SCHIRMER'S LIBRARY

OF MUSICAL CLASSICS

A.

Dannhauser

Solfege des Solfeges

Translated by
J.

H.

CORNELL

IN

THREE BOOKS
I

Book Book
-Book

II

III

Library Library Library

Vof. 1289

Vol. 1290

Vol. 1291

G.

SCHIRMER,
Distributed
e

Inc.

7777 W. Blusmound Ho. P.O.Box 13019 MILW.uke., Wl 53213

m Halleonard" ^ CORPORATION
Printed in ihc U.
S.

Copyright, 1891, by G. Schirmer, Inc

A.

SOLFEGE
Andantino.(y'
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des SOLFEGES 34 Volume.

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head of each piece indicate the author's name:-- Bod., Rodolphe; 6. Carnlli; Schnei., Schneitzhoeffer.
in the U. S. A.

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19

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Exercises within the compass of the Soprano Voice.

the pupil

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In this case let a

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31.

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Allegro moderato.(J=

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30

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JJfli rrrir

^l^ ^i r ^ p ry^r ^iJ^^i^m

J"

toi
[

r r

i:

rr

c.ci-i

^J"

J_Jl

^
'

j'rffrr

v=*

rf r'riJJn^i
i

/
G
-clef, the F-clef, and the C-clef

Lessons on changing clefs, with the on the first line.

Andante.
36.

(J = 69)

SCHN.

rTnrnr

e legato

jjyj
l

'

^^ r>

i
i

n"'

*^
h=2e

r^ J lJ

-J m _

j_J

=g j j

^^
si
PEREZ.

^
1

r^rrJriJ
Andante cantabile.

r
(J =roo)

p^s
^^,

1 f^ M-w

t=m

*r irCttfrrpfr

31

ffl

frrfrnf
ere
\

i^^
seen
\

w^m
</#

W^ 0&
>^

%"uUtfj

fl!R]fi
r

^TTT^

^^
fe*

in IE

fe
UJ>
+

t rTf
\

m
$
ir

mM m ^is! ^^ W $w (j^i8w^\^TrF$ ^ ?-$&

m
\

[fflT

UlAflA '^'vj
dolce.

'

tf

m-ctcju

^-Wffff
Largo.
38.
J

rr^,rM<jJ
N.CONFORTO.

(J = 78)

?/* sns&tenutn ;/^* soslenuto.

^^ B ?
'-

g wv ^v

PT

c crrf

i?J

i^j^rrrn^
itM-Jl
-

rfiO Y-EBrttcrif-rty
i

^
S

i^toi w

-&*-

EEC


33

"

3-J^

'

fc^T^

m
p^l
i

m^m
^
f
*==*
4^
N 1- * =!=* *

v-

ff

^rU'

Is
ff

#S

^ nrTin-^

^^ gfPJg ^^i
i

^T^iiiJ-Bir-^-T^

nisij)^
i

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^i,

fe*
p
i

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_c>

J.gE^

#
rlti'

I i

CI
(

Andantino con espress.

J = so)

^
l
i

g ^E^
grr^i
J. C.

BACH.

I
7

i^
i

^TjJJ4j=^Ff^
i

as *^
,

ffrr

tJnj

E TJ ^^^^
i
i

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-i

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J ^P tp

33

^^
V
^aEJj
i

B^ir

& ftiT^rV

ag
m

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zk

I^B

m
a
i

giuycfrStfkJJHr?^ B^ f
1

jyfcE^Lt r i i N-cJrr ^ ir r
i

Js

^i
ir
ri>;

'

r B MiMi'^CCtfEr^jJ^

pl

^< tjjr

cf fffil2r r-r*frj-i
| i
i

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^' B
r
i

rTr[rrrigrrrir'r l
<

^ttjriJTr

|^jj JBtfga'r tjr

i

fujn

-11

34

Allegro moderato.(J=

100)

G.C,

46.

tt

jtflfl cr

rT^g ^ijjjhjjgi
ii

^VLfi^flVf lp
1
ff=*H
#-#
? J? p ?

Q_ ~|" X
fc

gy^i Egjf

/TN

^fa j
g

*r

& W CJ *

j Ifefe ^p3

S P^Hi
i

[Jitogr tttri^^
-

rflgf-p

<r.rrr* p IS
,,

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i

rrrrr

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?

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cresc.

35

If

^^^^i

jt

aB^gj7^

oa
^^4 S

^e

ir r
jt

ffl^^
rf

mcc


36

Moderato.

(J = 63)

A.SCARLATTI.

f ^ i
41
f

0* gj tfg pi nt^ffrffr giygftfifi

fl
1

j.

OD

^Jr-r: ""

1"
1

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m
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^
P

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I 3
s

/>

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>

Q-

t^ QlTO'Ottn^^H
i

JHJMMM jp rr
ft=^T3jp
nN
T

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i

Jg

ft r

'frii.TO ECE jgJgj

i %7g p^Q^g^yfef*ni

zA^R^t^JJ iLhp JlJSp

I

^f
Andante.(J.= 5o)

#-#

^i
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s . .- P .

*?

ID

mS^^^^mm
42

'i

SCHNEI.

-3
i?

^ hen egualmente.

0-

ff

'Wt)^>. g

n-

rfgfefe.

rvLuj^ijiijinjuiji

i'

nr ii
j'

ij

^lji ^^n
1

jrj

lii

ri'Mnri

^^^^ ^

$ m&*

^K

fc

ihjj lLuJUlLlT inTujjriLj^I] Kf

jJiuiOai

fljagil ^^"^iff
I

IF

**

/gy

XjciiJ
I
I

g^gpjgjpil

The C-

clef,

on the Third Line,

39
Violin.

employed for the Contralto Voice, the Alto Trombone, and the Tenor

3E -O-

-n-o-

n o XE

_Q-

o- x ^:

_
I

Comparison of the C-clef on the third line with theG-clef on

the second.

o l la st

XJ

do **/>&

"

^ o "
-

^S6> la

do

re

mi fa

s l

"
,-./&
sol

^_jbt_u_mL

*?'

* S * #

Exercises within the compass of the Soprano Voice. Let the pupil name the notes and afterwards sol-fa them if it be judged
necessary.
In this case, let a measure of two beats be beaten to each note.

m
H

-dr>

o a g

fa
IDZ

la

**-

sol

si

re

fa
si

-O-

-O-

do

tt

la

ff

re

S*
jtr:

sol

IE
do

d(J

-o,

sol
, /
/

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o "

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li

yg

W?
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rfg

If

=oI

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Q.

Q. _

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.xl

re

Ju

si

. Sr

ir

rftf

i-

3E
do
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-o-

A n rr

*/

. q.

> 3E n=
* ^:

re

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m
43.

he

-o -o-

ff O

&

% f n

re
..

do fa

la

st,

iW?'

-o-

-e*

Moderato.(J =
?
,

8o)
/

do

m+ m

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i i

,/n 1

ii

si dot,

t{Mij

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>

re

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v

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afo

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mg

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i i

rr f r r
i

$ tyolrf^l,
f
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40

Andante. (J
/

= ep)

ROD.
sol

Jf>

44.

JEFFft

r hl fffrrr f?ri?ri^r7tfif^i[ffri
i

nf
Andantino .(J.= 54
>

cresc.

m
|

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rfrrP
i |

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ni

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r>
P
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sol C

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r
1

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sol

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riten
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41

Moderato.(J

= 63)
jj
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,--

46.

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i

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i

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42

Allegro moderato.(J=

47,

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|

^m
lie)

G.C.

H
^a
p'

p;

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i |

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t/

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fljLtj rnr'tt r

cresc.

pfftar
Moderato.(3 = eo)

48.

ig

PS

>

>?

SCARLATTI

43

^jgjgj^Hi

^
^
pi

m?
fei
m
.

1
/

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Yir

rTrirr'

pf^fr'p^r'prn

cresc.

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dimtn.
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ife
y
I

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1 !

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dimtn.
r

^
i>

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igps
f

r'^Trrf
dimtn.

m frr-pf

ncrr-p

rr

^
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r

rf

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r'p
i i i

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r

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r r

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44

Andante. (J.=

48)

SCHNEI.

PrPr rTrfcfri
i

r rffTTH r"~f TT> T T7". atd[^l[dLEJI[j^T|rj pp

'

'

J9

riimi/i

rit.

Moderato.(J =69)

SCHNEI.

.p.sste
P

^j^r 7r^i^^
r

igyf

^^^^^i| frf
T&

f fr
i

^m
mU

M-m-M

A-f

f r

t^

fr

^
=

r'

frfirrrr^i^'f

r
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rr

'r

45

ii

Vit

ggjjpl^MM^lii ^
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fel IB

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1 i

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11 Mt I cTT

E jy
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if ftfy fe
e

^i

t
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clTr

J-forl [E

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?

ii>

r^^ gi
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i

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nm
r r I

ttrj

frr'Lf^

hh r-

1 r7>'j

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_o_

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J
I

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r'r? ifrcrr

-'j

bV
B

gifa
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(9

_ _

AM
i
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diiat'n.

^
>

tf iiTf

fflj
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gw* r^ E^

a-

^
e ralletit.

1 r

i
PORPORA.
= 66)

Allegro'. (J-

~nf
JZSi

ffiVn

ff^rrrrrf
f frf
1

rrrr
r

ir r

rnrr
i

^ifcili

j^Vn
i

gg

f
i

i.M r'n

tf rrr r^tftffffriTi rn
i

ffffrfr^

n=gl
bVh tr^p

fea=tt^

P-0-

f
clefs, with the

^^
and the O-clets

Lessons on changing;

G-

clef, the F-clef,

on the first and third lines.

Moderato.(=)=88)

DURANTE.

52.

HE

g
-P pl

['
i

^_

jJ3 rr

J']

ffi

47

JK^rrr^-mM

fe^
f^^=
o

^f

p7p

r
i

rrJiiig
i

P=32 3r

cff

frfY^g^s
i

3i

^f Th
i

rr

l^_

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n
n

^
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F=F

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.'.

Pp T
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s
ii

^
53

jjJMJ Il
fj
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m
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1

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Andantino.

a rtr w
(J = 96)

i-

i
1

>;

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r
i
1

Mf
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rail.

MAZZONI.

fa m
4

'^

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i

a-

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i
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gag

&s ^r ot h ^ S
i i

jii^nnf-f fe t B 5 ll fErf i&

rr
i

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48

fess
P

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km

mmg
i^FF*
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#
1

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i

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i

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ra/lent

49

Larghetto espressivo.

<

A 100)

G. C.

54

"

ere,so.

Iy

HiPIi
r* 5

ere no.
63)

Allegro vivace. (J. =

^i^ ^ p/M
i

mm
*
cre,sc.

<&-

P^ ^ ^j^J r^TTFTf M
i

^ryti
*f

frr
I

'rt^jjj j^j ^3
i

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M^4IWii^iWkEij &*r
f

^^mm

zn

^ S?

^P^f^^f^f

if4^f#W
erw
.

hK-+

50

11 ii

^m
i

tfrtfS

tPftfHrittf^fi
p

^i rfi.^% ^

^fr jjif

*
erase
.

m^ijiirjicrrirr

fea^^^
Hgygg
l

jji^jff^ jrrf

^%^^^fafefei#^^
Moderate
55.
(J = 138)

CAFFARO.

^^

*-#

'^r*

fefep

^
erese.
Hi nun.

-o-

CTirTifoJH P

3S*
=

fefeiiii fr
$*&

A
WP
P

rst-r+-

5i

lfV^7f^rr

P Pm O

gg
fli&

AtJJ JJ^n.iKf
i

i
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'n

P"

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r i r

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11

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jg^f
fcfe*

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r

A
irrtcr'rfJ
r
i

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p /

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rf

f err r

dim in

^ ^i%'-V
r

&

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sg;

jzr3t

^
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i

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ii

r
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52

Allegro moderate (J-:

92)

56.

^ gr JJ WC^

^m

SCHNEI.

jfe^

rr pir rr

,|

r rr^ii^^igrt
r

ttiqjEj^^ -?>t* ^g] ^ ^jpfjfrjig

^
r

Fine.

^S

gtfifepipiili

^^gig|^|^

f iffrrf.i

fr^

i^^ffitf^ffc^pr^fij^

53

The C
cello.

clef,

on the Fourth Line

employed for the Tenor Voice, the Bassoon, the Tenor. Trombone, and the Violon-

^r o

" o

o "

-o-

3t

O ~ ~
-

Notes ic the G-elef corresponding' to those in the C rlef on the fourth line.

-e-^

u_
f'l

"
i

-r ^~
o

=
o

/'
,,,,

*'

::'

t _-e

////

So /
-

"

"

/fl

1
II

"

"

Exercises within the compass of the Soprano Voice*

Let the pupil name the notes, and afterwards sol-fa them if it be judged necessary. In this case, let a measure of two beats lie beaten to each note.
do .... rr -*#fr- *^
>

nil

'"

v rfg

=*k=^

^# -e.

sdI

fn

sol

-Q- -e- */

--

^ wr
</

"" -w-

(fo

re

>'

*>

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</<?

3E

31 -**-

Ji,

-*-

yi y/

ifc

O-

u-fc-n
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<>

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^
--

Sol

Jll

W
o
Allegretto. (J: 92
fare dure ""'
s//fm/\

w x

y?/

ayV

3
ROD.
r,, d<>

-4f^-^

,sisi"lir ''

rfl

a do In re do re'" 'f

i.jv

57.

# ~nr

S
-#^

, ICX

fff

:'

^# m d ^.^ nit redo

.tuffrtrrir

rrrPfeil

m-

re .^

insi.

Vf<>f>>s>>?l?

s<*ol

"-"' do

r e Sa

*-

gi-L-Lcrir^rcf
the C-elef

r r? rr r

v v^ww\
in
.

s.oprano or contralto voices (of

women or children) which have to execute music written on the fourth line, sinr the tones an octave higher than their actual notation

54
Allegretto. (J
=

9)
,
t.,-

ROD.
do j do,
/>~

mn

do

r?sf s(

fa ia

_X

tt

nit

-.i^^^iTiii'iji
iH ifH-PfP UT
l

^ Jiji

Mug
t

Ja =<

^=N

frrr ircffl
.A
dV;
/

P^ g mm ^ T> him^uuM^mm
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ife=

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ffi

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M r
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^
f"
1

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t,
i

mi
fa

so if
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m\

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8
i

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221

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f.,;>ttrir Frr>"r

r' rpr
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r a

gpl^s
>i^

^ _^w/_
^^
in

&

(J = Allegretto. (J= vn ^ - .

76) re
>
i

_^ BOELY.

aO

a p*

TrUEDTGfl

^<?_

tdA

&a nj iru ,nt. f

v
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irrn
1

<r

Yr> for- Gf

LD

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55

^ ^J
i

&
.^

mm
in
, %

g ig P
re

j] i-n-i-miLTi
^
#7y.

h^
ere
-

^
-^i-

^--~.

wf-p_

seen

^^
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.sv

. i

fe /
P
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,; mi

1-

sol ^,

do

'

jjU^ft f
sy,/
zZ:

KHi

^
f,
Sot

./>

^
H. L.

^
60.

3^

r-r-'cJ

1^=*=!

'

Andante sostenuto. (J {4-Z

54)

fe
7>

Efftrecr

'j^ui''v.-

vffi ^T"w

aiccj^iQ^-"^^

'

?
do.

'

^^"

tf/7

Are//

^k Ps

^^mm
dimin.
i

+-*-+

m ^m
j)

rnJ]3

aa jrp
7

ritard.

tempo. tempo p acE!!f i"Cir

""""

cpfijjivnu

dimin

56

Andante.
61

(J

63)

.^

^Wn^m ^M
'^
!
i

5Q

ere.se.

r\

J ^ppr
f

p
raile nt

%?

irsm

pa

^^
f n'ten.

tempo.

t/(f

f ir<l^iS
Andantino.C^ 5

i^u^^& *
=

60)

62.

l ift

(ft

rHrr

tfrppit

rV^
aa

*y

S
m-

SCARLATTI

Si
[[f
4ffi

i U%
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ra

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ii

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'

57

rrr t r i N-tJiJ3gj JJ33j l

|

f-

ditm, imin.

JJJ| J)

J|J
crexc.

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f

fe^S

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i^JiJ^JM[fir^

w?

n
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pc&P

P-4

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jjlpy^Jj|>

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J J Hfrfrtfr ^lfff^'frfr^ f
l

N^i^

jap P
i

Lr

rr

r'nr
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ag eft

ml

P^
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d
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yp fiif

rtt'

i[^ft
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f^g

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^ tr
J
:

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un
di'mt'n.
1

^ ^jj
ii

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tj

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ralletit.

58

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