Dieter Aab
Director, Swaziland Theatre Technical Services
HISTORICAL SCOPE
Performing Arts in Swaziland is clearly divided into 2 streams:
2. COLONIAL THEATRE
i) It was driven by a strong need for entertainment.
ii) It depended on a strong literary tradition
INTRODUCTION
• Swazi drama and theatre emerged rather belatedly in the history of
siSwati literature. Initially siSwati writers concentrated on prose writing in
the form of short stories, novellas and novels. These dominated the
siSwati literary scene for quite sometime, that is, from the time Swaziland
gained her independence in 1968. This is the time when for the first time,
siSwati became a written language and was introduced to the school
system to replace Zulu.
• It was only in the late 1980’s that siSwati writers began to turn to drama
and poetry, and a number of drama books have been produced ever
since.
•
Themes in the Published Plays
• Ranging from culture and tradition, culture conflict, modern living and
behavior as well as topical issues such as HIV/ AIDS, violence against
vulnerable groupings and child dumping.
• Most criticize traditional practices such as forced marriages,
• and the use of traditional medicine for purposes of witchcraft.
• Individuals going to the city and experiencing moral degradation.
• The issue of culture conflict.
• conflict between western religion and tradition
• The practice of wife inheritance.
• How women suffer as a result of their inability to give birth to sons.
Conclusion
• students plays are more insightful in terms of what is actually wrong
with some practices within the society.
• These young people are no longer complacent - they ask
questions:
• why is it done this way, what can be done to stop this behaviour,
this needs to be interrogated.
• This therefore marks a divergence from those drama texts that are
published.
• This may be due to the fact that these students are young and they
look at issues from a fresh perspective.
• It may also be due to the fact that that they are operating within the
academic sphere where there is no fear of sanctions or
victimization.