es I Gone But o Forgotten

2 ead On
3 Gotta Lotta Rosa
4 Jazz Trip
5 Hey Jack
6 Ruff And Smooth
7 Tuning Notes
Bad(ng Tracks 8 Gone But Not Forgotten
9 Head On
10 Gotta Lotta Rosa
II Jazz Trip
12 Hey Jack
13 Ruff And Smoot h
Tech Exercises 14 Riff
Improvisation &
Interpretation IS With Chords
16 With Lead
Ear Tests 17 Test I & Test 2
e e tar
Rockschool
Welcome to Guitar Grade 1
Guitar Notation Explained
Pieces:
Gone But Not Forgotten
Head On
Gotta Lotta Rosa
Jazz Trip
Hey Jack
Ruff And Smooth
Technical Exercises
Sight Reading
Improvisation & Interpretation
Ear Tests
General Musicianship Questions
The Guru's Guide
Entering Rockschool Exams
rockschool
www. rockschool. co. uk

2
3
4
5
6
7
8
9
10
12
13
14
15
16
18
~ - ~ . : : C D - -- - : : ~ . - 11- g ee e' to play guitar in this grade.
0
rar no arion -:-_-\13. The accompan)ing CD has full stereo
mix o- ea h tune, backing tracks to play along' ith for practice, tuning notes and po en two bar count-ins to each piece.
Hand: ti. on pla)ing the pieces and the marking schemes can be found in the Guru's Guide on page 16. If you have any
queries about this or any other Rockschool exam, please call us on 0845 460 4747, email us at injo@rockschool.co.uk or visit
our ebsi e ' uockschool.co.uk. Good luck!
Levell Requirements for Grades 1, 2 & 3
The nine Ro --- ool 2rades are divided into four levels. These levels correspond to the levels of the National Qualifications
Framework(_ -Q:c . Further details about the NQF can be found at www.qca.org.uk!NQF. Details of all Rockschool's
accredited qu - ~ tion can be found at www.qca.org.uk!openquals.
Guitar Grade 1 an of Level 1. This Level is for players who are just starting out and who are looking to build a solid
technical and sty c foundation for their playing.
Grade 1: a player o.- Grade 1 standard should be able to play up to 32 bars of music using first position chords and melodies
composed of whole, half, quarter and eighth notes and associated rests, tied notes, and dotted half and quarter notes.
Performances should include basic legato and staccato playing where marked.
Grade 2: in this grade you are beginning to acquire a range of physical and expressive techniques, including palm muting
and the use of double stops on adjacent strings, simple legato and staccato and slides, as well as simple dynamics. In this
grade you will also begin to work on your stylistic appreciation.
Grade 3: this grade continues the foundation work started in Grade 2. As a player you will be encountering syncopated
eighth and sixteenth note strumming as well as developing the palette of expressive techniques to include fretting hand and
whammy bar vibrato, hammer ons and pull offs, slides and simple bends. The pieces of music are now l.onger, covering two
pages and you hould be developing your stylistic awareness, taking into account amp settings for each song.
Guitar Exams at Grade 1
There are two types of exam that can be taken using this pack: a Grade Exam and a Performance Certificate.
Guitar Grade 1 Exam: this is for players who want to develop performance and technical skills
Players "ishing to enter for a Guitar Grade 1 exam need to prepare three pieces of which one may be a free choice piece
chosen from outside the printed repertoire. In addition you must prepare the technical exercises in the book, undertake
either a sight reading test or an improvisation & interpretation test, take an ear test and answer general musicianship
questions. Samples of these tests are printed in the book along with audio examples on the CD.
Guitar Grade I Performance Certificate: this is for players who want to focus on performing in a range of styles
To enter for your Guitar Grade 1 Performance Certificate you play pieces only. You can choose any five of the six tunes
printed in this book, or you can choose to bring in up to two free choice pieces as long as they meet the standards set out by
Rockschool. Free choice piece checklists for all grades can be found on the Rockschool website: www.rockschool.co.uk.
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Definitions For Special Guitar Notation
'=" ,UI:\1ER ON: Pick the lower note,
= sound the higher note by
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PICK HAND TAP: Strike the indicated
note with a finger from the picking
hand. Usually followed by a pull off.
WHAMMY BAR BEND: Use the
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pitches indicated in brackets in the TAB
SLIDE: Pick the first note, then slide
to the next with the same finger.
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Go back to the sign (%), then play until
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Go back to the beginning of the song and
play until the bar marked Fine (end).
Repeat bars between signs.
When a repeated section has different
endings, play the first ending only the first
time and the second ending only the
second time .
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In this ection, the examiner \\ill ask you to play a selection of exerci es drawn from each of the three group hm ;n be o --
Groups A and B contain examples of the kinds of scales and chords you can use when pla)ing the piece . In Group C yo
will be asked to prepare the exercise and play it to the CD backing track. You do not need to memorise the exercise (an '
can use the book in the exam) but the examiner will be looking for the speed of your response. The examiner will also giYe
credit for the level of your musicality.
Groups A and B should be prepared in the keys directed.
Groups A and B should be played at J = 80. The examiner will give you this tempo in the exam.
Group A: Scales
1. C major scale
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---10
2. A natural minor scale
3
I I
2
2
2 3 3
3. Minor pentatonic scale to be prepared in E and A. E minor pentatonic shown
fl II
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3
2
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2
II
3
II
2
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0
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3
____ u _ ___ 2 ________________ 2 _ _ _ _ o _ _ ___
3
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Group B: Chords
1. Power chords. The power chords shown below should be played as a continuous exercise
7 5 7
7 5 3 5 7
:
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Am Dm
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II
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1
1
II
3
II
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2
2
II
2 .....
II v Jl
2
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Group C: Riff
In the exam you will be asked to play the following riff to the backing track on the CD. The riff shown in bar 1 should
be played in the same shape in bars 2- 4. The root note of the pattern to be played is shown in the music in each of the
subsequent three bars. The tempo is J = 70.
Em Am Em Am
In thi e tion you haYe a choice between either a sight reading te t or an imprmi ation & interpretation te t see facing
page). Printed below is the type of sight reading test you are likely to encounter in the exam. The piece will be composed
in the style of either rock or blues. The examiner will allow you 90 seconds to prepare it and will set the tempo for you on a
metronome. The tempo is J = 60.
r, Blues
. .
2
2 0 2
D
3 3 v v 3
Printed belm- an :- e t: e o: impro --
will be asked to play an imprmi ed line to a ba - g Lr'2..::- c..s -5 : ...: :::
to play either rhythmic chords or a melodic lead line. You ,
practise through one playing of the test on the CD before pla)ing it a - -o -
a one bar count in at the beginning and after the practice session. The e
Rock
~ I I =
Am Em
7 7 7 7
I
7 7 7 7
2 I 7 7 7 I 7 2
Om Am
/
7
7 /
7
z
7
I 7
7
7
7
7
7
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14
There are two ear te in thi gra e. The examiner will play ea- o o o CD. ol! "ill - one examp e o ea- ~ e
of test you will be given in the exam printed below.
Test 1: Melodic Recall
You will be asked to play back on your guitar a simple melody of not more than two bars composed from the first three notes
of the C major scale (C, D and E). You will be given the tonic note and told the starting note and you will hear the test twice
with a drum backing. There will then be a short break for you to practise the test and then the test will recommence. You
will play the melody with the drum backing. This test is continuous. The tempo is .J = 90.
2
3 3 3 3 3
Test 2: Rhythmic Recall
You will be asked to play back the given two bar rhythm on the open bottom E string of your guitar. You will hear the
rhythm played twice with a drum backing. There will then be a short break for you to practise the test and then the test will
recommence and you will play the rhythm to the drum backing. This test is continuous. The tempo is .J = 90.
0
Topics:
") Music theory
ii) Knowledge of your instrument
The music theory questions will cover the recognition of the following at this grade:
Note pitches
Note values
Rests
Time Signatures
Notes on the stave
Knowledge of the difference between the following chord types:
Major
Minor
The instrument knowledge questions will cover the following topics at this grade:
Plugging into the amplifier and the guitar
Volume and tone adjustments on the guitar
Knowledge of open string note names
Knowledge of parts of the guitar:
Fretboard, neck, body, tuning pegs, nut, pickups, bridge, pickup selectors, scratchplate and jack socket
Questions on all these topics will be based on pieces played by you in the exam. Tips on how to approach this part of e
exam can be found in the Rockschool Companion Guide and on the Rockschool website: www.rockschool.co.uk.
16
e
This section contain orne handy hints compiled by Ro -hoo '- G
performance pieces. Do feel free to adapt the tunes to uit your pla)ing
show your musical imagination and personality.
-ar G - ~ : -e ~ o _ ge: -e
le. Re em e!'. -- ese .1... e- are
The TAB fingerings are suggestions only. Feel free to use different neck positions as they suit you. Please al o note tha: --
solos featured in the full mixes are not meant to be indicative of the standard required for the grade.
Guitar Grade 1 Tunes
Rockschool tunes help you play the hit tunes you enjoy. The pieces have been written by top pop and rock composer a;::
players according to style specifications drawn up by Rockschool.
The tunes printed here fall into two categories. The first category can be called the 'contemporary mainstream' and feaffir
current styles in to day's charts. The second category of pieces consists of 'roots styles', those classic grooves and genres whi-
influence every generation of performers.
CD full mix track 1, backing track 8: Gone But Not Forgotten
This guitar pop track is taken at a brisk pace and combines quite intricate single note work with bold first position chor '
The points to watch out for are the change from a chord to single notes in bars 14 and 16 and in the repeated two bar sectio
in bars 17-20. The last chord should be played with a flourish but remember to hold it for two beats only.
Composer: Deirdre Cartwright.
CD full mix track 2, backing track 9: Head On
This is played in an indie style and features a fast flowing opening riff played in eighth notes. The piece mixes up doubl
stops (two notes played together), ties (where one note is held on for a longer time) and some dead notes (where the finge
touch the strings but don't actually sound the notes).
Composer: Hussein Boon.
CD full mix track 3, backing track 10: Gotta Lotta Rosa
This is an unashamedly old fashioned rock song, reminiscent of AC/DC at their best. The opening chords should be playe
with plenty of attack but make sure that each chord is given its full length and that you play the part evenly. The notatioT
suggests downstrokes only here and towards the end of the piece when the theme is restated.
Composer: Joe Bennett.
CD full mix track 4, backing track 11: Jazz Trip
A modern funk based song that concentrates on melody after a four bar chord introduction. The melody is played -
quarter and eighth notes and should be performed evenly. There is one tricky step across two strings at the beginning of be.:
10. In the second part of the song, the melody is interspersed with ties, rests and dotted notes.
Composer: Finbar Josephs.
CD full mix track 6, backing track 13: Ruff And Smooth
_ - - ~ _ -ontemporary R 'n' B track based around a recurring two note riff where the econd note is played staccato. The
:erformance of the remainder of the melod) should flow effortlessly, taking into account the dotted rhythms and the tied
ote which give those sections something of a swing feel to them. The arpeggios in bars 9-11, 16 and 19 need to be picked
eYenly for full effect.
Composer : Adrian York.
CD Musicians:
Guitar: Deirdre Cartwright; Hussein Boon
Bas : Henry Thomas
Drums: George Gavin
_-eyboards and programming: Alastair Gavin
Guitar Grade I Marking Schemes
-=:be table below shows the marking scheme for the Guitar Grade 1 exam.
I
ELEMENT PASS MERIT
Piece 1 13 out of 20 15 out of20
Piece 2 13 out of20 15 out of20
Piece 3 13 out of 20 15 out of20
Technical Exercises 11 out of15 12- 13 out of 15
Either Sight Reading
6 out of 10 7- 8 out of 10
or Improvisation & Interpretation
Ear Tests 6 out of 10 7- 8 out of 10
General Musicianship Questions 3 out of5 4 out of 5
Total Marks Pass:65%+ Merit:75%+
The table below shows the marking scheme for the Guitar Grade 1 Performance Certificate.
ELEMENT PASS MERIT
Piece 1
~
14 out of20 16 out of20
Piece 2 14 out of20 16 out of20
Piece 3 14 out of20 16 out of20
Piece 4 14 out of20 16 out of20
Piece 5 14 out of20 16 out of20
Total Marks Pass: 70%+ Merit: SO%+
DISTINCTION
17+ out of20
17+ out of 20
17+ out of20
14+ out of 15
9+ out of 10
9+ out of 10
5 out of5
Distinction: 85%+
DISTINCTION
18+ out of20
18+ out of20
18+ out of20
18+ out of20
18+ out of20
Distinction: 90%+

18
Entering a Roc - hoo1 exam is easy. Please read through the e in truction care- y be -ore - g in the exam entry orm.
Information on current exam fees can be obtained from Rockschool by ringing 08-!5 460 - 47 or by logQing on to our
website www. rockschool. co. uk.
You should enter for your exam when you feel ready.
You can enter for any one of three examination periods. These are shown below with their closing dates.
PERIOD DURATION CLOSING DATE
Period A l't February to 15th March 1st December
PeriodB 1't May to 31't July 1't April
PeriodC 23rd October to 15th December 1't October
These dates will apply from lst September 2006 until further notice
Please complete the form giving the information required. Please fill in the type and level of exam, the instrument, along
with the period and year. Finally, fill in the fee box with the appropriate amount. You can obtain up to date information on
all Rockschool exam fees from the website: www.rockschool.co.uk. You should send this form with a cheque or postal order
(payable to Rockschool Ltd) to the address shown on the order form. Please also indicate on the form whether or not you
would like to receive notification via email.
Applications received after the expiry of the closing date may be accepted subject to the payment of an additional fee.
When you enter an exam you will receive from Rockschool an acknowledgement letter or email containing a copy of our
exam regulations.
Rockschool will allocate your entry to a centre and you will receive notification of the exam, showing a date, location and
time as well as advice of what to bring to the centre. We endeavour to give you four weeks' notice of your exam.
You should inform Rockschool of any cancellations or alterations to the schedule as soon as you can as it is usually not
possible to transfer entries from one centre, or one period, to another without the payment of an additional fee.
Please bring your music book and CD to the exam. You may not use photocopied music, nor the music used by someone
else in another exam. The examiner will sign each book during each examination. You may be barred from taking an exam
if you use someone else's music.
You should aim to arrive for your Grade 1 exam fifteen minutes before the time stated on the schedule.
Each Grade 1 exam is scheduled to last for 15 minutes. You can use a small proportion of this time to tune up and get
ready.
Two to three weeks after the exam you will receive a copy of the examiner's mark sheet. Every successful player will receive
a Rockschool certificate of achievement.
ed
Printed by:
CDs manufactured by:
Compiled & edited by:
Syllabus consultants:
Audio executive producers:
Audio producer:
Audio engineer:
Additional mixing:
Recorded at:
Guitars:
Bass:
Drums:
Keyboards & programming:
Mastered by:
- ..!..! : -- - - -=-

www.rocks
brandeomec 2 _:c.
Jeremy Ward, Simon Prtt & Simon Troup
Deirdre Cartwright, Darryl Golding, Noam Lederman,
Andrew Moore, Henry Thomas & jason Wooll ey
Jeremy Ward & Alastair Gavin
Alastair Gavin
Matt Gendreau
Kevin Paul & Dave Greenep
University ofWestminster & Mute Studios London
Keith Airey, Deirdre Cartwright, Kit Morgan, John Parricelli,
Jimi Savage, & Simon Troup
Henry Thomas & j ason Woolley
George Gavin, Peter Huntington & Noam Lederman
Alastair Gavin
Phil Scragg
Music processing & book layout: Simon Troup & Jennie Troup of www.digitalmusicart.com
Cover design:
Cover photography:
Your Guarantee of Quali ty
Gillian Hardi ng of www.fuelcreativity.com
Max Hamilt on & Gillian Harding
As publishers we strive to produce every book to the highest commercial
standards. The music has been freshly engraved and t he book has been carefully
designed to minimise awkward page turns and to make playing from it a real
pleasure. Particular care has been given to specifying aci d free, neutral-sized paper
made from pulps which have not been elemental chlorine bleached. The pulp is
from farmed sustainable forests and produced with speci al regard for the
environment. Throughout the printing and binding have been planned to ensure a
sturdy, attractive publication which should give you years of enjoyment. If your
copy fails to meet our high standards, please inform us and we will gladly replace it.
Warning
Unauthorised reproduction of any part of this publication by any means, including
photocopying, is an infringement of copyright.
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