Score composed by

Roman Benedict

Eurydice
A Play with Music

by Sarah Ruhl
for performance
8-11th September
Old Darlington School
Sydney Conservatorium of Music
Presented by Sydney University Dramatic Society and Verge Arts Festival
By Special Arrangement with Dominie Pty Ltd.
Directed by Pierce Wilcox
Produced by Caitlin Kenny and Shannon Connellan

Roman Benedict 2009, all rights reserved

For an orchestra of actors:

Chorus:
Flute
Clarinet
Harp
Percussion
Violin
Double Bass
Orpheus - Cello
King of the Underworld (also plays mostly in the chorus) - Cello
Musical cues are indicated either through notated score, or through
verbal indications for improvisations, which are found in BOXED
TEXT.
Certain cues are intended to be improvised while interacting with the
drama. Each musician has a role as an actor within the play. Cues are
indicated either by the movement title or by dialog lines within the
score.
This score was originally workshopped with the cast and musicians,
and so the final performance contained minor differences from the
written score.

- First Movement Overture/Entr'acte

Roman Benedict

Energetic q=112

Flute

Clarinet in Bb

Harp

Violin

Violoncello

Double Bass

## 4
&
4
#### 4
&
4

?#
{ #
##
&

45

4
4

5
4

5
4

Energetic q=112

4
4 w
f>
? ## 4
4

? ## 4
4

5

. . . . . . . . 4 w
>
w
5

w
4w
w
f
>
5

4
4

4
f
4

f
4w
4

44

>
4w
4

f
6

Fl.

Cl.

Hp.

Vln.

Vc.

Db.

##

&

5
4 w

####
&

?#
{ #
##

&

? ##

? ## w
11

Fl.

Cl.

##
&
. n. .
####
&

.
. .
#
& #

Hp.

Vln.

Vc.

? ##

. . . . . . . .

5
4 jw
5
4

4
4 n
. . . . .
4
4 n
. . # . . .
4

. . . #. . n

n b

. # . . # . . n

# n

4
4 . . #. . #. . n. .
44
. #. n. .

4 w
4

. # n # n
. . . . . . .

Db.

J J

J J

n w

mf

n. >

# w
ff
mf

ff

. . . . .
. #. n. # n ##

. >
. n

n w

. . n. #. n. . #. #.

ff
mf
. n . > n w

ff

? ##
J

. .
. b .

ff

. . . . . . #.
. #. n. # n n . #

. . . . n.
#. . #. b #
#. n. #. . n. . #. .

. . 45 w
. . . . . .
. . . . . . . . 5
4 w
w
5
w
4 w

. . . . .
#. . #. #

##
. # .
&
.
. .
? ## #.

J J

pizz.

mf

mp

3
16

Fl.

Cl.

Hp.

## nw
&
####
&
w

#
& #

? ##

Vln.

Vc.

Db.

mf
J J J J J J J J

## w
&

dolce
- -- ? ## n- - - b J Jn b - J.
w
w

mp
b

? ##
b

mp

22

Fl.

Hp.

Vln.

##

&
#
& #

? ## J J J J J

##
&

mf

J j b

mf

Vc.

Db.

?#
#

? ##

Hp.

Vln.

Vc.

Db.

& b
{& b

rit.

29

Fl.

molto rit.

b J J J J J J J J #
mf loco
# n

Scene I, Gently promenading

Orpheus and Eurydice Enter

##

##

mp

I, Gently promenading
- Scene
w
mp dolce
#

#

# w

o
p

? w
## w

b #w

#
w

o
p
n

?b
# n b ##
b

b w
& #w

rit.

molto rit.

p dolce

Fl.

Cl.

####
&

n w

U
w

U
w

? ##

Db.

bw

Hp.

#
& #

? ##
b

U
w
w
U
w
nw
U
w

37

##
&

Orpheus sings/claps the melody

Roman Benedict

Voice

b 4
& b b4

sings to 'ah'

Cue: I'm going to make each strand of your hair into an instrument...
free time/ad libitum, a meditation on the orpheus melody

Harp

&

bbb

mf

53

Hp.

b
&b b w

May our Lives be full of music!

q.=90

Flute

## 7
&
8

Clarinet in Bb

#### 7
&
8

5
8

Roman Benedict

mp accented

Snare Drum

Harp

7
8

## 7
&
8
{

~~~~~~~

n
5

8
~~ mp accented
snare off

8
o

~~~~~5~~

mf

Violin

Violoncello

## 7
5 <#>

&
8
8



mf
fp
? ## 7
5
8
8

mf
arco

Double Bass

? ## 7
8

mf

fp

5
8
fp

trem

trem

trem

Father Reads a Letter

Roman Benedict

Cue: I'll race you!

b 4
b
& b b4

Harp

b 4
& 4

Vln.

Db.

mf

dolce

Hp.

like a heartbeat

4
4

B. D.

Adagio
Underscore Father reading letter

68

Cl.

b 4
{ & b b 4
mp
bb 4
& b 4
p

? bb 4
b4

w
w

p
77

Fl.

bb
& b

mf

Cl.

B. D.

Hp.

Vln.

Db.

& b

bb
b
&
b nw
{
n
bb

& b
? bb

b w

w
w

w
w

86

Fl.

b
&b b

Cl.

& b

B. D.

? bb

mf

& b

bb

Hp.

Vln.

bb
& b

Db.

?b
bb

w
w

w
w

w
w

6
Safety:
Cue: he drops letter

92

Fl.

B. D.

1st time only

bb
& b

b
&b b
Hp.

Db.

nw

1st time only

? bb w
b w
? bb
b w

w
w

Wedding March of the Underworld

q=120

Clarinet in Bb

Violin

Violoncello

Double Bass

### 4

. .
& 4 . . - -
mf
# 4 mf dolce

. .
& 4
mf . .

?# 4

mf
. .
?# 4

bb
&

Cl.

&

Vln.

Vc.

Db.

nn
. . n
. .
. .
. . b b
. .
. .
.
.
.
.
. .
bb
. . . . . . b
b

- . .

b b - . .
&
- . .
?b
b
- . .
? bb

- . .

. .

. . . .
. . . .

. .
. .

. .

-
-

. .
. .

. .

. . . .
. . . .

- . .

. .

. .
. .

Cl.

Vln.

Vc.

Db.

#

&
###
&

#
& n
>
>
? # n

?#

>

mf
###
n #
mf (non div.)
# >

#>
n >
n >
#


#

110

Fl.

Roman Benedict

mf

104

Fl.

>

>

mp

-
-

.
.

.
.

. . . .

. .

>

. . . .

. .

. .

- . .

. .

. .

7
rit.

115

Fl.

#
&

Cl.

###
&

Vln.

Vc.

Db.

. .

nw

n>

b
.
.

. .
n

n b
n>

#
n
&
. .
. .
? # . . b

?#

.
.

. .

. .

rit.

. . n

.
. b

.
.

w-

.
.

. . w
nw
w-

b
.
.

b . .

b w-

Apple Tree
Adagio
Drum Set

Harp

Double Bass

4
4

#4
& #4

musty drips
? ## 4 # n U
4

? ## 4
4

Vln.

Db.

U
U
# n
U

Voice

Vln.

Db.

pizz.

n # n #

molto accel.

J
J
J
molto accel.
sul pont.
nat.
##

&

-
w
w
p
? ##
#

O
J

J
J
J
#
& # j j
Don't sit
un - der the ap -ple
tree
## j

&

? ##

Moderato Swung q=115

131

Dr.

OJ

J
J

126

Dr.

Moderato Swung q=115

>-

mf

O
O
O
J J J
J J J J J

with

an - y -one else

but

me,

O
J
J J

an - y -one else

#j
J

but

8
136

Fl.

Cl.

Dr.

Voice

Vln.

Db.

##
&
####
&

#
& #
## me
&
? ##

# n

n # n

n
OJ OJ OJ J J

J J J J J J

an - y -one

else

but

me
no
n b

don't sit

un - der the ap - ple

tree with

141

Cl.

Dr.

Voice

####
&

#
& #
an - y -one

Db.

? ##
146

Dr.

Vln.

Db.

J J

else

but

me,

till

come

mar

J
J
(Grapelli style)
j

# # #
f
? ##

/
##
&

ching

home...

J J
J
J
3

# #n

J
J

3

151

Cl.

Dr.

Voice

Vln.

Vc.

Db.

#### -
#- n-
&
>

J
##

&

Don't
## - #- n- > go
&
?#
#
? ##

OJ OJ

J
J
J
j
j

wa - lking down lo -vers

lane

with

OJ OJ
J J J J

an - y -one else

but

me

#w
mf molto espress. e vib.

- #- -

Dr.

Voice

OJ OJ OJ OJ J

J
J
J
J
J
J
J
J

#
& #
an - y -one

Vc.

Db.

? # #w
#
? ##

161

Dr.

Voice

Vc.

? # #w
#

Db.

? ##

Dr.

else

but

#
& #

Vc.

? #
#

? 4
b4

an - y -one

else

but

me
w

#w

no

ers

lane

with

an - y - one

else

but

me,

come

march

'till

w
nw
w
#w
w
w
w
nw
w
#w
w
w

Intermezzoentrance to the apartment

walk - king down

#w

home...

ing

don't go

mp

Harp

#4
& 4

4
& b4

Slow
Clarinet in Bb

? ##

me

#w

Voice

Db.

lov

164

#
& #

156

Roman Benedict

10

Brazilian Mood Music

Sinous, Sexy and Sinister

Cue: he 'switches on' the music.
Clarinet in Bb

8vb ad lib

#4
& 4

/ 4
4

ad lib.
4 j
/ 4

Maracas

# w

mp

ad lib.

Bongos

Roman Benedict

p ad lib.

Congas

Violin

Double Bass

/ 4
p
4

w

& b 4
mp
pizz.

#
#
? b 4 #J

J
4

J J J

j
#

mp

176

Cl.

#
&

Bongos

Mrcs.

Congas

Db.

n
n
#n

? b #j
#

J
J

J n

J
J

J
J

184

Fl.

b
&

Cl.

#
&

Bongos

Mrcs.

Congas

Vln.

Db.

j # #n j
#
>
w

b #nnb

# w

/
b
&

#
? b #J n n
J
#J #

#
J

w
#
#
J J

11
(Dialogue)

191

Fl.

Cl.

b
& ##
#w

&

Bongos

Mrcs.

Congas

Vln.

/
b
& w

(Dialogue)

mp molto vib.

#
J

#J b J J b J

Bongos

Mrcs.

Db.

?b

199

Congas

Vln.

Db.

/
3
b
w

&

w


?b j
j
J

#

207

Fl.

&b

Cl.

&

Bongos

Mrcs.

Congas

Vln.

Db.

/
b
&

w
fp
?
b

#J #J #J #J #J #J

12
215

Fl.

b
&

Cl.

&

Bongos

Mrcs.

/
?
b

Congas

Vc.

Db.

j #
#
w

#
#
? b #J
J
b J J b J #
222

Fl.

b 3 j
& #n

Cl.

#
&

Bongos

Mrcs.

Congas

Vln.

Db.

Fl.

Cl.

/
b
&
?b

&

#
#
J J

228
>
b j
&

# w

breathy

b # n n b ##

#
J

#
J

#
#
J J b

breathy

j>

bw

Bongos

Mrcs.

/
b
&

Congas

Vln.

Db.

?
b

b
J

#w

segue on cue

13

Falling Down the Stairs

Warning: Eurydice: It's his handwriting!
Cue: Eurydice: Good-bye

q=120

Flute

4
& 4

Clarinet in Bb

## 4
&
4

4
4

Tam-tam

4
4

Bongos

4
4

Violin

>
j j

>.

n . .
> >

ww

>. >.
ff arco >
.

b . .
> >

sffz

? 4
4

n .
ff >

4 >
J
{& 4
>
b ww
4 f

& 4

Double Bass

b . .
> >
ff

Snare Drum

Harp

>.

>.

>. >.

.
. .
> > > > >

. .

>.

.
>
>. >.
#

ff
259

Fl.

Cl.

T.-t.

Hp.

Vln.

Db.

&

Hp.

Vln.

. .
> >
n
##
j
3 n
nJ
n
b

&

4
n n

J
J

>.

43

3
3

&

3
?

4
. .
> >

&

. .
> >

. .
> >

3
4 b b n b b # b

# b # n

3
4 b

264

Bongos

3
4

Slow

Strange watery noises. If you need to tune, do so individually

{&
Slow

&

4
4

4
4

4
4

Strange watery noises. If you need to tune, do so individually

(add reverb)

Db.

4
4

14

- Second Movement SCENE I

Stones - dialogue while play
"Strange Watery Noises"
improvised on low bass drone, keep angular and quite harsh
break whenever you speak and go immediately back to playing

Three Drops of Water Hitting Pond

Roman Benedict

SLOW Cue: Stones: Cried when we heard it.

Harp

4
& 4 b

"Strange Watery Noises"

improvised on low bass drone, keep angular and quite harsh
break whenever you speak and go immediately back to playing

Mvt 2 elevator sequence

Cue: But stones don't feel bad for dead people

Each bar on cue
Flute

Clarinet in Bb

&

Elevator ding

Triangle

Bass Drum

Roman Benedict

D (E) minor

##
&

Cue: She tries to speak

D minor cue: closes mouth cue: ditto

Elevator ding

Doors Open

Raining in Elevator

Rain Stick

Violin

&

Doors Close

Each bar on cue

Double Bass

"Strange Watery Noises"

improvised on low bass drone, keep angular and quite harsh
break whenever you speak and go immediately back to playing

Silence when "Eurydice shakes out her umbrella"

Train whistle and pulls away

Train whistle
Cue: E: How do you ... to yourself

4
/4
sfz

D minor

Whistle

15
Warning: Big: wheels that are not wheels
Cue: Opposite of a train
accel.
1

Fl.

B. D.

&
>
/ pp

>

# >

>

>

#>

or thundersheet

train whistle

Whist.

Vln.

/
tremolando sul ponticello
b

&

accel.

pp

Db.

j
#

b
b

j
#

U
U

SCENE II / SCENE III (concurrently)

Start assembling the string room music
very unlike "watery sounds"
CELLO, VIOLIN, DOUBLEBASS, HARP
simple (open/natural) harmonics - ringing out (quietly)
no 'dirty' sounds (yet)
this continues through...:

Orpheus: Symphony for 12 inst

Free Time
3

Harp

b
&b b

as if blowing on the wind (harmonics if possible)

10

Hp.

b
&b b w

Continue string room music

keep it quiet

16

SCENE IV - Eurydice and Father

SCENE V

15

Letter 2

Slowly, gently q=58

Fl.

4
& 4

Cl.

## 4
&
4

Roman Benedict

pp

pp

4
& 4
Hp.

pp

? 4
4

&

SCENE VI
SCENE VII

Flying over olympus

21

Hp.

Roman Benedict

Flowing (andante rubato)

b9
& b 8

? bb 9
8

26

Hp.

b
& b #

? bb

b
b
b

n
#

n #

31

Hp.

b
& b

? bb

36

Cl.

? bb 3
4

3

b

mp legato

Dark and Brooding (percussion ad lib) (q.=q)

Vln.

bb 3
& 4

Db.

? bb 3
4

bb

mp

3
4

43

Dark and Brooding (percussion ad lib) (q.=q)

3
& 4

b3
&b 4
Hp.

17
40

Cl.

&

b
& b
Hp.

? bb

Vln.

Db.

bb
& b n b
? bb

SCENE VIII - String Room

SCENE IX - String Room
SCENE X - Orpheus Letter
Clarinet cue - just letter motif

SCENE XI - Shakespeare
SCENE XII - Orpheus Telephone
SCENE XIII - String room, I got Rhythm

I got rhythm
Voice

#2
& #4

Berlin/Benedict

32
3
24
j 4 4 j 4 j

Da Da

Dee Da

Da Da

E: What are the words?

Da Da Dee Da... F: I can't remember. Let's see...

Dee Da

Violin

## 2
& 4

3
4

2
4

3
4

2
4

Double Bass

? ## 2
4

3
4

2
4

3
4

j 2
4

pizz.

(jazz shuffle/swing)

52

Dr.

Hp.

##

&
{

Voice

Db.

#
& #

j j
j

Da Da Dee Da
Da Da Dee Da
Da
Da Dee Da
j
? ##

#

J #
mf

Da

Da Dee

Da

Da

Da Dee

Da Da dee

18
62

####
&

Cym.

Dr.

Cl.

Voice

#
& #
da da

Vln.

##
&

mf >

doo dee dee

da.

Da

? ##

Da

Da

Da

Da

j

Da

Da

Da

Da

Da

j
>

j
>

j
J

j j

>

mf

Db.

j
>

j
>

69

Cl.

Cym.

Dr.

Voice

#### >
J
&

#
& #
Da

Da

Vln.

Db.

? ## j
#

## j
&
>

Da

Da

pizz

Da

Da

Dee

Hp.

&

let ring

Da

Da

Da

j
j
n

she touches a string

five random notes on cue, end with:

j j j j
#
n

SCENE XIV - String room

76

Da

n
J

Dee

19

PREREC: HEAVY METAL MUSIC reprise and exit

SCENE XV - The Storm

The Storm

Roman Benedict

Allegro fuoco, storm fx ad libitum strings

Cymbals

4
4

ff

4
4

Bongos

4
4

Rain Stick

Thundersheet

ffff

4w
4

Allegro fuoco, storm fx ad libitum strings

arco

Double Bass

? bb 4
b4

ff

81

Cym.

T.-t.

U
w

Storm dies away, note hangs

b
&

Cl.

Bongos

R.S.

U
U

Cue: thats the note!

A. Gtr.

Db.

b
&b b w
? bb
b

85

Cl.

Storm dies away, note hangs

Light, yet suspenseful

SCENE XVI - Eurydice Monologue

(breathe as necessary)

SCENE XVII - Orpheus Monolgue

Cl.

segue

U
8W
b
& 4

86

Fl.

bb
& b
b
&

Hp.

b
{& b b w

Vln.

b
& b b W
pp

bw

U
W
U
W

bw

pp

U
W
U
W

W
pp

20
90

Hp.

bb w
b
&
{

bw

Vln.

b
& b b

U
W

ppp

U
W

? bb W
b

Db.

pp

SCENE XVIII
93

&

Fl.

94

bbb

Harp and Bass build on a low Bb

SCENE XIX - Brief Silence

Orpheus: The sound of Breath

&

Fl.

SCENE XX - Someone is knocking

95

Harp and Bass build on a low Bb

&

Fl.

- Third Movement SCENE I - At the gates of hell

Music Surrounds Him

96

Fl.

4
& 4

b b

mf cresc

Cl.

## 4
& 4 3
mf cresc

Cym.

4
4

Roman Benedict

b b
b
3

? 4
4

maintain building

Vln.

Db.

4
& 4

3
mf cresc

? 4
4w
(maintain pedal)

b
b
b

b
b
b

mf cresc.

b n n b b

b b b b n

# w
#
3

mf cresc

Hp.

b
b n b
n b b

n
n

3
3
3

21

103

Fl.

&

Cl.

##
&

b n

&
Hp.

Vln.

&

Vc.

Db.

Orpheus:

#w

#w

T.-t.

&

Vln.

&

King of Underworld

Vc.

Db.

j j j j

B. D.

Hp.

Pi mosso

##
& b j j j j

Cl.

110

Fl.

j j

&

b b

j j
j j

j j j j

b
>

>
J

w
> >
b w j

n #

Pi mosso

bw
> >
King j
w

>
J

Orpheus

j j
j j
b

bw

22
117

Fl.

&

b >

>
J

>

>
J

B. D.

##

&

n # j
/

T.-t.

Cl.

Vln.

Vc.

&

&
Hp.

>

#
J

b

>
>
>
j
b

J
>
>
>

>
b

J
J
>

j
b

#
J

#
J

Orpheus con forza

Db.

Fl.

&

Cl.

##
&

B. D.

T.-t.

&

>j

122

Hp.

Vln.

Vc.

Db.

&
?

>

(King)

b w

b>

b
>

b>

b>

>
b

Orpheus

23

##
&

Cym.

&

Vln.

&

Vc.

Db.

# #

# w

#w

# w

soft mallets or bowed

~~~
~

~~~
~

Hp.

B. D.

~~

Cl.

>
b

b>

>

b>

#
#

~~~
~

Fl.

~~~
~

128

&

# # #

# #
# #

# w

# w

w
w

Orpheus

24

SCENE II - Eurydice and her Father

Wedding March recapitulation

Warning: Father: I'll take you to him.
Cue: Father: It's for the best.

Roman Benedict

q=52

Flute

Clarinet in Bb

9
& 8

## 9
&
8

9
& 8
Harp

? 9
8

4
4

4
4

4
4

4
4

q=52
sord.

Violin

9 b
& 8

Violoncello

? 9
8

p sord.

4
4

4
4

4
4

p sord.

? 9
8

Double Bass

140

Fl.

4
& 4

?4
4

Vln.

Vc.

Db.

#
mf

4
&4
Hp.

mf

4 b b b
& 4 b n
3
3
? 4 b b b
4
? 4 b
4

b b

w
w

w
w

Walking Sequence
146

Hp.

Vln.

Db.

Adagio

# ## 5
& # 4

{
Adagio
#### 5
4
&
? #### 5
4

w
w

w
w

w
w

w
w

w
w

25

Pi mosso

153

Cl.

Hp.

Vln.

Db.

#### #

& #
##
& ## w
w
? ####

B. D.

Vln.

Db.

w
w

w
w

dolce

# w
w
# J

do not play bar if Eury has

already said "where is his music"

###
&

w
w
? # J J

w
w

J
J

w
w

J
J

accel.

w
w

J

w
w

J

3
4

3
4

3
4
3 J

4

3
4

3
4

accel.

&
?#

Pi mosso

####
&
? ####

&
Hp.

159

Cl.

###

n b

26
Poco Con moto q=95

166

Fl.

#
&

Cl.

###
&

B. D.

nJ

Cym.

nj n
b

soft mallets

T.-t.

Hp.

?#

Vln.

#
&

Vc.

?#

Db.

?#

Fl.

#
&

Cl.

###
&

Cym.

T.-t.

?#

#
&

?#

?#

b n b n

n n

ff heroically

Db.

mp 3

Vc.

b b b

B. D.

Vln.

Hp.

Poco Con moto q=95

J

b
b n
b

175

n b

&

mf

&

27
179

Fl.

# n
&

Cl.

### n
&

B. D.

Cym.

T.-t.

Hp.

{&

Vln.

Vc.

Db.

#
& n

Tri.

n
n
nj

?#

'ping'

attacca

pp

fff con forza - grab her

?#

# #

bw
#4
& 4

184

Vln.

Harp and Double bass pass a G between them to end of scene (they walk away)
on cue Percussion maintains a simple pulse (two cues)

SCENE III - Stones Dialogue

Undoing string room

185

Andante

#4
& 4

Hp.

b
bb

? #4
4

Vln.

Roman Benedict

bbb

Andante

#4
& 4 w

pp

bbb

28
193

Cl.

b w
&
b
&b b

Hp.

? bb

bw

bb
& b w

Vc.

?b
bb

Db.

Vln.

nw

pp dolce

? bb
b

199

Fl.

bb
& b

Cl.

w
& b

b
&b b
Hp.

? bb

Vln.

Vc.

Db.

bb
& b b

?b
bb

? b b n
b

w
w

Build up strange watery noises around Father: Go inside the house.

Enter individually and quietly.
This is not a horror movie.
Fade into silence at end.

Final Sequence

Roman Benedict

204 Slow - getting slower

Tri.

/ 4

Hp.

? #4
{ 4

Db.

? #4

softly, hesitantly

n
n

hesitant

hesitant again

A Short burst of watery noises

a mini climax
then silence...

29

Appendix I
Guidelines for "Strange Watery Noises"
These cues should feel sparse and empty. The sound should feel quite
dirty and contain as few pure notes as possible. This should be
impovised by these performers, alternating between units, rather
than all playing at the same time.
Free time (very slow)
exhale through flute, ad lib sparse key taps

Flute

#
&
w
p

Clarinet in Bb

wide vib.

###
&

pp

Snare Drum

slow circles with fingernails or wire brushes

w
p

&
Harp

gently tap a low string

?#

~
~~~~

~ ~~~~~

(let ring)

ppp

Free time (very slow)

Violin

slide bowhair up the strings

#
&

pizz into silence

3

mp

fp

slide into nothingness

Violoncello

~~~~~
~o

?#

Double Bass

?#

quiet scrub

slow glissandi

w7

pp

pp

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

30

Appendix II
Guidlines for "String Room Music"
This cue is more straightforward. The sounds
should be as clean as possible, with natural
harmonics ringing out with as much space around
them as possible. The order, choice and length of all
harmonics is up to the musicans, and the length of
the cue is up to the actors. They should feel free to
use motifs from earlier cues, but they must sound
like the are 'blowing in on the breeze'

Harp

Violin

Violoncello

Double Bass

#
& o
?#

# o
&
#
B o
? # o

o
o
o

wo

o
o

o
o

o
o
o

o
o

o
o

o
o