Adapted from: English Language and Composition, 3rd Edition Each of the three AP English Language and Composition essays equals one-third of the total essay score, and the entire essay (free-response) section equals 55% of the total exam score. Each essay is read by experienced, well-trained high school AP teachers or college professors. The essay is given a holistic score from 1 to 9. (A score of 0 is recorded for a student who writes completely off the topic-for example, "Why I think this test is a waste of money." A student who doesn't even attempt an essay, who leaves a blank page, will receive the equivalent of a 0 score, but it is noted as a dash [-] on the reader's scoring sheet.) The reader assigns a score based on the essay's merits as a whole, on what the essay does well; the readers don't simply count errors. Although each essay topic has its own scoring rubric (or guide) based on that topic's specific information, a general scoring guide for rhetorical analysis and argumentation essays follows. Notice that, on the whole, essay-scoring guides encompass four essential points; AP readers want your essay to be (1) on topic, (2) well organized, (3) thoroughly developed, and (4) correct in mechanics and sophisticated in style.
control of language is often immature. Rhetorical analysis essays demonstrate little discussion of rhetorical strategies or incorrect identification and/or analysis of those strategies. Argument essays demonstrate little ability to construct an argument. They may not clearly identify the author's point, may not present multiple authors' points of view in the synthesis essay, and may offer little evidence for the student's position.
revising of a book. The speaker is caught in between conflicting love of her book and shame of its weaknesses, both of which are expressed in the metaphor and in the tone. The poem begins with the words, Thou ill-formed offspring, showing the speakers critical attitude toward the book. Yet the following line shows a sense of appreciation of the books loyalty with the words: Who after birth didst by my side remain. This struggle between love and disdain continues throughout the poem. The speaker attempts to revise, but finds only more mistakes, she finds shame when others read the book and fears critics hands. Through the gentle and playful tone, it becomes apparent that the speaker herself is proud of her work, but fearful of others responses to it. Although she refers to the book as rambling brat and hobbling, the tone is of protective affection, thus the mother-child metaphor. The narrator says, mongst vulgars mayst thou roam, in reference to the outside world. This shows the speakers sense of connection with the book that is separate from all others and reinforces the gentleness of tone. The fact that the poem is in second person and is a private list of instructions, in a sense, also increases the intimacy of the poem. Even the line, If for thy Father asked, say thou hadst none, sets the speaker and her subject apart. No one can break into the bond between the two. The final two lines of the poem are perhaps the most playful and, therefore, soften some of the previous seemingly harsh words. The lines read: And for thy Mother, she alas is poor / Which caused her thus to send thee out the door. The idea of the speaker making excuses for sending the book away is charming and, at the same time quite telling, for, regardless of the necessity to publish the book, the fact remains that the speaker has grown to accept the
book for all of its shortcomings and to deem it, finally, fit for light. Using a metaphor of the gentlest and most loving relationship there is to describe her relations to her book the speaker establishes the tone and creates playful and conflicting emotions about separation and fear. Emotions of love, shame, insecurity, devotion, and finally, acceptance all shine through this metaphor and tone, leaving the reader relating the poets words to more than just a book.
them.