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The world is full of people who can go to the Louvre, walk rapidly past rows of very interesting, though secondary, pictures. But we are no less wrong to neglect particular beauty, the beauty of circumstance and the sketch of manners. The pleasure which we derive from the representation of the present is due not only to the beauty with which it can be invested, but also to its essential quality of being present.
The world is full of people who can go to the Louvre, walk rapidly past rows of very interesting, though secondary, pictures. But we are no less wrong to neglect particular beauty, the beauty of circumstance and the sketch of manners. The pleasure which we derive from the representation of the present is due not only to the beauty with which it can be invested, but also to its essential quality of being present.
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The world is full of people who can go to the Louvre, walk rapidly past rows of very interesting, though secondary, pictures. But we are no less wrong to neglect particular beauty, the beauty of circumstance and the sketch of manners. The pleasure which we derive from the representation of the present is due not only to the beauty with which it can be invested, but also to its essential quality of being present.
Hak Cipta:
Attribution Non-Commercial (BY-NC)
Format Tersedia
Unduh sebagai PDF, TXT atau baca online dari Scribd