c o u l d u s e this n e w s y s t e m — a d d i n g
time to p r e v i e w and P h o t o R e a d before I c o u l d a c t i v a t e for
c o m p r e h e n s i o n . M y natural response w a s , w h y ? W h y not j u s t get
i n t o it?
" I ' v e b e e n t e l l i n g m y k i d s for y e a r s t h a t y o u h a v e t o i n v e s t
a little b i t e x t r a i n t h e l e a r n i n g c u r v e u p front b e f o r e t h e p a y o f f
comes. W h e n y o u go to school, it is not the information y o u need.
W h a t y o u are really learning is h o w to l e a r n — s o w h e n y o u get
into the real world, y o u will be able to get w h e r e y o u w a n t to go
i n life. H e r e , I h a d b e e n g i v i n g t h i s a d v i c e w i t h o u t t a k i n g i t
myself!
" I s o o n d i s c o v e r e d t h a t t h e f e w m i n u t e s I i n v e s t e d u p front
paid back huge dividends. I could save hours reading reports by
t a k i n g five m i n u t e s t o p r e v i e w a n d P h o t o R e a d . I c o u l d s a v e t e n
to eighteen hours or more on b o o k s that used to take twenty
hours to read regularly."

In s u m m a r y this chapter h e l p e d y o u learn:


• T h e N O P S f o r m u l a — n o t i c e it, o w n it, p l a y w i t h it, s t a y
w i t h it—will help o v e r c o m e frustrating habits w h i c h prevent
learning.
• T h e b e g i n n e r ' s m i n d is the perfect mindset to m a i n t a i n
during the PhotoReading whole m i n d system.
• T h e r e are four levels y o u m u s t p r o g r e s s t h r o u g h w h e n
l e a r n i n g a n e w skill.
• Confusion is an appropriate experience during any
learning activity.
• T h e P h o t o R e a d i n g w h o l e m i n d s y s t e m uses flow states
of consciousness.
• D r . L o z a n o v ' s a c c e l e r a t i v e l e a r n i n g i s a m o d e l for t h e
PhotoReading whole mind system.
• W e u s e all e i g h t i n t e l l i g e n c e s d e s c r i b e d b y D r . G a r d n e r
with the P h o t o R e a d i n g whole mind system to make reading
The PhotoReading Whole Mind System 134

m u l t i d i m e n s i o n a l a n d m o r e useful.
• The expanded data base we access while PhotoReading
o u t w e i g h s the data base of the c o n s c i o u s m i n d by ten billion to
one.
• The goal of comprehension is achieved in layers.
P a r a d o x i c a l a s i t m a y s e e m , t o a c h i e v e y o u r g o a l , y o u m u s t let
it g o .
The PhotoReading whole mind system works. Y o u must
u s e i t t o d e m o n s t r a t e t h e b e n e f i t s i n y o u r o w n life. A f t e r y o u h a v e
enjoyed h o w easily y o u can p r o d u c e results with P h o t o R e a d i n g ,
y o u might consider h o w your inner mind can b e c o m e an active
ally i n p e r s o n a l d e v e l o p m e n t . I n C h a p t e r 13, y o u will explore
p o w e r f u l n e x t s t e p s a n d find...

A male PhotoReader PhotoRead a couple dozen books on w o m e n ' s health


issues over several weeks. He did no structured activation. Several months later
his sister-in-law had a hysterectomy after a troubled birth. He surprised himself
and his family with the depth of knowledge he had on fibroid tumors and
endometriosis, the primary cause of the problems.

An executive went from being computer illiterate ("I mean, I barely even t y p e ! " )
to a daily user of his machine by PhotoReading computer books, magazines,
and manuals. "After about a month of doing this, I suddenly realized that those
stupid machines were starting to make sense!"

A CPA attended a continuing education seminar for her profession. Since she
arrived early, she had the luxury of reviewing the handout materials before the
presentation. Entering the PhotoFocus state she quietly and quickly reviewed
the materials. As the day progressed she realized she had a firm grasp of the
subject even t h o u g h she had not previously studied it. She attributes the
immediate comprehension of the material to having PhotoRead the handouts.

A copy-editor repeatedly PhotoRead a Thesaurus. His supervisor commended


him for a marked improvement in his speed and clarity of w r i t i n g .

An executive reads his email in three minutes, instead of never getting to it.
1 3

Discover Your Genius Potential


with Direct L e a r n i n g

A t L e a r n i n g S t r a t e g i e s C o r p o r a t i o n , w e often a s k o u r c l i e n t s ,
" N o w that y o u can P h o t o R e a d , w h a t else can y o u r brain a c h i e v e ? "
W h e n t h e y r e a l i z e w e are s e r i o u s , t h e y b e g i n a s k i n g u s , " W h a t i s
the next step b e y o n d P h o t o R e a d i n g ? "
S i n c e first d e v e l o p i n g t h e P h o t o R e a d i n g s e m i n a r , I h a v e
discovered ways to access remarkable abilities that extend
P h o t o R e a d i n g far b e y o n d m e r e l y g a t h e r i n g i n f o r m a t i o n . T h r e e
c o n c e p t s p r e s e n t e d h e r e can h e l p y o u t o e x a m i n e and enjoy
powerful n e w skills right a w a y .

Experience the miracle of "direct learning"

In the early days of teaching PhotoReading, we were


surprised w h e n graduates reported spontaneous improvement
i n s k i l l s s u c h a s t e n n i s , golf, r a c q u e t b a l l , p i a n o p l a y i n g , t y p i n g ,
and public speaking to n a m e a few. The anecdotes invariably
involved syntopic reading. W h e n a PhotoReader syntopically
read books relating to topics of intense personal interests,
s o m e h o w a c t u a l skill d e v e l o p m e n t o c c u r r e d .
T h e s e r e p o r t s o f s p o n t a n e o u s skill d e v e l o p m e n t s t r o n g l y
c h a l l e n g e d the c o n v e n t i o n a l w i s d o m in adult e d u c a t i o n . I h a d
b e e n t a u g h t t h a t k n o w l e d g e a c q u i s i t i o n a n d skill d e v e l o p m e n t
are t w o very different l e a r n i n g a c t i v i t i e s . B u t e v i d e n c e w a s
pushing me to consider that behavioral learning could e m e r g e
even though no physical practice of the behaviors took place.
The PhotoReading Whole Mind System 136

My colleagues and I hypothesized that because


P h o t o R e a d i n g routes information into the brain preconsciously,
s o m e h o w t h e b r a i n m u s t c r e a t e n e u r o n a l l i n k s for b e h a v i o r a s i t
d o e s for c o g n i t i o n . L i t e r a t u r e o n t h e p h e n o m e n o n o f " i m p l i c i t
l e a r n i n g " — l e a r n i n g w i t h o u t c o n s c i o u s or "explicit" m e m o r y —
suggested o u r hypothesis m i g h t be right on target.
The distinction b e t w e e n explicit and implicit learning can
be t h o u g h t of as the difference b e t w e e n w h a t y o u r h e a d k n o w s
and what your body knows. Explicit memory involves learning
w i t h a w a r e n e s s a n d k n o w i n g facts t h a t y o u c a n recall t h r o u g h
c o n s c i o u s l y directed r e m e m b e r i n g . I m p l i c i t (or i m p l i e d ) m e m o r y
involves learning without awareness and knowing h o w to perform
s k i l l s w i t h o u t b e i n g a b l e t o d e s c r i b e h o w y o u d o it.
A c c o r d i n g t o n e u r o l o g i s t R i c h a r d R e s t a k , M . D . , different
p a r t s o f t h e b r a i n a r e i n v o l v e d i n t h e t w o t y p e s o f m e m o r y . I n fact,
it has b e e n demonstrated that a person with brain d a m a g e to the
e x p l i c i t l e a r n i n g p a r t o f t h e b r a i n c a n still l e a r n t o p e r f o r m t a s k s
e v e n though they have no conscious recollection of having
learned them.
Could it be that P h o t o R e a d i n g naturally activates the implicit
learning and m e m o r y s y s t e m of the b r a i n ? To test this idea, a
m e d i c a l d o c t o r f r o m S o u t h A f r i c a , I z z y Katzeff, s u g g e s t e d t h a t
brain studies be performed to track the parts of the brain activated
during PhotoReading. A team of medical doctors at the US
Veterans' Administration Hospital took up the challenge.
The research team, headed by nuclear medicine specialists
Irma Molina, M.D., and Sandra Gracia, M.D., performed brain
studies on P h o t o R e a d e r s . The results of their study w i t h a small
subject sample e n c o u r a g e d the research committee to seek
additional studies.
I n t h e m e a n w h i l e , c o n s i d e r t h a t after P h o t o R e a d i n g s e v e r a l
b o o k s on a skill y o u are i n t e r e s t e d in d e v e l o p i n g , the skill c a n
s u d d e n l y s h o w u p i n t h e s i t u a t i o n s w h e n y o u n e e d it. W e c a n
t h i n k of this implicit l e a r n i n g as a sort of s p o n t a n e o u s a c t i v a t i o n
happening behaviorally. "Direct learning" is our systematic
approach to capitalize on the p h e n o m e n o n of direct behavioral
activation.
Discover Your Natural Brilliance 137

Follow these steps for direct learning

Here is how y o u perform the direct learning exercise on


your own:
• K n o w w h a t n e w b e h a v i o r s y o u desire. T h e m o r e specific
y o u can be, the b e t t e r this process will work. It should be
s o m e t h i n g y o u have a strong personal desire to learn.
• Select several b o o k s that speak authoritatively about the
subject. It is i m p o r t a n t that these b o o k s t e a c h the n e w b e h a v i o r s
y o u w a n t in a practical, how-to fashion. B o o k s on theory c a n be
helpful, as l o n g as they discuss practical application. E a c h b o o k
represents several y e a r s of the author's k n o w l e d g e a n d skills and
the essential ideas from m a n y b o o k s . I m a g i n e w h a t y o u are
d o w n l o a d i n g this into y o u r neural circuitry.
• P h o t o R e a d y o u r b o o k s . R e m e m b e r to state y o u r p u r p o s e
clearly before e a c h b o o k a n d to say a solid c l o s i n g affirmation
after e a c h o n e . I t m a y b e a g o o d i d e a t o t a k e a b r i e f s t r e t c h o r d r i n k
water between books. Allow yourself to remain centered and
relaxed throughout the process. If something h a p p e n s to distract
you between books, take a few moments to get b a c k
into state.
• Direct y o u r m i n d to generate the behaviors. R e m e m b e r
h o w y o u imagined doing things as a child? Y o u called it "Playing
P r e t e n d . " G e s t a l t t h e r a p i s t s c a l l i t " P l a y i n g A s If." S e e a m e n t a l
simulation of the future, which encodes the b r a i n w i t h the
n e c e s s a r y i n f o r m a t i o n to give rise to the b e h a v i o r s a c c o r d i n g to
y o u r needs. This is the direct learning activation stage. T h e
information will be activated spontaneously in the appropriate
contexts. T h e c o m p l e t e p r o c e d u r e for direct l e a r n i n g c a n b e
found in my Natural Brilliance b o o k .
W h e n performing the direct learning process, I suggest
not activating y o u r b o o k s consciously b e c a u s e the conscious
m i n d tends to interfere by trying to control the process. Y o u see,
m o s t p e o p l e in our culture have b e e n schooled in the "Puritan
Work Ethic," which means "You must work hard to achieve
rewards." Y o u r athletics c o a c h m a y h a v e said "No pain, no gain"
t o r e i n f o r c e t h e i d e a t h a t h a r d w o r k , effort, a n d s t r u g g l e a r e
the fastest routes to success. D i r e c t learning c h a l l e n g e s such
traditional assumptions by demonstrating that the inner mind
The PhotoReading Whole Mind System 138

can p r o v i d e a "path of least r e s i s t a n c e " to our success. As living


life e f f o r t l e s s l y i s a r e a l h u m a n o p t i o n for t h e first t i m e i n h i s t o r y ,
w h y n o t g o for i t ?
In summary, the direct learning p r o c e s s invites y o u to
answer the simple question, " W h a t do y o u w a n t ? " W h e n y o u can
a n s w e r t h a t q u e s t i o n w i t h c l a r i t y , y o u are w e l l o n y o u r w a y t o
accomplishing y o u r desires. W i t h direct learning, y o u P h o t o R e a d
a stack of b o o k s that e n c o u r a g e s the u s e of the skills y o u n e e d .
T h e n , y o u i m a g i n e y o u r s e l f in the future, in the m o m e n t of
enjoying the a c c o m p l i s h m e n t of y o u r goal. This tells y o u r brain
to spontaneously generate the behaviors y o u need to achieve
y o u r future s u c c e s s .
T h i n k o f y o u r b r a i n a s a n ally i n p e r s o n a l a n d p r o f e s s i o n a l
d e v e l o p m e n t . A s k it to help, and trust it to demonstrate the
w o n d e r s i t c a n p e r f o r m for y o u .

Use the Natural Brilliance model

You can realize your genius potential with ease.


P h o t o R e a d i n g gets y o u started. T h e four-step N a t u r a l Brilliance
m o d e l for l i f e l o n g l e a r n i n g k e e p s y o u o n t r a c k .
N a t u r a l B r i l l i a n c e i s a p r o c e s s for c o n s i s t e n t l y b r e a k i n g
t h r o u g h t o s u c c e s s i n a r e a s o f y o u r life w h e r e y o u m a y feel s t u c k .
T h e steps are: R e l e a s e , N o t i c e , R e s p o n d , and W i t n e s s . I c o v e r
these steps in detail in my b o o k Natural Brilliance: Movingfrom
Feeling Stuck to Achieving Success and in the Natural Brilliance
Personal Learning Course.
T h e first s t e p , R e l e a s e , d r a i n s s t r e s s o u t o f t h e p h y s i c a l
s y s t e m s . R e l a x i n g y o u r b o d y a n d m i n d i s t h e e s s e n t i a l first s t e p
t o p r o m o t e t h e o p t i m a l s t a t e for l e a r n i n g — r e l a x e d a l e r t n e s s .
Tension and resistance characterize a person trying to change
the present situation. Paradoxically, tension and stress cause us
to narrowly focus our attention. We m a n a g e microdetails and
miss the big picture.
You can release in m a n y w a y s . C h a n g i n g posture, e y e -
f o c u s , b r e a t h i n g , a n d t h o u g h t s c a n p r o d u c e a c a l m i n g effect. B y
draining stress out of the b o d y and m i n d , y o u automatically
m i n i m i z e the b e h a v i o r s that k e e p y o u stuck. S i m u l t a n e o u s l y y o u
Discover Your Natural Brilliance 139

restore the natural acuity of y o u r sensory systems, giving y o u


access to new information and choices.
R e l e a s e l e t s y o u p u l l y o u r f o r e h e a d off t h e t r e e l o n g e n o u g h
t o see t h a t y o u are i n the forest. W h e n y o u put your sensory
systems b a c k online, y o u step out of tunnel vision and the w o r l d
opens up.
T h e s e c o n d step, N o t i c e , m e a n s e n t e r i n g a state of i n c r e a s e d
awareness and paying attention to information in the present
situation. W h e n y o u attend to the input in y o u r sensory systems,
y o u will naturally generate creative options and promising responses.
The speed of the m i n d is tremendous. The inner mind
w o r k s at m a k i n g associations m u c h faster t h a n the c o n s c i o u s
m i n d can duplicate. W h e n given the proper direction, the w h o l e
m i n d can a c c o m p l i s h virtually any p r o b l e m - s o l v i n g task.
A p e r s o n in a stuck state oscillates b e t w e e n w a n t i n g to p u s h
forward and pull back at the same time. This happens w h e n a
goal is desired b u t potential failures or p u n i s h m e n t s m u s t be
a v o i d e d . T h e c o m b i n a t i o n of rele asing and n o t i c i n g a l l o w s y o u to
step out of the oscillation and stuck state.
Noticing involves becoming aware of what is happening
around and in you. It helps y o u d e v e l o p a n e w point of view, a
p e r c e p t u a l p o s i t i o n i n w h i c h y o u c a n see w h a t y o u are d o i n g i n
t h e s i t u a t i o n i n w h i c h y o u a r e d o i n g it. T h e n , f r o m t h e r i c h
information about your outer experience and inner experience,
you can make decisions and respond to people and events.
A n " o u t s i d e y o u r s e l f " a w a r e n e s s o p e n s t h e p o s s i b i l i t y for
b a l a n c e . A stuck state is like r u n n i n g b a c k a n d forth on a s e e s a w
o n t h e s c h o o l p l a y g r o u n d . W i t h t h e s t e p o f N o t i c e , y o u h o p off
and choose a new position to w o r k from—alongside the oscillating
system. It is m u c h easier to minimize the oscillation and bring the
teeter-totter into b a l a n c e .
By c o m b i n i n g the steps of Release and Notice, y o u achieve
the o p t i m a l l e a r n i n g state, the state o f r e l a x e d alertness. O n c e y o u
have developed relaxed alertness and increased your foundation
of information, y o u c a n c h o o s e n e w r e s p o n s e s from a rich set
of options.
Step 3, Respond, involves taking action to discover h o w
things c h a n g e . Any response either increases the oscillation and
the inability to m o v e , or it d a m p e n s the oscillation and increases
The PhotoReading Whole Mind System 140

m o v e m e n t t o w a r d a satisfying o u t c o m e . Y o u r actions will either


m a k e the situation be tte r or it will not. In either case, m o v e m e n t
w i t h i n a system provides real and i m m e d i a t e feedback.
O n c e y o u r b r a i n r e c o g n i z e s y o u r d o i n g (or not d o i n g )
something makes y o u r situation better or worse, you have the
b e g i n n i n g s o f c h a n g e a n d t h e first s t e p i n g a i n i n g c o n t r o l o f t h e
o u t c o m e s y o u w a n t t o p r o d u c e . W h e n y o u feel y o u c a n c a u s e
y o u r life t o g e t b e t t e r , y o u c a n g e n e r a t e a p o s i t i v e effect t h a t
builds self-confidence and self-esteem.
W i t n e s s i n g the results of y o u r actions, Step 4 of the model,
puts y o u in charge of p r o d u c i n g the success y o u want. W h e n y o u
w i t n e s s , y o u find a n o n j u d g m e n t a l p o s i t i o n f r o m w h i c h y o u
observe learning taking place. W h e t h e r your response in Step 3
h a s s u c c e e d e d or failed is not significant. T h e i m p o r t a n t t h i n g is
to get feedback that can lead to learning. In this step the feeling is
o n e o f safety a n d b l e s s i n g .
Do you desire to b r e a k t h r o u g h to a new level of
performance? The Natural Brilliance model leads y o u to replicate
a n d r e c l a i m t h e safety a n d b l e s s i n g s o f y o u r n a t u r a l l e a r n i n g g e n i u s .
Unfortunately, m a n y of us e x p e r i e n c e d school as a place of
w o u n d i n g . Natural Brilliance will assist y o u in o v e r c o m i n g y o u r
w o u n d s a n d r e p l a c i n g t h e m w i t h the s t r e n g t h s o f safety a n d
b l e s s i n g . T h e great o p p o r t u n i t y for y o u as an adult is to w i t n e s s
y o u r continued learning e a c h day. As y o u develop the Natural
Brilliance in you, the results y o u create will shine throughout
y o u r life.
I f y o u e v e r feel s t u c k w h e n l e a r n i n g t o u s e p a r t o f t h e
P h o t o R e a d i n g w h o l e m i n d system, use the four steps of N a t u r a l
Brilliance. R e l e a s e the p u s h and pu 11 of trying to do it right. N o t i c e
m o r e of the rich information around and within you. R e s p o n d in
n e w and creative w a y s that lead to greater ease and flow. W i t n e s s
t h e results y o u p r o d u c e a n d stay o n t r a c k t o y o u r g o a l s .

Awaken your intuition

I n t h e first p u b l i c P h o t o R e a d i n g s e m i n a r i n J a n u a r y , 1 9 8 6 ,
I a s k e d a q u e s t i o n at the b e g i n n i n g of our third session: " W h a t
different o r u n u s u a l e x p e r i e n c e s h a v e y o u n o t i c e d s i n c e b e g i n n i n g
to PhotoRead?"
Discover Your Natural Brilliance 141

T o m , w h o h a d b e e n fairly s h y u p t o t h a t p o i n t , s t o o d u p
b o l d l y a n d said, "I don't k n o w if this h a s a n y t h i n g to do w i t h
P h o t o R e a d i n g , b u t I w a s h o p i n g m a y b e y o u could explain this to
m e . I am a v o l u n t e e r fireman. On W e d n e s d a y night last w e e k , I
a w o k e t o t h e fire a l a r m , g o t d r e s s e d , a n d w e n t o v e r t o t h e s t a t i o n .
I w a s s u r p r i s e d t o f i n d t h a t I w a s t h e first p e r s o n t h e r e . I h a d n e v e r
b e e n first b e f o r e . I s t o o d t h e r e a m i n u t e , a n d s u d d e n l y t h e a l a r m
w e n t off. I had actually r e s p o n d e d to the alarm ten m i n u t e s
b e f o r e i t w e n t off! C a n y o u e x p l a i n h o w t h i s h a p p e n e d ? "
For years, I had taught seminars designed to help people
gain access to their intuitive powers. Tom's uncanny experience
typified h o w people's intuition can spontaneously a w a k e n . W h a t
appeared as an improbable coincidence was a demonstration of
h o w t h e finely t u n e d i n n e r m i n d c a n c o m m u n i c a t e i n a p u r p o s e f u l
way.
When you PhotoRead and activate, you increase the
communication b e t w e e n your conscious and other-than-conscious
mind. That is exactly what intuition is—the conscious
communication of other-than-conscious perceptions. Here is
h o w y o u can increase access to y o u r o w n intuitive awareness:
• Explore the sensory representations inside y o u including
y o u r inner pictures, inner dialog, and inner feelings.
• Notice information at the periphery of y o u r awareness by
opening your peripheral vision. Listen to multiple auditory
information such as several conversations in b u s y places like
restaurants, and the multiple voices on Paraliminal tapes. Also
notice subtle kinesthetic experiences. For example, right n o w
notice the feeling of h o w y o u are sitting, y o u r e m o t i o n s , a n d the
temperature on the b a c k of y o u r neck.
• Be curious and receptive to information c o m i n g to y o u
from y o u r external and internal e n v i r o n m e n t s .
• Play g a m e s with y o u r intuition. W h e n standing at a b a n k
of elevators, p u s h the call button, and guess w h i c h one will o p e n
first.
T h e d u a l b e n e f i t t o y o u for a w a k e n i n g y o u r i n t u i t i o n i n c l u d e s
enhancing your PhotoReading and activation skills while
simultaneously enriching the quality a n d e a s e o f y o u r life.
14

The Secret of the PhotoReading


W h o l e M i n d System

T h e true secret of P h o t o R e a d i n g a t 2 5 , 0 0 0 w o r d s per minute


i s that y o u a l r e a d y h a v e the ability. Y o u r b r a i n i s h a r d w i r e d for
g e n i u s . R e d i s c o v e r y o u r n a t u r a l g e n i u s . P l a y w i t h it, a n d a l l o w i t
t o b e c o m e p a r t o f y o u r e v e r y d a y life.
Actively e n c o u r a g e yourself. Y o u will d i s c o v e r that y o u
h a v e a b i l i t i e s r e a c h i n g far b e y o n d P h o t o R e a d i n g .

A call to active reading

I am privileged to have studied the m o s t masterful learners


in the w o r l d — b a b i e s . B a b i e s are active, purposeful, goal oriented,
insatiable learners. My wife and I h a v e loved w a t c h i n g our three
children engage the physical and mental universe. Their hunger
t o m a k e s e n s e o f life i s e n o r m o u s .
A l t h o u g h our three b o y s are n o w w e l l b e y o n d the b a b y
s t a g e , t h e y still a c t i v e l y e x p l o r e t h e i r w o r l d . L e a r n i n g i s a c t i v e ;
a c t i v i t y i s t h e fuel o f g e n i u s . O u r g e n i u s f a d e s w h e n p a s s i v i t y
takes over.
T e l e v i s i o n t e a c h e s us to be p a s s i v e . It tells us to wait;
e v e r y t h i n g w e w a n t w i l l c o m e t o u s — r i g h t after t h i s c o m m e r c i a l .
I f r e a d i n g b e c o m e s p a s s i v e , o u r g e n i u s i s stifled.
R e g a r d l e s s o f w h a t t y p e o f r e a d i n g y o u do, stay a c t i v e . T h e
m o r e active y o u are, the m o r e fluent y o u r r e a d i n g b e c o m e s a n d
the m o r e effective y o u will b e a t a c h i e v i n g the results y o u desire.
Fluent readers maintain a high degree of focus by reading
purposefully and by asking questions of the author as they read.
The Secret of the PhotoReading Whole Mind System 143

Concentration, the essence of active reading, is not nearly so


m u c h a d i s c i p l i n e as it is an a t t i t u d e .
R e a l i z e that y o u are r e a d i n g by c h o i c e and that y o u w a n t to
c r e a t e v a l u e for y o u r s e l f . C h o i c e m a k e s a r e a l d i f f e r e n c e i n h o w
e a s i l y y o u a c c o m p l i s h y o u r p u r p o s e for r e a d i n g , b e i t a d e s i r e t o
gain information and skills, to evaluate ideas, or to simply r e l a x .
W h e n y o u consciously choose to read, y o u engage your mind's
full c a p a b i l i t y .
As I write these w o r d s , I think of G e o r g i L o z a n o v , the
grandfather of accelerative learning. Early in his career, L o z a n o v
b e l i e v e d t h e p u r p o s e o f h i s m e t h o d s w a s t o e l i m i n a t e fear f r o m
the c l a s s r o o m and increase p e o p l e ' s suggestibility—their ability
to receive information on an other-than-conscious level. O v e r the
years, his thinking changed, and his overriding goal b e c a m e to
offer l e a r n e r s m o r e c h o i c e s .
T h i s i s p r e c i s e l y t h e a i m I h a v e for y o u i n r e a d i n g . M y g o a l
i n t h i s b o o k h a s b e e n t o lay o u t a n e w p a r a d i g m for r e a d i n g a n d
a n a c c o m p a n y i n g set o f t o o l s t h a t m a x i m i z e y o u r c h o i c e s w h e n
interacting with the printed p a g e .
M a k e t h e P h o t o R e a d i n g w h o l e m i n d s y s t e m y o u r ally a s
y o u b e c o m e a m o r e active, purposeful, and d e m a n d i n g reader.
R e a d with speed and efficiency. Take the opportunity to extend
y o u r u n d e r s t a n d i n g b e y o n d y o u r c u r r e n t l i m i t s . A b o v e all, u s e
your mind's full p o t e n t i a l t o accomplish your personal and
professional goals, and discover an abiding joy in the process.
Y o u c a n d o it!

A new scenario, a closing thought

R e m e m b e r the scenario of choice from C h a p t e r 2? Let us


r e t u r n t o i t for a m o m e n t . Y o u a r e r e a d y t o enjoy any p a r t o f i t
you desire.
You begin each work day feeling on top of the information needed
to make effective and timely decisions. Whenever you read, you do so
with a sense of effortlessness and relaxation. You find it easier to win
approval for your proposals because your recommendations are backed
by solid evidence.
Reading technical reports, a task that used to consume hours, now
requires only minutes per document. At the end of your day you look at
The PhotoReading Whole Mind System 144

a clear desk feeling ready for the following day.


This quality extends to your home life as well. Gone are the piles
of untouched books, magazines, newspapers, and mail that once crowded
your living space. You keep up with the latest daily news in 10-15
minutes a day. In a single sitting you pare down or eliminate your "to
be read" piles. And with the extra time, you consistently complete the
top-priority tasks on your to-do lists.
Your advanced reading abilities enable you to take courses,
complete degrees, gain promotions, learn new skills, expand your
knowledge, and satisfy your general curiosity. The ease of it all makes
learning fun.
Draw you create time for novels, magazines, andpleasure reading
which go beyond the immediate demands of your job. In the process, you
create free time to play as well.

As y o u embrace the possibilities, savor the experience.


W h a t i s y o u r c o m m i t m e n t n o w ? W h a t step can y o u take i n the
n e x t t w e n t y - f o u r h o u r s t o m a k e m o r e o f t h i s s c e n a r i o a r e a l i t y for
you?
P e t e r S e n g e , in h i s b o o k The Fifth Discipline, offers a p e r f e c t
summary:

T h e learning process of the y o u n g child provides a beautiful


m e t a p h o r for t h e l e a r n i n g c h a l l e n g e f a c e d b y u s a l l : t o
continually expand our awareness and understanding, to
see m o r e and m o r e of the i n t e r d e p e n d e n c i e s b e t w e e n actions
a n d our reality, t o see m o r e a n d m o r e o f o u r c o n n e c t e d n e s s
to the w o r l d around us.

W e w i l l p r o b a b l y n e v e r p e r c e i v e fully t h e m u l t i p l e w a y s w e
influence our reality. B u t simply b e i n g o p e n to the possibility
i s e n o u g h t o free o u r t h i n k i n g .

C h a n g e is as inevitable in our lives as it is in the world


a r o u n d u s . P h o t o R e a d i n g , a c a t a l y s t for p e r s o n a l g r o w t h , frees
o u r t h i n k i n g a n d e x p a n d s o u r a w a r e n e s s t o c o p e effectively w i t h
c h a n g e . W i t h the skills o f the P h o t o R e a d i n g w h o l e m i n d system,
P h o t o R e a d e r s adjust to the c h a n g e s in their schools, w o r k p l a c e s ,
professions, societies, nations, global c o m m u n i t y , and planet.
The Secret of the PhotoReading Whole Mind System 145

W i t h PhotoReading, y o u can actively pursue mastery in the


face o f c h a n g e — b y c h o i c e . C h o o s e n o w t o m a s t e r any p a r t o r all
of the P h o t o R e a d i n g w h o l e m i n d system. Every action y o u take
leads to y o u r personal excellence.

A mountain biker flies d o w n hills faster, because his field of vision opened up
"I trust my inner knowing I feel relaxed, and the bike floats over b u m p s "

A new employee attended a meeting on the first day of her j o b She had spent
a few minutes PhotoReading reports before the meeting and contributed to the
conversation as if she had been working there forever "The meeting was an
activation of the materials I don't know w h o as more surprised, me or my new
coworkers'"

Two friends read novels in front of the fireplace during the evenings while on
a skiing vacation The PhotoReader brought five novels, the other just one

A chemist discovered that PhotoReading his college text books helped develop
his understanding of charts which in the past presented problems

Two friends played tennis for years One of them took the PhotoReading course
and PhotoRead five books on tennis His game immediately improved so
significantly that the other man was stunned W h e n he discovered how the
miraculous improvement occurred, he signed up for the next PhotoReading
class The end result was the same improvement in his own tennis game

A beginning PhotoReader PhotoRead ten books a day for several weeks so that
the process became second nature One morning he PhotoRead a book on how
quantum physics relates to the brain That afternoon, during a slow period of
a Minnesota Vikings football game, he spontaneously imagined thoughts,
ideas, concepts, principles, and theories about physics Several days later, he
told colleagues of his experience, one of w h o m was a physics expert After
quizzing the PhotoReader, the physics expert said that the PhotoReader, as a
lay person, knew a heck of a lot about physics The PhotoReader had
tremendous confidence that, if he went back to the book and activated it, he
w o u l d easily gain additional knowledge since PhotoReading had given htm a
solid basis of understanding
Quick Reference Guide:

Steps of the P h o t o R e a d i n g
W h o l e Mind System

O n e o f t h e m a x i m s o f t h i s b o o k i s t o forget a b o u t " p r a c t i c i n g "


w i t h t h e P h o t o R e a d i n g w h o l e m i n d s y s t e m . I n s t e a d , j u s t u s e it.
T o reinforce w h a t y o u h a v e learned from P h o t o R e a d i n g ,
c h o o s e another b o o k y o u w a n t to read and apply each of the steps
listed b e l o w . T h e sooner y o u do this, the better. Either do it n o w ,
o r set a t i m e n o w t o d o i t i n t h e n e x t t h r e e d a y s .
U s e this guide w h e n e v e r y o u n e e d to as a refresher.
Quick Reference Guide 147

Step 1: Prepare

• C l e a r l y s t a t e y o u r p u r p o s e for r e a d i n g .
• E n t e r the ideal state of m i n d for l e a r n i n g . T h i s is t h e state
of relaxed alertness.

Step 2: Preview

• Survey the written materials.


• Pull out trigger w o r d s from these materials.
• R e v i e w the information y o u have u n c o v e r e d and establish
y o u r g o a l for g o i n g further.
• Consider the traps of previewing. It may be best to survey
b r i e f l y , for o n l y a m i n u t e , t h e n p e r f o r m t h e a b o v e a s p o s t v i e w i n g
after y o u P h o t o R e a d .

Step 3: PhotoRead

• P r e p a r e to P h o t o R e a d .
• E n t e r the accelerative learning state.
• Affirm y o u r personal abilities and the goal y o u will
achieve from these materials.
• E n t e r the P h o t o F o c u s state by getting a fixed p o i n t of
a w a r e n e s s (tangerine technique) and the "blip p a g e . "
• M a i n t a i n a steady state w h i l e t u r n i n g p a g e s a n d chanting.
K e e p y o u r breathing deep and even.
• I n c l o s i n g , affirm t h e i m p a c t t h e i n f o r m a t i o n h a s h a d a n d
y o u r a b i l i t y t o a c t i v a t e it.
• If y o u kept your preview to a m i n i m u m before
P h o t o R e a d i n g , consider performing y o u r p o s t v i e w at this point.
That m e a n s playfully explore the text to survey, pull out trigger
words, and formulate questions without reading to answer them.
10 to 15 m i n u t e s is u s u a l l y sufficient.

Step 4: Activate

• Ideally, wait a few minutes, or o v e r n i g h t , after


P h o t o R e a d i n g before activating. This is a period of incubation.
The PhotoReading Whole Mind System 148

• Probe y o u r mind. A s k yourself questions about the material


y o u P h o t o R e a d . This starts y o u r activation.
• S u p e r read the parts that attract you. M o v e y o u r eyes
quickly d o w n the center of the page to trigger large b l o c k s of text
into conscious awareness. T h e i d e a l s t a t e o f m i n d for a c t i v a t i o n
is one in w h i c h y o u are attentive to subtle cues in the p e r i p h e r y
of your awareness.
• D i p into the text to read selected p a s s a g e s and a n s w e r
specific q u e s t i o n s y o u a s k e d yourself. T h e t e c h n i q u e of r h y t h m i c
perusal is the best way to dip.
• Skitter as an adjunct or alternative to super reading and
dipping. After r e a d i n g the topic s e n t e n c e of a p a r a g r a p h , skitter
y o u r eyes over the augmentation, t h e n read the c o n c l u d i n g
sentence.
• Create a m i n d m a p by m a k i n g a visual d i a g r a m of the k e y
ideas from the written materials.
• E x p l o r e other forms of activation including discussions
and dreaming that use multiple intelligences.

Step 5: Rapid Read

M o v e rapidly t h r o u g h the text, r e a d i n g c o m f o r t a b l y from


start to finish w i t h o u t stopping. T a k e as m u c h t i m e as y o u desire.
Vary y o u r reading speed depending on the complexity and
i m p o r t a n c e of the material.

Syntopic Reading

1. E s t a b l i s h a p u r p o s e .
T h e first a c t i v e s t e p o f w h o l e m i n d s y n t o p i c r e a d i n g i s t o
state a p u r p o s e that h a s m e a n i n g a n d v a l u e for y o u .
2. C r e a t e a b i b l i o g r a p h y .
T h e s e c o n d a c t i v e s t e p i s t o c r e a t e a b i b l i o g r a p h y — a list o f
b o o k s that y o u plan to read. P r e v i e w y o u r b o o k s to determine if
t h e y fit y o u r p u r p o s e .
3 . P h o t o R e a d all m a t e r i a l s 2 4 h o u r s b e f o r e a c t i v a t i n g t h e m .
The mind needs incubation time to create new connections.
PhotoRead your selected b o o k s 24 hours before y o u plan to
activate them.
Quick Reference Guide 149

4. Create a giant m i n d m a p .
K e e p y o u r b o o k s , a large sheet of paper, and s o m e colored
m a r k e r s o n h a n d for m i n d m a p p i n g . U s e m i n d m a p p i n g t o t a k e
notes during the r e m a i n i n g steps of syntopic reading.
5. Find relevant passages.
S u p e r read a n d dip t h r o u g h e a c h of the b o o k s to find
p a s s a g e s that are relevant to y o u r purpose.
6. Summarize in your own words.
S t e p b a c k a n d l o o k a t all t h e p a s s a g e s y o u h a v e w r i t t e n o n
y o u r m i n d m a p . Briefly s u m m a r i z e w h a t y o u think the subject is
all a b o u t u s i n g y o u r o w n t e r m i n o l o g y .
7. Discover themes.
L o o k for s i m i l a r i t i e s a n d d i f f e r e n c e s b e t w e e n a u t h o r ' s p o i n t s
o f v i e w . W h a t a r e t h e p r e d o m i n a n t t h e m e s t h a t all t h e a u t h o r s
seem to address. M a k e note of these.
8. Define the issues.
O p p o s i n g v i e w p o i n t s b e t w e e n authors are the k e y issues
about y o u r subject. U n d e r s t a n d i n g these points of c o n t e n t i o n
greatly e n h a n c e s y o u r k n o w l e d g e o n the subject. S u p e r read and
dip to find k e y p o i n t s r e l a t e d to t h e s e i s s u e s .
9. Formulate your own view.
In discovering issues, you begin to synthesize y o u r o w n
v i e w p o i n t . T h e skilled s y n t o p i c r e a d e r l o o k s a t all sides a n d t a k e s
n o s i d e s a t first. A f t e r g a t h e r i n g e n o u g h i n f o r m a t i o n , f o r m u l a t e
your o w n position.
10. A p p l y .
A c c o r d i n g to y o u r o w n needs, apply the k n o w l e d g e y o u
have acquired.

PhotoReading
Bibliography

Many books used as reference in the development of the


PhotoReading whole mind system were published in the first
and second editions of this book This bibliography contains
more updated versions of many of those ideas To obtain a copy
of the originally published bibliography, contact the publisher.

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Bennett, J Michael Four Powers of Communication Skills for Effective Learning New
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Bennett, J Michael Four Powers of Greatness Personal Learning Course Wayzata,
MN Learning Strategies Corporation, 1998
Barker, Joel Future Edge Discovering the New Paradigms of Success New York
William Morrow & Company, Inc, 1992
Belt, Ten-E, and Charlotte Ward Simply Live It UP Brief Solutions Bethesda, MD
Purposeful Press, 1995
Buzan, Tony The MindMap Book New York Penguin Books, 1996
Cartwnghr, Rosalind, and Lynne Lamberg Crisis Dreaming Using Your Dreams to
Solve Your Problems New York Harper Collins Publishers, 1992
Campbell, Don G 100 Ways to Improve Teaching Using Your Voice and Music
Pathways to Accelerate Learning Tucson, AZ Zephyr Press, 1992
Carson, Richard Taming Your Gremlin New York Harper Perennial, 1983
Copland, Aaron What to Listen for in Music New York New American Library,
1957
Csikszentmihalyi, Mihaly Flow The Psychology of Optimal Experience New York
Harper & Row Publishers, 1990
Csikszentmihalyi, Mihaly FmdingFlow The Psychology of Engagement with Everyday
Life New York Harper & Row Publishers, 1997
Cudney, Milton and Robert Hardy Self Defeating Behaviors Free Yourself from the
Habits Compulsions Feelings and Attitudes That Hold You Back New York
Harper Collins Publishers, 1991
Davis, Ron D The Gift of Dyslexia Why Some of the Smartest People Can t Read and
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Ddts, Robert B, Todd Epstein, Robert W Dilts Tools for Dreamers Strategies for
Creativity and the Structure of Innovation Cupertino, CA Meta, 1991
Dixon, Norman F Preconscious Processing Chichester, NY Wiley, 1981
Dixon, Norman F Subliminal Perception The Nature of a Controversy New York
McGraw-Hill, 1971
Dryden, Gordon, and Jeannette Vos The Learning Revolution A Life Long Learning
1
program for the World s Finest Computer Your Amazing Brain Rolling Hills
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Basic Books, 1992
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1979
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1998
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Inc, 1998
Jensen, Eric The Learning Brain San Diego Turning Point Publishing, 1994
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Science and Behavior Norwalk, CN Appleton & Lange, 1995
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Arlington, VA Great Ocean Publishers, 1988
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Great Ocean Publishers, Inc, 1992
The PhotoReading Whole Mind System 152

LaBerge, Stephen, and H Rhemgold Exploring the World of Lucid Dreaming New
York Ballanhne Books, 1991
Lao Tsu Tao Te Ching Translated by Gia-Fu Feng and Jane English New York
Vintage Books, 1972
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Breach, 1978
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Tucson, AZ Zepher Press, 1991
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McCarthy, Michael Mastering the Information Age Los Angeles J P Tarcher, 1991
Musashi, Miyamoto A Book of Five Rings The Classic Guide to Strategy Woodstock,
NY The Overlook Press, 1974
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Index

A associations 54, 56, 67


attention 27, 30
accelerative learning 128 seven units of 27
accelerative learning state 4 1 , 49
attitudes 131
how to m a i n t a i n 50
payoffs 42
6
activation 7,16, 20, 53, 7 6 , 1 2 8 ,
130 Bacon, Francis 25
barriers 89
by discussion 57
beginner's m i n d 122, 132
d i p 5 8 . See also d i p
benefits 8
dreams 105. See also dreams
Bennett, J . M i c h a e l 6 1 , 6 4
electronic files 84
blip page 4 8 . See also
email 83
PhotoFocus
journals 82
brain channels 101
magazines 82
brain frequency 101
m a n u a l 54
m i n d m a p p i n g 66. See also
B u z a n , T o n y 67. See also mind
mapping
mind mapping
m i n d probing 57. See also
c
questions
newspapers 82 C a r s o n , Richard 119
novels 83 chanting 49
rhythmic perusal 54 choice
skittering 64 importance to reading 143
spontaneous 54 comprehension 3 , 4 , 1 3 , 1 6 , 2 1 , 27,
super read and dip. See super 32, 54, 60, 61, 64, 69, 73, 74,
read 98, 99,131
guideline 61 h o w to achieve 132
textbooks 83 levels of conscious
w i t h group discussion 93 comprehension 54
active reading 14, 143 concentration 28, 143
Adler, Mortimer 110 concert session 128
affirmations 51 confusion 120, 125, 132
"aha!" experience 74. See also conscious
spontaneous activation competence 124
Index 155

incompetence 123 feel self-conscious 90


m i n d 57, 123, 129 five-day plan 76
conventional reading 72 fixed point of attention 3 1 . See
Copland, Aaron 130 also tangerine technique
Csikszentmihalyi, Mihaly 127 flow 127
curiosity 57 flow state 29, 31
frustration 119, 125, 126. See
D also learned helplessness

D a i l y news 82 G
Danielson, Patricia 109, 116
D a v i s , Ron 30 Gallwey, Tim 100
decision m a k i n g 60, 94 Gardner, H o w a r d 129
decoding 128 genius 7, 8, 140, 142
diet 102 giant m i n d m a p 113
d i p 20, 58, 60. See also goals 43
activation: dip in reading 104
direct learning 135 gremlins 119, 132
h o w to 137 group activation 91
mental simulation 137
distractions 49 guilt 26, 60
document shock 14
dreams 105 H

as activation 53 habit 26, 99, 105


dyslexia 30
I
E
ideal brain state 102
E d e l m a n , G e r a l d , M.D. 68 ideal state 27, 29, 4 9 . See also
E d w a r d s , Betty 44 flow state
electronic files 84 implicit learning 136
elementary reading 13 incubation 56, 133
email 83 inner m i n d 7
enter the accelerative learning integrate
state. See accelerative skills 88
learning state integration 88

excellence 124. See also stages of intuition 60, 132, 140

learning intuitive signals 62, 87


exercise 102
expanded brain 7 J
expanded capabilities 123
James, W i l l i a m 35
explicit learning 136
Johnson, D a v i d W. 88
explicit m e m o r y 136
Johnson, Frank P. 88
e y e - m i n d connection 98
journals 82
j u m p start 55
F

fear 4, 2 1 , 143
The PhotoReading Whole Mind System 156

K 3 respond 139
4 witness 140
Kline, Peter 108 negative attitudes 17. See also
limitations
L neural networks 69
Noah Gordon 101
Lao Tsu 127
nonconscious data base 57, 59
learned helplessness 125
nonconscious m i n d 7, 39,105
left hemisphere 15
nonconscious storage capacity of
limitations 7
the brain 130
perfectionism 17
NOPS 119
limits 13

o
Lozanov, Georgi 128, 143

oscillation 139
M
other-than-conscious m i n d 7,16,
magazines 82 4 2 , 44, 7 4 , 1 0 5 , 1 4 1 , 1 4 3
martial arts 100 overwhelmed 14
Maslow, Abraham 127
M c K e n n a , Paul 84 P
meaning 61
meditation 102 paraconscious m i n d 7
m e m o r y 33, 68, 105 paradigm 13,15, 60, 6 8 , 1 2 2 , 1 4 3
tip of the tongue p h e n o m e n o n shifts 17
105, 130 paradoxes 131
m e n t a l s u m m a r y 64 Paraliminal tapes 43, 87, 103
m i n d . See conscious m i n d ; inner helpful titles 103
mind; other-than-conscious payoffs 27
m i n d ; nonconscious m i n d perceptual defense 46
mind map 115 peripheral awareness 99. See
mind mapping also p e r i p h e r a l vision
h o w to 65 applications of 100
m i n d m a p p i n g . 20 peripheral vision 20, 99, 141
m i n d probing 57. See also PhotoFocus 44, 4 5 , 59
questions blip page 47
more-than-conscious m i n d 7 cocktail weenie effect 46
m o t i v a t i o n 36 PhotoReading 14, 40, 62, 69
m u l t i p l e intelligences, theory of a f f i r m 43
spatial intelligence 67 close 51
M u s a s h i , M i y a m o t o 45 enter the accelerative learning
music 87 state 41
in business 76
N mentally p h o t o g r a p h 2
m i n d m a p of 66
N a t u r a l Brilliance
next step 135
four-step m o d e l 138
payoffs 6, 144
1 release 138
prepare 41
2 notice 139
r e q u i r e m e n t f o r s u c c e s s 132
Index 157

research 136 formulate 55


secret of 142 questioning 14
secret p o w e r of system 7
steady state 49 R
technique of 19
testing it 75 rapid read 7 , 2 1 , 7 1 , 7 2

tests 121 kayak analogy 73

to master 17 versus super read 73

P h o t o R e a d i n g P e r s o n a l Learning w h e n to do it 71
reading 2
Course 107
PhotoReading seminar 106 speed 13, 72

PhotoReading w h o l e m i n d versus PhotoReading 15

system recall 43, 54, 57, 69, 83, 130


relaxation gate 101
in business 91
relaxed alertness
recapping the steps 80
versus elementary reading 13
18, 27, 28, 57, 100. See also
ideal state
w i t h novels 83
Restak, Richard, M . D . 136
w i t h texbooks or technical
review 35
manuals 83
rhythmic perusal 20, 6 1 , 6 5
play 132
right hemisphere 16
posture 49
Postview 55
s
postview 37
practice 104
schema
preconscious m i n d 7
author's scheme for w r i t i n g
preconscious processing 5, 40
63
prepare 7, 18, 24
self-image 126
h o w to 29
Senge, Peter 144
Preview 1 1 1 , 132
serendipity 56
preview 7,19, 32, 3 6 , 1 1 6 , 1 1 8 ,
seven intelligences 129. See also
129
multiple intelligences:
payoffs 35 theory of
review 19, 35
Sher, Barbara 96
secret to success 35
skepticism 131
trigger w o r d s 19
skill d e v e l o p m e n t 135. See also
prioritize 81
direct learning
probing the m i n d 20. See also
skitter 20, 64
m i n d probing
skittering
purpose 13,18, 25, 26, 35, 54, 6 1 ,
steps of 65
73, 8 0 , 1 0 4 , 1 1 1 , 137
S m i t h , Frank 61
being purposeful 14
soft eyes 45. See also PhotoFocus
setting your 25
soft gaze 100
spatial intelligence 67. See also
Q multiple intelligences,

q u e s t i o n s 5 7 . See also mind theory of


probing speed reading 3, 5, 64
spin. See also confusion
The PhotoReading Whole Mind item 158

metaphor 4
unconscious mind 7
spontaneous activation 74. See
also a c t i v a t i o n V
stages of learning 123
vision training 99
state of m i n d . See accelerative
visual cues 58
learning state; ideal state
visual field 59. See also
Stauffer, Russell 61
peripheral vision
stuck state 139
visual m e m o r y 67, 99
study skills 7 1 , 85
sub-conscious m i n d 7
subliminal perception 5
w
subvocalizing 98
w e l l - f o r m e d goals 1 0 4 . See also
success teams 96
goals
super read 20, 58. See also
W e n g e r , W i n 37, 130
activation: super reading
whole mind 74. See also m i n d
a n d d i p 71 Wycoff, Joyce 67. See also m i n d
payoffs 64 mapping
versus rapid read 73
S u p e r m a n analogy 58 z
survey 19, 33. See also p r e v i e w
h o w to 33 Z e n 100, 102, 122. See also
S u z u k i , S h u n r y u 122 meditation
syntopic reading 109
power of 115
steps of 111

T
t a k i n g tests 87
tangerine technique 27, 29 y 30
tests 104, 121
time m a n a g e m e n t 26
prioritize 81
strategies 81
time required to learn 123
traditional education
reading 126
train of thought 62
transformations 7
trigger w o r d s 34. See also
preview
tunnel vision 139

u
unconscious incompetence
123. See also stages of
learning

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