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we are the Graphic Production Class
[NAME]
T
his magazine was designed and
Through this magazine we are both of this “redesign”. Since the invention of
calling for a new outlook on its purposes become ubiquitous and redundant. We
as fundamental to the
I
nterpretation of the conceptual is
ication through language.
human experience as is our commun
d language has created itself
Throughout the history of humankin
esent that which we hope
in many forms to symbolically repr
of unfolding…one thought
to express. It is always a process
GABRIELA ASCHENBERGER 1
HAREEM CHEEMA 5
LAUREN FRIEDRICH 9
GLYNNIS KOIKE 15
SAMANTHA KOWALSKI 19
DAVID MAYMAN 23
IVAN ROCHA 27
G a b r i e l a
Asch e n b e r g e r
I am Gabriela Aschenberger
[NAME]
I
was born in Rio de Janeiro, Brazil.
I’ve been interested in art since school. I wasn’t sure about which
my life.
2
RE: DESIGN
r i e l a
Gab chenberger
tos,
cada será u mais unifi-
ma linha d
avanço. De e
sta fusão d
elementos e Stars shine
on
impornte
decorre um Are you Pa c2 TV.
a star ?
estado inte
-
As
this is my Philosophy [noun]
S
ergio Rodrigues was born in 1927
Work
works that
and Urbanism School of the Brazilian of Brazilian furniture, creating
University), currently known as the search for a national identity. this is my [noun]
I
(UFRJ The Federal University of the State of 1957, ’m involved in different applications
Poltrona Mole (Soft Armchair)
of Rio de Janeiro). International of design. In Brazil my focus was
which received a prize in the
in 1961. Product Design. I have worked with a lot spray paint. Which one is the original?
Furniture Contest in Cantu, Italy
Italy started of materials, for example plastic, metal,
At this time, Isa of Bergamo,
I don’t have a lot of experience in
and exp ort it resin, and wood.
to manufacture the armchair
Graphic Design, but I’ve done some
to many countries.
One of my projects was to replicate an illustrations using the mono type and
existing product that could be found in stencil techniques. I have designed web
my home. I made the vacuum cleaner site mock-ups, and developed corporate
above with wood and painted it with identities. One of the areas that I am most
product design.
4
RE: DESIGN
Hareem
I am Hareem Cheema [NAME]
H
i, I am Hareem Cheema! I was
born in Lahore, Pakistan .
I spent some of my childhood
in Riyadh, Saudi Arabia. I
moved to Colorado when I was
seven and then to the Bay Area
four years later. I am currentl
y a senior at the University of
the
Pacific, Stockton campus stud
ying Graphic Design and busi
ness.
6
RE: DESIGN
h i s i s m y P h il o s ophy
t [noun]
In order to create good design, I believe it is important to collaborate with other creative thinkers.
My objective is to work in a creative teamwork environment to maximize my potential as a designer.
y I n s pira tion
is i s m [noun]
th
German nationality.
painter of
I am inspired
by his work because
of his rich use of
repetitive pattern an different mediums to cre
d color. He was ate artwork.
inspired by Islamic tex He often used geometric
t work and Islamic forms and his
tile because of its fla work had a fragile childli
t quality. Islamic ke quality to
this is my Work
art is non–representat them. He has inspired me
ional, which was in my use of
[noun]
another inspiration color and pattern, as we
for his work. I am als ll as layering of
o
inspired by Islamic art different mediums and
, and like his work experimentation.
T
for his use of pattern As a designer, I am influen he works that I
and color. I also like ced by his use have chosen to
his use of mixed me of geometric forms and show are ones
dia and combining also want to that show my st
yle,
experiment more with the which includes
look of simple a lot of use of pa
ttern
inspired by the
childlike quality added and color. I reall atmosphere an
into my designs. y enjoyed mak d culture
ing these
of the region. W
pieces because ith my use of co
I could incorpo lor and
rate so
pattern, I create
many technique d a South Asian
s as well as idea look. I
s into my
created multip
designs. These le pieces for th
projects all had is project,
a strong
inspired by my
theme and conc painterly style
ept behind them and used
. One of mixed media fo
the pieces show r the look of th
n here is my Pa e restaurant
kistani and
to come togeth
Indian Restaura er. I used fabric
nt design, which to add to
was was the theme and
concept of the
project. I
also experimen
ted with this m
edium and
incorporated it
into my designs
.
8
RE: DESIGN
L a u re n Fri ed rich
I am L a u re n Frie d ri ch
[NAME]
and this is my
B iog ra p h y
[noun]
M
y name is Lauren and I am approaching my senior
Modesto, California.
10
RE: DESIGN
La u re n Fri e d h
Ph il o so p h y
this is my [noun]
I am passionate about graphic design because of its ability to communicate in a way that
stimulates ideas and emotions. I hope to be a communicator through my designs by making a
positive difference within communities, provoking action and thought among all types of people.
this is my I n sp ira ti on
[noun]
T
he works of Willem Sandberg are
influential to me as a developing
forms. As a Graphic Designer from the played with textures that contrasted
Netherlands, Sandberg was influenced by with the smoothness of the type. This
a style in art history that I find fascinating appealing because of the rhythm that is
I
because of the simplification of forms that created throughout the page. Even with n the work I create, my goal is to
are used in dynamic ways. Sandberg used all of these contrasting elements and always have a concept-driven design
a lot of contrasting type sizes that created textures, Sandberg allowed for his work where every element has meaning and
interesting compositions of white space. to remain clean and simple. I like the purpose. Along with this structure, I and visually in the various works I
overall balance he was able to maintain have an interest in how shapes can form have done. As my inspiration, I hope
in his designs, while varying the different negative space to create interesting my study and interest in Sandberg will
graphic variables. compositions. Shapes are repeated strengthen my typographic skills and
12
RE: DESIGN
Gl ynnis
I am Glynnis Koike [NAME]
I
’ve never been very good with these biography things. What
try for the sake of the reader or whoever may want to know
in
So to start with a standard beginning, I was born and raised
happened to be me.
when
I do not know when my interest in art began. Maybe it was
I saw Disney’s “Beauty and the Beast” for the first time. I would
and a frigate.
16
RE: DESIGN
Gl y n n i s Philosophy
C
ivine
omedy
this is my [noun]
19 2 8
T AK E TH E RO AD
TH AT LE AD
S TO H EAVE N ... . OR
H EL L .
Pay homage to the traditions of the past while placing those same traditions in the Pa ri
Po s s ib le
On the Edg
e of the
this is my Inspiration
[noun]
IN 1957, THE
constructio
n of one of
tural feats the greate st
I
of the twe architec-
ntieth centur
f I had to choose an influence, it would Ope ra Hou se,
perche d on
a mam moth
building of
y began: the
ceramic and
Sydney
the coast of steel,
the Tasman
a design com ian Sea. A
petitio n, the result of
be Alphonse Mucha. I do not know the most fam
ous and rec
ope ra hou se
ognizable buil
stan ds as one
of
modern era ding s of the
. Yet what
of its creato
r?
a memo ir by
OF THE POSSI
BLE tells
Danish archite the compell
ct Jor n Utz ing stor y of
on and his
the conception nine years'
it’s the organic forms, maybe it’s the
and constru work on
Hou se. Tak ctio n of the Sydney
ing inspirat Ope ra
$10.00 USA ion fro m ship
orange pee s' sails, cav
ls, Utzon idea es, and
lize d the ima
jor n utzon
iconic structu ge that is now
detail, maybe it’s just the sheer, elegant
re of Austral an
ia. An epic
min d and sou journey of
l, complete the
with disappo
tragedy, and intm ent, fru
yet ultimat stration,
ely triu mph
tale of one , this is the
beauty of his pieces. However, I think it I would love to nurture a style that
man and his
master piece.
enduring
a me mo ir by
an ar ch ite
ct
Work
is mostly the fact that it is a nostalgic includes such a thing.
style, something that uses the fine arts,
this is my [noun]
the past, and design to create this unique Thus, in relation to my own pieces,
means of visual communication. There is
T
perhaps a person may see this he work I do is very much a mix
also the grace that is imbued in his work; influence or perhaps not. Mucha is not between extreme detail and
the only designer that influences me, ng an
simplicity. Two complete opposites, but as well as a computer. Conveyi
but he is certainly an important one. rite of
that is how I like to create new things, abstract concept is also a favo
such a
by juxtaposing two different elements mine; it is a challenge to show
ome
against each other. One characteristic thing visually and I gladly welc
18
RE: DESIGN
Sa mantha Kowalski
I am Samantha Kowalski [NAME]
H
i, I am Samantha Kowalski! I’m currently a Junior/Senior
eight years old. I’m an only child which influences why I am self
my Senior year I never took an art course other than art history.
the moment for the day I can stand before a Judge and argue a
project whether it’s large or small I throw myself into it. Whether
20
RE: DESIGN
m a n t h a K o wa l s k i
Sa this is my Philosophy
[noun]
I base my design philosophy on creating designs with a personal touch. I like to create designs
that are unique to business in which they are for giving them a personal and customized look.
this is my Inspiration
[noun]
M
ichal Batory is a famous Graphic
the country. I really like how his use of be conventional it can be manipulated
collage and interesting juxtapositions. to work with any image. One reason he
read any of his posters. I think that many this is my Work [noun]
because it brings together different times the content of the poster can
T
images to create a whole new image. His take us away from the creativity of the he work that I feature above shows
typography is playful and dynamic. For design. This language barrier allows me some layouts that I have created
instance, typography doesn’t have to to see the design first and then try to within Adobe InDesign, Illustrator, I approach design in a unique way. I
differentiate his message. In this way I and Photo Shop. Not only do I show create designs that are different and
challenge myself as a designer because my Graphic Design work, but also an unique. I incorporate bold color and
communication is essential to good example of a computer based illustration compositions that stand out. I believe
Graphic Design. combined with the traditional media of that design should be fun and creative.
also show an example of a painting that I that makes them unique. My favorite
have done in the upper right hand corner technique is collage. I like the layering of
Graphic Design.
22
RE: DESIGN
David Mayman
I am David Mayman [NAME]
I
at
am currently a 20 year old third year Graphic Design student
I was born in West Hills, CA, one of the many suburbs of Los
its first
Angeles. I attended New Community Jewish High School in
of the
year of existence, and helped build it to quickly become one
in
largest private schools in Los Angeles. There I began my interest
in, and
Graphic Design by designing for different clubs, bands I was
joined
the school newspaper. I also found a passion for music, and
to be
In my second year at Pacific, I became the first sophomore
After
hired by ASUOP Design, the associated students’ design firm.
In my
a year as a designer, I quickly rose up becoming the rehire.
the
second year at ASUOP Design I took a supervisor role over
new
other designers and became producer of ProwlTV, a brand
d
closed-circuit TV network on campus. In 2009 I created animate
I
ads for ProwlTV using motion graphics skills I had taught myself.
e
A good graphic designer inherently has the power to influenc
we, as
the masses and change history. I have a strong belief that
al
the next generation of graphic designers, must see our potenti
lly
to influence the masses; we must make sure that we persona
in the
believe in what we are influencing. There is unbounded merit
24
RE: DESIGN
D a v i d M
this is my
a y m a n
Motivation
[noun]
I am motivated to master the art of visual communication in a fresh, intuitive manner through a
multitude of media. I am dedicated to reshaping design and making its future more pure through
outstanding quality and ethics.
this is my Inspiration
[noun]
M
ilton Glaser is a renowned
most communicative way develop a I also admire what Milton Glaser did to
design without becoming convoluted or the field of illustration. In the 1950s the
too complicated. His work is also very quality of photography finally began to
fun, stylized, and doesn’t take itself so surpass that of illustration. Milton Glaser
seriously. His work is highly identifiable and his associates at Push Pin Studios this is my Application
[noun]
and strangely understandable by saw this trend and revitalized illustration
F
anybody. It is freshly engaging. or the past eight years I have been
could not. They ushered in the age of
discovering my design style and
believe
conceptual illustration, which proved to content they are portraying. I
determining what I feel is valuable. At
ision
be a very valuable communicative device. in having a reason for every dec
this point in my design career I strive
is my goal
that is made in the design. It
My work may not be visually influenced for diversity. I feel that in this day and
rly as
to portray the concept as clea
by Milton Glaser, but it is conceptually. age we must be able to do anything and
ant and
possible while still exploring eleg
The effect his work has had on modern everything, and somehow even more. I try
this may
innovative solutions. Though
design is very fascinating, and I admire his to keep my over arching goal of utmost
diminish
seem restrictive, I do not let this
courage to start such a radically different quality in mind at all times in my design.
that if the
my creativity in any way. I feel
style. He was one of many trailblazers I try to base my designs strictly on the
e loses
message is lost, the design piec
that shaped the way we see design today. e to make
its meaning and impact. I striv
e to stray
my designs meaningful and hop
design.
away from simple “eye-candy”
26
RE: DESIGN
Ivan Ro cha
I am Ivan Rocha
and this is my
[NAME]
I
was born in Denver, Colorado, on January 29, 1987. I was the
I’m afflicted and at the same time equally grateful to have had
for “art’s sake” but art for my sake. However, in the process of
28
RE: DESIGN
Ivan o
R ch
this is my
a Philosophy
[noun]
Imagination is key
M
y design work often draws
from a variety of sources and in 1921. After four years at the Bauhaus,
styles. However, an artist that I continually and advertising. Bayer was among the
refer back to for inspiration is Herbert leaders pushing the limits of design.
Bayer. He was born on April 5, 1900 in a What I admire most about this artist
He became known as a “Renaissance Man” his design practices and the universal
for mastering various trades including ideology he imbued in his work. For this is my Vision
[noun]
graphic design, painting, photography, me, his work and ideas have come to
W
typography, and architecture. At age 20, represent an infrastructure; a sort of hen I design I generally don’t
He ventured to Germany and discovered starting point from which I can spring try to employ any particular
the Bauhaus school of art, which he joined board into my own ideas. style. I feel that the overall look should
30
RE: DESIGN
these are our Production Notes[noun]
alternative fiber papers, made with 100% green energy, and is Green
The pages within the magazine are printed on Neenah Mesa White
Smooth 80lb text paper. This paper is made with 50% alternative fiber,
80lb cover paper. Like the pages within the magazine this paper is
also 50% alternative fiber, such as bagasse or bamboo, and 50% post
consumer fiber.
The magazine was printed on an EPSON Stylus Pro 4800 printer with
printer profile Pro 4800 EMP_MK and media type enhanced matte
The typefaces that were used were Gotham Book for the body text
Environmental Savings
of wood which is less than one tree and saved enough oxygen for
one person. We saved seven gallons of water which is enough for one
power one house for one day. We saved two pounds of carbon
emissions which is equivalent for one tree growing for ten years. We
saved one pound of solid waste which equals one 32 gallon container.
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